Podcast appearances and mentions of nia dacosta

Our latest guest on Soundtracking is Nia DaCosta, who joins us to discuss her film Hedda, which is streaming now on Amazon Prime as well as other home entertainment platforms. Based on the Henrik Ibsen play, Hedda stars former Soundtracking guests Tessa Thompson and Tom Bateman among a fine cast, and centres around a lavish party in which personal and professional tensions simmer. Hildur Guanodottir's score is predictable fabulous.

Aristocratic chaos agent Hedda Gabler isn't a character. She's a Rorschach test, and has been for over a century now. Since first appearing in 1891 as the puzzling eponymous protagonist of a play by Henrick Ibsen, audiences have stared into at this recently married woman, driven by domestic suffocation into acts of destruction, and found different meanings, reflective of who they are, reflective of their politics and personal struggles. Is she a beacon of feminist freedom, lashing out at the restraints forced upon her by a misogynistic upper class? Is she a tragic figure, numbed then maddened by the spiritual emptiness of a bourgeois life? Or is she more simply put, a monster - someone so bored, she seeks entertainment in the destruction of others?In writer-director Nia DaCosta's new take on the character, starring frequent collaborator Tessa Thompson, she's perhaps all of the above and more – this is a queer retelling that fizzes with intrigue and nuance and a kinda Brat Summer-era celebration of feminine messiness. Today on Script Apart, a podcast about the first draft secrets of great movies and TV shows, Nia joins me to talk about the thematic through line in her work, connecting Hedda with her 2018 thriller Little Woods and her 2023 foray into superhero cinema, The Marvels. We get into her fascination with unconventional women on-screen, the literature in her childhood that led her to Hedda and every important spoiler plot point from this new adaptation.Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.To get ad-free episodes and exclusive content, join us on Patreon.Get coverage on your screenplay by visiting ScriptApart.com/coverage. Hosted on Acast. See acast.com/privacy for more information.

Join director Nia DaCosta (Hedda, 28 Years Later: The Bone Temple) as she hosts a career in-conversation session with fellow director Rian Johnson on stage at Picturehouse Central recorded live in front of a sold out audience.  Rian Johnson was in town to premiere his new film Wake Up Dead Man: A Knives Out Mystery at the London Film Festival. Whilst in London, he collaborated on a retropsective of his work at Picturehouse Central, showing everything from Brick and Star Wars: The Last Jedi to Knives Out and Glass Onion.  Rian's new film Wake Up Dead Man: A Knives Out Mystery is out now both in cinemas and available to watch at home on Netflix.  Benoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson's murder mystery opus. After a seemingly impossible murder rocks the town, eager young priest Jud Duplenticy (Josh O'Connor) and local police chief Geraldine Scott (Mila Kunis) join forces with Blanc to unravel a mystery that pushes the boundaries of both faith and reason. Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. To those of you who joined us for our Live Christmas Spectacular at the Prince Edward Theatre in London's West End last weekend—thank you for being a fabulous audience and we hope you had as much festive film buff fun as we did. To those of you who couldn't be there—fear not! This week's Take brings it directly to your ears. Recorded live from the auditorium, it's stuffed full of more goodies than your Christmas stocking, including interviews with Nia DaCosta on next year's 28 Years Later sequel The Bone Temple, and Jason Isaacs beamed to us chatting about whatever he was doing in a massive conference centre in New Orleans... Plus reviews of some brand new films you can watch in cinemas and at home this holiday: Wake Up Dead Man: A Knives Out Mystery—the latest instalment in the whodunnit franchise that's fast becoming a Christmastime screen staple, starring the fabulously accented Daniel Craig as detective Benoit Blanc and Josh O'Connor as a priest at the centre of the case—alongside the stellar ensemble cast we've come to expect from Knives Out. Plus we've got Goodbye June—the directorial debut from Kate Winslet that sees a dysfunctional family thrown together when their matriarch falls gravely ill at Christmas. The ensemble cast includes Helen Mirren, Toni Colette, Johnny Flynn, Timothy Spall, and Andrea Riseborough, alongside Winslet herself—and its screenplay was penned by her son Joe Anders. Kate Winslet will be joining us for an extended Christmas special interview on the Take—so you'll hear a little sneak peek of that too. And finally, on a less festive note we've got Lurker—a fame and fandom psychodrama about a retail worker who becomes part of a pop star's inner circle. We've got a Christmas cracker edition of the Laughter Lift too (oh you lucky things). Enjoy it, and we hope to see some more of your fabulous faces in the audience next year! Timecodes (for Vanguardistas listening ad-free) Wake Up Dead Man: A Knives Out Mystery review: 11:19 Nia DaCosta Interview: 19:27 Christmas Cracker Laughter Lift: 42:22 Lurker review: p1 47'17 Jason Isaacs interview: 48:50 Lurker review pt 2: 1:00:53 Goodbye June review: 01:05:35 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo.  Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.  We have a bonafide film and TV legend in our midst this week: director of ‘Broadcast News', ‘Terms of Endearment' and ‘As Good As It Gets'—not to mention co-creator of The Simpsons—James L Brooks. He talks to Simon about his new comedy drama ‘Ella McCay'—his first film in 15 years. He unpacks the movie starring Emma Mackey (yes, the names are confusing), Jamie Lee Curtis, Woody Harrelson and Jack Lowden—and tells us why he's nostalgic for 2008. Plus a bit of Simpsons chat—there are a few very familiar voices in this movie!   Mark reviews Eternity—the new A24 afterlife romcom that sees Elizabeth Olsen torn between two dead husbands, played by Miles Teller and Callum Turner. Plus we've got his verdict on the new film from exiled Iranian filmmaker Jafar Panahi too--'It Was Just an Accident'. This latest daring project has seen the banned filmmaker issued a jail sentence from the Iranian government. And finally, Five Nights at Freddy's 2....You might remember how much Mark loved the first one (not)... but could the sequel win him over? Spoilers: it doesn't—but strap in for a review that might be more entertaining than the movie.  All the box office top 10 news for you too, plus the weekly hilarity of the laughter lift. Enjoy!   Our LIVE Christmas Extravaganza at London's Prince Edward Theatre is this weekend! Join us on 7th December—with special guest Nia DaCosta, and Jason Isaacs beaming in from the USA. Tickets here: fane.co.uk/kermode-mayo      Timecodes (for Vanguardistas listening ad-free)  Eternity review: 09:10  BO10: 19:50  James L Brooks Interview: 37:10  It Was Just An Accident review: 52:30 Laughter Lift: 1:02:32  Five Nights at Freddy's 2 review: 01:07:32 Jay Kelly review: 01:14:41      You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo  Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey   EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee!  A Sony Music Entertainment production.      Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts    To advertise on this show contact: podcastadsales@sonymusic.com  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nicole Weaver of Black Bi Reality and Princess Weekes react to Amazon's "Hedda" directed by Nia DaCosta. Tessa Thompson stars as the titular character and she has it out for her ex, Eileen Lovborg, played by Nina Hoss. Follow Princess Weekes https://www.youtube.com/@Princess_Weekes Follow Nicole Weaver: https://www.instagram.com/nikkiberniceinsta/ Follow us on Twitter: https://twitter.com/BlackBiReality Follow on IG: https://www.instagram.com/blackbireality/ Follow on TikTok: https://www.tiktok.com/@blackbireality Photo credit: Amazon Theme Music DJ MC Pro Branding by Jordan Scruggs https://www.jordanponders.com/letstalk

