Podcast appearances and mentions of Geoff Barrow

Dana and Tom with 5x Club Member, Shane Rogers (Comedian and Host of Midnight Facts for Insomniacs) discuss the sci-fi thriller, Ex Machina (2015): written and directed by Alex Garland, cinematography by Rob Hardy, music by Geoff Barrow and Ben Salisbury, starring Domhnall Gleeson, Oscar Isaac, and Alicia Vikander.Plot Summary: Ex Machina is a cerebral sci-fi thriller written and directed by Alex Garland. The story follows Caleb (Domhnall Gleeson), a young programmer who wins a company contest to spend a week at the secluded estate of his reclusive boss, Nathan (Oscar Isaac), a brilliant but eccentric tech CEO. Upon arrival, Caleb learns he has been selected to participate in a Turing test for Ava (Alicia Vikander), an advanced AI housed in a humanoid robot. As Caleb interacts with Ava, he becomes emotionally entangled with her, questioning whether she truly possesses consciousness—or if he is being manipulated. Meanwhile, Nathan's true motives remain elusive, and the line between man, machine, and deception blurs in a tense psychological battle that builds to a chilling climax.Chapters:00:00 Introduction and Welcome Back Shane06:30 Relationship(s) to Ex Machina09:53 Did You Like the Film?18:37 What Did Ex Machina Get Right and Wrong About AI?25:15 Plot Summary for Ex Machina26:23 Did You Know?27:44 First Break28:21 What's Happening with Shane Rogers?29:41 Best Performance(s)48:35 Best/Favorite/Indelible Scene(s)56:53 Second Break57:32 In Memoriam01:02:58 Best/Funniest Lines01:05:49 The Stanley Rubric - Legacy01:12:01 The Stanley Rubric - Impact/Significance01:15:00 The Stanley Rubric - Novelty01:24:08 The Stanley Rubric - Rewatchability01:27:00 The Stanley Rubric - Audience Score and Final Total01:28:11 Remaining Questions01:33:22 Thank You to Shane and Remaining Thoughts01:37:16 CreditsGuest:Shane RogersComedian and Host of Midnight Facts for InsomniacsPreviously on Broadcast News (1987), The Big Lebowski (1998), Superman: The Movie (1978), There's Something About Mary (1998), This Is Spinal Tap (1984).You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/ex-machina-2015-ft-shane-rogersFor the entire rankings list so far, go to:

"Ex Machina" (2014), música de Ben Salisbury y Geoff Barrow.

Descrito como "música noir para um filme ainda não feito", "Dummy" (1994) marca a estreia do Portishead, trio britânico formado por Beth Gibbons, Geoff Barrow e Adrian Utley. Um dos marcos do movimento trip hop, o trabalho não apenas revelou preciosidades como "Glory Box", "Numb" e "Sour Time", como fez do trio de Bristol um dos mais importantes e influentes do período. Para celebrar o aniversário de 30 anos do disco, Cleber Facchi (@cleberfacchi) e Renan Guerra (@_renanguerra) conversam sobre o álbum que combina momentos de maior melancolia com faixas deliciosamente provocantes. Gostou do podcast? Então apoie a gente em ⁠⁠⁠⁠⁠⁠⁠⁠⁠apoia.se/podcastvfsm

Esta semana, una nueva sesión de Rebelión Sónica, estará dedicada al cuarto y nuevo álbum del trío inglés Beak>, “>>>>”. Lanzado el 29 de mayo a través de los sellos Invada y Temporary Residence Ltd., se trata del primer álbum en seis años del grupo integrado por Geoff Barrow (Portishead), Billy Fuller y Will Young, pues es el sucesor de de “>>>” de 2018. Según la información difundida, las primeras partes de la grabación y escritura de “>>>>” se realizaron en una casa aislada en la localidad galesa de Talsarnau, cuando Reino Unido pasaba por una serie de cuarentenas debido al Covid-19. “En esencia, siempre quisimos esta música fuera escuchada como un álbum y no como canciones individuales separadas", señaló la banda en un comunicado colectivo. “Es por eso que lanzamos este LP sin sencillos ni pistas promocionales”. La declaración agrega que “después de tocar en cientos de conciertos y festivales a lo largo de los años, sentimos que las giras habían comenzado a influir en nuestra escritura hasta el punto de que ya no estábamos seguros de quiénes éramos. Así que decidimos volver a los orígenes de donde estábamos en nuestro primer álbum. Sin expectativas y simplemente tocando juntos en una habitación”. Al final del programa, vamos con material relacionado, específicamente con música del soundtrack del thriller distópico dirigido por Alex Garland “Civil War”, del que Geoff Barrow junto al compositor inglés Ben Salisbury estuvieron a cargo de su composición de temas originales, junto a música de grupos clásicos como Silver Apples y Suicide. Rebelión Sónica sale al aire por radio Rockaxis los jueves a las 10 y 22 horas, como siempre, con la conducción de Héctor Aravena.

Neste primeiro episódio de uma nova trilogia do Eventual Ocultismo, nós falamos sobre o clássico da literatura de ficção científica, Piquenique na Estrada, dos Irmãos Strugatsky! Entre discussões sobre as consequências da instrumentalização da ciência e ponderações sobre o significado de inteligência, nós adentramos a Zona em busca do único e maior desejo da humanidade: felicidade para todos, de graça! Enviem e-mails com comentários para: umeventualocultismo@gmail.com Participantes: Luca Piancastelli, Pedro Santos e Vítor Batista Músicas: The Alien e Disoriented (Annihilation OST - Ben Salisbury and Geoff Barrow); Happiness, Free, For Everyone, And Let No One Be Forgotten (Roadside Picnic - Rozkol)

Invincible UK out-rock trio Beak>, which includes Portishead’s Geoff Barrow, have released their fourth album,  >>>>, (that’s four beak symbols!), about which they say, "At its core, we always wanted it to be head music (music for the ‘heads’, not headphone music) – listened to as an album, not as individual songs. This is why we are releasing this album with no singles or promo tracks.” That said, we’ll introduce you to a track that gives heavy feels for its sinister-yet-cinematic hook, a touch of classic Nirvana and prog-rock, and durability as “Denim.” 

Beak é a banda do cérebro musical do Portishead, o Geoff Barrow, que lançou o quarto disco no mês passado, de surpresa, sem single nem aviso, porque foi concebido pra ser escutado de cabo a rabo como eram as coisas antes do Tik-Tok, na época em que a Alemanha inventou o Krautrock, que serve de inspiração pro Beak recuperar a identidade musical perdida depois tanto tocar em festivais pelo mundo e é o assunto desse episódio. --- Send in a voice message: https://podcasters.spotify.com/pod/show/musicacronica/message

Portishead sind Protagonisten des Trip Hop, der in den Neunzigern an der englischen Südküste entstand. Hip Hop Beats gepaart mit Soundtracks von Spionagefilmen und einer Sängerin, die an der Welt leidet. So kreierten Adrian Utley, Geoff Barrow und Sängerin Beth Gibbons einen unverwechselbaren Sound. Musikradio360 folgt der Band und der Solokarriere ihrer Sängerin.

Alle Links in den Shownotes. Christopher und Melanie über die 17 besten Releases des Monats. Der britische Avantgarde-Künstler und Produzent Darren Cunningham alias Actress verirrt sich im Nebel Norwegens mit einem überraschenden Album zwischen Techno-Katerstimmung, noisigem Rauschen und weniger Beats. Nichts für Anfänger*innen? Beth Gibbons und Geoff Barrow zeigen mit ihren neuen Alben, warum niemand mehr einer Portishead-Reunion fragt. Gibbons leidet für uns auf ihrem in Hall gehülltem emotional aufgeladenen Kammer-Pop. Der amerikanische Produzent FaltyDL ist zwar schon lange seinen alten Bass- und Rave-Zeiten entflohen, trotzderm spürt man die Vergangenheit auf den zittrigen Breaks, die er mit dem schroffen Industrial-Sound vereint. Alle reden sie vom persönlichsten und intimsten Album, Bat For Lashes aber macht es einfach. Das Kind als Konzept, Songs als Baustelle. Pop-Poesie und Ambient. Die britische Singer-Songwriterin Caoilfhionn Rose hat ein Album voller Umwege und Geheimnisse geschrieben und nutzt dafür Jazz, Folk und Pop. Plus 17 neue Songs von Floating Points, Goat Girl, Clara La San, Martyn, Ciel, Vince Staples uvm. für die Spotify-Playlist Track17 - Playlist zum Podcast. Setlist: - [00:00:00] Intro + Zuletzt gehört: Musik aus Liechtenstein + Die Ärzte - [00:07:33] **Actress // Statik (Smalltown Supersound)** - [00:16:04] Playlist Part 1: Clara La San, Floating Points, Goat Girl, Blu - [00:21:16] **Beth Gibbons // Lives Outgrown (Domino)** - [00:27:39] **FaltyDL // In The Wake Of Wolves (Central Processing Unit)** - [00:37:10] Playlist Part 2: Ciel, Amery, Tagua Tagua, Vince Staples - [00:41:38] **Bat For Lashes // The Dream Of Delphi (Universal)** - [00:49:28] **Caiolfhionn Rose // Constellation (Gondwana)** - [00:54:36] Playlist Part 3: Martyn, Mermaid Chunky, Boulderhead, Fabe - Jetzt auf Spotify abonnieren. Neue Songs auf der Playlist: Actress - Rainlines Clara La San - Don't Worry About It Floating Points - Del Oro Goat Girl - ride around Blu - i love you Beth Gibbons - Beyond the Sun FaltyDL - Minds Protection Ciel - Bubble Gum Pop Amery - Mountain FM Tagua Tagua - 4AM (Acústico) Vince Staples – Étouffée Bat for Lashes - Breaking Up Caoilfhionn Rose - Simple Martyn - Friedrichstrasse Ceili - Mermaid Chunky Boulderhead - Dance and Dance Again Fabe - Still On Fizz

On this episode, I'm kicking off my Doom in June series of horror films and the Alex Garland directed, Annihilation (2018) is up to the plate. Shimmering landscape, mutated flora and fauna, and our own self destruction are a part of this alien ecosystem in this horrifically gorgeous film. Short, spoiler free and a bit of cosmic horror loveliness in this one. The artists on my podcast playlist is Ben Salisbury, Geoff Barrow. Game Over! tee in profile pic by Dethink Tees. https://dethink.bigcartel.com/product/game-over-man-game-over

In a Film Scorer first, a composer-director team joins the show! Composer Suvi-Eeva Äikäs & director Ben Steiner recently worked together on Ben's film Matriarch (which Ben directed and which Suvi scored). As such, we primarily talk about Suvi's score for Matriarch from both the director and composer perspectives (and with them each touching on sound design as well, particularly regarding the score edging into sound design and the sound design edging into score). Along the way, we touch on some big questions, like the role of film music, collaborating (and how to push back), and plenty more. Suvi and Ben actually connected in Bristol, England through a mutual friend, Ben Salisbury (Annihilation, Ex Machina). Suvi has also worked with Ben Salisbury and his longtime composing partner Geoff Barrow on several projects, including Devs and Men. You can find out more about Suvi on her website or about Ben on his website. Suvi's score is out on all major platforms, and Matriarch is currently on Hulu.

