Podcast appearances and mentions of ben power

Allen and Joel are joined by Mathieu Cōté from CanREA to preview the upcoming Operators Summit in Toronto. With many Canadian wind projects reaching 17-20 years old, the industry faces critical decisions about extending, repowering, or decommissioning assets. Register now! Sign up now for Uptime Tech News, our weekly newsletter on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard’s StrikeTape Wind Turbine LPS retrofit. Follow the show on YouTube, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary’s “Engineering with Rosie” YouTube channel here. Have a question we can answer on the show? Email us! Welcome to Uptime Spotlight, shining Light on Wind. Energy’s brightest innovators. This is the Progress Powering tomorrow. Allen Hall: Matt, welcome to the program. Thanks for having me. Well, the theme of this Year’s Operator Summit is coming of age and. There’s a lot of things happening in the renewable side up in Canada. What does that mean for Canadian renewable energy operators right now?  Mathieu Cōté: Well, we came up with coming of age because, um, the fleet in Canada is in a bit of a different space than it is in the States where, uh, right now we’ve got a lot of projects that are on the cusp of coming to their end of initial lifetime. Right. They’re in that. 17 to 20 year range. There’s some that are a little bit past, and so you, as an operator, you gotta be asking yourself, is this the time to extend this project? What do I have to do [00:01:00] if I need to extend? Um, or am I repowering, am I taking things down, putting them up? And I mean, there’s a lot of different variables there. Sometimes it’s just a re topping, sometimes it’s everything down to ground level and go again. Or it’s, maybe it’s a decommissioning and those decisions are on the cusp of being made in the operation space in Canada. So that’s, that’s a super important part of it. But the other side of it, and the reason we liked, uh, coming of age is from the industry perspective itself. We are no longer the new kid on the block, right? We are now a reliable, uh, professional industry that can deliver power when you need it. Uh, so that’s what we’re trying to, to convey with this coming of age. And, and we’ve got some really good speakers who are gonna talk about that, uh, from. The grid operator’s perspective saying, why is it that renewables are one of the first things they reach for now when they realize they need more power? Joel Saxum: I think it’s an interesting space and I think to, to [00:02:00]comment more deeply on that, right? That you guys are in that, you  Mathieu Cōté: know,  Joel Saxum: 2005, six you started installing a  Mathieu Cōté: lot of the, a lot of wind assets. There was a curve of, as it as every year you get more and more. Trickle and then becomes a flood quite quickly. Joel Saxum: Yeah. And, and, and you know, from, from the operation standpoint, we deal with some of the wind farms in Canada. We love working with, uh, the operators up there because they do exude that professionalism. They’re on top of their game. They know they’ve gotta maintain these things. Whereas in the states, we’ve been a little bit nascent sometimes and, oh, we got PTC coming so we don’t have to do these certain things. Little bit more cowboy. Yeah. Yeah. And up in Canada, they’re, they’re, they’ve been doing the right things for a long time. Um, and I think it’s a good, good model to follow, but you’re a hundred percent correct. We’re coming to that time when it’s like decision time to be made here. And I think we, in our, in our uh, kind of off air chat, you had mentioned that, you know, repower in Canada is. Pretty early stages. I  Mathieu Cōté: only know about  Joel Saxum: one,  Mathieu Cōté: to [00:03:00] be honest, and I try and keep track of these things,  Joel Saxum: but that’s coming down the pipeline,  Mathieu Cōté: right? So there’s gonna be more and more of these happening. And I mean, there are a lot of operators that have one foot on either side of the border, so some people have some operational experience on what steps you need to take, but it’s also from the regulatory side, like what is your grid operator gonna insist on? So on and so on. But, uh, so we’ve got some panels to talk about things like, one of my favorites is, uh, how much life is left in your machine? And that’s sort of a deeper dive from an engineering standpoint. Like what math do the engineers do to assess, is this foundation good to go for another 10 years? Is this tower gonna stand up to whatever? Should we replace the blades and all those components? We, we’ve got a foundation expert, uh, someone who does. Digital twin sort of things as well as, um, a panelist from, uh, Nordex, so the OEM sort of perspective as well, and how they assess how much [00:04:00] life is left in a machine. So like that’s the sort of panels that we’re trying to put together that we’re pretty excited about.  Joel Saxum: Well, I think that’s a good one too, because I know Alan and I we’re talking around the industry globally. A lot of it is around CMS. And when we say CMS, we’re not just talking drive train anymore, we’re talking everything you can in the turbine, right? So the, the concept of remaining useful life, r ul, that always comes up, where are we at with this, right? Because from a global perspective in Europe, they have, you know, in Spanish wind farms are all, a lot of ’em are at that 25 year mark. What are we doing here? So you guys are bringing that conversation to the Canadian market at this operator summit in Toronto here in February. It’s, it’s timely, right? Because it’s February and everybody’s getting ready for spring, so you got a little bit of time to come to the conference.  Mathieu Cōté: Well, and that’s one of the things that we actually used to do is show in April and we’ve moved it back after hearing feedback from our, from our audience that April’s almost too late, right? Like, if you’re doing your assessments for your [00:05:00] blades, it where? Where’s your manpower coming up? Coming from in the summertime? Those contracts are already signed. By the time you hit April, February, you’ve still got time. Your RFP might be out so you can meet all the proponents on site at once. It, it just makes a lot more sense for us to do it in February. Allen Hall: Well, there’s a wide range of technology in Canada in regards to wind to energy. That adds to the complexity where a lot of turbines, unlike the United States, are maybe even sub one megawatt, and with new turbines coming online, they’re gonna be in the five, six, maybe even seven megawatt range. That’s a huge dispersed. Industry to try to maintain massive range. Yeah. Right. And I, and, and I think one of the dilemmas about that is trying to find people who understand that tho all those different kinds of machines and the intricacies of each one of them and how to operate them more efficiently, which is where Canada is. Quite honestly. The, the thing [00:06:00] about that and the challenge for Canada Head, and this is why the conference is so important, is. If there’s someone in Canada that has the answer, as Joel and I have talked to a number of Canadian operators, you may not know them. I know it’s a smaller marketplace in general, but unless you’re talking to one another, you probably, uh, don’t realize there’s, there’s help within Canada. And these conferences really highlight that quite a bit. Wanna talk about some of the, sort of the interactions you guys create at the conference?  Mathieu Cōté: Yeah. Oh, well, it’s one of the things that can RIA tries to do is play that connector role, right? Like, we don’t know everything, but like you say, we know someone who knows something and we can put you in touch with all. I know a guy who knows a guy. Um, but we’re, we’re always able to, to, to connect those dots. And I mean, we, we do a lot of, uh. Things like working groups and uh, regional meetings. And, uh, we’ve even got, uh, different summits for different things. Getting a little bit outside of operations, but like we [00:07:00] have an Atlantic operators group that gathers together and has a chat just sometimes, usually there’s a focus topic, but then we have, oh, how do you guys deal with the storm that came through? Or that sort of thing, or what, what do you do for if you need a new blade or has anyone got a good vendor for this thing or that thing? Those sorts of things always happen in the margins. And I mean, the ops summit is the, the best one of those because it’s the entire Canadian industry that gets together. We’ve got folks from bc, we’ve got folks from Atlantic Canada, there’s gonna be people from Quebec, and there’s vendors from all those places as well. Right? So. It’s covering all your bases and it’s the one place that you can talk to everybody and meet everybody in like a 48 hour period.  Joel Saxum: Well, I think that if, you know, just doing a little bit of deep dive into the agenda and the program here, that’s one of the things that you guys are focusing on. Targeted networking. So morning breakfasts, evening receptions, there, you know, structured and informal, uh, opportunities to actually connect with the o and m [00:08:00] community. Um, one of them that you had mentioned was kind of, um. Hands-on demonstrations and, and for me, when, when I see these things, ’cause I’ve seen them kind of slightly not, I don’t think I’ve ever seen anybody do it perfectly well. I’m excited to see what you guys do. But you get, you get a group of people standing around, like you get people kind of standing around. Rubbing elbows going, like, what do you think about that? What is, does this, is this gonna work? And, and those to me are great, great conversations for networking and kind of figuring things out together. The collaboration part.  Mathieu Cōté: Absolutely. Uh, well on those two points, the, the networking has always been a huge part of this show, and we’ve always built into the program. Okay. There’s some stuff on stage, but then there’s a break. And I mean, you can wander around the showroom floor and you can, but you can talk to the other people. And, uh, that’s a big part of this. That’s an important part of this. And then on the, the demonstrations and so on, we used to have what we called, uh, elevator pitches, uh, where, and we’ve done it various different ways where people get five minutes, one slide, you’re on [00:09:00] stage, you say your piece, you give us your elevator pitch, and then you get off and someone else gets up and talks. And we found that, that, and the feedback we got was that that was good because that condensed all of the salesy parts and kept it away from the panels. ’cause the panels, we want them to be informative, not. Selling you something. We want you to learn something. But the sales pitch is, there is some sense of like someone’s trying to sell you a thing. But we’re evolving that a little bit this year where we’re going towards demonstrations. So on the showroom floor, there will be someone who will have a tangible thing, whether it’s here’s the new fireproof coat that we’ve come up with, or here’s how this, uh, sling works, or here’s this piece of kit that fits on your machine that catches bolts when they break, or whatever it is. Here’s how it actually works, and they’ve got it in their hands and they can play with the go until it, uh, really, like you say, gets that light bulb moment that gets you to see how it works. And you can see that ROI [00:10:00] right away going, oh, okay. That if it catches the bolts when they break, then it doesn’t rattle around. And then I’ve gotta spend X amount less time fixing, missed out. Or the other thing, like it’s, it, it’s a, it’s a better way of doing it is, uh, what we feel. And like you say, then you get. Being on the showroom floor, it’s in amongst the booths. So people who are on the showroom floor can just sort of look over their shoulder, see that, okay, I really gotta go check out that guy. Joel Saxum: I like the idea of the format and there’s a couple other things like lessons learned track we talked about a little bit too. But one of the things for me for trade shows is when Alan and I went to ETC in Calgary a few years ago, two years ago I think. Yep. You actually had the. The conversations, the panel conversations, the discussions, the knowledge sharing happening on the showroom floor. I don’t like going to a conference where I have to go in, like I’m talking with some people, but, oh, I gotta run across this thing across over here, a mile away into some back room to listen to someone talk about something. I like, I like being where the information is [00:11:00] happening and sharing, and I can stand off to the side and listen a bit and, and still engage. Um, and you guys are doing some more of that too through the lessons learned track. Um, can you explain that a little bit to us?  