Podcasts about Nine Inch Nails

Jacob Paris has been a sewer, a screen printer, a graphic designer, a streamer, and now an Adobe contractor. Somehow the biggest turning point in his career wasn't a job, a client, or a big break. It was a DM.In this episode, Jacob traces his creative path from teaching himself to sew on TikTok during the 2020 lockdown, to tie-dyeing a viral Travis Scott shirt that hit nearly a million views, to running a screen-print shop in Philadelphia that printed for acts like 100 gecs, Online Ceramics, and Nine Inch Nails. He opens up about the boss who told him, on his way out the door, that "not everyone's cut out for the art world," and how that one sentence lit a fire that pushed him to freelance full-time and land clients like Microsoft, Adobe, and JBL.Then the story takes a turn nobody sees coming: a nurse named Joanna slides into his DMs, they bond over Magic: The Gathering, and nine months later Jacob is on a 13-hour flight to meet her for the first time. What started as an internet friendship turned into a relationship, a marriage, and a full relocation from Philadelphia to Calgary, Alberta, a move Jacob describes as "exclusively beneficial," despite starting completely from scratch in a new country with zero followers or credibility.We dig into what Jacob calls the "medium fish in a smaller, less crowded pond" effect: how leaving an oversaturated market like Philly for a tighter-knit, less gatekept creative scene actually accelerated his growth. And we get into the mindset that's carried him through all of it: comparison as the thief of joy, doing things first instead of best, and the belief that the fear of failure is scarier than failure itself.This one's a masterclass in staying durable, not by having it all figured out, but by staying curious, staying humble, and saying yes to the DM.Guest LinksWebsite: https://www.byjacobparis.com/LinkedIn: https://www.linkedin.com/in/jacob-paris-798547306/

Hey Bobby, now do you care? Just a little bit? This week we are stepping up to the plate to revisit an underrated Tony Scott thriller that was definitely not a hit on initial release. His batting average as a director is pretty solid but everyone goes through the occasional slump. Is it a forgotten classic or is it like a bad freeway accident with everyone slowing down to watch? Does any part of this movie feel realistic or does it even matter? Is the prominent use of Nine Inch Nails on the soundtrack a plus or a minus? Are there hidden Major League references in this movie? What's worse: toxic politeness or toxic fandom? Find out why baseball's better than life on this week's Film Junk Podcast.

Adam Goren and Brian Sokel from Dead Best are back to discuss GOD: Out of Order, the recent episode I did with !franklin and that band's status, how Dead Best have evolved as a recording and live music concern, playing music with your kids and why so many young people seem to be so darn good at their instruments now days, thinking about Public Image Ltd., Pailhead, and Lard, a good Nine Inch Nails song appearing on an episode of Twin Peaks, some surprising song subject matter, order and chaos, potentially playing shows, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win You've Changed Records by Fiver and G̱amksimoon in August 2026!Ep. #1113: !franklinEp. #1103: Jon SpencerEp. #879: Dead BestEp. #847: RosaliEp. #844: Pissed JeansEp. #821: Kurt VileEp. #748: Meg BairdEp. #252: Bob Mehr on The ReplacementsEp. #223: Ian MacKaye & Steve Albini (Part I)Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

They Changed 90s Music Forever: Oasis, Nirvana, Snoop Dogg & The Untold Stories….This week, I'm opening The New Mind Podcast archive & bringing back two extraordinary conversations with two men who witnessed music history being made from completely different sides of the industry.These interviews were originally released when The New Mind Podcast was much smaller. Since then, the audience has grown enormously, so many of you will never have heard them.They're simply too good to stay buried in the archive!!So this episode features former Island Records Managing Director Marc Marot & legendary broadcaster & presenter of Channel 4's The Word, Terry Christian.Marc Marot spent his career at the heart of the international music business. He began at Blue Mountain Music, associated with the catalogues of Bob Marley & U2, before becoming the youngest Managing Director of Island Records at just 29.His career put him alongside some of the most important artists & movements in modern music, with Island during his tenure associated with artists including Ice Cube, NWA, Pulp, The Cranberries, Tricky, Stereo MC's, P.M. Dawn, Nine Inch Nails, The Orb, PJ Harvey & many moreMarc takes us behind the curtain of the record industry, sharing what happens when extraordinary talent, enormous personalities, money, ambition, creativity, pressure & fame collide.Then there's Terry Christian….For millions who grew up in Britain during the 1990s, Terry was the unmistakable face of Channel 4's The Word, one of the most controversial, anarchic & culturally significant youth television programmes of its generation.Long before YouTube, TikTok, Instagram or Spotify could launch an artist overnight, television could change a career.The Word became a platform for artists who would go on to dominate global music, including Nirvana, Snoop Dogg, Mary J. Blige, Jamiroquai & Oasis, whose appearance performing Supersonic became their first television performance.Terry takes us back inside that extraordinary period of British culture & talks about music, television, fame, class, controversy, celebrity & what was really happening behind the scenes.One man was helping shape music from inside one of the world's most influential record labels.The other was helping put a new generation of artists in front of millions of people.Together, their stories offer a remarkable window into an era before algorithms, influencers & social media, when record labels, television, radio, magazines & a handful of cultural gatekeepers could help determine what the world heard next.If you love 90s music, Britpop, Oasis, U2, Nirvana, hip hop, music documentaries, music industry stories, Channel 4's The Word or hearing what really happens behind fame, this episode is for you.Subscribe for conversations exploring psychology, culture, human behaviour, trauma, success, celebrity & the extraordinary stories behind extraordinary people.

In this episode, Charles sits down with TJ Horn, a Boston-area drummer who has played with several bands — most notably the critically acclaimed Walter Sickert and the Army of Broken Toys. Beyond his drumming career, TJ is a passionate live music fan who set a personal record in 2025 by attending 75 concerts in a single year. He's also known in certain Boston circles for his live readings of erotic fan fiction. It's a wide-ranging conversation about music, performance, and what it means to love live shows. TJ traces his passion for live music back to a 1994 Depeche Mode concert at the Blockbuster Pavilion in Glen Helen, California — a show his uncle brought him and his family to when he was just 12 years old. That night sparked a lifelong obsession. That same year, his uncle also took him to Metallica, Nine Inch Nails, and the legendary Lollapalooza '94 — where TJ saw the Smashing Pumpkins, Beastie Boys, L7, and a then-unknown Green Day, just weeks before they exploded in popularity. Over the years, TJ has accumulated remarkable concert stories: chatting with Fred Durst for 40 minutes at Ozzfest while watching Tool, seeing Porno for Pyros perform a surprise acoustic set on a walkway at Lollapalooza '95, and stumbling upon a tiny 40-person Touché Amoré show after standing in the snow for a wristband. His 75-show year in 2025 came about naturally — fueled by a wide network of friends with different musical tastes, a work schedule that freed up his evenings, and a simple philosophy of saying yes when a cheap ticket or a spare invite came along. On the music-making side, TJ is a self-taught drummer who got his start playing along to Green Day and the Ramones in his bedroom as a military kid who had just moved to Boston. He's gone on to play with bands spanning punk, hardcore, and art-rock, including The Martyrs and a rock opera project featuring Amy Winehouse's saxophonist and members of The Replacements. His longest creative relationship has been with Walter Sickert and the Army of Broken Toys — a theatrical "steam crunk" band known for elaborate costumes, steampunk conventions, annual RPM Challenge albums, and now an upcoming horror sci-fi film directed by Walter himself. TJ also speaks fondly of the erotic fan fiction readings that made him unexpectedly famous in Boston's burlesque and cosplay scene — a side gig that started with dramatic readings of bad dating app messages and turned into a crowd-favorite variety act. For more from TJ, find him on Instagram at @tjbrokenproton. BANDS: A Tribe Called Quest, Amy Winehouse, Beastie Boys, The Boredoms, Boy's Life, The Breeders, Bridgit Calls Me Baby, Coal Chamber, Converge, Cyndi Lauper, Deftones, Depeche Mode, Dropbear, Eagles of Death Metal, Elastica, Emperor Norton's Stationary Marching Band, Face to Face, Fight, George Clinton, Green Day, Hole, Jack White, Jay-Z, L7, Lady Gaga, Less Than Jake, Letters to Cleo, Limp Bizkit, Metallica, Ministry, Motörhead, My Life With The Thrill Kill Kult, Nick Cave, Nine Inch Nails, Ozzy Osbourne, Porno for Pyros, Ramones, Red Hot Chili Peppers, The Replacements, Rosalía, Salt-N-Pepa, sapling, Sex Pistols, Smashing Pumpkins, Shonen Knife, Soulfly, Stellastar, Stereolab, Suicidal Tendencies, The Killers, Tool, Touché Amoré, Walter Sickert and the Army of Broken Toys. VENUES: Blockbuster Pavilion (Glen Helen, CA), Boston Garden, The Middle East (Boston), San Diego State University's Aztec Bowl. LINKS: TJ Instagram: @tjbrokenproton. Walter Sickert movie "Ashwire": https://www.fangoria.com/ashwire-trailer/ PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Daniel Kim is an entrepreneur, mentor, creator economy pioneer, and the founder and CEO of MerchLabs.As the founder of MerchLabs, he's helped generate over $20 million in revenue for creators and has been part of launching hundreds of merch shops, handling everything from design and production to online stores, shipping, fulfillment, and customer service.And his work reaches far beyond just local brands. MerchLabs and his team have experience connected to some of the biggest names in entertainment, including artists like Lady Gaga, Kanye West, Gwen Stefani, Pharrell, Blink-182, No Doubt, Nine Inch Nails, and more.In this episode we talk story about growing up in California as an Asian-American, his start at Interscope Records, his first business venture, the beginning of the creator economy, starting MerchLabs, moving to Hawai'i, mentoring Kamaka, his goal to impact Hawai'i, starting Keep it Aloha events, and so much more. Enjoy