A provocative reimagining of Henrik Ibsen's classic play, “Hedda” stars Tessa Thompson as the aristocrat caught between a past love and a stifling marriage. Thompson and director Nia DaCosta discuss the film, now streaming on Prime Video.

On this episode, JD and Brendan discuss Nia DaCosta's new film HEDDA, starring an electric Tessa Thompson! Visit https://insessionfilm.com for merch and more! Thanks for listening and be sure to subscribe! Become a Member today to get exclusive bonus content! Follow us on X/Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo.  Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.  American indie darling director Noah Baumbach joins Simon in the guest spot this week to talk ‘Jay Kelly', his new film starring George Clooney as the titular aging movie star in crisis. On an unexpected European tour, he looks back on a life of stardom and its effects on those around him—not least the long serving entourage who trail after him. Noah sits down with Simon to unpack his writing process and more on this sweeping showbiz tale.   Jay Kelly is out on Netflix next week, so listen out for Mark's review then. In the meantime, we've got this week's biggest releases reviewed for you right now. First up, ‘Pillion'—whose star Alexander Skarsgård was our guest on last week's show. It's an unbashful BDSM biker drama, following the unconventional romance between Skarsgård's Ray and Harry Melling's Colin. Does Mark think it's a pleasure or a pain? Either way—maybe not one to watch on family film night...  Plus, ‘Christy'--the boxing drama based on the true story of women's boxing trailblazer Christy Martin, played by Sydney Sweeney—and ‘Zootropolis 2', the long-awaited sequel to the animated animal cop drama for all the family.   All the best of the Box Office Top 10, and top correspondence too, including some excellent ‘Pluribus' discussion—keep the emergency-mails coming, folks!   AND Don't miss our upcoming LIVE Christmas Extravaganza at London's Prince Edward Theatre on 7th December—with special guests Nia DaCosta, Jason Isaacs beaming in from the USA, and more! Tickets here: fane.co.uk/kermode-mayo      Timecodes (for Vanguardistas listening ad-free)  Pillion review: 12:33   BO10: 27:34  Noah Baumbach Interview: 47:45  Christy review: 01:01:38  Laughter Lift: 01:10:39  Zootropolis 2 review: 1:12:57       You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo  Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey   EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee!  A Sony Music Entertainment production.      Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts    To advertise on this show contact: podcastadsales@sonymusic.com     Learn more about your ad choices. Visit podcastchoices.com/adchoices

When the filmmaker Nia DaCosta (Candyman, The Marvels, 28 Years Later: The Bone Temple) was growing up, she says she only saw Black women portrayed in one of two ways: either as harmful stereotypes or as noble figures who became one-dimensional in their wisdom and perfection. Nia has dedicated her career to presenting complex and nuanced portrayals of Black women on-screen. Her new movie, “Hedda,” is loosely based on Henrik Ibsen's classic 1891 play “Hedda Gabler,” which features one of literature's most controversial characters. But in this new adaptation, the title character is reimagined as a biracial and bisexual woman in 1950s England. Nia joins Tom Power to talk about the film and what happens when we let people be imperfect.

