Podcast appearances and mentions of Christoph Waltz

Kenny and Mike review and disuss faith elements spotted in Guillermo del Toro's latest film and passion project. Frankenstein stars Jacob Elordi as the Creature and, Oscar Isaac as Victor Frankenstein, and co-stars Mia Goff and Christoph Waltz. The film received 9 Oscar nominations including best Picture, Supporting Actor, Adapted Screenplay. Frankenstein is a passion project for del Toro as he weaves elements from the Mary Shelley's novel, James Whale's original 1931 film, as well as his reinterpretation of the story.  Faith Spotted: Humanity's temptation to play or challenge God. This tempation dates to the book of Genesis 3 where Eve and Adam were tempted to eat the fruit from the tree of the knowledge of good and evil. This desire was rooted in a mistrust of God to care for them.  For Victor Frankenstein, the drive to play or become like God was rooted in Victor's loss, grief, and pain associated with the death of his mother and the abuse and rejection from his father, and his father's inability to save his mother. He wanted to reverse his father's failure by not only saving life but restoring and recreating life. Such pain cannot be soothed by satisfying ego and pride. These motivations to create are in direct contrast to God's desire to create which was and is grounded in God's desire for love and community.  The film shows the place and purpose for processing grief and not rushing or suppressing the grief journey. Such processing can involve faith, theology as well as counseling and psychological tools. In Philippans 4 Paul speaks of peace which passes understanding, which includes peace in the midst of the pain and grief of loss of loved ones.  Victor's abuse of the creature models the abuse he suffered at the hands of his father, reflecting the cycle of abusive relationships being passed down to future generations as taught in Exodus 20 and 34. The contrast of the music played during the process of Victor dismembering body parts to be used in the creature reflets the contrast between creation born out of love and that born out of anger and pain. Victor's comment, "It is finished" also reflects on the contrast of Christ's crucifixion which leads from death to eternal life and that of the eternal death the creature experiences in the life given from Victor. Martin Luther's concept of simul iustus et peccator (simultaneously saint and sinner). The human and monster qualities within both Victor and the Creature reflects the saint and sinner within humanity. This concept is at the core of Luther's teaching that righteousness is a gift of grace received through Christ and received by faith. It is Christ who justifies as an act of love and grace.  The film shows the power of forgiveness to bring about transformation and true peace. 

In this week's episode of the world's fastest movie review podcast, Jackson and Mike review TWO new films!!! First "DRACULA" A 15th-century prince witnesses his beloved wife's brutal murder and in grief, renounces God. He is cursed with eternal life and reborn as Dracula. Starring Caleb Landry Jones, Christoph Waltz, and Zoë Bleu. Then, a quick review of "GOOD LUCK, HAVE FUN, DON'T DIE". A man from the future appears in a Los Angeles diner at exactly 10:10 pm, claiming that a rogue AI apocalypse looms unless he assembles the right team to stop it.  Starring Sam Rockwell as the Man from the Future, Haley Lu Richardson, Michael Peña, and Zazie Beetz. 

Kevin tricks Tom and Joe into watching a romantic movie about Dracula, but only has himself to blame when he is forced to defend it for the entire episode. But we shall let the listeners decide who makes the better argument for Luc Besson's DRACULA Starring Caleb Landry Jones, Christoph Waltz, Zoë Bleu, and Guillaume de Tonquédec.Watch on YouTube: https://youtu.be/ws1H9UsQfbQSupport this show http://supporter.acast.com/reelspoilers. Hosted on Acast. See acast.com/privacy for more information.

"Luc Besson's DRACULA (2025) Review — Baroque Mess or Vampire Masterpiece? Jose (Cupcake) and Mike (The WillDaBeast) dive into Luc Besson's Dracula: A Love Tale (2025) — the wildly divisive gothic romance that premiered at Cannes Film Festival and is finally making its way to audiences. Is this campy, kung-fu-gargoyle-filled fever dream a bold reimagining of Bram Stoker's classic or just an expensive baroque mess? The guys break down Caleb Landry Jones's hypnotic, chameleonic turn as the Count, Christoph Waltz completely going off-script, the film's obvious debt to Coppola's Bram Stoker's Dracula, and why — despite everything — neither host could look away. In a Watch Skip Plus first, Episode 156 ends in a historic draw. Tune in spoiler-free, then catch Episode 156B for the full spoiler discussion two days. New episodes dropping regularly — subscribe so you never miss a review! - - - - - - - - - -WE ARE WATCH SKIP PLUS!FOLLOW/LIKE/SUBSCRIBE/REVIEW/LOVEEmail us: WatchSkipPlus@gmail.com#Dracula2025 #LucBesson #CalebLandryJones #ChristophWaltz #SpoilerFreeReview #DraculaALoveTale #LucBesson #DraculaReview #MovieReview2025 #HorrorMovieReview #GothicRomance #VampireMovie #DannyElfman #BramStoker #CannesFilmFestival #WatchSkipPlus #MoviePodcast #FilmPodcast #HorrorPodcast #NewMovies2025 #SpoilerFreeReview #CinemaReview #FilmReview #SoBadItsGood #CampyMovies #ClassicMonsters #Dracula #VampireFilms #LucBessonMovies #GuiltyPleasureMovies

Travis Hopson reviews Luc Besson's DRACULA starring Caleb Landry Jones and Christoph Waltz!SYNOPSIS: When a 15th-century prince (Caleb Landry Jones) witnesses the brutal murder of his wife (Zoë Bleu), he renounces God and damns heaven itself. Cursed with eternal life, he is reborn as Dracula, an immortal warlord who defies fate in a blood-soaked crusade to wrench his lost love back from death, no matter the cost. On the verge of reuniting, Dracula is hunted by a relentless priest (Christoph Waltz), sworn to end his immortal reign.DRACULA is open in theaters now.All of this and more can be found at www.punchdrunkcritics.com!Subscribe to Punch Drunk Critics on YouTube:    / @punchdrunkcritics1  Follow Punch Drunk Critics on Twitter:   / pdcmovies  Follow Punch Drunk Critics on Facebook:   / pdcmovies  You can also subscribe to our podcast Cinema Royale anywhere you get your podcasts!