Mathieu Cōté: Well, we’ve always had, uh, like a, some split in concurrent sessions and so on. But to your point of not running off to the other end, we’re in a pretty intimate space where we’ve got like a room for lunch and the plenaries, we’ve got a room for the exhibit hall, and then right next to it is any of the, uh, off to the side stuff. It’s all within a one minute walk of, of itself, which is much better. So we’ve got the concurrent, uh, sessions and. This year we split them instead of into two. We split ’em into three though that then we’ve got one for specific to wind. We’ve got one specific to solar and storage. ’cause we are renewable energy, not just wind. And then we’ve got one, uh, that’s a bit of a grab bag and it’s a bit of a different format. So instead of your traditional three [00:12:00] panelists plus a moderator, everyone’s got a slide, everyone’s gotta talk, blah, blah, blah. This thing, it, it’s much more focused. You’ve got one person who’s got a real important thing to say, whether it’s, here’s, uh, lessons learned on how our hub fell off and here’s what we learned from it. Here’s our root cause analysis, or here’s, uh, a much better way of doing, uh, our health and safety program has worked much better for us. Here’s what we gain from it, or whatever happens to be. And then one moderator to ask them some questions, pick apart. So this part, how to, uh, and get a bit of a, a flow there. So, and it’s much shorter. Instead of an hour long, it’s only a half hour. So then you don’t have to sit through two people. You don’t care about to listen to the one person that you do is the intent of these, uh, lessons learned? I,  Joel Saxum: I do really like the concept simply because when I go to an event or like, um, putting something together, I want people to be able to go. Learn something, take it back to their respective [00:13:00] organization, be able to implement it tomorrow. And it sounds like you guys are really moving towards that with the lessons learned, the collaboration and the knowledge sharing.  Mathieu Cōté: That’s, that’s the intent. And that, and that’s really what it is, is I, I’m, I think I’m a smart guy, but I don’t have all the answers. So we’re really trying to shine a light on the people who do, and like, here’s a thing that the industry as a whole should learn about. And give them some time to talk about it. And like you say, then you’ll get some of those conversations in the margins and in in between going, yeah, this guy had this thing to say. We get that sort of dialogue going. That’s, that’s the intent. It’s all about, uh, discussions and learning from each other.  Joel Saxum: To me, it sounds like even, um, for lack of a, maybe a trip to get some poutine and maybe an American, American should go out there and listen to some of the stuff you guys have to say as well. Mathieu Cōté: Honestly, it’s, it’s worth it for, uh, Americans to come by and we do have a significant number, proportion of the, the audience comes from the states as well. Because like you say, it’s, it’s worth it and it’s good information and it’s a good [00:14:00] portion of the thing. And it’s really not that far. And I mean, um, not to put it lightly, we do tend to lean a little heavier on some of the more, uh, Canadian elements like weather. Like we do have a panel this year, um, on the solar side, solar operations and adverse conditions. And that one, um. Because that one came from, uh, I know a guy at, uh, natural Resources Canada, who was part of a working group at the International Energy Agency in their photovoltaic power systems group, where they came up with, uh, a report on operations in all kinds of adverse conditions around the world. So he’s gonna present that report and we’ll have a panel discussion. The other panelists there, we’ve got, um. Ben Power, the CEO of ves, who is the number one installer of solar in the Yukon, right next to Alaska. So they know a lot about adverse conditions and then, uh, polar racking, they’ve got a lot of experience, uh, with that sort of thing too. And they’ve got some data that they’re gonna bring to the [00:15:00] panel as well. So it should be a really good discussion about how do we deal with bad things happening in solar specifically.  Allen Hall: Well, sure. Uh, Canada’s been running assets a lot longer than we have been in the States. In fact, to Joel’s earlier point, we’re repairing. Disassembling putting new stuff up all the time. Canada has been more focused on keeping existing equipment running in some crazy, harsh conditions. The US is moving that way. You wanna know about ice? We could tell you about ice. Exactly. Like how many times has the US run into trouble with icing on wind turbines and we should have been talking to, or her neighbors through the north, but in a lot of cases, yeah. The I, I find that the time I went. I learned a whole bunch about Canadian operations, how to think about some of these problems differently. That was the beauty of a attending a Kria event, and I know there’s gonna be a lot of people attending this event. Who is it for in general? Obviously [00:16:00] it’s for operators, but is there some value here for like asset managers? Some of the engineers, some of the service providers,  Mathieu Cōté: yeah. That our, our core market, if you want, is your site managers and your technical people, but engineers, 100%, they will learn something. Your asset managers will definitely have some value in it, whether it’s learning about the technology or learning about, uh, the, the latest things coming out or even just. Best practices from other folks, right? We’ve also got, uh, more and more we’re getting people from the insurance industry getting involved because some of these, uh, lessons learned and so on, is really valuable to them. And we’re even running, um, if, if people are in insurance, we have a special meeting for insurance. The, the day before where we’ll be having a, a dialogue between the insurance industry and the operators and like, here’s how we deal with this. This is why the prices are that. And, uh, talk about that risk transfer type stuff. There are the odd developer who comes out. Um, but it’s more for the, [00:17:00] like, once it’s in the ground, the technical people, uh, the tooling manufacturers, the service providers, the, all, all of those folks. Joel Saxum: What about ISPs? Oh, a hundred percent. We know quite a few ISPs up in Canada. Every one of them that I’ve talked to is coming. So ev I’ve had the conversations and like I, you know, we’re, we’re doing some other things in February as well around here, and I was, Hey, what are you guys? Oh, we’re all going to the Candry Ops summit. We’re going to the Candry Ops summit, so to Toronto and February. Um, bring your warm jacket. I suppose it could be cold. Yeah, the, the ISPs will be there in, in full force. And so I think that. To me, it’s like the, the, the cousin to the A-C-P-O-M-S. We like OMS in the states because that’s where the real discussions happen around operations and maintenance. Mathieu Cōté: The technical stuff happens. Yeah. And it, I like to say it’s the, the, the younger cousin, if you will, and the maple syrup cousin.  Allen Hall: Well, I do think though, that when we’re at, uh, o, M and S Joel, that [00:18:00] those discussions are a little bit different than what I see up at Kria. Like Kria is a. Community OMS is, yeah, we, we all know one another and maybe it’s just there’s this, a bigger event or more people, but it, I don’t feel the sort of connection I do when I’m at Kria. Like I know the people, I understand what’s going on at Kria. That’s what makes it fun that I get to see people that I, I know once in a while, but at the same time there is a huge, massive amount of. Sharing  Mathieu Cōté: that community that you speak to, that that’s really what we’re trying to, to gather in. And there’s a difference of scale too. I mean, uh, the OMS is like 3000 people and we’re three to 400. So there, there’s a difference there. But that sort of intimacy leads to a fair bit more of that sharing that you’re talking about and like that Oh yeah, there’s that guy. Oh, there’s Derek from Capstone, or there’s Dan from EDF or there, you know, and then you. You run into them and then you, you catch [00:19:00] up on all the latest and, um, what’s going on, how are things going? And so on and so on. And there’s time for all of that in the, in the two day show that we have.  Joel Saxum: Well, I think collaboration in a smaller, like the right size group is, is much easier and flows better. Right? Once you get to that thousand two, three, 4,000, it’s like, yeah, you’re there, you’re seeing the people, but like it’s just not the same.  Mathieu Cōté: Et c is somewhere around 3000 people and it, it, it’s got that heft. It’s a different audience as well. Right? The o and m crowd isn’t there as much. It’s not quite as technical, so it it, it’s a speaking to a different group of people. Allen Hall: Well, Canada is on a growth spurt for renewables. There’s a lot of wind energy  Mathieu Cōté: headed up towards Quebec. There are procurement’s open right now in Quebec, Nova Scotia, new Brunswick. Uh, Ontario, BC and Manitoba  Joel Saxum: Plus, what was it? Fi what was it? Five offshore lease areas off of Nova Scotia.  Mathieu Cōté: Yeah, they’re looking at up to five gigawatts offshore in Nova Scotia. We don’t have [00:20:00] any yet in Nova in, uh, offshore. And there’s some, they need to figure out what the offtake is and where the transmission goes. Uh, but there’s a lot of people working in the background on MA putting that together. So it’s growing. Oh, a hundred percent. It’s growing and across the board, right. And the. Wind or solar or storage or all three. And that, that a lot of the, the procurements these days are starting to move in a direction of, uh, sort of a technology agnostic where they say, we need megawatts. We don’t care how you make them. We just want electricity. Well, electricity, uh, but also electricity capacity. So in the one case we figure wind and solar will do quite well, and in the other we’ll figure the battery storage will do quite well. So no matter what and in the timelines that they’re asking for, we’re looking at if you want it in the next five years, it’s probably gonna be wind and solar because anything else is gonna be a seven plus year timeline to get into the ground. So [00:21:00] there, there’s a lot. There’s a lot coming.  Allen Hall: Well, up to 20% of the energy, electricity in Canada nationally is gonna be generated by renewables in less than 10 years.  Mathieu Cōté: Canada’s split up a lot, remember like, and Quebec is already at 90 plus with their hydro and bc same thing.  Joel Saxum: And I, and I think that that’s something to be, to be shared as well here is from an o and m standpoint. The, the varied geographies of Canada and how spread apart it is, there’s specialized knowledge up there to, to, to, you know, till the cow come home. So it’s a great place to go and learn. I would encourage people, hey, if you’re, if you’re in anywhere around Michigan, the Great Lakes Toronto’s a three hour drive. Go there, do the conference and learn something,  Mathieu Cōté: and hey, we’re right next to the airport. It’s quick flight. Almost anywhere from North America, right? So Toronto’s easy to get in and  Allen Hall: out of, and this is gonna be a great event. The Can Operators Summit. It’s February 11th and 12th at the Delta Hotel by [00:22:00] Marriott, Toronto, right at the airport. So you, you can’t miss it. It’s easy to get in, easy to get out. You’re gonna have a great time. Matt, how do they connect and register for this event?  Mathieu Cōté: We have a registration link that I’m sure we’ll put somewhere. Um, or come to our website, kenia.ca?  Allen Hall: Yeah, just Google Can Operator Summit. That’s what I did. And that takes you right to the registration. Get signed up there. It’s inexpensive in Toronto is a really cool city. February 11th and 12th. At the Delta Hotels by Marriott, right at the airport. The Canary Operator Summer is going to be a lot of fun. Matt, thank you so much for being on the podcast. Really enjoyed having you. Well, thanks for having [00:23:00] me.