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. A leather-clad Alexander Skarsgård is riding into this week's Take as our very special guest. That's because he's here to talk about ‘Pillion', the one-of-a-kind comedy drama where he stars as mysterious BDSM biker Ray. The film follows his unfolding relationship with Colin, a shy small-town boy played by Harry Melling—who you might have heard on the show a few months back chatting to Simon about ‘Harvest'. Colin begins to discover his submissive streak under Ray's dominant hand, as their complex relationship develops. Alexander sits down with Simon to unpack the film—a ‘Dom-Com', as he calls it—and gives us the lowdown on what a Skarsgård Christmas looks like too. Don's miss Mark's review of ‘Pillion' on next week's show. This week we've got his verdicts on three more juicy new releases for you as usual. First up, ‘Sisu: Road to Revenge'--the Finnish action sequel to 2022's ‘Sisu', where seemingly unkillable action man Aatami Korpi goes on a revenge rampage against the Red Army. Plus, Bizarre biblical horror ‘The Carpenter's Son', starring Nicolas Cage going full Nicola Cage yet again—and ‘Wicked: For Good' – the sequel to last year's musical smash spectacle. The Good Doctors run down the box office top 10 too—and from the top of the charts to the bottom of the barrel, there's the Laughter Lift. Plus your excellent and erudite correspondence answered. AND Don't miss our upcoming LIVE Christmas Extravaganza at London's Prince Edward Theatre on 7th December—with special guests Nia DaCosta, Gurinder Chadha, and more! Tickets here: fane.co.uk/kermode-mayo Timecodes (for Vanguardistas listening ad-free) Sisu: Road to Revenge Review: 13:44 BO10: 22:21 Alexander Skarsgard Interview: 37:37 The Carpenter's Son Review: 51:15 Laughter Lift: 01:01:28 Wicked: For Good Review: 01:05:51 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're kicking off the Fall/Winter 2025 season of OnWriting with a roundtable conversation between screenwriters Nia DaCosta, Benny Safdie and Will Tracy, who sat down to discuss their latest projects, the writing process, and more. Nia DaCosta is the writer and director of Hedda, a provocative, modern reimagining of Henrik Ibsen's classic play in which the titular Hedda Gabler finds herself torn between the lingering ache of a past love and the quiet suffocation of her present life. Benny Safdie is the writer and director of The Smashing Machine, the true story of mixed martial arts and UFC fighter Mark Kerr, whose obsession with greatness made him a legend — and nearly cost him everything. Will Tracy is the writer of Bugonia, directed by Yorgos Lanthimos, in which two conspiracy-obsessed men kidnap the CEO of a major company when they become convinced that she's an alien who wants to destroy Earth. --- Read shownotes, transcripts, and other member interviews: wgaeast.org/onwriting Follow the Guild on social media: @WGAEast OnWriting is a production of the Writers Guild of America East. The show is produced by WGA East staff members Jason Gordon, Tiana Timmerberg, and Molly Beer. Production, editing, and mix by Giulia Hjort. Original music is by Taylor Bradshaw. Artwork is designed by Molly Beer.

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. The fabulous Edgar Wright joins us on this week's Take to talk ‘The Running Man'—his new adaptation of the Stephen King dystopia. You might remember the Arnie version from 1987, but Wright's is a refreshed take starring very angry action man Glen Powell. He plays Ben Richards, an out-of-work dad living in the slums of a sci-fi totalitarian state, who enters a deathmatch gameshow in the hope of winning the cash he needs to save his sick child. Edgar and Simon talk action classics, staying on Arnie's good side, and why Stephen King called the film ‘Die Hard for our time'. Mark reviews it too—plus two more big movies out this week: a blockbuster and an exciting indie. In the arthouse corner, the Palme d'Or-winning ‘Titane' director Julia Ducournau's latest, ‘Alpha'. In her usual out-there style, it follows a troubled teenage girl who returns home with a mysterious tattoo, amidst a terrifying bloodborne epidemic. And from Hollywood, ‘Now You See Me: Now You Don't', the latest entry in the slick magician‑heist franchise... which has left Mark wishing it would do a disappearing act. Ladies and gentlemen, be marveled as a Kermodean rant is conjured before your eyes! Plus more exquisite dad jokes and guaranteed groans in The Laughter Lift, and we'll hear plenty from you lovely lot as always—including some prizewinning pedantry. Keep it coming! AND Don't miss our upcoming LIVE Christmas Extravaganza at London's Prince Edward Theatre on 7th December—with special guests Nia DaCosta, Gurinder Chadha, and more! Tickets here: fane.co.uk/kermode-mayo Timecodes (for Vanguardistas listening ad-free) Alpha Review: 13:11 BO10: 21:42 Edgar Wright Interview: 38:14 The Running Man Review: 53:04 Laughter Lift: 1:03:12 Now You See Me: Now You Don't Review: 1:04:40 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Adam and Josh split on Guillermo del Toro's FRANKENSTEIN, but praise its star – not Oscar Isaac as the mad doctor, but Jacob Elordi's soulful Creature. Also, reviews of Nia DaCosta's Ibsen update HEDDA, the Sydney Sweeney-starring boxing biopic CHRISTY, and Ira Sachs's PETER HUJAR'S DAY.   This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes and chapter starts may not be precise with ads.) Intro (00:00:00-00:03:53) Frankenstein (00:03:54-00:41:15) Spoilers: Frankenstein (00:41:16-00:51:03) Filmspotting Family (00:51:04-00:57:19) Hedda (00:57:20-01:02:54) Christy (01:02:55-01:11:23) Next Week / Notes (01:11:24-01:18:02) Massacre Theatre (01:18:03-01:29:43) Peter Hujar's Day (01:29:44-01:38:45) Credits / New Releases (01:38:46-01:41:55) Links: -Poll: 2nd Best Zemeckis https://poll.fm/16177171 -The Mastermind Prize Pack Email us your favorite Reichardt character -Redford v Ferrell to Save the Colorado River Delta https://www.youtube.com/watch?v=6uXOozRjRM4  -Fear Not! (50% Off + Free Shipping; code CONFSHIP, select Media Mail) https://wipfandstock.com/9781666738520/fear-not/ Feedback: -Email us at ⁠⁠⁠feedback@filmspotting.net⁠⁠⁠. -⁠⁠⁠Ask Us Anything⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠⁠http://filmspottingfamily.com⁠⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠⁠https://www.filmspotting.net/shop⁠⁠ Follow: ⁠⁠⁠https://www.instagram.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠ https://www.instagram.com/larsenonfilm ⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul and Erin review more new releases, including Kathryn Bigelow's A HOUSE OF DYNAMITE, Yorgos Lanthimos' BUGONIA, Kelly Reichardt's THE MASTERMIND, Richard Linklater's BLUE MOON and Nia DaCosta's HEDDA, and look back at Ingmar Bergman's "Faith Trilogy," Dario Argento's DEEP RED and Ethan Hawke's new TV series THE LOWDOWN.

