Podcasts about da costa

…ON TODAYS PROGRAM…   FERNANDO AND THE HONDA CURSE, LAWRENCE STROLL SELLS ASTON MARTIN NAMING RIGHTS FOR 50 MILLION POUNDS. FERRARI ON THE OTHER HAND SHOW OFF NEW SPINNING REAR WING AND, LOOK VERY COMPETITIVE ! MCLAREN AND MERCEDES ARE NOT FAR BEHIND… RED BULL IS STILL A QUESTION MARK?…AND FERNANDO WILL NEED HIS CAMPING CHAIR AS THE GP2 ENGINE THAT FAILED HIM AT MCLAREN, THAT WENT KABLAMO IN THE INDY 500 AND LOOKS TO HAUNT ALONSO FOR ANOTHER LONG SEASON!! STAY TUNED FOR SOME GREAT ONE LINERS FROM MACHISMO… THIS WEEK'S NASIR HAMEED CORNER…MORE VINTAGE BANTER BETWEEN THE HOST AND NASIR…THIS WEEKS SPECIAL GUEST: MARCUS ERICSSON, MARTIN BRUNDLE, AND MIKI MONRAS DE ESPANA…! Indianapolis 500 Veteran Hucul Dies at 79   INDIANAPOLIS (Friday, Feb. 20, 2026) – Canadian driver Cliff Hucul, a veteran of three Indianapolis 500 starts in the late 1970s, died Feb. 17 on his farm in his native Prince George, British Columbia. He was 79. Hucul made three consecutive starts in “The Greatest Spectacle in Racing” from 1977-79. His best finish came as a rookie in 1977, 22nd in the No. 29 Team Canada McLaren/Offenhauser that Hucul bought after Johnny Rutherford drove it to victory in the 1976 “500.” Hucul completed 72 laps before being sidelined by gearbox problems. He qualified on Bump Day for that race despite touching the wall in practice the previous day and suffering two engine failures during the Month of May, a significant pitfall for his low-budget team. Hucul's best qualifying spot was 18th in 1979, his final “500” start. The small-town driver from northern British Columbia learned his craft by racing stock cars and modified sprint cars at local tracks. He then began racing modifieds and supermodifieds in the Pacific Northwest against drivers that included eventual Indianapolis 500 winner and INDYCAR SERIES champion Tom Sneva and his brother Jerry Sneva. Hucul made 24 total USAC and CART starts between 1977-81, with eight top-10 finishes. Hucul's best finish in the standings was 11th in 1979, when he started the season by placing fifth at Ontario Motor Speedway and a career-best fourth at Texas World Speedway. In 1996, Hucul became a paraplegic after an automobile accident when crossing black ice on a highway in British Columbia. Despite being confined to a wheelchair, Hucul remained active, managing his farm and mentoring many drivers in the area. He was inducted into the Prince George Sports Hall of Fame for his lifetime contributions to auto racing. Hucul is survived by his son, Kelly, and daughter-in-law, Sylvie; daughter, Michele, and many grandchildren. 2026 BAHRAIN TESTING - WEEK 1, DAY 3 MAX VERSTAPPEN “Looking at the test overall, the Team got in a good number of laps on the first day so we were happy with that. We completed a lot of things that we wanted to test with the new Power Unit and the car in general. Today it was a continuation of that plus also trying to explore a little bit more with the car; you go through so many test items that it continues to change and evolve with everything that you are testing. In general, it is all so new that we are still learning a lot, but the car was good. We also have new tyres, so we spent some time looking at different sets and understanding what we need to improve and be better at. With the power unit, looking at the laps we got on the board, the start that we have had is good. That's exactly what we wanted to do and it was not a given. Whether it will be enough to win races, we don't know, we will just focus on ourselves and try to do the best we can, but there is still massive room for improvement. Finally, with the car, we learnt a lot about what worked and what didn't. Our runs also gave us even more ideas for the afternoon with Isack and then for next week, where we can continue to try new things and different set ups.” ISACK HADJAR “The first week here in Bahrain has gone well. Of course, I had to wait a little before getting in the car after Barcelona, but once I did, we were able to put it to the test and really work through what we need ahead of next week and Melbourne. There are so many things to look at, but we're staying on track with our programme so far. True performance and pace are always hard to judge in pre-season, but we can be happy with the reliability we've had from the power unit this week. There are still things to work on in terms of balance and tyre management, but that's completely normal for this time of year. We're working through it together as a Team to get where we want to be for Australia. I've known the people here for a while now, but it's great to be working with them again in an environment like this." ASTON MARTIN The Aston Martin Aramco Formula One™ Team concluded its testing programme at the Bahrain International Circuit today, with Lance Stroll returning to the cockpit of the AMR26 for the final time before the Australian Grand Prix. Lance did not get on track until late in the morning session due to a battery-related issue that had