Our latest bonus guests on Soundtracking with Nick Rowland and Taron Egerton, who join us to discuss Nick's latest film, She Rides Shotgun, which you can watch now on Amazon Prime. In it,  Taron stars as a newly released ex-con marked for death by unrelenting enemies, who must protect his estranged 11-year-old daughter at all costs. As with Nick's previous film, the brilliant Calm With Horses, She Rides Shotgun is scored by Ben Power, aka Blanck Mass

In hour 2 of The Drive, Zach and Phil discuss what the keys to victory are for the Broncos on Sunday morning. Will the Broncos be able to take advantage of the Jets poor defense? We hear from Vance Joseph and his thoughts on Justin Fields as well as Sean Payton's thoughts on the Jets explosive run game. Will the Broncos be in a closer game than most anticipate? Today's "Three Count" features if this is a "revenge game" for the Broncos' John Franklin Meyers, how much Ben Power's injury impacts the Broncos, and the great slate of college football this weekend. The guys breakdown the dynamics as Mikko Rantanen and the Stars visit Ball Arena tomorrow night to face off with the Avalanche. Will Mikko get booed in his first visit back to Denver since beating the Avs in game 7 last year?

Njrat Compaign Using Microsoft dev Tunnels: A recent version of the Njrat remote admin tool is taking advantage of Microsoft's developer tunnels (devtunnels.ms) as a command and control channel. https://isc.sans.edu/diary/Njrat%20Campaign%20Using%20Microsoft%20Dev%20Tunnels/31724 NrootTag Apple FindMy Abuse Malware could use a weakness in the keys used for Apple FindMy to abuse it to track victims. Updates were released with iOS 18.2, but to solve the issue the vast majority of Apple users must update. https://nroottag.github.io/ 360XSS: Mass Website Exploitation via Virtual Tour Framework The Krpano VR library which is often used to implement 3D virtual tours on real estate websites, is currently being abused to inject spam messages. The XSS vulnerabilty could allow attackers to inject even more malicious JavaScript. https://olegzay.com/360xss/ SANS.edu Research: Proof is in the Pudding: EDR Configuration Versus Ransomware. Benjamin Powell https://www.sans.edu/cyber-research/proof-pudding-edr-configuration-versus-ransomware/

Edward Gero joins the CONVERSATION during a break in rehearsals for The Lehman Trilogy at the Guthrie Theater in Minneapolis, Minnesota. Gero's performance is another highlight in a distinguished, award-winning career spanning forty-seven years with upwards to one hundred fifty roles and counting including The Originalist at Court Theatre in Chicago, Angels in America at Arena Stage and earlier this year, in the critically-acclaimed production of The Lehman Trilogy at the Shakespeare Theatre Company that has now transferred to the Guthrie and opens September 19, 2024. Stefano Massini's epic multi-generational story, adapted by Ben Power and directed by Arin Arbus, chronicles the true-to-life rise of three Jewish immigrant brothers who built their own version of the American Dream from a small fabric business in 1844 to the international financial firm whose spectacular collapse in 2008 sent global markets spiraling out of control. The Guthrie Theater production includes Gero, Mark Nelson and William Sturdivant in the cast of three who play the Lehman brothers and recreate all of the over fifty other roles. 7 Episode 3 Originally posted September 4, 2024

Episode 33 of the Bonktable Podcast Mass and Cass are joinned by Ben from Competent Conquest and we blitz him with a ton of questions over the next hour.Ben Competent Conquesthttps://www.youtube.com/@CompetentConquestCassandra's Twittertwitter.com/bonktablecassWe are also starting up a discord server for anyone who wants to join us and talk about Conquest or any other miniature wargames people play.https://discord.gg/ztuD6MUMrEYou can also find this podcast anywhere where you listen to Podcastshttps://www.buzzsprout.com/2183437/shareMusicAlso check out our YouTube channel for Battle Reports and Lore readings.https://youtube.com/@BonkTable?si=VOHnpMb5yDC5uTn6Thumbnail and art from Nicolette NuyttenTwitter and Instagram are @LibraryNii Website www.nicolettenuytten.com

​Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues    Helen Benedict, author of the novel “The Good Deed,” in conversation with host Richard Wolinsky. Helen Benedict is the author of eight novels, including “Wolf Season” and “Sand Queen,” and five books of non-fiction.Her previous book, “Map of Hope and Sorrow,” co-written by Eyad Awwadawnon, is partly an oral history of refugees coming to Greece after escaping from their home countries. Helen Benedict s a Professor at the Columbia University School of Journalism. “The Good Deed” is a novel based on her research, which was later turned into the non-fiction book. In the interview, she discusses the origins of her book, the research on which the novel was based, and other elements of life among the refugees in Samos prior to the pandemic. Recorded May 4, 2024. Complete Interview.   Pride Month Special Interview: Joseph Hansen (1923-2004) was a pioneer of private eye fiction, whose main character, Dave Brandstetter, an insurance investigator, was the first gay protagonist in the detective field published by a mainstream house. The first Brandstetter novel, Fadeout, was published in 1970. At the time of publication, being gay was illegal in 49 of the 50 states. Richard Wolinsky and Richard A. Lupoff had a chance to interview Joseph Hansen on June 14th, 1990 following the publication of the eleventh novel, The Boy Who Was Buried This Morning. It turned into a career retrospective. There were twelve Brandstetter novels in all, culminating in 1991's A Country of Old Men. Successful at the time, they'd fallen out of print since Hansen's death, and have now been reissued by Syndicate Books and distributed by Soho Press. Priot to  the Brandstetter books, Joseph Hansen published gay-centric novels in various small presses under a pseudonym. Two gothic novels under the pseudonym Rose Brock. There were also autobiographical novels and short story collections among his output. Despite the acclaim his books received, none of Joseph Hansen's work has ever been adapted for film or television. Complete Interview   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  Calendar of upcoming readings. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  The Lehman Trilogy by Stefano Massini . Adapted by Ben Power, directed by Sam Mandes, May 25-June 23, Toni Rembe Theater. Aurora Theatre  The Lifespan of a Fact by Jeremy Kareken & David Murrell and Gordon Farrell, June 21-July 21. Streaming:  July 16-21. Awesome Theatre Company. Por La Noche (By Night), October 11 – 26, 2024. See website for information. Berkeley Rep Galileo, World Premiere Musical, book by Danny Strong, with Raul Esparza, extended to June 23, Roda Theatre. Mother Road by Octavio Solis, June 14-July 21, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Boxcar Theatre. The Speakeasy. Must close June 29, 2024 Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Company, June 5-23, Orpheum. Mrs. Doubtfire, July 2-28. Girl from the North Country, July 30-Aug 18, Golden Gate. See website for events at the Orpheum, Curran and Golden Gate. Broadway San Jose:  Peter Pan, June 25-30. California Shakespeare Theatre (Cal Shakes). As You Like it, September 12 – 29. Center Rep: Cabaret, May 26 – June 23, Lesher Center for the Arts. Central Works  Accused by Patricia Milton, July 13 – August 11. Cinnabar Theatre. La Boheme June 21 – July 5. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre In Repertory: Hamlet and Rosencranz and Gildenstern Are Dead, September 7 – 22. Curran Theater: The Cher Show, June 19-23. Custom Made Theatre. In hibernation. Cutting Ball Theatre. See website for upcoming shows. 42nd Street Moon. Bright Star postponed. Golden Thread  See website for upcoming productions. Hillbarn Theatre: Always…Patsy Cline, August 22 – September 15. Lorraine Hansberry Theatre. See website for upcoming productions. Lower Bottom Playaz  Pac and Biggie Are Dead by Biko Eisen-Martin, June 6 – 30, 2024, BAM House, Oakland. Magic Theatre. Garuda's Wing by Naomi Iizuka, June 5-23. Marin Theatre Company Yaga by by Kurt Sondler, October 10 – November 3, 2024. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Ride the Cyclone by Jacob Richmond & Brooke Maxwell, September 20 – October 20. Oakland Theater Project.  Ghost of King Created by and featuring Michael Wayne Turner III June 6-23, 2024. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Pear Theater. Chaplin and Keaton on the Set of Limelight  by Greg Lam, June 28 – July 21, 2024. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Everybody's Talking About Jamie, June 1 – 23, 2024. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. Evita, June 27-September 7. 2024. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: Dirty Rotten Scoundrels.  June 5 – 30. Shotgun Players.  Best Available by Jonathan Spector. May 18 – June 22, extended. Website also lists one night only events at the Ashby Stage. South Bay Musical Theatre: No, No Nanette,  Sept 28 – Oct. 19. Saratoga Civic Theater. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions. Theatre Rhino  Four Play by Jake Brunger, June 13 – July 7, 2024. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Being Alive: A Sondheim Celebration June 5-20, Mountain View Center for the Performing Arts.. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org The post June 20, 2024: Helen Benedict – Joseph Hansen appeared first on KPFA.

​Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues    Colm Tóibín discusses his latest novel, “Long Island,” which follows characters from his earlier best-seller, “Brooklyn” twenty years later. Hosted by Richard Wolinsky. Colm Tóibín was born in Enniscorthy, Ireland, in 1955. He is the author of 11 novels including The Master, Brooklyn, The Testament of Mary, Nora Webster, House of Names and The Magician. His work has been shortlisted for The Booker Prize three times, has won the Costa Novel Award and the IMPAC Award. He has also published two collections of stories and many works of non-fiction. Special thanks to the folks at BookShop West Portal in San Francisco for their assistance. Complete Interview.   Ayodele Nzinga, the Poet Laureate of Oakland  and the director of the play “Pac and Biggie Are Dead” by Biko Eisen-Martin, which is running at BAM House in Oakland through June 30, 2024, in conversation with host Richard Wolinsky Ayodele Nzinga, known as “Wordslinger,” is the lead curator of BAM House (formerly the Flight Deck and Piano Fight Oakland), YBCA Creative Corps fellow, director of BAMD Fest, an international biennial arts festival in 2025, and creator and director of Lower Bottom Playaz, Inc. She has written a book of poetry, “Incandescent,” and is also an actor and playwright. “Pac and Biggie Are Dead” focuses on two deceased rap artists who were central to the art form, Tupac Shakur and Notorious B.I.G. in a place that might be heaven as they ponder their past and their present, in a non-linear work that attempts to put their art in the context of the African American experience.   Review of “Company” at the Orpheum Theater through June 23, 2024.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  Calendar of upcoming readings. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  The Lehman Trilogy by Stefano Massini . Adapted by Ben Power, directed by Sam Mandes, May 25-June 23, Toni Rembe Theater. Aurora Theatre  The Lifespan of a Fact by Jeremy Kareken & David Murrell and Gordon Farrell, June 21-July 21. Streaming:  July 16-21. Awesome Theatre Company. Por La Noche (By Night), October 11 – 26, 2924. See website for information. Berkeley Rep Galileo, World Premiere Musical, book by Danny Strong, with Raul Esparza, extended to June 23, Roda Theatre. Mother Road by Octavio Solis, June 14-July 21, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Boxcar Theatre. The Speakeasy. Must close June 29, 2024 Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Company, June 5-23, Orpheum. Mrs. Doubtfire, July 2-28. Girl from the North Country, July 30-Aug 18, Golden Gate. See website for events at the Orpheum, Curran and Golden Gate. Broadway San Jose:  Peter Pan, June 25-30. California Shakespeare Theatre (Cal Shakes). As You Like it, September 12 – 29. Center Rep: Cabaret, May 26 – June 23, Lesher Center for the Arts. Central Works  Accused by Patricia Milton, July 13 – August 11. Cinnabar Theatre. La Boheme June 21 – July 5. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre In Repertory: Hamlet and Rosencranz and Gildenstern Are Dead, September 7 – 22. Curran Theater: Sesame Street Live, Say Hello, June 7-8; The Cher Show, June 19-23. Custom Made Theatre. In hibernation. Cutting Ball Theatre. See website for upcoming shows. 42nd Street Moon. Bright Star postponed. Golden Thread  Conversations with Artists via Zoom and Howlround TV, through June 13, 2024. Hillbarn Theatre: Always…Patsy Cline, August 22 – September 15. Lorraine Hansberry Theatre. See website for upcoming productions. Lower Bottom Playaz  Pac and Biggie Are Dead by Biko Eisen-Martin, June 6 – 30, 2024, BAM House, Oakland. Magic Theatre. Garuda's Wing by Naomi Iizuka, June 5-23. Marin Theatre Company Yaga by by Kurt Sondler, October 10 – November 3, 2024. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) tick..tick..BOOM by Jonathan Larson, through June 16, 2024. Ride the Cyclone by Jacob Richmond & Brooke Maxwell, September 20 – October 20. Oakland Theater Project.  Ghost of King Created by and featuring Michael Wayne Turner III June 6-23, 2024. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Pear Theater. Chaplin and Keaton on the Set of Limelight  by Greg Lam, June 28 – July 21, 2024. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Everybody's Talking About Jamie, June 1 – 23, 2024. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. The Glass Menagerie by Tennessee Williams, May 2 – June 15. SFBATCO I, Too, Sing America, Grace Cathedral, June 13-15. See website for upcoming streaming and in- theater shows. San Jose Stage Company: Dirty Rotten Scoundrels.  June 5 – 30. Shotgun Players.  Best Available by Jonathan Spector. May 18 – June 16. Website also lists one night only events at the Ashby Stage. South Bay Musical Theatre: Mary Poppins, the Broadway Musical, May 18 – June 8. Saratoga Civic Theater. Stagebridge: Shady Manor, a musical play by Prescott Cole. June 14-16. 2501 Harrison St., Oakland. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions. Theatre Rhino  Four Play by Jake Brunger, June 13 – July 7, 2024. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Being Alive: A Sondheim Celebration June 5-20, Mountain View Center for the Performing Arts.. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org The post Bookwaves/Artwaves – June 13, 2024: Colm Tóibín – Ayodele Nzinga appeared first on KPFA.

​Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues    Maureen Gosling, filmmaker and film editor, discusses the films of noted documentary director Les Blank (1935-2013), which whom she collaborated for several years, along with her own career, in this interview with host Richard Wolinsky.  A Retrospective of the films of Les Blank can be seen at Pacific Film Archive June 7 to July 27, 2024. Les Blank is best known for “Burden of Dreams,” an award winning documentary detailing the efforts of German director Werner Herzog in making his film “Fitzcarraldo” in the Peruvian jungle. Les Blank's work, though, focuses on the music and culture of the New Orleans and Louisiana, and the American South, with forays into the lives of several musicians, including rock legend Leon Russell. Maureen Gosling worked as a sound recordist and editor (and co-filmmaker) on several of Les Blank's films. Among her own films are There Ain't No Mouse Music: The Story of Chris Strachwitz and Arhoolie Records and The Nine Lives of Barbara Dane. Complete 45-minute Interview.     Paul Auster (1947-2024), in conversation with host Richard Wolinsky, recorded October 2, 2002 while on tour for his novel “The Book of Illusions.” Second of two parts. This segment of the interview has never aired. Paul Auster, who died on April 30th, 2024 was a world-renowned novelist, memoirist, and film-maker whose works were translated into forty languages. His career as a writer began with a well-received memoir, The invention of Solitude in 1982, and took off in 1987 with the publication of three connected novellas titled The New York Trilogy. His fame and success grew over the following years. He moved into film-making with the screenplays for two movies directed by Wayne Wang, Smoke and Blue in the Face, and then wrote and directed his own film, Lulu on the Bridge. Complete 48-minute Interview.   Review of “The Lehman Trilogy” at ACT Toni Rembe Theatre through June 23, 2024.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  Upcoming readings to be announced. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  The Lehman Trilogy by Stefano Massini . Adapted by Ben Power, directed by Sam Mandes, May 25-June 23, Toni Rembe Theater. Aurora Theatre  The Lifespan of a Fact by Jeremy Kareken & David Murrell and Gordon Farrell, June 21-July 21. Streaming:  July 16-21. Awesome Theatre Company. Por La Noche (By Night), October 11 – 26, 2924. See website for information. Berkeley Rep Galileo, World Premiere Musical, book by Danny Strong, with Raul Esparza, extended to June 23, Roda Theatre. Mother Road by Octavio Solis, June 14-July 21, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Boxcar Theatre. The Speakeasy. Must close June 29, 2024 Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Company, June 5-29, Orpheum. Mrs. Doubtfire, July 2-28. Girl from the North Country, July 30-Aug 18, Golden Gate. See website for events at the Orpheum, Curran and Golden Gate. Broadway San Jose:  Peter Pan, June 25-30. California Shakespeare Theatre (Cal Shakes). As You Like it, September 12 – 29. Center Rep: Cabaret, May 26 – June 23, Lesher Center for the Arts. Central Works  Accused by Patricia Milton, July 13 – August 11. Cinnabar Theatre. La Boheme June 21 – July 5. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre In Repertory: Hamlet and Rosencranz and Gildenstern Are Dead, September 7 – 22. Curran Theater: Sesame Street Live, Say Hello, June 7-8; The Cher Show, June 19-23. Custom Made Theatre. In hibernation. Cutting Ball Theatre. See website for upcoming shows. 42nd Street Moon. Bright Star postponed. Golden Thread  Conversations with Artists via Zoom and Howlround TV, through June 13, 2024. Hillbarn Theatre: Always…Patsy Cline, August 22 – September 15. Lorraine Hansberry Theatre. See website for upcoming productions. Magic Theatre. Garuda's Wing by Naomi Iizuka, June 5-23. Marin Theatre Company Yaga by by Kurt Sondler, October 10 – November 3, 2024. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) tick..tick..BOOM by Jonathan Larson, through June 16, 2024. Ride the Cyclone by Jacob Richmond & Brooke Maxwell, September 20 – October 20. Oakland Theater Project.  Ghost of King Created by and featuring Michael Wayne Turner III June 6-23, 2024. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Pear Theater. Chaplin and Keaton on the Set of Limelight  by Greg Lam, June 28 – July 21, 2024. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Everybody's Talking About Jamie, June 1 – 23, 2024. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. The Glass Menagerie by Tennessee Williams, May 2 – June 15. SFBATCO I, Too, Sing America, Grace Cathedral, June 13-15. See website for upcoming streaming and in- theater shows. San Jose Stage Company: Dirty Rotten Scoundrels.  June 5 – 30. Shotgun Players.  Best Available by Jonathan Spector. May 18 – June 16. Website also lists one night only events at the Ashby Stage. South Bay Musical Theatre: Mary Poppins, the Broadway Musical, May 18 – June 8. Saratoga Civic Theater. Stagebridge: Shady Manor, a musical play by Prescott Cole. June 14-16. 2501 Harrison St., Oakland. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Four Play by Jake Brunger, June 13 – July 7, 2024. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Being Alive: A Sondheim Celebration June 5-20, Mountain View Center for the Performing Arts.. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org The post Bookwaves/Artwaves – June 6, 2024: Maureen Gosling, The Films of Les Blank; Paul Auster Part Two appeared first on KPFA.

​Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues    Aya de Leon, the Interim Program Director of the Tenth Annual Bay Area Book Festival, June 1-2 in various locations in Berkeley, talks about this year's festival with host Richard Wolinsky. Aya de Leon is the Poet Laureate of the City of Berkeley. She is a novelist and poet who currently teaches creative writing at U.C. Berkeley. She is the author of ten books, the most recent of which are the adult novel, “That Dangerous Energy,” and the young adult novel, “Untraceable.” Originally a hip hop artist, Aya de Leon is also a noted local activist, and the acquiring editor of Fighting Chance Books, the climate justice fiction imprint of She Writes Press. She organizes with the Black Hive, the climate and environmental justice formation of the Movement for Black Lives. Complete Interview.     Paul Auster (1947-2024), in conversation with host Richard Wolinsky, recorded October 2, 2002 while on tour for his novel “The Book of Illusions.” Paul Auster, who died on April 30th, 2024 was a world-renowned novelist, memoirist, and film-maker whose works were translated into forty languages. His career as a writer began with a well-received memoir, The invention of Solitude in 1982, and took off in 1987 with the publication of three connected novellas titled The New York Trilogy. His fame and success grew over the following years. He moved into film-making with the screenplays for two movies directed by Wayne Wang, Smoke and Blue in the Face, and then wrote and directed his own film, Lulu on the Bridge. There are three Paul Auster interviews in the archives. In this first interview, he discusses his film work, goes into depth about both The Book of Illusions and his previous novel, Timbuktu, much of the interview centersd on Lulu on the Bridge and the two Wayne Wang collaborations. The second interview was conducted in  2008 for Man in the Dark, and finally in 2017 for his masterpiece, 4 3 2 1. Currently, all three films, the two with Wayne Wang and Lulu on the Bridge, can be rented via Amazon. From time to time, all three show up on the Criterion app. Complete 48-minute Interview.   Review of “The Glass Menagerie” at San Francisco Playhouse through June 15, 2024. Review of “Galileo, A Rock Musical” at Berkeley Rep Roda Theatre through June 23, 2024.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  10th Annual Festival: June 1-2, guests include Joan Baez, Naomi Klein, Viet Thanh Nguyen, Jonathan Lethem. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  Upcoming readings to be announced. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  The Lehman Trilogy by Stefano Massini . Adapted by Ben Power, directed by Sam Mandes, May 25-June 23, Toni Rembe Theater. Aurora Theatre  The Lifespan of a Fact by Jeremy Kareken & David Murrell and Gordon Farrell, June 21-July 21. Streaming:  July 16-21. Awesome Theatre Company. Por La Noche (By Night), October 11 – 26, 2924. See website for information. Berkeley Rep Galileo, World Premiere Musical, book by Danny Strong, with Raul Esparza, extended to June 23, Roda Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Boxcar Theatre. The Speakeasy. Must close June 29, 2024 Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Company, June 5-29, Orpheum. Mrs. Doubtfire, July 2-28. Girl from the North Country, July 30-Aug 18, Golden Gate. See website for events at the Orpheum, Curran and Golden Gate. Broadway San Jose:  Peter Pan, June 25-30. California Shakespeare Theatre (Cal Shakes). Terrapin Roadshow, June 1-2; As You Like it, September 12 – 29. Center Rep: Cabaret, May 26 – June 23, Lesher Center for the Arts. Central Works  Accused by Patricia Milton, July 13 – August 11. Cinnabar Theatre. La Boheme June 21 – July 5. Club Fugazi. Dear San Francisco ongoing. Contra Costa Civic Theatre In Repertory: Hamlet and Rosencranz and Gildenstern Are Dead, September 7 – 22. Curran Theater: Sesame Street Live, Say Hello, June 7-8; The Cher Show, June 19-23. Custom Made Theatre. In hibernation. Cutting Ball Theatre. See website for upcoming shows. 42nd Street Moon. Bright Star postponed. Golden Thread  Conversations with Artists via Zoom and Howlround TV, through June 13, 2024. Hillbarn Theatre: Always…Patsy Cline, August 22 – September 15. Lorraine Hansberry Theatre. See website for upcoming productions. Magic Theatre. Garuda's Wing by Naomi Iizuka, June 5-23. Marin Theatre Company Torch Song by Harvey Fierstein, May 9 – June 2, 2024. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) tick..tick..BOOM by Jonathan Larson, through June 16, 2024. Ride the Cyclone by Jacob Richmond & Brooke Maxwell, September 20 – October 20. Oakland Theater Project.  Ghost of King Created by and featuring Michael Wayne Turner III June 6-23, 2024. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Pear Theater. Pear Slices, new works through June 2. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Everybody's Talking About Jamie, June 1 – 23, 2024. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. The Glass Menagerie by Tennessee Williams, May 2 – June 15. SFBATCO I, Too, Sing America, Grace Cathedral, June 13-15. See website for upcoming streaming and in- theater shows. San Jose Stage Company: Dirty Rotten Scoundrels.  June 5 – 30. Shotgun Players.  Best Available by Jonathan Spector. May 18 – June 16. Website also lists one night only events at the Ashby Stage. South Bay Musical Theatre: Mary Poppins, the Broadway Musical, May 18 – June 8. Saratoga Civic Theater. Stagebridge: Shady Manor, a musical play by Prescott Cole. June 14-16. 2501 Harrison St., Oakland. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  All's Well That Ends Well by William Shakespeare, May 23 – June 2. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Being Alive: A Sondheim Celebration June 5-20, Mountain View Center for the Performing Arts.. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org The post Bookwaves/Artwaves – May 30, 2024: Aya de Leon – Paul Auster appeared first on KPFA.

Since leaving RADA in 2016, Jamael Westman has led productions at the Royal Court, Shakespeare's Globe and of course took on the title role of Alexander Hamilton in Lin-Manuel Miranda's blockbuster musical in the West End's premiere cast. Now, he is starring in the National Theatre's production of London Tide, an adaptation of Charles Dickens' Our Mutual Friend by Ben Power with songs by PJ Harvey. The show is currently playing in the Lyttleton Theatre and is directed by Ian Rickson. In the show, Jamael plays Eugene Wrayburn, a character that he particular admires and feels proud to be playing alongside a delightful cast of actors that includes Peter Wight, Tom Mothersdale and Bella Maclean.In this brand new interview, Jamael Westman speaks passionately about the importance of love and empathy in a world that feels increasingly apathetic. After starring in politically themed works like Hamilton and Patriots, he tells us about how he sees being an actor as a political act too and he encourages those around him to be more empathetic and show love to others. We hear him reflect on the parallels between Dickens' London and modern London where the gap between the rich and poor continues to widen. Still, he remains positive about the world we live and shares his hope that people will come away from his latest show wanting to take action and decrease inequality. He also tells us about his desire for diversity and representation in theatre, to showcase a London which he loves and comes from in the hope more diverse talent will enter the industry as well. It's a fascinating conversation which leaves you with plenty of food for thought and we hope you enjoy listening.London Tide runs at Lyttleton Theatre, National Theatre until 22nd June.