Behøver en voldsom film have voldsom musik? Selvfølgelig ikke. Den biografaktuelle Civil War har et soundtrack, som med sine svævende toner skaber en stærk poetisk kontrast til den heftige handling og i aftenens udgave af Natsværmeren kigger vært Peter Albrechtsen nærmere på komponisterne Ben Salisbury og Geoff Barrow. Og spiller andre smukke toner af både Elgar og Shostakovich. Vært: Peter Albrechtsen.

Hey everyone, Alex Garland's Civil War, the movie destined to be potentially the most polarizing film in 2024 has hit theaters globally. Being a casual fan of Garland's previous work like Ex Machina and Annihilation, I was curious how this film would play for me considering I LOVED the trailers for this post-apocalyptic take on America. So, is Civil War going to stir up tones of controversy and discussion over the next few weeks or is it just a forgettable film? Find out in this review! Civil War: Written & Directed by: Alex Garland Produced by: Gregory Goodman, Andrew Macdonald, Allon Reich Executive Producers: Elisa Alvares, Timo Argillander Music by: Geoff Barrow, Ben Salisbury Cinematography by: Rob Hardy Editing by: Jake Roberts Casting by: Francine Maisler Production Design by: Caty Maxey Cast: Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Jefferson White, Nelson Lee, Nick Offerman, Jesse Plemons Synopsis: In the near future, a group of war journalists attempt to survive while reporting the truth as the United States stands on the brink of civil war.

Our latest guest on Soundtracking is Alex Garland, joining Edith to discuss his latest film as a writer / director, Civil War, scored by our old pals Ben Salisbury and Geoff Barrow. The narrative follows a group of journalists who travel across the United States during a rapidly escalating second American Civil War, with Kirsten Dunst, Wagner Moura and Nick Offerman among the cast. It also features some tremendous needle-drops, as discussed by Edith and Alex

This month's deep dive Listen Closely album is:Portishead - Dummy (1994)The debut album from the Bristol trio of Geoff Barrow, Beth Gibbons, and Adrian Utley was released during the summer of Blur's Parklife and Oasis's Definitely Maybe. Dummy was a darker, stranger record that would become a trip-hop classic that paired hip-hop, jazz, and electronic textures with Beth Gibbons spine-tingling voice and twangy tremolo guitars that belong in spy movies.The winner of the 1995 Mercury Music Prize, Dummy features the singles ‘Sour Times', ‘Glory Box', and ‘Numb', and is notable for it soulful turntable-sampling, melancholic film noir atmosphere. A modern classic indeed. We delve deep into how the band met, what trip-hop and the Bristol sound was, how the band got their name, how Dummy became hugely popular and a bit of a dinner-party LP ripe for sexy background music in film and more.The hosts of the Nialler9 Podcast (Niall Byrne and Andrea Cleary) present the Listen Closely series of listening parties on the Big Romance's warm Toby Hatchett soundsystem, featuring a focus modern classic album and a chat around it on the last Wednesday of the month.The Portishead - Dummy Listening Party happens Wednesday March 27th at The Big Romance.Thanks to Georgia Hallion for editing the podcast.* Support Nialler9 on Patreon, get event discounts, playlists, ad-free episodes and join our Discord communityListen on Apple | Android | ACAST | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS FeedShow notesSongs played on the Nialler9 Podcast Spotify PlaylistKEXP 25 year anniversary interview in 2019Dummy SamplesPitchfork's review by By Philip Sherburne Hosted on Acast. See acast.com/privacy for more information.

Welcome back, everyone. It's been a minute, but it looks like that minute is up—the tenth season of The Anhedonic Headphones Podcast is upon us. It's the 54th episode overall since the show began, and in the first episode of the new season, Kevin welcomes his first in person guest in three years, Anastasia Stier.  The two talk about poor mental health, how you never grow out of being an emo kid, and fixating on Julien Baker. For additional information about Anhedonic Headphones, please click here; or follow Kevin on Instagram and on Twitter. And please give the podcast he co-hosts with Alyssa Savino, A Reasonable Day, a listen.  Intro Music: “6 Underground,” written by John Barry, Chris Corner, Liam Howe, and Ian Pickering; performed by Sneaker Pimps. Becoming X, Clean Up, 1997. Closing Music: “Numb,” written by Beth Gibbons, Geoff Barrow, and Adrian Utley; performed by Portishead. Dummy, Go Disc, 1994.  Music Credits: “I Won't Stay Long,” written by Sam Nash; performed by Sixpence None The Richer. Sixpence None The Richer, Squint, 1997. “Telethon,” written by Emily Haines; performed by Emily Haines and The Soft Skeleton. What Is Free to A Good Home?, Last Gang, 2007. “Reckless” written and performed by Tilly and The Wall. Wild Like Children, Team Love, 2004.  “This Is Our Emergency,” written and performed by Pretty Girls Make Graves. The New Romance, Matador, 2003. “Empty,” written and performed by Metric. Live It Out, Last Gang, 2005. “Sea of Love” written by Philip Baptiste and George Khoury; performed by Cat Power. The Covers Record, Matador, 2000. “Buttoned Down,” written and  performed by Straylight Run. The Needles The Space, Universal, 2007. “This is The Last Time,” written by Aaron Dessner, Bryce Dessner, and Matt Berninger; performed by The National. Trouble Will Find Me, 4AD, 2013. “Hurt Less,” written and performed by Julien Baker. Turn Out The Lights, Matador, 2017 “I'll Never Smile Again,” written by Ruth Lowe; performed by Tommy Dorsey and His Orchestra and Frank Sinatra. Victor, 1940.  

Geoff Barrow'un doğum günü vesilesiyle, Portishead ve Beak'ten bahsediyoruz.

Join us for a captivating journey as we delve into the fascinating story behind one of the iconic tracks in the world of trip hop. In this episode, we explore "Glory Box" by the renowned group Portishead, released in 1994.Travel back in time to Bristol, England, in 1991, where a unique program initiated by Margaret Thatcher aimed to assist unemployed individuals in creating their own businesses. It is within this context that the tale of this mesmerizing song begins. Geoff Barrow, a talented assistant sound engineer, proposes the idea of establishing a music production company during a meeting.Join us as we uncover the remarkable journey of "Glory Box" from its humble beginnings in a coffee break conversation to becoming a global chart-topper. Gain insights into the creation process, the emotions woven into the song's lyrics, and the impact it had on the trip hop genre. Whether you're a die-hard fan of Portishead, a lover of trip hop, or simply intrigued by the stories behind timeless music, this episode will captivate your imagination and leave you with a deeper appreciation for the magic that lies within "Glory Box."

James Heather interviews the composer Mario Batkovic who releases on Geoff Barrow from Portishead's Invada Records. Mario releases some amazing solo accordion music and also composes for many other instruments, he truly is a one off and deserves many ears to his music and his engaging stories. Mario selects tracks that have influenced him and we speak through how he made many of his own.You can catch the full show with all the fun and tracks here on our Mixcloud: https://www.mixcloud.com/sohoradio/moving-sounds-with-james-heather-13092023/This is the Soho Radio podcast, showcasing the best broadcasts from our online radio station in the heart of London.Across our Soho channel, we have a wide range of shows covering every genre alongside chat, discussions and special productions.To catch up on all things Soho Radio head on over to mixcloud.com/sohoradio, tune in live anytime at sohoradiolondon.com or get the app..Support this show http://supporter.acast.com/soho-radio. Hosted on Acast. See acast.com/privacy for more information.

En este episodio de El Álbum Esencial conversamos sobre “Dummy”, el álbum debut de Portishead, lanzado el año 1994.

Desde su concepción, Beak> ha sido un grupo que evita todo tipo de clasificación. Geoff Barrow y Billy Fuller hablan para Tutti Frutti sobre el origen de esta banda, los géneros que podríamos rastrear en sus canciones y la escena musical actual en Bristol..

Series 4 is off to a blinding start as we talk to the legendary founder member of Portishead, producer and composer Geoff Barrow. Geoff tells us all about discovering music existed behind a packet of corn flakes, how a kids disco led him into the world of revolutionary Hip-Hop and just how Low he can go.We also have Lucy O Brien in to talk about her excellent new book, Lead Sister - The story of Karen Carpenter. A timely retelling of Karens legacy as an artist drummer and singer.Before all that Deb gets her double denim on and embraces the world of Heavy Metal m/ m/All aboard! Let's ROCK!This episode is dedicated to the memory of Mark Stewart, Punk icon, Bristol legend and agent provocateur.If you had something to say to us we would listen. Reach out. Hosted on Acast. See acast.com/privacy for more information.

Terug van weggeweest! De MovieInsiders Soundtrack special. Coen blikt nog één keer terug op 2022 in een podcast bomvol filmmuziek. Van de lyrische muziek van Desplat gaat het naar de opzwepende muziek van Hans Zimmer. Maar ook componisten als Howard Shore (Crimes of the Future), George Fenton (The Duke), Michael Abels (Nope), Geoff Barrow en Ben Salisbury (Men) komen langs. Tussendoor schuift de jongste gast uit de MovieInsiders geschiedenis aan.  Aan het einde blikt Coen vooruit op een nieuwe serie filmmuziek podcasts.Support the show: https://www.patreon.com/movieinsidersSee omnystudio.com/listener for privacy information.