What if a classic tale could be reshaped with modern twists and turns that leave you questioning everything you thought you knew? Join me, Kyle McMahon, as I sit down with visionary director Nia Da Costa (The Marvels, 28 Days Later: The Bone Temple), superstar Tessa Thompson (The Avengers: Endgame, Creed) Nina Hoss and Tom Bateman to explore how the new Prime Video film 'Hedda' reimagines Henrik Ibsen's iconic play with electrifying creativity. Unearth how Nia DaCosta's visionary adaptation amplifies the timeless stakes of 'Hedda Gabler,' with Tessa Thompson breathing new life into the titular character. With Nina Hoss portraying a gender-swapped Eileen Loveborg and Tom Bateman tackling the complexities of George Tessman, this episode promises a deep dive into the innovative storytelling that challenges societal norms and character dynamics. Nina opens up about the liberating challenge of stepping into a reimagined role, enriching the narrative with existential undertones that speak volumes about contemporary issues. Meanwhile, Tom reflects on George Tessman's internal battle with power and understanding, shedding light on his character's tumultuous relationship with Hedda. Get ready for a thought-provoking conversation that not only celebrates the daring vision behind this adaptation but also offers a fresh perspective on a literary classic that continues to resonate. Tune in for an insider's look at 'Hedda,' where tradition meets transformation and storytelling reaches new heights.If you dig the show, subscribe, rate, and share—and tell your mom; she and Kyle would absolutely get along.

Dan Slevin reviews Nia DaCosta and Tessa Thompson's adaptation of Ibsen's classic play about a frustrated, ambitious and manipulative woman who goes to great lengths to support her husband's career.Go to this episode on rnz.co.nz for more details

In the new film Hedda, Tessa Thompson plays a woman bored with her dull husband, and who devilishly manipulates the affections of everyone in her orbit. Writer/director Nia DaCosta makes some bold changes in this adaptation of the classic Henrik Ibsen play Hedda Gabler, and sets almost all of the action during a lavish party gone awry. But this is not your grandmother's Hedda. It's sexy, chaotic, and, above all, messy as hell. It's streaming on Prime Video. Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopcultureLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Welcome to the Bamgboshe Happy Hour!

In celebration of the release of Hedda on Prime Video, Tessa Thompson joined Perri Nemiroff for a Collider Ladies Night conversation!During their chat, Thompson revisits working on Veronica Mars with Kristen Bell and discusses how Justin Simien's Dear White People was a personal acting game-changer. She also digs into the reality of joining the Marvel Cinematic Universe, and celebrates her longstanding collaboration with Hedda director, Nia DaCosta.Hear about all of that and so much more in this interview!Here's the official synopsis for HEDDA: "A provocative reimagining of Henrik Ibsen's classic play, Hedda follows enigmatic newlywed Hedda (Tessa Thompson), who is outwardly composed but hiding a simmering discontent that threatens to explode when the brilliant and charismatic Eileen Lovberg (Nina Hoss) reenters her life. Over the course of a raucous party, the high and low of society endure the consequences of this dangerous and unknowable woman yearning for a past love. What ensues is a ruthless game of manipulation, where lust, jealousy, and betrayal collide. Written and directed by Nia DaCosta, Hedda is a daring exploration of power, desire, and a woman's refusal to be confined." Hosted on Acast. See acast.com/privacy for more information.

All treats and no tricks for you in this packed Halloween edition of Breakfast All Day. Here's what we've got: NOUVELLE VAGUE: Richard Linklater recreates the making of the French New Wave classic "Breathless" with a movie that looks like it could have come out in 1960, as well. You don't need to know anything about Jean-Luc Godard, or Jean Seberg, or Jean-Paul Belmondo to enjoy this affectionate and humorous homage, but there are Easter eggs galore if you do. In theaters before streaming on Netflix Nov 14. SHELBY OAKS (With William Bibbiani): Our good friend Bibbs joins in on a review of this horror debut from longtime YouTube film critic Chris Stuckmann. It follows a woman investigating the disappearance of her sister, who was a paranormal investigator, in a small Ohio town. In theaters. HEDDA: Tessa Thompson is impossibly charismatic in this bold reimagining of the classic Henrik Ibsen play "Hedda Gabler." Nia DaCosta's adaptation is queer and multiracial in ways that are reminiscent of "Bridgerton." The cinematography and production design are gorgeous, but see it for the clothes alone. Streaming on Prime Video. IT WAS JUST AN ACCIDENT: This will end up being a major contender in the awards conversation. Iranian master Jafar Panahi tells the story of several disparate people who come together to abduct and confront the man they believe was their torturer in prison. It's tense and beautifully acted, with an unexpected streak of absurd humor. In theaters. MOVIE NEWS LIVE!: Our travels have kept us from doing our movie news livestream for the past couple weeks, so it was nice to be together again. Among the topics we discussed were the upcoming "Stranger Things" finale, "Sinners" and "K-Pop Demon Hunters" back in theaters, Osgood Perkins Day, and Francis Ford Coppola auctioning off his watch collection. We're gone next week but back Nov. 14. Thanks for being here! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/  

