Actress and film director from the United States
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Hosted by Rebecca Miller
Hosted by Rebecca Miller
25 episodes with Rebecca Miller
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2 episodes with Rebecca Miller
2 episodes with Rebecca Miller
Welcome to our first-ever in-person recording! Join us as we share exciting news, including a big congratulations to Rebecca Miller on her election to the NAWDP Board of Directors. We also touch on Prosper Appalachia, preview upcoming guests, and remind listeners how EKCEP serves Eastern Kentucky's job seekers, career advancers, and businesses. Plus, find out how you can share your ideas for future episodes!Resources Mentioned:EKCEP Website: https://ekcep.orgFind Your Local Kentucky Career Center: https://ekcep.org/find-a-career/EKCEP Newsletter Sign-up: https://ekcep.org/newsletter-sign-up/Get Connected: Visit https://ekcep.org or your local Kentucky Career Center for services.Share Your Voice: Keep an eye out for our upcoming survey.Suggest Topics: What do you want us to cover? Email us at ekcep@ekcep.orgComing Up:Look out for future episodes featuring interviews with Adam Bowman, Dylon Baker, and representatives from Teleworks!Connect with Us:Website: https://ekcep.orgEmail: ekcep@ekcep.orgHosts: Jen & Jaeclinn
This week we have a pair of thrillers about guys who meet a “New Friend from Hell” and pay the consequences. Explore the dark side with BAD INFLUENCE (1990) from writer David Koepp and director Curtis Hanson, starring James Spader and Rob Lowe. Then it's time to get way to close to the creepy new neighbors in CONSENTING ADULTS (1992) starring Kevin Kline, Mary Elizabeth Mastrantonio, Kevin Space, and Rebecca Miller.
Emmy award-winning actor Michael J. Fox shocked the world when he announced over 25 years ago that he had been diagnosed with Parkinson's disease. Since then, he's devoted his talents to eliminating Parkinson's in our lifetime.Researchers with The Michael J. Fox Foundation now have impressive progress to report. They've developed a biomarker test to measure the protein alpha synuclein that's helping to diagnose Parkinson's with more than 90% accuracy, even proving effective at identifying people who may later develop the disease.“I think this is going to be a game changer for clinical trials and for patient care in the future,” says Samantha Hutten, Ph.D., a neuroscientist and vice president of translational research at the foundation. “But right now it is really a research tool that can be used to inform research and also how we design clinical trials.”A positive test, for example, may not be able to tell patients which type of alpha synuclein disease they have, whether it's Parkinson's, Lewy body dementia or multiple systems atrophy.“I think there's huge excitement around it, particularly about the impact on clinical trials,” says Rebecca Miller, Ph.D., an associate professor at Yale University's School of Medicine who was diagnosed with Parkinson's in 2013 at age 38. “We're all looking for a drug that will really be disease-modifying.”Hutten tells hosts Mark Masselli and Margaret Flinter that the biomarker test is an “all-comers” study, meaning patients can participate if they've been diagnosed or have family with Parkinson's, or have risk factors like loss of sense of smell or REM sleep behavior disorder.The test comes at a crucial time: the global rate of Parkinson's has doubled since Fox first revealed his condition. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Emmy award-winning actor Michael J. Fox shocked the world when he announced over 25 years ago that he had been diagnosed with Parkinson's disease. Since then, he's devoted his talents to eliminating Parkinson's in our lifetime. Researchers with The Michael J. Fox Foundation now have impressive progress to report. They've developed a biomarker test to measure the protein alpha synuclein that's helping to diagnose Parkinson's with more than 90% accuracy, even proving effective at identifying people who may later develop the disease. “I think this is going to be a game changer for clinical trials and for patient care in the future,” says Samantha Hutten, Ph.D., a neuroscientist and vice president of translational research at the foundation. “But right now it is really a research tool that can be used to inform research and also how we design clinical trials.” A positive test, for example, may not be able to tell patients which type of alpha synuclein disease they have, whether it's Parkinson's, Lewy body dementia or multiple systems atrophy. “I think there's huge excitement around it, particularly about the impact on clinical trials,” says Rebecca Miller, Ph.D., an associate professor at Yale University's School of Medicine who was diagnosed with Parkinson's in 2013 at age 38. “We're all looking for a drug that will really be disease-modifying.” Hutten tells hosts Mark Masselli and Margaret Flinter that the biomarker test is an “all-comers” study, meaning patients can participate if they've been diagnosed or have family with Parkinson's, or have risk factors like loss of sense of smell or REM sleep behavior disorder. The test comes at a crucial time: the global rate of Parkinson's has doubled since Fox first revealed his condition. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Weekly shoutout: Subscribe to Flash Perspectives from author Tommy Dean! -- Hi there, We're back! Today I am delighted to be arts calling writer/performer Jen Ponton! (jenponton.com) About our guest: JEN PONTON (writer/performer SUGARCOATED) returns triumphantly to the New York stage with Sugarcoated, her autobiographical solo show, in its New York premiere. Last seen off-Broadway in Halley Feiffer's How To Make Friends and then Kill Them (Rattlestick, 2013), Jen has spent the past decade building a vibrant career in film and television. Highlights include Dietland, 30 Rock, The Unbreakable Kimmy Schmidt, Orange is the New Black, Law & Order: SVU, and Blue Bloods, among many others. Jen also starred in Ash Christian's Love on the Run alongside Frances Fisher, Annaleigh Ashford, and Steve Howey. She has since appeared in Rebecca Miller's She Came to Me and Todd Solondz's Wiener-Dog opposite Greta Gerwig and Kieran Culkin. Off-screen, Jen is a passionate creator. Her works include the storytelling podcast All the Fucks with co-host Lillian Bustle_, a nostalgia-packed puppet sitcom, and her TEDx Talk, “Hollywood's Fatphobia Problem.” Her collaboration with _Sugarcoated director Tessa Slovis began with Tessa's film Pizza Party, wherein the two found an immediate connection through their commitment to bold activism through storytelling. Explore more about Sugarcoated at jenponton.com. Maiden Mother Crone: an evening of poignant storytelling as two extraordinary solo shows, THE LONGER MY MOTHER IS DEAD THE MORE I LIKE HER by Deborah Unger and SUGARCOATED by Jen Ponton, take center stage at The Pete at The Flea from February 12–23, 2025. ABOUT SUGARCOATED: Jen Ponton takes audiences on a visceral journey through the polished facade women are often forced to wear. With biting humor and profound vulnerability, Sugarcoated strips away societal expectations, revealing raw truths about trauma, survival, and self-empowerment. Best known for her role on AMC's Dietland, Ponton has made waves in TV, film, and theater. Sugarcoated, which premiered at the Denver Fringe Festival, is a testament to her fearless approach to storytelling and her commitment to exploring the untold narratives of women. MAIDEN MOTHER CRONE plays the following schedule through Sunday, February 23: Preview Performances: February 12 & 13 at 7 PM Opening Night: February 14 at 7 PM February 15 (2 PM & 7 PM, with matinee talkback) February 16 (2 PM) February 19–21 (7 PM) February 22 (2 PM & 7 PM, with matinee talkback) February 23 (2 PM) Tickets are $40 and can be purchased at maidenmothercroneshow.com or in person at the theater ½ hours before the performance. Venue: The Pete at The Flea, 20 Thomas Street, New York, NY 10007 Running Time: 2h15 mins (with intermission) Website: maidenmothercroneshow.com Thanks for this amazing conversation, Jen! All the best! -- Arts Calling is produced by Jaime Alejandro. HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE, AND THANK YOU FOR TAKING THE TIME TO LISTEN.