Youpi c'est la rentrée ! On démarre cette nouvelle saison avec Beth Gibbons et Geoff Barrow, les copains de Portishead.  A la fin de l'été 94, surgit de nulle part une petite merveille baptisée "Dummy". Une sorte de mariage de la soul la plus noire, du jazz le plus mélancolique et des musiques de films les plus romantiques. Avec Portishead, la musique indépendante change de décor.  Porté par les titres “Numb”, “Sour Times”, “Roads” et bien sûr “Glory Box”, le petit groupe de Bristol va rapidement se retrouver sur le devant d'une nouvelle scène fraîchement baptisée le “trip hop” et devenir un véritable phénomène.  Couronné d'un incroyable succès, le disque va non seulement contribuer à l'éclosion d'un nouveau style musical mais va aussi ouvrir la brèche à d'autres labels et d'autres groupes de Morcheeba à James Blake, en passant par Jay-Jay Johanson ou encore Goldfrapp.  Oli vous raconte la story de Geoff et Beth, Grégoire nous emmène dans un petit studio de Bristol, et Fanny revient sur leur clip génial de "Glory Box".  Crédits : Générique : Dr Alban "Sing Hallelujah" Titres écoutés dans l'émission : “Mysterons”, “Sour Times”, “Strangers”, “It Could Be Sweet”, “Wandering Star”, “It's A Fire”, “Numb”, “Roads”, “Pedestal”, “Biscuit”, “Glory Box”. Neneh Cherry " Somedays", DJ Shadow "Midnight In A Perfect World", Lalo Schifrin "Danube Incident", Isaac Hayes "Ike's rap II", Tricky “Hell is round the corner". Extraits : "Portishead - Glory box (Live NPA 13 01 1994)", "Interview - Portishead | Montreux Jazz Festival 2015" Chaque mois dans Radio K7 on rembobine nos cassettes et vous raconte l'histoire d'un album qui a marqué les années 90s. Une émission animée par Emmanuel Minelle, Fanny Giniès, Olivia Godat et Grégoire Sauvage. Enregistrée chez Fanny Giniès. Générique réalisé par Greg Cook. Identité graphique signée Floating Studio. LAISSEZ UN MESSAGE APRÈS LE BIP ! Vous pouvez nous appeler au 01 89 16 75 31, pour suggérer un album, donner votre avis ou raconter une blague ! Promis, on diffusera les messages au prochain épisode ! Sinon, retrouvez-nous sur les internets Twitter : @RadioK7Podcast Instagram : @radio_k7 Facebook : @Radiok7podcast

Bonus Episode 2 - MKII Quiet TimeSongs FeaturedMKI Lights!!!Broken ToneVinyl SmackThe Wall's a LiarMatty Monroe (@MonrovianPrince) from Indieheads joins us in the second half to talk Drokk - Geoff Barrow and Ben Salisbury's tribute to Mega City One, a record that started out as a potential score to Dredd (2012). We also talk about Pitchfork, double albums, and critic-bait musicians. Check the Indieheads Podcast and Subreddit.Music featured in the second half:Moses Sumney - Make Out in My Car (James Blake version)Moses Sumney - Make Out in My Car (Sufjan Stevens version)Bieber - U Smile Slowed Down 800% Geoff Barrow and Ben Salisbury - Lawmaster/PursuitGeoff Barrow and Ben Salisbury - InhaleBeak - Yatton Hosted on Acast. See acast.com/privacy for more information.

Seeking some downtime after the death of her husband, Harper (Jessie Buckley) settles into a stately home in a quiet English country village. Unfortunately, all is not as it seems. The house's caretaker (Rory Kinnear) seems a bit off, and there's a strange familiarity to all of the men in the village. The product of writer/director Alex Garland (Ex Machina, Devs, Annihilation), and released by A24, MEN is a phantasmagoric odyssey into the heart of the human psyche, folk horror for the moment. Bradford and Eric agree the film raises more questions than answers, but that it's a wholly unsettling work featuring images and scenes that sear themselves into your brain, and do not let go. Background (spoiler-free) 0:00-10:55 Discussion (spoiler-heavy) 10:56-49:17 Awards (spoilers for days) 49:18 Our theme music is by Sir Cubworth, with selections from the MEN soundtrack by Geoff Barrow and Ben Salisbury. “Love Song” is by Lesley Duncan. For more information on this film, essays from your hosts, and other assorted bric-a-brac, visit our website, 21jumpscare.com. Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, I Heart Podcasts, or wherever you get your podcasts. If you like what you hear, please leave us a rating. Follow us on Facebook. Follow us on Instagram. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Starring - Domhnall Gleeson, Oscar Isaac, Alicia Vikander, Sonoya Mizuno; Director - Alex Garland; Written by - Alex Garland; Music - Ben Salisbury and Geoff Barrow; Cinematographer - Rob Hardy; Editor - Mark DayWebsite: https://amoviepodcast.com/Twitter: @ItsaFilmPodcastInstagram: @toomanycaptainsproductions

It's safe to say that the world of film music, especially modern film music, owes a lot to Portishead's Geoff Barrow. In a large way, that's due to the instrumentalist and musician's founding of indie label Invada Records in 2001, which placed an early focus on hip hop and experimental acts before pinning down a unique emphasis on releasing film scores. But he's a prolific film and TV composer in his own right, as he paired with composer Ben Salisbury in the early 2010s for an abortive score to the 2012 film Dredd, which they later released as DROKK. From there, they sailed into an easy partnership with filmmaker Alex Garland, for whom they've scored all of his works since, from Ex Machina to Annihilation to Devs -- sneaky, unsettling scores that use found sounds and minimal instrumentation to convey the alienness of Garland's worlds.   It's an approach that works nicely for one of Netflix's newest shows (now a one-season wonder thanks to the recent news of its abrupt cancellation), the supernatural head-scratcher Archive 81, about an archivist (Mamoudou Athie) tasked with restoring a cache of mysterious documentary footage from a burned-down New York apartment building known as the Visser. From there, he finds himself lured into the viewpoint of deceased filmmaker Melody (Dina Shihabi) and the secrets she unearthed during her investigation. Timelines merge, prophecies are unraveled, and the true nature of the Visser's fate comes into sharp relief.   For the podcast, Ben and Geoff were kind enough to talk to me about the origins of their years-long partnership, Geoff's work with Invada Records, and the painstaking but rewarding process for carving out the analog atmosphere of Archive 81.   You can find Ben Salisbury and Geoff Barrow at their official websites.   Archive 81 is currently streaming on Netflix. You can also listen to the score for Archive 81 on your preferred music streaming service courtesy of Invada Records and Lakeshore Records.

Award winning composer and host of the Piecing It Together Podcast, David Rosen is our guest for this episode. Ryan and David talk about the score to the 2014 Alex Garland film, Ex-Machina.  They discuss how Geoff Barrow and Ben Salisbury's score has influenced David's own score work as well as the rise in  experimental electronic scores and how the duo continues to push in that direction even though Salisbury's background is in traditional piano/string based scores. They also chat about the importance of the ambient nature of the score in the film and how effective Alex Garland uses music in the film. David also shares about some of his other influences as well as some exciting future projects that he's working on.  To learn more about David Rosen:  https://bydavidrosen.com  https://piecingpod.com

Para hablar del Trip-Hop tenemos que remontarnos a mediados de los 80s a la cuna del Trip-Hop, la ciudad de Bristol y del colectivo artístico The Wild Bunch, que entre sus integrantes se encontraban Massive Attack, Tricky, Geoff Barrow (Fundador de Portishead), Nelle Hooper (Productor de Bjork, Madonna, U2, Gwen Stefani, entre otros), Jazzie B (Fundador de Soul II Soul) y el grafitero Banksy. Pero tenemos que ir mucho más atrás, debido a su oscuro pasado del comercio de esclavos, la mezcla cultural de la ciudad portuaria donde la presencia afro inglesa es más notoria que en el resto de la isla, en Bristol siempre hubo un fácil acceso a la cultura jamaicana y esa influencia entró en el colectivo, el reggae y el dub convivían con el Hip Hop, los samplers y las cajas de ritmo. Hubo que esperar hasta 1990 para que el combo Massive Attack comenzara a publicar singles y una cinta de cassette con 4 canciones y al año siguiente el primer álbum “Blue Lines” revoluciona el mercado con un sonido completamente nuevo. La mezcla entre hip-hop y música electrónica es tan variada que en ocasiones no se puede distinguir ninguna de ambas. Al compartir otras características como elementos reggae, R&B, dub y house, encontramos variaciones tan distintas que convierten al trip-hop en un género altamente experimental. El éxito mundial inspira a otros músicos, productores y DJs a ir por ese camino abierto por Massive Attack, de echo al poco tiempo Tricky dejaría la banda para comenzar su carrera en solitario y lanzar su primer (y maravilloso) primer álbum “Maxinquaye” en el '95. Nelle Hooper produce el álbum debut de Bjork, completamente influenciado por el sonido Trip Hop. Geoff Barrow (quien colaboro en el primer disco de Massive Attack) crea Portishead y en el '94 llega esa obra maestra llamada “Dummy”. Poco a poco van surgiendo artistas por todo el Reino Unido, primero y luego por todo el mundo, inspirados en el “sonido de Bristol”, y así tenemos a Olive, Morcheeba, Hooverphonic, etc. Massive Attack fue evolucionando durante toda la década, sacando 3 discos fundamentales para entender el género. En su tercer disco “Mezzanine” del año '98 volvió a dar una vuelta de tuerca, trabajando con samplers de viejas canciones Reggae de los 60's modificando el tempo creando climas intensos y oscuros. Entramos en los 2000 y llega una nueva generación de artistas pero a esta altura el Trip Hop se ha ramificado en infinidad de géneros y sub-generos. Al día de hoy el Trip Hop sigue vivito y coleando y sigue siendo una gran influencia. En este podcast podréis escuchar un pequeño resumen muy variado para poder comprender el Trip Hop, el sonido de toda una generación. TRACKLIST: 01 - Tricky - Overcome 02 - Madonna - I Want You (With Massive Attack) 03 - Massive Attack - Protection (7' Edit) 04 - Everything but the Girl - Single 05 - Mono - Life in Mono 06 - Garbage - Milk (The Wicked Mix) (feat. Tricky) 07 - Nightmares on Wax - Les Nuits (DJ Spinna Mix) 08 - Morcheeba - Trigger Hippie (Newcheeba Mix) 09 - Bomb The Bass - Winter In July (7' Mix) 10 - Ollano - Latitudes 11 - Alpha - Sometime Later 12 - Björk - Venus As a Boy (7" Dream Mix) 13 - Neneh Cherry - Woman (Radio Edit) 14 - Hooverphonic - 2Wicky (Video Edit) 15 - Jay-Jay Johanson - It Hurts Me So 16 - Portishead - Numb

