Psyop Cinema

Brett, Thomas, and Steven have a comprehensive discussion of the 1998 Tony Scott film Enemy of the State, a movie with an underrated amount of conspiratorial significance. Scott is among the all-time best examples of intimate Hollywood/DC collaborations, and the film is the paradigmatic instance of predictive programming, for both 9/11 and the rise of the surveillance state. We have one of our most in-depth discussions of revelation of the method and cover how the movie functioned as a demoralization tool, both for the general public and potential whistleblowing insiders. If you enjoy Psyop Cinema, check out Cultural Engineering Studies magazine - https://decoding-culture.com/product/cultural-engineering-studies-issue-1-print/ https://twitter.com/StevenDeLay4https://stevendelay.com/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Our long-awaited analysis of Joker: Folie à Deux, a film so sadistic that even mainstream critics noted its contempt for its audience. In one of the ultimate exercises in Hollywood hypocrisy, the movie seeks to reinforce the psy-op of the 2019 film while simultaneously morally condemning the audience for falling for that psy-op. We analyze the movie's demonological subtext and discuss how Folie à Deux is interestingly distinct from both standard Joker Cycle films and from overt Hollywood goddess worship. The Joker Cycle - https://im1776.com/prints/issue-3/the-joker-cycle/If you enjoy Psyop Cinema, check out Cultural Engineering Studies magazine - https://decoding-culture.com/product/cultural-engineering-studies-issue-1-print/  https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com  

Brett and Thomas are joined by Sean McCann and Dr. Hans Utter for a deep dive into Angel Heart, a mystery horror movie released in 1987, directed by Alan Parker and starring Mickey Rourke and Robert De Niro. Set in New Orleans in 1955, the film is a Faustian tale about the disappearance of a singer named Johnny Favorite, giving us the chance to consider the occult origins of the modern music industry at length. A Satanic film about Satanic pacts, Angel Heart is filled with revelation of the method designed to disorient and destabilize its audience and contains abundant subtext about how the MK-entertainment industry creates IMSAs (Illuminati Mind Slave Artists). We also speak extensively about the nexus of voodoo, the occult, and modern styles of music.https://onegreatworknetwork.com/sean-mccannhttps://x.com/SeanWakeTheDead Eyes Wide Open Hans Utter Investigateshttps://x.com/EWOhansutter https://hansutter.com/ https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinema thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.comhttps://decoding-culture.com/magazine-home/ 

Returning from our unofficial hiatus, we continue our series on Oliver Stone. The early 1980s saw the release of a few films written by Stone that centered upon violent antiheroes. We talk about John Milius and his clash of visions with Stone over the approach to mysticism in 1982's Conan the Barbarian. Next, Scarface and The Year of the Dragon both unsuccessfully grasp toward Stone's political turn, while the much higher quality Salvador (1986) is the movie that truly brings Stone into his own as a filmmaker. Analyzing the insights and limitations of Salvador's critique of the CIA, we consider how its protagonist (journalist Richard Boyle, played by James Woods) reflects Stone's evolving approach to masculinity and to the legacy of the counterculture.   https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com  If you enjoy Psyop Cinema, check out Cultural Engineering Studies magazine - https://decoding-culture.com/product/cultural-engineering-studies-issue-1-print/ CORRECTION: Tony's boss in Scarface was played by Robert Loggia, rather than Frank Langella

The first episode in an extended series about Oliver Stone. Despite Stone being known for political films that deal with recent American history, his first two directorial efforts are surprisingly strange horror movies. Our discussion of Seizure and The Hand takes us directly into analysis of Hollywood occult ideology about the power of the imagination. We also note how his screenplay for The Midnight Express provides a glimpse into the kind of social critique that characterizes much of his later work. While Stone displays insights and a sincerity that separate him from overtly manipulative directors like Nolan and Fincher, we note that his filmography contains several unsettling ambiguities and that his early career suggests some interactions with intelligence services. https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com    