Dr. Tom Curran interviews Rebecca Miller and Amanda Downing, founders and Chief Librarians of Two Acre Books, a private lending library for discerning families. Rebecca and Amanda give tips for parents of reluctant or bored readers and talk about the impact of living books - “books that come alive!”
In this episode I brought on Rebecca Miller. Rebecca and I are Instagram friends. I have followed Rebecca for awhile and saw her document her mock prep and struggles she experienced. Rebecca opens up in this podcast about her personal struggles with her fitness journey. She shares how she loved the bodybuilding look but didn't want to step on stage. I share the dangers of prepping without the intent of competing and how this isn't a healthy goal to have. Rebecca share's what she learned through chasing the extremes and how she finally found a more balanced approach to health and fitness. Today's guest IG: Reberm87 My website & for more information on my coaching services www.nicoleferrierfitness.com My go to supplements Shop Legion supplements code NFF Your host Nicole Ferrier @nicoleferrierfitness on Instagram and tiktok
El 'Cinema a la Xarxa' d'aquesta setmana est
More information about Lewis: https://www.lewishuckstep.com/ Conscious Community Group: https://www.lewishuckstep.com/community Check out my socials for more content: Instagram: https://www.instagram.com/lewishuckstep/ Youtube: https://www.youtube.com/channel/UCFydq4ZV3RLWo8dK-nRfMzg Facebook: https://www.facebook.com/Lewishuckstepp LinkedIn: https://www.linkedin.com/in/lewis-huckstep-20a17528b/ --- Support this podcast: https://podcasters.spotify.com/pod/show/lewis-huckstep/support
PETER JAROWEY is Partner at Vertical Entertainment, a leading global independent distributor, leveraging creative and platform relationships to maximize revenue across all media. Recent titles include the 2023 Cannes Film Festival opener JEANNE DU BARRY, directed by Maïwenn who stars alongside Johnny Depp; the 2023 Berlin Film Festival opening night movie SHE CAME TO ME directed by Rebecca Miller; the 2023 Independent Spirit Award winner EMILY THE CRIMINAL written & directed by John Patton Ford. Host Jason E. Squire is Editor of The Movie Business Book and Professor Emeritus, USC School of Cinematic Arts. Music: “The Day it All Began and it All Ended” by Pawel Feszczuk (License: CC by 4.0)
Swapnil Gupta is an Associate Professor and Medical Director of Ambulatory Psychiatry at Mount Sinai Morningside Hospital. She was trained as a psychiatrist in India and the United States, at SUNY Downstate Medical Center and Yale University, and PGI Chandigarh in India. She is known for her work on deprescribing from and discontinuation of psychiatric drugs. Dr. Gupta's career began with research on the role of the endocannabinoid system in the pathophysiology of schizophrenia as an academic psychiatrist. Her subsequent scholarship has focused on applying deprescribing, the systematic reduction of unnecessary medications, to psychiatry by rooting it in the principles of recovery-oriented care. She has authored several peer-reviewed papers on deprescribing and co-authored a book with Rebecca Miller and John Cahill. She is an active member of two organizations that aim to enhance stakeholder engagement in psychiatric research. She is also a part of the editorial board of the Community Mental Health Journal. Currently, she is working on creating educational resources to help people discontinue psychiatric medications and gathering information on the knowledge and opinions of psychiatrists regarding the discontinuation of such drugs. In this interview, we discuss deprescribing from psychiatric drugs, the difficult decisions faced by patients, the importance of psychosocial support during withdrawal, and how deprescribing is central to recovery-oriented practices such as shared decision and patient choice. We will also tackle the complex issue of whether the recurrence of symptoms once a drug is tapered is a mark of relapse or withdrawal caused by the psychiatric medication. *** Thank you for being with us to listen to the podcast and read our articles this year. MIA is funded entirely by reader donations. If you value MIA, please help us continue to survive and grow. To find the Mad in America podcast on your preferred podcast player, click here
Do you think you've made the wrong decision of going into engineering just because the “common” roles don't align with the life you want?