Send us a textWoHos!Of course we had to have a look at Guillermo del Toro's latest! Gerry Entriken: WoHo Outro ThemeSupport the showOpening Theme "Bucket" by Gerry EntrikenClosing Theme "Mop" by Gerry Entriken Interstitial Musicalso by Gerry Entriken. We love you, Gerry!Subscribe to the Podcast for a Special shout-out!World of Horror's InstagramMom's InstagramMac's InstagramDonate to Translifeline

Luc Besson finally made a Dracula movie in 2026… and somehow turned it into a boring, horny, perfume‑addled fever dream instead of a gothic horror classic. In this episode of The Cinema Psychos Show, Brian tears into Dracula (2026) and explains why this shiny new take on the Count feels more like a knockoff of better Dracula films than a bold reinvention. We break down everything that went wrong: Vlad accidentally killing his own wife, God apparently "rewarding" him with vampirism, the unhinged sex‑perfume subplot, cartoonish suicide jumps, rubbery CGI gargoyles, and a tone that ping‑pongs between tragic romance, goofy comedy, and Axe body spray commercial. Brian also digs into Caleb Landry Jones' off‑kilter Dracula, Christoph Waltz on autopilot, and a Danny Elfman score that deserves a much better movie. Along the way, we compare Besson's vision to Coppola's Bram Stoker's Dracula, modern Nosferatu takes, and other adaptations that actually respect the character, and ask the big question: what the hell happened to Luc Besson as a filmmaker? Plus, we dip into some wild online reviews from people who genuinely think this is the best Dracula in years. If you're a horror nerd, Dracula obsessive, or cult cinema sicko who loves hearing a beautiful mess get taken apart scene by scene, you're in the right madhouse. Follow The Cinema Psychos Show on your favorite podcast app so you never miss an episode, and hit us up on socials or by email to let us know: does Dracula (2026) suck as hard as Brian says… or are you one of the weirdos who actually loves it? CHAPTERS: Does Dracula (2026) Suck? [00:00] Welcome and Solo Episode Today! [00:26] Synopsis of Dracula: A Love Tale [01:17] Criticism of the Film's Production and Direction [04:12] Detailed Breakdown of the Film's Story [08:34] Character Analysis [31:00] Positive Aspects of the Film [35:47] The Argument of Reinterpretation [38:21] Review of Audience Reviews [42:58] Conclusion [50:00] Listen to The Cinema Psychos Show on: Spotify: https://rebrand.ly/0v6eeno Apple: https://rebrand.ly/j5nrkp7  Amazon: https://rebrand.ly/5x5hzng Goodpods: https://rebrand.ly/picstv6 OR LISTEN ON YOUR FAVORITE PODCAST APP! https://cinemapsychosshow.com/follow   Follow The Cinema Psychos Show on Socials ❤️‍

In this episode, we sit down with Luc Besson, Caleb Landry Jones, and Zoë Bleu to unpack their interpretation of Dracula and why the character continues to be reinvented.The conversation dives into the lore behind Dracula and what first drew each of them to the myth, how this interpretation reframes the story as a tragic love tale rather than a traditional monster narrative, and what it was like collaborating with Christoph Waltz.They also reflect on the craft of performance and how to maintain curiosity, passion, and creative momentum even after years of experience in the industry.Hosted by: Gurveer Brah

Board-certified ear nose and throat doctor, Dr. Maura Cosetti shares important information about tinnitus, also known as "ringing" in the ears and how it can impact your quality of life as this week marks tinnitus awareness week. Also, NBC News' chief consumer investigative correspondent Vicky Nguyen spotlights a New York bakery with a sweet business idea where those with food allergies can eat anything off the menu. Plus, two-time academy award winning actor Christoph Waltz stops by and discusses his role in the upcoming film "Dracula." And, lifestyle expert Shannon Doherty shares some fun crafts to kick off the Olympic and Super Bowl festivities.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Director Guillermo del Toro has been making movies about monsters his entire career, from Mimic to Hellboy to Pan's Labyrinth to The Shape of Water. His most recent film, an adaptation of Mary Shelley's ultimate monster story from 1818, is the culmination of del Toro's long-held dream to breathe new life into his favorite novel and film subject. Drawing inspiration from John Milton, Bernie Wrightson's classic designs, and the Hammer Horror films, del Toro was ready to throw the switch on the project with Universal Pictures, until the studio's "Dark Universe" project proved dead on arrival. Now, at Netflix, del Toro's creature feature is alive… ALIVE!... once more. Starring Oscar Issac as the doctor and Jacob Elordi as the creature, the film includes Mia Goth, Christoph Waltz, Charles Dance, and Lars Mikkelsen, and it was recently nominated for nine Academy Awards, including Best Picture. But does this reanimated cinematic assemblage deserve to walk the halls of streaming entertainment? Or is it more "ponderous" than "pondersome," leaving us reaching for the Off switch on the remote? Join us as we meet Guillermo del Toro's Frankenstein!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

This week Andrew and Ted step back to discuss a November release "Frankenstein", starring Jacob Elordi and Oscar Isaac with supporting roles from Christoph Waltz, Mia Goth, and Felix Kammerer. Directed and written adaptation by Guillermo del Toro of the 1818 novel by Mary Shelley.