Travis Hopson reviews Nia DaCosta's HEDDA starring Tessa Thompson, Nina Hoss, Tom Bateman, and Imogen Poots! Streaming now on Prime Video.SYNOPSIS: From writer/director Nia DaCosta comes a provocative, modern reimagining of Henrik Ibsen's classic play. HEDDA (Tessa Thompson) finds herself torn between the lingering ache of a past love and the quiet suffocation of her present life. Over the course of one charged night, long-repressed desires and hidden tensions erupt—pulling her and everyone around her into a spiral of manipulation, passion, and betrayal.All of this and more can be found at www.punchdrunkcritics.com!Subscribe to Punch Drunk Critics on YouTube:    / @punchdrunkcritics1  Follow Punch Drunk Critics on Twitter: https://www.twitter.com/pdcmoviesFollow Punch Drunk Critics on Facebook: https://www.facebook.com/pdcmoviesYou can also subscribe to our podcast Cinema Royale anywhere you get your podcasts!#Hedda #TessaThompson #moviereviews

Just us chickens here this week to talk about the wild party we just witnessed...in Nia DaCosta's HEDDA, a modernized (but not modern-day) adaptation of the classic Ibsen play, HEDDA GABLER. Then we get into what works and doesn't work for us in stage-to-screen adaptations.What's GoodAlonso - Christmas creep!Drea - “...There she is.”Kevin - A weekend of artistic experiencesITIDICA Memo Reveals that the Pentagon is Mad About ‘House of Dynamite'LA Times: Horror May Have Its Moment at the Oscars‘Kidz Bop Live: The Concert Movie' Set to Premiere in TheatersStaff PicksDrea - Nouvelle VagueAlonso - It Was Just an AccidentKevin - Good Fortune Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

"Hedda" is a dramatic adaptation of Henrik Ibsen's "Hedda Gabler" written and directed by Nia DaCosta, starring Tessa Thompson in the title role, with Imogen Poots, Tom Bateman, Nicholas Pinnock, and Nina Hoss in supporting roles. The film premiered at the 2025 Toronto International Film Festival to positive reviews for its performances, DaCosta's direction, and modern take on the material. Hoss and Bateman were kind enough to spend time speaking with Ema Sasic about their work and experiences making the film. This is followed by my conversation with the film's casting directors, Dez Hamilton and Joe Harris, and concludes with Cody Dericks' interview with the film's composer, Academy Award-winner Hildur Guđnadóttir. You can listen to all of these below. Please be sure to check out the film, which is now available to stream on Prime Video from Amazon MGM Studios. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Buckle up for the bonkers and brilliant ride that is Bugonia. Nia DaCosta and Tessa Thompson try to update Hedda - but does their big swing pay off?Find us at:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.werewatchingwhat.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/werewatchingwhat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/thedhk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/thedhk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/thedhkmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tiktok.com/werewatchingwhat⁠⁠⁠⁠⁠⁠⁠

Writer/director Nia DaCosta is the guest on this episode of Film Stories, with her latest film - Hedda - now available on Prime Video. She joins Simon to chat about the movie, and in a far-reaching chat, they also get into videogames, 28 Years Later: The Bone Temple, her love of genre, a bit of nerding out about Doctor Who, and a touch of The Marvels as well. And lighting! We chat lighting, too. Hedda is on Prime Video now. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's 'Screen Talk' episode, IndieWire's Editor-at-Large Anne Thompson and Executive Editor Ryan Lattanzio parse the Awards implications of the Gotham nominations and AFI Fest. They also share their thoughts on Mona Fasvold's The Testament of Anne Lee and Nia DaCosta's Hedda. Learn more about your ad choices. Visit megaphone.fm/adchoices

Evan is off this week so Megan and Dave dig into BALLAD OF A SMALL PLAYER (2:17) and HEDDA (22:31). Dave only got through 40 minutes of BOFSP because he hated it, and Megan takes the reins. Then they both discuss HEDDA, Nia DaCosta's latest as writer-director, which Megan loooooooooooved and Dave...didn't. Over on Patreon, the October poll winner is Wes Craven's 1981 film DEADLY BLESSING, and it is a HOOT.

It's Halloween weekend and there isn't a lot of horror but Erik Childress and Steve Prokopy still have eight films to talk about. They include a documentary about an archbishop who wrote the gay disco anthem of the ‘70s (I Was Born This Way) and another true story about drugs, family and revenge in the Ozarks (Violent Ends). There are some holiday-themed titles including a daughter realizing her mom may have fallen into a cult (Self-Help) and an animated Frankenstein-esque tale for kids (Stitch Head). The director of Conclave has Colin Farrell gambling away in Macau (Ballad of a Small Player) and Nia DaCosta swaps race and gender in an updating of Henrik Ibsen's 1891 play (Hedda). Diane Lane watches her family come apart in a new America (Anniversary) and the pair share their memories on the 40th anniversary of a masterpiece (Back to the Future).3:32 - I Was Born This Way13:44 - Self-Help21:53 - Stitch Head30:43 - Violent Ends42:14 - Ballad of a Small Player51:14 - Anniversary1:09:10 - Hedda1:20:33 - Back to the Future (40th Anniversary re-release)CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Travis Hopson talks with HEDDA stars Tom Bateman and Nina Hoss about Nia DaCosta's fiery, complex adaptation starring Tessa Thompson!HEDDA is streaming now on Prime Video.SYNOPSIS: From writer/director Nia DaCosta comes a provocative, modern reimagining of Henrik Ibsen's classic play. HEDDA (Tessa Thompson) finds herself torn between the lingering ache of a past love and the quiet suffocation of her present life. Over the course of one charged night, long-repressed desires and hidden tensions erupt—pulling her and everyone around her into a spiral of manipulation, passion, and betrayal.All of this and more can be found at www.punchdrunkcritics.com!Subscribe to Punch Drunk Critics on YouTube:    / @punchdrunkcritics1  Follow Punch Drunk Critics on Twitter: https://www.twitter.com/pdcmoviesFollow Punch Drunk Critics on Facebook: https://www.facebook.com/pdcmoviesYou can also subscribe to our podcast Cinema Royale anywhere you get your podcasts!#TomBateman #NinaHoss #Hedda