London, and the river that runs through it, is at the heart of the new play London Tide, an adaptation of Charles Dickens' Our Mutual Friend. Ben Power has adapted the novel and co-written original songs with the singer-songwriter PJ Harvey. He tells Adam Rutherford that although it combines the savage satire and social analysis of the original, it is, in essence, a love letter to the capital. London Tide is playing at the National Theatre until 22nd June.The award-winning architect Amanda Levete reflects on the challenges of designing buildings and public spaces in major historic cities around the world – taking into consideration the aesthetics of the built environment, whilst meeting the needs of the community and tackling sustainability.Amanda Levete considers the Pompidou Centre in Paris to be one of the twentieth century's most iconic buildings and an inspiration for her own architectural practice. The journalist Simon Kuper takes stock of his adopted city, as Paris prepares for the Olympics. In Impossible City he explores today's ‘Grand Paris' project which aims to connect its much famed central areas with its neglected suburbs.Producer: Katy Hickman

Knife is Salman Rushdie's memoir about surviving a near-fatal knife attack in August 2022 and the long, painful period of recovery that followed. Ben Power's adaption of the Dickens novel Our Mutual Friend – London Tide – which features songs that he co-wrote with PJ Harvey, has just opened at the National Theatre in London. Baby Reindeer is a new Netflix drama written by and starring Richard Gadd who drew directly on his own shocking experience of being stalked. All three are reviewed by Tahmima Anam and John Mullan.We also hear from tenor Ian Bostridge on mobile phone use in concert halls and why he stopped a performance of Britten's Les Illuminations with the CBSO last night.Presenter: Tom Sutcliffe Producer: Corinna Jones

Dominic meets Ben Power backstage at London's National Theatre who takes a break from rehearsals to talk about London Tide  - an exciting new staging of Our Mutual Friend -  which he has adapted with songs composed by the award-winning PJ HarveyBen is a Tony Award winning, and a BAFTA & Olivier Award nominated writer for stage and screen, and an Associate here at the National. His adaptation of The Lehman Trilogy, directed by Sam Mendes, has become an international theatrical juggernaut, playing in London, New York, San Francisco and Sydney. His screen credits include the BBC series The Hollow Crown and Netflix's Munich: The Edge of War …London Tide runs from 10th April - 22nd June 2024. You can book tickets hereSupport the showIf you like to make a donation to support the costs of producing this series you can buy 'coffees' right here https://www.buymeacoffee.com/dominicgerrardHost: Dominic GerrardSeries Artwork: Léna GibertOriginal Music: Dominic GerrardThank you for listening!

A new series of Charles Dickens: A Brain on Fire!

Writer and dramaturg Ben Power, Deputy Artistic Director of the UK's National Theatre who adapted the play for English speaking audiences, joined Philip Clark on Nightlife to discuss the stage play. 

The Denver Broncos have officially been eliminated from the playoffs so it's time to consider what went wrong, what big decisions are coming and where fans can find room to be optimistic despite the team falling short of their goals. On today's episode, Joe Marino and Kyle Crabbs break down those dynamics with a look ahead to the coming offseason. Key topics include the Denver Broncos, George Paton, Sean Payton, Russell Wilson, Pat Surtain II, Alex Singleton, Zach Allen, Jonathan Cooper, DJ Jones, Nik Bonitto, Baron Browning, Cortland Sutton, Javonte Williams, Lloyd Cushenberry, Quinn Meinerz, Garrett Bolles, Ben Power, Mike McGlinchey, Greg Dulcich, Marvin Mims, Broncos Reaction and more! Follow & Subscribe on all Podcast platforms…

The Denver Broncos have officially been eliminated from the playoffs so it's time to consider what went wrong, what big decisions are coming and where fans can find room to be optimistic despite the team falling short of their goals. On today's episode, Joe Marino and Kyle Crabbs break down those dynamics with a look ahead to the coming offseason. Key topics include the Denver Broncos, George Paton, Sean Payton, Russell Wilson, Pat Surtain II, Alex Singleton, Zach Allen, Jonathan Cooper, DJ Jones, Nik Bonitto, Baron Browning, Cortland Sutton, Javonte Williams, Lloyd Cushenberry, Quinn Meinerz, Garrett Bolles, Ben Power, Mike McGlinchey, Greg Dulcich, Marvin Mims, Broncos Reaction and more!  Follow & Subscribe on all Podcast platforms…

Premiera: 8. oktober 2023 informativne oddaje, Svet kulture, 10. okrober 2023 V Mini teatru si še danes lahko ogledate prizore iz epska zgodbe o nemških bratih, ki so sredi 19. stoletja zavohali veter priložnosti, glasbo sna o uspehu v ameriški poslovni pokrajini in tam v več rodovih zgradili gigantsko finančno trdnjavo. Trilogija Lehman je delo italijanskega dramatika Stefana Massinija, ki pa je doživljajo procese transformacij in skrajšav, pod tokratno različico adaptacije za oder in tri igralce se je podpisal dramatik Ben Power. Besedilo je prevedel in režiral Peter Petkovšek, dramaturg je bil Urban Zorko, v dinamičnem prehajanju med vlogami ter zmagami in porazi pa so spretno krmarili igralci Igor Samobor, Branko Šturbej in Gal Oblak. Na nedeljski premieri je bila Magda Tušar.

Revisão do Clássico de Eurípides pelas mãos de Ben Power. Esse texto teatral clássico conta a história da vingança de Medea após ser abandonada por Jasão. *** Inscreva-se na nossa newsletter ⁠AQUI ⁠*** Apresentação: ⁠⁠⁠⁠⁠Lívia Leão⁠⁠⁠⁠⁠ Edição: ⁠⁠⁠⁠⁠Lívia Leão⁠⁠⁠⁠⁠⁠ Contato: lihnumlivro@hotmail.com

This week, we discuss two films based on novels by English novelist Robert Harris. The first is An Officer and a Spy (2019), a historical drama film directed by Roman Polanski about the Dreyfus affair, with a screenplay by Polanski and Robert Harris based on Harris's 2013 novel of the same name. It received twelve nominations for the 45th César Awards, the most nominations of any eligible film, and eventually won the awards for Best Adaptation, Best Costume Design and Best Director. The second is Munich: The Edge of War (2021), a German-British period spy thriller film directed by Christian Schwochow, from a screenplay by Ben Power. It is based upon the 2017 novel Munich by Robert Harris. The film stars Jeremy Irons, George MacKay and Jannis Niewöhner.   Timestamps What we've been watching (00:00:51) – Spider-Man: Across the Spider-verse, Succession season 4, Ted Lasso season 3 An Officer and a Spy (00:22:45) Munich: The Edge of War (00:56:10) Coin toss (01:34:39)   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Justwatch.com – streaming and rental links - https://www.justwatch.com

Agents Scott and Cam welcome screenwriter Ben Power to the podcast to talk about his experiences bringing Robert Harris' work to the screen with 2021's Munich: The Edge of War. He also shares stories about collaborating with Sam Mendes on the acclaimed English language adaptation of the play The Lehman Trilogy. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Pick up exclusive SpyHards merch, including the new "What Does Vargas Do?" t-shirt by @shaylayy, available only at Redbubble Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes.

Robert Winfree and Mark Radulich present their Munich The Edge of War 2022 Review! Also, during "The Money" segment we'll do our 2021 year in review! Munich – The Edge of War is a 2021 German/British drama film, directed by Christian Schwochow, from a screenplay by Ben Power. It is based upon the 2017 novel Munich by Robert Harris. The film stars Jeremy Irons, George MacKay and Jannis Niewöhner. The film premiered at the BFI London Film Festival on 13 October 2021. Netflix gave it a limited US theatrical release on January 14, 2022, before its streaming release on January 21, 2022. Grammarly Ad: 1:52:50 Amazon Music Ad: 1:13:30 For a 30 Day Free Trial of Amazon Music Unlimited head to http://getamazonmusic.com/w2mnetwork. Amazon Music is free. Amazon Music Unlimited is not. And for the Grammarly special offer, go to http://getgrammarly.com/w2mnetwork. Check us out on the player of your choice https://linktr.ee/markkind76 Also check out the W2M Network Discord https://discord.gg/fCYpG5dcT9

Robert Winfree and Mark Radulich present their Munich The Edge of War 2022 Review! Also, during "The Money" segment we'll do our 2021 year in review! Munich – The Edge of War is a 2021 German/British drama film, directed by Christian Schwochow, from a screenplay by Ben Power. It is based upon the 2017 novel Munich by Robert Harris. The film stars Jeremy Irons, George MacKay and Jannis Niewöhner. The film premiered at the BFI London Film Festival on 13 October 2021. Netflix gave it a limited US theatrical release on January 14, 2022, before its streaming release on January 21, 2022. Grammarly Ad: 1:52:50 Amazon Music Ad: 1:13:30 For a 30 Day Free Trial of Amazon Music Unlimited head to http://getamazonmusic.com/w2mnetwork. Amazon Music is free. Amazon Music Unlimited is not. And for the Grammarly special offer, go to http://getgrammarly.com/w2mnetwork. Check us out on the player of your choice https://linktr.ee/markkind76 Also check out the W2M Network Discord https://discord.gg/fCYpG5dcT9

Moderator James McNamara speaks with writer Ben Power about his adaptation of Shakespeare's Richard III for the BBC series, The Hollow Crown. Power discusses various elements of the series, commenting on the casting choices, which included actors of color and the political context of the series, which was developed during a visible rise of authoritarian figures in the United Kingdom. He also speaks on the challenges of adapting from Shakespeare and offers his perspective on what allowed the series to be engaging for audiences while still remaining true to Shakespeare's vision. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37610]

Moderator James McNamara speaks with writer Ben Power about his adaptation of Shakespeare's Richard III for the BBC series, The Hollow Crown. Power discusses various elements of the series, commenting on the casting choices, which included actors of color and the political context of the series, which was developed during a visible rise of authoritarian figures in the United Kingdom. He also speaks on the challenges of adapting from Shakespeare and offers his perspective on what allowed the series to be engaging for audiences while still remaining true to Shakespeare's vision. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37610]

Moderator James McNamara speaks with writer Ben Power about his adaptation of Shakespeare's Richard III for the BBC series, The Hollow Crown. Power discusses various elements of the series, commenting on the casting choices, which included actors of color and the political context of the series, which was developed during a visible rise of authoritarian figures in the United Kingdom. He also speaks on the challenges of adapting from Shakespeare and offers his perspective on what allowed the series to be engaging for audiences while still remaining true to Shakespeare's vision. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37610]

Moderator James McNamara speaks with writer Ben Power about his adaptation of Shakespeare's Richard III for the BBC series, The Hollow Crown. Power discusses various elements of the series, commenting on the casting choices, which included actors of color and the political context of the series, which was developed during a visible rise of authoritarian figures in the United Kingdom. He also speaks on the challenges of adapting from Shakespeare and offers his perspective on what allowed the series to be engaging for audiences while still remaining true to Shakespeare's vision. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37610]

In this session of Sharing PIE, Ben Power, MS, CPHQ, from Barrett Hospital & HealthCare in Dillon, Montana, and ArvaDell Sharp, RN, from Pembina County Memorial Hospital in Cavalier, North Dakota, talk about data and how they approach using different sources of data in their small critical access hospitals.