Sean McCann returns to Psyop Cinema to unveil the Fidelio Experiment—which, we are quite confident, is not only the state-of-the-art in occult Kubrick studies but the key to unlocking the final secrets of the cinematic master. Sean first takes us through his long investigative journey, including his previous milestone, “The Butterfly Net,” and explains how he finally cracked the Kubrick code. After applying the password to Eyes Wide Shut internally as well as to the bulk of Kubrick's filmography, Sean and Brett then compare this grand unified theory against the information provided in Jasun Horsley's The Kubrickon regarding Kubrick's early relationships with the deep state and the core Thelemite circle in Hollywood. Finally, Brett highlights the almost completely ignored direct link between Kubrick and the Third Reich, revealing who “the Nazis” really were for Kubrick.https://onegreatworknetwork.com/sean-mccannhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinema thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

The concluding episode of our series with Steven DeLay on the films of Terrence Malick. Thomas gives a speculative explanation for why Voyage of Time (2016) was so unwatchably bad. We have an extended discussion about the beautiful depiction of Christian martyrdom in Malick's 2019 film A Hidden Life, which portrays the life of Franz Jägerstätter, a conscientious objector under the Nazi regime. Brett (rejoining the Malick series for the first time since the initial three episodes) gives his opinion on some of the films that Thomas and Steven have analyzed in recent entries. Finally, we talk about our overall impression of Malick's work and career and give our picks for his best and worst films (in terms of both themes and craftsmanship).https://twitter.com/StevenDeLay4https://stevendelay.com/https://sunypress.edu/Books/L/Life-Above-the-Cloudshttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinema thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Joined by Luemas from Chant It Down Radio, we analyze the cult classic Donnie Darko. This 2001 film directed by Richard Kelly includes the involvement of plenty of sus Hollywood figures, including major Monarch actress Drew Barrymore. We talk about time travel mind control, sexual revolution propaganda, and the movie's countless other dark symbols and themes.https://www.chantitdownradio.com/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com 

Thomas goes on William Ramsey Investigates to discuss his essay "A Digital State: Ukraine as Cultural Engineering Laboratory," written for issue #1 of Cultural Engineering Studies magazine. Thomas describes the dozens of music videos filmed in the last couple decades in Kiev by highly sus Western artists, which frequently feature occult and trauma-based mind control symbolism. They talk about the Ukrainian entertainment industry, the Zelensky government's Ministry of Digital Transformation, and Ukraine's function as a testing ground for the globalist technocratic agenda.https://decoding-culture.com/https://decoding-culture.com/a-digital-state/https://decoding-culture.com/cultural-engineering-studies-issue-1/https://decoding-culture.com/ces-issue-1-index/ https://www.williamramseyinvestigates.com/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinema

Brett goes on William Ramsey Investigates to discuss his essay "NASA and Hollywood: A DCF Research Report, Part 1," written for issue #1 of Cultural Engineering Studies magazine. As Director of Research Operations for the Decoding Culture Foundation, Brett has looked deeply into NASA's collaborations with Hollywood, through FOIA requests, archives, and direct communication with NASA's entertainment liaison. They discuss his findings and how they indicate that something more is at work in the Hollywood/DC relationship than simple national security state propaganda.https://decoding-culture.com/https://decoding-culture.com/nasa-and-hollywood/https://decoding-culture.com/cultural-engineering-studies-issue-1/https://decoding-culture.com/ces-issue-1-index/ https://www.williamramseyinvestigates.com/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com    

A clip of Brett discussing Oliver's Stone's autobiography, Chasing the Light, from an extended Patreon-exclusive prelude to our upcoming Oliver Stone series. Check out our Patreon to hear Brett run through Stone's entire filmography (including many of his writer and producer credits) and give a very personal overview of Stone's life and work. https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