In this episode of The Movie Men Podcast, Brady and Pete dive deep into Dracula: A Love Tale, sharing a full spoiler discussion after getting early access to the film. This episode is not spoiler-free—key plot points, character arcs, and major moments are openly discussed throughout. The film presents a romantic reimagining of the Dracula myth, leaning heavily into themes of love, obsession, immortality, and tragedy. Brady and Pete break down how the story unfolds, how this version of Dracula compares to previous adaptations, and what the film is ultimately trying to say about eternal love and damnation. They also discuss the performances from a notable cast, including: Caleb Landry Jones as Dracula & Christoph Waltz. From tone and storytelling choices to character motivations and the film's ending, this episode takes a comprehensive look at Dracula: A Love Tale for listeners who have already seen the movie—or don't mind knowing exactly what happens. ⚠️ SPOILER WARNING: This episode contains full spoilers for Dracula: A Love Tale.   Subscribe to us on YouTube - https://www.youtube.com/@themoviemenpodcast Like us on Facebook - https://www.facebook.com/The-Movie-Men-Podcast-2335323586526490/ Support us on Patreon - https://www.patreon.com/themoviemenpodcast Follow us on Instagram - https://www.instagram.com/themoviemenpodcast/ Follow us on X - https://twitter.com/TheMovieMenPod Buy our Merch - https://shop.spreadshirt.ca/the-movie-men-podcast/ MOVIE MEN BINGO - https://mfbc.us/m/jz85dn?fbclid=IwAR2sBAj4B4gZWApb91_azca4QfYX6WGzu7YxHwiIwOHqVONtd9bOoTwPQAI Brady' Gaming Channel - https://www.youtube.com/channel/UCH6K0vldmqS05fxegNrwWHw   Theme Licensed through - https://pixabay.com/    

For the last segment of the week, Nevena and Kenny were joined live in the studio by Glen Charlie Dunks, Film Critics as they discuss the 2026 Oscar Nominations. Glenn Charlie Dunks is an award-winning film critic from Melbourne, Australia. He is the founder and writer behind the reDocumented website, launched in May 2025. For ten years, Glenn has been an active part of the Australian film scene as a critic and journalist. Getting his start with the Geelong/Surf Coast-based street press Forte Magazine, he progressed to writing regularly for Trespass and Onya Magazine as well as his personal blog. In 2010, Glenn began writing film reviews and features for Australian print institution The Big Issue. In the following decade, he has contributed to world-renowned publications such as The Guardian, Vanity Fair and The Film Experience where he covers documentary film on a weekly basis. In Australia, his work has been published across outlets including Metro Magazine, ScreenHub, Flicks Australia, Junkee, SBS Film, SBS Sexuality, Broadsheet, Quickflix, Concrete Playground and the online edition of Overland Journal. He is also the regular film critic for Air Nuigini’s Paradise Magazine. His work has been republished by IndieWire's Women and Hollywood blog and the Media, Entertainment and Arts Alliance union's quarterly print publication The Equity Magazine. He has also been spotlighted by The Age. In 2013 he sat on the FIPRESCI Jury for the 56th San Francisco International Film Festival alongside Vincent Musetto and Mario Abbade, awarding their top prize to Sébastien Betbeder’s Nights with Théodore. In 2014, he joined the FIPRESCI Jury of the 25th Stockholm International Film Festival alongside Quirijn Foeken and Dieter Wieczorek, with the award going to Savario Costanzo's Hungry Hearts starring Adam Driver. In 2020, Glenn joined the ‘virtual’ DOK Leipzig festival with Yun-hua Chen and Hrvoje Puksek, awarding Dario Doria’s Vincenta. Later in 2016, he was on the competition jury for the 2nd Czech & Slovak Film Festival of Australia alongside Hayley Inch and Tom Clift, awarding Marko Skop's Eva Nova. Additionally, he has worked as a programming consultant for the San Francisco International Film Festival and the Sydney Underground Film Festival. In 2019, he moderated an industry panel Q&A at the Environmental Film Festival of Australia for the film Grit. Glenn has also been a judge on the ATOM Awards documentary selection panels across four separate years. In 2022, he became a voter for the Golden Globe Awards. In 2023, he was once again accepted as an international voter for the awards. Glenn has attended and/or covered a further variety of other festivals including Sundance, New York, Tribeca, DOC NYC, NewFest, BAMcinemaFest, Dances with Films, Melbourne, Sydney, Brisbane, Adelaide, Melbourne Queer, Mardi Gras Film Festival, and a variety of local cultural film events including the Russian, French and Spanish film festivals and AFI/AACTA Awards. In 2013 he also attended and covered the Twin Peaks Festival in North Bend, Washington State. As an interviewer, Glenn has spoken to some of the most accomplished and respected names in film in Australia and the world. Filmmakers and artists including Tim Burton, Amy Adams, John Waters, Margaret Cho, Guy Maddin, Isaac Julien, Neil Armfield, Rachel Perkins, Sam Neill, Jamie Babbit, Grímur Hákonarson, Stephen Dunn, Andrew Ahn, Grant Scicluna, Matt Sobel, Christoph Waltz, Krysten Ritter, Sophie Hyde, Bentley Dean, Sara Jordenö, Max Gogarty, William Fairman, Nickolas Bird, Poppy Stockell, Charlie Hill-Smith, Nick Eynaud, Lucy Fry and John Jarratt. The post Sat, 31st Jan, 2026: Glen Charlie Dunks, Film Critic, Oscar Nominations: Sunrises? Shuns? and Duds? appeared first on Saturday Magazine.

Hay veces que el protagonista le echa ganas, pero llega el actor secundario y ¡pum!, se la rifa tanto que se vuelve el alma de la cinta. En este video hablamos de esos papeles que se robaron el show y nos dejaron con el ojo cuadrado.

He's waited centuries.Dracula (developed with the working title Dracula: A Love Tale) is a 2025 English-language French Gothic romantic fantasy film, written and directed by Luc Besson, based on the 1897 novel Dracula by Bram Stoker. It stars Caleb Landry Jones as the eponymous character, alongside Christoph Waltz and Zoë Bleu.When a 15th-century prince denounces God after the loss of his wife he inherits an eternal curse: he becomes Dracula. Condemned to wander the centuries, he defies fate and death, guided by a single hope - to be reunited with his lost love.00:00 Intro 12:45 Horror News 25:20 What We've Been Watching39:34 Film Review1:53:55 Drac Or Not Drac Quiz2:03:44 Film Rating2:08:05 Outrowww.horrorhangout.co.ukPodcast - https://fanlink.tv/horrorhangoutPatreon - http://www.patreon.com/horrorhangoutFacebook - http://www.facebook.com/horrorhangoutpodcastX - http:/x.com/horror_hangout_TikTok - http://www.tiktok.com/@horrorhangoutpodcastInstagram - http://www.instagram.com/horrorhangoutpodcastBen - https://x.com/ben_errington​​​Andy - https://www.instagram.com/andyctwrites/Ashley - https://www.instagram.com/ashleybredmusicofficial/Audio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

