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2 episodes with Rob Simonsen
2 episodes with Rob Simonsen
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In Episode 3 of I'm in This Movie, Chelsea dives deep (waterpark pun intended) and explores identity, self-discovery, mentorship, and family dynamics in her #3 movie of all-time, The Way Way Back! What the Hype?! Podcast on YouTube Contact Chelsea Instagram - @ChelseaLeeH17 Letterboxd An American Workplace | A Retrospective The Office Podcast Crossroads of Destiny | An Avatar: TLA Universe Podcast Cinescope Instagram - @cinescopepodcast YouTube Website Email thecinescopepodcast@gmail.com
This episode of The Other Side of the Bell, featuring trumpeter Aaron Smith, is brought to you by Bob Reeves Brass. About Aaron : Aaron Smith is an active freelance trumpet player in Los Angeles, CA. He also writes, arranges, and publishes music through his small business, TrumpetSmith Publishing (ASCAP). In addition, he serves on the Hearing Board for the American Federation of Musicians (AFM) Local 47 and on the Board of Directors for the Recording Musicians Association Los Angeles (RMALA). Raised in an Army household with musician parents who played jazz and r&b, and later to receive classical conservatory training, Smith thrives on versatility, consistency, and accurate delivery of musical intent. As a trusted freelance musician in Los Angeles, he performs regularly for live orchestral events, musical theatre, films, independent recording projects, streaming, television, and video games. He has recorded on film/tv projects for celebrated composers including Alan Menken, Bear McCreary, Branford Marsalis, Germaine Franco, Heitor Pereira, Kris Bowers, Rob Simonsen, and Terence Blanchard; on sound recordings for Adrian Younge, Austin Wintory, Charles Gaines, Dr. Dre, Joachim Horsley, John Daversa, and X Ambassadors. He has performed as a sideman in bands on the Academy Awards, Dancing with the Stars, Disney's Encore!, Ellen, the LATE LATE Show, and The Voice. He's also appeared as a sideman onscreen for films including Babylon and Joker: Folie à Deux; and tv commercials for Capital One and Microsoft. He's backed major artists including Beyoncé, Billie Eilish, Common, Danny Elfman, Jennifer Holliday, Josh Groban, Kelly Clarkson, Labrinth, Lady Gaga, Sigur Rós, Steve Lacy, and more. He has also performed for contemporary/new music ensembles and series including Alarm Will Sound, the Industry's Hopscotch Opera, Jacaranda, Southwest Chamber Music, wasteLAnd, WildUp, Green Umbrella, Monday Evening concert series, and Noon to Midnight Festival. In the L.A. theater world, Smith performs regularly at the Hollywood Pantages, Dolby, La Mirada Theaters and Pasadena Playhouse. Some notable shows from these theaters with Smith on solo trumpet include Back to the Future, Beetlejuice, Color Purple, Jelly's Last Jam, Les Misérables, Moulin Rouge, Wicked, and the Wiz. As a composer, Smith strives to curate a top-tier experience for brass players especially. The primary focus is exploring boundaries while expressing a story; both through adapted arrangements structurally sound to the composer's intent and through his own original compositions. His work has been performed internationally. He has also created original chamber music commissioned by Marissa Benedict for University of Minnesota, Jim Self for University of Southern California, also by the Interlochen Center for the Arts, and Stomvi-USA. Smith's training as a music performance major includes a Master of Fine Arts degree from California Institute of the Arts where he studied with Edward Carroll and John Fumo; and a Bachelor of Music degree from the Eastman School of Music with professor James Thompson. He is also a graduate of the Interlochen Arts Academy with Stanley Friedman.
In Score's season 5 finale, composer Rob Simonsen talks about having the #1 and #2 films in the world on the same weekend (DEADPOOL & WOLVERINE; IT ENDS WITH US), and how one film led to the other being done inside of one month — the biggest time crunch he's ever had. Plus, what is was like working with Ryan Reynolds and Blake Lively, poking fun at Marvel in the sound booth with Kevin Feige during recordings, and what's next with his scoring a major upcoming Pixar release. Interview by Kenny Holmes and Robert Kraft.
¡Piscina de la Muerte! ¡Aguja Dinámica! ¡Juntos! ¡Más héroes y villanos semi olvidados! Todo esto, con mucha acción, chiste de pitos, y una cuarta pared más rota que la billetera de Hugh Jackman con toda la guita que le pagaron por volver como Wolverine. Y obviamente, Ryan Reynolds, el fan número uno de Deadpool. Nos juntamos con nuestros amigos de Hablando en Globitos, Mario y Lisandro, para una RE: seña de LA película de Marvel del año... porque es la única, posta. Además leimos el breve pasaje de Gail Simone por el comic de Deadpool, con arte de un equipo entero de fútbol llamado Udon. Con musica de Rob Simonsen, Rush, Fiambre Moderno, y Cypress Hill. Escuchalo en tu plataforma de podcasts favorita, primero lo subimos a Ivoox: bit.ly/perdidos587 Próximo programa: Star Wars - The Acolyte.
A team-up long dreamed of; impactful corpse desecration; violent nostalgia; Anchors and Nexuses; an army of Deadpools, and the Tauntauns' brains literally breaking trying to make sense of the state of the universe at the end of it all. Join us, won't you? Follow us: https://linktr.ee/InsideTheTauntaunPodcast "LFG" by Rob Simonsen
Skywalking Through Neverland: A Star Wars / Disney Fan Podcast
LFG with Deadpool & Wolverine!! In this episode, we discuss the film that broke all R-rated box office records and made $444 billion in its opening weekend - DEADPOOL & WOLVERINE. We'll give our opinions, explain some cameos, and share sound bytes from Ryan Reynolds and Hugh Jackman about their beloved characters. We also have some behind-the-scenes info from D&W composer Rob Simonsen, courtesy of San Diego Comic-Con! This is an in-depth, awesome discussion so YES, there will be SPOILERS. Today in Star Wars History - 7/31/2001 Luke Skywalker and Mara Jade become parents to Ben Skywalker in The New Jedi Order: Edge of Victory II: Rebirth, written by Greg Keyes. This is the second book of The New Jedi Order duology that is contained within the 19-part New Jedi Order series. Mark Hamill: "Pablo Hidalgo just told me about this. It doesn't surprise me. Somebody's using their head. George had talked about me handing Excalibur down to the ‘new young hopefuls' if there ever was a sequel trilogy. it makes sense that Ben ends up being the most influential person in Luke's life. I'm glad the caretakers are doing such a good job with the galaxy." SPONSORS Small World Vacations is an official sponsor of Skywalking Through Neverland. Contact them for a no obligation price quote at www.smallworldvacations.com. Tell them Skywalking Through Neverland sent you. SUPPORT THE SHOW Find out how you can become a part of the Skywalking Force and unlock bonus content. CONTACT US Instagram: http://instagram.com/skywalkingpod Twitter: https://twitter.com/SkywalkingPod Facebook: https://www.facebook.com/skywalkingthroughneverland Send emails to share@skywalkingthroughneverland.com and follow us on Facebook. If you dug this episode, click over to iTunes | Stitcher | YouTube and leave us a review! Never Land on Alderaan!