In a new installment of their series on David Fincher, Thomas and Brett cover The Killer, Fincher's 2023 hitman thriller starring Michael Fassbender. They discuss Fincher's continued preoccupation with psychopathy and the dark self archetype, the film's hints concerning deep state conspiracies and the Thelemic religion of Hollywood, and its surprising thematic connections to Fincher's previous film, Mank.  Just as Oppenheimer confirmed the show's conclusions about Nolan, The Killer totally validates the Psyop Cinema reading of Fincher.https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com   

Thomas and Steven continue their analysis of True Detective, this time joined by Jasun Horsley for a conversation about season two. Finding the season significantly underrated, they talk about its mixed reception and contrast its approach to that of season one. Resuming discussion of Pizzolatto's treatment of masculinity, family, and sexuality, they also find much worth considering in the season's depiction of the parapolitical dimensions of the California counterculture.https://childrenofjob.substack.com/ https://landmademan.com/books-by-jasun-horsley/ https://twitter.com/StevenDeLay4https://stevendelay.com/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinema thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Thomas and Steven conclude their analysis of Malick's Weightless trilogy, looking at his 2017 film Song to Song. With this movie, Malick solidifies the Weightless trilogy's status as authentically Christian (specifically, Kierkegaardian) cinema. Using the setting of the Austin music scene, it delivers a positive message concerning the emptiness of hedonistic contemporary culture and how that lifestyle might be escaped. Thomas and Steven pay special attention to Michael Fassbender's role as a sinister record producer named Cook, Malick's version of a Miltonian Satan, a character that hints at the dark occult underbelly of the music industry.https://twitter.com/StevenDeLay4https://stevendelay.com/https://sunypress.edu/Books/L/Life-Above-the-Cloudshttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinema thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We are joined by both William Ramsey and Sean McCann for a discussion that follows up on the analysis we did with them earlier this year of Leave the World Behind. Unpacking the surprisingly dull recent Alex Garland film Civil War, we also spend time talking about the much more lively film The Second Civil War, a 1997 made for TV movie directed by Joe Dante. The Second Civil War offers a satirical depiction of a heavily diversified America that is unable to cope with the complexities of globalization and is on the brink of violent conflict. We analyze the political ethos driving each film, considering their approaches to the ideal of journalistic neutrality, and discussing the extent to which Garland's film offers a pretense of being non-ideological. These films also give us the chance to offer our interpretations of recent American political developments and our thoughts about whether the events of such movies may represent our genuine future. https://www.williamramseyinvestigates.com/https://onegreatworknetwork.com/sean-mccannhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinema thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Thomas and Steven discuss the first season of True Detective, analyzing its iconic depiction of occult conspiracy. They talk about the series' treatment of religion and philosophical pessimism, its approach to masculinity, and the thematic ambiguities of the show's conclusion. While expressing appreciation that this masterpiece of television includes so many positive notes, they also discuss the limitations of even well intentioned media depictions of organized ritual abuse. https://twitter.com/StevenDeLay4https://stevendelay.com/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinema thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com 

Continuing their examination of the Weightless trilogy, Thomas and Steven explore Knight of Cups, Malick's 2015 film that dreamily depicts a screenwriter's search for meaning, as he wanders through the maze of Hollywood life. Analyzing the film's gnostic and tarot reference points, they again seek to discern whether Malick is subverting standard Hollywood spirituality with a distinctly Christian vision. Thomas theorizes that Malick's use of the tarot is a sly and sophisticated critique of Hollywood hedonism as well as the occult worldview that underpins it.https://twitter.com/StevenDeLay4https://stevendelay.com/https://sunypress.edu/Books/L/Life-Above-the-Cloudshttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinema thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We joined our friend Jay Dyer on his show for a discussion about three films that deal with trauma-based mind control designed to cultivate psychical powers, particularly in children. Breaking down De Palma's The Fury, Cronenberg's Scanners, and Mark L. Lester's Firestarter, we talk about theta programming, the real history of government-sponsored psychical research, and the occult ideology that drives such experimentation. Films such as these program their audiences to venerate mutants and crave the catharsis of seeing their powers unleashed. https://jaysanalysis.com/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com  