Para hablar del Trip-Hop tenemos que remontarnos a mediados de los 80s a la cuna del Trip-Hop, la ciudad de Bristol y del colectivo artístico The Wild Bunch, que entre sus integrantes se encontraban Massive Attack, Tricky, Geoff Barrow (Fundador de Portishead), Nelle Hooper (Productor de Bjork, Madonna, U2, Gwen Stefani, entre otros), Jazzie B (Fundador de Soul II Soul) y el grafitero Banksy. Pero tenemos que ir mucho más atrás, debido a su oscuro pasado del comercio de esclavos, la mezcla cultural de la ciudad portuaria donde la presencia afro inglesa es más notoria que en el resto de la isla, en Bristol siempre hubo un fácil acceso a la cultura jamaicana y esa influencia entró en el colectivo, el reggae y el dub convivían con el Hip Hop, los samplers y las cajas de ritmo. Hubo que esperar hasta 1990 para que el combo Massive Attack comenzara a publicar singles y una cinta de cassette con 4 canciones y al año siguiente el primer álbum “Blue Lines” revoluciona el mercado con un sonido completamente nuevo. La mezcla entre hip-hop y música electrónica es tan variada que en ocasiones no se puede distinguir ninguna de ambas. Al compartir otras características como elementos reggae, R&B, dub y house, encontramos variaciones tan distintas que convierten al trip-hop en un género altamente experimental. El éxito mundial inspira a otros músicos, productores y DJs a ir por ese camino abierto por Massive Attack, de echo al poco tiempo Tricky dejaría la banda para comenzar su carrera en solitario y lanzar su primer (y maravilloso) primer álbum “Maxinquaye” en el ’95. Nelle Hooper produce el álbum debut de Bjork, completamente influenciado por el sonido Trip Hop. Geoff Barrow (quien colaboro en el primer disco de Massive Attack) crea Portishead y en el ’94 llega esa obra maestra llamada “Dummy”. Poco a poco van surgiendo artistas por todo el Reino Unido, primero y luego por todo el mundo, inspirados en el “sonido de Bristol”, y así tenemos a Olive, Morcheeba, Hooverphonic, etc. Massive Attack fue evolucionando durante toda la década, sacando 3 discos fundamentales para entender el género. En su tercer disco “Mezzanine” del año ’98 volvió a dar una vuelta de tuerca, trabajando con samplers de viejas canciones Reggae de los 60’s modificando el tempo creando climas intensos y oscuros. Entramos en los 2000 y llega una nueva generación de artistas pero a esta altura el Trip Hop se ha ramificado en infinidad de géneros y sub-generos. Al día de hoy el Trip Hop sigue vivito y coleando y sigue siendo una gran influencia. En este podcast podréis escuchar un pequeño resumen muy variado para poder comprender el Trip Hop, el sonido de toda una generación. TRACKLIST: 01 - Tricky - Overcome 02 - Madonna - I Want You (With Massive Attack) 03 - Massive Attack - Protection (7' Edit) 04 - Everything but the Girl - Single 05 - Mono - Life in Mono 06 - Garbage - Milk (The Wicked Mix) (feat. Tricky) 07 - Nightmares on Wax - Les Nuits (DJ Spinna Mix) 08 - Morcheeba - Trigger Hippie (Newcheeba Mix) 09 - Bomb The Bass - Winter In July (7' Mix) 10 - Ollano - Latitudes 11 - Alpha - Sometime Later 12 - Björk - Venus As a Boy (7" Dream Mix) 13 - Neneh Cherry - Woman (Radio Edit) 14 - Hooverphonic - 2Wicky (Video Edit) 15 - Jay-Jay Johanson - It Hurts Me So 16 - Portishead - Numb

Il loro suono è morbido, avvolgente e malinconico. La loro ambizione, dall'altra parte, ostinata e inscalfibile. Giorgio Valletta, qui in conversazione con Geoff Barrow, risale all'origine del suono dei Portishead, osservando il loro mondo attraverso una lente cinematografica.Versione originale

Il loro suono è morbido, avvolgente e malinconico. La loro ambizione, dall'altra parte, ostinata e inscalfibile. Giorgio Valletta, qui in conversazione con Geoff Barrow, risale all'origine del suono dei Portishead, osservando il loro mondo attraverso una lente cinematografica. Versione doppiata

Una de las bandas que popularizo el genero Trip-Hop es Portishead. Contamos la extraña manera en la que se conocieron Beth Gibbons y Geoff Barrow, fundadores de la banda. También contamos anécdotas de la banda, su historia y su forma peculiar de composición. Visita nuestra pagina oficial: https://esoquellamanmusica.com Si prefieres vernos en video suscribete a nuestro canal en YouTube: https://youtube.com/esoquellamanmusica Nos puedes seguir: https://facebook.com/llamanmusica https://instagram.com/llamanmusica https://twitter.com/llamanmusica #esoquellamanmusica #podcast

I've been enjoying Archive 81 on Netflix recently, especially the soundtrack by ex-Portishead muso Geoff Barrow. In parallel, I was lucky to find on Ebay the 3-cd round-up of Instinct Ambient's releases called 'Ambient Boxed'. Both releases have an underlying menace that I thought would blend well together. This is not intended to be an easy listen. It's not chill. It's the opposite. Tracklist on Mixcloud as always      

On an all new Boo Crew, you are joined by multi emmy award nominated writer, producer and show runner Rebecca Sonnenshine and critics choice nominated actor Dina Shihabi! At time of release their fantastic and terrifying new show ARCHIVE 81 is available on Netflix now-executive produced by James Wan. Hear about the evolution of the original, highly acclaimed podcast series into this dread-soaked audio/visual nightmare! Explore the mysteries of the Visser apartments, by dissecting the sets and mechanics of building real-time scares and reveals. Tear into the sinister soundscapes constructed by Portishead's Geoff Barrow and Ben Salisbury. Find out what's in store moving forward and so much more! The rent is due for episode 292, now playing! See acast.com/privacy for privacy and opt-out information.

We're continuing our theme of "New Year, New You" with Annihilation, a 2018 American Science Fiction Psychological Horror film written and directed by Alex Garland, based on 2014 novel of the same name by Jeff VanderMeer.  It stars Natalie Portman, Jennifer Jason-Leigh, Gina Rodriguez, Tessa Thompson, Tuva Novotny, and Oscar Issac. The music for the film was composed by Ben Salisbury and Geoff Barrow.  If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!            Watch Annihilation: https://amzn.to/3Gu7PHq        Out this Month: Week 1: Shooting the Flames Week 2: Black Swan Week 3: Annihilation Week 4: Up in Flames: 2021 in Review     Coming in February 2022: Hellraiser Hellraiser 2      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://teespring.com/stores/thefilmflamers Facebook: https://www.facebook.com/TheFilmFlamers/ Twitter: https://twitter.com/TheFilmFlamers NEW! Letterboxd: https://letterboxd.com/thefilmflamers/ Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons: BattleBurrito Benjamin Gonzalez Bennet Hunter Brandon Anderson Dan Alvarez Daveisruff Dr. Joe Erica Huff GWilliamNYC Kimberly McGuirk-Klinetobe Kyle Kavanagh Lisa Libby Loch Hightower Matthew McHenry Nicole McDaniel Nikki (phillyenginerd) Orion Yannotti Penelope Perfecta Erecta Poodie Castle Robert B. The Unknown Patron    Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ "Orange" - Topher Mohr and Alex Elena: https://youtu.be/Vh-FWjjtcTM 

Broadcasted on Radio Relativa in Madrid on January 11th, 2022. With tracks from Carl Sagan, Thomas Newman, Paul Leonard-Morgan, Aphex Twin, Ben Salisbury, Geoff Barrow, Jozef Van Wissem, Michael Andrews, Charlie Olins, Disasterpeace, Johann Johannsson, Toto, Brian Eno, Oneohtrix Point Never, Sinoia Caves, Ben Salisbury, Mica Levi, Bobby Krlic, Kenji Kawai, Homin Lviv Municipal Choir and Vangelis. For complete tracklist visit: https://individualactiviti.es Follow Luishock here: http://soundcloud.com/luishock

Founding member of The Coral Paul Duffy discusses over 20 years as bassist with Liverpool's beat combo, tells us what it was like playing in a rhythm section with former guest Danny Goffey of Supergrass, supporting Oasis, compares Ian Broudie, John Leckie, and Geoff Barrow's production techniques and twists our melon on the creation of the new record 'Coral Island'.

On reprend notre rythme de croisière à la découverte des sorties musicales de la semaine et on commence à Caen avec un nouveau single qui annonce le futur album de Cannibale.Puis un projet bresto-avignonais, la recnontre entre Maxwel farrington et le Superhomard.Prohom est toujours là et nous le prouve avec la sortie de son nouvel album.Et Vitalic démonte le dance floor avec un single tonitruant.Puis on file en Allemagne avec un titre des Chicks on speed. Au Royaume Uni, on s'arrêtera sur Beak> projet Krautrock de Geoff Barrow.Sur le continent américain on jettera une oreile aux canadiens de Mort Rose et Homeboy Sandman.Et on se prélassera dans les caraibes avec Pachyman.

Program 101 - Per Vers Vi krogede op med Per V på Christianshavn til en sludder om hans seneste og kommende projekter. Den seneste pladeudgivelse "45 Omdrejninger" indtog en flot og fortjent første plads på vinyllisten i uge 30. På albummet har Per indsamlet beats fra flere internationale anderkendte producere, bl.a legender som J Dilla, Geoff Barrow og J-Zone. Fornyligt udgav Per singlen "Sidste Omgang", fra hans kommende udgivelse med den afdøde danske forfatter Benny Andersen. Projektet blev færdigindspillet inden at Benny Andersen gik bort i 2018, og Per udtalte fornyligt til Aftenshowet på DR : “Jeg forvalter lige pludselig Benny Andersens sidste kreative projekt - det er ret vildt!” Endnu engang viser Per Vers sin alsidighed og diversitet i samarbejdspartnere, hvilket er et udtryk for et stort mod, og en musikalsk nysgerrighed der er misundelsesværdig. For første gang i KTL's historie har vi lytterspørgsmål med fra en superfan, hør med når vi overbringer de skarpe spørgsmål til Per. TRACKLISTE: FJENDEN - KÆRLIGHED TIL SPILLET REENBERG - FREM IGEN OMVENDT PSYKOLOGI - NED PER VERS FT LOKE DEPH - STOL PÅ DIG SYNDIKERET - BOOM BAP

This week on Transmissions: Anika. Best known for her work with Geoff Barrow and Mexico City's Exploded View, she returns with Change, an album of subtle electronic pop, driving bass lines, and lyrics that veer from quixotic to inspiring. Anika joined us for a discussion about her time as a journalist, the shifting state of reality, and crafting an album amidst a global pandemic. 

In this episode we’re talking to Geoff Barrow (the genius behind Portishead, Beak, the Ex Machina and Annihilation scores, and much more) about his idols, his alternate dream career as a hairdresser, his love/hate relationship with social media influencers...and some important music-related stuff, of course. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Horrors' frontman talks about the origin of the band, his painting and drawing, reacting to aggresive crowds, the evolution of the bands' sound, creating the soundtrack for the film Duke of Burgundy, working with producers Geoff Barrow and Paul Epworth, and his near collaboration with Alex Turner.