LFG with Deadpool & Wolverine!! In this episode, we discuss the film that broke all R-rated box office records and made $444 billion in its opening weekend - DEADPOOL & WOLVERINE. We'll give our opinions, explain some cameos, and share sound bytes from Ryan Reynolds and Hugh Jackman about their beloved characters. We also have some behind-the-scenes info from D&W composer Rob Simonsen, courtesy of San Diego Comic-Con! This is an in-depth, awesome discussion so YES, there will be SPOILERS. Today in Star Wars History - 7/31/2001 Luke Skywalker and Mara Jade become parents to Ben Skywalker in The New Jedi Order: Edge of Victory II: Rebirth, written by Greg Keyes. This is the second book of The New Jedi Order duology that is contained within the 19-part New Jedi Order series. Mark Hamill: "Pablo Hidalgo just told me about this. It doesn't surprise me. Somebody's using their head. George had talked about me handing Excalibur down to the ‘new young hopefuls' if there ever was a sequel trilogy. it makes sense that Ben ends up being the most influential person in Luke's life. I'm glad the caretakers are doing such a good job with the galaxy." SPONSORS Small World Vacations is an official sponsor of Skywalking Through Neverland. Contact them for a no obligation price quote at www.smallworldvacations.com. Tell them Skywalking Through Neverland sent you. SUPPORT THE SHOW Find out how you can become a part of the Skywalking Force and unlock bonus content. CONTACT US Instagram: http://instagram.com/skywalkingpod Twitter: https://twitter.com/SkywalkingPod Facebook: https://www.facebook.com/skywalkingthroughneverland Send emails to share@skywalkingthroughneverland.com and follow us on Facebook. If you dug this episode, click over to iTunes | Stitcher | YouTube and leave us a review! Never Land on Alderaan!
Ghostbusters: Frozen Empire is a 2024 American supernatural comedy film directed by Gil Kenan from a screenplay he co-wrote with Jason Reitman. It is the sequel to Ghostbusters: Afterlife (2021) and the fifth film in the Ghostbusters franchise. The film stars Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Celeste O'Connor, and Logan Kim reprising their roles from Afterlife, alongside Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and William Atherton reprising their characters from the earlier films. Kumail Nanjiani, Patton Oswalt, Emily Alyn Lind, and James Acaster also join the cast. Set two years after the events of Afterlife, the veteran Ghostbusters must join forces with their new recruits to save the world in New York City from a death-chilling god who seeks to build a spectral army. Following the success of Afterlife, Sony Pictures announced the sequel in April 2022, with Reitman returning as director. Co-writer and executive producer Kenan later took over as director from Reitman that December, with the latter staying on as a co-writer and co-producer. That same month, Rudd, Coon, Grace, Wolfhard, O'Connor, Kim, Murray, Aykroyd, Hudson, Potts, and Atherton were all confirmed to reprise their roles. New cast members including Nanjiani, Oswalt, Lind, and Acaster were announced in March 2023, with principal photography commencing that month and wrapping in June. Dario Marianelli was hired to compose and conduct the film's score, replacing Afterlife composer Rob Simonsen. This is the first film in the Ghostbusters franchise to be released following the death of the franchise's co-creator and Jason Reitman's father Ivan Reitman, who posthumously receives credit as a producer alongside his son and Jason Blumenfeld. Additionally, the film is dedicated to Ivan's memory and celebrates the 40th anniversary of the first film. Ghostbusters: Frozen Empire had its world premiere at the AMC 13 Theater at Lincoln Square in New York City on March 14, 2024, and was released in the United States on March 22, by Sony Pictures Releasing under its Columbia Pictures label. The film received mixed reviews from critics --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message
Neben einem ordentlichen Batzen an neuen Merchkäufen bei Heiko und Denny geht es in der neuesten Spectral Radio Episode um das Sound Design des kommenden Ghostbusters Films. Was sich die beiden so davon erhoffen, wünschen und erwarten und was die Essenz des Geisterjäger Sounds in Sachen Score und Soundtrack ausmacht, das klären die beiden in dieser Folge! In den News: Bill Murray bestätigt sich selbst für Ghostbusters 4 und Ernie Hudson sorgt mit einer Aussage zur Ausrichtung des neuen Films im Fandom für Aufruhr. Die Neuzugänge in Heikos Sammlung könnt ihr übrigens hier sehen: https://www.instagram.com/muellerheiko2011/ Und zu Dennys YouTube Kanal gehts hier entlang: https://www.youtube.com/channel/UCR_psf0XM3TfGdknR4AxtTg /// Ihr seid begeisterte Spectral Radio Ohren und möchtet uns unterstützen? Dann schaut doch gerne bei Patreon vorbei: https://www.patreon.com/spectralradio
This episode is sure to inspire you! We have the pleasure of having John, Eve and Rob Simonsen on the show who have a very magical story! They are a beautiful family that have made a wonderful CBD brand called Reunion. As a family they had been separated for years each living their independent lives until John, the father was diagnosed with cancer. His diagnosis took him into the healing arts of Shamanism. Through his healing process he was called to start planting hemp and making products. After many years apart from his children Eve and Rob reunited with him and have joined the business and incredibly strengthened their family bond. They create products led by spirit and out of love! Reunion is proudly sold at JILL LINDSEY and their story should be shared around camp fires and through generations. Learn more at https://thisisreunion.com/ and at JL! XOXOXO!!!
Our latest guest on Soundtracking is someone we've been wanting to get on for a long time - not least because of his collaborations with friend of the show, Clint Mansell. Darren Aronofsky is a truly original and radical filmmaker, whose latest movie The Whale has seen Brendan Fraser receive widespread acclaim as a reclusive English teacher who is eating himself to death. The Whale is beautifully scored by Rob Simonsen - who has served up a haunting take on the nautical themes that underpin the movie.
Max Foizey reviews The Whale, and interviews film score composer Rob Simonsen. Max also reviews Glass Onion, along with Carl Middleman.
Yes Have Some: Celebrating 35 Years of Ghostbusters in 2019!
Ghostbusters: Afterlife Composer, Rob Simonsen Rob Simonsen has had an incredible career and has scored dozens of films. Today, he sits down with Craig from YHS for an in-depth conversation on the music of Ghostbusters: Afterlife, his work on Season 4 of Stranger Things, and his working relationship with Jason Reitman. Support YHS - patreon.com/yeshavesome --- Support this podcast: https://anchor.fm/yhspodcast/support
Pete Korpela is a Los Angeles based studio and touring percussionist, recognized internationally for his versatility in orchestral, latin, jazz, world, rock, and pop music. He has collaborated with such renowned talent as, among others: Danny Elfman; Hans Zimmer; Alan Silvestri; Michael Giacchino: John Powell; Harry Gregson-Williams; Josh Groban; Robbie Williams; Jeff Russo; Henry Jackman; Marco Beltrami; Michael McDonald; Carter Burwell; Disturbed; Alan Parsons; Calle 13; Rickie Lee Jones; Al DiMeola; Kelly Clarkson; Madeleine Peyroux; Lizz Wright; Ed Shearmur; Kandace Springs; Ana Moura; Joe Trapanese; Rob Simonsen; Melody Gardot; Los Angeles Philharmonic; Los Angeles Chamber Orchestra; Hollywood Bowl Orchestra; Seth MacFarlane; and the 91 st Academy Awards Orchestra.