This week the crew dives into everything from the enduring appeal of Star Trek and classic science fiction to Christopher Nolan's The Odyssey, Saturday morning superheroes, and the ever-growing spoiler problem surrounding the Marvel Cinematic Universe. Then it's on to the Future or Now segment, where Linux experiments with collaborative computing, the Large Hadron Collider may have stumbled onto an unexpected clue about dark matter, and the hosts speculate about what Spider-Man: Brand New Day means for the future of Marvel. Real Life Ben kicks things off with a reminder that, in his opinion, all Trek is good Trek. That naturally leads into a discussion about the six Star Trek movies featuring the crew of the USS Enterprise and why the franchise continues to find new fans across generations. He also revisits Carl Sagan's Contact, arguing that both the novel and the Jodie Foster film remain some of the finest examples of thoughtful hard science fiction ever created. Devon brings a dose of nostalgia with the return of Blockbuster Game and Movie Quotes, revisiting the classic video rental era and the memorable quotes that defined countless movie nights. Steven reviews The Odyssey, sharing spoiler-filled thoughts on the film's strengths, historical accuracy, and breathtaking presentation. His recommendation is simple: if you have the opportunity, see it in IMAX. One unexpected highlight was the Cyclops sequence, whose visual style reminded him of surreal 1990s rock music videos, channeling the atmosphere of bands like Pearl Jam and Nine Inch Nails. Steven also revisits X-Men '92, X-Men '96, and X-Men '97, praising how well the original animated series portrayed its female characters. Better yet, his kids were immediately hooked after watching the iconic two-part opener, Night of the Sentinels. Future or Now Ben explores the surprisingly underdeveloped world of multi-seat computing on Linux after reading an excellent write-up on the subject at https://blinry.org/multi-seat-wayland/. While the Wayland protocol already supports multiple users sharing a single computer remarkably well, many surrounding applications and libraries still lag behind. The project demonstrates exciting possibilities for collaborative gaming, pair programming, classrooms, and other shared computing experiences. He also highlights the cooperative physics game Heavenly Bodies (https://store.steampowered.com/app/1138850/Heavenly_Bodies/), whose unique gameplay feels like the perfect showcase for this kind of multi-user setup. Devon heads underground—literally—to CERN, where researchers continue investigating mysterious "unidentified falling objects" inside the Large Hadron Collider. According to a recent article from ScienceAlert (https://www.sciencealert.com/ufos-in-the-large-hadron-collider-may-be-hints-of-dark-matter), tiny dust particles unexpectedly drift into the proton beam, disrupting experiments. The bigger mystery isn't the dust itself, but what causes it to move in one of the cleanest scientific instruments ever built. Some physicists now wonder whether these events could be indirect hints of dark matter interacting with the detector in ways nobody anticipated. Steven wraps things up with thoughts on Spider-Man: Brand New Day, using it as a springboard to discuss the modern spoiler culture surrounding the Marvel Cinematic Universe. With audiences dissecting every trailer, casting announcement, and leaked set photos months before release, the hosts debate whether the excitement of surprise has largely disappeared. Along the way, Ben poses one of the episode's more important questions: If it's a gray movie... should Hulk be gray too?

Hoy en La Gran Travesía tenemos un recorrido por los años 90, la segunda parte, con grupos como Stone Temple Pilots, The Cult, Nine Inch Nails, Clawfinger, Less Than Jake, Ash, Rancid, Soundgarden, Ugly Kid Joe, Soulwax, Bush, Smashing Pumpkins, Skunk Anansie, Faith No More,... ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Arturolietor, Alul, JBsabe, Juan Antonio Méndez Benítez, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Sergio Rodríguez Rojas, Jose Antonio Moral, Juanito, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Alberto, Moy, Dani Pérez, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Sam is reviewing the 1994 seminal album that took industrial rock to the mainstream, but he's stepping in with an opinion off the cuff. Will he find something about the album that he can love, or is he all hate?Relisten to "The Downward Spiral" on Spotify and Apple Music.Discover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok.Watch episodes on our YouTube channel and don't forget to like and subscribe.

Welcome to Weird Web Radio! This episode features one of my all time favorite humans, a great friend, and an around good dude! Friends, please welcome Robert Schreiwer to the show! We chat about spirits, his path into Heathenism, the way he became a co founder of Urglaawe, the diligent work to uncover and preserve the wisdom of the elder Braucherei, Hexerei, and the challenges and success Robert found in Heathen leadership. Robert's BIO: Robert L. Schreiwer is the founder of the Urglaawe tradition within Heathenry. He is a trained Braucher in the Oley Freindschaft guild and the founder of the Guild of Urglaawe Practitioners of Braucherei and Hexerei. He also founded In-Reach Heathen Prison Services and Philadelphia Pagan Pride Day. He is currently the Senior Manager of Heathens Against Hate and one of the Managers of Philadelphia's Parade of Spirits. He has served as Steer (President & CEO) of The Troth for two terms, has presented three times at the Parliament of the World's Religions, and serves the Heathen community as an Urglaawe Ziewer (godsman) under both Distelfink Sippschaft and The Troth. He is a former Instructor of Pennsylvania German at Kutztown University, and he has been an activist in the Pennsylvania Dutch language and cultural advancement efforts for over 40 years. ROBERT ON THE WEB: Urglaawe - https://www.urglaawe.org/ The Troth - https://thetroth.org Please share the eipsode and enjoy the show! Want to know what Robert and I Talk about in the bonus portion?! Join us and find out! Join here! It's time to sport a new look? Hell yes! Check out the Official Weird Web Radio Store for Shirts, Hoodies, Hats, and more! You can also come join the Facebook discussion group here: https://www.facebook.com/groups/weirdwebradio/ New Instagram for Weird Web Radio! Follow for unique content and videos! https://www.instagram.com/weirdwebradio/ You can make a One-Time Donation to help support the show and show some love! Is this show worth a dollar to you? How about five dollars? Help support this podcast! That gets you into the Weird Web Radio membership where the extra goodies appear! Join the membership at patreon.com/weirdwebradio or at weirdwebradio.com and click Join the Membership! SHOW NOTES: SUBSCRIBE ON Apple Podcasts, Amazon Podcasts, and Spotify! Also streaming on mobile apps for podcasts! Intro voice over by Lothar Tuppan. Outro voice over by Lonnie Scott Intro & Outro Music by Nine Inch Nails on the album '7', song title 'Ghost', under Creative Commons License.

On episode 217 of March Forth with Mike Bauman, Mike chats with John Nicholson of E.Y.E. Productions! Having grown up in Nashville most of his life, John is classically trained in theater/music and the Performing Arts, in addition to a background in communications, radio, and television. When he came back to the Music City after some time away, a Tears for Fears cover show that he attended helped plant the seed for John to create a sense of community within the Nashville music scene and give back.  With his E.Y.E. Productions imprint (Everything You Ever Productions), John helps put on themed shows in Nashville which also give back to various charitable and non-profit organizations. Featuring an array of artists and talent within the local music scene performing cover songs, E.Y.E. Productions events over the years have included New Wave Prom Night (80s hits), The Halloween Ball (Halloween classics), and THE VOID (industrial, alternative, and nü-metal). Additionally, John fronts the Nashville-based Nine Inch Nails tribute band Not Your Nails, the Korn tribute band Karrot, performs as The Nashville Krampus, and is part of the East Nashville Clowns.  On Saturday, August 1st, E.Y.E. Productions is putting on another addition of THE VOID at Eastside Bowl in Nashville. Featuring Not Your Nails performing "Broken" in its entirety, this addition of THE VOID will also feature other Nashville talent performing covers from the likes of Slipknot, Tool, Poppy, Type O Negative, and Depeche Mode, among others. The event will raise money for MusiCares, a non-profit which helps musicians. In this episode, John talks with Mike about how he got into music and the performing arts, having a supportive family that fostered creativity and giving back, creating E.Y.E. Productions, building a sense of community in the local Nashville music scene, some of his favorite vinyl albums, 80s TV and movies, and more. Follow John on Instagram @everythingyoueverproductions and @not_trent_reznor. For tickets to THE VOID on 8/1 at Eastside Bowl in Nashville, visit https://www.eventim.com/event/the-void-rock-industrial-night-eastside-bowl-21860682/. Follow Mike on Instagram @marchforthpod. To stay up to date on the podcast and learn more about Mike, visit https://linktr.ee/marchforthpod. Thanks for listening! If ya dug the show, like it, share it, tell a friend, subscribe, and above all, keep the faith and be kind to one another.

Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. This episode was originally produced in July of 2015. Music * Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score.* The opening loop is from Mr. Knight from Coltrane Plays the Blues, which you should own. * The violin piece is Occam II for Violin, a piece by Silvia Tarozzi, played by Pauline Oliveros.* Next up is Mikuro's Blues from the mighty David S. Ware' mighty Go See the World.* The amazing orchestral pieces is Triumph by Miguel Atwood-Ferguson and Carlos Nino from Fill the Heart- Shaped Cup * Finally, there's 13 Ghosts II by Nine Inch Nails from Ghosts I-IV Learn about your ad choices: dovetail.prx.org/ad-choices

Show Notes: Maya Browne recounts her senior year at Harvard, including writing her thesis "Idealizing Vision" which was about how magazine editors, photographers, and designers had shaped the ideal female form in the 20th century, and additionally another was an article for Essence magazine about eating disorders. It was the first article of its kind that drew data from women of color, and it won an award called the Excellence in Media Merit Award (EMMA).   Writing, Modeling, and Playing Violin Maya describes her first job at Details magazine under James Truman, where she handled reader mail and sometimes made-up stories. She shares how she got her job at Conde Nast through a letter from Professor Martin Perez and a meeting with Andre Leon Talley in Paris. Maya describes her side job as a fit model and her transition to working for James Truman at Details. She recounts a call from Jonathan Newhouse offering her a job in London in sales, which she declined to pursue a career in editorial. She shares her involvement in the music industry, playing the violin in music videos and with various artists like James Brown and BB King. Missed Opportunities and Film Experience  Maya discusses her move to Heart & Soul magazine, a fitness and beauty magazine for women of color. She describes her transition to the advertising business in San Francisco and her marriage to Peter Brattander. Maya recounts a missed opportunity to play with Nine Inch Nails at the MTV Awards and her later involvement in the film Ray. She shares her experience of fame and the attention she received after Ray won six Oscars. She talks about her involvement in the film industry and why she left it to go back to business school.  Philanthropy and Transitioning to Business School Maya describes her mentorship at The Robin Hood Foundation, leading to her involvement in philanthropy and with Quogue Chamber Music.  She talks about her work on the board of The Door, a nonprofit for runaway and homeless youth. Maya shares her current work as an educational consultant and her plans to help kids at The Door in the future. She discusses her involvement in the film Brother Versus Brother and her ongoing interest in supporting various projects.  Rituals, Relationships, and Resources Maya updates on her current activities, including playing the violin, writing, and fitness. She shares her experience of meditating and journaling as part of her daily routine. Maya talks about interviewing the rising king of Hip Hop, Puffy Combs, and she recounts a recent experience at Bergdorf Goodman during the Knicks parade and the unexpected encounter with Basketball Wives. She reflects on the importance of rituals, relationships, and resources in her life. Harvard Reflections Maya found the majority of her courses and professors at Harvard hugely influential. She mentions Professor Martin Peretz and shares a memorable experience from a design class where she made up a story to avoid an F and played the violin instead. Maya talks about her current work with Brownstone as an educational consultant and her approach to helping students with college applications. She emphasizes the importance of early conversations about college goals and the sacrifices required for success. Timestamps: 03:59: Early Career in Media and Music  34:43: Transition to Advertising and Film 35:08: Involvement in Philanthropy and Education  35:26: Current Activities and Reflections 38:32: Impact of Harvard and Career Highlights Links: Instagram: @iammayabrowne  Maya's Podcast, Stories from the Brink: https://podcasts.apple.com/us/podcast/stories-from-the-brink/id1552888806 D'Angelo "Cruisin'" Video: https://youtu.be/JAfuUZRou7g?si=TmizL6CpKE1Ub3Lk  Brownstone Tutors: http://www.brownstonetutors.com/ Quogue Chamber Music: https://quoguechambermusic.org/ The Door: https://www.door.org/ Interview on Sean Combs: https://www.interviewmagazine.com/music/new-again-sean-puffy-p-diddy-puff-daddy-combs James Brown Video: https://tv.apple.com/us/episode/all-in-the-family/umc.cmc.4knzr9b4kg7gvg0r8zl4dc57w?showId=umc.cmc.30wl2femq05e35uf85r3eks06   *AI generated transcript and show notes.  

Music Festival Promoters & hosts of 2 Promoters 1 Pod, James Scarlett and Gavin McInally, join us to talk all things 2000 Trees, ArcTanGent and Damnation Festival. Listen to Primordial Radio 24/7⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://links.primordialradio.com/listen⁠⁠⁠⁠Over three festivals, James and Gav have helped to create some of the UK's most unique independent events, each with their own identity, audience and place in the wider rock and metal scene. They also host 2 Promoters 1 Pod, where they pull back the curtain on what really goes into running festivals, booking bands and keeping independent live music moving.Hosted by presenter Adam Whalley, James and Gav join Adam to talk about the realities of running festivals in 2026. From weather chaos and rising costs to grassroots venues, government support and the odd complaints that only promoters could receive, the conversation gets into the human side of life behind the scenes.There's also plenty of chat around music, including Nirvana, Nine Inch Nails, The Mars Volta, A Perfect Circle, Rage Against the Machine, The Wildhearts, and the bands that shaped James and Gav as fans before they ever became promoters.ONLINE Website - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://primordialradio.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://primordialradio.com/discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://links.primordialradio.com/youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify Playlist - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://links.primordialradio.com/spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SOCIALFacebook - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/primordialradio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/primordialradio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tiktok.com/@primordialradio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠METAL FOR GOOD CHARITYCheck out our chosen charity, Metal For Good, and the great work they do - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://metalforgood.org⁠

Peter and Eden catch up after the UK trip — The Rest Is History Festival at Hampton Court Palace, Westminster Abbey, Hadestown, and why walking London at night feels safer than any US city. Then the pop culture blitz: Peter power-watched Fast 8–10 and Tron: Ares on the plane (he has Opinions). Eden brings new music (Rebecca Black, Blackpink with Chris Martin), K-pop supergroup collabs, two weird indie games, and a defense of the new Masters of the Universe movie.Show NotesRest is History Festival: Peter attended the inaugural festival at Hampton Court Palace with historians Mary Beard, Tracy Borman, and medieval combat demonstrations.London at night feels safer: Walking a mile from the theater district at 10:30 PM felt natural — dramatically different from any major US city Peter's experienced.America's shallow history: Westminster Abbey (Darwin, Handel, coronation chair used for a millennium) drove home how new the US is. Eden clarifies: referring to the dominant white culture, not the land itself.Renaissance babies are terrifying: Painters used adult proportions shrunk down instead of babies' actual big-head, short-limb proportions.Hadestown and La Bohème: Peter saw Hadestown ("good gut punch of a tragedy") and La Bohème at the Royal Opera House — the Mimi performer had the most stunning voice he's ever heard in person.Warning — Rituals of Shame: First album in 20 years from the British doom band. Classic mournful doom metal.Junius — Sotera: Boston post-metal band's first album in 9 years. "Depeche Mode if they wanted to be a post-metal band." LinkPrince of Failure: Daniel Tompkins (TesseracT) and Paul Ortiz (Chimp Spanner) collab via Kscope. Didn't stick past the first listen.Eden's K-pop: Blackpink's "Go" (co-written by Chris Martin, "way better than anything Coldplay ever did"), Meovv's "Hit Em," and a three-group collab (Illit, Le Sserafim, Katseye) on "Iconic by Mistake."How Do We Relationship?: Eden's favorite romance manga is getting a live-action series — filming this fall, cast announced.Fast & Furious 8–10 (plane ranking): F8 best of the three, F9 saved by Roman and Tej going to space in a Pontiac Fiero, Fast X just bad. Shared gripes: too many resurrections, the secret brother, Jason Momoa's inconsistent villain, zero stakes.Tron: Ares: Peter hated it — Jared Leto is a charisma void, Nine Inch Nails soundtrack forgettable, visuals nowhere near Tron: Legacy's light cycle sequence. Eden agrees.Masters of the Universe: Eden defends it — understood the assignment, leaned into the corny sincerity. Jared Leto's Skeletor is "the campy gay bitch we all know he is." LinkSupergirl bombs: Eden confirms the needle drop of a lo-fi "The Middle" cover in the climax burned through every ounce of goodwill.Peter's reading: Finished The Color of Magic, reading Willie, Willie, Harry and Stee and Rest is History books.

Welcome back! In Part 2, Nikki and Chris discuss With Teeth, Year Zero, The Slip and Hesitation Marks.You can find us at scaredycatpromo@gmail.com or on Instagram @scaredycatpromo if you want to get in touch to let us know your thoughts, suggest future episodes or even put yourself forward for a guest spot!

This episode explores how independent horror filmmaking is reshaping the future of machinima and virtual production. Ricky reflects on his experience at StokerCon, discussing the remarkable quality and originality of contemporary short horror films, the growing influence of YouTube creators such as the makers of Backrooms and Obsession, and why horror remains one of the most effective genres for expressing contemporary anxieties. The panel considers what these developments mean for machinima creators as Hollywood increasingly looks to online filmmakers for fresh ideas and talent.The featured film is Anthem (2001) by Julien Vanhoenacker, an early real-time animated short created using the Phoenix3D engine. Rather than relying on graphic violence, Anthem presents a haunting, poetic meditation on suffering, memory and loss through the story of a mysterious humanoid subjected to mechanised torture. Phil, Ricky and Damien examine the film's handcrafted production, its visual and sonic influences, including echoes of Nine Inch Nails and industrial horror aesthetics, and discuss how suggestion, mood and restraint often create more powerful horror than explicit gore. The conversation also highlights the extraordinary technical achievement of producing such an ambitious work with the limited tools available at the time, making Anthem an overlooked but significant landmark in early independent machinima.01:30 StokerCon & Why Horror Is Thriving04:45 Can YouTube Creators Replace Hollywood?06:18 Backrooms Review09:09 Obsession & Low-Budget Horror Success12:35 Film Pick: Anthem (2001)15:10 A Poetic Vision of Horror16:27 How Was Anthem Made in 2001?19:10 Nine Inch Nails & Industrial Horror Influences22:30 Why Suggestion Beats Gore26:06 Does the Low Quality Make It Scarier?27:22 What Makes Great Horror?29:30 Final Verdict on AnthemCredits - Co-hosts: Ricky Grove, Phil Rice, Damien ValentineEditor/Producer: Phil RiceMusic: Phil Rice and Suno AI