Travis Hopson talks with Tessa Thompson and HEDDA director Nia DaCosta about their reimagining of Henrik Ibsen's classic play, streaming now on Prime Video!All of this and more can be found at www.punchdrunkcritics.com!SYNOPSIS: From writer/director Nia DaCosta comes a provocative, modern reimagining of Henrik Ibsen's classic play. HEDDA (Tessa Thompson) finds herself torn between the lingering ache of a past love and the quiet suffocation of her present life. Over the course of one charged night, long-repressed desires and hidden tensions erupt—pulling her and everyone around her into a spiral of manipulation, passion, and betrayal.Subscribe to Punch Drunk Critics on YouTube:    / @punchdrunkcritics1  Follow Punch Drunk Critics on Twitter: https://www.twitter.com/pdcmoviesFollow Punch Drunk Critics on Facebook: https://www.facebook.com/pdcmoviesYou can also subscribe to our podcast Cinema Royale anywhere you get your podcasts!#TessaThompson #NiaDaCosta #Hedda

"I love adaptations. The beauty of adaptation, especially a classic, like Shakespeare and Chekhov or Ibsen, they're such a gift because they give you this beautiful framework, and it's almost like they're begging you to take it and make it your own," says writer/director Nia DaCosta about adapting Henrik Ibsen's 1891 play Hedda Gabler into her new film Hedda.   Set in the 1950s, the movie stars Tessa Thompson in the lead role, Imogen Poots as Thea, and reimagines the character Eilert Lovborg as a queer woman (now Eileen), played by Nina Hoss.  We chat with Nia DaCosta about her journey to becoming a filmmaker, genre hopping into horror with Candyman and the upcoming 28 Years Later: The Bone Temple. She even made the superhero movie The Marvels. We also talk about the challenges of tackling the complicated, often cruel character of Hedda in the new film.  "When I read the play [Hedda Gabler]," says DaCosta, "I'm like, this woman is hilarious! She's absolutely absurd. In the play, she's so verbose roaming around this sitting room, yelling at everyone who comes in. I wanted to replicate that, but more through action. And then there's the empathy part of it. To me, her tragedy is that she will never know herself. It's a life's work to understand and know ourselves, our emotional world. I think because she is so cruel, because she is so unhappy, because she has made these decisions that have trapped herself in this life – that to me is really sad. But I don't want people to forgive her for what she's done, or to excuse it."  DaCosta also shares her advice on adapting someone else's story. "I think you have to know why you want to do it, and what it is you want to use the work to say. To let that 'why' sort of guide your pen. That's my convoluted way of saying trust your gut."  If you've been thinking about adapting a classic play into a modern movie, you don't want to miss this podcast.   

An androgenous figurehead of a found family that refuses to grow up -- if you've never thought of Peter Pan in those terms, director Tina Romero is here to set you straight (er, in a manner of speaking). Tina also shares the ins, outs, and inspirations behind her feature debut, Queens of the Dead, which continues and reinvents a family legacy of zombie cinema (Tina is the daughter of the legendary George A. Romero). And as always, Jordan digs up all the connective tissue between all of the above.Then, Jordan has one quick thing about Nia DaCosta's new film, Hedda, starring Tessa Thompson. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

DaCosta directed the box office hit horror movie Candyman and The Marvels. Her latest, Hedda, is an adaptation of Henrik Ibsen's 1891 play, Hedda Gabler. She reimagines the main character as a queer, mixed-race Black woman, played by Tessa Thompson. DaCosta spoke with Tonya Mosley about navigating white spaces in Hollywood, why she loves horror, and her time as a production assistant. Also, jazz critic Martin Johnson reviews bassist Linda May Han Oh's album Strange Heavens. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

On this week's show, Dana is joined by fellow movie critics Amy Nicholson of The Los Angeles Times and Slate's Sam Adams for an all-film edition of the Gabfest. First up, they enter A House of Dynamite, Kathryn Bigelow's tense procedural about a nuclear catastrophe. Whether or not this grim thriller has any spark is up for debate. Next, they step into the raucous party of Hedda Gabler in Nia DaCosta's Henrik Ibsen adaptation Hedda, starring Tessa Thompson as the scheming hostess. Finally, they examine the documentary The Perfect Neighbor which offers an alarming portrait of one Florida community compiled primarily through police body cam footage. In an exclusive Slate Plus bonus episode, the movie talk continues with an all-spoiler special about all three films. Endorsements Amy: The Man in the Tuskhut, an animatronic, AI theater piece by the writer and director Jason Woliner. Sam: The band Belly's album Star and the play Liberation by Bess Wohl. Dana: Spike Jonze's music video of Bjork's cover of “It's Oh So Quiet.” Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dana is joined by fellow movie critics Amy Nicholson of The Los Angeles Times and Slate's Sam Adams for an all-film edition of the Gabfest. First up, they enter A House of Dynamite, Kathryn Bigelow's tense procedural about a nuclear catastrophe. Whether or not this grim thriller has any spark is up for debate. Next, they step into the raucous party of Hedda Gabler in Nia DaCosta's Henrik Ibsen adaptation Hedda, starring Tessa Thompson as the scheming hostess. Finally, they examine the documentary The Perfect Neighbor which offers an alarming portrait of one Florida community compiled primarily through police body cam footage. In an exclusive Slate Plus bonus episode, the movie talk continues with an all-spoiler special about all three films. Endorsements Amy: The Man in the Tuskhut, an animatronic, AI theater piece by the writer and director Jason Woliner. Sam: The band Belly's album Star and the play Liberation by Bess Wohl. Dana: Spike Jonze's music video of Bjork's cover of “It's Oh So Quiet.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Writer and director Nia DaCosta joins IndieWire's Sarah Shachat to dive deep into her 1950s-set adaptation of Hedda Gabler. DaCosta explains how the film's lush look and sound came from years of building her team, and how the brilliance of the lead performances from Tessa Thompson and Nina Hoss allowed for incredibly layered character studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