Pete Korpela is a Los Angeles based studio and touring percussionist, recognized internationally for his versatility in orchestral, latin, jazz, world, rock, and pop music. He has collaborated with such renowned talent as, among others: Danny Elfman; Hans Zimmer; Alan Silvestri; Michael Giacchino: John Powell; Harry Gregson-Williams; Josh Groban; Robbie Williams; Jeff Russo; Henry Jackman; Marco Beltrami; Michael McDonald; Carter Burwell; Disturbed; Alan Parsons; Calle 13; Rickie Lee Jones; Al DiMeola; Kelly Clarkson; Madeleine Peyroux; Lizz Wright; Ed Shearmur; Kandace Springs; Ana Moura; Joe Trapanese; Rob Simonsen; Melody Gardot; Los Angeles Philharmonic; Los Angeles Chamber Orchestra; Hollywood Bowl Orchestra; Seth MacFarlane; and the 91 st Academy Awards Orchestra.
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
My boycott of the Oscars continues as does my presentation of my favourite scores of 2021. As I did in part one of the show, I'll talk about and play music from the 2021 soundtracks that I liked. On the program today, you'll hear music from Diego Navarro, Christopher Gordon, Lorne Balfe, Rob Simonsen, Christopher Drake, Marco Beltrami, Brandon Roberts, Amie Doherty, Panu Aaltio, and Maurizio Malagnini. At the end of the show, I'll unveil my single favourite score composed in 2021. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Elizabeth, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Paul Helmuth Angela Rabatin, Michael Poteet & Larry Reese. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
What would you do if you could go back in time and talk to your 12-year-old self? What if you could also see a dead loved one again? For all the whiz-bang action-adventure stuffed into Ryan Reynolds' latest film, The Adam Project, composer Rob Simonsen's score never strays far from those sentimental questions. The next collaboration between Reynolds and director Shawn Levy after last year's Free Guy, The Adam Project follows a time-traveling fighter pilot who flees his dystopian past to crash-land in 2022. And who should he meet but his younger, 12-year-old self, played by newcomer Walker Scobell, who tags along with him on an adventure not just to shake off bad guys from the future who are set to chase him down, but to reconnect with his long-dead father (Mark Ruffalo) and stop time travel altogether. It's a film steeped in the nostalgia-friendly Amblin vibes of the 1980s, evoking everything from Flight of the Navigator to E.T., and that's a throughline Simonsen threads expertly. His is a deceptively simple score, pairing crackling, electronic synths for the high-tech action sequences with the tranquil piano and orchestra of its primary theme -- keeping the CG spectacle grounded in the achingly personal. Easy work for Simonsen, who's proven himself a versatile composer since he came up in the early 2010s with indies like The Spectacular Now and Fast Color. And earlier this year, he primed the pump for the nostalgia well with his score for Ghostbusters: Afterlife. Now, he speaks to me on the podcast today about his early work as a composer, what lessons he learned from mentor Mychael Danna, and the myriad ways COVID complicated the process of scoring this film. You can find Rob Simonsen at his official website here. The Adam Project is currently streaming on Netflix. You can also listen to the score for The Adam Project on your preferred music streaming service courtesy of Sony Soundtracks.
In a dystopian 2050, pilot Adam Reed steals his time jet and escapes through time on a rescue mission to 2018. However, he accidentally crash-lands in 2022 instead where Adam meets his 12-year-old self who is struggling with the recent death of their father Louis. Adam reluctantly enlists his younger self's help to repair his jet and reveals that he is looking for his wife, Laura, who was supposedly killed in a crash while on a mission to 2018.Adam is chased to 2022 by Maya Sorian, the leader of the dystopian world and her lieutenant Christos who attempt to apprehend Adam and take him back to 2050. The Adams are rescued by Laura who reveals that she had escaped an assassination attempt on her and was left stranded in the past. Laura had learned that Sorian had traveled back in time and altered the past in order to give herself control of time travel and the future. Laura urges Adam to travel back to 2018 and destroy time travel, which was created by his father Louis, in order to set things right and save the future. Sorian attacks and Laura sacrifices herself so that the two Adams can escape. Chased by Sorian and with only enough power for one time jump, Adam and his younger self jump back to 2018.In 2018, the two Adams attempt to enlist Louis' help, but he refuses out of concern for the scientific impact on the timestream. The younger Adam confronts his future self about his bitterness and anger and realizes that the source of it is his lingering pain over their father's death. As the two launch an attack to destroy Louis' particle accelerator, Louis changes his mind and joins the mission, having them instead retrieve the hard drive containing the only copy of his algorithm that enables time travel. A battle erupts between the Adams, Louis, Sorian, her younger self, Sorian's soldiers and Christos, resulting in the particle accelerator overloading. Sorian attempts to shoot Louis with an armor-piercing bullet, but the magnetic field of the accelerator instead diverts the bullet, causing it to kill the younger Sorian, erasing Sorian from existence as the Reeds flee.With time travel destroyed and the future set right, Louis chooses not to learn of his own fate and enjoys a game of catch with both versions of his son before the Adams are returned to their own times. In 2022, Adam lets go of his bitterness and anger and reconciles with his mother whom he has been distant from ever since Louis' death. Years later, an adult and much happier Adam meets Laura in a situation mirroring their first meeting in the original timeline.★ Support this podcast on Patreon ★
The Best of 2021 - 5-1In the latest episode of Between the Notes, your hosts, Tony Black & Sean Wilson, continue to break down their Best Film Scores from the year that just was, 2021, in the second of a two-part episode, covering their entries from 5-1.They discuss films including DON'T LOOK UP, THE POWER OF THE DOG and SPIDER-MAN: NO WAY HOME, and composers including Hans Zimmer, Rob Simonsen, Michael Giacchino & more...Host / EditorTony BlackCo-HostSean WilsonSupport the We Made This podcast network on Patreon:Patreon.com/wemadethisTwitter: @btw_notesWe Made This on Twitter: @wmt_network / www.wemadethisnetwork.comTitle music 'Milky Way' (c) Peter Sandberg/Epidemic Sound
The Best of 2021 - 5-1 In the latest episode of Between the Notes, your hosts, Tony Black & Sean Wilson, continue to break down their Best Film Scores from the year that just was, 2021, in the second of a two-part episode, covering their entries from 5-1. They discuss films including DON'T LOOK UP, THE POWER OF THE DOG and SPIDER-MAN: NO WAY HOME, and composers including Hans Zimmer, Rob Simonsen, Michael Giacchino & more... Host / Editor Tony Black Co-Host Sean Wilson Support the We Made This podcast network on Patreon: Patreon.com/wemadethis Twitter: @btw_notes We Made This on Twitter: @wmt_network / www.wemadethisnetwork.com Title music 'Milky Way' (c) Peter Sandberg/Epidemic Sound
Muziek van Rob Simonsen bij de film Ghostbusters: Afterlife, een actiefilm van Jason Reitman, en zoals de titel al verraadt: een vervolg op de horrorkomedie Ghostbusters (1984) van Ivan Reitman (vader van!). 35 jaar na de gebeurtenissen in New York zitten oppergeest Gozer en zijn boosaardige hulpjes diep verborgen in een berg in Summerville, Oklahoma. Waar ze wachten op het moment dat ze de wereld kunnen overnemen. Het is aan een viertal stoere kids om dat te voorkomen. Leuke film met memorabele momenten en degelijke filmmuziek van de Amerikaanse componist Rob Simonsen (1978). Met herkenbare elementen uit de muziek (van Elmer Bernstein) bij de oorspronkelijke film.