How can a song change its meaning without changing its words?In the next installment of The Songs That Made Us, Gunter Swoboda explores Hurt through the radically different lives and recordings of Trent Reznor and Johnny Cash.Written by a young man confronting addiction, numbness, and self-destruction, Hurt became something profoundly different eight years later when Cash recorded it near the end of his life. The same words that once expressed an attempt to feel became an inventory of mortality, regret, love, and acceptance.Drawing on psychology, cultural history, Erikson's theory of integrity versus despair, and the emotional function of music, Gunter asks a deeper question: What changes when the life poured into a song changes?This isn't about deciding which version is better. It's about understanding how music can hold different psychological truths—and why some songs seem capable of growing older with us.Key TopicsHow the same song can carry different psychological meaningsTrent Reznor, addiction, numbness, and emotional regulationJohnny Cash, mortality, aging, and life reviewSelf-injury and the psychological experience of numbnessErikson's integrity versus despairMortality salience and the stripping away of symbolic defensesMusic as recognition, regulation, remembrance, and reconciliationThe cultural relationship between confessional country and alternative rockWhy Hurt continues to endureHow listeners re-inhabit songs throughout their own livesHow can a song change its meaning without changing its words?In the next installment of The Songs That Made Us, Gunter Swoboda explores Hurt through the radically different lives and recordings of Trent Reznor and Johnny Cash.Written by a young man confronting addiction, numbness, and self-destruction, Hurt became something profoundly different eight years later when Cash recorded it near the end of his life. The same words that once expressed an attempt to feel became an inventory of mortality, regret, love, and acceptance.Drawing on psychology, cultural history, Erikson's theory of integrity versus despair, and the emotional function of music, Gunter asks a deeper question: What changes when the life poured into a song changes?This isn't about deciding which version is better. It's about understanding how music can hold different psychological truths—and why some songs seem capable of growing older with us.KeywordsHurt, Johnny Cash, Trent Reznor, Nine Inch Nails, Songs That Made Us, psychology of music, regret, mortality, addiction, shame, self-injury, emotional numbness, integrity versus despair, Erik Erikson, aging, dignity, music and memory, cultural psychology, Gunter Swoboda, Inspire ChangeKey TopicsHow the same song can carry different psychological meaningsTrent Reznor, addiction, numbness, and emotional regulationJohnny Cash, mortality, aging, and life reviewSelf-injury and the psychological experience of numbnessErikson's integrity versus despairMortality salience and the stripping away of symbolic defensesMusic as recognition, regulation, remembrance, and reconciliationThe cultural relationship between confessional country and alternative rockWhy Hurt continues to endureHow listeners re-inhabit songs throughout their own livesTakeawaysA song's psychological meaning can change when a different life inhabits it.Reznor's Hurt gives language to numbness, addiction, and damaged connection.Cash's recording transforms the same words into an accounting of mortality, regret, and acceptance.Music can perform different psychological work: recognition, regulation, remembrance, and reconciliation.The songs that endure are often specific enough to feel deeply personal yet open enough for others to find themselves inside them.Sometimes the song doesn't change. We do.Sound Bites“Same words. Same melody. They are not really the same song.”“How does a song change its meaning without changing a single word?”“The song was written by a young man trying to survive his own addiction and finished years later by an old man trying to make peace with his death.”“Sometimes the song doesn't change. We do.”TakeawaysA song's psychological meaning can change when a different life inhabits it.Reznor's Hurt gives language to numbness, addiction, and damaged connection.Cash's recording transforms the same words into an accounting of mortality, regret, and acceptance.Music can perform different psychological work: recognition, regulation, remembrance, and reconciliation.The songs that endure are often specific enough to feel deeply personal yet open enough for others to find themselves inside them.Sometimes the song doesn't change. We do.Reflection QuestionsWhat piece of music has meant something different to you at two distinct points in your life?What changed in you—not the song?If you took an honest inventory of your life today, what would it say?And how might that accounting look twenty years from now?This Week's ReflectionWrite one page addressed to your future self at seventy. Describe what you hope an honest accounting of your life will say.Don't aim for comfort. Aim for accuracy.GratitudeWe want to extend a huge thank you to our listeners in Onaway (on-uh-way) for not only bringing Michigan all the way to #1 on the Top 10 USA listeners list, but your city alone contributed to over 4,000 of our downloads! Thank you for your incredible support!  And to our Global Listeners, we extend our gratitude to our listeners in Guatemala City for bringing Guatamala to #19 on our Global listeners list for the first time ever!   CONGRATULATIONS!! you made the Top Listeners List.Become a supporter of this podcast: https://www.spreaker.com/podcast/inspire-change-with-gunter--3633478/support.PatreonIf this episode resonates with you and you'd like to go deeper into practical exercises and guided reflection, Gunter offers extended self-development resources and exercises through our Patreon community: www.patreon.com/inspirechangeSponsorDistil UnionThis episode of Inspire Change with Gunter is brought to you by Distil Union, creators of beautifully designed, functional everyday carry accessories that help bring organization, simplicity, and intention into your daily life.Distil Union blends craftsmanship with thoughtful design to help you carry what matters most — without the clutter.

Doug Aitken's new installation Lightscape has just landed at the Shed in New York. It is many things at once: a seven-screen film, an immersive environment, and a stage for live performances. But at its heart is music. The work unfolds across multiple screens, following different characters as they move through desert scenes, freeways, and other landscapes in flux. What binds those worlds and narratives together is sound.  Aitken built Lightscape around an original song cycle he wrote. The soundtrack also incorporates compositions by Minimalist pioneers like Philip Glass, Steve Reich, and Meredith Monk, performed by the Los Angeles Philharmonic. Last week, the work opened with a live performance by Los Angeles Master Chorale—but they won't be the only musicians activating the installation. Upcoming performances will feature William Basinski, Suzanne Ciani, and the Sun Ra Arkestra. In that sense, Lightscape picks up on a thread that has long run through Aitken's practice.  One of his earliest works, Diamond Sea, was set against an ambient soundtrack featuring Aphex Twin and Nine Inch Nails, among other musicians. His 2012 project SONG 1, a moving-image work projected onto the facade of the Hirshhorn Museum, was built around the song “I Only Have Eyes for You.” And in 2013, for Station to Station, he staged a series of art happenings by transporting artists and musicians by train across America. In an art world that often prefers tidy categories and boundaries, Aitken has built a career out of collapsing them. His works have moved between film, sculpture, performance, and sound, asking viewers to not just look, but to listen, move, and gather. So the ambitious Lightscape felt like the perfect opportunity to speak with Aitken. In his conversation with culture editor, Min Chen, he opened up about working across disciplines, the communal power of live performance, and the role music has played in his life and practice. This episode contains musical excerpts for Lightscape

Welcome back to When Words Fail, Music Speaks, the podcast where host James Cox uses the power of music to battle depression, find purpose, and connect us all. In today's episode we sit down with a truly multifaceted guest—Scott Pryor, the voice behind the hard‑rock/metal outfit War Child.From serving as a United States Marine to building a successful trial‑law practice and directing award‑winning films, Scott has lived more than one life. Yet it's the music he creates after a heartbreaking personal loss—his son's suicide in 2023—that has become his most potent therapy. He'll walk us through his emotionally charged debut, Wide Awake, and the fresh, “harder” direction of his upcoming third album, which blends metal riffs, pop‑sweet moments, and bold covers of Nine Inch Nails' “Hurt,” Pat Benatar's “We Belong,” Lady Gaga's “Bad Romance,” and the Broadway anthem “Defying Gravity.”Scott also shares the gritty realities of his law career—setting a Georgia record $162 million settlement for a catastrophic crash— and how his Marine training taught him to “suffer well” and turn adversity into growth. Faith, family, and a dedicated team of producers (Jan Smith, Jesse Owen Aston), vocal coach Heidi, and his motorcycle crew all play a part in his relentless creative engine.We'll hear snippets of his latest lyrics, discover the songs that pull him out of darkness (think Eminem's “Lose Yourself” and Metallica's “One”), and get a glimpse of life on the road as War Child prepares to open for Buck Cherry and roll out a full‑length record next year.If you've ever felt the weight of grief, the pull of a riff, or the comfort of a chorus in a lonely moment, this conversation is for you. Stay tuned—because when words fail, Scott's music speaks louder than ever.

Ce 24 juin, Marjorie Hache met à l'honneur Garbage, Black Sabbath, Aerosmith, Highly Suspect, Extreme, Nine Inch Nails, The Beatles, Guns N' Roses, The Rolling Stones, The Talking Heads, Elliott Smith, The Postal Service, Nirvana et Dream Theater. L'animatrice célèbre par ailleurs le 88e anniversaire de Colin Blunstone, la mythique voix de The Zombies, en diffusant le titre "Just Out Of Reach". Les Français de Howlin' Jaws donnent le ton des nouveautés avec "Living The Dream", suivis par les métalleux de Saint Agnes et la surprenante collaboration entre Massive Attack et Tom Waits. Mike D, St. Paul and The Broken Bones et Starcrawler répondent également présents. L'événement de la soirée reste le grand retour de PJ Harvey avec "Challenger", un titre inédit enregistré en Provence. La primeur du jour met en lumière le groupe parisien Chest, qui offre le percutant morceau post-punk "Lotus Eater". L'album de la semaine est sur "Castle Park", le nouveau disque de Graham Coxon, le guitariste de Blur, dont on découvre la pépite pop "Drippin Soul". Enfin, pour la reprise du jour, la "Queen of Soul" Aretha Franklin s'approprie l'iconique "Eleanor Rigby" des Beatles. Garbage - Stupid Girl Howlin' Jaws - Living The Dream The Zombies - Just Out Of Reach The Smashing Pumpkins - Cherub Rock Black Sabbath - Iron Man Aerosmith - Dude (Looks Like A Lady) Highly Suspect - Lydia Graham Coxon - Dripping Soul Extreme - More Than Words Nine Inch Nails - As Alive As You Need Me To Be Saint Agnes - The Ghost Aretha Franklin - Eleanor Rigby Massive Attack & Tom Waits - Boots On The Ground Guns N' Roses - Yesterdays St Paul & The Broken Bones - Alien Coast The Rolling Stones - Ruby Tuesday Starcrawler - She Said Mike D - What We Got Talking Heads - Psycho Killer Elliott Smith - Son Of Sam Chest - Lotus Eater The Chemical Brothers - Block Rockin' Beats (Studio) The Postal Service - Such Great Heights Nirvana - Polly PJ Harvey - Voyager Dream Theater - A Broken Man Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Chris and Nikki are back to fix another glaring omission from the Black Band T-Shirt back catalogue, ranking the 7 proper (according to us) albums from industrial royalty, Nine Inch Nails.In Part 1 we rank the albums and discuss Pretty Hate Machine, The Downward Spiral and The Fragile.