Sit down with your favorite strudel and listen in this month as Austin and Big T discuss the 2009 film Inglourious Basterds.Join us as we discuss the highs and lows of the film, including that opening scene, the performances, and so much more. We explore if this is Tarantino's best film and talk about how tension is built so expertly throughout. We even share our take on the classic question about this film: why the typos in the title?So pour yourself a big glass of milk and listen this month, then join us in February when we discuss the 1986 film The Fly.Write into us at layersoffilmpod@gmail.comFollow us on Instagram, Twitter, and TikTok: @layersoffilmpod

It's the Year of the Horse, the Fire Horse, and somehow Johnny Spoiler—a confirmed Water Pig according to the Chinese zodiac—is here to guide you safely through one of the weirdest cult fantasy sequels of the 1990s:Beastmaster 2: Through the Portal of Time (1991).This week on the podcast, Johnny Spoiler revisits the movie that turned sword-and-sorcery into a full-on Los Angeles crime comedy, where Marc Singer's Dar rides through Hollywood in a convertible, an overworked detective just wants to close his cases, and an evil brother is chasing an atomic bomb across dimensions. Yes—this is real. And yes—it somehow works.We break down why Beastmaster 2 became a cable-TV classic (so overplayed on TBS it earned the nickname “The Beastmaster Station”), why it's the only truly fun Beastmaster movie, and how its mix of fantasy, comedy, and 90s culture makes it endlessly rewatchable.Along the way, Johnny Spoiler digs into:Why the “time portal” is actually a parallel universeThe return of Kodo & Podo (ferret continuity corner)Why the animals get sidelined in favor of dimension-hopping brother dramaWings Hauser delivering elite B-movie villain greatnessJames Avery (Uncle Phil!) as the exhausted L.A. cop archetypeSara Douglas (Superman II, Conan the Destroyer) in full dark-fantasy modeKari Wuhrer, Sliders, Hellraiser, and peak 90s genre energyWe also hit Home Video Headlines, where Johnny Spoiler rants about the current state of movies, TikTok trailers, Project Hail Mary hype, Dracula with Christoph Waltz, and why modern cinema feels like it needs a shot of rocket fuel to stay relevant.You'll also get:Favorite bits and cable-era nostalgiaWhy Beastmaster 2 works as family-friendly fantasy funFan questions about reviewing mainstream vs cult moviesStaff picks from Tubi, The Office Season 5, TED, and a renewed interest in Balls of Fury Green lightning. Sword-and-sorcery on Sunset Boulevard. Johnny Spoiler doing what he does best—making sense of movies that absolutely should not exist.Binge now.ProveX https://tr.ee/ProveXJohnnyMeatzy https://tr.ee/GetMeatzyJohnny

Ваш любимый канал «ВОТ ЭТО английский» — теперь в аудиоформате!Попробуйте и научитесь понимать английский на слух с удовольствием

Ryan and Dylan review Guillermo Del Toro's highly anticipated adaptation of Mary Shelley's masterpiece, Frankenstein. Will the film revive the original story and bring it new life, or will it be a messy, stitched patchwork deemed unfit to exist?

Frankenstein is a 2025 American Gothic science fiction film produced, written, and directed by Guillermo del Toro, based on the 1818 novel by Mary Shelley. The film stars Oscar Isaac as Victor Frankenstein and Jacob Elordi as the Creature, with Mia Goth and Christoph Waltz in supporting roles. The story follows the life of Frankenstein, an egotistical scientist whose experiment in creating new life results in dangerous consequences.Del Toro had long imagined a faithful Frankenstein film as a "dream project". This was initially in development for Universal Pictures, with del Toro casting frequent collaborator Doug Jones as the Creature, and Bernie Wrightson being considered for the monster's design. However, Universal suspended the project in relation to its planned Dark Universe franchise. Netflix revived the project in 2023, with Elordi instead portraying the Creature. Filming took place from February to September 2024. Wrightson had died in 2017, and the illustrated compilation Bernie Wrightson's Frankenstein was a key inspiration for the film's look.Frankenstein premiered at the 82nd Venice International Film Festival on August 30, 2025. It had a limited theatrical release in the United States from October 17 and was globally released on November 7 on Netflix. The film received generally positive reviews from critics. Both the National Board of Review and the American Film Institute named it as one of the top ten films of 2025. It received five nominations at the 83rd Golden Globe Awards, including Best Motion Picture – Drama.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

In seeking a new episode...we found a masterpiece!Today, the guys get together to discuss the newest and arguably most briliant movie from acclaimed director, Guillermo Del Toro. Frankenstein! What did Mike think about this movie outside of his typical interests? How does this movie compare to Del Toro's other masterpieces of cinema? What do the protentious critics on Rotten Tomatoes have to say about it? Find out all of that and more, right here!Click here to send us a message! If you would please go follow us on all the socials? We would love you all forever...in a friend way...don't be weird!!!Please go rate and review us anywhere you get your podcastsPatreon: https://www.patreon.com/CultureShockedPodcastTwitter/X: https://www.twitter.com/cspodcast21TikTok: https://www.tiktok.com/@cspodcast21?lang=enFacebook: https://www.facebook.com/cultureshockedpodInstagram: https://www.instagram.com/cultureshocked21YouTube: https://www.youtube.com/cultureshocked21Website: https://cultureshocked.buzzsprout.com/

The real monster is man – which means, Frankenstein's monster actually IS Frankenstein. Follow Spooko on Insta: @_spooko_Join the Feel Bad Club on our discord: https://discord.gg/mJAJYCChGyAnd if you're keen for more Peach and Shag, check out our OTHER pod (it's about Gordon Ramsay): @peachandshagsnightmaremethodOh, and pls drop a review if you've been listening for a while!See omnystudio.com/listener for privacy information.