Shock World Service 096: I Didn't Want The Night To End (Cian Ó Cíobháin) 19/10/2020 Galway, Ireland 1. Phil Lynott - One Wish (Demo with Huey Lewis) Phil Lynott's friendship with Huey Lewis dated back to the mid-70s and this extraordinary demo, one of the last songs Lynott wrote, was never officially released. 2. John Cale - Dying On The Vine The eternally creative John Cale recorded this around the same time that Lynott collaborated with Lewis on the previous track. 3. OMD - Souvenir Possibly the most beautiful song in the entire OMD catalogue features the band's keyboard player Paul Humphreys on vocals. 4. Karen Marks - Cold Café Wistful new wave track from Melbourne from '81. 5. Clannad - Theme From Harry's Game Regularly played on the radio in the 80s, I had almost forgotten about it until I happened upon a Twitter thread admiring it no end. 6. Lani Hall - Never Say Never Again From an unofficial Bond movie from '83, I've always had a soft spot for the title track, sung by Lani Hall, who was married to Herb Alpert and briefly fronted Sérgio Mendes & Brasil '66. 7. Sparks - I Want To Hold Your Hand Stunning cover from 1976 of The Beatles standard which was introduced to me by Barry Murphy of The Last Sound. 8. Chris Clark - How About You Chris Clark is one of a very small number of white performers who recorded on Motown during the 60s. 9. Love - My Little Red Book I first heard this when composer Burt Bacharach performed it at Galway Arts Festival in 2019. Next morning, I was on the hunt and discovered a number of covers, including this one from 1965 from the mighty Love. 10. BEAK> - Yatton From one of Geoff Barrow's post-Portishead Bristol bands. 11. De Ambassade - Geen Genade Like the previous track, this Dutch song has the spirit of 1980s new wave all over it, though it came out in 2016. 12. Turquoise Days - Grey Skies Astonishing synth-pop classic from ‘84 from a duo based in Jersey on the Channel Islands, who released a number of cassettes in the 80s. 13. Ariel Pink - Stray Here With You Only a genius like Ariel Pink would have an unreleased pop gem like this in his locker. It surfaced last year on his ‘Oddities Sodomies Vol 2' compilation of previously unreleased tracks. 14. Toasted Heretic - Another Day, Another Riot I've been after a good quality version of this track for ages - one of Toasted Heretic's greatest moments, which will forever remind me of moving to Galway. I was thrilled when Neil Farrell, who used to record with the band (and also records as The Melancholy Thug), gifted me with a high quality version a few months ago. Indeed, I borrowed from the lyrics to give this podcast its title. 15. Jan St. Werner - VS Cancelled Jan St. Werner of Mouse On Mars collaborated with The Fall's Mark E Smith as Von Südenfed. This track features Smith reading an email from Domino detailing why the band had been dropped by the label. 16. The Fall - Paint Work The Fall's 8th studio LP ‘This Nation's Saving Grace' is a masterpiece and this ramshackle track is one of its defining moments. 17. Billy Fury - I'm Lost Without You This track almost sounds like a blueprint for the music of early Tindersticks. Indeed, Morrissey was also a huge fan of this 60s Scouse singer. 18. The Kinks - I Go To Sleep (Demo) We kicked off with a demo and so we'll part with one. Written by Ray Davies, it was never formally recorded by The Kinks, but has been covered many times since. https://cianociobhain.com/ https://www.rte.ie/rnag/

Hoy nos sumergimos en el suculento universo privado de Portishead, una propuesta musical que desde Bristol sacudió al mundo entero. Geoff Barrow, Beth Gibbons y Adrian Utley, 3 discos en casi 30 años de carrera. Todo un fenómeno paranormal que analizamos en nuestro especial. Espacio patrocinado por: CARMEN VENTURA, NORBERTO BLANQUER, JORDI, ROSA RIVAS, INFESTOS, 61 GARAGE,MIKELVAS, ISRAEL, TOLO SENT, ANXO, RAUL SANCHEZ, VICTORGB, EDUARDO MAYORDONO, BARON75, EDUARDO VAQUERIZO, LIP, ALEJANDRO GOMEZ, DANI RM, JOCIO, RULKTO, AYTIRO SAKI, MARCOS, PABLO ARABIA, CARLOS CONSEGLIERI, JEKY LOSABE, CESMUNSAL, LARUBIAPRODUCCIONES, RUBIO CARBÓN, PILAR DÍEZ y varios oyentes anónimos. ¡¡¡GRACIAS!!

Hoy nos sumergimos en el suculento universo privado de Portishead, una propuesta musical que desde Bristol sacudió al mundo entero. Geoff Barrow, Beth Gibbons y Adrian Utley, 3 discos en casi 30 años de carrera. Todo un fenómeno paranormal que analizamos en nuestro especial. Espacio patrocinado por: CARMEN VENTURA, NORBERTO BLANQUER, JORDI, ROSA RIVAS, INFESTOS, 61 GARAGE,MIKELVAS, ISRAEL, TOLO SENT, ANXO, RAUL SANCHEZ, VICTORGB, EDUARDO MAYORDONO, BARON75, EDUARDO VAQUERIZO, LIP, ALEJANDRO GOMEZ, DANI RM, JOCIO, RULKTO, AYTIRO SAKI, MARCOS, PABLO ARABIA, CARLOS CONSEGLIERI, JEKY LOSABE, CESMUNSAL, LARUBIAPRODUCCIONES, RUBIO CARBÓN, PILAR DÍEZ y varios oyentes anónimos. ¡¡¡GRACIAS!!

Nesse episódio express, mergulhamos em uma das trilhas sonoras que mais apreciamos, a soundtrack de Annihilation (ou Aniquilação em português) produzida por Ben Salisbury em parceria com o multi-instrumentista e compositor da banda britânica Portishead, Geoff Barrow. Aqui nós discutimos seus principais aspectos e as razões deste ser um trabalho tão singular e bem produzindo, passando pelos seus elementos sonoros distintos, sua ambientação que é tão necessária para nos contextualizar dentro de cada sentimento proposto pelo filme, quanto para nós absorver dentro da trama a modo que estejamos imersos em sua narrativa até o ápice final de seu enredo.

Portishead may remain the most interesting enigma of the 1990s. First is Beth Gibbons, who channels Liz Fraser of the Cocteau Twins, Billie Holiday, and Jane Birkin into an unmatched vocal for the decade. Second is Geoff Barrow, creating 60s and 70s sounding spy movie and spaghetti western sound scapes via downtempo, gothic, and hip-hop samples and influences, with the tone-perfect playing of Adrian Utley on guitar. Though cast with trip-hop peers Massive Attack, DJ Shadow, and Bjork, Portishead forge an entirely unique path.   Songs In This Episode: Intro - Sour Times 21:07 - Glory Box 31:19 - Wandering Star 36:25 - Roads Outro - Mysterions   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Portishead may remain the most interesting enigma of the 1990s. First is Beth Gibbons, who channels Liz Fraser of the Cocteau Twins, Billie Holiday, and Jane Birkin into an unmatched vocal for the decade. Second is Geoff Barrow, creating 60s and 70s sounding spy movie and spaghetti western sound scapes via downtempo, gothic, and hip-hop samples and influences, with the tone-perfect playing of Adrian Utley on guitar. Though cast with trip-hop peers Massive Attack, DJ Shadow, and Bjork, Portishead forge an entirely unique path.   Songs In This Episode: Intro - Sour Times 21:07 - Glory Box 31:19 - Wandering Star 36:25 - Roads Outro - Mysterions   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

ARTIST OF THE WEEK: PORTISHEADListen and learn....How did they meet?What was the first breakbeat Geoff learned to mix?What do they have in common with Ghostbusters?...and so much more. www.bipbopboom.livePIRATE RADIO FOR PARENTS. JOIN THE MUSICAL REVOLT. 

The piece of music featured in this episode is called The Fugue. It’s an atmospheric piece which I wrote for the sci fi season finale of the audio drama The Big Loop, which follows a ship’s peace officer sent to investigate strange visions haunting the crew. This week we’ll look at some of the insights into why and how it was made. My name is Daniel Birch. I'm a composer from Somerset in England, and this is How I Make Music. IN THIS EPISODE 01:59 For this episode of The Big Loop show creator Paul Bae wanted a mix of ambient drones and haunting sci fi horror themes. 02:33 Influences include the score for Ex Machina by Ben Salisbury & Geoff Barrow. I’d heard they used a plugin called PaulStretch, which influenced me to create ambient tones of The Fugue. I retained certain childlike qualities using an instrument called a celesta. Clint Mansell’s score for Moon is another influence, and uses sparse instrumentation to create a powerful score. 04:43 Show creator Paul Bae sent an email requesting [quote] “Something beautiful, ambient, reflecting the vastness of space and human sacrifice. I want to bring the listeners to tears with this one." I only had a few weeks, but I find having a short deadline really helps. 05:09 I subscribe to the YouTube channel of Christian Henson, the co-owner of Spitfire Audio. I was inspired by his use of various pedals to resample and manipulate audio, turning them into sampled instruments. I thought “I could do that!” 05:21 I ran some of the sounds through my pedals. I ran my Arturia Microbrute through the AMA’s AC Noises pedal, which is a spring reverb with a bitcrusher and oscillator. By the end of it, I had a totally new skill. 06:37 I am also a vocalist. I included vocals into the compositions by singing along without a clear melodic line, just capturing my emotional response to the story. It’s definitely an organic sound, with some granular digital static. 08:09 During the intro to the track, you hear a combination of a patch called the ‘unstabler pad’ with the celeste and vocals to create a nice mellow bed. 09:16 There’s a heartbeat-style sound which plays throughout parts of the track. The sounds are a sampled instrument called Native Instruments’ “The Grand”. It sounds like the side of the piano is being tapped, drenched in reverb. I wanted this to symbolize the humanity of the lead character. 10:23 The synth lead was a mangled, distorted version of a simple saw lead. I used a plugin called Reels to provide tape emulation. 10:57 Another influence was Mica Levi’s score for Under The Skin. Very dark and atmospheric. 11:47 In episode 59 of How I Make Music, David Devereux cites Disasterpeace as an influence, and I also love his use of ambient washes and synth darkness. SHOW NOTES Listen to audio drama The Big Loop by Paul Bae https://www.thebiglooppodcast.com/ Check out other work by Daniel Birch https://www.danielbirchmusic.com/ Follow Daniel Birch https://twitter.com/iamdanielbirch MUSIC CREDITS Ben Salisbury & Geoff Barrow - Skin (from Ex Machina) Clint Mansell - Welcome To Lunar Industries (from Moon) Mica Levi - Lipstick To Void (from Under The Skin) Disasterpeace - A Chorus Of Tongues (from Hyper Light Drifter) ABOUT THIS SHOW How I Make Music is where behind-the-scenes musicians get to tell their own stories. Every Wednesday, we break apart a song, soundtrack or composition and investigate the insights into how it was made. Subscribe to How I Make Music https://pod.link/1460793686 How I Make Music https://howimakemusic.com Contact How I Make Music https://johnbartmann.com/contact How I Make Music is created by John Bartmann https://johnbartmann.com

No episódio 2 da primeira temporada do Já Ouviu?, o podcast do Já Viu? temos: - 5 documentários imperdíveis sobre popstars; - a auto censura de Hollywood pelo mercado chinês e o que Hitler tem a ver com essa história; - Super Mães, a ótima série de comédia canadense da Netflix. Tudo isso embalado pela linda trilha de Luce, composta pelo grande Geoff Barrow do Portishead.