Jasun Horsley joins us for a conversation about his book Big Mother: The Technological Body of Evil, which analyzes the Satanic techniques that converge upon the human body in the modern world. Topics of discussion include how the Wachowskis' red pill turned blue, the significance of the COVID-19 pandemic, how the occult divine child relates to Big Mother, some disagreements about Satan, and whether Sam Harris has more children in his basement than Ted Bundy.https://childrenofjob.substack.com/ https://landmademan.com/big-mother/https://landmademan.com/books-by-jasun-horsley/ https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com 

Thomas and Steven continue the Terrence Malick series, introducing a discussion of the Weightless Trilogy, which begins with To the Wonder (2012) and constitutes some of the most fully realized Christian cinema ever produced. We talk about Malick's Kierkegaardian inspiration and analyze the film's depiction of romance, family, and the search for God.https://twitter.com/StevenDeLay4https://stevendelay.com/https://sunypress.edu/Books/L/Life-Above-the-Cloudshttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

As a sequel to our Taxi Driver episode, we analyze Paul Schrader's 2017 film First Reformed, an explicit work of religious engineering. We examine how the movie's sophisticated propaganda depicts the dying remnants of American Protestantism being absorbed into the globalist religion of the future, complete with worship of the earth mother goddess. We also talk about apocalypse programming, provide further background on Schrader, and discuss some recent disturbing comments that he's made.https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com  

A return to our series on Christopher Nolan, discussing how Oppenheimer makes explicit the globalist politics implied by the sci-fi transhumanism of some of his previous films. We analyze how the movie  treats standard Nolan themes, such as the master manipulator and the death of the soul (often symbolized by the death of women). Oppenheimer's depiction of the Promethean salesman of science gives us further confirmation of Nolan's significance as a cultural engineer.https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com 

