Podcast appearances and mentions of Bryce Dessner

How did Bruce become The Boss, and what did it cost him to get there? Laura Barton explores the extraordinary life story of Bruce Springsteen, taking a front-row seat at five important gigs to reveal the life behind the legend.Bruce's story continues in Asbury Park, New Jersey, where he's living above a beauty parlour, broke, writing songs amongst the hairdryers. It's here he writes his first album, Greetings From Asbury Park. And in 1975, when New York is in turmoil and America in crisis, Springsteen releases his landmark album, Born To Run. This launches him to stardom. London Hammersmith, 1975. Bruce's wildest dreams come true when the opportunity comes to perform in the home country of his greatest musical heros. But what follows is far from the Springsteen shows of exuberant legend. And this newfound fame soon comes to replace Freehold, New Jersey, as the town he wants to flee. ~~~“I'm here tonight to provide proof of life to that ever elusive, never completely believable, particularly these days, us. That's my magic trick.”In Legend: The Bruce Springsteen Story, we uncover the magic trick to discover how a scrawny, long-haired introvert from small-town New Jersey became the iconic, muscular, and oft-misunderstood rock star of the 1980s, to the eloquent elder statesmen he is now. What can his story tell us about America today?In each episode, Laura takes us to the front row of a live performance that reveals a different side of The Boss, and hears him across the decades in his own words from the archive. We'll also hear from fellow worshippers in the Church of Springsteen and disciples from the E Street Band, including drummer Max Weinberg, tributes from those influenced by Bruce, such as Bryce Dessner from The National, as well as Freehold town historian Kevin Coyne and music critics and biographers such as Richard Williams, Eric Alterman, Steven Hyden, Warren Zanes and Diane H. Winston.The Bruce Springsteen Story comes from the production team behind BBC Radio 4's award-winning Joni Mitchell Story, and the podcast Soul Music – “… the gold standard for music podcasts…” (Esquire).Producer: Eliza Lomas Series Developer: Mair Bosworth Production Coordinator: Stuart Laws Research: Sarah Goodman Series Editor: Emma Harding Sound Design and Original Music: Hannis Brown Commissioning Editors: Daniel Clarke and Matthew Dodd

How did Bruce become The Boss, and what did it cost him to get there? Laura Barton explores the extraordinary life story of Bruce Springsteen, taking a front-row seat at five important gigs to reveal the life behind the legend. Bruce's story begins in the small factory town of Freehold, New Jersey. His father, Douglas, is distant. The love from his Grandmother Alice is fierce. His life changes forever when he hears Elvis and The Beatles, and learns the guitar. Laura travels to 23rd January, 1971. Bruce is 21 years old. This wiry figure with long curly hair takes the mic at the Upstage Club, Asbury Park. There is a vast distance between this scruffy boardwalk town venue and the stadiums he will one day fill, but Springsteen has a plan. Off stage, Bruce is a shy and introverted teenager. But when he plays, the transformation is startling. People liken it to Bruce Banner turning into the Incredible Hulk. This is where he finds his congregation - his vision of community forms here.~~~“I'm here tonight to provide proof of life to that ever elusive, never completely believable, particularly these days, us. That's my magic trick.”In Legend: The Bruce Springsteen Story, we uncover the magic trick to discover how a scrawny, long-haired introvert from small-town New Jersey became the iconic, muscular, and oft-misunderstood rock star of the 1980s, to the eloquent elder statesmen he is now. What can his story tell us about America today? In each episode, Laura takes us to the front row of a live performance that reveals a different side of The Boss, and hears him across the decades in his own words from the archive. We'll also hear from fellow worshippers in the Church of Springsteen and disciples from the E Street Band, including drummer Max Weinberg, tributes from those influenced by Bruce, such as Bryce Dessner from The National, as well as Freehold town historian Kevin Coyne and music critics and biographers such as Richard Williams, Eric Alterman, Steven Hyden, Warren Zanes and Diane H. Winston. The Bruce Springsteen Story comes from the production team behind BBC Radio 4's award-winning Joni Mitchell Story, and the podcast Soul Music – “… the gold standard for music podcasts…” (Esquire).Producers: Eliza Lomas and Mair Bosworth Sound Design and Original Music: Hannis Brown Series Developer: Mair Bosworth Production Coordinator: Stuart Laws Additional Research: Sarah Goodman Series Editor: Emma Harding Commissioning Editors: Daniel Clarke and Matthew Dodd