Le bonus Merci pour votre écoute Matin Première, c'est également en direct tous les jours de la semaine de 6h à 9h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Matin Première sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/60 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
A Tacular comes but once a year, and what a year it has been. We've Taculared non festival films (Mank once or twice) and Cannes premieres (France and The French Dispatch), but never before has a trailer so solidified the need for a Tacular. And this Tacular comes to us all the way from the opening night of Berlin. Rebecca Miller's She Came to Me is the subject. Our many thought and some thoughts from our listeners is the meat of the thing. Enjoy the She Came to Me-Tacular! Thank you for another great year, and we'll see you in 2024! Our twitter is @CannesIKickIt Our instagram is @CIKIPod Our letterboxd is CIKIPod Enjoying the show? Feel free to send a few bucks our way on Ko-fi. Thanks to Tree Related for our theme song Our hosts are @andytgerm @clatchley @imlaughalone @jcpglickwebber
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones they made in between. We discuss everyone's favorite method man: Daniel Day-Lewis. Our B-Sides are 1988's Stars and Bars, Eversmile, New Jersey (1989), Jim Sheridan's The Boxer, and Rebecca Miller's The Ballad of Jack and Rose. Returning guest Fiona Underhill joins us to discuss the myth-making around the actor, his process, as well as a few hot takes on whether some of his most lauded credits are properly rated. Naturally, we also discuss his peak ‘90s hotness (it's a tie between, Mohicans and The Crucible, by the way), and his influence, for better or worse, on a younger generation of actors. The scope of our B-Sides unlock a few lesser-seen tools in Day-Lewis' belt, from the farcical to the oddball. These are modes he doesn't necessarily seem comfortable in as a younger star, but that serve as practice for when he deconstructs his own serious image with his career peak in Phantom Thread. We can all be glad he gave us Reynolds Woodcock before retiring. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.
James Cameron-Wilson takes Simon Rose through the box office chart, with takings down 25% WoW but up 43% YoY. With nothing new in the chart, still led by Napoleon, he sought out Todd Haynes's Oscar contender May December, starring Natalie Portman and Julianne Moore. About celebrity, James was enthralled, without ever feeling it quite ignited. He was more enthusiastic about Rebecca Miller's She Came To Me on Sky Cinema. With Peter Dinklage, Anne Hathaway and Marisa Tomei, it's about an opera composer with writer's block and is a refreshing, insightful and very funny farce. Best of all, though was Korean-American film Past Lives from Celine Song, about two childhood friends reconnecting after twenty years. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Director Rebecca Miller discusses her new film, She Came to Me, with fellow Director Noah Baumbach in a Q&A at the DGA theater in New York. In the conversation, she discusses how her background as a painter gave her an eye for composing scenes, how she overcame challenges that arose on-set and how she learned the dynamics of each Actor's methods in order to work with them. The film tells the story of Steven, who is unable to finish the score for his big comeback opera. At the behest of his wife and former therapist, Patricia, he sets out in search of inspiration, but finds much more than he bargained for in the form of Katrina- a tugboat captain with her own obsessions. See photos and a summary of this event below: https://dga.org/Events/2023/December2023/SheCameToMe_QnA_1023.aspx
Cade and Diane celebrate 50 episodes and discuss two films: The Private Lives of Pippa Lee (2009) and Priscilla (2023). Watch the video version at: YouTube.com/@CadeThomas/streams Double Feature Movie Club is a weekly movie review show with a retro vibe. Two movies. Two hosts. One rambling conversation. Each film is our first time watching them. We often go off-topic. The Private Lives of Pippa Lee is a 2009 American romantic comedy-drama film written and directed by Rebecca Miller. The screenplay is based on her novel of the same name. It features an ensemble cast including Robin Wright, Alan Arkin, Maria Bello, Monica Bellucci, Blake Lively, Julianne Moore, Keanu Reeves, and Winona Ryder. Priscilla is a 2023 American biographical drama film written, directed, and produced by Sofia Coppola, based on the 1985 memoir Elvis and Me by Priscilla Presley (who serves as an executive producer) and Sandra Harmon. It follows the life of Presley (played by Cailee Spaeny) and her relationship with Elvis Presley (Jacob Elordi).
Join host Kelley Stevens in this episode of the Private Practice Pro as she unravels the story of Jenga Creative, founded by the dynamic duo, Jenn and Amanda. Their mission? Transforming therapists' visions into reality through specialized marketing strategies. Discover the power of authentic content, niche expertise, and strategic outsourcing. From podcast launches to website design, Jenga Creative offers tailored solutions, allowing you to focus on what matters most: your clients. Guest Bio: Jenn Pyle and Amanda Smith first crossed paths at their sons' little league field, where they quickly realized they had a shared passion for helping small businesses thrive. As entrepreneurs, creators, wives, and mothers, we know exactly how difficult the juggle can be! Our complementary skill sets make us a dream team for therapists, coaches, doctors, and other wellness professionals who are ready to take the next step in taking their business to the next level. Jenn is our strategic mastermind, with 20 years of coding experience and a love of graphic design. Our Jane-of-all-trades, Jenn keeps us grounded while finding efficient solutions for any and all tech needs. Amanda has her Masters in Marriage and Family Therapy (launching her own private practice soon!) as well as being an entrepreneur. Her background as a therapist helps her guide our clients' success with care and intuition. We've spent years building our incredible team of world-class professionals. As a full-service consulting, marketing, and web design agency, we've got your back no matter what your needs are. https://jengacreative.com/ @jenga_creative In this Episode: How a marketing company can help you take your business to the next level The power of authentic content that reflects who you are as a person Striking a balance between outsourcing tasks and DIY efforts Specialized marketing strategies offered by Jenga Creative Believing in the value of your expertise in the mental health field Getting clear on your niche, services, and authentic voice Real-life success stories from Jenga Creative clients (including The Private Practice Pro!) Highlights: (1:12) – Jenn and Amanda's introduction (6:25) – How a marketing team like Jenga Creative can help your practice thrive (11:20) – Kelley explains what services Jenga Creative provides for The Private Practice Pro (14:41) – Understanding which tasks to outsource and what to complete on your own (19:47) – Jenga Creative's approach to marketing coaching for therapists (32:41) – Getting clear on your niche, services, and authentic voice (38:31) – Jenn and Amanda's biggest hopes and dreams for their clients (45:23) – How to get in touch with Jenga Creative for marketing services (47:17) – Kelley and guest, Rebecca Miller, answer a listener's question about hiring a writer to craft content for their private practice website References: Canva → https://www.canva.com/ YouTube → https://www.youtube.com/ Taking Cara Babies → https://takingcarababies.com/ Gary Vee → https://garyvaynerchuk.com/ Rebecca Miller → https://rebeccamillareditorial.com/ Zachary Ruff → https://therapywithzach.com/ Get 2 months FREE with Simple Practice → https://partners.simplepractice.com/tppp Ask Kelley Anything → (805) 243-8241 This podcast is produced and managed by Jenga Creative → jengacreative.com
This week on The Treatment, Elvis welcomes graphic novelist Daniel Clowes, whose latest book is the mother-daughter drama Monica. Next, writer-director Rebecca Miller joins to discuss her latest film She Came to Me. And on The Treat, Bottoms director Emma Seligman talks about a teen comedy that took its characters' struggles seriously.