In a discussion that much of our longrunning Joker analysis has built to, we do a deep dive into Martin Scorsese's Taxi Driver (1976). We explain the foundational place of Scorsese's film in the feedback loop between media and spectacular crime that we call the Joker Cycle. Looking at other relevant films and filmmakers, we speculate on the possible role of Brian de Palma in the Taxi Driver psy-op, discuss Peter Bogdanovich's Targets (1968) as an early entry into the feedback loop, and explain the over-the-top revelation of the method in The Last Horror Film (1982). Breaking down Taxi Driver, we talk about the manufactured profile of the lone wolf spectacular criminal, Travis Bickle as proto-incel, and how the movie is a paradigmatic example of MK-culture reality/fiction breakdown.CORRECTION: The Terror was released in 1963 rather than 1968.https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Thomas joins Luemas on Chant It Down Radio, discussing the first three films in the Jason Bourne franchise. Starring the deeply sus Matt Damon, limited hangouts and revelation of the method abound in these movies. Discussing how Hollywood's political messaging has shifted over the last couple decades, Thomas and Luemas explain how the exceptionally spooked-up filmmakers behind this franchise blend sincere critique of CIA wrongdoing with disturbing fetishization of mind control.https://www.chantitdownradio.com/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We and Sean McCann joined William Ramsey for a discussion about the recent Obama-produced apocalyptic thriller Leave the World Behind. Directed by Sam Esmail, the movie is filled to the brim with globalist propaganda concerning social collapse, 'disinformation,' and the need to trust the technocratic elite at all costs. It also includes the usual subtext concerning the virtues of dissociative pop-culture mind control. https://www.williamramseyinvestigates.com/https://onegreatworknetwork.com/sean-mccannhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Thomas and Steven discuss the spiritual and social themes of The Tree of Life, Terrence Malick's 2011 coming-of-age of drama with a cosmic background. They unpack the narrative's biblical references to Genesis and Job, and Steven describes the film's resonances with Augustine, Freud, and Dostoevsky. Analyzing the film's dichotomy between a motherly "way of grace" and a fatherly "way of nature," they disagree about whether The Tree of Life's critiques of 1950s American family life are biblical or aligned with standard Hollywood worship of the divine feminine.https://twitter.com/StevenDeLay4https://stevendelay.com/https://sunypress.edu/Books/L/Life-Above-the-Cloudshttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Continuing the discussion that began with our analysis of Blade Runner, we look at the legacy sequel released in 2017 and directed by Denis Villeneuve. Blade Runner 2049 intensifies the psy-op of the original film, making the Monarch tropes and mind control themes far more obvious. The ever-sus Leto appears as a Elon Musk style tech-oligarch with Promethean aspirations. Considering the various perspectives advanced within the film on human/tech hybridity, we find Blade Runner 2049 to be promoting an anti-human worldview even more insidious than that of the Jared Leto villain.https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Brett and Steven DeLay appeared recently on Sean McCann's Wake the Dead podcast to discuss the shockingly detailed accusations of ritual murder, blackmail, and human trafficking made by Richie Albertini, an associate of the Gambino crime family who grew up in the 80s alongside a bevy of future Hollywood A-listers. Albertini was later involved in running phone sex blackmail operations for Mossad, and he was the bar-back at Johnny Depp's Viper room in the 90s. Citing specific films, Brett and Steven explain how incidents like the alleged ritual murder/blackmail initiation detailed by Albertini make their way into Hollywood productions. A must-listen for fans of our Joker series, as one of the top creative contributors to that film is directly implicated by Albertini.https://onegreatworknetwork.com/sean-mccannhttps://stevendelay.com/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We are joined by Sean McCann for a discussion of the films of Panos Cosmatos, analyzing Beyond the Black Rainbow's MKUltra New Age horror and Mandy's dark psychedelic Nic Cage rampage. Getting into his biting commentary on 1960s boomer spirituality and 1980s Reagan conservatism, we discern which countercultural psyops Cosmatos is rejecting and which ones he wholeheartedly embraces. Dark goddess worship, Programmed to Kill style mind control, and dissociative power trips for the powerless make their usual appearances. Finally, we make some comments about The Viewing, Cosmatos' episode of Guillermo del Toro's Cabinet of Curiosities.https://onegreatworknetwork.com/sean-mccannhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinema http://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We talk about Blade Runner, getting into its attack upon the boundaries of the human and its prevalent Illuminati symbolism. Differentiating Philip K. Dick's ill-fated Gnostic impulses from Ridley Scott's overt promotion of the superclass worldview, we contrast the source material and the film, also noting key distinctions between the several cuts of the movie. Blade Runner turns out to be a standard Hollywood sci-fi vehicle for Luciferian transhumanism. https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Our Terrence Malick series continues with The New World, Malick's depiction of the Pocahontas story. Thomas and Steven analyze the film's treatment of religion, romance, and civilization, while continuing to consider the extent to which Malick's mystical themes are Christian. They discuss philosophical questions raised by the film regarding religious pluralism and phenomenology. https://twitter.com/StevenDeLay4https://stevendelay.com/https://sunypress.edu/Books/L/Life-Above-the-Cloudshttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