In this episode, we review the latest addition to the mythical lore of Frankenstein with the Netflix original film directed by Guillermo del Toro and starring Jacob Elordi, Mia Goth, Oscar Isaac, and Christoph Waltz, titled Frankenstein. We discuss whether this adaptation of the classic story was done well and debate whether we've been getting too many Frankenstein movies lately. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

In this episode, we review the latest addition to the mythical lore of Frankenstein with the Netflix original film directed by Guillermo del Toro and starring Jacob Elordi, Mia Goth, Oscar Isaac, and Christoph Waltz, titled Frankenstein. We discuss whether this adaptation of the classic story was done well and debate whether we've been getting too many Frankenstein movies lately. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textFrankenstein (2025) Movie Review!  Guillermo del Toro | Cinemondo! frankenstein #guillermodeltoro #oscarissac #jacobelo #moviereaction #moviereview  Kathy, Mark and Burk review Guillermo del Toro's Frankenstein. Frankenstein is a 2025 American Gothic science fiction film[4][5] produced, written and directed by Guillermo del Toro, based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The film stars Oscar Isaac as Victor Frankenstein and Jacob Elordi as the Creature, while Mia Goth and Christoph Waltz play supporting roles. The story follows the life of egotistical scientist Frankenstein whose experiment in creating new life results in dangerous consequence. #frankenstein #guillermodeltoro #oscarissac #jacobelo #moviereaction #moviereview Support the show

Only monsters play God.Frankenstein is a 2025 American Gothic science fiction film produced, written, and directed by Guillermo del Toro, based on the 1818 novel by Mary Shelley.The film stars Oscar Isaac as Victor Frankenstein and Jacob Elordi as the Creature, while Mia Goth and Christoph Waltz play supporting roles. The story follows the life of Frankenstein, an egotistical scientist whose experiment in creating new life results in dangerous consequences.00:00 Intro 16:24 Horror News29:27 What We've Been Watching43:27 Film Review1:56:35 Man Or Monster Quiz2:03:30 Film Rating2:19:54 Outrowww.horrorhangout.co.ukPodcast - https://fanlink.tv/horrorhangoutPatreon - http://www.patreon.com/horrorhangoutFacebook - http://www.facebook.com/horrorhangoutpodcastX - http:/x.com/horror_hangout_TikTok - http://www.tiktok.com/@horrorhangoutpodcastInstagram - http://www.instagram.com/horrorhangoutpodcastBen - https://x.com/ben_errington​​​Andy - https://www.instagram.com/andyctwrites/Charley - https://www.instagram.com/charley_horror/Audio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

"You are the monster."This week, Andrew and Scotty create a man out of the body parts of other dead men as they discuss Guillermo del Toro's "Frankenstein". And at the end of the episode, Scotty chooses their next movie!In the most recent adaptation of Mary Shelley's novel, Guillermo del Toro fulfills a lifelong dream of adapting it into his vision of "Frankenstein". Oscar Isaac is the ego-driven scientist, Victor Frankenstein, while Jacob Elordi plays the creature he creates from the parts of other dead men. Mia Goth and Christoph Waltz round out the cast of this gothic tale of horror.Feel free to send us a message! What did you think of this movie? Of this episode? Support us on Patreon! - https://www.patreon.com/FunWithHorrorPodcastFollow us on social media:Facebook - https://www.facebook.com/groups/396586601815924Twitter - https://twitter.com/funwhorrorInstagram - https://www.instagram.com/fun_with_horror_podcast/FWH + Fangoria collab:For 20% off at the Fango Shop, just enter FUN_WITH_HORROR_PODCAST at checkout!

This week we will be taking a look at Netflix's new version of Mary Shelley's classic horror tale, Frankenstein. Directed by master of horror, Guillermo DelToro and starring Oscar Isaac as the titular mad scientist obsessed with bringing the dead back to life. This film also stars Jacob Elordi as his tragic creation who just wants affection and a little love from his father/creator. Also, in supporting roles are Mia Goth and Christoph Waltz. This film has been a passion project for DelToro and he has been trying to get it made for almost decades now. It's a very faithful adaptation of Mary Shelley's novel but, how successful was DelToro in adapting this horror classic? Listen in and find out what we thoguht!

Frankenstein (2025) – Tech bros, trauma, and a super-horny monster movie on NetflixMary Shelley by way of Guillermo del Toro feels almost too perfect, and Frankenstein (2025) absolutely leans into that match-up: lush Gothic sets, grotesque body horror, tender fairytale beats, and a very modern anxiety about people who build things they can't control.In this episode, the Bad Dads dig into Netflix's lavish new take on the classic, framed in the icy Arctic as Victor Frankenstein (Oscar Isaac) and his Creature retell their shared nightmare from two sides. Along the way we get abusive fathers, creepy power dynamics, “18th-century tech bro” energy, and more limb-sawing than is probably healthy for a school night.We also talk about how weird it is that this $120m movie technically “bombed” at the box office but only because it was dumped into cinemas for a week to qualify for Oscars, and what that says about modern streaming, awards campaigning and how success is measured now.In the episode we cover:Netflix's blink-and-you-miss-it theatrical release strategy and why the film only made $144k in cinemasOscar Isaac's monstrous turn as an abusive, glory-hungry surgeon vs the Creature's unexpected gentlenessMia Goth, Christoph Waltz with gold shoes, Charles Dance as the worst dad alive, and why this is a strangely “horny” FrankensteinThat brutal opening on the ice: shattered legs, ship-tipping strength and a monster that just won't dieGenerational trauma, perfectionism and how Victor immediately becomes the same kind of father he hatesThe forest/fairytale stretch: mice, a blind old man, found family, and the heartbreaking deer sceneAll the grisly stuff: hanging bodies, severed limbs, skinned wolves and why the practical sets and make-up look incredibleFrankenstein as an AI / tech parable – creating something powerful, sentient and uncontrollable, then trying to kill itThe big split on the pod: is 2.5 hours richly earned or just too long for a story we already know?Mary Shelley's original novella, written at 18 on a dare, and how its ideas still infect modern thrillers, conspiracy stories and sci-fiIf you like your horror Gothic, your monsters tragic, and your movie chat equal parts thoughtful and filthy, this is a good jumping-on point. Hit play, hear us argue about runtime, thirst over Oscar Isaac, side-eye Mia Goth, and decide for yourself whether this Frankenstein is a modern classic or just an overbuilt monster.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Guillermo del Toro's long-gestating passion project, Frankenstein, is here. Perhaps one of the famed Mexican filmmaker's greatest influences, Mary Shelley's horrifying creature once again graces the big screen, this time with del Toro's signature, gothic sensibilities. We discuss the monster's history, its many adaptations, and review its latest incarnation.