One song can pull you back to a room you haven't seen in 30 years, and that same song can push you into the studio with a totally different kind of courage. Nathan Terborg and Ty Nathan Clark go all-in on the music that formed their taste and still shapes their creative process, from early mixtapes and older-sibling tape raids to the ritual of Tower Records, used CD bins, and the album art that taught us as much as any design class.We trade stories about the records that became emotional landmarks, the soundtracks that acted like secret portals to new bands, and the way certain albums become permanent studio companions. Ty shares how the Basquiat film soundtrack helped reroute his path as an artist, and we dig into the very real chain reaction of influence, like Jeff Buckley inspiring Thom Yorke's approach on Radiohead's work. Along the way we hit The Crow soundtrack, OK Computer awe, deep-cut favorites, and a few “no shame” listens that still surprise people.Then we bring it back to craft: how to build a studio playlist with intention, how to match music to the energy you need, and why silence can be the most powerful tool when you're trying to hear what the work is asking for. If you've ever wondered how music and creativity connect at a practical level, this one is a blueprint you can actually use.If it resonates, subscribe to Just Make Art Podcast, share it with an artist friend, and leave a review so more people can find it. What album changes the way you make work?Send us a message - we would love to hear from you! Make sure to follow us on Instagram here:@justmakeartpodcast   @tynathanclark   @nathanterborgWatch the Video Episode on Youtube or Spotify,https://www.youtube.com/@JustMakeArtPodcast

Mark Shekter is a master at creating hits. With a rich background as a Hollywood writer-producer-composer, having worked with Steve Martin, Jim Carrey, Elton John, and many others, Mark has pioneered an entirely new system of creative thinking – Think8. This same easy-to-learn system empowers business leaders to reshape their corporate cultures for unlimited innovation and growth.Mentioned on the ShowLearn more about Mark Shekter and his Think8 Global Initiative on his website: https://www.think8globalinstitute.com/Get Mark's book, Think8: 8 Steps to Ignite Your Creative Genius in Business, Career, & Life on Amazon: https://a.co/d/09pvYnh8Tone experiment: Listen to Hurt, as performed by Nine Inch Nails (1994) vs. Hurt performed by Johnny Cash. Listen to Everybody Wants to Rule the World by Tears for Fears vs. Lorde. Timestamps(00:00:00) – Mark Shekter sits down with O'Brien McMahon on People Business, the podcast for HR professionals.(00:02:44) – What is Mark's definition of "creativity"?  (00:05:34) – What's the value of creativity in the workplace (for skeptics)?(00:08:26) – How did the Think8 method come together and start falling into place?(00:12:28) – Walk us through the eight steps of the Think8 process at a high level(00:17:10) – Purpose: How to make this broad topic more accessible.(00:24:09) – How does Mark's own purpose tie together his varied career?(00:33:53) – Ego check: how do we balance wanting acknowledgement with capacity?(00:40:31) – How can purpose be turned into a message to share with the world?(00:47:14) – Tone: how to find the right tone when building a business or personal brand?(00:56:23) – Character: what role does character play when building a business or personal brand?

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In this episode of Seeing Them Live, Charles sits down with Ben Daughtry and Jonathan Palmer of Love Jones — the Louisville-born, LA-based band that has been crafting their unique blend of lounge, soul, pop, and sharp-witted storytelling for over three decades. The conversation kicks off with a shared love of live music, as both Ben and Jonathan trace their concert-going roots back to the same unlikely starting point: Van Halen. Ben recalls sneaking into a show at 14, way too young to be there, watching a then-unknown Van Halen open for Black Sabbath and feeling like "a bomb going off." Jonathan recounts his own Van Halen baptism at Freedom Hall in Louisville on the Women and Children First Invasion Tour — complete with $7.50 festival seating and his mother taking notes in the stands. From there, the episode becomes a wide-ranging tour through decades of live music obsession. The guys swap stories about Ted Nugent crowd surges, jumping on stage with GWAR in New Orleans, playing congas with Tool at an early Lollapalooza, and watching Rage Against the Machine move 60,000 people. Jonathan shares privileged industry moments — seeing The Rolling Stones at a 600-capacity room in New York alongside Daniel Craig, Rachel Weisz, and Questlove, and catching Nine-Inch Nails at The Troubadour when they felt "too big for the building." The conversation is fueled by genuine enthusiasm, with each story triggering another in a kind of joyful avalanche of rock and roll memory. The second half of the episode turns to the band's own story — from their residency at Largo on Fairfax, where David Bowie once sat quietly in a booth and Tool's crew became regulars, to their unexpected appearance on The Tonight Show with Jimmy Fallon celebrating the 25th anniversary of their debut album Here's to the Losers. Charles and the guys dig into the Cocktail Nation moment of the '90s, the making of their new album The Greatest Show on Earth — written during COVID jam sessions in a Louisville warehouse with crickets chirping and trains passing — and the cinematic, Gil Evans-influenced sound that ties its six expansive tracks together. The episode closes with the band expressing hope to get back on the road, a shout-out to their partnership with Whiskey Thief Distillery, and a tease of possible activity around the 30th anniversary of the film Swingers, on whose soundtrack Love Jones famously appeared. BANDS: Adele, B-52s, Beastie Boys, Big Bad Voodoo Daddy, Black Sabbath, Chicago, Combustible Edison, Devo, Earth Wind & Fire, Fishbone, Foo Fighters, GWAR, James Brown, Led Zeppelin, Love Jones, Metallica, Metric, Molly Hatchet, Morphine, Nine Inch Nails, Oasis, Rage Against the Machine, Red Hot Chili Peppers, Rolling Stones, Sea and Cake, Steely Dan, Supertramp, Ted Nugent, The Cars, The Cocktails, Tool, Tortoise, Van Halen, ZZ Top. VENUES:  Comiskey Park (Chicago), Freedom Hall (Louisville), Largo (Los Angeles), Largo on Fairfax (Los Angeles), Lollapalooza, Metro (Chicago), Racket (New York City), Rose Bowl (Pasadena), Soldier Field (Chicago), The Troubadour (Los Angeles). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Bestselling Regency and Victorian romance author Kathleen Ayers joins Samantha Tennant to talk about leaving a 30-year career in media sales to follow a dare from her best friend — and ending up with a romance career she never saw coming. Kathleen shares how classic gateway novels like SWEET SAVAGE LOVE and THIS LOVING TORMENT shaped her love of historical fiction, why morally gray men are still the most irresistible heroes in any era, and what it was really like to write alongside authors like Cathy Maxwell and Jenna MacGregor for the Busty Bodice Club anthology. She also opens up about her process as a self-described pantser, the one fictional character who refused to stop talking to her, and why she will never apologize for being an unapologetic Ruby Dixon super-fan. Plus: Buc-ee's Beaver Nuggets, Nine Inch Nails concert tees, and the mysterious ancestor named Barbara who just disappeared from the family records.

We'd love to hear from you! Click here to send us a text. On this episode of The New Wave Music Podcast, Steve and Don take a deep dive into Nine Inch Noize by Nine Inch Nails and It's the Long Goodbye by The Twilight Sad. They break down each album track by track, discussing standout moments, production choices, and what makes these releases worth a listen.Plus, in music news, they cover new releases and announcements from Paul Heaton, Bananarama, Peter Gabriel, Kon Kan, The Trash Can Sinatras, and Dexy's Midnight Runners.Nine Inch Nails: https://www.nin.com/The Twilight Sad: https://thetwilightsad.comSupport the show

SCS43 – Nine Inch Nails in Austin TX, March 2026 Joe recounts attending a Nine Inch Nails concert at Austin's Moody Center on March 1st, 2025 with Paul and Ken. He delivers a detailed breakdown of the production: Trent Reznor's vocal performance remains *remarkably fresh*, the rotating band (featuring Robin Finck, Stu Brooks, and Josh Freeze) delivered exceptional musicianship, and the innovative multi-stage setup with live camera feeds created a dynamic, immersive experience spanning three acts. We debate whether Reznor's evolution from rebellious icon to polished professional represents artistic growth or strategic positioning—and ultimately agree the performance was *stellar*. What's your take? Have you seen Nine Inch Nails recently? BlueSky: @progpala.bsky.social X: @progpala Instagram: www.instagram.com/progressivepalaver/ Facebook: www.facebook.com/ProgPala YouTube: www.youtube.com/channel/UCw_Xxit3…cJ_7Z__w/featured Theme music provided by: Dave DeWhitt