An extended preview of the most in-depth content yet from Brett's Monarch series. In clips from three full length Patreon-only episodes, Brett details his research on the nightmarish 1985 children's film Return to Oz. This preview of the Monarch subseries provides information on the history of Wizard of Oz programming, the occultic career of of child star Fairuza Balk, and how the entire plot of the film is a coded depiction of mind control techniques designed to generate alter personalities.https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Geoff Shullenberger joins us for an analysis of the recent David Gordon Green Halloween trilogy. He discuses a Girardian reading of Halloween Ends as well the "lab leak theory of Michael Myers." Is the 2018 film correctly read as based and right-wing, or is it more of the same MK-culture fetishization of trauma? Why is Halloween Kills so terrible? And does Halloween Ends present a cringe lib approach to evil or a positive subversion of typical Hollywood incel revenge fantasies?https://outsidertheory.com/https://twitter.com/g_shullenbergerhttps://compactmag.com/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We continue through the Halloween franchise, this time joined by Sean McCann to discuss the strange cult classic Halloween III: Season of the Witch. This unique entry in the series showcases some intense revelation of the method in its combined depiction of technology, witchcraft, and corporate media. We discuss the significance of Samhain and demonic pagan religion in both its ancient and modern forms.https://onegreatworknetwork.com/sean-mccannhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We are joined by Paul and Phillip Collins to discuss John Carpenter's Halloween, in the first of three episodes on the Halloween franchise. They explain the apotheosis of Michael Myers, how this archetypal slasher fits into the occult transhumanist project to transcend good and evil and remake humanity. We discuss depictions of evil within Carpenter's work and how the weaponized insanity of Myers relates to demonic clowns and what we have called "the Joker cycle."Invoking the Beyond: The Kantian Rift, Mythologized Menaces, and the Quest for the New Man - https://www.amazon.com/dp/1663213518https://www.conspiracyarchive.com/author/collins-brothers/https://twitter.com/PhillipDCollin1The correct title of the Spanish film that Brett refers to as Agony is Anguish (1987).https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We discuss The Thin Red Line with Steven DeLay, after first going much deeper into Terrence Malick's background. Considering many remarkable and little known facts about Malick's biography, we analyze his relationship to the academia/media/intelligence culture creating complex. We then talk about Malick's late 90s epic war film The Thin Red Line, discussing whether the underlying religious message is essentially Christian or pantheistic and unpacking the significance of the film's notable casting choices.https://twitter.com/StevenDeLay4https://stevendelay.com/https://sunypress.edu/Books/L/Life-Above-the-Cloudshttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We went on the podcast Debra Gets Red Pilled for a fun conversation about the influential horror film Jacob's Ladder. It's a movie that hits most major Psyop Cinema themes, including religious engineering, trauma-based experimentation, the psychedelia psyop, Gnosticism, and fetishization of dissociation. We talk about the highly suspicious drug experience that led to the writing of this film and discuss the essential place of the Vietnam War within MK-culture. https://twitter.com/DebraGetsPilledhttps://www.deezer.com/us/show/2155432https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

A look at the multi-layered psyop around Sound of Freedom, the popular recent Jim Caviezel film dealing with child sex trafficking. In contrast with the charged discourse around the film's alleged QAnon themes, we analyze the subtle quality of the Monarch 'dogwhistles' actually present in the film. We discuss those involved in the production and promotion of this movie, clarifying which of these figures are highly suspicious and which seem to be benign. At the center of our investigation is Caviezel's career (which is strangely filled with movies depicting memory loss and reality distortion) and troubling persona. Finally, we speculate about the possible purpose of this psyop and how it might relate to our current political landscape. https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Our appearance on William Ramsey's show discussing Arlington Road, a 1999 thriller about domestic terrorism. We show how the film projects the tactics of intelligence services onto the militia movement, resulting in intense misdirection regarding events like Oklahoma City and Ruby Ridge. We also examine the predictably sus credits of the filmmakers, the hints of mind control themes, and the film's overall attempt to undermine social trust and foster the wrong kind of paranoia. https://www.williamramseyinvestigates.com/https://twitter.com/WilliamRamseyInhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Thomas and Mariana are joined by Jamie Hanshaw for a thorough examination of Disney's sinister history. Jamie takes us through Disney's deep state and occult connections, the life of Walt Disney, and how the parks themselves are a microcosm of the spell cast by the dark magic of imagineering. We then talk about Fantasia's probable function as a direct tool of Monarch programming, similiar features in Fantasia 2000, and how Monsters Inc acts as a disturbing revelation of the method. https://www.youtube.com/@jamiehanshaw4378https://jaysanalysis.com/product/hollywood-mind-control-signed-copies/https://jaysanalysis.com/product/weird-stuff-operation-culture-creation-2-signed-copies/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Brett is joined by Steven DeLay to discuss Days of Heaven (1978), from Terrence Malick. An ethereal drama set in the Texas Panhandle of the early 20th century, Malick's second film is a romance dealing with tragedy, jealousy, and deception, as well as a philosophically rich commentary on the loss of paradise. Brett and Steven analyze the film's treatment of religion, technology, and utopian dreams. https://twitter.com/StevenDeLay4https://stevendelay.com/https://sunypress.edu/Books/L/Life-Above-the-Cloudshttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Thomas' appearance from a few weeks ago on William Ramsey Investigates, talking about the suspicious aspects of Taylor Swift. Thomas and William analyze the strange phenomenon of 'Taylor Swift amnesia,' the psychological and spiritual dangers of celebrity-culture, and the overt occult and Monarch symbolism of several Swift videos and live performances. Taylor Swift's recent concerts may represent a phase shift, where mass-scale MKUltra is becoming more intense than ever. https://www.williamramseyinvestigates.com/https://twitter.com/WilliamRamseyInhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