Sean and Amanda return to continue their yearlong project of listing the 25 best movies of the 21st century so far. Today, they discuss Quentin Tarantino's ‘Inglourious Basterds,' which made for one of the greatest movie-going experiences of the century. They talk through why this was the official Tarantino pick over ‘Once Upon a Time in Hollywood,' praise Christoph Waltz for his generational performance, and explore the film's legacy at great length. Hosts: Sean Fennessey and Amanda Dobbins Producers: Jack Sanders, Charlie Finan, John Richter, Kevin Cureghian, Victoria Valencia, and Ryan Todd Learn more about your ad choices. Visit podcastchoices.com/adchoices

This episode of Welcome To The Party Pal delves into Frankenstein, the gothic drama film produced, written, and directed by Guillermo del Toro, based on the 1818 novel by Mary Shelley. The film stars Oscar Isaac as Victor Frankenstein and Jacob Elordi as the Creature, while Mia Goth and Christoph Waltz play supporting roles. The story follows the life of egotistical scientist Frankenstein whose experiment in creating new life results in dangerous consequences. Join in on an episode where hosts Michael Shields and Ryan O'Connell whisk listeners off to Geneva, Switzerland, Ingolstadt, Germany, and the Arctic Circle in a hunt for the Creature. Hosted on Acast. See acast.com/privacy for more information.

This week we crack open the newly remastered Frankenstein, starring Jacob Elordi, Oscar Isaac, Mia Goth, and Christoph Waltz. Victor Frankenstein, science's most dramatic overachiever, creates a creature, chaos ensues, and everyone could really use a therapist.Visually? Stunning. A full gothic buffet of moody sets, lush costumes, and “should I move into this castle?” vibes.But is this two-hour monster saga worth your precious streaming time? Spoiler: Yes. And trust us, we have thoughts… plenty of them. Tune in for all the beauty, the mess, and the “Victor, please stop touching things” energy.

It's a Frankenstein special on our latest episode of Soundtracking, as first Guillermo del Toro and then composer Alexandre Desplat join us to discuss their collaboration on the Netflix reimagining. Starring Oscar Isaac, Jacob Elordi, Mia Goth and Christoph Waltz, Frankenstein is a beautiful interpretation of the classic tale, brought to life by Guillermo's characteristic stylistic flair. As ever, Alexandre's score is the perfect compliment.

It's a tale as old as time… well, as old as 1818 at least, since that's when Mary Shelley's novel was first published. And after multiple film adaptations, Guillermo del Toro is now putting his stamp on this classic monster story. Tune in as we're joined by Philip Faiss, host of Netflix & Phil, to break down Netflix's “Frankenstein” — from the many different layers behind this narrative, to the ways del Toro changed the source material, and of course, how Jacob Elordi can be sexy even as The Creature.Check out Netflix & Phil on YouTube at https://www.youtube.com/@philoween_trends

Editor - Evan Schiff ACE Frankenstein editor Evan Schiff ACE first began his journey as an assistant editor on Del Toro's Pan's Labyrinth (2006). Over the next, nearly two decades, Evan would establish himself as an action movie editor to be reckoned with.  He would flex his cutting chops on films like John Wick: Chapter 2 (2017), John Wick: Chapter 3 - Parabellum (2019) and Bob Odenkirk's action debut, Nobody (2021).  Evan would also drop by the MCU to cut The Marvels (2023).  But to hear Evan tell it, it was hardly his skills as an action editor that would prompt Del Toro to hire his former assistant editor to cut Frankenstein. Produced, written and directed by Guillermo del Toro, and based on the 1818 novel by Mary Shelley, Frankenstein stars Oscar Isaac, Jacob Elordi, Mia Goth, and Christoph Waltz. The film follows the life of egotistical scientist Victor Frankenstein whose experiment in creating new life results in dangerous consequences when his monstrous creation comes to life. EVAN SCHIFF ACE (In Evan's own words...) Originally from Syracuse, NY, I started my career in the film industry at the age of 16, between my junior and senior years of high school, with an internship at Stan Winston Studio (now Legacy EFX). After graduating from high school and being accepted into USC's film production program, SWS hired me back to do tech support as their Systems Administrator and eventually their in-house VFX Editor. I worked there part-time for all four years of college and full-time for one year after. While at USC, I got bit by the editing bug. I found that, even more than creature or visual effects, I loved sitting in the editing bay for hours on end putting my student films together. So a year after graduation, and five years after starting my job at Stan Winston's, I started to pursue editing full-time. It was slow at first, but eventually I got my first few jobs as an assistant editor, and things took off from there. The Credits Visit Extreme Music for the new Extreme Music panel for Avid Media Composer Hear Evan's interview for John Wick: Chapter 3 - Parabellum See which Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

What better way to showcase family dysfunction here on Slashers Podcast, than to dive into the family dynamics of one Victor Frankenstein in Guillermo Del Toro's adaptation of Mary Shelley's classic, Frankenstein? Currently streaming on Netflix, the familial relationships in this tale are sure to make you cringe and at the same time, entrance you. The film stars Oscar Isaac as Victor, Mia Goth as both Claire and Elizabeth, Christoph Waltz as Harlander, and Jacob Elordi in his most intense role yet, the Creature. If you haven't seen this beautifully dark, gothic horror tale, we encourage you to do so beforehand, as there are spoilers aplenty!Special shout-out to our dear friend of the podcast, Tiffany Shepis!l!Don't forget to rate, review, and subscribe to Slashers Podcast for more deep dives into cult horror films!You can also find us on Facebook at the Group page Mutant Goons From Beyond. You can find our merch, and links to all our online presence here: linktr.ee/slasherspodTheme song is I wanna Die by Mini Meltdowns. https://open.spotify.com/artist/5ZAk6lUDsaJj8EAhrhzZnh ; https://minimeltdowns.bandcamp.com/ Outtro Song is If I Gave a Fuck, I'd Give a Shit by Rushmore.rushmorefl.bandcamp.com@rushmorefl

“It's alive, IT'S ALIVE!” famous words uttered by 1931's Dr. Frankenstein left an indelible mark on the heart and mind of director extraordinaire Guillermo del Toro. In his 2025 Netflix film FRANKENSTEIN, del Toro puts his own unique brand on the classic tale. Coupled with performances from Oscar Isaac, Jacob Elordi, Mia Goth and Christoph Waltz this version of the monster tale may be the best since the original with Boris Karloff. Step into madness with as we discuss a modern masterpiece!