DaCosta directed the box office hit horror movie Candyman and The Marvels. Her latest, Hedda, is an adaptation of Henrik Ibsen's 1891 play, Hedda Gabler. She reimagines the main character as a queer, mixed-race Black woman, played by Tessa Thompson. DaCosta spoke with Tonya Mosley about navigating white spaces in Hollywood, why she loves horror, and her time as a production assistant. Also, jazz critic Martin Johnson reviews bassist Linda May Han Oh's album Strange Heavens. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Nina Hoss is one of our most respected stage, film, and television actors working internationally. She is known for her collaborations with director Christian Petzold in films such as "Barbara" and "Phoenix," as well as "Tar" opposite Cate Blanchett, the celebrated series "Homeland," and her latest "Hedda," opposite Tessa Thompson. On this episode, she talks about what drew her to Nia DaCosta's bold new reimagining of the Ibsen's classic. She gives us a peek into her process, talks about the "journey of filmmaking" she and Petzold embarked on together, environment as communication, how "The Cherry Orchard" in Brooklyn "landed at the right time," finding enjoyment in "checking out the possibilities," why she sometimes rehearses in German when she's acting in English, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

In the last film in our Nia DaCosta & Tessa Thompson Film Series, writer Brian Richards returns to the podcast to discuss Nia DaCosta's 2023 film, "The Marvels." Brian and Morgan discuss how this film works as apart of the MCU, the core theme of sisterhood, and the sociopolitical conversations in the film. This episode also includes Morgan trying to remember anything from comic book movies, Morgan talking about Brie Larson's pop career, and Brian and Morgan urging AMC to reinstate the rightful Nicole Kidman ad. You can find BrianBlueskyInstagramWritten WorkYou can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

This week – baby, we were born to review music biopic SPRINGSTEEN: DELIVER ME FROM NOWHERE (08:22), alongside Nia DaCosta's new twist on Ibsen, HEDDA (28:58), and Kelly Reichardt's heist film, THE MASTERMIND (52:08). Plus, in our HOT TAKE (01:08:20), we discuss Disney's scrapped plans for a Star Wars sequel, titled THE HUNT FOR BEN SOLO. If you would like to donate directly towards humanitarian aid in Gaza please visit:https://www.map.org.uk/https://www.safebowgazanaid.com/take-action-nowPre-Order Clarisse's Wes Anderson book ⁠here⁠Tweet us @FadetoBlackPod on Twitter or DM @FadeToBlackPodcast on Instagram, Blue Sky and Reddit: https://www.reddit.com/r/fadetoblackpodcast/Don't forget to subscribe, rate and review the podcast - it makes a difference! AMON: ⁠@Amonwarmann ⁠CLARISSE:  ⁠@clarisseloughrey⁠HANNA: ⁠@hannainesflint⁠Music by ⁠The Last Skeptik⁠

This week's Empire Podcast sees Chris Hewitt struggle with the enunciation of one word in particular (you'll have to listen to find out which). Incredibly, it's not 'Howl-o-ween', which is just one of the many things discussed by Chris and his three colleagues of such lethal cunning, Helen O'Hara, James Dyer, and Ben Travis. They get their teeth into movies in which a main character is ill, talk about the shock revelation that Adam Driver and Steven Soderbergh had developed a literal Solo movie for Kylo Ren, and review Springsteen: Deliver Me From Nowhere, Nia DaCosta's Hedda, and Kelly Reichardt's The Mastermind. Guest-wise, we have a veritable bounty as Helen has a lovely chat with Nia DaCosta, and Chris talks to Jeremy Strong, star of the Springsteen flick; and has a joyous natter about the end of the world with Rebecca Ferguson and Kathryn Bigelow, star and director respectively of A House Of Dynamite, which is now out on Netflix. No timecodes yet, as the guy who writes this blurb has to leg it to a screening. But they're roughly 23 minutes, one hour and three minutes in, and one hour and 38 minutes in. Enjoy!

In this special live episode of Girls On Film, host Anna Smith sits down with the creative team behind Hedda, the daring new film from acclaimed director Nia DaCosta, also known for Candyman and The Marvels. Recorded live on 13 October 2025 at Picturehouse Central, this Q&A follows a screening of Hedda - a bold and contemporary reimagining of Henrik Ibsen's classic play Hedda Gabler. The film follows the daughter of a general as she navigates a home she never wanted, a marriage that confines her, and the haunting return of a former lover. Joining Anna on stage are director Nia DaCosta and cast members Tessa Thompson, Nina Hoss, and Imogen Poots, who discuss the film's exploration of race and gender, as well as the creative process of reinventing one of literature's most complex and fascinating women for modern audiences. Hedda is in UK cinemas as of 24 October 2025, and on Prime Video globally on 29 October 2025 Thank you to Amazon MGM Studios for partnering with us on this episode. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Negin Nia Intern: Ruby Bradshaw Podcast Cover Image: Amy Webster Audio Editor: Elliana Jay Hamer © HLA Agency

Tessa Thompson & Nia DaCosta Talk Power, Perception & the Price of Freedom in Hollywood