An appearance we did a few months ago on William Ramsey Investigates, discussing Seven Days in May, an early 1960s political thriller about a military coup against the United States president. We analyze the relationship of this film to the Kennedy assassination and consider the complex political dynamics around the killing of JFK and the Kennedy legacy. We also talk about RFK's assassination, RFK Jr.'s candidacy, and the many paths to globalism.https://www.williamramseyinvestigates.com/https://twitter.com/WilliamRamseyInhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Our Leto series takes us to the infamous 2022 film Morbius. Like Leto's career, Morbius is a highly synthetic product, a strange blend of ideas and images from earlier movies in the superhero genre. We cover the memes mocking the absurdity of the film's existence and discuss how Jared Leto in a superhero-vampire role takes us to the exact occult transhumanist themes one would expect.https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Thomas is joined by both Rachel Wilson and Rebecca Dillingham (Dissident Mama) for a discussion of the thriving subgenre of woke-themed horror. We take a look at the movies Antebellum and Don't Worry Darling, breaking down the inversion, projection, and misdirection in their depictions of mind control. Rachel and Rebecca also rip apart the factual inaccuracies in Antebellum's portrayal of the 19th century South and the failed propaganda of Don't Worry Darling's portrait of 1950s suburban America.https://twitter.com/Rach4Patriarchyhttps://substack.com/@rwilsonhttps://www.amazon.com/Occult-Feminism-Secret-History-Liberation/dp/B09NGXZKHB/ - Occult Feminism: The Secret History of Women's Liberationhttps://www.youtube.com/channel/UCZGnJ9SUMgD1Hs_MAQYIUJghttps://linktr.ee/RachelLWilsonhttps://www.dissidentmama.net/https://southernorthodox.org/https://twitter.com/Dissident_MamaResources on American history mentioned by Rebecca -https://www.amazon.com/Roll-Jordan-World-Slaves-Made/dp/0394716523https://shotwellpublishing.com/emancipation-hell/https://www.youtube.com/watch?v=EIuJ9YWddUkhttps://www.youtube.com/watch?v=xeLF8Qxef_chttps://www.youtube.com/watch?v=ZUsclaam8Dc