Guillermo del Toro is back and this week, Derek Miranda (@DerekMiranda85) and Karen Peterson (@KarenMPeterson) are ready to sit down and talk FRANKENSTEIN. As always, featured reviews are done in two parts, a NON-SPOILER review with letter grade and brief discussion, followed by a more in depth SPOILER review. PLOT SUMMARY: Dr. Victor Frankenstein, a brilliant but egotistical scientist, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation. Directed and written by: Guillermo del Toro, based on the novel by Mary Shelley Starring: Oscar Isaac, Jacob Elordi, Mia Goth, Christoph Waltz, Felix Kammerer, Charles Dance, Lars Mikkelsen  Available now on Netflix. @TheWatchAndTalk (Twitter/Instagram) Letterboxd.com/TheWatchandTalk Facebook.com/TheWatchAndTalk www.TheWatchAndTalk.com TheWatchAndTalk@gmail.com Support the show! www.Patreon.com/TheWatchAndTalk

Send us a textWelcome back to DMR Directed by the acclaimed Guillermo del Toro, the new Frankenstein on Netflix features an exceptional cast led by Oscar Isaac as Dr. Victor Frankenstein and Jacob Elordi as the Creature. The ensemble also includes Mia Goth, Christoph Waltz, and Charles Dance, bringing together a powerhouse of talent under del Toro's gothic vision. The film reimagines Mary Shelley's timeless tale with the director's signature blend of emotional depth and dark beauty, crafting a hauntingly intimate exploration of creation and consequence.The story follows Victor Frankenstein, a brilliant yet tormented scientist whose obsession with conquering death leads him down a path of obsession and tragedy. Del Toro's interpretation emphasizes both the horror and the humanity of the tale, pairing breathtaking production design with an emotionally charged narrative. Critics have hailed it as one of the director's finest works, earning a stellar score on Rotten Tomatoes and widespread praise for its performances, atmosphere, and heart-wrenching storytelling.Be sure to grab your 30 day free Audible trial in the link on this show and help support DMR!Support the showThe audio clips used in this podcast, including excerpts from movie/series/documentary trailers, are used under the principles of fair use and fair dealing for the purpose of criticism, commentary, and review. All rights to the original trailer content & music belong to the respective copyright holders. DMR (Dewey's Movie Reviews) is an independent production and is not affiliated with or endorsed by any film studios or distributors.

Synopsis Honestly if you don't know what Frankenstein is about, I don't know why you're listening to a horror movie podcast. Review I heard a lot of mixed reviews about this, but I tried to stay away from as many spoilers as possible, as if this story could really be spoiled. Del Toro does add some new elements to the classic tale, some might say maybe too many new elements. Some might say that. I'm not saying it. But some might. It is kind of long. This movie is beautifully shot, albeit sometimes you can tell it was Made For Streaming (cough cough why is the sunlight in my face cough cough), but for the most part it's colorful, playful, and imaginative, with backdrops and settings that match the incredible costumes. Mia Goth looks ethereal in all of her elaborate gowns, veils, and feathers. Her wedding dress deserves its own moment of silence. The bandaged look around her arms? So major. The costumes tell their own stories, and they do a wonderful job at that. Oscar Isaac gets hotter every time I see him in a movie. Don't know how he manages that but he manages it well. Even though he's pretty evil in this he still looks good. Jacob Elordi does an amazing job as the Creature, he proves himself time and time again, with physical and emotional acting. He captivates and intrigues. He shines.The story is good, it is a bit hammed up at times and Del Toro is quite heavy handed; so much so that it feels like being hit in the head with a hammer. Yes, I understand the story you're trying to tell Mr. Del Toro, thank you for making sure I do. Also not a big fan of the narration aspect, don't think it added much to the story. I really could have done without the Danish sailors in their entirety and this would have been a lot better. Christoph Waltz was a pleasant surprise, although his character has little to no narrative impact. I always enjoy seeing him on screen but I felt as though he was a little pointless. All in all I really had a good time watching this. It's compelling, emotional, gorgeous, and thrilling. And God Damn You Netflix For A Limited Theatrical Release. Score 8/10

Matt and Bob fire up the lab equipment for a new Analysis on Guillermo del Toro's Frankenstein, fresh to Netflix. What should have been the director's long-awaited monster opus instead leaves them puzzling over CGI deer, swoony color palettes, and a strangely sexy Jacob Elordi. They dig into Oscar Isaac's mad-scientist energy, Christoph Waltz's syphilitic benefactor, and why del Toro's empathy may have drained the horror from Mary Shelley's tale. From Victorian melodrama to Twilight-core vibes, the guys debate whether this gothic romance ever truly comes alive. Then they pivot to The Smashing Machine—Benny Safdie's gritty UFC biopic starring Dwayne “The Rock” Johnson—and talk addiction, obsession, and Emily Blunt's thankless “nagging girlfriend” archetype. Rounding out the episode: Oscar buzz power rankings (One Battle After Another, Hamnet, Sentimental Value), and a quick look at upcoming awards-season heavy hitters like Bagonia and Marie Supreme.