SHE CAME TO ME MOVIE REVIEW You know what they say: you can't spell opera without Oh, perhaps a saucy affair is in order. Writer/director Rebecca Miller presents She Came to Me. Brilliant composer of transcendent operas Steven Lauddem (Peter Dinklage) is a suffering artist who has come down with a horrible case of writer's… Read More »Screener Squad: She Came To Me
SHE CAME TO ME MOVIE REVIEW You know what they say: you can't spell opera without Oh, perhaps a saucy affair is in order. Writer/director Rebecca Miller presents She Came to Me. Brilliant composer of transcendent operas Steven Lauddem (Peter Dinklage) is a suffering artist who has come down with a horrible case of writer's… Read More »Screener Squad: She Came To Me
A new romantic comedy starring Peter Dinklage, Anne Hathaway, and Marisa Tomei tells the story of a composer struck by writer's block who becomes inspired to write an opera when he meets a woman. Writer and director Rebecca Miller joins us to discuss, "She Came to Me," in theaters now.
Valley Neighbor's Rebecca Miller & John Skinner
Seth takes a closer look at Republicans going at each other's throats after a small group of hardliners ousted former House Speaker Kevin McCarthy and Donald Trump considering a trip to pitch himself as a candidate.Then, Anne Hathaway talks about celebrating her wedding anniversary, working with Rebecca Miller in the film She Came to Me and giving Miller a poem after auditioning for her as a teenager.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
It's the worst flare up of violence in the Balkans in decades between Serbia and Kosovo following the news that Serbia moved thousands of troops to the joint border last week, after a shootout that killed both Serbs and Kosovars. Yesterday, Serbian President Aleksandar Vucic joined the show for an exclusive interview in which he claimed Serbia has no intentions of invading Kosovo, that they plan to withdraw forces from the border and will hold the instigator of the shootout to account. Today, Kosovo's President Vjosa Osmani joins the show to discuss what her country can do to normalize tensions between the two countries. Also on today's show: US House Democrat Elissa Slotkin; director Rebecca Miller; former New York City Commissioner of the Department of Correction To learn more about how CNN protects listener privacy, visit cnn.com/privacy
Mrs Covet is written by the American filmmaker and novelist, Rebecca Miller, and inspired by the sin of covetousness. The play stars Julianne Moore.
Hey folks! Do you love wildly eccentric characters? Quick wit and biting humor? Well, then do I have the show for you… Mansfield Mysteries is a satirical, cozy murder whodunit, set in quiet, affluent Berkshire Bay, and featuring the inquisitive socialite Dorinda Mansfield. She slays with sass, class, and a martini glass. With the help of her devoted daughter, Stacey—as well as the occasional frenemy—Dorinda digs for clues, navigates Berkshire Bay's elite social circles, and sifts through years' worth of grudges and motives. Make no mistake about it, Mansfield Mysteries is a celebration of fierce women. Season One is told over nine hilarious, fast paced episodes. Each three-chapter story finds Dorinda wrapped up in a new murder. You'll enjoy this show if you can imagine Murder, She Wrote with characters from Absolutely Fabulous - or Only Murders in the Building if the amateur detectives were sassy socialites. IMPORTANT: This month, the show creators are crowdfunding for Season Two of Mansfield Mysteries on Seed & Spark. We'd love for you to check out the show and afterward consider supporting the show. We'll leave a direct link in the show notes of this episode. Seed&Spark Crowdfunding Link: https://bit.ly/mansfield-mysteries-Seed-Spark THIS EPISODE: To The Depths, Chapter One. When Dorinda Mansfield and her daughter, Stacey, attend Berkshire Bay Brand's annual Labor Day extravaganza, they are inundated with old flames, hot gossip, and tasty barbeque, but the last thing they expect to see is a dead body! Starring: Melissa Hughes Ernest as Dorinda Mansfield. Melissa Zeien as Stacey Mansfield. Doug Despin as Mayor Berkshire. Cody Ernest as Morton Anderlee. Amy Hanson as Rosemary Berkshire. Brianna Hubbard as Rebecca Miller. Michael L. Johnson as Employee. Mona Goss Lewis as Alice Breckenridge. Tina Paukstelis as Annabelle. Joan Roehre as Sarabelle. Christopher Wild as Galen. Written by Amy Hanson and Michael L. Johnson Produced by The QuaranTeam Sound Design by Paul Reese Directed by Nicholas Hoyt Twitter: MansfieldMyst00 Instagram: mansfield_mysteries Learn more about your ad choices. Visit megaphone.fm/adchoices
Rebecca Miller and I seemed to instantly hit it off and we tended to agree on a lot of topics - a very enjoyable interview to make. We discussed why we both enjoy conducting youth orchestras and how important playing in orchestras is for a young person, we also chatted about the positives and negatives of preparing an orchestra for another conductor, and I heard a fabulous story about Sir Georg Solti conducting the opening of Beethoven's Fifth Symphony! If you want to hear the bonus mini-episode attached to this episode, why not subscribe at https://www.patreon.com/amiconthepodium, and, for a monthly fee starting from just £5 a month, you can access two new series of interviews, group Zoom meetings with other fans of the podcast and myself, a monthly bulletin about the podcast and my own career as well as articles, photos, videos and even conducting lessons from myself. If you listen via Apple podcasts, please do leave a rating and review - it really helps the podcast get noticed and attract more listeners. If you want to get involved on social media, you can via Facebook (https://www.facebook.com/amiconthepodium) or Twitter (@amiconthepodium). This interview was recorded on 13th December 2022 via Zoom.