We are joined by Paul and Phillip Collins to discuss their book Invoking the Beyond. The Collins brothers' research details how the ideology of techno-utopianism replaces the divine with counterfeits such as AI, superweapons, or extraterrestrial 'gods,' using these surrogates to epistemically overwhelm humanity and push for the creation of a 'New Man.' We get into the historical and philosophical aspects of this elite religion of "the beyond," focusing on the increasingly mainstreamed UFO-psyop. Discussing UFO-spirituality gives us the chance to analyze a Spielberg film for the first time on the show, as we unpack the creepy infantilizing messaging of Close Encounters of the Third Kind.Invoking the Beyond: The Kantian Rift, Mythologized Menaces, and the Quest for the New Man - https://www.amazon.com/dp/1663213518 https://www.conspiracyarchive.com/2023/03/09/fire-in-the-firmament-the-alien-deception-accelerates/https://www.conspiracyarchive.com/2023/05/09/ufos-and-the-ghost-of-paul-nitze/ https://twitter.com/PhillipDCollin1 https://twitter.com/CinemaPsyop https://www.patreon.com/PsyopCinema http://psyop-cinema.com/ https://linktr.ee/psyopcinema thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Brett and Thomas are joined by philosopher Steven DeLay, for the first of an intermittent series we'll be doing with him on the films of Terrence Malick. After giving an overview of Malick, we analyze the Malick movie that most directly interacts with the major topics of Psyop Cinema, his 1973 debut Badlands. We discuss how it treats the themes of social alienation, nihilism and dissociation and consider the possibility that this poetic and eerie lovers-on-the-run crime drama is secretly an MKUltra movie.https://twitter.com/StevenDeLay4https://stevendelay.com/https://sunypress.edu/Books/L/Life-Above-the-Cloudshttps://twitter.com/CinemaPsyop https://www.patreon.com/PsyopCinema http://psyop-cinema.com/ https://linktr.ee/psyopcinema thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Brett and Thomas are joined by Sean McCann, for a conversation about Jordan Peele's influential 2017 horror film Get Out. They discuss whether the film's depiction of occult secret societies and trauma-based mind control is ultimately helpful or harmful, getting into the relevance of the film's treatment of racism and what all this reveals about the mindset of the predatory superclass.https://onegreatworknetwork.com/sean-mccannhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Brett speaks with Ken Ammi about Creation of the Humanoids, a 1962 sci-fi film full of transhumanist themes. They discuss the blend of occultism, evolution, and technology, seen in the film's depiction of humanity becoming interchangeable with machines. Brett and Ken also discuss the film's strange background, the usual mind control tropes, as well as the relevance of Gnostic thought. Thomas adds an addendum to their discussion, analyzing a scene that shows the confluence of feminism and the transhumanist agenda.https://truefreethinker.com/ https://twitter.com/CinemaPsyop https://www.patreon.com/PsyopCinema http://psyop-cinema.com/ https://linktr.ee/psyopcinema thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We sift through more serial killer misdirection as we analyze The Little Things, an enigmatic thriller starring Denzel Washington and Jared Leto. All the usual themes of religious engineering and hints of the realities of Programmed to Kill conspiracies are present. Ultimately, this film's odd meta-commentary on the serial killer genre seems to be mostly about Leto's real life pretensions at being a master manipulator.https://twitter.com/CinemaPsyop https://www.patreon.com/PsyopCinema http://psyop-cinema.com/ https://linktr.ee/psyopcinema thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Thomas is joined by two returning guests, James Ellis of Hermitix and Geoff Shullenberger of Outsider Theory, to discuss several John Carpenter films. We talk about the struggle against paranoia and inhuman monstrosity in The Thing, Gnostic-Catholic conspiracies and pop-science in Prince of Darkness, the insights and shortcomings of They Live's critique of consumer capitalism, and we disagree about whether there's anything of cinematic and thematic value in Vampires. Overall, we come to a mixed assessment of Carpenter's work, appreciating some pro-human notes despite his darkly apocalyptic and boomer liberal tendencies. Geoff and James also offer some bonus thoughts on The Last of Us.https://jdemeta.net/https://twitter.com/meta_nomadhttps://twitter.com/Hermitixpodcasthttp://www.hermitix.net/https://www.patreon.com/hermitixhttps://outsidertheory.com/https://twitter.com/g_shullenbergerhttps://compactmag.com/https://compactmag.com/article/the-rise-of-the-biosecurity-complexhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com