Out in the Open Radio Hour, Episode 32, Lucy Webb (our guest host and Chair of our Board) has a conversation with Ben Power from the Sexual Minority Archives. Listen to Ben share about his journey as a trans man, his life's work of the Sexual Minority Archives- one of the oldest and largest collections of LGBTQIA+ historical documents, media, and artifacts in the world, creating of intergenerational community, and choosing rural life that is affirming and nurturing. So many gems in this conversations, when asked what message he would give to his younger self, he says, "You are stronger than you think....and you have to join with others to do what you want to do in life." Below are some links to many of the references named in the conversation. Music at the beginning and end of the episode is from My Gay Banjo. The first song at the beginning of the episode is Exactly Who you Are, and at the end of the episode we hear I'll Meet you in the Streets. Thank you My Gay Banjo for the use of your music!

This week I'm joined by Ben Power who is Head Coach/Founder of SBG Australia. We discuss how Ben was introduced to Martial Arts, Influential Martial Arts figures in his life to begin his own gym, Fundamentals in Jiu Jitsu & Striking, his travel throughout the world with BJJ, Tips for beginners and much more. Check out, https://www.theflawedjourney.com/sh-t-talk-banter-podcast and use "TALKFREE" to enjoy your 1st session free. Head over to YouTube and SUBSCRIBE & LIKE if you haven't already. https://www.youtube.com/channel/UChTJ609Ni1g5xEfireG0D_w If you want to reach out to me, DM me on Instagram: https://www.instagram.com/nathan.langton_/ Check out SBG Australia's Instagram: https://www.instagram.com/sbgaustralia/ And also their website: https://www.sbgaustralia.com.au/

Christmas is a time for cheer, and a time to eat, drink and be merry with family. For a lot of folk, some of these things may not be possible this year, which is why we felt even more duty bound to continue our very own festive tradition of getting really bloody silly at the end of the year. For the first since March, we decided to get in a room together and stare in lovingly into each other’s eyes to record this mega three parter. In the weeks leading up to this, we asked people to submit questions, ridiculous or otherwise, to us so we could turn this self serving nonsense into something for you lot. The results were…really messy. We also asked some of our previous guests to contribute too, so you’ll get to hear from co-hosts Anna Goldthorp and Vicki Henry, as well as from Ben Power of Blanck Mass, Jonah Matranga and of course, the most knowledgeable musical mind we know, Ferrucio Quercetti. In part one we answer a handful of these questions and have some of these co-hosts chip in. We start to get drunk and honestly, it’s a real fun time. Part two will drop next week where, as luck would have it, we address a bunch of questions about what Brexit will hold for touring bands going forward. Prescient stuff.

Just before Broadway shut down, team Indicator saw The Lehman Trilogy, about the origin of Lehman Brothers. We talk with playwright Ben Power about the firm, the family and the consolation of history.

In this episode, Mariah Hesse from, Sparrow Clinton Hospital in St. Johns, Michigan, and Ben Power from Barrett Hospital & HealthCare in Dillon, Montana, discuss the impact COVID-19 had on their hospitals with regards to quality improvement (QI), and how they adapted their QI work accordingly.

"...and, if you put it together, that's what keeps people oppressed: is being disconnected from our own information--about the value of our lives."Conversation with Ben Power about the history of the Sexual Minorities Archives (recorded: Nov 2018). In this episode, we feature the life and work of Ben and the Archives that literally traveled with him from Chicago to Western Massachusetts and changed and grew alongside his own transformations. We touch on some of the ways the Archives exists today, some of the gay, lesbian and transgender pioneers enshrined there and the roots of the SMA in butch and lesbian community organizing and mutual support.If you'd like to see a transcript of this conversation, including photos of a couple artifacts mentioned during this podcast, please follow link here.If you'd like to get involved and/or make a donation to support the work and existence of the archive please follow the links below!Facebook: www.facebook.com/FollowtheSMA/.Website: sexualminoritiesarchives.wordpress.com.Donate/Support: sexualminoritiesarchives.wordpress.com/suppo…ives/.

On this week's New Statesman Podcast, Helen Lewis and Stephen Bush are discussing Donald Trump's state visit to the UK, and whether there's any point to all the pomp and ceremony. Then, Helen talks to Ben Power, writer of The Lehman Trilogy, about how to dramatise centuries of the financial system, and, finally, in You Ask Us, we say goodbye to (most of) Change UK and answer your questions about whether the remaining MPs can make it to conference season.If you are a New Statesman digital subscriber you can get advert free access to this podcast by visiting newstatesman.com/nssubscribers. If you haven't signed up yet, visit newstatesman.com/subscribe to purchase your subscription. Send us your questions for future episodes via Twitter @ns_podcasts. See acast.com/privacy for privacy and opt-out information.

And now, for avid fans, we present part 3 of our interview with Benjamin Power/Blanck Mass. After two weeks of talking about Blanck Mass and Ben’s career, it’s now time to talk about music that Ben thinks is underrated. There’s some great, obscure, interesting choices and discussion in this episode around the album’s he’s picked, why he’s picked them and what he loves about them. We also recommend checking out episodes 1 and 2 on the links below. Part 1: https://www.unsungpod.net/episodes/in-session-2-ben-power-of-blanck-mass-part-1 Part 2: https://www.unsungpod.net/episodes/in-session-2-ben-power-of-blanck-mass-part-2

Anne McElvoy reads a new biography of Chaucer by Marion Turner called Chaucer: A European Life and talks to writer Bernardine Evaristo about her depiction of 12 characters aged 12 to 93 in her novel Girl, Woman, Other and to Candice Carty-Williams about her best-selling first novel and podcast Queenie. Plus Matt Wolf looks at representations of money, capitalism and the American dream on stage. You can hear Queenie being read on BBC Radio 4 here https://www.bbc.co.uk/programmes/p075drzy All My Sons by Arthur Miller with Sally Field and Bill Pullman in the cast runs at the Old Vic Theatre until June 8th. Death of a Salesman by Arthur Miller with Wendell Pierce, Sharon D Clarke and Arinzé Kene runs at the Young Vic Theatre until 29th June The Lehman Trilogy by Stefano Massini adapted by Ben Power runs at the Picadilly Theatre in London's West End in May for a 12 week run. King Hedley II by August Wilson runs at the Theatre Royal Stratford East from 17th May to 15th June. Producer: Fiona McLean

As is tradition for our interviews, we’ve broken it into three parts and this is no exception. On part two Ben talks about the genesis of Blanck Mass, the method behind some of the music and the boys go on a deep dive of the Blanck Mass back catalogue, taking in as much ground as they can. Ben talks about some of the stuff he says is his favourite and things that encapsulate what Blanck Mass really is. They also touch on some of the collaborations Ben’s been a part of and so much more. Mark is again sadly absent from this episode as he’s was ill. But you’ll never even notice. Part one can be found here: https://www.unsungpod.net/episodes/in-session-2-ben-power-of-blanck-mass-part-1

It’s taken more than a bloody year for us to arrange our second interview, but we did it! We promise not to wait so long for the next one. Promise. This week we sit with producer and musician Benjamin John Power, best known for his work in Fuck Buttons and Blanck Mass. In part 1 we talk early life, early influences, the health of electronic music, broken washing machines and sordid rap-metal pasts. Also, Chris raps. Which is a true feast for the eardrums. Mark is sadly absent from this episode as he’s was ill at the time for recording but don’t worry, you’ll hardly notice that he’s missing.

In episode 8, Ben and Spencer recap the Markelle Fultz news and discuss their biggest surprises/disappointments in the NBA this season. The episode also features an 'Unpopular Takes' segment and our 'Power 3' segment where the guys debate the best NBA jerseys of all-time. 0:00-11:03 Intro (Opening Music + Markelle Fultz News) NBA Surprises/Disappointments (11:04-43:37) 11:04-14:14 Utah Jazz (Mitchell struggling, defensive problems, and Crowder playing small-ball 4) 14:15-21:10 Boston Celtics (Offensive struggles, Brown-Hayward lost, and potential AD trade) 21:11-26:43 Russell Westbrook three-point shooting (Resistance to change, shooting struggles, and OKC potential in the West) 26:44-32:40 Luka Doncic (Ability to score, Dallas buying in, and building around Doncic) 32:41-37:42 DeAndre Jordan FTs (78% from the line) 37:43-43:47 Sacramento Kings (Buddy Hield, reviewing Boogie trade, and De'Aaron Fox's development) Unpopular Takes (43:48-1:11:55) 43:48-48:13 Memphis Grizzlies won't make the playoffs (Spencer) 48:14-53:26 LA Clippers won't make the playoffs (Ben) 53:27-1:00:45 LA Lakers will either miss playoffs or get the 8th seed and get swept (Spencer) 1:00:46-1:05:40 Lakers shouldn't trade Brandon Ingram (Ben) 1:05:41-1:11:55 Washington Wizards will make the playoffs (Ben) Power 3: Best NBA Jerseys of All-Time (1:11:56-1:19:51) Spencer's Picks: '98 Pistons throwbacks, Grizzlies throwbacks, and Shaq-Penny Magic throwbacks Ben's Picks: Miami Vice, Raptors VC throwbacks, and Minnesota 'City' jerseys

From the new series of the BBC's The Hollow Crown, director Dominic Cooke and writer Ben Power discuss their approach to filming Shakespeare's work for the screen.