In our 8th episode, we discuss the 2nd book in Herbert’s hexalogy: Dune Messiah. Regular hosts Haitch and Jason celebrate the triumphant return to the pod of noted poet and spiritualist, Protolexus, as we explore why bad things happen to good people, what happens when our reach exceeds our grasp, and why no one should ever use the word rutting. Ever. Enjoy! Chapters Introduction (00:00:00) Dune News (or lack thereof) (00:02:20) Roundtable Discussion (00:03:20) Your Letters (00:46:23) Notes and Links Denis Villeneuve's excellent interview on Roger Deakins’ Team Deakins podcast Jack Chick tribute Me and The Muad’Dib from Corey Corcoran Music playing during Dune Messiah synopsis is Falling, by Ben Salisbury and Geoff Barrow, from the Ex Machina original soundtrack Dune Pod: your one stop shop to get fully prepared for the new Dune movie by delving into the books, as well as the films directed by Denis Villeneuve and featuring the cast and crew of the new film. Dune neophytes and historians alike are welcome to join our tribe. Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@dunepod.com. Follow @dunepod on Twitter and Instagram Music by Tobey Forsman of Whipsong Music Cover art by @ctcher

It's a very special episode for score lovers this week, as Edith is joined by Geoff Barrow and Redg Weeks from Invada Records. With its impeccable roster of composers, Invada's back catalogue has featured more times on our podcast than we can count. Among the artists they've worked with who we've spoken to - Cliff Martinez, Mica Levi, Blanck Mass, Warren Ellis and, of course, Clint Mansell. They've also been incredibly supportive of what we do, so it really was a treat chatting with them both remotely. In addition to his celebrated band work, Geoff collaborates with another former guest on this show, Ben Salisbury, on film and TV scores. And he's teamed up with Ben and Bristol outfit The Insects for his most recent project, Alex Garland's mind-bending tech-noir series, Devs. As always, there's plenty of music to enjoy.

18 years after he brought us the lo-fi superhero thriller Unbreakable - and a mere 3 since the surprise sequel Split - M Night Shyamalan finally completes his so-called Eastrail 177 trilogy with Glass. All the key players from the pervious films return, led by Bruce Willis's blue collar vigilante and Samuel L Jackson and James McEvoy's super-villains. Much of the action takes place in the mental institution where the trio are incarcerated and probed by Sarah Paulson's sceptical psychiatrist.  Glass is scored by West Dylan Thordson, who also provided the music for Split. It's an edgy, minimalist affair - with the ambient gloom and agitated strings reminiscent of Ben Salisbury and Geoff Barrow's incredible work on Alex Garland's Annihilation (see episode 85!)  And it's with West's cue Backfire that we begin, as Night reflects upon the history of a trilogy nearly two decades in the making.  We should say that if you haven't seen Split and intend to do so anytime soon, you might want to wait before listening to this, though it wouldn't be the end of the world ...

Today's episode is an action-packed double-header! First up, we've got post-punk heavy-hitters Matt Flegel (singer and bassist of Preoccupations) and Joe Casey (Protomartyr frontman and new entrant into the Talkhouse Podcast Three Timers Club). The recent tour mates discuss their new 7" split Telemetry At Howe Bridge, intra-band fighting, how sports nerds and music nerds can be the same kind of insufferable, and so much more! Plus, we've got a short and sweet clip from a convo with Geoff Barrow (Portishead, Beak>) and Annika Henderson (aka Anika). They talk about how Annika found her band Exploded View just when she was about to quit the music industry forever, and how EV has benefitted from having members from three different countries. Check it out. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Joe Casey and Matt Flegel were recorded in Kansas City by James Grau; Geoff Barrow and Anika recorded themselves. This episode was co-produced by Mark Yoshizumi at Hook and Fade Studios in Brooklyn. The Talkhouse Podcast’s theme song was composed and performed by The Range.

This is the premiere episode of our 5th season, and we're shimmering with excitement! Spending four months away from all of you is just too long, so here we are! We're back with a movie that *ucked us up, and we sure hope it *ucked you up, too! Chicago actor & playwright Christopher M. Walsh stopped by to be our voice of authority. Be amazed as he tries to answer about 20 of the top 300 questions this movie left us with. Annihilation was just the first book in a three book series called the Southern Reach Trilogy written by Jeff VanderMeer, and Chris has read them all. The series belongs to a specific sub-genre called 'strange fiction', and guess what! The book was a whole lot stranger than the movie! So.. you know how The Shining (1980) is referred to as a great film and a terrible adaptation? SPOILER: Chris explains why Annihilation also fell victim to that same curse in the best possible way! We get our old friend and English professor Stuart Randolph on the phone, and our good friend and fellow Chicago filmmaker Joey Fandel stops by as well! So come for the shiny shimmer and stay for the disgusting body horror that's sure to follow. Our 5th season is gonna be killer, so thanks for your patience and welcome back to Movie Show Theater! https://www.instagram.com/movieshowtheater/ https://www.facebook.com/movieshowtheatre/ - intro and outro music courtesy of PUNCH DECK - Annihilation score excerpts courtesy of BEN SALISBURY & GEOFF BARROW

You can't describe yourself as a podcast about film music without talking to the occasional composer. And we've be joined by a fair few of the best - from Clint Mansell, Justin Hurwitz and Nicholas Brittell to Geoff Barrow, Ben Salisbury and Philip Selway. Without exception, each has cast the projects they've been involved with in a new light and given us exclusive insights into the subtleties of their craft. So we're delighted to finally bring you Daniel Pemberton, in a piece recorded a few months back in his London studio. Daniel is hot property right now. Having worked with Ridley Scott, Guy Ritchie, Danny Boyle and Aaron Sorkin, he's now provided the score for Ocean's 8, which is out around the globe already but in the UK on Monday 18th June. We'll hear examples of his compositions for all these world-class directors throughout the conversation, as well as some cracking stories.

It's another very special Soundtracking this week as we take you to the Everyman Cinema in Hampstead, where director Alex Garland and his composers Geoff Barrow and Ben Salisbury came together for a Q&A following an exclusive screening of Annihilation. As you may know, the film hasn't had a cinematic release outside the US. You can, however, watch Annihilation on Netflix, and it's well worth your time if you haven't seen it already. Unusually for us, there a couple of spoilers in this episode too, which is all the more reason to check the movie out. Before Alex joined everyone on stage, Edith caught up with Geoff and Ben in the bar to discuss their other work, specifically on Ex Machina and Ben Wheatley's Free Fire. Their first score together was for Dredd. At least, it would have been had the studio not decided it wasn't suitable for the film. Thankfully, they shared their efforts anyway under the guise of Drokk. And it's with a spot of Drokk that we began - which basically means you're in for a real treat.

Before Lynne Ramsay, there was composer Lorne Balfe. For Lorne was the very first guest on Soundtracking Live, as part of the British Film Institute's Big Thrill Season back in November. We then went on to speak to Lynne at the Glasgow Film Festival, with Alex Garland, Geoff Barrow and Ben Salisbury to come soon following a great chat we had after a special screening of Annihilation at the Everyman cinema in Hampstead, London.  The list of films Lorne has worked upon is mighty impressive, from Dunkirk and The Lego Batman Movie to Ghost In The Shell and Geostorm. He's also produced excellent work for television, with Genius and The Crown among his credits. 

Six new stories from the world of soundtracks! The original score for Annihilation and The Shape of Water, news of yet another release of the Star Wars original scores, Kickstarter projects: A Light in the Void Live Concert and Green Rider Book Soundtrack, and the replacement of composer Alf Clausen by Bleeding Fingers on the ever-running TV-program The Simpsons are the six topics of the night tackled by Christopher Coleman, Kristen Romanelli, and Erik Woods.Episode Highlights00:00 - The Lisa Intro07:27 - #1 - Annihilation by Geoff Barrow and Ben Salisbury26:04 - #2 - Dropping Star Wars (The new soundtrack releases)28:28 - #3 - Light in the Void (Austin Wintory)39:22 - #4 - Green Rider Book Soundtrack (Kristina Bishoff)49:41 - #5 - The Shape of Water by Alexandre Desplat61:17 - #6 - The Simpsons Alf Clause and Bleeding FingersMusic Selections00:00 - "God Bless the Child" (The Simpsons Sing the Blues) by The Simpsons00:24 - "Born Under a Bad Sign" (The Simpsons Sing the Blues) by The Simpsons07:30 - "The Alien" (Annihilation) by Geoff Barrow and Ben Salisbury26:01 - "Star Wars Hip Hop Remix" by Miami Dynamite28:38 - "Prologue" (Captain Abu Raed by Austin Wintory34:10 - "Apotheothis" (Journey) by Austin Wintory39:30 - "Green Rider Mock Up" by Kristina Bishoff48:12 - "Kristen's Theme" by Tim Thompson49:40 - "The Shape of Water" (The Shape of Water) by Alexandre Desplat61:23 - "The Simpons Dubstep Theme Song" by Free Music Factory76:35 - "Do the Bartman" (The Simpsons Sing the Blues) by The SimpsonsNotes:Remasters of the First Six Star Wars Coming May 4th."Flat Beat" by Mr. OizoA Light in the VoidA Thousand Thoughts - A Live Documentary by Sam Green and the Kronos QuartetGreen Rider Book SoundtrackLong Time Simpsons Composer Alf Clausen FiredWe Chat With The New Team Composing Music For 'The Simpsons'Find and Follow:Follow Kristen Romanelli on Twitter - @kbfornowFollow Erik Woods on Twitter - @cinsoundradioFollow The Soundcast on Twitter - @audiosoundcastFollow Tracksounds on Twitter - @tracksounds Follow Christopher Coleman on Twitter - @ccolemanSupport Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracksSubscribe and More InfoaCASTGOOGLE PLAYiTUNESRSS FEEDSPOTIFYSTITCHER RADIOTUNEIN RADIOhttp://www.thesoundcast.com/p/the-official-podcast-of-tracksounds.htmlThe official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.

What you will find in this episode is me gushing about some of the music and musicians that have captured my attention recently. I play a little of the soundtrack for Annihilation by Ben Salisbury and Geoff Barrow, the song Ingenue by Atoms For Peace, the soundtrack for Gone Girl by Trent Reznor and Atticus Ross, and I talk a little about the following bands: Fur -- https://www.facebook.com/furbabyfur -- Blue Bendy -- https://www.facebook.com/bluebendyband --  Slonk -- https://slonk.bandcamp.com --  With Bravado -- https://www.facebook.com/withbravado --  Longy -- https://www.whoislongy.com -- Whenyoung -- https://www.facebook.com/whenyoungband -- Grizzly on the Planet -- https://soundcloud.com/grizzlyontheplanet  -- Thanks for listening, and feel free to say hi to me online: Twitter -- https://www.twitter.com/saddestnightout --  Instagram -- https://www.instagram.com/saddestnightout --  Email -- saddestnightout@gmail.com -- Patreon -- https://www.patreon.com/saddestnightout --

Pour cet épisode, tout en sons et en musiques, on va aller explorer des zones dangereuse ou le temps est malleable, faire face à des formes abstraites, visiter des mondes innexploré et prendre contact avec des formes de vies jusqu a ce jour inconnu. Ce sera un bien étrange voyage cinématographique, découpé en deux longs blocs de montages sur lesquels je vous reviendrai pour rationaliser ce qui a été vécu et entendu. Disons juste que la musique de Geoff Barrow et Ben Salisbury sera très présente. Préparez-vous mentalement, faite le vide dans votre esprit, placer vos écouteurs et monter le volume..

Pour cet épisode, tout en sons et en musiques, on va aller explorer des zones dangereuse ou le temps est malleable, faire face à des formes abstraites, visiter des mondes innexploré et prendre contact avec des formes de vies jusqu a ce jour inconnu. Ce sera un bien étrange voyage cinématographique, découpé en deux longs blocs de montages sur lesquels je vous reviendrai pour rationaliser ce qui a été vécu et entendu. Disons juste que la musique de Geoff Barrow et Ben Salisbury sera très présente. Préparez-vous mentalement, faite le vide dans votre esprit, placer vos écouteurs et monter le volume..

主播打分： K先生（青年编剧；《疾速追杀2》等2期嘉宾）：6分； “狂迷原著，6分里5分给原著，但视听上被《降临》吊打。” （K先生的其他打分：《神秘巨星》6分；《忌日快乐》4分；《二代妖精》4分） 雷普利（凤凰电影前编辑；《请以你的名字呼唤我》等24期嘉宾）：6.5分； “一个主题高冷但表现力孱弱的同人电影，展现人类自毁倾向的主题是亮点。” （雷普利的其他打分：《请以》7分；《解忧杂货店》5分；《妖铃铃》4分） 波米：7.5分； “这是我近年最喜欢的科幻片，它并没有遵循主流科幻片对地外文明的展现，而更像是通俗版的《潜行者》。” 《湮灭》(Annihilation)平均分：约6.7分 本期节目流程与目录： 开场曲：(Crosby, Stills & Nash)； 第18秒-第1分钟：嘉宾及微店信息介绍； 第1分钟-第5分半：影片信息介绍（无剧透）； 第5分半-第8分钟：三位主播为影片打分并阐述理由（无剧透）； 第8分钟-第38分钟：嘉宾“雷普利”和“K先生”首先谈《湮灭》“亮点”，波米谈及影片“问题” （涉及剧透）； 第38分钟-1小时14分钟：交换意见，波米谈影片亮点，雷普利和K先生谈问题 （涉及剧透）； 1小时14分钟-尾声：外延话题（涉及剧透）：亚历克斯·加兰导演前作《机械姬》及几部编剧电影简述； 尾声曲目：(Ben Salisbury,Geoff Barrow)； 影片《湮灭》重要信息： 本片北美分级：R级； 本期节目重点提及的电影片单： 《驱魔人》（1973） 《潜行者》（1979） 《海滩》（2000） 《惊变28天》（2002） 《黑客帝国动画版》（2003） 《太阳浩劫》（2007） 《别让我走》（2010） 《特警判官》（新版，2012） 《皮囊之下》（2013） 《星际穿越》（2014） 《机械姬》（2015） 《降临》（2016） 《银翼杀手2049》（2017） 《水形物语》（2017） 《缄默》（即主播提及的“静音”，2018）

¡Bienvenidos al décimo programa de nuestra séptima temporada (o el 232 contando todos)! ¡Hola, amiguitos! En este episodio hablamos sin spoilers de la segunda temporada de Jessica Jones, de una película que debió estar en los Óscar, The Florida Project, y de un reciente estreno en Netflix, Annihilation. En La Cocina, a petición de un sofasero del programa, os traemos una receta de película y, por último, como siempre, La Sobremesa. ¡Buen provecho! Si queréis saltaros alguna sección o ir a otra directamente, aquí os dejamos los tiempos para que podáis escuchar fácilmente lo que más os interese: 0:00’00 PRESENTACIÓN 0:01’54 SEMANA EN SERIE: 0:02’17 -Jessica Jones T2. 0:19'23 CATA DE PELIS: 0:19'40 -The Florida Project. 0:31'02 -Annihilation. 0:49'27 LA COCINA: 0:49'43 La tarta de lima de The Shape of Water. 0:53'57 LA SOBREMESA 1:05'30 DESPEDIDA Otras cosas mencionadas en el programa: Vídeo de Nerdwriter que analiza la dirección de The Florida Project. Vídeo ensayo de Ex Machina. Entrevista a Geoff Barrow y Ben Salisbury sobre la música de Annihilation. El discurso de agradecimiento de Barry Jenkins que no pudimos escuchar.   Podéis comentar libremente detalles de las tramas de las series o películas de las que hablamos, escribiendo entre las etiquetas de spoiler el texto que queráis ocultar, tal como muestra la imagen: Nos podéis escuchar (y dejar reseñas) en iVoox, en iTunes y en Spreaker. Déjadnos vuestros mensajes para La sobremesa en Twitter, Facebook e Instagram o mándadnos un Email. Recordad que si compráis en Amazon a través de este enlace, nos llega una comisión por vuestro pedido de forma anónima. Si quieres, también puedes invitarnos a un café con Ko-fi, una web para apoyar a los creadores en la que puedes decirnos que te gusta lo que hacemos pagándonos una tacita virtual :) ¡Hasta el próximo programa! :)

Self-destruction. Division. Separation. Annihilation. These are the frivolous, lighthearted concerns of Alex Garland’s latest film, a mind-expanding sci-fi trip that finds Natalie Portman, Jennifer Jason Leigh, Tessa Thompson, Gina Rodriguez, and Tuva Novotny exploring “Area X,” a mutated piece of land encompassed by the full-on-double-rainbow-all-the-way that is the Shimmer. What’s going on here? What’s causing it? Does an answer even matter? Paul and Arlo dig into Annihilation’s writhing, metastasizing guts to discuss the beautiful, macabre work of production designer Matt Digby; the organic/electronic discomfit of Geoff Barrow and Ben Salisbury’s score; how Garland’s approach intentionally places the viewer at a distance; and that goddamn bear. Plus, Paul watched something called the Olympics; Arlo wants to help The Breadwinner make some dough; and Paul gives Arlo shit, what else is new. Next: the episode we teased last week! For a musical Geek Challenge, Arlo must watch Kenn Anakin’s 1982 “classic” The Pirate Movie and Paul must endure Jacques Demy’s 1967 classic (no quotation marks necessary) The Young Girls of Rochefort.   THE BREAKDOWN Intro / Banter (00:00 - 23:09 Main Topic NON-SPOILERS (23:09 - 49:41) Main Topic SPOILERS (49:41 - 2:10:38) Outro / Next Week (2:10:38 - 2:14:45)

It's back to where it all began, with Edith's second crack at British director, Ben Wheatley. This time round they're focusing on Ben's new film Free Fire, a super-stylish action comedy which he co-wrote with his wife and longtime creative partner, Amy Jump. Executive produced by Martin Scorsese, Free Fire is scored by Geoff Barrow and Ben Salisbury, who took sonic inspiration from David Shire's exceptional work on The Taking Of Pelham 123. You'll hear plenty from both musical suites, as well as tracks by Lalo Schifrin, The Nerves, Creedence Clearwater Revival and John Denver. As before, Ben is tremendous value, as we very much hope you'll agree.

Get out your best headphones and enjoy some comment on the pounding music of “Mad Max: Fury Road”. One of the best reviewed films of the year is also one of the best scored. Look at thematic similarities between Mad Max, Breaking Bad and Shutter Island. Feel better about your life after listening to the score of “Dead Mans Letters”. .Put your feet up and let the sounds glide all over.Play List:Shutter Island - (Assorted Track Edits) - Gyorgy Ligeti, Ex Machina - Bunsen Burner - Ben Salisbury & Geoff Barrow, Mad Max: Fury Road - Water, The Rig, My Name is Max, Doof Warrior- Tom Holkenborg aka Junkie XL , Breaking Bad (Episode Dead Freight) - Dave Porter, Music from “Letters from a Dead Man” - Click here to download episode

After a nearly 7 year hiatus, the RipplesDip Podcast returns. Here is a teaser for the next 3 Episodes. Get ready for a weekly dose of Film Score analysis and musical appreciation. As before, the show evolves as it goes, you never know where it'll end up.Pop on the headphones, put your feet up and let the sounds glide all over.Play List:Shutter Island - (Assorted Track Edits) - Gyorgy Ligeti, Ex Machina - Ava - Ben Salisbury & Geoff Barrow, Mad Max: Fury Road - Immortals Citadel & Many Mothers - Tom Holkenborg aka Junkie XL, Doctor Who End Credits - Ron Grainer & Delia Derbyshire Click here to download episode

On this latest episode of the Talkhouse Film podcast, acclaimed English composers Geoff Barrow (Ex Machina) of Portishead fame, and Clint Mansell (Noah, Black Swan) discuss their creative processes, working with filmmakers, Ennio Morricone's low­ opinion of modern composers, the questionable quality of most films today, and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

Episode 11. TG & SJ rap about ESCAPE FROM LA (remixed), Ship to Shore's MARTIN re-issue, NON HO SONNO & AMO NON AMO by Goblin, and the original TWIN PEAKS TV soundtrack. We're joined by prolific TV and film composer BEN SALISBURY who chats to us about scoring for BBC wildlife programmes, and his collaborations with Geoff Barrow on DROKK and the EX MACHINA OST. Ben also takes a plunge into the twilight zone of film music quizzes, the VINYL SCORE. Created by Tony Giles & Scott Johannsson Recorded at Solatron Studios, Birmingham UK July 10th 2015 Theme Music by Scott Johannsson