This week's podcast features two guests who appeared on the MK3D show at the BFI Southbank on Monday 6 October 2025. They are two directors whose films played at of the BFI London Film Festival, and which open soon: First, Mark talks to Nia DaCosta about her new feature HEDDA, and her upcoming 28 YEARS LATER - TEMPLE OF BONES –and one of the films that infuenced her, Stanley Kubrick's BARRY LYNDON.And Mark talks with Mark Jenkin about his third and most brilliant feature so far, ROSE OF NEVADA.Enjoy!The MK3D shows happen every month at the BFI Southbank. In last week's edition of the podcast you can hear Mark talk with the other three guests of this edition of MK3D: Maxine Peake for I SWEAR, Nathan Johnson for WAKE UP DEAD MAN and Russell Tovey for PLAINCLOTHES.Thanks for listening. Stay safe, and keep watching the skies.Opening title quotes from:Mary Poppins (Robert Stevenson, Walt Disney Productions – featuring Julie Andrews)Nope (Jordan Peele, Universal Pictures – featuring Keke Palmer)Withnail & I (Bruce Robinson, HandMade Films – featuring Richard E. Grant)The Exorcist (William Friedkin, Warner Bros. – featuring Ellen Burstyn and Linda Blair)These films are essential viewing.Watch them. Love them. Share them.They are masterpieces.Mark Kermode Live in 3D and Kermode on Film are HLA Agency productionsThis episode was edited by Alex Archbold Jones© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

Today on Female Gaze: The Film Club, we are joined by returning guest, the busiest woman in podcasting, host of Nightmare on Fierce Street, and co-host of Blerdy Massacre Podcast and Gated Podcast, Sharai Bohannon. Sharai is back on the podcast for our Nia DaCosta/Tessa Thompson Film Series to discuss Nia DaCosta's 2021 film, "Candyman." Sharai and Morgan dive into the history of the series, explore how the lore of Candyman changes when Black artists and filmmakers are telling the story for Black audiences, and what makes the film such a strong addition to the slasher genre. You can follow SharaiTwitterInstagramBlueSkyYou can follow A Nightmare on Fierce StreetTwitterInstagramBlueSkyYou can follow Blerdy MassacreTwitterInstagramTikTokBlueSkyYou can follow Gated PodcastBlueSkyInstagramYou can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

In this first half of the MK3D show recorded on Monday, 6 October, 2025, at the BFI Southbank, Mark Kermode is joined by an inspiring line-up of guests from the world of film.Actress Maxine Peake discusses her role in I Swear - a deeply moving and darkly funny comedy-drama based on the true story of a young man living with Tourette's syndrome.Composer Nathan Johnson joins to talk about his acclaimed work on the Knives Out films - the latest of which opened this year's BFI London Film Festival - as well as his music collaboration for Guillermo del Toro's Nightmare Alley.Finally, actor Russell Tovey reflects on his lead role in Plainclothes, a powerful new drama set in the 1990s about a policeman who entraps gay men but finds himself unexpectedly drawn to one of his targets.In the second part of the show, coming out soon, you'll hear from director Nia DaCosta on her new film Hedda and her work on the upcoming 28 Years Later: Temple of Bones, along with director and film editor Mark Jenkin, discussing his third and brilliant feature, Rose of Nevada.Opening title quotes from:Mary Poppins (Robert Stevenson, Walt Disney Productions – featuring Julie Andrews)Nope (Jordan Peele, Universal Pictures – featuring Keke Palmer)Withnail & I (Bruce Robinson, HandMade Films – featuring Richard E. Grant)The Exorcist (William Friedkin, Warner Bros. – featuring Ellen Burstyn and Linda Blair)Mark Kermode Live in 3D and Kermode on Film are HLA Agency productions.This episode was edited by Alex Archbold Jones.© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

In continuing with our Nia DaCosta/Tessa Thompson Film Series, returning guest writer Jen Wattley is on the podcast to talk about Rebecca Hall's 2021 film, "Passing" - which stars Tessa Thompson. In their conversation, Jen and Morgan discuss the film's themes, the usage of black and white cinematography, the ambiguity of the film's ending, and Jen makes the greatest accidental foreshadowing in the podcast's history.You can follow Jen BlueSkyInstagramYou can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

This week on Female Gaze: The Film Club, Chels Eichholz is back on the podcast to kick off our Nia DaCosta/Tessa Thompson Film Series in preparation for their upcoming film, "Hedda." To start the series, Chels and Morgan dive into Nia DaCosta's 2018 film, "Little Woods." The pair discuss how the film captures poverty and the ripple effects of capitalism, the sisterhood at the center of the film, and how it fits in the Neo-Western genre. You can follow ChelsBlueskyLetterboxdYou can follow And a Rewatch PodBlueSkyInstagramYou can follow The Q Division PodBlueSkyInstagramYou can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

Sean and Amanda start the show by reacting to a handful of recent movie trailers, including Emerald Fennell's ‘Wuthering Heights'—starring Margot Robbie and Jacob Elordi—and Nia DaCosta's ‘28 Years Later: The Bone Temple' (3:33). Then, they unpack Spike Lee's newest film ‘Highest 2 Lowest,' starring Denzel Washington and A$AP Rocky. They explore its very high highs and occasional low lows, Washington's fascinating performance style, and what makes this film so different compared to the rest of Lee's filmography (17:09). Next, they cover Darren Aronofsky's ‘Caught Stealing,' starring Austin Butler and Zoë Kravitz; they both found it quite disappointing, to the point that they even discussed whether or not Austin Butler is a “leading man” (39:54). Finally, Sean is joined by the legendary filmmaker Spike Lee to talk about his new movie. Lee reflects on the first time he visited Akira Kurosawa's work and touches on what Kurosawa means to both himself and cinema at large, talks through Denzel Washington's brilliant improvisations in this film and explains why he is—in Lee's opinion—the greatest actor of all time, and explores what is missing from Hollywood and the filmmaking industry right now (1:07:01). Hosts: Sean Fennessey and Amanda Dobbins Guest: Spike Lee Producer: Jack Sanders This episode is sponsored by State Farm®️. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.®️ Learn more about your ad choices. Visit podcastchoices.com/adchoices