Min 4: FILTRANDO BAJO EL LODO El thriller español “El lodo” lidera otra prolífica hornada de estrenos que nos prepara para una espectacular despedida cinematográfica de 2021. Alberto Luchini y Raquel Hernández se llenan los pulmones para la inmersión bajo los humedales levantinos y para evaluar una oferta de lo más heterogénea. Acompañan a “El Lodo” la también española “La vida era eso” (preestrenada en Abycine con la premiada Ana Castillo) mientras que el cine emotivo y el melodrama ponen tres tazas de sensibilidad con “La Familia Bloom”, “Querido Evan Hansen” y “Valentina”. La canadiense “Demonic” cubre la cuota semanal de terror en cartelera y Netflix avanza en salas exclusivas “No mires arriba”, la sarcástica comedia americana que encabezan nada menos que Meryl Streep, Leonardo Di Caprio y Jennifer Lawrence. Min 35. ESPECIAL BSO GHOSTBUSTERS “Cazafantasmas: Más allá” se ha convertido en el gran taquillazo del puente de diciembre y ha sido un auténtico revulsivo para las salas comerciales. Aprovechando este éxito, y como homenaje al clásico de 1984, Ángel Luque nos propone jugar al contraste: soltar en las ondas los temas pop de la primera entrega, disfrutar de la aportación instrumental del gran Elmer Bernstein y compararla con la más reciente, la compuesta por Rob Simonsen. Un tributo musical al estilo de banda sonora ocentera que tan bien ha resistido el paso del tiempo. En este capítulo nos toca cazar fantasmas presentes y pasados y ayudarte a elegir lo mejor de la extensa oferta cinematográfica de la semana. Gracias por confiar en “Estamos de Cine”. Feliz escucha.
GHOSTBUSTERS: AFTERLIFE composer Rob Simonsen talks about channeling Elmer Bernstein's original Ghostbusters music, going into top-secret studio vaults to read the script, and how he re-wired his musical brain in order to keep the music sounding true to the original. Then, he talks about how he knows when music fits the film, the rumored near-firing of his once boss, Mychael Danna, on Life of Pi, and why it's always crucial to dial in the perfect sound.
¿A quién vas a llamar? ¡Al Trasgo! MaGnUs y Ezequiel reciben a un amigo de la casa, y ex integrante del staff, Guillermo "Trasgo" Sotuyo, para hablar de una de sus pasiones, los Ghostbusters. En este caso, una RE: seña de Ghostbusters: Afterlife, la recientemente estrenada secuela directa a las películas originales. ¿Se sostiene como secuela? ¿Funciona como película independiente? ¿Hay vida en Summerville? Todo esto, en este programa. Con música de Rob Simonsen, y R.E.M.. Próximo programa: RE: señas de comics varios - Far Sector, Beta Ray Bill, Strange Adventures, Death Orb.
We're turning back the clock to 1984 as we talk about "Ghostbusters: Afterlife" with Supervising Sound Editor & Re-Recording Mixer Will Files and Composer Rob Simonsen. Unlike many modern action-adventure films, this team, led by director Jason Reitman, tried to make everything sound as authentically '80s as possible, eschewing modern sound design and film score aesthetics, in order to give the audience an experience reminiscent of the beloved original film (which happened to be directed by Jason's father, Ivan Reitman). The result is a delightful throwback to the action-comedies of yesteryear. And the three of us absolutely NERD OUT today, as we talk about all the ways they pulled this off, from both a technical and aesthetic perspective. "When Jason [Reitman, the director] and we sat down to talk about the movie, he said, 'You've got to put yourself aside. This is... really about being custodians of what was done." So we had a lot of conversations about that and he said, 'I'm telling every department that that is the mission here. It's not to do what necessarily is, like, cool and modern and hip. This is about discovering the original, keeping it, and - where we can - walking forward, but in the clothes of the original.' So, I think it was really important for Jason to signal to everyone, right at the opening logos: 'We got you!'" — Rob Simonsen, Composer, Ghostbusters: Afterlife Be sure to https://www.ghostbusters.com/ (check out Ghostbusters: Afterlife at a Dolby Cinema near you). Please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn).
John DeNicola is an American songwriter and producer. He is best known for co-writing the song "(I've Had) The Time of My Life", for which he won both an Academy Award and a Golden Globe Award, as well as receiving a Grammy nomination, in 1988. In 1989 he was the co-winner of ASCAP Awards' "Most Performed Songs from Motion Pictures" for "Time of My Life" as well as for "Hungry Eyes", another song from the film. Listen in as John tells Joseph about his latest release and the early days of analog recording.
How does one become a tech privacy attorney and a musician? How do you go to Mumbai to find your way? This is the story of Alan Chapell. Growing up on the multi-ethnic streets of Stamford, Connecticut, Alan Chapell was exposed to a multitude of music – playing piano and trumpet before the age of six and at age 15 recording with the legendary producer Jimmy ienner (Dirty Dancing, KiSS, etc) Along with his musical success, Alan has carved out a niche as an attorney . . . advising tech companies on privacy issues. When the producers of HBO's Silicon Valley consider creating a character to lampoon your role in the tech space, you know you've made it.
Richard Humann is a Brooklyn-based neo-conceptual artist whose work has been included in the Venice Biennale, represented the United States in the 2017 Karachi Biennale in Pakistan, and has had multiple national and international solo gallery and museum exhibitions. Richard was born and raised in the Lower Hudson Valley region of New York State. He divides his time between Brooklyn and Woodstock, NY. This podcast is not about art, it's about being an artist. Listen to Joseph and Richard talk it up.
Franke Previte: Academy Award and Grammy award winning songwriter, singer, talks with Joseph about his early childhood, selling cars in his driveway to earn money and how (I've Had) The Time of My Life and Hungry Eyes were written and how they found their way in movie Dirty Dancing.
Joseph met Diana at a SAG-AFTRA workshop and have been friends since. Diana is an actor, voice actor and producer. Known for her recurring roles on "The Young and the Restless" and "Days of Our Lives", she has also done a number of TV Commercials. She began working in Group ADR in 2010, on "Eureka", and has been heard on "Alphas", "Defiance", "Code Black", "Quantico", "Midnight Texas", "Into The Dark" and more. The daughter of an avionics mechanic from Sri Lanka and a Danish mother, Diana's unusual ethnic background has granted her a strong sense of culture. Her love of travel began at a young age and she's been to over 30 countries. www,dianalansleen.com
Bill Schnee is an internationally renowned producer, engineer, and mix master. He has received over 125 gold and platinum records and more than 50 Top 20 singles that run the gamut from Barbra Streisand to The Jacksons, Rod Stewart to Steely Dan, and Whitney Houston to Dire Straits. This is my conversation with Bill about his journey and his art. Check out Bill's new book: Chairman at the Board: Recording the soundtrack of a Generation
In dieser Spectral Radio Ausgabe ist kein Thema der Woche nötig, denn Timo und Denny bestreiten einen News Marathon par excellence! Es geht um die neueste Ausgabe des britischen Filmmagazins Empire (mit einem fetten Special zum 84er Film und zu Afterlife/ Legacy), Funko Pop Exclusives bei Baskin Robbins, GB Easter Eggs in Stranger Things Season 4, weitere YouTube Episoden von Real & Extreme GB, Randy Edelman, der den Score zur GB 2 Doku "TOO HOT TO HANDLE" komponiert, Afterlife Wackelköpfe von Royal Bobbles und einen neuen Soundschnippsel aus dem AFTERLIFE/ LEGACY Score von Rob Simonsen. /// Ihr seid begeisterte Spectral Radio Hörer/ innen und wollt uns gerne unterstützen? Dann schaut doch gerne bei Patreon vorbei: https://www.patreon.com/spectralradio ///
Today's guest is Nashville music producer, singer, songwriter Aaron Ruiz. Aaron is an artist who has had hundreds of songs placed in tv shows. Joseph and Aaron talk about the work it takes to stay present, dealing with negative self talk and accepting that we are not in control of whether a song is a success or not. www.aaronandandrew.com https://soundcloud.com/skyline-brigade
Meridith and Joseph have a podcast (Are You Waiting For Permission) dedicated to those of us who have stood on the edge, waiting for others to give us permission to pursue our dreams. Today, Joseph interviews Meridith and Joseph about their creative journeys as actors, coaches and podcasters.