durée : 00:09:55 - Philip Glass : Les Enfants Terribles - Katia & Marielle Labèque - Après avoir travaillé avec Olivier Messiaen, Luciano Berio, Gyorgy Ligeti, Pierre Boulez, Katia & Marielle Labèque ont continué à créer des pièces écrites spécialement pour elles par Louis Andriessen, Bryce Dessner, Thom Yorke et Philip Glass. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:09:55 - Philip Glass : Les Enfants Terribles - Katia & Marielle Labèque - Après avoir travaillé avec Olivier Messiaen, Luciano Berio, Gyorgy Ligeti, Pierre Boulez, Katia & Marielle Labèque ont continué à créer des pièces écrites spécialement pour elles par Louis Andriessen, Bryce Dessner, Thom Yorke et Philip Glass. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:09:55 - Philip Glass : Les Enfants Terribles - Katia & Marielle Labèque - Après avoir travaillé avec Olivier Messiaen, Luciano Berio, Gyorgy Ligeti, Pierre Boulez, Katia & Marielle Labèque ont continué à créer des pièces écrites spécialement pour elles par Louis Andriessen, Bryce Dessner, Thom Yorke et Philip Glass. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:59:53 - L'empreinte de Philip Glass : table-ronde hommage - par : Thomas Vergracht - Autour de la table, Vanessa Wagner (pianiste), Bryce Dessner (compositeur) et Claire Chesnier (peintre) décortiquent l'univers de Philip Glass, et nous proposent leurs coups de cœur. - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:15 - Philip Glass : Études pour piano - Vanessa Wagner - Vanessa Wagner explore depuis plusieurs années le répertoire des compositeurs minimalistes. Pour le label InFiné, elle consacre 4 albums aux figures majeures de ce courant, John Adams, Meredith Monk, Brian Eno, Ryūichi Sakamoto, Caroline Shaw, Bryce Dessner ou Nico Muhly. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:15 - Philip Glass : Études pour piano - Vanessa Wagner - Vanessa Wagner explore depuis plusieurs années le répertoire des compositeurs minimalistes. Pour le label InFiné, elle consacre 4 albums aux figures majeures de ce courant, John Adams, Meredith Monk, Brian Eno, Ryūichi Sakamoto, Caroline Shaw, Bryce Dessner ou Nico Muhly. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:15 - Philip Glass : Études pour piano - Vanessa Wagner - Vanessa Wagner explore depuis plusieurs années le répertoire des compositeurs minimalistes. Pour le label InFiné, elle consacre 4 albums aux figures majeures de ce courant, John Adams, Meredith Monk, Brian Eno, Ryūichi Sakamoto, Caroline Shaw, Bryce Dessner ou Nico Muhly. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Episode 56 – Review: The Accountant 2 (2025)Back in 2016, Ben Affleck surprised a lot of people with "The Accountant", a sleek, mysterious action thriller where he played Christian Wolff, a math savant with deadly skills. That film, written by Ozark series creator Bill Dubuque, had an incredible cast (John Lithgow, J.K. Simmons, Jon Bernthal, Anna Kendrick, Jean Smart) and a vibe that stuck with people. For years, a sequel was teased, and now, nearly a decade later, it's finally here.The Accountant 2 makes the rare move of actually improving on the original. Director Gavin O'Connor returns, and Affleck is back as Wolff, joined again by Cynthia Addai Robinson and Jon Bernthal. Newcomer Daniela Pineda (playing Lena) is a total standout. One change this time around: the character of Justine (Christian's mysterious associate) is now played by Allison Robinson, taking over voice and on screen duties from Allison Wright. And it works.While the first movie had a haunting score by Mark Isham, this sequel switches gears with a fresh and impressive score by Bryce Dessner. The vibe is a little different, but it still pulls you into Wolff's world.There's a planned third film to complete the trilogy, and both O'Connor and Affleck have hinted at wanting Anna Kendrick back for that one. Fingers crossed."The Accountant 2" is now streaming on Amazon Prime Video.We've got more episodes, reviews, and recommendations coming your way. If you're enjoying the show, please leave a review, it really helps the podcast.Thanks for listening, and enjoy the movie.Correction: In the audio, the character of Lena is mistakenly said to be played by Daniela Melchior. The role is actually played by Daniela Pineda.

Listen to an interview with the experimental Indiana hip-hop group 81355. Also hear music from their new album Bad Dogs. 81355 was formed in 2021 as a trio, featuring Oreo Jones, Sirius Black and David Moose Adamson. Each member brought a rich and varied history to the project, leading some to label the band an Indianapolis super-group. Their debut album This Time I'll Be of Use was issued that same year on 37d03d, a label founded by Justin Vernon of Bon Iver, and Aaron and Bryce Dessner of The National. The album received national attention, earning praise from Pitchfork, Consequence and Flood. Bad Dogs is the group's second album and it finds the trio expanding into a full band, with Sharlene Birdsong on bass, Dimitri Morris on guitar, and Pat Okerson on drums.

Episode #379 of BGMania: A Video Game Music Podcast. Today on the show, Bryan takes a spoiler-free deep dive into Death Stranding 2: On the Beach, breaking down the gameplay evolution, combat systems, traversal mechanics, and the wide array of new tools at your disposal. Our Musical Review delves into how Kojima Productions pushes the boundaries of interactive storytelling with new characters, emotional stakes, and a thoughtful exploration of connection, grief, and the cost of rebuilding. From the breathtaking visuals and art direction to the seamless integration of licensed tracks and original score, Bryan reflects on the moments that hit hardest, especially the emotional resonance of Low Roar's return in Chapter 1. This isn't just a review. It's a journey through one of the most thought-provoking and visually stunning games of the year, and maybe ever. Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or any other thoughts you'd like to share! Special thanks to our Executive Producers: Jexak, Xancu, Jeff & Mike. EPISODE PLAYLIST AND CREDITS Minus Sixty One from Death Stranding 2: On the Beach [Woodkid, 2025] We Should Not Have Connected from Death Stranding 2: On the Beach [Ludvig Forssell, 2025] Any Love of Any Kind from Death Stranding 2: On the Beach [Woodkid feat. Bryce Dessner, 2025] Higgs from Death Stranding 2: On the Beach [Ludvig Forssell, 2025] Story of Rainy from Death Stranding 2: On the Beach [Woodkid feat. Suginami Junior Chorus, 2025] På En Mörk, Stjärnklar Natt from Death Stranding 2: On the Beach [Ludvig Forssell feat. Amelie Anna, 2025] Good Old Fashioned Boss Fight from Death Stranding 2: On the Beach [Ludvig Forssell, 2025] Neil Vana from Death Stranding 2: On the Beach [Ludvig Forssell, 2025] Tmrrw from Death Stranding 2: On the Beach [Woodkid, 2025] All-In Portering from Death Stranding 2: On the Beach [Ludvig Forssell, 2025] Homecoming from Death Stranding 2: On the Beach [Ludvig Forssell feat. Troy Baker, 2025] Weaponized Wanderers from Death Stranding 2: On the Beach [Ludvig Forssell, 2025] One Last Fight Pt.1/2/3 from Death Stranding 2: On the Beach [Ludvig Forssell feat. Troy Baker, 2025] To the Wilder from Death Stranding 2: On the Beach [Woodkid feat. Elle Fanning, 2025] LINKS Patreon: https://patreon.com/bgmania Website: https://bgmania.podbean.com/ Discord: https://discord.gg/cC73Heu Facebook: BGManiaPodcast X: BGManiaPodcast Instagram: BGManiaPodcast TikTok: BGManiaPodcast YouTube: BGManiaPodcast Twitch: BGManiaPodcast PODCAST NETWORK Very Good Music: A VGM Podcast Listening Religiously

En esta era de relativismo la pregunta de Pilato en el Evangelio según Juan (capítulo 18) no puede ser más actual: "¿Qué es la verdad?. Cuando la mayoría decide lo que es verdadero o falso, según un criterio puramente subjetivo, la pregunta ya no es si algo es cierto, sino si funciona, me sirve o me hace sentir bien. Para muchos, ya no hay una verdad objetiva. Cuando Bono retoma las palabras del actual Premio Nobel de Literatura, Bob Dylan, "A lo largo de la torre del vigía" (All Along The Watchtower) en una actuación por sorpresa del grupo irlandés U2 en el Embarcadero de San Francisco en 1987, le añade la frase "Tres acordes y la verdad", que se convierte en todo un motivo para su vida y su obra. Su impresionante versión se puede ver con una deslumbrante fotografía en blanco y negro en la película "Rattle & Hum", cuyo libro oficial está escrito por su amigo evangélico, el poeta y periodista musical Steve Turner. John Lennon pedía "algo de verdad" (Gimme Some Truth" en su primer disco sin los Beatles en 1971, donde está su famoso "Imagina". Hace la canción cuando todavía no ha acabado la guerra del Vietnam con la producción de Phil Spector y la guitarra de George Harrison. La escuchamos en la versión del grupo británico Kula Shaker en 2022. La verdad nos parecerá triste, pero "lo que no tiene es remedio", dice Joan Manuel Serrat en una de sus más emocionantes canciones del disco de 1986, "Cada loco con su tema". Las palabras de Pilato en la Buena Noticia según Juan (capítulo 18) están en el contexto del proceso de Jesús, primero judío y luego romano, uno por blasfemia y otro por rebeldía. El juicio según la ley judía tiene tres fases: primero ante Anás, el sumo sacerdote reconocido por los judíos y luego Caifás, nombrado por los romanos (en el que se centran los otros tres evangelios) y la mañana siguiente ante el Sanedrín. La primera película que dirigió Robert Redford para una nueva productora independiente fue "La conspiración" (2010). Es la sorprendente historia del proceso a una mujer llamado Mary Surratt por su supuesta participación en el asesinato del presidente Lincoln. Protagonizada por un joven James McAvoy como abogado reticente de la misteriosa acusada que hace una irreconocible Robin Wright, nos lleva a la cuestión misma de la verdad ante un juicio que está ya determinado por los prejuicios de todos los que en él forman parte. José de Segovia la comenta con la banda sonora original de Mark Isham y Bryce Dessner para la serie "Manhunt", sobre la búsqueda de los responsables del magnicidio. "El propiciatorio" (The Mercy Seat) es una de esas canciones del australiano Nick Cave, directamente inspiradas en la Biblia. La graba con su grupo The Bad Seeds en 1988, pero ha tenido versiones tan conocidas como la que hizo Johnny Cash poco antes de morir. La oímos en una actuación para la radio KRCW de Santa Mónica en 2013 con la atormentada voz del condenado a muerte que "dice la verdad, pero no tiene miedo a morir". Escuchamos finalmente la propia voz de Pilato en la versión música musical de "El proceso" de Jesús (The Trial) que hizo el hijo del ministro anglicano Adrian Snell con la Roya Philarmonic Orchestra en 1980, pero esta vez en la versión que hizo ahora el músico inglés con holandeses y la orquesta de la iglesia del predicador John Stott en Londres, All Souls en 2024. El papel que hacía Richard Barnes en el Superstar de Londres en 1972, lo hace ahora el neerlandés Chiel Naber.

Today's episode features Stockholm- based multi-instrumentalist and composer, Rebekka Karijord Originally from Norway, Rebekka has released seven solo albums, as well as scoring music for over 30 films, including ‘All the Old Knives', an American Spy thriller staring Chris Pine and Thandiwe Newton and Nathan Grossman's  documentary, ‘I Am Greta' about the climate change activist, Greta Thunberg In 2023, she teamed up with The National's Aaron and Bryce Dessner for the Complete Mountain Almanac album.We discuss the making of her most ambitious album to date, The Bell Tower', which features Grammy-winning vocal band Roomful of Teeth. Rebekka built a digital sample machine, featuring samples of her own voice, as well as the voices of the American vocal ensemble, which she skilfully manipulated to create the basis for its unique and beautiful sound.  ‘The Bell Tower' is a beautiful album, which is worth checking out, as well as her other solo releases and soundtrack work, which are available to listen to and purchase on Rebekka's Bandcamp page: https://rebekkakarijord.bandcamp.comhttps://rebekkakarijord.com

Send us a textALL OF THIS UNREAL TIME Published by Rough Trade Back this weekend with a double header, we turn to All of This Unreal Time by Mr Max Porter.  Described in the foreword as ‘a gift, written in friendship' it is an elusive, ever moving torrent of apology, love and gratitude. A response to the countless human and non-human lives that intersect with and impact on our own.Written during the first, weird summer months of the pandemic, the piece  blossomed into a collaboration commissioned by Manchester Film festival. Directed by Aoife McArdle, it features Max's friend and long time collaborator Cillian Murphy as Unreal Time's ‘everyman' as well as an incredible score by Aaron & Bryce Dessner and Jon Hopkins. Part One - available from Friday - Wasteful writing, hardcore forgiveness & confessional booths.As with all the best Rambles the conversation soon went elsewhere. Part Two - Bank Holiday Monday - prison writing groups, embroided life jackets & visiting the West bank with Palfest. ‘Strange and Beautiful.'  The Guardian Books mentioned in conversation The Gift - Lewis Hyde Essayism - Brian DillonOn Forgiveness - Richard Holloway Is A River Alive? - Robert MacfarlaneWe Need New Stories - Nesrine Malik@fieldzine www.fieldzine.comwww.patreon.com/fieldzine

durée : 00:25:07 - Bryce Dessner, guitariste et compositeur (1/5) - par : Thomas Vergracht - Compositeur parmi les plus recherché de la scène internationale, héritier de Steve Reich et Philip Glass, Bryce Dessner est également guitariste d'un des groupes les plus en vue de la scène « indie » rock : The National. Portrait en cinq épisodes d'un musicien attachant et humble. - réalisé par : Béatrice Trichet

durée : 00:25:07 - Bryce Dessner, guitariste et compositeur (2/5) - par : Thomas Vergracht - Compositeur parmi les plus recherché de la scène internationale, héritier de Steve Reich et Philip Glass, Bryce Dessner est également guitariste d'un des groupes les plus en vue de la scène « indie » rock : The National. Portrait en cinq épisodes d'un musicien attachant et humble. - réalisé par : Béatrice Trichet

durée : 00:25:07 - Bryce Dessner, guitariste et compositeur (3/5) - par : Thomas Vergracht - Compositeur parmi les plus recherché de la scène internationale, héritier de Steve Reich et Philip Glass, Bryce Dessner est également guitariste d'un des groupes les plus en vue de la scène « indie » rock : The National. Portrait en cinq épisodes d'un musicien attachant et humble. - réalisé par : Béatrice Trichet

durée : 00:25:07 - Bryce Dessner, guitariste et compositeur (4/5) - par : Thomas Vergracht - Compositeur parmi les plus recherché de la scène internationale, héritier de Steve Reich et Philip Glass, Bryce Dessner est également guitariste d'un des groupes les plus en vue de la scène « indie » rock : The National. Portrait en cinq épisodes d'un musicien attachant et humble. - réalisé par : Béatrice Trichet

durée : 00:25:07 - Bryce Dessner, guitariste et compositeur (5/5) - par : Thomas Vergracht - Compositeur parmi les plus recherché de la scène internationale, héritier de Steve Reich et Philip Glass, Bryce Dessner est également guitariste d'un des groupes les plus en vue de la scène « indie » rock : The National. Portrait en cinq épisodes d'un musicien attachant et humble. - réalisé par : Béatrice Trichet

Geen mooier moment voor een soundtrackspecial dan het Oscarweekend. MovieInsider Coen brengt ons in de Oscarsferen met een uitgebreide bespreking van de vijf voor een Academy Award genomineerde scores. Coen bespreekt Emilia Pérez, The Wild Robot, Conclave, Wicked en The Brutalist aan de hand van muziekfragmenten en scènes. Ook plaatst hij ze in een bredere context door ze te vergelijken met eerder werk van de componisten en van de regisseurs. Of door na te denken hoe de film ook anders had kunnen klinken. Zo kan het gebeuren dat Ennio Morricone, Hans Zimmer en Bryce Dessner voorbij komen in de bespreking van Conclave. Als toetje doen Gudo en John hun Oscarvoorspellingen (vanaf 56:09). Dus kom alvast in de stemming voor zondag en beluister deze bomvolle podcastaflevering.Support the show: https://www.patreon.com/movieinsidersSee omnystudio.com/listener for privacy information.

Our guest today is the incredible Sharon Van Etten. A celebrated indie-rock singer-songwriter, Sharon has released six studio albums and collaborated with artists like Angel Olsen, Aaron and Bryce Dessner of The National, and Bon Iver. But today marks the start of a brand-new chapter, as she unveils the debut album from her newly formed band, Sharon Van Etten & The Attachment Theory. Featuring Jorge Balbi, Devra Hoff, and Teeny Lieberson, this project expands on Sharon's signature sound while pushing into bold new sonic territory. In today's episode, we chat with Sharon about the decision to release this as a full-band effort, the collaborative songwriting process, and how they shaped the record's themes and textures together. Plus, we see if we can get any hints about when we might see them in Australia!Sharon Van Etten : Instagram / Spotify Purchase Sharon Van Etten & The Attachment Theory here.Visit our official website here and follow us across our socials.

See the NOISE Interview with composer Emilie LeBel and Violinist Laura Reid ahead of the New Works Calgary event "Field Studies / VINES" on February 1st on NOISE Instagram page! (@cjswnoise) The Event showcases the music of Emilie LeBel played by ultraviolet, Jane Berry, and Laura Reid with live choreography by Melanie Kloetzel/Kloetzel&co. Tickets at Showpass.com Tonight we'll hear selections from Emilie LeBel & Laura Reid's musical catalogues, along with a fine array of neo-classical and jazz!Playlist: Adrian Younge & Ali Shaheed Muhammad - Smiling For Me - Instrumentalk. - I Wouldn't MindJune McDoom - On my Way - With StringsWho Cares - after the rainOsmanthus - In Early SpringJoel Jeschke - KoskelaDaskal - ObsidianPhillip Golub, featuring DanielHaas - At the 11th HourEmilie Cecilia Lebel, Jane Berry, UltraViolet - DriftEmilie Cecilia LeBel, Jane Berry, UltraViolet - ...and the Higher Leaves of the Trees Seemed to Shimmer in the Last of the Sunlight's Lingering Touch of Them...Sufjan Stevens, Bryce Dessner, Nico Muhly, James McAlister - UranusFKA Twigs - EusexuaBadge Époque Ensemble - Milk Spilt on EternityMary Ocher - Cosmic Rock

In a quick 1-2 punch after talking with Daniel Blumberg (The Brutalist), Bryce Dessner (The National, The Revenant, The Two Popes) joins The Film Scorer podcast! Bryce released two scores last year, for the films Sing Sing and We Live In Time. However, Bryce and I were under a tight time constraint and so had to pick and choose what we chatted about; no time for a classic rambling conversation. As such, we spend much of our conversation covering his score for Sing Sing. This includes, among other things, choosing to focus the music on nature and escapism (rather than the more obvious matching of the prison setting), making space for the performers, and the film's equitable compensation system. Of course, we still manage to pack a lot in, so we cover quite a bit more as well, both about Sing Sing and various unexpected topics. Bryce's score, and much of his other music, is available on all major platforms. Sing Sing was released earlier last year and will be re-released in theaters (at least in the US) on January 1. You can find out more about Bryce on his website.

Sie ist Pink-Floyd-Fan und hat kein Problem mit Zuschauern, die zwischen den Sätzen klatschen. Pianistin Alice Sara Ott spielt am 15. und 16. Januar mit den Münchner Philharmonikern die deutsche Erstaufführung des Klavierkonzerts von Bryce Dessner. Im Interview mit BR-KLASSIK spricht sie über Nostalgie und die Vielfältigkeit der Nocturnes von John Field - und verrät, wie sie sich dem ersten für sie geschriebenen Klavierkonzert genähert hat.

I first heard The National 17 years ago this month I think, and I fell in love instantly. They've continued to be one of my favourite bands, and it's been great to see them ascend to new heights of popularity and pursue interesting creative directions in the band and outside. Guitarist Aaron Dessner is now a key producer and co-writer for the likes of Taylor Swift and Gracie Abrams. His twin brother Bryce Dessner is a composer whose orchestral and chamber compositions have been commissioned by the LA Philharmonic, Edinburgh International Festival and Kronos Quartet amongst others, and he's collaborated with the likes of Philip Glass, Steve Reich, Paul Simon, Sufjan Stevens and many more. Frontman Matt Berninger has become one of the most compelling rock frontman of the 21st century with his often darkly funny, self-deprecating lyrics, and gangly, physical stage presence. Drummer Bryan Devendorf is one of the most distinctive drummers operating in rock today. Which leaves my guest this episode, bassist Scott Devendorf. I feel like Scott is the member of the band I knew least about. Obviously I've seen him onstage many times anchoring the band, but I was intrigued to see how the interview would go, and was pleased to discover Scott was excellent company. The National have just released a new live album entitled “Rome” which was recorded this past June in, well Rome obviously. It does a pretty good job of capturing the catharsis and sometimes chaos of a National show. I thought it was an interesting decision to focus on one particular show rather than compile tracks from across the tour. I was curious how they would handle the situations where Matt goes walkabout with the microphone, climbing into the crowd and getting mobbed with fans singing their heads off. Scott had a lot to say about these decisions, and about The National as a live act in general. He was really generous with his time. I only found out this interview was happening less than 24 hours before it took place, so it was quite a whirlwind getting it prepped and organised. I again had some technical issues so I've mostly just used the zoom feed but it sounds fine. To have The National represented on the podcast really means a lot. This will be the last episode of the year, and what a way to go out.

"Sing Sing" premiered at the 2023 Toronto International Film Festival, where it was praised for its relevance to current social issues, powerful performances, and skilled direction. It's one of the most acclaimed films of 2024 and a strong Oscar contender for A24. The film tells the important story of a group of people who are incarcerated at Sing Sing Correctional Facility who find redemption through the art of creating theatrical stage shows in the Rehabilitation Through the Arts (RTA) program. I had the privilege of hearing from breakthrough actor, the Gotham Award-winning Clarence Maclin, about his life, experience making the film, and dreams for the future, which you can listen to below. Following this conversation, Daniel Howat was fortunate to speak with the people behind the music from the film, composer Bryce Dessner and songwriters Adrian Quesada & Abraham Alexander, for the closing credits track "Like A Bird." Don't miss the opportunity to see this remarkable film, which will be returning to theaters on January 17th, 2025, from A24 and is up for your consideration in all eligible categories for the upcoming 97th Academy Awards. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Hoy hablamos de ADICCINE, la 'Comunidad Viva de Cine Independiente' que impulsa ADICINE, la asociación de los distribuidores independientes que busca generar nuevos proyectos e iniciativas alrededor del cine 'indie', poniendo el foco sobre las zonas rurales. Lo haremos con la responsable del proyecto, Nuria Díaz.También repasaremos los estrenos de cartelera de este viernes con Conxita Casanovas, pasearemos junto a Jesús Marchamalo y José María Merino y terminamos la semana con la sesión musical de Leyre Guerrero, con las canciones de Gracie Abrams, Taylor Swift, Aaron y Bryce Dessner, Sufjan Stevens y The National.Escuchar audio

Film reviews - Bryce Dessner on his NCH residency - From Eden

durée : 00:59:09 - Autour du dernier album de Bryce Dessner " Solos " - par : Sébastien Llinares - "Solos" un album qui contient entre autre deux solos de guitare. Bryce Dessner a étudié la guitare classique, avant d'être le grand compositeur qu'il est devenu, ainsi que le guitariste plutôt électrique cette fois-ci, du groupe de rock indé The National, de Cincinnati, en Ohio." Sébastien Llinarès - réalisé par : Patrick Lérisset

Our next guest is best known for his work in the band The National as well as scoring movies including Sing Sing and Cyrano and TV shows Manhunt and Photographer among others. He's one of my favorite composers and guitarists and I'm so excited to welcome him on to the podcast! And the composer is... Bryce Dessner Hosted on Acast. See acast.com/privacy for more information.

durée : 00:10:12 - Bryce Dessner : Solos - Le disque contemporain de la semaine est celui de Bryce Dessner "Solos" paru chez Sony Classical en août dernier.

durée : 00:59:12 - En pistes, contemporains ! du dimanche 15 septembre 2024 - par : Emilie Munera - Cette semaine, dans En Pistes, Contemporains !, mise à l'honneur de l'instrument soliste avec les solos de Bryce Dessner, et plongée dans l'exploration des formes de vie sonore avec le travail de Bastien David. - réalisé par : Céline Parfenoff

After Zoe Kravitz and producers Tiffany Persons and Garret Levitz discussed Zoe's debut feature Blink Twice in our previous episode, we have another bumper edition of Soundtracking for you this time round, as first Greg Kwedar and then composer Bryce Dessner join Edith to discuss their collaboration on Greg's beautiful, moving and important film, Sing Sing. Based on the real-life Rehabilitation Through the Arts program at the world famous Sing Sing Maximum Security Prison, the film centers on a group of inmates involved in the creation of theatrical stage shows. It stars professional actors Colman Domingo, alongside many real-life former prisoners who were themselves alumni of the program during their incarceration

Composer Bryce Dessner joins Gramophone Editor Martin Cullingford for this week's podcast to talk about his new album for Sony Classical, featuring solo works performed by a superb line-up of star soloists.

Send us a Text Message.I've been feeling a bit under the weather, while also preparing for my sweetie's upcoming visit (a much longer visit this time), and my heart's full of romance and  thoughts about when we first fell in love. So it's the perfect time to replay my episode about Cyrano, Joe Wright's lush romantic musical version of the classic Cyrano de Bergerac story. Every gorgeous musical phrase and motif by Aaron and Bryce Dessner of The National, and lyric by The National lead singer Matt Berninger and his partner, Carin Besser, embodies the yearning thrill and desperate longing of falling deeply in love with someone. A couple of years on, I still cry when I hear this score and watch Peter Dinklage's face express the pain and exhilaration of romantic love.https://www.confessionsofaclosetromantic.comDirector Joe Wright on why Cyrano is his most personal film since Atonement.I'm incapable of hearing this song and these lyrics without bursting into tears. One of my favorite songs in the entire movie.Support the Show.If you enjoyed this episode, please click share in your podcast app and tell your friends! Thanks for listening!

Guitarist, composer, and teacher Benjamin Verdery seems to know everybody who's ever picked up the instrument. Ben is a classical guitarist himself, but his musical friends include Andy Summers of the Police, the fingerpicking virtuoso Leo Kottke, flamenco legend Paco Pena, guitarist Bryce Dessner of the indie rock band The National – the list goes on and on. Lots of contemporary composers have written works for him, and Ben himself has written a wide range of works. He's filled a 40 year career with a wild assortment of collaborations and collaborators. Recently, Ben emailed to say he was retiring next year, so it seemed high time that we invite him back here before he jets off to Hawaii. Benjamin Verdery plays some of his own pieces from his collection called Some Towns and Cities, and yes, at least one of those towns is in Hawaii.  Set list: 1. Capitola, CA 2. Keanae, HI 3. Milwaukee, WI

Secretly Society presents a three-episode mini-series about collaboration, friendship, and a community-driven project; originally formed by Justin Vernon and Aaron Dessner in 2008, this is the magical and illusive tale of Big Red Machine. This series is narrated by music writer and broadcaster Laura Barton, including live interviews with Vernon, Aaron Dessner, Bryce Dessner, Sharon Van Etten, Anais Mitchell, and more. The conclusion to the story, for now. Big Red Machine has been a rejection of the music industry's expectations weighing upon Dessner and Vernon, but also a place of solace for the pair amongst their sometimes painful struggles with mental health. The pair take turns grounding each other through their successes and supporting during their lows, while writing songs like “Brycie” and “Hutch” that pay tribute to close-knit family and friends. The pool of collaborators ripples out ever-further, and new methods of working to complement each others' contributions carry on the experimental spirit of Big Red Machine.   Links:  Secretly Society Podcast Link Secretly Society Podcast Store Link Secretly Society General Information Link   Big Red Machine:  Big Red Machine on Instagram Big Red Machine on Facebook

Secretly Society presents a three-episode mini-series about collaboration, friendship, and a community-driven project; originally formed by Justin Vernon and Aaron Dessner in 2008, this is the magical and illusive tale of Big Red Machine. This series is narrated by music writer and broadcaster Laura Barton, including live interviews with Vernon, Aaron Dessner, Bryce Dessner, Sharon Van Etten, Anais Mitchell, and more. Part Two finds Vernon and Dessner working out just what Big Red Machine was, and should be; exactly what role it should play in their respective musical lives was proving hard to pin down. Making their second record, more voices were added to bring Dessner and Vernon's songs to life, expanding the Big Red Machine identity and sound, and discovering that the defining quality of the group was something intentionally experimental.

Secretly Society presents a three-episode mini-series about collaboration, friendship, and a community-driven project; originally formed by Justin Vernon and Aaron Dessner in 2008, this is the magical and illusive tale of Big Red Machine. This series is narrated by music writer and broadcaster Laura Barton, including live interviews with Vernon, Aaron Dessner, Bryce Dessner, Sharon Van Etten, Anais Mitchell, and more. Part One starts with a pivotal Myspace exchange and a shared raw piano track between Aaron Dessner and Justin Vernon, that would shape the trajectory of their relationship and careers over the upcoming years. Engage with stories about the beginning of the PEOPLE label (37do3d) in a Berlin residency as well as the ultimate cementing of their self-titled album. From long-distance partnerships, onstage improvisations, and the gathering of talented musicians, the story of Big Red Machine is an inspiring account that unveils a new energy and way of working for creatives alike.

Today on 'Conversations on Dance', we are joined by choreographer and director of Sydney Dance Company Rafael Bonachela and composer Bryce Dessner. Bryce and Rafael take us through their personal journeys towards finding their art as a profession, the inspiration and collaborative process behind their latest collaboration 'Impermanence', and how COVID delays extended and altered the work into its present form. 'Impermanence' will have its US premiere at the Kennedy Center this April 25th with shows running through the 27th. If you're in the Washington, DC area and would like to purchase tickets, visit kennedy-center.org.THIS EPISODE'S SPONSORS:Unlock your potential with the Graduate Certificate in Arts Entrepreneurship from the Weitzenhoffer Family College of Fine Arts at the University of Oklahoma. In partnership with the prestigious Price College of Business, this innovative program is expertly designed for the aspiring arts entrepreneur, blending your creative and artistic talents with the business knowledge, skills, and strategies needed to successfully launch and manage arts-related enterprises. Affordable and fast-track, you can achieve this transformative education remotely in less than 12 months. To learn more and apply, visit ou.edu/finearts.New York Theatre Ballet's Summer Repertoire Workshops offer pre-professional, collegiate, and post-collegiate dancers full-day training sessions of classes, rehearsals, and new choreography at their studios in lower Manhattan. Each two-week session, May 6th through 17th and June 10th through 21st, provides individualized instruction, movement analysis, and immersion in NYTB's acclaimed repertoire. Aspiring students are invited to submit video auditions by April 30. Merit-based scholarships are available. For more information, please visit nytb.org/auditions.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Director Reinaldo Marcus Green talks to Tom Sutcliffe about One Love, his biopic about the legendary reggae singer-songwriter Bob Marley and his music.Bryce Dessner, the guitarist of the award-winning rock band The National, discusses his other life in classical music and writing a new concerto for pianist Alice Sara Ott, which is having its UK premiere at the Royal Festival Hall.This week the liturgical calendar marks the moment when Joseph was warned by an angel of King Herod's intent to harm Jesus, and told to flee with him and Mary to safety in Egypt. The painter Julian Bell and art historian Joanna Woodall consider how The Flight into Egypt has been the subject of great artists - Giotto, Gentileschi, Brueghel, Rembrandt - for centuries and shapes our perception of refugees to this day. Presenter: Tom Sutcliffe Producer: Olivia Skinner

Tom Service meets French pianist Jean-Yves Thibaudet during his recital tour where he performs both books of Debussy's Préludes. His 1996 recording of the pieces has just been re-released on vinyl with artwork created by his friend Vivienne Westwood, shortly before she died. Jean-Yves talks to Tom about the need to collaborate, his love of Debussy, Gershwin and Bill Evans, and why challenging conventions and being yourself as an artist are the keys to success and happiness. He also shares his excitement about an upcoming multisensory performance of Alexander Scriabin's 1910 tone poem 'Prometheus, The Poem of Fire' - a collaboration with Cartier in-house perfumer Mathilde Laurent, conductor Esa-Pekka Salonen and San Francisco Symphony which involves not only light and colour in addition to the music, but scent too.Tom talks to pianist Alice Sara Ott and composer Bryce Dessner about a new piano concerto he's written for her, which receives its UK premiere in February. Inspired by Alice's playing, the piece is also dedicated to Bryce's sister Jessica, a dancer and choreographer who has shaped his musical life. Alice talks about her love of Bryce's music and the challenges of getting inside a new piece. Bryce discusses his approach to the concerto, the power of acoustic music and how his work as a composer for the concert hall relates to his life as guitarist and writer in the band The National.

Welcome back, everyone. It's been a minute, but it looks like that minute is up—the tenth season of The Anhedonic Headphones Podcast is upon us. It's the 54th episode overall since the show began, and in the first episode of the new season, Kevin welcomes his first in person guest in three years, Anastasia Stier.  The two talk about poor mental health, how you never grow out of being an emo kid, and fixating on Julien Baker. For additional information about Anhedonic Headphones, please click here; or follow Kevin on Instagram and on Twitter. And please give the podcast he co-hosts with Alyssa Savino, A Reasonable Day, a listen.  Intro Music: “6 Underground,” written by John Barry, Chris Corner, Liam Howe, and Ian Pickering; performed by Sneaker Pimps. Becoming X, Clean Up, 1997. Closing Music: “Numb,” written by Beth Gibbons, Geoff Barrow, and Adrian Utley; performed by Portishead. Dummy, Go Disc, 1994.  Music Credits: “I Won't Stay Long,” written by Sam Nash; performed by Sixpence None The Richer. Sixpence None The Richer, Squint, 1997. “Telethon,” written by Emily Haines; performed by Emily Haines and The Soft Skeleton. What Is Free to A Good Home?, Last Gang, 2007. “Reckless” written and performed by Tilly and The Wall. Wild Like Children, Team Love, 2004.  “This Is Our Emergency,” written and performed by Pretty Girls Make Graves. The New Romance, Matador, 2003. “Empty,” written and performed by Metric. Live It Out, Last Gang, 2005. “Sea of Love” written by Philip Baptiste and George Khoury; performed by Cat Power. The Covers Record, Matador, 2000. “Buttoned Down,” written and  performed by Straylight Run. The Needles The Space, Universal, 2007. “This is The Last Time,” written by Aaron Dessner, Bryce Dessner, and Matt Berninger; performed by The National. Trouble Will Find Me, 4AD, 2013. “Hurt Less,” written and performed by Julien Baker. Turn Out The Lights, Matador, 2017 “I'll Never Smile Again,” written by Ruth Lowe; performed by Tommy Dorsey and His Orchestra and Frank Sinatra. Victor, 1940.  

This week we continue Joaquin Phoenix Month with a heartwarming film from A24 studios - C'mon C'mon! This film was directed by Mike Mills and stars Joaquin Phoenix, Gaby Hoffman, Scoot McNairy, Molly Webster,, Jaboukie Young-White, and Woody Norman. Aaron and Bryce Dessner did the music, and this really excited Hunter because of their previous collaborations with other musicians he likes. This film follows an uncle and his nephew who are brought together by unforeseen circumstances and learn to coexist and bond, while untangling their own troubles. It is a joy to watch and we think you will enjoy it. But... Is C'mon C'mon Good?If you'd like to suggest a film or film franchise, or if you'd just like to say hello, you can reach us at biigpodcast@gmail.com, @biigpodcast on Twitter, or @butisitgoodpodcast on Instagram, TikTok, and YouTube! Hosted on Acast. See acast.com/privacy for more information.

Derived from Erica Schmidt's musical retelling of Edmond Rostand's oft-staged play, Cyrano stars Peter Dinklage as the titular protagonist. Caught in romantic intrigue alongside him is Haley Bennett as Roxanne and Kelvin Harrison Jr. as Christian. The basic plot of this version isn't too different from most of the traditional renditions, but several key alterations are present in both the text and the subtext of Cyrano; this is apparent both in the dialogue and in the songs composed by Aaron and Bryce Dessner of The National. Ryan is joined by Sylvan and Cheryl for a discussion about this striking (if uneven) film. Talking points naturally include unrequited love, the pitfalls of escalating lies, and Sylvan's pet peeve about casting Hollywood musicals with actors who don't have professional singing ability. --- Support this podcast: https://podcasters.spotify.com/pod/show/ryan-valentine3/support

Matt Berninger and Bryce Dessner of The National join Norah by the fireplace to talk about and play songs from their amazing new album, The First Two Pages of Frankenstein. They fill her in on what it was like to come together as a band while living in far away places, the inspiration for the album, and writers block. Matt's warm baritone inspires Norah to ask for a duet on the first-ever acoustic performance of a decade-old song. Recorded 4/29/23. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sufjan Stevens aus Detroit hat den Megahit («Mystery Of Love» aus dem Film «Call Me By Your Name»), Gastauftritte bei Grossen (The National) und die Gabe, ultrapersönliches leicht und zugänglich zu machen. Sein Leben und Karriere kulminieren nun im todtraurigen Meisterwerk «Javelin». Was definitiv umhaut, kam erst ganz zum Schluss: Am Tag der Veröffentlichung von «Javelin» (06.10.2023) gibt Sufjan Stevens einen ganz seltenen Einblick in sein Privatleben. «This album is dedicated to the light of my life, my beloved partner and best friend Evans Richardson, who passed away in April.» Was sich als kaleidoskopartiges Herzschmerz-Album angekündigt hatte wird mit einem Schlag zum wuchtigen Zeugnis des totalen Verlusts. Und die Parallelen zum fantastischen Minimalwerk «Carrie & Lowell» (2015), seinem beliebtesten Album auf dem Stevens die Abwesenheit und den Tod seiner Mutter verarbeitete, klingen noch deutlicher. Denn nach Ausflügen in etwas anstrengende Kollaborations- («Planetarium»), Konzept- («The Ascension»), Instrumental- («Convocations») und New Age-Projekte («A Beginner's Mind»), begibt sich Sufjan Stevens erstmals seit bald 10 Jahren wieder in den klassischen Folk-Songwriter-Modus. Interessanterweise diesmal aber nicht ohne ausgewählte Farbtupfer aus den erwähnten Abenteuern: Bombast, Kitsch, Kollabos (wie mit dem «Planetarium»-Weggefährten Bryce Dessner von The National) – aber auch Stille und experimentelle Momente – finden Platz in dieser ausufernden Collage, die sich unglaublicherweise anfühlt wie ein stilles, zugängliches Trostpflaster; ein Märchen, das uns hilft, die Turbulenzen des Lebens zu bewältigen. Stichwort Turbulenzen: Davon kann Sufjan Stevens bekanntlicherweise einige Lieder Singen, aber just im Vorfeld der Veröffentlichung von «Javelin» wurde bekannt, dass er den Sommer über durch die Nervenkrankheit Guillain-Barré-Syndrom ans Spitalbett gefesselt war und in den letzten Wochen das Laufen neu erlernen musste. Deshalb gab er keine Interviews zum Album. Laut seinem Blog müsste Stevens in diesen Tagen wieder zu Hause sein. Gute Besserung! Wie immer verlosen wir das Sounds! Album der Woche: Gewinnt «Javelin» von Sufjan Stevens auf CD jeden Tag live im Radio. 

De Max Richter al último álbum de Víkingur Ólafsson, «el Glenn Gould de Islandia», en un programa evocador en el que también contamos con la arpista Lavinia Meijer; el Dream House Quartet de las hermanas Katia y Marielle Labèque, David Chalmin y Bryce Dessner; Gabríel Ólafs o Brian Eno, entre otros. SLEEP: Tranquility Base Max RichterNotturno         Víkingur Ólafsson, Álfheiður Erla GuðmundsdóttirThe Plover and the Raven      Víkingur Ólafsson, Snorri Hallgrímsson, Þorsteinn EyfjörðSung (After Brahms)  Víkingur ÓlafssonBird as Prophet           Víkingur Ólafsson, Michael A. Muller, Heather Woods BroderickThe Arts and the Hours          Lavinia Meijer, Jean-Philippe RameauSun     Lavinia MeijerEllis Island      Meredith Monk, Katia Labèque, Marielle Labèque, Bryce Dessner, David ChalminPausa Dom La NenaFantasía           +Bambaló          Gabríel Ólafs, Steiney SigurðardóttirMoving Chords          Roger EnoEscuchar audio

Very excited about our latest guest on Soundtracking - the Mexican filmmaker Alejandro González Iñárritu  Alejandro's latest offering is Bardo: False Chronicle Of A Handful Of Truths - a semi-autobiographical tale that follows a journalist & documentarian who returns to his native country of Mexico and begins having an existential crisis in the form of dreamlike visions. As well as co-writing and directing the film, Alejandro also collaborated with friend of the pod Bryce Dessner on the score