Ce 2 juin, Marjorie Hache convoque dans RTL2 Pop-Rock Station T. Rex, Björk, Depeche Mode, Fatboy Slim, The B-52's, The Beatles, Interpol, Blur, Thin Lizzy, Eels, David Bowie, Joan Baez, The Undertones, James et Jimi Hendrix. L'animatrice rend par ailleurs un bel hommage au pionnier du rock'n'roll Bo Diddley, disparu en 2008, en diffusant l'un de ses premiers tubes, "I'm A Man". En matière de nouveautés, Fat Dog ouvre la marche avec "Go Fuck Urself", suivi par The Strokes avec "Going Shopping". Lykke Li, les métalleux d'Architects, Ed O'Brien ou encore les bluesmen de GA-20 répondent également présents. La primeur de la soirée met en lumière le duo écossais Arab Strap, qui célèbre ses trente ans de carrière avec le morceau électro-rock "You You You". L'album de la semaine se penche à nouveau sur "Your God Fearing Days Are About To Begin", troisième album du trio londonien Saint Agnes, illustré aujourd'hui par le titre "Everything You Denied" aux accents industriels rappelant Nine Inch Nails. Enfin, la reprise du jour est signée par le regretté chanteur belge Arno, qui s'approprie avec singularité le célèbre "All The Young Dudes", hymne composé par David Bowie pour Mott The Hoople. Fatboy Slim - The Rockafeller Skank Fat Dog - Go Fuck Urself Bo Diddley - I'm A Man Jet - Are You Gonna Be My Girl The B-52's - Love Shack The Beatles - Can't Buy Me Love Blur - Country House Saint Agnes - Everything You Denied Interpol - The Heinrich Maneuver T. Rex - Children Of The Revolution Björk - Army Of Me The Strokes - Going Shopping Arno - All The Young Dudes Thin Lizzy - Whiskey In The Jar Eels - Novocaine For The Soul GA-20 - The Blues Never Die (With Charlie Musselwhite) Joan Baez - Here's To You David Bowie - This Is Not America Lykke Li - Lucky Again The Undertones - Teenage Kicks Architects - Tear Gas Arab Strap - You You You Depeche Mode - Little 15 James - Laid Jimi Hendrix - Purple Haze Korn - Reward The Scars Ed O'Brien - ObrigadoHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In our previous episode, we went deep into the history of Cabaret Voltaire and their importance to UK industrial and, latterly, dance music. Now, we follow the trail we laid therein by taking a journey through the band's extensive discography, really fleshing out how they went from a Sheffield attic in 1973 to a Patagonian field site recording lizards for David Attenborough. Along the way, we take in televangelists, voodoo, Charles Manson samples, Velvet Underground covers, a near-miss with Todd Terry, and a Taylor Swift pressing-plant mix-up that turned a forgotten ambient track into a viral curiosity decades later.Phil Eaglesham (aka P6 - ex-Stretchheads and De Salvo, current OMO frontman) returns to bestow upon us his encyclopaedic knowledge of the band and British industrial music. We start in 1974 with the lo-fi bedroom experiments of Cabaret Voltaire 1974–76, work through the rough-edged early Rough Trade EPs, the spring-reverb wilderness of Three Mantras and Voice of America, the cult monument that is Red Mecca, and the band's stylistic pivots through Hai!, 2x45, The Crackdown, Micro-Phonies, The Covenant, the Sword and the Arm of the Lord, Code, and beyond. We also pick at the more controversial late chapters, including the major-label years, the slightly-too-late acid house pivot, and Richard H. Kirk's solo reactivation of the name.Along the way, we explore the band as a video production company that happened to make music; their roles as curators and tastemakers via Double Vision; the Burroughs-and-televangelism worldview that made them frighteningly prescient about Reagan-era Christian nationalism; and their unsung debt to Black American music and dub. Chris also offers a wider reflection on what it means to lose the egoless purity of your earliest creative work as ambition and industry pressures take hold.We get deep in the weeds talking about the producers they worked with (Flood, Adrian Sherwood, John Robie, Marshall Jefferson); the labels (Rough Trade, Some Bizzare, Virgin, EMI, Mute); their collaborators and contemporaries (DAF, Wire, Throbbing Gristle, Clock DVA, Soft Cell, New Order, The Shamen); and the bands that lifted from them wholesale (Nine Inch Nails, Ministry, The Rapture, White Zombie, and a generation of Glasgow acts you've heard but can't quite place).It all culminates in us taking a closer look at Eight Crepuscule Tracks, a record that Phil thinks is their best and a very pure statement of what the band can and did achieve. We also settle upon what is perhaps the most important lesson to be gleaned from the Cabs' music: the importance of never compromising on your vision. By entering the belly of the beast and somehow remaining intact, they became one of the rare bands in this corner of music history whom nobody has a bad word for.Highlights00:00 Intro01:18 Welcome Back, Phil02:46 1974–76: Egoless Experimentation04:51 Bedroom Records06:30 Extended Play and DAF07:37 The Velvet Underground Cover08:26 Nag Nag Nag10:20 Van With a PA11:38 Three Mantras12:24 Mix-Up14:50 William Burroughs16:48 Voice of America19:35 Peter Care and Double Vision21:41 Red Mecca24:25 Encyclopaedia Bands27:36 Hai!29:36 2x45 in New York32:07 Sheffield's Family Tree32:55 Chris Watson Leaves36:16 The Crackdown42:23 Micro-Phonies46:38 Covenant, Sword and Arm of the Lord49:48 Drinking Gasoline51:45 Code54:58 Listen Up and Reissues57:12 Groovy, Laidback and Nasty1:00:15 Body and Soul1:03:56 Shadow of Fear1:04:51 The Taylor Swift Accident1:08:27 Richard Kirk's Death1:14:50 Bus Shelter Bashes1:19:58 Sincerity vs Seriousness1:25:00 Debt to Black Music1:29:00 Eight Crepuscule Tracks1:51:00 Why Everyone Loves Cab Vol1:58:36 Coming Soon: Coil?!

Meet Captain Content & Kevin in the pit again this week for a hella good time! We're getting our aggressions out by revisiting the starting point of it all for Kevin. The thrash, crossover, speed metal movement of the 80s spawned his love of all things rock n' punk n' metal. This time around the circle pit, we are focusing on Crossover Thrash. A sub-genre defined as short bursts of hardcore punk with metal guitar riffing. This was perfect skateboarding music, which intertwined with the Sk8 subculture in the 80s and 90s. Hope ya have a slammin' good time with this one! What is it that we do here at InObscuria? We exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. In this episode we explore all things mosh-worthy! This is real metal, people. All hail the speed and delightful absurdity of Crossover Thrash! Our hope is that we turn you on to something new. Songs this week include: Corrosion Of Conformity – “Positive Outlook” from Animosity(1985) Crumbsuckers – “Charge” from Beast On My Back (1988)  Chained Saint – “Dark Side Of The Cross” from Blindside (2024) The Accüsed – “Grinning Like An Undertaker” from Grinning Like An Undertaker (1990) Cro-Mags – “Life Of My Own” from The Age Of Quarrel (1986) No Warning – “Unreality” from Torture Culture (2017) Beowülf – “Get The Grind” from Lost My Head… But I'm Back On The Right Track (1988) Prong – “Forgery” from Force Fed (1988) M.O.D. – “Dead Men / Most / Captain Crunch” from U.S.A. For M.O.D. (1987) Please subscribe everywhere that you listen to podcasts! Visit us: https://inobscuria.com/ https://www.facebook.com/InObscuria https://x.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/ Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Ce 27 mai, au rayon des incontournables de Pop-Rock Station, Marjorie Hache convoque Led Zeppelin, The Rolling Stones, James Brown, Nine Inch Nails et The Dead Weather. L'animatrice célèbre également l'anniversaire de la grande Siouxsie Sioux en diffusant le titre "Kiss Them For Me" de Siouxsie and the Banshees. Amyl and the Sniffers, The Clash et Grace Jones complètent cette riche sélection musicale. En matière de découvertes, les métalleux de Saint Agnes, les Anglais de Fat Dog, les Vendéens de Dynamite Shakers et les Américains de Korn sont à l'honneur. La primeur de la soirée met en lumière Mike D, membre des Beastie Boys, qui se lance en solo avec le titre "What We Got", un morceau qui renoue avec l'ADN du mythique trio new-yorkais. L'album de la semaine continue d'explorer "Blue Morpho", le deuxième disque solo d'Ed O'Brien, guitariste de Radiohead, illustré aujourd'hui par l'envoûtant morceau "Sweet Spot". Enfin, la reprise du jour s'annonce surprenante : les Suédois de The Cardigans s'approprient avec audace le mythique "Iron Man" de Black Sabbath, troquant la puissance d'Ozzy Osbourne contre la voix douce de Nina Persson. Placebo - Pure Morning Saint Agnes - The Ghost Siouxsie And The Banshees - Kiss Them For Me James Brown - Get Up I Feel Like Being A Sex Machine Tina Turner - Goldeneye Eugene Mcguinness - Shotgun Ed O'brien - Sweet Spot The Rolling Stones - Hot Stuff Amyl And The Sniffers - Guided By Angels Human League - Don't You Want Me Fat Dog - Go Fuck Urself The Cardigans - Iron Man Empire Of The Sun - Walking On A Dream Stiltskin - Inside Talurre - Mira Ten Years After - I Woke Up This Morning Nothing But Thieves - Forever And Ever More Dynamite Shakers - Cinema Led Zeppelin - Communication Breakdown Nine Inch Nails - March Of The Pigs Mike D - What We Got The Clash - The Guns Of Brixton The Dead Weather - I Cut Like A Buffalo Grace Jones - Pull Up To The Bumper Viagra Boys - Sports Korn - Reward The Scars Ethel Cain - Dust BowlHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