This week we are joined by the Monster Movie Happy Hour Podcast for a look at Guillermo del Toro's 2025 film FRANKENSTEIN.  This is Episode #472! Frankenstein is a 2025 American gothic drama film produced, written and directed by Guillermo del Toro, based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The film stars Oscar Isaac as Victor Frankenstein, Jacob Elordi as the Creature, and Mia Goth as Elizabeth, with Felix Kammerer, David Bradley, Lars Mikkelsen, Christian Convery, Charles Dance, and Christoph Waltz in the supporting roles. The story follows the life of Victor Frankenstein, an egotistical scientist whose experiment in creating new life results in dangerous consequences when his monstrous creation comes to life. Frankenstein had its world premiere in the main competition of the 82nd Venice International Film Festival on August 30, 2025. It began a limited theatrical release on October 17, 2025, with a global digital release by Netflix on November 7. The film received generally positive reviews from critics, with Elordi's performance receiving acclaim.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

Send us a textGuess who's back? Back again? Zach and Sloane. Tell a friend. That's right you little freaks, we're back and better than ever because we are super charged with the erotic Freudian energy of Guillermo Del Toro's monster masterpiece "Frankenstein". What better way to welcome ourselves back to business than with a steampunk coded gothic horror tale featuring everyone's favorite long boi Jacob Elordi. The sensual tension between Jacob and Oscar Isaac was almost as compelling as the sensual tension between Christoph Waltz and his golden shoes. The drama, the costumes, the music, the custom made lightning towers. Oh it was all just a lovely dream! We talk about the movie and only take a couple bizarre detours off topic on this week's episode of Mummy Dearest Podcast! Support the showVisit MummyDearestPodcast.com for merch and more!Follow the podcast on Instagram!Follow Sloane on Instagram!Follow Zach on Instagram!And most importantly, become a Patron and unlock hundreds of bonus episodes!

On this New Movie Monday we build yet another body in Frankenstein (2025). We discuss how this adaptation leaves it's own mark on one. of the most retold tales of all time, how Victor and his Monster's stories change how we view each character, and the world building which del Toro is famous for.  Synopsis: Dr. Victor Frankenstein, a brilliant but egotistical scientist, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation. Starring: Oscar Issac, Jacob Elordi, Christoph Waltz, Mia Goth Directed by Guillermo del Toro Youtube: https://youtu.be/ARQlvHQgqNY Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod  Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g  

Did Guillermo del Toro honor Mary Shelley's legacy? Or lift his leg on it? SUPPORT THE SHOW: PATREONSHOP THE SHOW: TEE PUBLICFOLLOW THE SHOW: INSTAGRAM // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com    

Frankenstein is a 2025 American Gothic science fiction film[4][5] produced, written and directed by Guillermo del Toro, based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The film stars Oscar Isaac as Victor Frankenstein, Jacob Elordi as Frankenstein's monster, and Mia Goth as Elizabeth, with Felix Kammerer, David Bradley, Lars Mikkelsen, Christian Convery, Charles Dance, and Christoph Waltz in the supporting roles. The story follows the life of Victor Frankenstein, an egotistical scientist whose experiment in creating new life results in dangerous consequences.Hosted by Ausha. See ausha.co/privacy-policy for more information.

On this episode of The Movie Podcast, Daniel and Shahbaz are joined by Mia Goth to discuss her latest work in Guillermo del Toro's FRANKENSTEIN. Oscar-winning director Guillermo del Toro adapts Mary Shelley's classic tale of Victor Frankenstein, a brilliant but egotistical scientist who brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation. Alongside Mia, the film also stars Oscar Isaac, Jacob Elordi, Felix Kammerer, David Bradley, Lars Mikkelsen, Christian Convery, with Charles Dance, and Christoph Waltz. Frankenstein is in select theatres October 17, and on Netflix November 7, 2025. Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Guillermo Del Toro's Frankenstein arrives on Netflix this Friday. With a fascinating cast including Oscar Isaac, Jacob Elordi, Mia Goth, and Christoph Waltz plus the singular talent and vision of Guillermo Del Toro, this is one you do not want to miss! In our spoiler-free Frankenstein Review, Cam will dig into all the performances, that signature Del Toro production design, and much more before sharing if this is another Guillermo masterpiece or a forgettable disappointment. If you saw the movie in theaters or watched it on Netflix, let us know your thoughts in our free Discord server (link below) or on social media!   Show Open [00:00] Review Round 1 [04:20] Review Round 2 [10:19] Review Round 3 [15:22] Last Looks [19:34] Show Close [22:05]   Thanks for listening!   Please rate, review, and subscribe if you liked this episode!   For all things Popcorn for Breakfast: https://linktr.ee/popcornforbreakfast   Chat with us on Discord: https://discord.gg/7wGQ4AARWn Follow us on Twitch: https://www.twitch.tv/popcornforbreakfast Subscribe to our YouTube channel: https://www.youtube.com/channel/UCeVJZwPMrr3_2p171MCP1RQ Follow us on Spotify: https://open.spotify.com/show/4HhMxftbuf1oPn10DxPLib?si=2l8dmt0nTcyE7eOwtHrjlw&nd=1 Like us on Facebook: https://www.facebook.com/popcorn4breakfast Follow us on Twitter: @pfb_podcast Follow us on Instagram: @pfb_podcast Follow us on TikTok: https://www.tiktok.com/@popcornforbreakfast? popcorn4breakfast.com Email us: contact@popcorn4breakfast.com   Our original music is by Rhetoric, check them out on Spotify: https://open.spotify.com/artist/44JvjuUomvPdSqZRxxz2Tk?si=hcYoSMLUQ0iPctllftAg2g&nd=1

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture For this week's second podcast review, Nadia Dalimonte, Dan Bayer, Brendan Hodges, and Will Mavity join me to review and discuss the latest film from Guillermo del Toro, "Frankenstein," starring Oscar Isaac, Jacob Elordi, Mia Goth, Christoph Waltz, Felix Kammerer, Lars Mikkelsen, Charles Dance, and David Bradley. Based on Mary Shelley's classic 1818 novel of the same name, the Netflix film has been a passion project for del Toro for many years, dating back to when he first read the book as an eleven-year-old. That passion can be felt in every frame of this exceptionally crafted piece of work, but what did we think of it as a whole? Please tune in as we discuss the narrative structure, adaptation changes, themes, performances, technical aspects, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices