Podcast appearances and mentions of daniel lopatin

Anohni is a singer and songwriter originally from England, who started putting out music in 2000. She's released 6 albums, and won the Mercury Prize. She's also been nominated for two Brit Awards, and an Oscar. For this episode, I talked to her about the song "4 Degrees," from her 2016 album Hopelessness. It might be strange to describe a song about climate change as an anthem, but that's what I think it is, and it feels more urgent with every passing year. It's also one of my most listened-to songs. It was produced by two of my favorite electronic musicians: Daniel Lopatin, aka Oneohtrix Point Never, and Ross Birchard, aka Hudson Mohawke. I got to speak to Ross about how he started the track on his own, before it became a collaboration between the three of them. This is an episode that I've been trying to make happen since 2016. Here it is.For more info, visit songexploder.net/anohni.Thanks to Sonos for their support of the podcast. Check out sonos.com.

"Hurry Up Tomorrow", le premier long-métrage de The Weeknd (Abel Tesfaye), réalisé par Trey Edward Shults est un thriller psychologique qui nous entraîne dans l'esprit tourmenté d'un musicien insomniaque, incarné par The Weeknd lui-même et qui entame une odyssée avec une mystérieuse fan, Anima, jouée par Jenna Ortega. Le film explore les thèmes de la célébrité, de l'identité et de la dépression, le tout sur fond de musique co-composée par The Weeknd et Daniel Lopatin. Il peut paraitre sexy dit comme çà mais, on va le voir dans cet épisode, c'est un énorme film de m*rde qui est surtout là pour faire une bonne campagne de communication autour de son album du même nom sorti il y a peu de temps !A vos avis dans les commentaires :) Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

On this week's Talkhouse Podcast, we've got a fantastic chat featuring three boundary-pushing musicians that turns into a lovefest: It's Daniel Lopatin, better known as Oneohtrix Point Never, along with David Grubbs and Jim O'Rourke, who were known together as Gastr del Sol. Lopatin has created an incredible body of experimental records over the past 20 or so years. His woozy, sample-heavy early material had him pegged as the inventor of vaporwave, but he never stays in the same musical place very long. He broke through to a different audience with soundtracks for the Safdie brothers' movies Good Time and Uncut Gems, and Lopatin is also heavily responsible for the sound of The Weeknd's records, where he's credited as an executive producer. The tenth Oneohtrix Point Never album, called Again, came out late last year, and once again it found Lopatin utilizing a new set of inspirations, one of which was the post-rock movement of the 1990s, which figures heavily into today's conversation. More on that in a minute, but first check out “Again,” the title track from the latest Oneohtrix Point Never album. Featured on that track was none other than Jim O'Rourke, an experimental musician and producer perhaps best known to the pop-music world for working on Wilco's Yankee Hotel Foxtrot and  A Ghost Is Born. But O'Rourke's cv is far too vast to dive into here, and the focus of this conversation is his 1990s collaboration with fellow musician David Grubbs in a band called Gastr del Sol. That duo burned bright for a few years, amassing a catalog that's difficult to pin down, ranging as it does from arch orchestral pop to more rangy, experimental songs. They disbanded in 1998, leaving the world on a high note with their poppiest yet perhaps weirdest set of songs, Camofleur. Gastr del Sol's legend has only grown in the meantime, and they finally got around to releasing some new-old material just this year, in the form of a combination live album/rarities set called We Have Dozens of Titles. True to their ethos, it's neither a standard odds and ends package or a greatest hits, but rather combines an excellent live recording—of what turned out to be their final concert—and songs that had been previously orphaned on various compilations. Check out “The Seasons Reverse” here, which is referenced in this chat. Speaking of this chat… Talkhouse conversations are usually more two-way streets than this one, but it turns out that Daniel Lopatin is a huge Gastr del Sol geek, so he ends up asking most of the questions. He's got deep-seated opinions and interesting theories on their music: They chat about getting into music, about specific passages in Gastr songs, about the idea of indie-rock as a genre, and about the time Gastr del Sol was asked to license a song for a tentacle porn movie. Oh, and Daniel calls Gastr del Sol's music trashy. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Daniel Lopatin, Jim O'Rourke, and David Grubbs for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse

Another bumper episode to bring us into the holiday season, as we're joined again by Jacqueline Codiga, aka DJ Horse Jeans, of music writing, promoting and podcasting fame. We've got two returning faces in Keith Rankin, who's solo project Giant Claw we've covered, on production duty for death's dynamic shoud's Faith in Persona, and our eternal object of fascination Daniel Lopatin, who we're talking about for a third (!!) time with the new OPN album, Again. Also we finally figure out what the hell is going on with all that AI business through Lee Gamble's new record Models. Next episode is our end of year wrap-up so, get hyped for that x You can find Jackie on twitter @Horse_Jeans, her writing Everywhere and her contributions to the Indieheads pod in your podcast player of choice. You can find Alexis on twitter @regresssion. You can find Boo on twitter @boocanan, and find her visual art @designbyboo and her music at boocanan.bandcamp.com.

Look at the little human, reading Dracula comics all alone! This week put on your fake fangs and join the bookclub gang to check out some listener feedback, share some recommendations and follow along with a tale of the undead! It's Dracula Mofo! Can we stop on the way home? Dracula wants a sodie... 01:05 - Listener Feedback 03:42 - Whaddya see, whaddya say? 18:25 - Dracula Motherfu**er!   Check out Parasocial! The new graphic novel by de Campi and Henderson! https://imagecomics.com/comics/releases/parasocial-vol-1-hc?fbclid=IwAR2eC-i8MQ47PsVXIwKi0MMvErfPjlRYAM3JGGmDztG0nfzEa_4JhQFRyu0 “Vampire Grave” in Bulgaria Holds a Skeleton With a Stake Through Its Heart  https://www.smithsonianmag.com/smart-news/vampire-grave-bulgaria-holds-skeleton-stake-through-its-heart-180953004/  Legends Library - a podcast dedicated to the Legends line of Star Wars books and the Expanded Universe! https://www.spreaker.com/show/legends-library Stephen Colbert's Lord of the Rings Rap  https://www.youtube.com/watch?v=L1dU1HZ_73M&ab_channel=TheLateShowwithStephenColbert   Social Media Banner by Matt Strackbein https://linktr.ee/TheLetterhack Logo by Ross Radke, https://www.rossradke.com/ also check out and like Ross Radke's Webtoon "SpandEX" https://www.webtoons.com/en/challenge/spandex/list?title_no=785312 "Star Trek Theme," by Jerry Goldsmith, "On The Corner 1-2" by Miles Davis, "Golgotha Tenement Blues" by Machines of Loving Grace  & "The Viewing" by Daniel Lopatin, used for educational purposes only.  Bach's "Toccata and Fugue in D Minor," used for spooky purposes only opening and closing theme by https://onlybeast.com/

"Vier unterschiedliche Menschen werden zur Besichtigung einer modernen Villa eingeladen. Sie werden mit dem Versprechen eines "einmaligen Erlebnisses" angelockt. Was sie dann hier jedoch erwartete, hätten sie sich nicht in ihren schlimmsten Albträumen ausmalen können."

En Música de Contrabando revista diaria de música en Onda Regional de Murcia (orm.es; 23,05h a 01,00h) Las estadounidenses The Linda Lindas nos invitan a bailar con espíritu navideño con "Groovy Xmas", su nuevo single que llega acompañado de un divertido vídeo. Beyoncé y Kendrick Lamar lideran la lista de nominados rumbo a los Grammy 2023La artista suma nueve nominaciones por ‘Reinassance' y el rapero aparece en ocho categorías con su primer álbum en cinco años, Y aprovechamos ara reivindicar a Björk. Vida Festival 2023 confirma a The Libertines. Tomavistas anuncia fechas y su vuelta al parque Enrique Tierno Galván. “Nsera” es el título del nuevo sencillo de Fatoumata Diawara donde canta en su lengua materna, el bambará. Un tema que habla de las relaciones humanas, la hospitalidad y la generosidad. Un tema co-escrito y co-producido por Damon Albarn, líder de Blur. Tras cinco años desde la publicación de 'El alma dormida', Lapido nos vuelve a emocionar con un esperadísimo nuevo álbum titulado 'A primera Sangre'. Otro compendio de electricidad y poesía, de delicadeza y rabia marca de la casa que tiene como gozoso añadido la gira de presentación que llevará a cabo con toda su banda en abril y mayo. Shame anuncian Food for worms, su nuevo disco, con la electrizante y tabernaria sátira a la inacabable alfombra roja de las redes sociales en "fingers of steel", que estarán presentando en marzo en España. Black Midi publican Live fire, nuevo disco en directo de edición limitada y lo celebran con su versión de "sugar/tzu". Tennis anuncian POLLEN, su nuevo disco, con la calidez pop y el sensual falsete de "one night at the valet". El Kanka comenzará su gira nacional en Murcia. Aquí fue donde el malagueño terminó su anterior gira hace un año y se despidió por tiempo indefinido de los escenarios. Ahora, regresa a ellos justo en la misma ciudad. La cita será el 4 de marzo en Sala Mamba!. El 'villancico pop' guardado 35 años en una casete sale al fin a la luz. Se edita 'Hiru izar', cantado por el mítico grupo Aventuras de Kirlian en directo en 1988 en un programa de radio. Los Mejillones Tigre vuelven con su característica crítica mordaz para hablar de las proposiciones con las que lidian muchas bandas en algún momento de su carrera. MalaSpina (formación mitad murciana, mitad alicantina) publica álbum homónimo. Tras cinco años sin publicar material inédito, Luis Brea sorprende con un nuevo álbum y con nueva banda.Corazón Azul es el nuevo disco de Luis Brea y verá la luz en 2023.Weyes Blood celebra que este viernes publica And in the darkness, hearts aglow, su nuevo disco, estrenando "god turn me into a flower", uno de los sentidos momentos del disco en el que colabora Daniel Lopatin. La Bien Querida publica este viernes 18 el que será su próximo disco. Paprika. El conde de Montecristo es el adelanto de lo que será en los próximos meses el debut discográfico de Portero Delantero, nuevo proyecto del genial Iván Marcos. Mare Carrier se ha rodeado de colaboradores tan diversos como Perdón, Pedriñanes 77, Conszzzzzz, Aló Presidente o Ave Alcaparra, para lanzar el Ep "Muchachada". Ruto Neón avanza El Principio del Final, un segundo single de adelanto de Reset nuevo trabajo en ciernes del murciano. El videoclip ha sido obra de Adrián Gutierrez (Nunatak), que renderiza ese relato virtual tan personal como su autor. Margarita Quebrada, el trío valenciano referente de la escena Doom Pop y Post Punk nacional, da un golpe encima de la mesa con el estreno de su nuevo álbum Gas Lágrima y el anuncio de las primeras fechas de la gira. Sidecars arrancan esta semana la gira de presentación de 'Trece'; ocasión para charlar con Juancho, que actuará este sábado con su grupo estrenando la sala Mamba.

For this week's Record Club, Jake and Ryley have a blast breaking down legendary modern electronic mastermind Daniel Lopatin's 2015 masterpiece as Oneohtrix Point Never, the abrasive and heavily conceptual Garden of Delete. Join us as we unpack the strange and affecting concept and ideas behind this remarkably unique tentpole of 2010s electronica, and how it threads the needle between the industrial rock of the 90s and modern sonic sensibilities, while still being refreshingly unfashionable in its own exciting ways. Let us know what you think of this record and OPN's music in the comments below. Watch the video version of this episode to support the channel on YouTube.

It's 12PM our time again we're podding and you know it's us...just kidding we're on the radio now. Anti 66.6 AM talk radio baby...This week we're joined by the lovely Ashley of Simpin' After Dark to talk about The Weeknd's Dawn FM , Drake's spicy situation and Kanye's foxy new lady. Tunes: OPN "Good Time"; Tomoko Aran, "Midnight Pretenders"; Daniel Lopatin, "High Life"; The Weeknd, "Gasoline"; Macintosh Plus, "Floral Shoppe" 

Myra, Dei & Mojo discuss the Weeknd's fifth album is both a sonic and thematic follow-up to After Hours. It also has him riding the cinematic and retro synth-pop sounds first explored in 2016's Star Boy to its zenith. This is immortalized by the A-list personnel behind the new project, from Swedish pop maestro Max Martin and EDM trio Swedish House Mafia to U.S. producer and film composer Daniel Lopatin, who goes by Oneohtrix Point Never, or OPN. You could argue that Dawn FM is merely a flowering of ideas that were there all along. House of Balloons creates chilly R&B out of samples of  Beach House, and Aaliyah and elsewhere seems to nod to the moody drums & bad vibes of Phil Collins classics and the bedroom antics of '90s R&B legends like Jodeci. Elsewhere, pop hitmaker Max Martin takes guitars and synths and transforms them into disco-inflected bangers such as the album's lone single, "Take my Breath." The rhythm guitars resemble a mix of '80s funk and Daft Punk on "Sacrifice," which was built atop a sample of Alicia Myers' 1981 track "I Want to Thank You." And on "Less Than Zero," a tender acoustic guitar opens a new-wave lane that we've never seen the Toronto singer explore before, a rare moment of sonic fun (it's also one of two tracks on this entire album that is in a primary key). There was even be a global early, live broadcast today on Amazon Music for those who are extra eager to share the listening experience with fans across the world. As we count down the hours until the official drop at midnight, I am extraordinarily thankful for The Weeknd's spontaneity, for I am sure we are about to experience music history in the making. Listen to The Weeknd on Apple music. Also, they discuss. Gunna has come a long way, solidifying himself as one of the most prominent hitmakers coming out of Atlanta. Though he didn't release much music last year, he appeared on several other compilations like Young Thug's Punk, Pop Smoke's Faith, Doja Cat's Planet Her, and many others. Now, it's time for young Wunna to shine. Additionally, he further explores the themes of people he can no longer trust and how that has changed him. In the chorus, he raps, "You know b*****s talk, but you were the boss, so we keep our business private." He backs up these lyrics by acknowledging how he has helped others with "I got some slimes out a beehive, I know they are dying 'bout it." Overall, this song is a coming-of-age track for Gunna and is a perfect opener for the final chapter of the Drip Season series. On the next track, "poochie gown," there is a lot of anticipation and beef surrounding this track. However, it seems that, while there may be a lot more behind the scenes of this track, the main point that comes to attention is his apparent diss at Freddie Gibbs—produced by Wheezy, this song bass-heavy track with Gunna delivering fast flows. Gunna drops the bar in the song, "Hang above the rim. I can't fuck with Freddie Gibbs." He even backed this up on Twitter with a diss that would eventually evolve into a series of tweets from Gibbs. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this special episode, recorded during 7 Mile Advisors' 2021's ACCESS Conference, 7MA Managing Director Horacio Yenaropulos hosts a panel discussion on exploring international M&A trends, focused on Latin America. Joining Horacio are experienced international investor Mario Masrieh, Principal at Trivest Partners, which recently invested in Argentinian FinTech company Veritran; and Daniel Lopatin, Co-founder and CFO of tech consultancy ArganoUV. Daniel's company United Virtualities was https://www.7mileadvisors.com/transaction/united-virtualities-acquired-by-argano-a-trinity-hunt-portfolio-company/ (acquired by Argano) in February 2021, in a deal that was facilitated by 7MA. Latin America has a need and market for new digital solutions. Mario says that this was one reason Trivest invested in Veritran. “When you look at the unbanked and underbanked populations ... there's a huge white space,” he says. “Both the governments and the private sector need to bring the populations into the financial institutions, to create more wealth for the population and to support commerce.” The panel reviews the complexities and challenges that investors may encounter when moving into LATAM, including the diversity of the region, regulatory tax differences, and how to select strategic markets for your business goals. They also discuss best practices for working with the lawyers and accountants on your team. Daniel believes that understanding the culture of a country or region can be the difference between the success and failure of an acquisition in LATAM. “At the end of the day, your monetary success is attached to your ability to get together with them, and work together for the foreseeable future,” he says. “You shouldn't undermine the importance of cultural differences when you come into a deal.”   

On this impromptu episode, I (Ryan) go solo after messing up the dates of a Bright Eyes concert and totally fucking missing it. This week was massive for the page in so many different ways. After covering live events, addressing some news controversies head on, having our biggest post ever, things are really looking up for AntiArt. Follow your mf dreams because you never know, this has been my dream since I was in high school and now I'm really grinding at it and it's paying off. Also KANYE KEEP DOING YOUR THING OUT THERE IN ATLANTA, HYPED FOR THIS ALBUM LETS GET THAT DIVORCED DAD SORCERY GOING!Music used: "Pure Elation" and "High Life" by Daniel Lopatin"Divorce" by Alex Cameron 

Because we're not all stressed out enough, this week the boys welcome back beer provider and score aficionado Gavin Whitehead to discuss the 2019 crime drama Uncut Gems, and its score by Daniel Lopatin!

Experimental electronic composer and producer Daniel Lopatin of Oneohtrix Point Never delves into key influences from Chick Corea to Rush to My Bloody Valentine to Nirvana to DJ Premier, in a conversation about his evolving creative process. He talks about growing up as the child of Russian immigrants, recollecting the “beautiful red velvet walls” of the Russian restaurant where his father’s rock band played weekly covers gigs; his early adventures in sampling while working as a video store clerk; his fascination with “the way melody emerges from texture, how an incidental sound can be a rhythm,” as well as “the hallucinatory experience of music” and the “hidden frequencies of life.” --- Support this podcast: https://anchor.fm/jennylsq/support

Continuação da série sobre o pensamento Mark Fisher e música eletrônica contemporânea. Isolamos o caso do projeto de música Burial, do brilhante William Emmanuel Bevan, sobretudo seu álbum "Untrue" de 2007. Um pouco sobre eccojams, Daniel Lopatin e seu alterego Chuck Person. ⚫ Versão em vídeo: https://www.youtube.com/watch?v=8pkpQvdg_2A&ab_channel=AetiaEditorial ⚪ Créditos: seleções de trechos de demais música a partir do vídeo "Burial's Untrue: The making of a masterpiece" (https://www.youtube.com/watch?v=Et5B-... ) ⚫ Apoie o trabalho de Burial em https://burial.bandcamp.com/ Texto e narração: Jacob W. ⚪ No agregador: http://anchor.fm/doencastropicais

Caroline Polachek, Perfume Genius, Jlin and Oneohtrix Point Never discuss their links to poetry, and how they find harmony between competing elements in songs. Caroline Polachek is a pop and avant garde musician, record producer, writer and singer, who broke through in 2008 with her band Chairlift. She’s now releasing music under her own name, and counts Lady Gaga, Charli XCX, and Taylor Swift as fans. Mike Hadreas, better known as Perfume Genius, is an art-pop singer who addresses topics such as sexuality, domestic abuse, and his personal battle with Crohn’s disease in his music. Experimental electronic producer Jlin has worked with the likes of previous Music Life host Max Richter, Holly Herndon, St Vincent and Björk, and her latest record deals with issues such as “history, mythology, imprisonment, culture wars, and a clash of civilizations”. Finally, Brooklyn-based musician, soundtrack composer, and producer Daniel Lopatin works under the name Oneohtrix Point Never, and has collaborated with Iggy Pop, Anohni, Nine Inch Nails, David Byrne, and FKA Twigs.

Get ready for Brian and Drew to answer one of the most important questions facing movie lovers around the world. Which is better: Uncut Gems the movie … or Daniel Lopatin’s original score? It’s an agonizing decision, choosing between two things we love, but there can only be one winner! Warning: this episode, much like Howard’s all-or-nothing lifestyle, is not for faint of heart. Get on the email list at vcrworld.substack.com

Oneohtrix Point Never - "Long Road Home" from the 2020 album Magic Oneohtrix Point Never on Warp. After scoring the soundtrack to the 2019 Adam Sandler film Uncut Gems, Oneohtrix Point Never (real name: Daniel Lopatin) returns to his roots with his ninth full length, Magic Oneohtrix Point Never, a nod to the Boston-based FM radio station Magic 106.7 that inspired his own band name. “I wanted to make a cohesive, punchy, 50-minute record that was very personal, but pulled from FM palettes that I was personally interested in," he told Apple Music. "I think it works really well as a metaphor for how I've changed. The things that I try to understand about my own life and being an avid musical listener and how much that's influenced me as a musician is kind of apparent on this record. That metaphor of transformation is something that I came to by thinking about the radio.” For today's Song of the Day, which features guest vocals by Caroline Polachek, he continues: “I imagined it as the beginning of the album’s journey. It's setting the thesis of the whole record up, which is sort of embracing transformation, even if it's kind of disturbing and the future is vast and unfortunately filled with question marks. But that's it. That's the game. That's where we are. That's who we are. And so, how to live alongside your incompleteness, instead of fight against it or to think that you can overcome it. There's no home you come to. There's just this kind of road, and the road is the thing. That's what that song is for me.” Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.

This is how we all win! Ladies and gents, if you’re joining us today then you have officially made it through our 2019 Miniseries! Today the boys discuss their #1 movie of the year, Uncut Gems. Join as Tyler uncontrollably gushes over this film for two hours. Together they delve into The Safdie Bros’ masterful writing and direction, the films brilliant score by Daniel Lopatin, and possibly Adam Sandler’s career best performance. Happy New Year, folks! From the Top10 Crew to everyone, we wish you all a safe, happy, and healthy 2021.

"Caberfae Peaks" by Nolan Potter's Nightmare Band from Nightmare Forever; "The Splendor That Was Rome" by Hamerkop from Remote; "Run Like Hell" by Nine Inch Nails from Ghosts VI: Locusts; "Pandemi Pa Handelo" by Ock from II; "Let's Talk About You" by Madeleine Cocolas from Ithaca; "Floyd's Organ" by Adam Shephard from See; "Queen of Crickets" by Less Bells from Mourning Jewelry; "A4" by Dungen from Live; "Windows" by Daniel Lopatin from Uncut Gems; "Depse" by T Gowdy from Therapy With Colour; "You Ain't Takin My Man" by Sparkle Division from To Feel Embraced; "Tess" by Swanox from Jokes About Rain.

Setzt euch auf eure vier Buchstaben und umschifft mit uns drei davon: P O P. Mit Gästin Christiane Attig dreht Christopher an den Knöpfen der Radio-Nostalgie von Daniel Lopatin aka Oneohtrix Point Never. Für die Neuzeitlichen Bodenbeläge gehen sie in die stilsichere Kneipe von nebenan, während für den italienischen Synth-Pop von Geheimtipp Il Quadro Di Troisi in der Zauberkugel flott das schickste Hemd aus dem Schrank geholt wird. Zwischen Natur und Großstadt-Blues findet die Isländerin Sophia Loizou die richtigen Töne und das legendäre Debüt von Leila Arab auf Rephlex findet endlich eine neue Heimat. Dazu stellen wir 17 neue Songs für unsere Playlist „Track17 – Playlist zum Podcast“ auf Spotify vor. The Bug, Off The Meds, Molchat Doma, Overmono, Orphea, OTTO und viel mehr. Direkt abonnieren und reinhören! @kristopher_gif / @thethealbert / @track17podcast [Setlist] - [00:00:00] Intro - [00:01:33] Zu Gast: Podcasterin Christiane Attig, Projekte, Anime-Intros - [00:06:04] Zuletzt gehört: Kaki King, Grouper und Drei Eier - [00:09:51] **Oneohtrix Point Never // Magic Oneohtrix Point Never (WARP)** - [00:24:19] **Neuzeitliche Bodenbeläge // Der große Preis (Bureau B)** - [00:31:49] **Il Quadri Di Troisi // st (raster)** - [00:41:45] **Sophia Loizou // Untold (Houndstooth)** - [00:49:34] **Leila // Like Weather (Rephlex / Modern Love)** - [00:58:40] Track17 - Playlist zum Podcast: The Bug, Off The Meds, Molchat Doma, Overmono, OTTO, Orphea uvm. Direkt abonnieren und reinhören!

Zuletzt hörte man die Musik von Daniel Lopatin alias Oneohtrix Point Never vor allem in Filmen – im Adam-Sandler-Thriller «Uncut Gems» zum Beispiel (bei uns auf Netflix). Jetzt hat der Electronica-Tüftler am letzten Freitag ein neues Studioalbum veröffentlicht – inkl. «Long Road Home». Diesen Track findet ihr auf unserer «Top 5»-Spotify-Liste. Dort gibt's jeden Mittwoch die fünf nennenswertesten Tracks der Woche – wenn es nach der Sounds!-Redaktion geht. Hier im Abo .

Zuletzt hörte man die Musik von Daniel Lopatin alias Oneohtrix Point Never vor allem in Filmen – im Adam-Sandler-Thriller «Uncut Gems» zum Beispiel (bei uns auf Netflix). Jetzt hat der Electronica-Tüftler am letzten Freitag ein neues Studioalbum veröffentlicht – inkl. «Long Road Home». Diesen Track findet ihr auf unserer «Top 5»-Spotify-Liste. Dort gibt's jeden Mittwoch die fünf nennenswertesten Tracks der Woche – wenn es nach der Sounds!-Redaktion geht. Hier im Abo .

Théo Ribeton (Stylist, Les Inrockuptibles) et Nico Prat échangent sur leurs bandes originales préférées. Daniel Lopatin "Fuck You Howard" Leonard Cohen "The Stranger Song" Whitney Houston "Greatest Love Of All" Gareth Williams & Jack Nitzsche "Starman (End Titles")

This week's episode kicks off with a reader question asking for Steven Hyden and Ian Cohen's thoughts on the artists of the 2000's and 2010's that were hugely influential to the new crop of indie musicians coming out today. Each "scene" has its own central name, but Cohen is quick to assign roles of leadership to artists like Mac DeMarco, Frankie Cosmos, Alex G, and Title Fight. Hyden is also adds to the list artists like Tame Impala and The War On Drugs, who influenced a whole other sect of emerging indie artists with their psychedelic tendencies.The meat of the episode is dedicated to diving into new albums from Oneohtrix Point Never and Salem. In the case of 'Magic Oneohtrix Point Never,' Hyden wonders whether this will be the record that breaks Daniel Lopatin into the pop mainstream, with a track featuring none other than The Weeknd. On the other hand, Hyden and Cohen are unsure what to think of 'Fires In Heaven,' the new album from Michigan duo Salem, who The Washington Post called "the stupidest band on Earth" in 2011.In this week’s Recommendation Corner, Cohen is digging 'No Driver,' the new album from Swedish band I Love Your Lifestyle, while Hyden is tiding himself over until the return of live music with new live albums from The War On Drugs and Arctic Monkeys. Sign up for the Indie Mixtape newsletter here.

This week's episode kicks off with a reader question asking for Steven Hyden and Ian Cohen's thoughts on the artists of the 2000's and 2010's that were hugely influential to the new crop of indie musicians coming out today. Each "scene" has its own central name, but Cohen is quick to assign roles of leadership to artists like Mac DeMarco, Frankie Cosmos, Alex G, and Title Fight. Hyden is also adds to the list artists like Tame Impala and The War On Drugs, who influenced a whole other sect of emerging indie artists with their psychedelic tendencies.The meat of the episode is dedicated to diving into new albums from Oneohtrix Point Never and Salem. In the case of 'Magic Oneohtrix Point Never,' Hyden wonders whether this will be the record that breaks Daniel Lopatin into the pop mainstream, with a track featuring none other than The Weeknd. On the other hand, Hyden and Cohen are unsure what to think of 'Fires In Heaven,' the new album from Michigan duo Salem, who The Washington Post called "the stupidest band on Earth" in 2011.In this week’s Recommendation Corner, Cohen is digging 'No Driver,' the new album from Swedish band I Love Your Lifestyle, while Hyden is tiding himself over until the return of live music with new live albums from The War On Drugs and Arctic Monkeys. Sign up for the Indie Mixtape newsletter here.

El próximo álbum de Oneohtrix Point Never, el proyecto de Daniel Lopatin, suena en este Siglo21. Y también Fantastic Negrito, Isabel Do Diego, Ruiseñora, Ed Is dead y Lavanda, entre otras novedades. En La Puerta de Atrás hablamos del futuro con Elisabet Roselló, fundadora de Postfuturear. Escuchar audio

The Weeknd is the alias of alternative R&B enigma-turned-pop star Abel Tesfaye, whose aching accounts of emotionally and physically toxic indulgences have translated to multi-platinum sales and Grammy recognition. Toward the end of 2019, after a handful of intermediary collaborations and soundtrack contributions, Tesfaye issued the first two singles off his fourth proper album. "Heartless," co-produced by Illangelo and Metro Boomin, topped the Hot 100, and "Blinding Lights," another Max Martin collaboration, went Top Ten before After Hours arrived in March 2020. The heartache-filled set, which also featured a handful of collaborations with Daniel Lopatin (aka Oneohtrix Point Never), became Tesfaye's fourth straight number one release on the U.S. and Canadian album charts.

When you're searching for something new to watch on Netflix, Amazon Prime, Hulu or even Shudder, search no further: subscribe to Man Bites Film. We bring you a comedic conversation about movies streaming on the main services. Our twisted humor is brought to you by William Phoenix, the man that taps his way into your heart one pun at a time, with his obsession of Harry Potter and Marvel; then the film snob of the group, Luis Lacau, that will bleed his film heart out for Kubrick and Lord of the Rings, but nothing else; finally our host with not the most, Branden Lacau. He's the ringmaster to our circus or the driver of the dumpster fire, keeping us on track, but will always stop to weeb out on AnimeUncut Gems is a 2019 American crime thriller film[5] directed by Josh and Benny Safdie, who co-wrote the screenplay with Ronald Bronstein. The film stars Adam Sandler as Howard Ratner, a Jewish jeweler and gambling addict in New York City's Diamond District, who must retrieve an expensive gem he purchased to pay off his debts. The film also stars Kevin Garnett, Idina Menzel, Lakeith Stanfield, Julia Fox, and Eric Bogosian. Filming took place from September to November 2018. The original score was composed by Daniel Lopatin.Uncut Gems had its world premiere at the Telluride Film Festival on August 30, 2019. It entered into a limited release in the United States on December 13, 2019, before a wide release on December 25, by A24. The film received critical acclaim, especially for Sandler's performance. It was chosen by the National Board of Review as one of the top ten films of 2019, with Sandler also winning the Independent Spirit Award for Best Male Lead. It became A24's highest-grossing film domestically with $50 million.Join our Man Bites Media Family every Friday as we bring you 5 films each week and the latest movie news.www.ManBitesFilm.com#Comedy #Horror #Netflixmovies #Amazonprime #Hulumovies #Luislacau #Manbitesmedia #Manbitesfilm #Brandenlacau #williamphoenix #Hulu #Shudder #Netflixoriginal #Hulu #Scifi #Comedies #Dramaseries #mbm #podcast #fandom #nerds #geeks #moviesreview #anime #miamireviews #newyorkmovies #Orlandomovies #castlevania #thegoodplace #theresuersdownunder

When you're searching for something new to watch on Netflix, Amazon Prime, Hulu or even Shudder, search no further: subscribe to Man Bites Film. We bring you a comedic conversation about movies streaming on the main services. Our twisted humor is brought to you by William Phoenix, the man that taps his way into your heart one pun at a time, with his obsession of Harry Potter and Marvel; then the film snob of the group, Luis Lacau, that will bleed his film heart out for Kubrick and Lord of the Rings, but nothing else; finally our host with not the most, Branden Lacau. He's the ringmaster to our circus or the driver of the dumpster fire, keeping us on track, but will always stop to weeb out on AnimeUncut Gems is a 2019 American crime thriller film[5] directed by Josh and Benny Safdie, who co-wrote the screenplay with Ronald Bronstein. The film stars Adam Sandler as Howard Ratner, a Jewish jeweler and gambling addict in New York City's Diamond District, who must retrieve an expensive gem he purchased to pay off his debts. The film also stars Kevin Garnett, Idina Menzel, Lakeith Stanfield, Julia Fox, and Eric Bogosian. Filming took place from September to November 2018. The original score was composed by Daniel Lopatin.Uncut Gems had its world premiere at the Telluride Film Festival on August 30, 2019. It entered into a limited release in the United States on December 13, 2019, before a wide release on December 25, by A24. The film received critical acclaim, especially for Sandler's performance. It was chosen by the National Board of Review as one of the top ten films of 2019, with Sandler also winning the Independent Spirit Award for Best Male Lead. It became A24's highest-grossing film domestically with $50 million.Join our Man Bites Media Family every Friday as we bring you 5 films each week and the latest movie news.www.ManBitesFilm.com#Comedy #Horror #Netflixmovies #Amazonprime #Hulumovies #Luislacau #Manbitesmedia #Manbitesfilm #Brandenlacau #williamphoenix #Hulu #Shudder #Netflixoriginal #Hulu #Scifi #Comedies #Dramaseries #mbm #podcast #fandom #nerds #geeks #moviesreview #anime #miamireviews #newyorkmovies #Orlandomovies #castlevania #thegoodplace #theresuersdownunder

This week the AP team put on their spacesuits and blast off into the quantum realm of Daniel Lopatin's soundtrack to the A24 film Uncut Gems. While contemplating inner peace, the universe and prog-rock synthesizers, the team wring their hands and wonder if the soundtrack is able to stand up on its own. NOTE: there are spoilers to the film Uncut Gems from the 6:15 mark The ending is not revealed, but a few key scenes and moments are alluded to or explained in varying degrees. If you like to watch your films without spoilers - maybe put this one on pause and come back when you've given it watch. LISTEN TO UNCUT GEMS HERE (SPOTIFY): https://open.spotify.com/album/3pvGQtSsi9LGcPIZ7plWYe?si=k1z9PzNFSP6tKYENGCfv_g

Adam Sandler en una nueva faceta, la de un personaje principal antipático y agobiado por la angustia y la tensión; una banda sonora arriesgada (a cargo de Daniel Lopatin); un filme vital y sorprendente: algunas de las razones de Joel Poblete para ver "Uncut Gems" en Netflix.

Neste episódio, uma conversa sobre a música de Joias Brutas (15:25), dos outros filmes dos Irmãos Safdie e da parceria deles com o compositor Daniel Lopatin. Participações especiais de Blade Runner, Akira e Haydn.  Depois, Gustavo e Mauricio fazem um tour por dez trilhas eletrônicas de cinema que merecem sua atenção. (46:10) No final, uma continuação não-autorizada dos injustiçados do Oscar. (01:23:14) A playlist do episódio já está toda no Spotify. Bom podcast! #uncutgems #daniellopatin #trilhasonora

Fede e Aldo sono entusiasti dell'ultimo film dei fratelli Safdie. Entusiasmati anche tu! Dei fratelli Safdie parlammo in Ricciotto 266: https://www.querty.it/podcast/good-time-ricciotto-266/ Una bella intervista ai fratelli Safdie, Jennifer Venditti e Daniel Lopatin: https://www.youtube.com/watch?v=PDN4TPp5lkU

Fede e Aldo sono entusiasti dell'ultimo film dei fratelli Safdie. Entusiasmati anche tu!Dei fratelli Safdie parlammo in Ricciotto 266: https://www.querty.it/podcast/good-time-ricciotto-266/Una bella intervista ai fratelli Safdie, Jennifer Venditti e Daniel Lopatin: https://www.youtube.com/watch?v=PDN4TPp5lkU

Fede e Aldo sono entusiasti dell'ultimo film dei fratelli Safdie. Entusiasmati anche tu!Dei fratelli Safdie parlammo in Ricciotto 266: https://www.querty.it/podcast/good-time-ricciotto-266/Una bella intervista ai fratelli Safdie, Jennifer Venditti e Daniel Lopatin: https://www.youtube.com/watch?v=PDN4TPp5lkU

Here I talk to editor and writer Matthew Shen Goodman. Long time Talk fam, Matt contributed to our first issue for which I will forever be grateful. Matt is an editor at Triple Canopy and frequent contributor to Art in America among a fistful of other cultural and critical platforms. Here we talk about why he dropped out of not one but two prestigious grad programs, circle around the question of the space for idiosyncratic style and interiority in critical writing and why fiction is starting to feel more and more relevant in the early days of 2020. We also get into some thoughts about the distinction between cultural appropriation and cultural exploitation, and what this whole coerced performance of identity really seems to yield. Also did Daniel Lopatin steal or borrow from the Akira soundtrack? Finally we settle into our shared identity as native New Yorkers and how those rougher edges can sometimes make it difficult to navigate less confrontational cultures, and why he finds MMA to be a specifically satisfying outlet for that gap. Matt’s a fascinating guy and this was a great chat. If you haven’t yet, definitely dive into his deep and continually growing archive or writing. http://www.matthewshengoodman.com/https://www.artnews.com/art-in-america/features/ian-cheng-simulation-ai-art-1202675838/

Otto und Sabrina vergeben mit Resi Thill die 1. jährlichen Felix Awards - für viele bereits jetzt der wichtigste Filmpreis des Jahres. Hier bekommen einige Filme die Liebe, die ihnen vom großen Awardbruder verwehrt wurde. Beim Hören dieser Folge empfiehlt sich Abendkleidung!

"Kawasemi Ah" by OOIOO from Nijimusi; "Neochrome" by Saariselka from The Ground Our Sky; "Anticipation of the Night" by Julie's Haircut from In the Silence Electric; The title track from Stress by Tycho; "Red Sky Sprawl" by Xander Harris from The New Dark Age of Love. Courtesy of Not Not Fun; "Windows" by Daniel Lopatin from Uncut Gems; "Unknown To The Peacock The Serpent And Scorpion Conspire (Alessandro Cortini Remix)" by Vatican Shadow from American Flesh for Violence; "Love Again" by Mr. Elevator from Goodbye Blue Sky; "Not This Time" by Andy Stott from It Should Be Us; "Mise En Abyme" by Joni Void from Mise en Abyme

We're about 6 weeks too late for prime year-end-list season (blame Nina and/or the fact that none of the good movies come out until December) but that isn't stopping us from giving our belated takes on the last year in music and film. Will highlights albums from Cate Le Bon, FKA twigs, and David Berman’s Purple Mountains, and Nina shouts out “Uncut Gems,” “Hustlers,” and “Mister America” (all of which, sadly, were snubbed by the Academy). *This episode was recorded on January 13, 2020, hence the Oscars talk.* Clips used: - "Miami" by Cate Le Bon - "MT BTL 3.0" by Tim Heidecker - "Cellophane" by FKA twigs - "Criminal" by Fiona Apple - "Powerade" by Daniel Lopatin (from "Uncut Gems" OST) - "All My Happiness Is Gone" by Purple Mountains Note: We do not own the music used in this episode. All clips used under fair use guidelines for educational and discussion purposes only. Theme music by Will Atkinson

"Kawasemi Ah" by OOIOO from Nijimusi; "Neochrome" by Saariselka from The Ground Our Sky; "Anticipation of the Night" by Julie's Haircut from In the Silence Electric; The title track from Stress by Tycho; "Red Sky Sprawl" by Xander Harris from The New Dark Age of Love. Courtesy of Not Not Fun; "Windows" by Daniel Lopatin from Uncut Gems; "Unknown To The Peacock The Serpent And Scorpion Conspire (Alessandro Cortini Remix)" by Vatican Shadow from American Flesh for Violence; "Love Again" by Mr. Elevator from Goodbye Blue Sky; "Not This Time" by Andy Stott from It Should Be Us; "Mise En Abyme" by Joni Void from Mise en Abyme

Adam Sandler is excellent as a New York gem dealer in trouble for gambling debts in this high octane drama from Josh and Bennie Safdie. I became a fan of the Safdie brothers, Josh and Benny, after I saw their previous film from a couple years ago, Good Time, which I reviewed on this show. Good Time covered a day or two in the life of a manic, risk-taking criminal played by Robert Pattinson. That was a propulsion rocket of a film in which each crazy predicament seemed to outdo the last one. The Safdie brothers write and direct their pictures together with screenwriting and editing help from their friend Ronald Bronstein. Their new film is called Uncut Gems, and its style and energy are similar to Good Time, but more so. Much more so. Adam Sandler plays Howard Ratner, a gem dealer in the famed Diamond District of Manhattan. Howard is always on the move, always trying to make the next deal, while at the same time always trying to get out of whatever scrape he's gotten himself into. He's a gambling addict, making bets on basketball games with a recklessness that is pretty close to being deranged. Married with three kids, his wife his fed up with his antics and wants a divorce. He lives in a separate apartment with his much younger lover (and employee) Julia, played by Julia Fox. The plot gets rolling when Howard buys an uncut Ethiopian black opal, a stone which contains brilliant differently colored gleaming gems on its surface. Boston Celtics basketball star Kevin Garnett—playing himself, and quite well, I might add—visits Howard's shop and wants the opal, but Howard has committed it to a big auction dealer. Garnett pleads with him and then Howard unwisely lets him borrow the stone for a few days, holding his championship ring as collateral, which he then goes and pawns for money to bet on the next Celtics game. Meanwhile he owes a lot of money to a guy named Arno, played by a weary-looking Eric Bogosian, who has hired a couple of thugs to get the money back from Howard through threats and violence. Later in the film, at a Passover celebration at Howard's family home, we are surprised to see Arno in attendance. Apparently he's an in-law. Now, the plot description doesn't do justice to this film's relentless rhythm, as Sandler's character scrambles through one tense scene after another in pursuit of the big score, almost always talking on his cell phone, while trying to avoid his enemies. I've heard that some folks who don't read film reviews—and I realize many people don't—have gone to this movie expecting a typical Adam Sandler film, and ended up walking out. This is not a comedy. Now, once in awhile Sandler has tried doing something different than usual, such as, for example, Punch-Drunk Love or even Spanglish, and this one is played absolutely straight, although there's a grim sense of humor at times if you pay attention. In any case, it's excellent work by Sandler. Howard is a maniacally driven individual, liable to lash out or do self-destructive things when he wants what he wants now, and Sandler's intense, crouching presence really draws you in. The film is practically designed to raise your blood pressure, with not very much down time in between scenes of yelling and arguing, overlapping dialogue, intermittent fear, violence and bullying, all the while accompanied by Daniel Lopatin's pulsating musical score. The Safdies are very interested in urban Jewish life, and especially in restless and ambitious Jewish people, driven by neurosis and dissatisfaction, and they really capture that feeling in this film. Howard, and the film, seems always poised just on the edge of disaster, and the audience feels that something terrible could happen at any moment. This suspense reaches it

Uncut Gems is a 2019 American crime thriller directed by Josh and Benny Safdie, who co-wrote the screenplay with Ronald Bronstein. The film stars Adam Sandler, Kevin Garnett, Lakeith Stanfield, Julia Fox, Mike Francesa, Idina Menzel, and Eric Bogosian. The plot follows Howard Ratner, a jeweler and gambling addict in New York City's Diamond District, who gets in over his head with loan sharks and must retrieve an expensive gem he purchased in order to pay off his debts. Filming for the project took place from September to November 2018. The original score was composed by Daniel Lopatin. Uncut Gems had its world premiere at the Telluride Film Festival on August 30, 2019, and was theatrically released on December 13, 2019 by A24. The film received critical acclaim, with its screenplay, direction, Sandler's performance and Darius Khondji's cinematography receiving much of the praise, and was chosen by the National Board of Review as one of the top ten films of 2019, with Sandler also winning Best Actor. It became one of A24's highest-grossing releases, having made $43 million. To JOIN our Channel as a FAMILY GUEST please follow this link! https://www.youtube.com/c/nadiasawalhaandfamily/join --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

Hi everyone! We’re closing out the week with a doozy. Anyone who likes the Safdie Brothers knows that they can tell a hell of a story, set on the unforgiving streets of New York. In 2017, I took in their last two features, which include HEAVEN KNOWS WHAT, a heartbreaking, gutter noir look at addiction, and GOOD TIME, a pulse-pounding quest around the city starring Robert Pattinson. It was also their first collaboration with Oneohtrix Point Never, aka Daniel Lopatin, one of my favorite musicians. So, I was stupid excited to see today’s film, as long as my heart could take it. Before the review, we’ll have a promo from our good friends at the Comics in Motion podcast. Every week, Dave and Chris look at a film which made its way from the comic book page to the silver screen, and sometimes even back again. They look at the lore, the rendition, and everything related, delivering a fun look at each film. You can find them on Twitter and Instagram @comicsinmotionp and on Facebook @ComicsInMotionPodcast. They were some of our biggest supporters last year, and we can’t thank them enough! Subscribe to stay current with the latest releases. Contribute at Patreon for exclusive content. Connect with us over social media to continue the conversation. Here we go! ///// > ///// Today’s movie is UNCUT GEMS, the crime thriller directed by Benny and Josh Safdie, and written for the screen in collaboration with Ronald Bronstein. The film follows Howard Ratner (Adam Sandler), a jeweler in New York’s diamond market, who has run out of time to payback loan shark Arno (Eric Bogosian). While waiting for the payoff of a lifetime for a rare opal snuck into the country, Howard begins making a series of high stakes bets around town looking for the biggest score of his life. No spoilers. However, I am going to issue a content warning for gambling addicts out there. Gambling addicts may get very uncomfortable watching this film, mostly for its incredible portrayal of the rush. If you have a gambling addiction, please seek professional help. The Safdie Brothers like to deal with flawed characters, specifically those who live in and around New York City. Each character might be flawed in different and unique ways, but one flaw they all share in common is that they end up being the cause for their own downfall. It’s clear to everyone else on screen and clear to the viewers in the seats, but never to the main characters portrayed by the Safdies. Howard Ratner has this same flaw, a fact we could easily surmise from the trailer, but a point that is driven home when Howard is introduced, having just left one important appointment for another at his jewelry shop. Over the course of the next few scenes, we learn two very important points. First, Howard has an incredibly bad gambling problem, which is untampered despite owing a great deal of money to a loan shark. And second, this is Adam Sandler like you’ve never seen him before. The real genius of UNCUT GEMS is Sandler’s casting. The Safdie Brothers have managed to craft a character that fits Sandler in a way that doesn’t make it feel like an Adam Sandler film. And you know what I mean by an Adam Sandler film – that particular brand of attention-seeking late-night comedy which made him famous on Saturday Night Live, made him successful in the transition to the silver screen, and exactly what is expected when producers engage Happy Madison Productions. Everyone either loves or hates these films, but that’s not what we have here today. By contrast to the typical Adam Sandler film, Howard Ratner is the Star Trek mirror universe version of Adam Sandler, right down to the goatee. He even has a much darker profession that still employs his particular set of skills: grabbing and maintaining attention. By the end of Howard’s opening scenes, we’re ready for a very tense journey, one not unlike Voltaire’s Candide, as Ratner’s sheltered and privileged life is catching up with him. Also much like Candide, Howard is constantly rationalizing and re-rationalizing his actions, based on real and perceived score and riches, in a perfect depiction of the gambling addict trapped into the gambler’s fallacy. Around Howard is a mixture of real-life and fictional characters. Kevin Garnett and The Weeknd play fictionalized versions of themselves, the former focused on acquiring the opal from Ratner, the latter being worked over for a few sales by Howard’s assistant/mistress Julia (Julia Fox). Julia Fox’s debut role is incredible, a role written for her by the Safdie Brothers as the film was being written and re-written over the last decade or so. LaKeith Stanfield is also great as Demany, who works as a jewelry consultant to bring in the big name clients to Howard, looking for a break into the jeweler’s world. Idina Menzel plays Howard’s wife, ready for a divorce, and the only one concerned about their children by all measures. There’s even a host of fun cameos for Ca$h Out, Pom Klementieff, Trinidad James, Tilda Swinton, Natasha Lyonne, and Josh Ostrovsky. Howard leaves a huge, disastrous wake throughout the film, especially as the stakes climb even higher. And it’s a hell of a ride. The Safdie Brothers are the masters at maintaining tension, using a combination of long take scenes that maintain the tension, along with microphone dropping scenes that communicate a lot of information very quickly. Much like HEAVEN KNOWS WHAT and GOOD TIME, the subject matter contains a lot of explicit material, often without much warning, but always for great and useful effect. Incredible visuals are included that play with the refracted light within the gems, all driven by Daniel Lopatin’s excellent electronic score. It is a top notch film, with only a few moments throughout where the film felt fatigued, which matched up with Howard’s character, but not with the overall pacing. A very small complaint. My last thought is that I sincerely hope this film begins to help redefine what is meant by an Adam Sandler film. I think we got a glimpse of what might be possible in 2017’s THE MEYEROWITZ STORIES (NEW AND SELECTED), where Noah Baumbach was able to leverage Sandler’s strengths in a more dramatic fashion. He’s not the only independent film to take a crack at a dramatic Sandler, either. I actually wonder how many more films like this might have been possible if Paul Thomas Anderson’s PUNCH-DRUNK LOVE (2002) starring Adam Sandler had turned out better. Based on his performance and framing in UNCUT GEMS, I have a feeling more filmmakers will be willing to take a shot. UNCUT GEMS is a pulse-pounding, stress-inducing look at high stakes gambling addiction, New York’s diamond market, and the lies we tell ourselves about the future to justify our present. Adam Sandler is incredible as Howard Ratner, proving he has the range outside of popular expectations, and hopefully the first of many more dramatic roles. Fans of the Safdie Brothers will definitely check out this film. Adam Sandler fans should be ready for a much darker role, dealing with mature subject material, but will definitely appreciate his work regardless. Definitely recommended for all New York street-level crime fans! Rotten Tomatoes: 93% (CERTIFIED FRESH) Metacritic: 89 (MUST SEE) One Movie Punch: 9.5/10 UNCUT GEMS (2019) is rated R and is currently playing in theaters.

Jack and Alex get away from talking about A24 releases (but not really) this week to talk about 2019 in film overall while discovering each other's blindspots and just generally having a good time.Intro music is The Blade by Daniel Lopatin off of the Uncut Gems score

Toutes mes excuses pour le son !!Ré-up d'une émission enregistrée pendant l'été 2019, il faisait chaud et j'ai été un peu négligent avec la fenêtre ouverte et surtout l'emplacement des micros !Mais c'est mon invité.e a été ouf, avec une tonne de choses à dire ! Le Glossaire (parce que vous allez en avoir besoin)#seapunk : qui doit être écrit avec son hashtag est le mouvement défini par 4 ami.e.s : Lil'Internet, Lil'Government, Alberto Redwine et Zombella.Il n'y a pas de musique attitrée dans le #seapunk, mais nombres d'artistes se sentant proche du mouvement vont aider à définir ou au contraire à troubler encore plus ses contours. Oneohtrix Point Never : est Daniel Lopatin. Compositeur américain et auditeur de la station Magic 106.7 d'où il tire son nom-jeu-de-mots. Il se fait connaître en tant que Chuck Person avec son album Chuck Person's Ecco Jams sorti en 2010.Chopped and Screwed : technique musicale inventée et popularisée par Dj Screw dans les années 90. Screw jouait sa musique avec un tempo très en-dessous de la normale ajoutant un aspect narcoleptique à ses mix. Il avait aussi l'habitude de jouer le même disque sur ses platines avec un léger décalage, allant de l'une à l'autre pour créer un effet d'écho.Macintosh Plus : est Ramona Andra Xavier, compositrice américaine. Elle fait effectivement comme le fait remarquer Baptiste, concurrence à Aphex Twin au niveau du panel de pseudos : Vektroid, Vektordrum, Dstnt (qui est en fait Distant et non Distinct comme je le dis en podcast), New Dreams Ltd... la liste est extrême longue, comme ses façons d'aborder et traiter la musique.リサフランク420 / 現代のコンピュー ou Lisa Frank 420/Computing : est le titre phare de la Vaporwave. Il s'agit d'un edit de Your Move de Diana Ross. Le fameux morceau qui a sa cohorte d'adorateurs toxiques...Vaporware : se dit des produits technoliques annoncés en grande pompe et jamais sortis ou du moins dont le développement a dépassé le raisonnable. On pense souvent à Starcraft Ghost qui dispose de deux cinématiques impressionnantes pour un jeu qui n'a pas vu le jour (mais Nova a été rescapée, ouf !!)Les Précieux Liens !Le mix de Datashat : ICILa page Facebook d'Ecoplan : https://www.facebook.com/ecoplan/Le DaB de John Oswald : ICIUn excellent exemple de Vaporware : ICIPour écouter Lisa Frank 420 c'est : ICIEt le fameux lien Reddit où vous trouverez masse d'infos sur le genre :ICI

  Toutes mes excuses pour le son !! Ré-up d'une émission enregistrée pendant l'été 2019, il faisait chaud et j'ai été un peu négligent avec la fenêtre ouverte et surtout l'emplacement des micros ! Mais c'est mon invité.e a été ouf, avec une tonne de choses à dire !    Le Glossaire (parce que vous allez en avoir besoin) #seapunk : qui doit être écrit avec son hashtag est le mouvement défini par 4 ami.e.s : Lil'Internet, Lil'Government, Alberto Redwine et Zombella. Il n'y a pas de musique attitrée dans le #seapunk, mais nombres d'artistes se sentant proche du mouvement vont aider à définir ou au contraire à troubler encore plus ses contours.  Oneohtrix Point Never : est Daniel Lopatin. Compositeur américain et auditeur de la station Magic 106.7 d'où il tire son nom-jeu-de-mots. Il se fait connaître en tant que Chuck Person avec son album Chuck Person's Ecco Jams sorti en 2010. Chopped and Screwed : technique musicale inventée et popularisée par Dj Screw dans les années 90. Screw jouait sa musique avec un tempo très en-dessous de la normale ajoutant un aspect narcoleptique à ses mix. Il avait aussi l'habitude de jouer le même disque sur ses platines avec un léger décalage, allant de l'une à l'autre pour créer un effet d'écho. Macintosh Plus : est Ramona Andra Xavier, compositrice américaine. Elle fait effectivement comme le fait remarquer Baptiste, concurrence à Aphex Twin au niveau du panel de pseudos : Vektroid, Vektordrum, Dstnt (qui est en fait Distant et non Distinct comme je le dis en podcast), New Dreams Ltd... la liste est extrême longue, comme ses façons d'aborder et traiter la musique. リサフランク420 / 現代のコンピュー ou Lisa Frank 420/Computing : est le titre phare de la Vaporwave. Il s'agit d'un edit de Your Move de Diana Ross. Le fameux morceau qui a sa cohorte d'adorateurs toxiques... Vaporware : se dit des produits technoliques annoncés en grande pompe et jamais sortis ou du moins dont le développement a dépassé le raisonnable. On pense souvent à Starcraft Ghost qui dispose de deux cinématiques impressionnantes pour un jeu qui n'a pas vu le jour (mais Nova a été rescapée, ouf !!) Les Précieux Liens ! Le mix de Datashat : ICI La page Facebook d'Ecoplan : https://www.facebook.com/ecoplan/ Le DaB de John Oswald : ICI Un excellent exemple de Vaporware : ICI Pour écouter Lisa Frank 420 c'est : ICI Et le fameux lien Reddit où vous trouverez masse d'infos sur le genre : ICI

This week's episode is brought to you by Stubhub. In a bonus second episode this week, Consequence of Sound's Composer of the Year, Daniel Lopatin, joins host Lior Phillips by phone to discuss his score from the brilliant new film Uncut Gems. In this chat, Daniel discusses his work with the Safdie Brothers on the Adam Sandler-starring thrill ride, the incongruous ability of Vangelis-indebted new age tones to produce anxiety, and the push and pull between film scoring and his work as Oneohtrix Point Never—including a tip about when to expect more 0PN music. Head here for more info on Daniel Lopatin and Oneohtrix Point Never. Head here for more info on Daniel's score for Uncut Gems. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

It's less than two weeks until Christmas, so it's only fitting that The Fourth Wall's fifteenth episode, an interview with the impassioned and intelligent “Uncut Gems” composer Daniel Lopatin, also known by his music persona Oneohtrix Point Never, would be preceded by a mini-tailspin of manic energy more stressful than the click-clack of going shopping at the mall a few days before the holiday – a fitting anxiety-induced morning that mirrors the adrenaline assault of Lopatin and the Safdie Brothers latest cacophony of emotions. We had a phenomenal chat with Lopatin, a man whose love for artistry ooze out of him once he gets going on a subject. His relationship with the Safdies has kept the same creative treadmill running since their previous collaboration; following their success with “Good Time,” the trio just kept on “tumbling,” as Lopatin put it. Their shared love for movies being part of what lets their collaboration sing, and their inspiration as artists willing to push the envelope is only growing. The Safdies assemble a temporary audio cut for the composer that's often stitched together pieces of records. “They cut it up so finely that it totally destroys the linearity of the original song, and they're really just using it to show you beats, and spikes, and dynamics,” Lopatin said. Their direction providing a conduit to deliver the color and texture for the film, tethering that color to a sense of character." The apotheosis moment of a collaboration between myself and the Safdie Brothers is when we're in the studio and they're reacting to a particular sound, not a melody, not any kind of musical progression, but a texture of feeling, a sound that they want me write with. It's about finding those tools, those colors, and presenting those colors to see if they perk up." If you've seen “Good Times” or “Uncut Gems” already (which, we recommend you do before listening to this episode) it makes perfect sense why this approach lends itself so well to the brother's style. “The scores work in a similar way,” Lopatin concedes. But the composer is always looking to coax different feelings out of his synthesizers. Sometimes, that involves looking back at history, and letting go of the futurist elements to his music. We truly had an awesome chat with the composer (Lopatin is a gentleman and a scholar) diving deep into his process and discussing certain song choices. He also told us a great story about watching the underrated hitman movie “Murder By Contract,” (one of Martin Scorsese's favorite pictures) with the Safdie Brothers. Uncut Gems is now playing in NY/LA. This interview was conducted by Andrew Bundy. --- Send in a voice message: https://anchor.fm/theplaylist/message

Join filmmakers Josh & Benny Safdie for a behind-the-scenes conversation about their new film Uncut Gems. The brothers discuss how they used sound design and music to create the perilous, uncomfortable world of Adam Sandler’s character, Howard Ratner. They are joined by composer Daniel Lopatin, who talks about using the classic 1970s Moog synthesizer to create the movie’s emotional score, and re-recording mixer Skip Lievsay, who talks about how he used Dolby Atmos to give the audience the experience of being in the world of the characters. Recorded in front of a live audience at the New York Film Festival Artist Academy. Josh Safdie, Co-writer, Co-director Benny Safdie, Co-writer, Co-director Daniel Lopatin, Composer Skip Lievsay, Re-recording mixer

On Day 11 of our New York Film Festival daily podcast, we explore the making of the festival's surprise screening, Uncut Gems. In the introduction, Eugene Hernandez, FLC's Deputy Director and Co-Publisher of Film Comment, is joined by Eric Kohn, IndieWire’s Executive Editor & Chief Critic, to discuss NYFF and the importance of film festivals, and the evolution of the Safdies. Then we go to yesterday's NYFF Live talk on the making of Uncut Gems, moderated by Kohn. Josh and Benny Safdie (Heaven Knows What, Good Time) were on hand to detail the process of making this electrifying New York City-set thriller, joined by co-writer and editor Ronald Bronstein, producer Sebastian Bear McClard, composer Daniel Lopatin, and casting director Jen Venditti. The 57th NYFF continues through October 13! See all available tickets at filmlinc.org/nyff This podcast is brought to you by Film at Lincoln Center.

Niyaz Pirani and Clint Keaton on the digital ones and twos, providing you with music reviews and news! This week we celebrate the release of David Byrne's American Utopia. From the immigration-influenced, thought-provoking "Everybody's Coming to My House," Niyaz's personal favorite, to the quirky and groovy "It's Not Dark Up Here," Clint's personal favorite. However, we both agree that the 2018 American Utopia Tour stands as one of Byrne's most triumphant, unique, and impressive career achievements. We Pod Sonically is a weekly podcast where we retrospectively review one record per show, as well as provide our listeners with current and trending news in the music industry. While we always Pod Sonically, we are also part of The Social Deviant Podcast Network, visit us here: https://socialdeviants.co/   Want To Listen To The Album? Hit these links to buy a copy and listen along with us! (Please note that by purchasing through one of these links, you are directly supporting We Pod Sonically, and we truly appreciate it!) iTunes: https://apple.co/2VZumE3 Amazon: https://amzn.to/2XOsW10   Album Details Track Listing All songs written by David Byrne and Brian Eno, except where noted. "I Dance Like This" – 3:33 "Gasoline and Dirty Sheets" – 3:19 "Every Day Is a Miracle" – 4:46 "Dog's Mind" – 2:29 "This Is That" (Byrne, Daniel Lopatin) – 4:31 "It's Not Dark Up Here" – 4:10 "Bullet" – 3:09 "Doing the Right Thing" – 3:38 "Everybody's Coming to My House" – 3:29 "Here" (Byrne, Lopatin) – 4:13   Released March 9, 2018 Studio DB Spare Bedroom (New York City), Reservoir Studios (NYC), Oscilloscope (NYC), XL Studios (NYC), Crowdspacer Studio (NYC), Livingston Studio 1 (London) Genre Art pop, art rock Length 37:17 Label Nonesuch, Todo Mundo Producer David Byrne, Brian Eno, Rodaidh McDonald   Song Recommendations of the Week Niyaz: Joypunks by Big Wild Clint: The Girl With the Sun in Her Head by Orbital   Show Links Our Spotify Playlist: https://spoti.fi/2HjKU6u Our YouTube Playlist: http://bit.ly/2O2I06R   About Our Sponsor No sponsors yet! Would you like to sponsor our show?   Join the Conversation! Make sure to join the conversation on Twitter or Instagram using #wepodsonically. If you enjoyed this episode then make sure to listen to others!   Disclaimer The views, thoughts, and opinions expressed in this podcast belong solely to the host and guest speakers and are not necessarily representative of the views, thoughts, and opinions held by The Social Deviants.

Topics covered include: the process of scoring a film, growing up in a house filled with music, cinematic rhythm, cheesy scores, creating the sounds of an urban nightmare, and why electronic music is the best game ever.

David Byrne is back with his first album of all-new solo music in 14 years. American Utopia, due out March 9 on Byrne's Todo Mundo imprint, includes contributions from Brian Eno, the Onyx Collective, Daniel Lopatin, Sampha and more. We kick this week's show off with the first single from the album, the polyrhythmic, party-pop song "Everybody's Coming To My House."Also on the program: NPR Music's Tom Huizenga stops by to share the mind-bending, genre-defying sounds of pianist Nils Frahm; Sylvan Esso takes an upbeat, carefree look at the end of the world; and the Boston-based band Darlingside reflects on childhood and lost youth with a beautiful and affecting new song called "Old Friend."All that plus the bent sounds of former Supergrass frontman Gaz Coombes, idiosyncratic pop from Trace Mountains (a side-project from Dave Benton of the band LVL UP) and the pulsing ambient sounds of German composer Niklas Paschburg.Full Playlist: 1. David Byrne: "Everybody's Coming To My House," 2. Sylvan Esso: "PARAD(w/m)E," 3. Gaz Coombes: "World's Strongest Man," 4. Trace Mountains: "Turn Twice," 5. Nils Frahm: "Momentum," 6. Niklas Paschburg: "Spark," 7. Darlingside: "Old Friend"

Please...no more irony.  No more post-modernism.  No more hidden messages.  Our head is about to explode!  The work of musician/composer/creator Daniel Lopatin (aka Oneohtrix Point Never) engages our sense of love as much as he does our IQ.  He is a multi-generational human resource for all-things sonic and visual; private and cinematic; high and low.  Just the way we like our art.

I hung out with Warp Records electronic, experimental, ambient, drone producer Daniel Lopatin aka Oneohtrix Point Never (or sometimes OPN) in an unusually busy alleyway behind Vancouver's Venue nightclub. He sipped tea the whole time to massage his vocal chords for that night's show. His latest record, Garden of Delete, started when Daniel got really obsessed with top 40 music and wondered what it would be like to create an entire album from the discarded song ideas of top 40 pop songwriters. The record ended up being about an adolescent alien meeting a made-up hyper-grunge band called Chaos Edge and their musical collaboration. Which song on his record is about how absurd it is to ejaculate for the first time? How did top 40 song writers react when Daniel approached them for their discarded song ideas? Which is his favorite track on Garden of Delete? Which top 40 song is Daniel's current guilty obsession? Which Garden of Delete track does Daniel call his "psychotic clown" song? In how many different ways can our interview get interrupted by this abnormally busy alleyway? You'll have to listen to find out. Tracks played on the the show… 1) Oneohtrix Point Never, Garden of Delete (2015) “Sticky Drama” 2) Rae Sremmurd, SremmLife (2015) “No Type” 3) Oneohtrix Point Never, Garden of Delete (2015) “Mutant Standard” 4) Oneohtrix Point Never, Garden of Delete (2015) “Animals” 5) Oneohtrix Point Never, Replica (2011) “Replica” 6) Oneohtrix Point Never, Garden of Delete (2015) “I Bite Through It” NO songs CANCON

I hung out with Warp Records electronic, experimental, ambient, drone producer Daniel Lopatin aka Oneohtrix Point Never (or sometimes OPN) in an unusually busy alleyway behind Vancouver's Venue nightclub. He sipped tea the whole time to massage his vocal chords for that night's show. His latest record, Garden of Delete, started when Daniel got really obsessed with top 40 music and wondered what it would be like to create an entire album from the discarded song ideas of top 40 pop songwriters. The record ended up being about an adolescent alien meeting a made-up hyper-grunge band called Chaos Edge and their music collaboration. Which song on his record is about how absurd it is to ejaculate for the first time? How did top 40 song writers react when Daniel approached them for their discarded song ideas? Which is his favorite track on Garden of Delete? Which top 40 song is Daniel's current guilty obsession? Which Garden of Delete track does Daniel call his "psychotic clown" song? In how many different ways can our interview get interrupted by this abnormally busy alleyway? You'll have to listen to find out. Tracks played on the the show… 1) Oneohtrix Point Never, Garden of Delete (2015) “Sticky Drama” 2) Rae Sremmurd, SremmLife (2015) “No Type” 3) Oneohtrix Point Never, Garden of Delete (2015) “Mutant Standard” 4) Oneohtrix Point Never, Garden of Delete (2015) “Animals” 5) Oneohtrix Point Never, Replica (2011) “Replica” 6) Oneohtrix Point Never, Garden of Delete (2015) “I Bite Through It” NO songs CANCON

Daniel Lopatin has been making experimental electronic music as Oneohtrix Point Never since 2007. In this episode, he takes apart the song "Sticky Drama," from his 2015 album Garden of Delete. He breaks down how he created artificial voices using software for the vocals, and how he sees his songs as pieces of science fiction. This episode is sponsored by Loma Vista Recordings, Slack, and Moogfest. To win a pair of tickets to Moogfest, enter here.

Shock World Service 051 Long Distance Call by Jon Averill 01/02/2013 London, United Kingdom 1. Chromatics – The Telephone Call Some late night atmospherics to start us off from ‘Night Drive/Original Motion Picture Soundtrack IV' accompanied by some London rain I recorded. 2. How To Dress Well – When I Was In Trouble HTDW bring melancholy & starkness to the genre. Sounds more like the soundtrack to the walk home after breaking up with your girlfriend (suitable to this podcast) than champagne & gold chains. 3. Inc. – Swear Jimmy Jam & Terry Lewis on Ketamine. 4. fLako – Mating Dance For me music is at it's best when it sounds unconventional, surprises you & demands your attention. fLako's afro-electronics ticks all the boxes. 5. Chosen Gospel Singers – Prayer For The Doomed This track was recorded at some time in the late 1950s & though a million miles away in process, to me has a lot in common with the previous tracks by How To Dress Well & Inc. 6. Daniel Bernard Roumain & Ryuichi Sakamoto – The Need To Be ‘The Need To Be' is taken from a compilation with the lengthy title of ‘DJ Spooky That Subliminal Kid* ‎– Sound Unbound Audio Companion: Excerpts & Allegories From The Sub Rosa Archives', which is to accompany his book of the same name. 7. Edgar Froese – Icarus Edgar Froese was a founding member of seminal German act Tangerine Dream. in 1978 Froese released his solo album ‘Ages' after major differences with his bandmates. According to Froese, it was recorded at a very emotional time in his career. 8. Dom Thomas – Gin & Tonic From the Finders Keepers & B-Music Crew; Dom Thomas blurs the lines between mixtape & original composition 9. Robert Ashley – Bruno Part 1 Robert Ashley is a contemporary American composer whose work traverses opera, experimental electronic music & theatrical works. ‘Bruno Part 1' is a hypnotic spoken word piece that is similar in tone to Laurie Anderson's ‘O Superman'. 10. Lee Hazlewood – Hands Ah, our old pal Lee Hazlewood is back – possibly the most featured artist ever on the World Service. Wouldn't you know it, poor old Lee is down on his luck & of course it's a woman that's the source of his troubles. Chin up son. 11. Hackman – Forgotten Notes This track is released on Gilles Peterson's Brownswood Records, named after North London's Brownswood Road, which my old house backs on to. A fact interesting only to me. 12. Vangelis – Multi Track Suggestion Van the man in rare disco mode, disco with his unique take on it as you would expect. This is from the 1980 album ‘See You Later' which sees him experimenting with electronic sounds for the first time. 2 years later he would take his electronic sounds to new heights & greater acclaim with the Blade Runner soundtrack. 13. Oneohtrix Point Never – Betrayed In The Octagon The Brooklyn-based musician Daniel Lopatin describes the track as "a stoned space epic about one really bad day in the life of an astronaut.", & that is good enough for me. 14. Robert Frost – Reluctance Another piece of spoken wordery by American poet Robert Frost 15. Julia Holter – Goddess Eyes (Echo Manor Version) Holter's music builds up from layers of patient, breathy voices & strings that seem to slowly sneak up on, rather than impose themselves on you. 16. Bill Fay – The Never Ending Happening Revealing itself behind some Arsenal fans (thanks lads) is ‘The Never Ending Happening', simply one of the most heartfelt & beautiful pieces of music i've heard in a long time. 17. Seti The First – Sugar To Sea Lion I've been a big fan of Seti The First for a while, only very recently discovering they were two Irish musicians; Kevin Murphy & Thomas Haugh. 18. F.J. McMahon – Sister Brother Released in 1969, following a stint serving in the U.S. Air Force. The album's outsider, lo-fi folk vibe pulls from his experiences in Vietnam & has become a top item among collectors & folk/psych lovers alike.

In this Flomotion Radio exclusive, Nick Luscombe speaks to Daniel Lopatin, AKA Oneohtrix Point Never. If you’re in the UK, see him live at: All Tomorrows Parties Thu 12 May Minehead Deaf Institute Sat 28 May Manchester FIELD DAY FESTIVAL Sat 6 Aug London Find out more and listen to Oneohtrix Point Never tracks here. Click play to listen