Today Cathy and Joseph wrap up their conversation. We learn of Cathy's acting opportunities; how she drove 3 hours each way for her auditions and how she views her creative process.
This week, Cathy and Joseph continue their conversation. We hear how Cathy moved forward with her education and started modeling. We also learn of the one woman who positively impacted her life.
Cathy is a first generation Vietnamese American born and raised in Seattle, WA. To say that Cathy grew up under difficult circumstances is an understatement. Her story is one of hard work, perseverance and survival. Cathy graduated with a degree in psychology from the University of Washington all the while working as a genetic researcher at the Fred Hutchinson Cancer Research Center. She earned her second degree in Graphic Design & Illustration. Cathy worked her way through various design specialties for Fortune 500 companies and found her sweet spot as an e-commerce User Experience (UX) / Product Designer. Cathy has appeared in GRIMM, LEVERAGE and is a recurring guest star for a series to be announced soon as well as a recurring guest star on an animated series. www.cathyvu.com
This week on the show, catching up on the news and then taking a deep dive into the newly officially released Ghostbusters II score by Randy Edelman (and as a bonus, our first listen to the Ghostbusters Afterlife score). First up in the news, a merch round-up of biblical proportions: Hasbro Plasma Series Wave 2 figures are hitting shelves, as are family sized boxes of Ghostbusters cereal, tons of halloween costume offerings, and a whole lot more. No, we won't talk about those images that circulated around the internet last week and we'll tell you why. Then in the second half of the show, we're diving into the first listen to Rob Simonsen's score to Ghostbusters Afterlife as heard in a promotional piece on the official Ghostbusters social platforms and using that as a way into talking about Sony Masterworks' outstanding release of the Ghostbusters II score. After 32 years of waiting, we have a clean and official listen to the score which answers some questions, opens up a few new puzzles and more. Join us as we talk through some of the tracks, lay one or two of them over the film to see where they may have gone, and a whole lot more!
Thomas Laub is a producer currently represented on Broadway with David Byrne's American Utopia (Special Tony Award). Past work includes Slave Play (Tony Nomination), Seven Deadly Sins, and the site-specific Myths & Hymns. Upcoming: Douglas Carter Beane's Fairycakes, Selina Fillinger's POTUS, and Plaza Suite starring Matthew Broderick and Sarah Jessica Parker. Founder of Runyonland Productions and entertainment revenue management firm Standing Room Theatrical Solutions.
Katie Leigh is a voice actress, best known for her roles as Sunni Gummi in Disney's Adventures of the Gummi Bears, Zuzu in Poppy Cat, Alex in the first two seasons of Totally Spies!, and as Connie Kendall in the Focus on the Family radio program Adventures in Odyssey since 1987. This is her story.
Today's episode you'll hear Joseph talk about his decision to change markets - from NYC to Los Angeles; how a scoring rejection caused to him to reconsider his dreams and how he received the opportunity to compose the underscore music for American Sniper.
For the first episode of Pivot Point in year two, Joseph continues with an exploration of his own journey. This Pivot Point explores his years in Nashville, his time working at Belmont Church, his unsuccessful production company and how he dealt with difficulties in his personal life. This two-part series starts where he left off in bonus episode #4. Want to know more about his earlier journey? Listen to bonus episodes 1 - 4 in year 1.
Today's guest is Janay Woodruff. Janay is a powerhouse rock singer and songwriter. She hails from St. Louis where she cultivated her love for music at age 9 through the Opera Theatre of St. Louis. Known for her laser focus and unshakeable drive, Janay was unsurprisingly tapped to open for FloRida for NOW 96.3 NOW Night Out. The into features her successful song, Diamonds. www.janaesound.com
Kevin Brewerton is a 5 time world kickboxing champion, author, director, actor and painter. His story is one of seeking the truth both in his life and in his art. Kevin's book is called - These Are African Hands-A Memoir. You can find it on Amazon.
Beau Stroupe: Opera singer, actor and coach is my guest this week. Beau and I met 25 years ago in Nashville. A graduate of Manhattan School of Music, Beau's talent provided him opportunities as a professional opera singer. Listen in on how his path changed directions and why. In the podcast intro, hear Beau sing Che gelida manina from La Boheme.
En 1966, Truman Capote publie De Sang froid, un best-seller international et un classique de la littérature américaine qui relate l'assassinat d'une famille dans une petite ville du Middlewest. A peine le livre était-il dans les librairies que les studios hollywoodiens s'arrachèrent les droits d'adaptation. Et c’est le réalisateur Richard Brooks qui réussit brillamment à transposer en images les mots de Truman Capote.A l’occasion de la sortie de De sang-froid en DVD Blu-Ray chez Wild Side, retour sur la genèse de cette tragique histoire criminelle, qui marqua aussi l’avènement du roman vérité. Musiques Bande originale du film De sang-froid composée par Quincy JonesBande originale du film Foxcatcher composée par Mychael DannaBande originale du film Le Stratège composée par Mychael DannaBande originale du film Foxcatcher composée par Rob Simonsen
April Cleveland is a director, educator, and the creator of THE EXODUS ENSEMBLE in Santa Fe, New Mexico, which creates wild and immersive theatrical events. April directs fast-paced thrillers across genres, from classics and contemporary adaptations to dystopian new work and large-scale musicals.
Kimber Terry is today's guest. She is know by her stage name, Kimber. She is a singer/song writer from Nashville, TN. From a young age Kimber has always been singing and writing songs. She would even sing her math homework and make the questions into lyrics. Today her lyrics and music go far beyond math equations. Check out her song: Used to Being Used in the podcast intro. For more info on Kimber go to https://www.kimberofficialmusic.com
Adele Cabot is a well-known voice coach in Los Angeles. Her clients are actors who have appeared on Broadway, in regional theatres, and in starring roles in films and on TV. Adele was also an actor and director of plays for many years in New York. She is the head of LAvoiceJOY, a studio she founded where she teaches Linklater Voice for actors and executives (speaking voice). Her MFA in Acting is from Brooklyn College and she is a Designated Linklater Voice Teacher. (Designated by Kristin Linklater in 1998.) Adele has taught and coached voice, acting, and acting Shakespeare in many places around the world - including at Shakespeare's Globe in London, Shanghai Theatre School, Shanghai, China, and National Theatre of Korea in Seoul, South Korea. She was the primary Voice and Speech Consultant at Arena Stage in Washington DC. See www.adelecabot.com for more info.
Today Joseph chats with Ed Hooks. Ed is an actor for almost thirty years. He's written several books on acting and became a respected acting coach. He was trained as an actor in New York, where he appeared in many stage plays plus TV Soaps and hundreds of TV commercials for major companies like AT&T, Bounce Fabric Softener, Dawn Dishwashing Liquid, Excedrin, Traveler’s Insurance and McDonald's. In 1996, Ed was invited to teach acting to animators at PDI/DreamWorks in Palo Alto, California, when that company was working on the movie “Antz”, starring Woody Allen. After the film was released, Ed wrote the book “Acting for Animators”, and it was quickly embraced by the entire animation industry. Today, it is available in a revised 4th edition, published by Routledge in London.
Dan Navarro is Joseph's guest this week. Dan is co-author of the song We Belong with his late partner Eric Lowen. Prior to Eric's illness, they toured together for years as Lowen & Navarro. Eric's illness from Lou Gehrig's disease had Dan eventually go solo. You can find Dan on Facebook at Dan Navarro Music.
Today's guest is Kyle Fritz.
Accomplished composer for film, television and theater, Cindy O'Connor is Joseph's guest today. You'll know Cindy's music from the show "Once Upon a Time" which ran for seven seasons. She also toured for four yeas as a keyboard player and BG singer with Pat Benatar. Kristen's Poem at Menacing Hedge - Unforgiven. http://menacinghedge.com/spring2021/entry-debeasi.php
Today's guest is Doreen Ringer-Ross. Doreen is best known as a supporter of artists and for her years at BMI (Broadcast Music Inc). She is responsible for starting programs such as BMI's conducting workshop, The Sundance Composer's Lab and many others. This is Doreen's journey.
Bianca Bethune is Joseph's guest this week. She is an actor on movies like Bad Boys ll & Bad Boys for Life and the TV show: Switched At Birth. Bianca and Joseph met at while working on BB4Life. Today she tells her story of how she went from dancing to acting and transitioning from a childhood actor to an adult actor. Bianca also has a podcast called What Else w/ Bianca Bethune.
This week features guitarist, Justin Derrico. Justin is a phenomenal player and is the guitarist sideman for P!NK for over ten years. You can also see Justin play on NBC's The Voice. Joseph met and worked with Justin on P!nk's documentary, P!NK: ALL I KNOW SO FAR debuting on Amazon Prime Video in May. This is Justin's story.
Today's guest is Joanie Diener. Joanie is an Emmy-winning music editor, with extensive experience in both feature films and television. The recipient of thirteen MPSE Golden Reel Award nominations and five wins. Classically trained, she earned a B.A. in Music at UC Berkeley, with continued graduate studies in Musicology at Boston University where she conducted the BU Women’s Chorus. After spending a number of years as a singer/songwriter, an interest in film led to her present career as a film music editor. Joseph and Joanie worked together on the Michael Mann show, Luck
Arranger/Orchestrator Jeff Atmajian is Joseph's guest today. Jeff is a highly sought after arranger and orchestrator for films. His steady clientele are well-known and highly successful composers such as James Newton Howard, Marc Shaiman, Rachel Portman and Gabriel Yared. In the past two years Jeff has been pursuing a more high profile composing career. Recently he scored the 90-minute documentary about the Armenian Genocide called Screamers. Joseph and Jeff first worked together on the Rachel Portman's score for BECAUSE OF WINN-DIXIE.
Matt Moran is Joseph's guest this week. Matt began his career in entertainment at the age of eight, singing radio jingles and appearing on various children’s television programs and recorded albums. Upon earning a degree in Communications and Film, Matt headed to Nashville, where he spent the next 12 years performing and hosting entertainment events, as well as penning songs for several Grammy-nominated artists, eventually garnering a 36th position on Billboard’s top 200 with his song, “For Freedom.” He recently released his first full-length solo album entitled, “Awakening,” and his music has been featured on Larry King Live, Good Morning America, Regis and Kelly, The View, Comedy Central, and ABC News with Bob Woodruff.
Shie Rozow is Joseph's guest today. Shie is a composer, music editor. He has taken a different path than most leading him to work on over 100 feature films. As a music editor, Shie has earned 17 Golden Reel Award nominations and winning of three. Some of his credits include Avengers: Age of Ultron, Oz: The Great & Powerful and Hustle & Flow. This is Shie's story.
Today's guest is Ari Solotoff, Esq. Yes. Ari is a music lawyer. Joseph met Ari when working on Sinfonia. In need of a music attorney, Ari was referred to Joseph from Lucas Richman (episodes 17 & 18). Trained as a classical musician, Ari focuses his law practice on serving clients in entertainment and intellectual property law, as well as related areas of practice. He represents leading musicians, composers, artists, and other creative entrepreneurs. This is Ari's journey. Ari's website: www.solotofflaw.com.
This week we hear how Don pivots from Hollywood, CA and find himself landing back at Berklee College of Music and developing one of the best Film Scoring music departments in the country. Also - please visit www.chla.org and support Shie Rozow's walk that is happening this Saturday, February 13, 2021 to raise money for Children's Hospital Los Angeles. I give you more details about it at the beginning of this weeks show. Thank you. direct link to Shie's support page: http://connect.chla.org/site/TR/DIY/DIY_Fundraising?px=2566762&pg=personal&fr_id=1090
This week on Pivot Point is Don Wilkins. Don and Joseph go way back. In fact, Don was Joseph's teacher and mentor at Berklee College of Music. Don and Joseph have worked professionally on two projects: Hometown, a CBS tv series and The First Killing Frost, an independent feature film. Though Don has taught and mentored hundreds of film scoring students over his 30 year career, Don's initial career path was to be a Hollywood composer. This two part conversation takes you on his journey of Pivot Points.
Today's guest is Michael Stearns. Michael and Joseph met each other while working together on Alpha, directed by Albert Hughes. Michael is a composer and soundtrack designer/producer. His credits include music and soundtrack production for television, feature films, planetariums, theme parks, twenty two IMAX films and seventeen solo albums. His music has been used for James Cameron’s “The Abyss”, “Titanic” and “Avatar”, as well as music for Disney Films, HBO, ABC, PBS, BBC, Discovery Channel, and Ron Fricke’s non-verbal 70MM films “Chronos”, “Sacred Site”, “Baraka” and “Samsara”. It has also been used by NASA, Laserium, and choreographed by the Berkshire Ballet. Michael has produced the soundtracks to Universal Studio’s themed attractions “Earthquake” and “Back To The Future, The Ride”. He produced the soundtrack to Paramount Picture’s ride film “Star Trek, The Experience” and produced music for World’s Fair/Expos in Korea, Japan and Spain. Michael works in his music and post production studio “The Guest House”, in Santa Fe, New Mexico.
Today Joseph speaks with picture editor Jett Sally. Joseph and Jett met when working together on NINJA ASSASSIN. Joseph “Jett” Sally is currently cutting Lana Wachowski’s highly anticipated THE MATRIX 4 starring Keanu Reeves. His most recent work can be seen on WORK IN PROGRESS, the unique Showtime comedy series executive produced by Lilly Wachwoski. Jett has also collaborated with the Wachowksis on the popular Netflix series SENSE 8. Jett is known for editing both James McTeigue’s Netflix series, MESSIAH, and his feature film, BREAKING IN.
Sally Boldt is an experienced music editor whose credits include films from a wide array of genres, ranging from Groundhog Day, Hairspray, and L.A. Confidential to American Hustle, Tron: Legacy, and most recently Soul and Watchman. Equally adept at creating a temp score in a period drama as managing the complex logistics of a musical, Sally has skill and expertise that make her a go-to music editor for films of all stripes. Today Sally and Joseph talk about how her career unfolded from unexpected opportunities.
Today's guest is David Seltzer, the writer of The Omen, Willy Wonka & the Chocolate Factory (screenplay) and writer/director of Lucas and Shining Through. Joseph met David when working together in NYC on Shining Through. This is David's story.
Last week we left off with Frank having to make a major choice for his career. This week we hear how Frank made that choice and how that influenced his career. This is part two of Frank Montaño's journey.
9 time Oscar nominated re-recording mixer, Frank Montaño is Joseph's guest this week. Joseph and Frank have worked together on The Book of Eli, Alpha, The Revenant and Queen and Slim. Today Frank talks about his early days from being in sports as a boxer to thinking he would be a software engineer as his career choice. Sometimes life feels like it has it's own choices for us. Listen as Frank talks about his pivot points and those people who were there to help him along the way.
Albert Hughes, part 2. Last week Albert left us with how he got his first directing job. Today Albert and Joseph continue their conversation. We'll hear who he met at his first job and how that was a pivot point for him. They also go deep into a discussion about the creative mindset. You'll hear about one of Albert's deep dives as he was preparing for The Book of Eli.
Albert Hughes - director of Alpha, Book of Eli, From Hell, American Pimp, Dead Presidents and Touching Evil. In this part 1 of a 2 part podcast, Albert talks about his life growing up in Detroit, how he became interested in film and how his first directing job happened.
This week's guest is Anthony Parnther. A multi-talented conductor and bassoonist. Anthony's credits as a bassoonist and conductor are unparalleled. He has played on most of the great film scores of the past 8 years in Hollywood and is musical director and conductor of 2 symphony orchestras, The San Bernardino Symphony in San Bernardino, CA and the Southeast Symphony in Los Angels. Over the last decade, Anthony has been in demand as a conductor for film, television, albums, jingles, and video game scores in the Hollywood Studio scoring stages. He has conducted hundreds of sessions for a long list of media composers including Jeff Russo, Edouard Brenneisen, Germaine Franco, Maclaine Diemer, Rob Simonsen, Nathan Barr, and Ludwig Göransson. Anthony has accepted invitations with orchestras internationally to conduct live film concerts, particularly the scores of John Williams, Bernard Herrmann, Michael Giacchino, and Jerry Goldsmith.
Timo und Denny schlagen sich diese Woche durch die angehäuften Newsmeldungen: Rob Simonsen spielt Piano (oder Klavier), Der Score zu Ghostbusters Afterlife wird eingespielt, mysteriöse Nachdrehs, Reebok bring GB Schuhe auf den Markt... Freut euch auf eine pickepackevolle Sendung!
Dejamos los grandes especiales de lado para volver a la normalidad. En este caso, la música nos transporta a una cocina de alto nivel, donde las manchas en los platos son sacrilegio, y el arte se transforma en virutas y especias que decoran la comida. En esta ocasión, nos ponemos a analizar la música de la banda sonora de Una Buena Receta, película de Bradley Cooper, con batuta de Rob Simonsen.
Composer, producer, multi-instrumentalist, artist and co-founder of Los Angeles' artist collective The Echo Society, Rob Simonsen has contributed to almost a hundred film and television soundtracks in the two decades since he was first asked to provide piano solos to a movie made by high school friends. Having developed a presence in the Portland independent circuit with his first formal commission, Westender (2003), he was invited to assist veteran composer Mychael Danna, and in 2004 relocated to Los Angeles, where he contributed music to Danna's Academy® Award-winning score for 2012's Life of Pi, as well as Surf's Up (2007), The Imaginarium of Doctor Parnassus (2009), and Moneyball(2011). He and Danna also co-scored (500) Days of Summer in 2009, helping to establish Simonsen as a sought-after talent in his own right. Since then, Simonsen's composed music for 2015's The Age of Adaline – for which he co-wrote the end credits theme – in addition to a slew of other films, including The Spectacular Now (2013), The Foxcatcher (2015), Tully (2018), Love, Simon (2018) and Captive State (2019). In addition, Simonsen launched his solo artist career in 2019 with his debut full-length album, Reveries, for Sony Masterworks. WEBSITE: https://www.robsimonsen.com/ FACEBOOK: https://www.facebook.com/robsimonsenmusic/ INSTAGRAM: https://www.instagram.com/rob_simonsen/ TWITTER: https://twitter.com/robsimonsen REVERIES: https://terrorbird.com/albums/reveries Simon Drew Links Patreon: patreon.com/simonjedrew Coaching: simonjedrew.com/coaching/ Practical Stoic Mastermind: facebook.com/groups/practicalstoicmastermind Facebook: facebook.com/simonjedrew Instagram: instagram.com/simonjedrew LinkedIn: linkedin.com/in/simonjedrew Website: simonjedrew.com FEEDSPOT: https://blog.feedspot.com/stoicism_podcasts/
We know there’s a lot going on in the world right now, but we’re going to do our best to keep things as normal here on the ol’ podcast to help everyone escape for just a few minutes. This week on the show, talking about the reveal of Rob Simonsen composing the Ghostbusters: Afterlife score, merch news including perhaps the end of the line for Ghostbusters Playmobil tie-ins, and in the second half of the show, we’re talking IDW Comics’ Ghostbusters Year One Issue #2!
Wie der Titel schon sagt: Spectral Radio kehrt nach der krankheitsbedingten Zwangspause zurück und haut euch ein fettes News- Paket um die Ohren! Timo und Denny diskutieren lebhaft über den Komponisten des Afterlife- Scores Rob Simonsen. Gute Wahl? Ihr hört es im Podcast. Ausserdem: Hat die New York Toy Fair doch ein wichtiges Detail des Films verraten? Desweiteren gibt es einen kleinen Nachruf auf Rene Erk und Max von Sydow.
The Memory Palace is a proud member of Radiotopia, a collective of independently owned and operated podcasts. A note on shownotes. In a perfect world, you go into each episode of the Memory Palace knowing nothing about what's coming. It's pretentious, sure, but that's the intention. So, if you don't want any spoilers or anything, you can click play without reading ahead. Anyway... Music We hear The Icelandic Society of Phallogy from Rob Simonsen score to The Final Member. And one of my favorite songs, Every Day a Sunrise, A Summer from The Telegraph Melts. Notes I read and enjoyed The Golden Age of the Newspaper by George Douglas. I first learned about Moses Yale Beach and the pigeon reporters in an aside in one of the fantastic stories in Banvard's Folly by Paul Collins, a book you should purchase right now.
PLAYLIST MÚSICAS IMAGINADAS 14 DE OCTUBRE DE 2019 - DAVID WAHLER. Always (Two Hearts, 2019) - DAVID WAHLER. Paris Rain (Two Hearts, 2019) - ROB SIMONSEN. Coeur (Reveries, 2019) - ROB SIMONSEN. Reve (Reveries, 2019) - ROB SIMONSEN. Spectre (Reveries, 2019) - SHERRY FINZER & WILL CLIPMAN. Child's Play (The Space Between Breaths, 2019) - SHERRY FINZER & WILL CLIPMAN. Evening at Ankgor Wat (The Space Between Breaths, 2019) - BEN CARROLL. Akashic Mantra for Recalibration (Becoming Light, 2019) - BEN CARROLL. Reactivating Ancient Portals (Becoming Light, 2019) - LYNN TREDEAU. Photos without a Memory (All the Pieces, 2019) - LYNN TREDEAU. A Weathered Heart (All the Pieces, 2019) - LYNN TREDEAU. Sea of Amber (All the Pieces, 2019)
Beyond the Playlist Rob Simonsen I talk to composer Rob Simonsen about his history and how he found his way to composing for film. We talk about his approach to writing. We also talk about his solo album, the process and the reasons he wanted to make it. https://www.robsimonsen.com/ https://soundcloud.com/robsimonsen https://twitter.com/robsimonsen https://open.spotify.com/artist/2ZeUaZT3s3NSbeV7OS094J?si=xOTCph0NQ1uoMR1FTymRXw For more Beyond the Playlist with JHammondC https://twitter.com/JHammondC https://www.facebook.com/groups/Beyondtheplaylist/ Theme music by Magnus Sellergren featuring The Jimmy C and the New York Brass https://www.patreon.com/jhammondc
Welcome to Marwen / The Front Runner / GlassIn the first main episode of Between the Notes, Tony Black and Sean Wilson talk and play new work by Alan Silvestri, Rob Simonsen and West Dylan Thordson.They also chat film music news and pick through the 10-5 entries of their Top Film Scores of 2018.Host / EditorTony BlackCo-HostSean WilsonTwitter: @btw_notesWe Made This: @wemadethispodAll music courtesy of Back Lot Music & Sony Classical
Welcome to Marwen / The Front Runner / GlassIn the first main episode of Between the Notes, Tony Black and Sean Wilson talk and play new work by Alan Silvestri, Rob Simonsen and West Dylan Thordson.They also chat film music news and pick through the 10-5 entries of their Top Film Scores of 2018.Host / EditorTony BlackCo-HostSean WilsonTwitter: @btw_notesWe Made This: @wemadethispodAll music courtesy of Back Lot Music & Sony Classical
Welcome to Marwen / The Front Runner / Glass In the first main episode of Between the Notes, Tony Black and Sean Wilson talk and play new work by Alan Silvestri, Rob Simonsen and West Dylan Thordson. They also chat film music news and pick through the 10-5 entries of their Top Film Scores of 2018. Host / Editor Tony Black Co-Host Sean Wilson Twitter: @btw_notes We Made This: @wemadethispod All music courtesy of Back Lot Music & Sony Classical
Rob Simonsen is a wonderfully talented composer who takes some time to chat about two films he scored that recently played at Sundance, The Way, Way Back and The Spectacular Now. Simonsen shares how he met Mychael Danna and ended up becoming his protege, including what he learned most from him. Simonsen worked on many of Mychael Danna's scores and quickly branched off on his own. Simonsen co-scored the acclaimed Seeking A Friend For The End Of The World as well. We chat about his approach to his two recent Sundance darlings, working on back-to-back projects, his sources for inspiration and much more. A great interview with a talented and fresh voice in the industry. Interview Conducted By:Kaya Savas Special Thanks:Rob SimonsenChandler PolingThomas MikuszWhite Bear PR
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
On today’s episode, we are finally presenting our TOP 20 FAVOURITES SCORES OF 2016 program.This first part of our countdown celebrates selections 20 through to 11 featuring the music of Alexandre Desplat, Chad Seiter, Abel Korzeniowski, Ramin Djawadi, Austin Wintory, Rob Simonsen, James Newton Howard, Naoki Sato, Ye Xiaogang, Chad Cannon and Dario Marianelli. This is a hefty 3-hour show but it’s jam-packed with so much great music I’m sure you won’t mind the running length. We’ll have part two for you near the end of the week. While I’m sure your personal best of 2016 list is very different than mine, I never expect anyone’s favourites to mirror my own, I offer you a chance to put me in my place. Please feel free to contact me or write in the comments section below with scores that I might have left off the list. With that, enjoy the countdown! Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com
Lakeshore Records Podcast No 8 www.lakeshorerecords.com On this episode of The Lakeshore Records Podcast TG is in conversation with Rob Simonsen. They discuss the score for Nerve, his career to date and The Echo Society. Recorded and Edited by Tony Giles
In Episode 11 of The Cinescope Podcast, Chad and Lauren talk about one of their favorite movies, The Way, Way Back! Enter the October 2016 giveaway for a free movie by leaving a review for The Cinescope Podcast on iTunes! Listen to the episode for additional details regarding gaining a bonus entry! The Cinescope Podcast on iTunes Show Notes The Way, Way Back on iTunes The Way, Way Back (Original Motion Picture Score) on iTunes The Way, Way Back (Music from the Motion Picture) on iTunes Stats Released July 5, 2013 Dir. Nat Faxon and Jim Rash (directorial debut) Written by Faxon and Rash (The Descendants with Alexander Payne - Academy Award for Best Adapted Screenplay) Music by Rob Simonsen (co-composed a few films/additional music with Mychael Danna, Girl Most Likely, The Spectacular Now, Foxcatcher, The Age of Adaline, Nerve) Starring Liam James, Sam Rockwell, Steve Carell, Toni Collette, AnnaSophia Robb, Allison Janney, Maya Rudolph, Rob Corddry, Amanda Peet, Nat Faxon, Jim Rash Contact Lauren Twitter Chad Twitter Facebook Cinescope Facebook Twitter Website Email thecinescopepodcast@gmail.com Note: The iTunes links provided are affiliate links, meaning that when you click on them you help to support The Cinescope Podcast by earning it a bit of money. Thank you for your support! Special Guest: Lauren Allen.
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
On this week’s episode of CINEMATIC SOUND RADIO we’ll be listening to seven brand new film scores… and that’s it. We’ll return to our regular format in two weeks.Off the top of the program you’ll hear Steven Price’s loud score to SUICIDE SQUAD. You’ll also hear selections from the remake of BEN-HUR with music by Marco Beltrami, Christopher Young sensational score to THE MONKEY KING 2, Dario Marianelli’s adventure score to KUBO AND THE TWO STRINGS, Austin Wintory’s atmospheric score to the video game ABZU, Alexander Cimini’s triumphant work on DARK WAVES and we’ll end the program with Rob Simonsen’s infectious 80’s retro synth score to NERVE. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com
Rob's first break into film composing was through the independent feature Westender in 2003 along followed by the Canadian award winning Eve and the Fire Horse. In 2004, Rob teamed up with Mychael Danna and has provided additional music and arrangements on Surf's Up, Fracture, Moneyball and the Oscar-winning Life of Pi. The two have co-composed the film (500) Days of Summer, and the television series, Dollhouse and Blue Bloods. Rob's more recent work includes the films: Seeking a Friend for the End of the World, Girl Most Likely, and the Sundance Film Festival features The Spectacular Now and The Way, Way Back.
THE LAST HURRAH This is mix is strictly for fun. 1 Red | Rob Simonsen 2 Its You Its Me (Shoe Scene Symphony Remix) | Kaskade 3 Wake Me Up | Avicii 4 I Could Be the One (Nicktim Mix) … Continue reading →
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Since his debut in 2003 with the indie film Westender, Rob Simonsen has evolved into a composer in his own right with credits spanning a diversity of genres in film and TV, but his formative years were spent learning the intricacies of composing, collaborating, and the realities of the film scoring business with Canadian composer Mychael Danna. With the Oscar for Best Original Score going to Life of Pi this past February, Simonsen’s career will further flourish, and in our discussion he describes his entry into film scoring, and the chance meeting with Danna which provided an important entry into Hollywood, and has resulted in several important collaborations including 500 Days of Summer(2009), Moneyball (2011), and the TV series Dollhouse (2009-2010). Simonsen’s recent solo work includes TV’s Battleground (2012) and the films The Way, Way Back and The Spectacular Now (both 2013). Released by on Sony Classical, the music from Life of Pi is available from various online vendors. If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter. Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links. All podcast editing, mixing, and audio restoration produced in-house. For inquiries and demo reels, please visit Mondomark.com.
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