Hosts Sonia Mansfield and Margo D. go to a back door sale and dork out about 1992's CONSENTING ADULTS, starring Kevin Kline, Kevin Spacey, Mary Elizabeth Mastrantonio, and Rebecca Miller. Dork out everywhere …Email at dorkingoutshow@gmail.comSubscribe on Apple PodcastsGoogle PlaySpotify LibsynTune In Stitcherhttp://dorkingoutshow.com/https://twitter.com/dorkingoutshow
Rebecca is a multi-award-winning author of contemporary fiction with a purpose. She is a uniquely passionate person who lives to write compelling stories with urgent messages. Her characters are imperfect, relatable individuals who (usually) grow from their experiences—albeit sometimes slowly—however big or small their challenges may be. Her goal is to write believable characters with...
Find out how Calgary is leading the agribusiness revolution: http://www.calgaryagbusiness.comEdgar's Feed and Seed: https://www.edgarsfeedandseed.ca/I know many of you are entrepreneurial. Maybe you've dreamed about starting a company. But there are many established companies that are looking for their next owner. In 2013, at the age of 23, Elliott and Rebecca Miller acquired Edgar's Feed and Seed in Ontario, Canada. Through a good relationship with the previous owner, Elliott and Rebecca were able to utilize seller financing to buy the local ag retail company. Now after 10 years of ownership, they've been able to not only keep it afloat but to grow and expand. In 2013 at the age of 23, Elliott and Rebecca, purchased a business, got married, and bought a farm. That's a busy year! The business they bought is Edgar's Feed and Seed, which today offers retail products for livestock and agronomic services for a wide range of crops. They've also started carrying frozen meats, cheeses and other specialty pantry items from all over Ontario and Canada. They purchased the business from Niel Edgar, who was Elliott's boss there at the time, and now works for the Millers as an employee of the company. Today's episode will focus on their journey to acquiring a business at such a young age, making it work in the early years as they paid it off, and how they've grown it since. This is a pretty inspiring couple, and hopefully will help get your wheels turning about business opportunities in your local area.
Ever wonder how the HQDA Board Process works at HRC? Beyond the release of a MILPER announcing the board and the Memorandum of Instruction to board members; this episode describes how board members are selected, the information visible to them while the board is in session and the laws and rules they must follow. Along the way, Brig. Gen. Gregory S. Johnson, “TAG 63” dispels some board myths, addresses the importance of the My Board File review and details the impact of adverse actions with guests Maj. John Barry and Maj. Rebecca Miller, board recorders for the DA Secretariat. For more information, visit the Selection Board page on www.hrc.army.mil.
Join me in my conversation with Dr. Rebecca Miller who has extensive experience in the healthcare arena, both as a highly trained psychiatrist and as a patient. We touch on a trip to the Pyrenees, parenthood, and cogntive bias as pertaining to the misdiagnosis of early onset Parkinson's disease. Dr. Rebecca Miller, PhD attended Barnard College-Columbia University as an undergraduate, received an MA and PhD at Long Island University in Clinical Psychology, and completed pre- and post-doctoral training at Yale University School of Medicine. She has received the Goldberg Leadership in Education from the American Psychological Association in 2019, and she is currently an Associate Professor Psychiatry as well as the Director of Peer Support and Family Initiatives at the Connecticut Mental Health Center. She is a strong believe in the power of the patient voice and has written on the lived experience with Parkinson's disease as well as the lived experience of safe disclosure for mental health professionals. She was diagnosed with Parkinson's at age 39 although first identified symptoms as early as age 26. For more information, visit https://www.rebeccamillerphd.com/. Links to articles on better care in the hospital, parenting with Parkinson's, and the body as public property for commentary.
In the second episode of the Sundance 2023 podcast season, we discuss Sundance's Spotlight Program, its only feature film program dedicated to films that premiered at other festivals. We discuss the program's history of picking great films and giving them the spotlight they needed (but didn't get at other festivals). We discuss four of the five films programmed in the Spotlight section: Other People's Children, Joyland, L'Immensità, and The Eight Mountains. Since we already talked about Other People's Children in depth on a previous episode, we only discuss it briefly here. Additionally, we go deep on The Eight Mountains, which Alex loved, and briefly discuss the other two films in the program that we've seen which we weren't too keen on. We've actually written books featuring several of the films that screened in Spotlight, including You Were Never Really Here, Girlhood, and The Worst Person in the World. And several of the films previously programmed in the last decade have made our list of the best films of the 2010s. Click here to read the episode show notes. You will also find an AI-generated transcript in the show notes. About the Sundance 2023 season This is the second episode of our new podcast season on the 2023 Sundance Film Festival. Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Sundance 2023 runs from January 19-28, and we'll be covering this year's festival in a new podcast season about the films this year and how the programming fits into the festival's history. This is Seventh Row's second podcast season (the first was on Women at Cannes in 2022). Sundance 2023 Bingo Because the festival loves to program films by slot and quota, we are also introducing our annual Sundance Bingo Card, which you can download here. Play along during the festival (or look at past festival editions and the films you've caught which screened there). You can find this year's bingo card in the show notes on our website. In each expisode we'll track our progress on the Bingo card, individuall and as a Seventh Row team. Become a Member All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member. How to follow our Sundance 2023 coverage Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Follow Seventh Row on Twitter and Instagram @SeventhRow; Alex Heeney @bwestcineaste Twitter and Instagram; and Orla Smith @orlamango on Twitter and @orla_p_smith on Instagram. Show Notes Links to articles/books on films that previously screened in Spotlight Read our list of Seventh Row's 50 Favourite Films of the 2010s, which also includes many films that screened in Sundance's Spotlight Program, including Oslo, August 31st (#1), Their Finest, Raw, and You Were Never Really Here. Get our ebook on Lynne Ramsay's most recent Spotlight film: You Were Never Really Here: A Special Issue Get our ebook on the Céline Sciamma, Portraits of resistance: The cinema of Céline Sciamma, which includes an interview with Sciamma on Girlhood conducted in Park City at Sundance in 2015 when the film screened in Spotlight. Read Orla Smith's interview with writer-director Haifaa Al-Mansour on The Perfect Candidate, which previously screened in Spotlight in 2020. Read Alex Heeney's interview with writer-director Rebecca Miller on Maggie's Plan, which previously screened in Spotlight in 2016. Read Alex Heeney's interview with director Lone Scherfig on Their Finest, which previously screened in Spotlight in 2017. Download the Sundance 2023 bingo card to follow along at home. Related episodes to E2: Sundance 2023 Spotlight program Discover all of our past podcast episodes on films that screened at Sundance. To listen to all of these related episodes, become a member. Ep. 116: Virtual film festivals: Taking stock of their past, present, and future (Members Only). Sundance is one of the only festivals in 2023 still offering a virtual component. On this episode, we talked about the advent of virtual film festivals and what we'd like to see in the future. Ep. 129: Highlights of 2022 Fall Film Festivals (Members Only). We discuss the best films that screened on the festival circuit in fall 2022. This includes a free in-depth discussion of Other People's Children. Episodes on Films featured in the Spotlight section Ep. 112: Joachim Trier's The Worst Person in the World (Free). As the world experts on the films of Joachim Trier (our book on his work will be out later this year), we published an episode on his twice Oscar-nominated film The Worst Person in the World (2021), which screened in Spotlight in 2022. Ep. 73: Explorations of rape culture in Promising Young Woman and The Assistant (Members Only). Although The Assistant premiered at Telluride in 2020, it only really started generating buzz after its 2021 screening in the Spotlight Program at Sundance. In this episode, we discuss its depiction of rape culture alongside a bigger Sundance hit (which was also much less nuanced), Promising Young Woman. Ep. 107: Another Round and Oslo, August 31st: Are men OK? Masculinity, mental health, & addiction(Members Only). Joachim Trier first came to Sundance in 2012 with Oslo, August 31st (which premiered at Cannes in 2011), our #1 film of the 2010s. We talk about how the film addresses masculinity, mental health, & addiction and how this compares with the more recent film, a decade later, Another Round. Episodes on genre films featured in the Sundance Spotlight program Ep. 17: The Nightingale (Members Only): Having launched her career in the World Dramatic Competition at Sundance, Jennifer Kent once again returned to the festival with her second feature, The Nightingale, which premiered at Venice to an underwhelming response. We thought the film was rich and excellent in many ways (if flawed), and went deep on it on the podcast. Ep. 112: Raw and Thelma and modern female monsters (Members Only): After receiving rave reviews (and press about vomiting walkouts) at Cannes and TIFF, Julia Ducournau (who later won the Palme d'Or for Titane) screened her first feature, Raw at Sundance in the Spotlight program. We talk about the film in comparison with Joachim Trier's Thelma. Ep. 38 Australian Westerns: The True History of the Kelly Gang, Sweet Country, and The Dressmaker (Members Only): Warwick Thornton's fantastic feature Sweet Country previously screened in the Sundance Spotlight program after premiering (and winning an award) at Venice and TIFF. In this episode, we discuss how Thornton decolonizes the Australian Western, as well as how this compares to Australian Westerns about settler characters (made by settlers).
Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.“Don't you think maybe they are the same thing? Love and attention?"–Lady Bird, written and directed by Greta Gerwig "I really love that line in the script. It's an incredible script that Greta Gerwig wrote. It's not obvious, that sentiment that she says. I think that's why she has to point it out to the Lady Bird character, but I think if we're lucky in our lives, we can choose the path that we want to go down, whether it's something creative or in the arts or something else. And I think if you're lucky, you can spend your life or your career following something you really love or spending time following the path, whether it's a hobby or your career. And spending that time paying the attention that the craft or the hobby or the creative pursuit wants."https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast
“Don't you think maybe they are the same thing? Love and attention?"–Lady Bird, written and directed by Greta Gerwig "I really love that line in the script. It's an incredible script that Greta Gerwig wrote. It's not obvious, that sentiment that she says. I think that's why she has to point it out to the Lady Bird character, but I think if we're lucky in our lives, we can choose the path that we want to go down, whether it's something creative or in the arts or something else. And I think if you're lucky, you can spend your life or your career following something you really love or spending time following the path, whether it's a hobby or your career. And spending that time paying the attention that the craft or the hobby or the creative pursuit wants."Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast
Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.“Every movie is different. Every story is different. We've been talking about Lady Bird, and you mentioned Francis Ha. So we made Francis Ha first, and there's an interesting relationship between her and her best friend that is almost like a romance, but it's not actually romantic, but the way the story is told, it's like two lovers, but they get into arguments and there's a lot of conflict. And then Ladybird, there's a lot of conflict between the mother and the daughter. And in some sense, I remember thinking, Well, I've made things before and with Greta where there's conflict and maybe there's some overlap here, but there wasn't. It's just every time you start from scratch, and you might think, Well, if we use a certain camera or if we use certain tools, maybe that will help. But that's really the last step. And then I think, you have to have a more, a sort of less practical approach in the initial discussions.I find it helpful to speak with the director and all the collaborators on the project and just to have what I'd call a more dreamy conversation when you get together in a cafe or in the office and just talk through more emotional aspects of the story. There's these very earthly concerns that making a film requires, and you have to really leave all that stuff for later. All the stuff is important, just like in any creative process or business where there's a finite amount of resources. But how do you show certain relationships? The fact is you just have to talk about them first and figure out what they are. It's really important to understand specifically what the emotional notes are of the story. And then, little by little, we just figure out the technique of like the brush strokes, if it were painting, or the notes, if it were music. In cinematography, it's a visual medium, so eventually, we're moving towards: What is in the frame or what isn't in the frame? And how will these frames transition to each other?”https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast
“Every movie is different. Every story is different. We've been talking about Lady Bird, and you mentioned Francis Ha. So we made Francis Ha first, and there's an interesting relationship between her and her best friend that is almost like a romance, but it's not actually romantic, but the way the story is told, it's like two lovers, but they get into arguments and there's a lot of conflict. And then Ladybird, there's a lot of conflict between the mother and the daughter. And in some sense, I remember thinking, Well, I've made things before and with Greta where there's conflict and maybe there's some overlap here, but there wasn't. It's just every time you start from scratch, and you might think, Well, if we use a certain camera or if we use certain tools, maybe that will help. But that's really the last step. And then I think, you have to have a more, a sort of less practical approach in the initial discussions.I find it helpful to speak with the director and all the collaborators on the project and just to have what I'd call a more dreamy conversation when you get together in a cafe or in the office and just talk through more emotional aspects of the story. There's these very earthly concerns that making a film requires, and you have to really leave all that stuff for later. All the stuff is important, just like in any creative process or business where there's a finite amount of resources. But how do you show certain relationships? The fact is you just have to talk about them first and figure out what they are. It's really important to understand specifically what the emotional notes are of the story. And then, little by little, we just figure out the technique of like the brush strokes, if it were painting, or the notes, if it were music. In cinematography, it's a visual medium, so eventually, we're moving towards: What is in the frame or what isn't in the frame? And how will these frames transition to each other?”Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast
Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.“Don't you think maybe they are the same thing? Love and attention?"–Lady Bird, written and directed by Greta Gerwig "I really love that line in the script. It's an incredible script that Greta Gerwig wrote. It's not obvious, that sentiment that she says. I think that's why she has to point it out to the Lady Bird character, but I think if we're lucky in our lives, we can choose the path that we want to go down, whether it's something creative or in the arts or something else. And I think if you're lucky, you can spend your life or your career following something you really love or spending time following the path, whether it's a hobby or your career. And spending that time paying the attention that the craft or the hobby or the creative pursuit wants."https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast
“Don't you think maybe they are the same thing? Love and attention?"–Lady Bird, written and directed by Greta Gerwig "I really love that line in the script. It's an incredible script that Greta Gerwig wrote. It's not obvious, that sentiment that she says. I think that's why she has to point it out to the Lady Bird character, but I think if we're lucky in our lives, we can choose the path that we want to go down, whether it's something creative or in the arts or something else. And I think if you're lucky, you can spend your life or your career following something you really love or spending time following the path, whether it's a hobby or your career. And spending that time paying the attention that the craft or the hobby or the creative pursuit wants."Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast
Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me."I think one of the things in Lady Bird that's interesting is she is incredibly vulnerable, especially in relationship to her mom, and then she starts to come out of her shell and becomes more and more empowered and less and less vulnerable, in a sense. And so how do you convey that on screen? And a lot of it is just wanting that sense to be there. Every movie is different. Every story is different. We've been talking about Ladybird, and you mentioned Francis Ha. So we made Francis Ha first, and there's an interesting relationship between her and her best friend that is almost like a romance, but it's not actually romantic, but the way the story is told, it's like two lovers, but they get into arguments and there's a lot of conflict. And then Ladybird, there's a lot of conflict between the mother and the daughter. I was very lucky to have a wonderful mom who's an attorney. And growing up, my mom worked very long hours, and my father was a musician who did most of the cooking. And I think just having a strong mother with a career and a very distinctive point of view has something to do with all of this. Like I'm looking for my mom in some of these projects. Someone who really shaped my worldview. That her relationship with her friends or possibly with her mom, and I think it just feels very familiar and fun. I was lucky to have a great relationship with my mom, who is all of those things, and who also would feel very guilty working long hours. And I always loved that. I loved that it was my dad who would cook, and my mom had this interesting career, and still does."https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast
"I think one of the things in Lady Bird that's interesting is she is incredibly vulnerable, especially in relationship to her mom, and then she starts to come out of her shell and becomes more and more empowered and less and less vulnerable, in a sense. And so how do you convey that on screen? And a lot of it is just wanting that sense to be there. Every movie is different. Every story is different. We've been talking about Ladybird, and Francis Ha. So we made Francis Ha first, and there's an interesting relationship between her and her best friend that is almost like a romance, but it's not actually romantic, but the way the story is told, it's like two lovers, but they get into arguments and there's a lot of conflict. And then Ladybird, there's a lot of conflict between the mother and the daughter. I was very lucky to have a wonderful mom who's an attorney. And growing up, my mom worked very long hours, and my father was a musician who did most of the cooking. And I think just having a strong mother with a career and a very distinctive point of view has something to do with all of this. Like I'm looking for my mom in some of these projects. Someone who really shaped my worldview. That her relationship with her friends or possibly with her mom, and I think it just feels very familiar and fun. I was lucky to have a great relationship with my mom, who is all of those things, and who also would feel very guilty working long hours. And I always loved that. I loved that it was my dad who would cook, and my mom had this interesting career, and still does."Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast
"I've always thought that filmmaking rhymes with classical music, the process of making classical music that I observed as a child. When I discovered filmmaking, I thought these things, they're very similar. They rhyme with each other. I hope this doesn't sound pretentious, but what operating a camera does resemble the physicality of conducting an orchestra. I was in a certain proximity to my father's orchestra playing on Stephen Spielberg's and Clint Eastwood's soundtracks, and I grew up playing the cello.My favorite conductor that I ever got to see was Seiji Ozawa, who was the musical director of the Boston Symphony and the Tokyo Symphony. But he was my father's orchestra was the Boston Symphony, and he was musical director for 35 years or something like that. And this was like, he was like a dancer, really beautiful, elegant movements. And I watched him rehearse and perform for so many hours when I was a child. And I think subconsciously as a camera operator, that it informed my sensibility, and maybe if I'm able to pull off like an elegant, smooth camera move, like on Noah Baumbach's Mistress America movie we did a lot of big flourishy movements all in one shot. And I think Seiji was a huge influence on me in terms of movement. And even if, Confess, Fletch, I didn't operate the camera, but I had an amazing operator named Julian Delacruz. And just being able to communicate like what the movement should be and just speak that language, I think getting to watch Seiji as a kid really helped that for me.”Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast
Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me."I've always thought that filmmaking rhymes with classical music, the process of making classical music that I observed as a child. When I discovered filmmaking, I thought these things, they're very similar. They rhyme with each other. I hope this doesn't sound pretentious, but what operating a camera does resemble the physicality of conducting an orchestra. I was in a certain proximity to my father's orchestra playing on Stephen Spielberg's and Clint Eastwood's soundtracks, and I grew up playing the cello.My favorite conductor that I ever got to see was Seiji Ozawa, who was the musical director of the Boston Symphony and the Tokyo Symphony. But he was my father's orchestra was the Boston Symphony, and he was musical director for 35 years or something like that. And this was like, he was like a dancer, really beautiful, elegant movements. And I watched him rehearse and perform for so many hours when I was a child. And I think subconsciously as a camera operator, that it informed my sensibility, and maybe if I'm able to pull off like an elegant, smooth camera move, like on Noah Baumbach's Mistress America movie we did a lot of big flourishy movements all in one shot. And I think Seiji was a huge influence on me in terms of movement. And even if, Confess, Fletch, I didn't operate the camera, but I had an amazing operator named Julian Delacruz. And just being able to communicate like what the movement should be and just speak that language, I think getting to watch Seiji as a kid really helped that for me.”https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“Don't you think maybe they are the same thing? Love and attention?"–Lady Bird, written and directed by Greta Gerwig "I really love that line in the script. It's an incredible script that Greta Gerwig wrote. It's not obvious, that sentiment that she says. I think that's why she has to point it out to the Lady Bird character, but I think if we're lucky in our lives, we can choose the path that we want to go down, whether it's something creative or in the arts or something else. And I think if you're lucky, you can spend your life or your career following something you really love or spending time following the path, whether it's a hobby or your career. And spending that time paying the attention that the craft or the hobby or the creative pursuit wants."Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast
This week on The Treatment, Elvis sits down with Emmy nominated actor Brian Tyree Henry, who is currently starring in the fourth and final season of FX's “Atlanta.” Next, writer-director Paul Feig, whose new book is “Cocktail Time!: The Ultimate Guide to Grown-Up Fun,” talks about bringing a cocktail party sensibility to his film sets. And for The Treat, writer and director Rebecca Miller explains how a classic play from the early 20th century captures the light and dark of life today.
This week on The Treatment, Elvis sits down with comedian and Golden Globe winning actor Ramy Youssef, whose Hulu series “Ramy” is currently in its third season. Next, writer and director Rebecca Miller stops by to talk about her new collection of short stories called “Total.” And on The Treat, actor Jon Hamm tells us about an author whose books he can't stop recommending.
Total is the brand new book from author and filmmaker Rebecca Miller. It has just been released, but the wheels were set in motion for this collection of short stories, almost two decades ago. It was during the pandemic, when Miller, the daughter of playwright Arthur Miller and acclaimed photographer Inge Morath, finally found the time and space needed to flesh out and expand her ideas. In Total, there are seven short stories, many exploring themes of motherhood, family and creativity, often with women at their core. In this episode, the pair discuss Miller's connection to Ireland through her marriage to actor Daniel Day-Lewis, her own journey through motherhood and what she plans to do next. Hosted on Acast. See acast.com/privacy for more information.
In today's episode of You Can Overcome Anything! Podcast Show, CesarRespino.com bring to you two special guest by the names of Adam Tau and Rebecca Miller.In the age of the mega firm, Adam Tau and Rebecca Miller have adapted the regular model of Financial Services to create a practice that would become a magnet for people like them, where they develop innovative, dynamic and diverse financial plans for innovative, dynamic and diverse people. Adam and Rebecca created Dynamic Wealth Strategies as a husband-and-wife team. When they were both working at Fortune 100 financial companies, they would come home and chat about the methods of reaching out to potential customers, running meetings and designing plans that were being drilled into them all day – but didn't feel genuine to either of them. They value independence, and Adam and Rebecca both felt they were being pushed to sell proprietary products, even if there were more effective solutions elsewhere. They knew there had to be a better way to offer financial advice, even if going at it alone seemed like an uphill battle. Doing it their way meant too much for them not to go for it. They created Dynamic Wealth Strategies, Inc. as an exciting, approachable and like-minded alternative to your typical firm, where they actively seek to engage a broad range of people in their community, offer a diverse range of solutions to independently develop financial plans their clients want and need, and they value authenticity in their practice. Their message to you is:It's ok if your financial plan or your financial advisor is different than your family, friends and colleague's...and most times, it should be! Your life is unique, and the things you want to achieve and circumstances you come from often aren't the same as everyone else's. It's ok to differ from the pack if your goals are being met and your voice is being heard.To connect with them go to:DynamicWealthInc.comBooking Link: https://dynamicwealthinc.com/schedule-a-meeting/Info@dynamicwealthinc.comIG: @dynamicwealthstrategiesFB: facebook.com/dynamicwealthincLinkedIn: https://www.linkedin.com/company/dynamicwealthstrategies/Youtube Page: https://www.youtube.com/channel/UCD46fUW8WlkdpWyRWKNMF-Q******Securities and advisory services offered only by duly registered individuals through Madison Avenue Securities, LLC. (MAS), Member FINRA & SIPC, and a registered investment advisor. Dynamic Wealth Strategies and MAS are not affiliated entities. ******To Connect with CesarRespino go to:
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