https://youtu.be/_DhOGXhPgyY  (*Check out the YouTube version May 26 at 8pm EST!)On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we wrap up a two-part series on Michael Aquino! Today we'll talk about Aquino's conspiracy theories: Presidio child abuse allegations, Johnny Gosch, MKULTRA theories from Cathy O'Brien, Paul Vallely and the MindWar document (with a finding related to the Travis Scott Astroworld sacrifice concert), the Wewelsburg Nazi Castle ritual in Heinrich Himmler's Hall of the Dead that got him in touch with Satan, Aquino's influences on the world from HP Lovecraft to Industrial rock like Nine Inch Nails and the Order of Nine Angles. Finally we'll explore the theory that Aquino is JD Vance AND Erika Kirk?!Links:PART 1- Michael Aquino: Temple of Set, PsyOps, Satanic Rituals & the Age of Set! https://illuminatiwatcher.com/michael-aquino-temple-of-set-psyops-satanic-rituals-the-age-of-set/Charlie Kirk King King 33 Ritual episode: https://www.patreon.com/posts/charlie-kirk-33-138982542Epstein, Manson & Krassner May YouTube Live stream: https://youtube.com/live/kZELTO3LgLwHP Lovecraft episode: https://illuminatiwatcher.com/hp-lovecraft-satanic-prophet-of-the-aliens-new-age/Dark Enlightenment Part 1: https://illuminatiwatcher.com/what-is-dark-enlightenment-pt-1-usa-new-world-order-magick-angry-nerds-curtis-yarvin/SUPPORTER FEEDS get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE WANT MORE PODCASTS?... Check out my UNCENSORED show with my wife, Breaking Social Norms where we discuss conspiracies, politics, relationships and more!: https://breakingsocialnorms.com/Merch, MushroominatiWatcher Coffee, shirts, signed books: https://occultsymbolism.com/Isaac's Link Tree with links to EVERYTHING: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.

Cleveland is known as the birthplace of rock and roll, as in the 1950s DJ Alan Freed coined the phrase. The city is stands at the center of iconic rock moments, from The Beatles' first concert in 1964 at Cleveland Municipal Stadium, to David Bowie's 1972 Ziggy Stardust U.S. debut. The region is home to rockers like The James Gang, Devo, The Black Keys, Nine Inch Nails, and more. But with all that history, the live music ecosystem continues to face challenges. Rising costs for artists, venues, and consumers have stretched budgets across the board. Reporting from last show shows that only 25% of independent music venues were able to turn a profit. Tuesday on the "Sound of Ideas," we bring you a recent City Club of Cleveland conversation the looks back at the history of music in Cleveland and Northeast Ohio, as well as asks what the future holds for our region. Guests: - Greg Harris, President and CEO, The Rock and Roll Hall of Fame and Museum - Sean Watterson, Co-Owner, The Happy Dog; President, Ohio Chapter, Independent Venue Association - Annie Zaleski, Music Journalist

Living Dead Girl singer Molly Rennick zoomed in to talk about the "Conspiracy" tour coming to Bar Sinister in Hollywood on Saturday, June 6, 2026. Here's what we talked about: "Conspiracy" album (0-6) Nine Inch Nails debate (6-7) 6/6/26 concert at Bar Sinister in Hollywood (7-10) Pop Punk influence (10-11) Mandatory Metallica (11-end)

Join Desmond and Duane as they discuss the challenging All the Gods in the Sky. It might not be fully recommended, but it certainly led to an interesting conversation. Then, Des goes solo on a rundown of everything he's been watching on TV lately, but focusing on a full season look at the NBC Masters of Horror follow-up: Fear Itself. Songs included: "Bruised Sky" by Poppy, "We Could Fold the Stars" by Kardashev (feat. Pawel JJ Przybysz), "Lie, Lie, Lie" by Serj Tankian, and "Heresy (Nine Inch Noize version)" by Nine Inch Nails and Boyz Noize. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

Our "Summer in the Cities" tour kicks off in New York City, where skyscrapers, subway steam, and street corner speakers shape the soundtrack as much as any studio. From Brooklyn chipmunk soul to CBGB panic attacks, Don and Dude dive into two landmark records that lock NYC's grit, hustle, and humor into permanent groove.The AlbumsJay-Z – The Blueprint (2001)Recorded and released at the height of New York's early 2000s rap power struggles, The Blueprint finds Jay-Z sharpening his legend on a warm bed of soul samples and drum-tight beats, turning his Marcy Projects origin story and luxury-rap persona into a city-sized victory lap. Across confident battle raps, autobiographical flexes, and flashes of vulnerability, the record plays like a mission statement for modern East Coast hip hop and a blueprint for the soulful, producer-driven sound that would dominate the decade.Ramones – Ramones (1976)Captured quickly and cheaply in mid 70s Manhattan, the Ramones' debut blasts through 14 songs in under half an hour, stripping rock back to buzzsaw guitars, sprinting tempos, and chant-ready hooks that feel like CBGB's floorboards turned into sound. Its mix of cartoonish humor, dark street tales, and surf and girl-group influences turns grimy downtown New York into a noisy, funny, slightly dangerous blur that became ground zero for American punk.Diggin' AlbumsRyan Bingham & The Texas Gentlemen – They Call Us The Lucky Ones (2026)Loose, live-sounding Americana that leans on dusty bar-band grooves while Bingham reflects on struggle, endurance, and the strange kind of “luck” you earn the hard way.Wu-Tang Clan – Enter the Wu-Tang (36 Chambers) (1993)Gritty Staten Island mythology and grimy soul loops collide on a ferocious debut that reimagines New York street rap as a martial arts flick scored in a dusty basement.Nine Inch Noize – Nine Inch Noize (2026) A harsh, club-bent collision of Nine Inch Nails and Boys Noize, reworking NIN cuts into pounding electronic workouts that feel like an industrial rave eating itself alive.Olivia Rodrigo – You Seem Pretty Sad for a Girl So in Love (2026) Confessional pop rock pushes into more anxious, experimental territory as Rodrigo unpacks messy, obsessive love through big hooks and jagged, emotionally frayed arrangements.Follow & SupportFollow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing, and sharing it with another music obsessive who still loves hearing whole albums front to back.“Once you have lived in New York and it has become your home, no other place is good enough.” – John Steinbeck

Episode 3 - Jack and Rob reflect on seeing Iggy Pop, Sex Pistols, and Nine Inch Nails concerts and the bizarre experience of attending big box shows vs. seeing your friends' band at a DIY space. Why are people in the punk scene so obsessed with collecting records? The definitions of the German words “Jein” and the mystery of “Fremdschamen”.

Hello fellow nerds! We’re back after a short hiatus and super excited to talk Nine Inch Nails (mostly Trent Reznor), Gallifrey One, the Olympics and My Melody. We even dabble a little in sports psychology. It’s a strange combination, but we think it works. Stacy Watnick and Heather Berberet with Chelsea Hackman.

Comedian (soon to be film composer?) Eric Andre and composer-producer Prateek Rajagopal (co-writer, executive producer, and the man whose range runs from The Mandalorian to India's premier death metal export GUTSLIT) bring their new BLARF album “Film Scores for Films That Don't Exist” to SCORE. An orchestral fever dream five years in the making, recorded with live players in Los Angeles and Budapest, and the unlikely creative partnership nobody saw coming. And why Eric Andre is ready to become a film composer (and has beef with John Williams).How a Berklee-trained upright bassist became one of comedy's most chaotic forces, and how Prateek — whose credits span Hollywood, Bollywood and immersive media, with contributions to projects by Bobby Krlic, Ludwig Goransson and Joseph Shirley — became the secret weapon who turned five years of Eric's voice memos into a full orchestral album.Plus, why BLARF evolved from sample-clearance nightmares to full symphonic chaos, and what does Dead Ballerina actually look like in their heads? Plus, the Ennio Morricone influence that drives the whole project, the death metal detonation hiding inside the track “What's for Dinner” (guess which one pushed for that), how this album is inspired by Nine Inch Nails' Ghost, and why Eric destroyed a piano with an axe. Also, the unaired Eric Andre Show sketch that passed S&P clearance and still got killed (a pro-Al Qaeda country song he sings in full), details on a role in the new Street Fighter film (Jason Momoa had other plans), and all the times Eric was nearly stabbed, shot or beaten up for his gags.Interview by Kenny Holmes and Matt Schrader at Stonesthrow Studios in Los Angeles. Production coordination by Dan Russell.

Will and Jon discuss the latest releases by The Haunted Youth, Station Model Violence, and Twisted Teens, plus live reports and bonus songs.

"But What Time Is It Really?" Because their legacy is so vast, their musical output so singular and their influence so far-reaching, telling you a little bit about Cabaret Voltaire is like telling you a little bit about outer space. A long tine ago, say 1973, in a galaxy far, far away, say Sheffield, England, Richard H. Kirk, Stephen Mallinder and Chris Watson got together to, in their words, make music without musical instruments. What did that mean? Well, it meant innovation because this was not a three-piece banging away in a garage, it was three guys experimenting with tape loops, custom-built kit oscillators, keyboards and wind instruments. Although traditional instruments were included, Cabaret Voltaire were anything but a traditional band. Falling somewhere between performance art and industrial music, Cabaret Voltaire remain one of the most innovative, idiosyncratic and unique bands of all time. Incorporating elements of techno, house, funk, synthpop, electronica and dub, the band's striking soundscapes were massively influential to bands like Depeche Mode, New Order, Skinny Puppy, David J. and Nine Inch Nails. Watson left the band in 1981 but Mallinder and Kirk soldiered on, keeping up Cabaret Voltaire's unbelievable working pace. The band put out fifteen albums in as many years, including classics like Mix-Up, Red Mecca, The Crackdown and Micro-Phonies. Kirk died in 2021 at 65 and to celebrate the 50th anniversary of the band, Mallinder and Watson started touring, put out a live album and will be on the road until year's end, taking their valedictory bow. A journalist, an academic, a studio owner, a producer and a filmmaker whose videos have been exhibited at MOMA in New York, Mallinder remains a busy man and I'll let him tell you all about that. But let me say this: if you listen to Cabaret Voltaire, it's like listening to the future before it happened. Their work is an astounding blend of multi-media and post-punk that eludes the timeline--their records aren't fixed to any point on the map and instead sound like they come from a universe that is at once both distant and familiar. www.cabaretvoltaire.bandcamp.com www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers: IG + THREADS + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com

We welcomed St. Louis native and insanely talented Lizzie Weber into the studio, and for a brief, shining moment, things felt like a real, professional music interview… and then we immediately derailed it with debates about Radiohead fans and whether anyone should ever call an album “the most important record of your lifetime” without being legally required to explain themselves.Lizzie's new album Wraiths in the Wake is a deeply personal and atmospheric project centered around the idea of “wraiths”—ghosts, spirits, and the emotional baggage that follows you through life. It's thoughtful, cinematic, and layered… which is exactly why we tried our best not to ruin the conversation. (Keyword: tried.)She talks about working with major collaborators, navigating the music industry as an independent artist, and why pressing vinyl in today's world feels like trying to barter with ancient currency during a nickel shortage. We also get into her musical journey—from dropping out of college and chasing acting in LA, to finding her voice and building her sound from the ground up.Then things take a turn—because of course they do—when Lizzie shares her “musical awakening” moment seeing Radiohead live. This leads to one of the most aggressively unnecessary debates in recent memory, where Riz explains his complicated relationship with Radiohead… specifically their fans. It's the kind of argument that only happens on a funny podcast like this, where passion meets confusion and nobody actually wins.We also go around the room sharing the last concerts that truly “locked us in,” from Nine Inch Nails precision to Tool (yes, again) to Brett Michaels somehow causing a spiritual experience with a harmonica. It's chaotic, it's honest, and it's exactly what you'd expect from a funny podcast that occasionally stumbles into meaningful conversations between jokes.If you're into music, creative journeys, or just listening to a group of adults spiral into debates about bands they both love and resent—this episode of our funny podcast has you covered.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.Woman, 38, Plummets 50 Feet to Her Death at Indianapolis International AirportTourist dies from 'cobra bite' in Egypt after snake charmer let it crawl into his trousersDisney Named in Lawsuit Alleging Bedbug Exposure at Resort HotelNew York woman convicted for throwing dynamite at boyfriend, blowing off his handSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Our latest picks for the week's best new songs include Olivia Rodrigo's head-over-heels earworm “drop dead,” a stunning bonus cut from Rosalía's LUX album, a surprising pop turn from Peter Gabriel, twisted dance beats from Nine Inch Nails and more.NPR Music's Hazel Cills joins host Robin Hiton.Featured artists and songs:(00:00) Intro(01:49) Olivia Rodrigo: “drop dead” from you seem pretty sad for a girl so in love(09:50) Peter Gabriel: “Till Your Mind Is Shining (Bright-Side Mix)” from oi(20:23) Nine Inch Nails and Boys Noize: “Heresy” from Nine Inch Noize(28:47) Rosalía: “Focu 'Ranni” from LUX (Complete Works)(36:21) Rostam: “Like a Spark” from American Stories(42:51) Gregory Uhlmann: “Days” from Extra StarsSupport the show with a review on Apple, Spotify, or wherever you listen to podcasts. And tell a friend!Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.orgSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Keith sits down with Daniel Danger to discuss growing up in central Massachusetts, discovering independent music, finding early inspiration in Plow United, Daniel's work as an illustrator and poster designs he has made for Nine Inch Nails, The Cure and other bands. We also discuss the chance meeting that led to Daniel joining The Saddest Landscape, the making of their new double LP "Alone With Heaven" which spanned a decade, several producers including Steve Albini, many personal hurdles and a reset to remake the entire LP, Daniel's solo LP "The Casper Mask" and more.  Intro - 0:00 - 3:13 The Saddest Landscape Interview - 3:14 - 1:10:11

This daily comedy show starts off innocent enough: a little Masters recap, some betting wins and losses, and a debate about whether golf is actually interesting… or just the world's most expensive nap soundtrack. But then things take a turn. A weird turn. A “wait… are those birds even real?” kind of turn.Yes, we go there.After noticing different broadcasts with wildly different “nature vibes,” the crew dives headfirst into the conspiracy that The Masters might be pumping in fake bird sounds. And honestly? The evidence is… suspicious. What follows is a full spiral into what OUR show would sound like if we added fake background noise — from rainforest cafés to truck stop bathrooms to what can only be described as “downtown chaos simulator.”Because this is a daily comedy show, we don't stay on one topic for long. We bounce from golf weirdness into engagement season with “The Ringmaster” talking diamonds, proposals, and the pressure of getting it right. Romantic? Sure. Stressful? Absolutely.Then it's time for Crap on Celebrities, where things get even messier. Ticketmaster might finally be in trouble, Justin Bieber is out here breaking records (and confusing people), and Shannon Elizabeth just entered the OnlyFans era — which leads to a very nostalgic and very questionable American Pie throwback moment.We also hit everything from Nine Inch Nails workout debates to Tesla (the band… not the car… maybe both?) and wrap it all up with one of the wildest stories of the day: a 20-year-old hacker who went from Roblox to a multi-million dollar cybercrime operation… and somehow might still end up with a better job than all of us.It's chaotic. It's sarcastic. It's somehow educational if you squint hard enough. And it's exactly what you expect from a daily comedy show that refuses to stay on track.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week Jeremy welcomes Jeff Smith of Jerome's Dream. On this episode, Jeremy and Jeff talk FM Radio, Nine Inch Nails, 120 Minutes on MTV, Green Day basslines, stage technical difficulties, Baby Gopal, Jamey Jasta, being outcasts in a local scene, sharing vans, the worst tour routing of all time, and so much more!!! SUBSCRIBE TO THE PATREON for a bonus episode where Jeff answered questions by subscribers! FOLLOW THE SHOW ON INSTAGRAM / X

Welcome to another Friday edition of The Rizzuto Show — your favorite daily dose of chaos disguised as a comedy podcast. Today's episode kicks off with something rare for us: actual useful information. There's a major iPhone spyware warning making the rounds, and yes, we strongly recommend updating your phone unless you want your personal data casually hanging out with the Russian mafia. No big deal.Of course, we can't stay serious for long. Within minutes, we're deep into one of the most heated debates of the year: the Mount Rushmore of Canadian rock bands. Rush is a lock, but after that? Things get… aggressive. Nickelback enters the chat, Bryan Adams gets defended way too passionately, and somehow we all leave more confused than when we started. It's the kind of argument that proves this comedy podcast is less about answers and more about yelling confidently.From there, we roll into “Crap On Celebrities,” where we cover everything from ACDC health updates to Nine Inch Nails rumors, Dave Grohl's very public therapy era, and Jelly Roll dropping motivation that honestly makes us feel like we should go for a walk… but probably won't.Then things take a turn into reality TV chaos. A Bachelorette season gets completely scrapped after some pretty wild footage surfaces, and we try to wrap our heads around how you go from “Will you marry me?” to “This show no longer exists.” It's messy, it's uncomfortable, and naturally, we talk about it way too long.We also hit rock band logos, Fox Theatre stories (including a tequila-fueled season ticket decision that aged exactly how you'd expect), Chuck Norris being indestructible, and John Stamos getting his first tattoo at 62 — because apparently we're all just figuring things out as we go.It's loud, it's all over the place, and it's exactly what you expect from a Friday comedy podcast with The Rizzuto Show.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Birthdays on The Rizzuto Show usually involve cake, sarcasm, and at least one questionable idea… and today checks every box.The gang kicks things off celebrating Riz while diving into a surprisingly deep conversation about the recent Nine Inch Nails tour. Lern gives her firsthand review of the show, complete with Trent Reznor theatrics, nostalgic industrial vibes, and a crowd full of 90s survivors dressed like they just walked out of a Hot Topic time machine. Doug's multi-page concert review somehow becomes required reading, and suddenly everyone's debating whether this could be the final NIN tour ever.Then things get weird.The crew discovers that the legendary Ace Ventura mechanical rhino prop — yes, the one from the infamous “butt birth” scene — is up for auction. Naturally, the discussion quickly escalates from “that's hilarious” to “should the show actually buy this thing?” Between shipping logistics, size estimates, and punishment ideas involving someone spending the night inside it, the conversation goes exactly where you'd expect from a morning show that probably shouldn't be trusted with large props.In Crap on Celebrities, the entertainment news gets equally chaotic. Sharon Osbourne hints at the possible return of Ozzfest, Courtney Love might be teasing a Hole reunion, and a suspicious backstage incident at a country concert sparks a serious security conversation. The crew also reacts to the end of Jersey Shore: Family Vacation, a bombshell Dr. Phil documentary, and some very concerning news about Andy Dick.But the weirdness doesn't stop there.The show debates the greatest dinosaur characters of all time (which turns into a heated argument about Barney, Littlefoot, and Denver the Last Dinosaur), and then things spiral even further when the team asks a surprisingly deep question: Which movie villains were actually right the whole time? From Ferris Bueller to Ghostbusters to Jaws, the crew flips classic movie narratives upside down.And of course, no episode is complete without games, birthdays, ridiculous debates, and the kind of off-the-rails humor that somehow keeps this comedy podcast rolling every single day.If you came for serious journalism… you're definitely in the wrong place.But if you want ridiculous conversations, music nostalgia, pop culture chaos, and a morning show that absolutely should not be trusted with a mechanical rhino… welcome to your new favorite comedy podcast.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.