Ben Power discusses his adaptation of DH Lawrence's trilogy with the director Marianne Elliott. This is a recording of a live platform event. #ntHusbandsandSons www.nationaltheatre.org.uk/shows/husbands-sons

On Start the Week Andrew Marr talks to the playwright Ben Power whose latest work interweaves three of DH Lawrence's dramas to evoke a lost world of manual labour and working class pride. The sociologist Mike Savage proposes a new way to think about class in Britain which not only looks at economic and social issues, but cultural preferences. Meanwhile the American writer Siri Hustvedt questions the cultural misogyny at play in the world of art, and Peter Davies celebrates the artists inspired by the northern industrial landscape. Producer: Katy Hickman.

In this bonus episode of the podcast hear Sarjeant Gallery staff talk about the reopening of Sarjeant on the Quay. Credits: Opening music performed by Ben Power at the Sarjeant on the Quay reopening. Closing music performed by Alan Cruise-Johnston at the Sarjeant on the Quay reopening.

Another episode with no voice-over from me, however, if you're interested in any of the music, there are a few notes following the track listing. Tracks 1. Whatever Makes You Happy 2:11 Alessi's Ark The Still Life 2013 2. The Veil 2:19 Lisa Gerrard Twilight Kingdom 2014 3. Night Bus 2:20 Burial Burial 2006 4. Grim Augury 2:32 Danger Mouse & Sparklehorse Dark Night Of The Soul 2010 5. Sunday St 2:33 Casiotone For The Painfully Alone Advance Base Battery Life 2008 6. The Golden Wedding Of Sorrow 2:46 Death In June Symbols And Clouds 2009 7. The arrow of time 3:12 Leyland Kirby Eager to tear apart the stars 2011 8. I Love My TV 3:16 Death Of The Neighbourhood Death Of The Neighbourhood 2008 9. End Of Time 3:20 CocoRosie Tales Of A Grass Widow 2013 10. Weakling Flier 3:23 Blanck Mass Blanck Mass 2011 11. Gone 3:28 Matt Elliott Failing Songs 2006 12. Bang Bang You're Dead 3:33 Dirty Pretty Things Waterloo To Anywhere 2006 13. Oh, Why 4:12 Balam Acab Wander / Wonder 2011 14. Big Eyed Beans From Venus 4:15 Captain Beefheart & The Magic Band Back To Mine 1972 15. Keepin' It Steel (The Anvil ) 4:29 Amon Tobin Supermodified 2000 16. Kicks 5:25 FKA twigs LP1 2014 17. Voice Games 6:38 Jocelyn Pook Ensemble Unknown Public 15 - Dancing/Listening 2003 18. Red Sex 5:37 Vessel Punish, Honey 2014 1. Alessi's Ark: Is singer-song-writer Alessi Laurent-Marke from Hammersmith. I nearly lived in Hammersmith, but in fact lived in Barnes, but very north Barnes – it went, our street, St.Pauls school playing fields, the River Thames, Hammersmith. 2. Lisa Gerrard Frequent listeners will know of my love for the contralto voice and of Lisa. When in Australia recently, I found a DVD about her which is part documentary, part music and which is excellent in my opinion. This track is from her latest album which is for download only at this stage. 3. Burial: is William Bevan from London. I've procured both albums so far and in the electronics field – they are top notch. This track's from his first album 4. Danger Mouse & Sparklehorse I rather liked Mark Linkous (Sparklehorse) and have all of his albums. He took his own life in March 2010. Danger Mouse has gone from strength to strength winning accolades and awards. 5. Casiotone for the painfully alone: is American, Owen Ashworth. He retired the name & songs in 2010 and now performs under the Monika ‘Advance base'. 6. Death in June: are a neofolk group led by English folky Douglas P(earce). They have been around since the beginning of the 80's and through various members have greatly influenced the more Avant garde /Industrial/rock (Nurse with wound; Throbbing Gristle; Current 93…) but with their various phases of performance art, left a nasty taste with, seemingly, their enthrall with a sanitised Nazism back in the 80's. 7. Leyland Kirby again with his evocation of times past using piano, other keyboards a single voice. He recently turned 40 and produced for download an album which has since disappeared. To everyone who purchased & downloaded that album however, he sent a personalised thank you email. How things have changed. 8. Death of the Neighbourhood is simply another one of Stephen Jones's many guises – know now as exBabybird, he also releases work under the Monika's of Black Reindeer; The Great Sadness; Deluder; Trucker as well as under his own name (and all to be found in my record collection) 9. CocoRosie I came to CoCo through Anthony (Hegarty, of ‘& the Johnsons' fame). Weird but wonderful with a confusing a website (probably down to Touch & go records) however, if you are prepared to wait for the download you will be rewarded with the girls singing. I'd stop there if I were you rather than clicking on! 10. Blank Mass: is Ben Power, one the founding members of F*Buttons, now out there on his own but doing rather well. He supported Icelandic band Sigur Ros UK tour last year (2013) 11. Matt Elliott Another of my favourite artists. Like Ben Power, another Bristolian. The music papers tend to bag him as ‘dark folk'. His early albums had a sound of the Eastern Europe and his latest a more Spanish Flamenco feel. This track is from his more Eastern Europe period and as most of his songs are over 8 minutes – this is one chosen for brevity rather than content. I still like it though. 12. Dirty Pretty Things: For Carl Barat, this is what happened after the Libertines fell apart following his dispute with Peter Doherty. It lasted from that time; 2005 until itself fell apart in 2008. 13. Balam Acab I think this track gives a wonderful atmosphere, sounding a little like Moby, except for the other-worldly vocals. Now overdue for another album I think. 14. Capt. Beefheart The Captain was and still is different. Not for the feint hearted, Beefheart was different with a capitol D. He is part of what is now termed ‘outsider music'. I loved Strictly Personal his second commercial LP in UK (after Safe as milk – also very good, so why did I sell it?) and before the famous Troutmask Replica. Troutmask was too over the top for many and compared with his first two albums – it is. However, Strictly P points the way with such great numbers as Gimme dat harp boy. That track, available on a compilation album, Gutbucket gave me my first glimpse of Beefheart-world and I had to go there, own the album, sing the tunes…. I regret selling his later works (Lick my decals off & Clear Spot). The ‘Mirror man' sessions have been re-released and ‘Electricity' from Safe as Milk always makes me think about watching the first pylons being constructed in the West Midlands to carry the demand for electricity following the baby boom. It was interesting watching the steeplejacks construct these things, but when they had moved down the line one was left with a scar on the land which forever changed Britain. I'm always reminded of this when I visit Tuscany. Hardly a pylon in sight and yet in England, no beautiful scenic part of the island can be seen without these lumps of metal, stretching out across the landscape. I saw the Captain in concert and festival several times, back in the day. He's gone now. 15. Amon Tobin is a Brazilian musician, composer and producer of electronic music. He is described as a virtuoso sound designer and is considered to be one of the most influential electronic music artists in the world. I bought a box set of retro stuff which includes a dvd to his concert for his work Isam – unbelievable at the time and I haven't seen anything like it since. 16. FKA Twigs Formally Known As Twigs because, like Dirty Pretty Things of a few tracks ago – someone else disputed use of the name as they had been using it for longer – so unlike DPT who worked live under the name ‘Bright Young Things' - Twigs opted for the ‘Prince' like, FKA. 17. Jocelyn Pook Ensemble The Unknown Public box sets are rather splendid in providing an introduction to the wonderful world of weird. This track is one of the more straight-forward on this set (Vol 15). 18. Vessel Yet another Bristolian, Seb Gainsborough. I lived in Bristol for a year. Always thought I'd return one day – but doubtful now. Bristol seems to have moved from the home of Trip-hop and Bass to Electronica! Using techno and house as a jumping off point Vessel manages to twist these things into something unconventional and alien, often creating music that sounds as if it's rhythmically out of control when in fact it's all tightly controlled chaos. I love it. 19. Dropping out with Kevin Ayres Enjoy, Peter

Actor Helen McCrory, writer Ben Power and director Carrie Cracknell talk about Euripides' Medea as a contemporary story and how it is still a relevant play for today.

Helen McCrory talks to Genista McIntosh about her acting career and her experience preparing for the role of Medea in Ben Power's new version.

Helen McCrory talks to Genista McIntosh about her acting career and her experience preparing for the role of Medea in Ben Power's new version.

The Times Literary Supplement - an occasional series of readings. Mary Beard discusses the recent production of Medea by Euripides, in a new version by Ben Power, at The National Theatre. Introduced by Rozalind Dineen. Find out more: www.the-tls.co.uk See acast.com/privacy for privacy and opt-out information.

An short film about the character Timon, featuring Simon Russell Beale and Ben Power.

The creative team behind the National Theatre's new production of 'Timon of Athens' talk about their staging of the play and the motivations for bringing this rarely staged and problematic play by Shakespeare and Middleton to the stage. Featured in this video: Nicholas Hytner, Simon Russell Beale, Cathal Cleary, Tim Hatley and Ben Power.