This week, Oculus Rift and Windows 10 get launch date & prices, free Amazon shipping for everyone, highlights from Google's developer conference, MIT's robot cheetah takes a big leap into the future, and much, much more... What We're Playing With Andy: AI fiction: Chappie, Äkta människor (Real Humans), Humans, The Matrix, The Animatrix Tosin: DJI Phantom drones / Apple Watch w/ Milanese loop band Headlines Oculus Rift Total Package Price: Around $1,500 Yahoo to livestream web's first NFL game on Oct. 25, pays reported $20M for free broadcast Amazon Debuts Free Shipping on Small Goods, No Minimum Order Audible Book of the Week Rise of the Robots: Technology and the Threat of a Jobless Future by Martin Ford Sign up at AudibleTrial.com/TheDrillDown Music Break: Bunsen Burner from "Ex Machina" by Geoff Barrow and Ben Salisbury Hot Topic The 12 most important announcements from Google I/O 2015 Dish Network in Merger Talks With T-Mobile US Apple's Tim Cook Delivers Blistering Speech On Encryption, Privacy Windows 10 Available on July 29 Microsoft prices Windows 10 licenses at $119 for Home, $199 for Pro Music Break: Clubbed to Death (Kurayamino variation) by Rob Duggan Final Word Parts of Patriot Act Expire Tonight After Senate Fails to Pass Reform Apple I discarded as junk sells for $200,000; mystery woman stands to get half The Drill Down Videos of the Week MIT cheetah robot lands the running jump Sense8 on Netflix Subscribe! The Drill Down on iTunes (Subscribe now!) Add us on Stitcher! The Drill Down on Facebook The Drill Down on Twitter Geeks Of Doom's The Drill Down is a roundtable-style audio podcast where we discuss the most important issues of the week, in tech and on the web and how they affect us all. Hosts are Geeks of Doom contributor Andrew Sorcini (Mr. BabyMan), marketing research analyst Dwayne De Freitas, and Box tech consultant Tosin Onafowokan.

Ben's notable television credits include the BAFTA nominated David Attenborough series The Life of Mammals and Life in the Undergrowth and the BAFTA winning series Life In Cold Blood. He was nominated for an Emmy Award for his score for the Wildlife on One film, Operation Dung Beetle.Ben appears as co-writer, string arranger and musician on the Malachai album Return To The Ugly Side and The Beekeepers album Apiculture. He also co-wrote the album Drokk: Music Inspired By Mega City One with Portishead's Geoff Barrow, and writes and records as one half of the duo Dolman with Scott Hendy. In 2012, Ben composed the score for the documentary feature film Beyonce: Life Is But A Dream directed by Beyonce Knowles - a behind the scenes look at the singer's life and music.Together with Geoff Barrow, Ben scored the critically acclaimed feature film Ex Machina, Alex Garland's directorial debut, about a young programmer is selected to participate in a breakthrough experiment in artificial intelligence by evaluating the human qualities of a breathtaking female A.I.

In a change to the advertised programme, this week on the show we bestow a selection of awards in our inaugural (and hopefully annual) Super Excellent Awards ceremony. We shall be paying tribute to some of our favourite new releases, … Continue reading →

"Warmth" by Craft Spells from Gallery; "Mind You" by Physical Therapy from Safety Net; "Harpsichord Rococo" by Head Boggle from Headboggle; "Smiley Face" by No Joy from Negaverse; "Growing Forehead (with Kicki Halmos)" by Taragana Pyjarama from Tipped Bowls; "Scope The Block" by Geoff Barrow and Ben Salisbury from Drokk: Music inspired by Mega-City One; "Remember (Surgeon Mix)" by Oneohtrix Point Never from Replica; "Cul-De-Sac" by Death and Vanilla from their self titled album; "Dionysus Decay" by Suum Cuique from Ascetic Ideals; "Forever Falling" by the Vestals from Forever Falling Toward the Sky; Moment" by Neneh Cherry and The Thing from The Cherry Thing.

"Warmth" by Craft Spells from Gallery; "Mind You" by Physical Therapy from Safety Net; "Harpsichord Rococo" by Head Boggle from Headboggle; "Smiley Face" by No Joy from Negaverse; "Growing Forehead (with Kicki Halmos)" by Taragana Pyjarama from Tipped Bowls; "Scope The Block" by Geoff Barrow and Ben Salisbury from Drokk: Music inspired by Mega-City One; "Remember (Surgeon Mix)" by Oneohtrix Point Never from Replica; "Cul-De-Sac" by Death and Vanilla from their self titled album; "Dionysus Decay" by Suum Cuique from Ascetic Ideals; "Forever Falling" by the Vestals from Forever Falling Toward the Sky; Moment" by Neneh Cherry and The Thing from The Cherry Thing.

New tracks from CFCF, KWES and GEOFF BARROW plus all the usual nonsense...

A dope track taken from the highly anticipated mixtape "EAG 2" - available to order now at http://magmusic.ning.com/ with a BONUS CD About King Magnetic: King Magnetic got his start in 1995 opening for groups like The Fugees and headlining his own local shows. During his high school years he began a string of incarcerations for assaults, robberies and drugs. After a 5-year sentence for robbery in 2001, he faced drug & gun charges in New York. Upon being released from prison Magnetic decided to start a family while building his music catalog. He could still be seen performing regionally, gaining notoriety for his flow, while producing tracks for some of PA's independent artists. Magnetic began receiving some national attention in 2005 when he produced the Philadelphia anthem "The Sound of Philadelphia" for Reef the Lost Cauze. The song would go on to air on ESPN Monday Night Countdown, a 76ers game & a British Documentary. In 2007, Magnetic began recording his 1st official iTunes released mixtape, “Everything's A Gamble Vol. One” which showcased his beat-making and rhyming abilities. It consisted of songs from 2003 - 2006 & featured underground heavyweights such as: Channel Live, Sean Price, Edo G, Chino XL, Copywrite amongst others. While mixing "EAG" in July 2007, Magnetic was invited to appear on the Army of the Pharaohs (AOTP) 2007 LP "The Ritual of Battle". AOTP is a collective spearheaded by Jedi Mind Tricks' front man Vinnie Paz & features Apathy, Celph Titled, Esoteric, Reef the Lost Cauze & others. After standing out on tracks such as "Drama Theme" & "Black Christmas", Magnetic earned a spot as an official member in the Army of the Pharaohs. Shortly after making his cameos on AOTP's album, Magnetic shot his 1st promotional video, "I Don't Know You" debuted on Billboard.com, allmusic.com's Top 5 New Hip-hop Videos, ArtofRyhme.com & other music sites. In early 2008 he followed up with his "Crown Me" video & began doing more collaborations. Slowly becoming more visible, he entered a Red Bull Beat Battle, did some tour shows with JMT, and recorded with Young Guru and KRS-One for “Stop The Violence ‘08”. In 2009, Magnetic recorded for various projects including: Apathy’s “Wanna Snuggle?”, East Coast Avengers, Quaker’s project with Portishead’s Geoff Barrow, the 3rd AOTP LP, King & The Cauze - Shadyville mixtape and album - a collaboration album with Reef the Lost Cauze & “Everything’s A Gamble Vol. Two”. “EAG 2”  is set to have an all-star underground line-up including Slug of Atmosphere, Joell Ortiz, Termanology, Immortal Technique and others. Watch out for the full mixtape and support to the fullest! ORDER YOUR COPY TODAY - http://magmusic.ning.com/

Bobby cut his teeth in the big bad hip hop scene of Cambridge, before moving on to provide the scratches for Earthling where Geoff Barrow left off. More recently he's been vomiting mixes onto the internet at an astonishing rate, covering as many musical bases as humanely possible.   Despite having an unhealthy obsession with rappers whose names begin in “S”, Bobby is probably best known for Melancholy Flowers, the big girl's blouse of the mix world, but has also made mixes for Solid Steel, the Cactus Island label, and (mainly) his own head.   In this, his latest mix, he revisits some classic dancehall and lays it on a crispy bed of hip hop, drum 'n' bass and dubstep. And some Schoolly D.   Tracklisting: White Mice — Roots Music/Version (Basic Replay) LTJ Bukem — Danny’s Song (Good Looking) Chaka Demus — Original Kuff (Metro) Skream — Auto-Dub (Tempa) Schoolly D — Here We Go Again (Jive) Pan Sonic — Kuumuudessa (Blast First) The Specials — Concrete Jungle (2 Tone) Ed ‘Roughneck’ Robinson — Roughneck Sound/Dub (Greensleeves) Ganjah Posse — Say Listen To Me (Punani Mix) (Nervous) Goodie Mob — Cell Therapy (instrumental) (La Face) Daddy Freddy — Baba Loo (acapella) (Fashion) Hopeton Lindo — Slaughter/Dub Slaughter (Greensleeves) DJ Krust — Warhead (V) Willi Williams — Run Them A Run (Light In The Attic) Bunny General — Played By Dis Yah Sound Alone (Fashion) Cutty Ranks — Muder Sound Bwoy (Jamdown) Royal Flush — Worldwide (instrumental) (Blunt) Jahtari Riddim Force — Vigilante Dub (Jahtari) Sandoz — Monopolize and Destroy (Soul Jazz) Red Rose — Hotter Junglematical Style (Greensleeves) Iration Steppas — Wat Dem Ago Do (Dubhead) RSD — Pretty Bright Light (Punch Drunk) Styward — Dub Cowboys (Digidub) Skream — Irie (Soul Jazz) I-Roy — Run For Your Life (acapella) Rusko feat Danman — Jah Love (Tempa) Mala — Lean Forward (DMZ) 2562 — Kameleon (Tectonic) Peverelist — Roll With The Punches (Punch Drunk) Mala — Changes (Deep Medi Muzik) Phuture Assassins — Phuture Sound (Suburban Base) Omen — Aphrodite (Tectonic) Pinch feat Rudey Lee — Step 2 It (Soul Jazz) Kromestar — Quicktime (Fantastic 3)

Alex Garland's film Annihilation combines meditative storytelling with visceral body horror and action, all of which drew in AJJ frontman Sean Bonnette from the first time he saw it. So much so that he watched it over and over again while it was in theaters. He loved the movie's juxtaposition of otherwordly natural beauty with startling bouts of extreme violence, all set to an ambitious and unsettling score from Ben Salisbury and Portishead's Geoff Barrow. Bonnette is a true film aficionado who's been inspired by all Alex Garland's other works including Men and Devs, as well as the singular cinematic vision of Everything Everywhere All At Once.Be sure to check AJJ's new album Disposable Everything, out 5/26!Listen to AJJ frontman Sean Bonnette chat about this and more in the new episode. Please also take the time to like, review, and subscribe to the Spark Parade wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.