impacted Fernando's running yesterday. Honda carried out simulations on the test bench at HRC Sakura before the car returned to the track. Due to a shortage of power unit parts, the run plan was very limited and consisted only of short stints. Lance Stroll “It's been a challenging couple of weeks here in Bahrain, and today's limited running wasn't the way we wanted to finish the second test. It's clear the car isn't where we want it to be performance-wise, and we know there's a lot of work ahead in the coming weeks and months. There's a long season ahead, and we'll keep pushing flat out to unlock more performance. I want to say a big thank you to everyone trackside and back at the AMRTC for the work that's gone in so far. It's not where we want to be right now, but I know how determined this team is. We'll stick together, rise to the challenge and keep working until we deliver the performance we are looking for.” WILLIAMS F1 2026 Bahrain pre-season testing – Day 3 James Vowles, Team Principal: Another solid day of running and mileage. It's great to see that across the last six days of testing, we've been predominantly tyre and time limited, and able to complete the full programme that we wanted. That's just a testament to the hard work of the teams, both here and in Grove, making sure that we made up for lost time. 
 No one truly knows where all the performance lies. That's what Melbourne is all about, so I can't wait to go there, to gain a further understanding of where we are. What I know for sure, though, is we have work to do. There's no doubt about it. We've put ourselves on the back foot. But my assurance to everyone is that we have an aggressive programme lining up in front of us in order to make sure that we extract as much performance in this car as possible over the forthcoming months. Carlos Sainz: The past six days of testing in Bahrain has been one of the most interesting and challenging tests that I've been part of, given the new regulations and number of things we had to learn. The progress from day one has been significant, although there are still going to be things to understand and solve at the start of the season. We go into the first half of the year with lower expectations than 2025 knowing that we'll be starting slightly on the back foot. However, I'm really looking forward to getting started and focusing on improving the cars through the year to become more competitive. Bring on Melbourne! Alex Albon: It's been a relatively smooth test here in Bahrain. We got some good mileage under our belts and tested everything we wanted to get out of the car, so I'm feeling more ready for Melbourne. There's still a lot we need to understand and plenty of performance left on the table that we need to extract, but I'm glad the tests went to plan. It's now all about maximising the next few days to prepare for the first race of the year! THIS WEEK'S INTERVIEW WITH MIKI MONRAS... Miki Monrás on battling Bottas and Ricciardo in the late 2000s and the rising cost of junior racing In the late 2000s, Miki Monrás was one of Spain's brightest prospects on the junior single-seater ladder, trading blows with the likes of Daniel Ricciardo, Valtteri Bottas and António Félix da Costa in Formula Renault and GP3. But while his rivals pushed on towards F1 or careers in GTs, the Spaniard's single-seater journey came to an abrupt halt in 2011. Feeder Series caught up with Monrás to reflect on the times he rubbed shoulders with greatness, the challenges of racing in the post–financial crisis era, and life beyond motorsport. By Anabelle Bremner Back in the noughties, the path from karting to Formula 1 looked nothing like it does today. There was no standardised Formula 4, no carefully managed ladder – just a patchwork of championships that rewarded those brave enough, and wealthy enough, to dive straight in. Eurocup Formula Renault 2.0 was as deep as it got: 40-car grids stacked with future stars, the proving ground where Pierre Gasly, Nyck de Vries and Lando Norris would come to cut their teeth. But before all of them, it was Monrás in the thick of it. He made his single-seater debut in late 2007, the result of years spent chasing speed. His first taste of racing, in fact, came on two wheels – on a motocross bike, inspired by his father, who had raced professionally in Spain and Europe. At the age of eight, Monrás joined a motocross camp, and it wasn't long before karting came calling. “After the first race, I really enjoyed it,” he recalls. “I remember it was Christmastime and I asked for a motocross scooter and for a go-kart. So I finally got the go-kart, and that's the way I started. Then I started racing in Catalonia, and I just moved through Spain and Europe and all the world championships until formula.” Single-seater racing, however, would prove a unique beast. Shortly before turning 16, Monrás moved straight from karting into Formula Renault 2.0, in which the competition was fierce. “Normally at that age you'd go before to a category not straight to 2.0,” he said. “My first year I was racing with Bottas, I was racing with Ricciardo, I was racing with [Andrea] Caldarelli – really good drivers.… I was racing against people that were already racing for two years in single-seaters. That was a big difference.”His first Eurocup campaign, in 2008, proved a challenging one. He was scoreless for his first five rounds with the Hitech Junior Team (no relation to the current Hitech) before a switch to SG Formula brought him six points in the final two rounds. Valtteri Bottas, then of Motopark Academy, went on to claim that year's title after a close fight involving Ricciardo, Caldarelli and Roberto Merhi. The next year brought Monrás a decidedly better season and three podiums with SG Formula, owned by Mercedes Junior Team advisor Stéphane Guerin. He wound up fifth overall in a season dominated by a fierce three-way fight between Félix da Costa, Jean-Éric Vergne and Albert Costa – the last of whom ultimately took the title. Racing against so much talent at such a young age left Monrás with plenty of perspective on what might have been. “Ricciardo was my teammate. Jean-Éric Vergne was my teammate. I raced with Da Costa, Bottas, with Magnussen, so many people that have been racing each other and winning races,” he said. “[I] think if I changed something at that point, maybe I would be in Formula 1, but who knows. Maybe yes, maybe no. “But at that time, it was really difficult times because it was 2010, '11, '12, where there was also a big crisis in the world, especially in Europe. It was really difficult for Spanish drivers to get the sponsors and the money to race.” The financial squeeze triggered by the 2008 global financial crisis left Monrás and many of his peers in a precarious position. Several teams, such as SG Formula, shut their doors in the wake of the crisis amidst an already shifting landscape in junior racing. “It's been changing a lot from that time until now. When I was racing Eurocup 2.0, one time we were like 48 drivers, I remember. 2008 at Spa. It was a massive level and so many drivers wanted to go in,” he said. “Eurocup was really high level, I would say maybe [comparable] to Formula 4 about the car and the lap times. “Motorsport has changed a lot in the last few years. It's more expensive. At that time, Eurocup was also expensive, but I think Formula 4 is around €700,000 more or less, maybe more now. It's quite expensive. Back then, I think Eurocup was around €300,000 or €250,000, so there was a massive difference. A lot more people could race at that time.” After two and a half years competing in various Formula Renault series, Monrás stepped up to GP3 in 2010. The inaugural season, won by eventual F1 driver Esteban Gutiérrez, came with another steep learning curve. Monrás managed two podiums and a 10th-place finish in the standings, but the step up exposed the limits of what talent alone could achieve in a field packed with hungry, well-backed drivers. “When I raced GP3, that was the first year of the championship, so it was a new championship for all of the teams. I also raced with Arden, which was a new team in the category, so it made it a bit difficult,” he said. “During testing, I remember I was flying in GP3, and then suddenly in some races there was such a huge difference with some other cars and drivers. It was difficult sometimes. … I think this is always present in motorsport in all categories. You will find some kind of differences within cars and teams. It just will always be there.” Challenging as it was, that season had its highs for Monrás. A recovery drive in Spa's characteristic rain remains a fond memory for the Spaniard. “I had a really bad qualifying because there were some yellow flags,” he explained. “Because there were 30 cars, it was easy to find yellow flags if you're waiting for the last minutes in qualifying. I finished [ninth in] race one, and in race two it started raining really heavily after five laps. I went from P10 to P3, nearly fighting for the win in the last lap against Rossi and Tambay. That was a really good race.” After a season in GP3, Monrás moved up a rung on the ladder to Formula Two. At the time, the feeder series landscape was fragmented. GP2 and Formula Renault 3.5 offered established paths to Formula 1, while the MotorSport Vision's FIA Formula Two Championship, which first ran in 2009, aimed to do the same with a more affordable package. “Formula Two at that point was very competitive, economically speaking,” Monrás said. “It was a lot cheaper to race in Formula Two than race in GP2 at that moment or 3.5 because it was like all one team. All the cars were one team with different engineers, and that made it low cost for the time. “A lot of drivers went to it because of that. They were racing in the best tracks, same as World Series and similar to GP2, and the car was competitive. Maybe not as competitive as GP2 or 3.5 because it was a bit slower, but it was really competitive and really fast, on the straight especially.”  “In that time, what they were saying was it was very equal. You had one engineer for three cars, you were sharing data with these three cars, and it was all under the same team. You can always find differences in motorsport. Maybe not a difference to make one car win and one car P15, but you can still always find two-tenths difference in similar cars, and two tenths, sometimes it's a lot of time,” he said. “The cars were on the same team, but each engineer was doing the set-up for his driver. The set-up I was using and maybe the set-up Bortolotti was using, he had won the championship maybe from our different set-ups. Every race, you changed engineers. Every weekend, you were rotating engineers so at the end of the season, everybody worked with everyone.” By 2012, the funding had dried up. Monrás was left sponsorless and unable to compete in Formula Two. He sampled GT racing in the Blancpain Endurance Series and tested with both Audi Sport and Atech GP, but no program materialised. From there, Monrás transitioned into driver coaching and team management – mostly with the AV Formula team owned by his manager, Adrian Vallés – and eventually “moved on” from motorsport around 2017. “I was working also with McLaren Automotive, but it was not motorsport. It was automotive, developing road cars, really competitive cars. After that I decided to stop because I wanted to follow a new career professionally, and I moved onto real estate which I have always been [involved with] because of my family, so that's why I decided to move over,” he said. “I now work in a real estate company which I own with some partners, and that's my day-to-day nowadays.” After years climbing the ladder in lockstep with some of the sport's future stars, Monrás has found a new rhythm – one that's decidedly less fast, but no less his own. Yet his career remains a reminder of the talent that defined an era: a Spaniard who went wheel to wheel with the likes of Ricciardo, Bottas, and Vergne, racing in some of the deepest junior grids of the 2000s and 2010s. In the story of that generation, Monrás may no longer be on track, but he's never far from the memory of it all.

Endlich kommt auch das letzte Mitglied des vertretungsberechtigten Vorstands vor Mikro!Dieses Mal ist Marcel aber als Sportwart der Abteilung Karate zu Gast. Achtung, die Betonung liegt ganz klar auf KaratEEE. ☝️Sascha und Tobi interviewen ihn zu seiner sportlichen Laufbahn, wie sich die Sportart über die Jahre verändert hat und wie war das nochmal mit den Katas??Viel Spaß beim Hören und lasst gern einen Kommentar und Like da!#highfive #meinvfl

Neste episódio, a Inês convida-nos a ouvir, a sentir e deixarmo-nos tocar pela música.Uma reflexão sobre o poder da música e a forma como ela pode marcar momentos, despertar emoções e trazer conforto quando mais precisamos.Créditos:Logo: Carolina LinoSonoplastia: Catarina Torres (Mentoria: Marta Tenreiro) e Pedro Silva

O projeto do Parque Linear do Canal da Costa, em Vila Velha, anunciado como uma das maiores intervenções urbanas da cidade, enfrenta agora o desafio de explicar uma redução drástica em suas dimensões. Inicialmente projetado para ocupar uma extensa área de convivência e lazer, o espaço físico real que será entregue à população terá cerca de um terço do tamanho anunciado nas primeiras etapas de divulgação. A mudança no cronograma e na metragem do parque gerou questionamentos entre moradores e especialistas sobre o impacto ambiental, a capacidade de drenagem do canal e, principalmente, sobre o que motivou a readequação do projeto original. De um lado, a promessa de um novo pulmão verde e área de lazer; do outro, as limitações físicas e orçamentárias que redesenharam o mapa da obra. Para esclarecer os detalhes técnicos dessa redução, o cronograma das obras e o que o cidadão canela-verde pode, de fato, esperar do novo equipamento público, conversamos ao vivo no CBN Vitória com a secretária de Planejamento e Projetos Estratégicos de Vila Velha, Menara Cavalcante.

The Cinematography Podcast Episode 345: Sean Bobbitt In the landscape of post-apocalyptic cinema, few franchises carry as much visual baggage as the 28 Days Later franchise. Known for pioneering the "fast zombie" and the gritty, digital lo-fi aesthetic of the early 2000s, the series has always found a novel visual approach for every entry. For the latest installment, 28 Years Later: The Bone Temple, cinematographer Sean Bobbitt, BSC, faced a unique challenge: honoring the jagged zombie movement of the franchise while carving out a look that feels entirely new. While 28 Years Later was shot on iPhones and set its own tone, Bobbitt was determined to make The Bone Temple stand apart. The goal was to capture a duality within the setting. Dr. Kelson (Ralph Fiennes) has created a special space within The Bone Temple, where the chaos parts around him. Bobbitt explains, “We just wanted to highlight the fact that this was a place of peace and tranquility, and acceptance, but also bonkers madness by using much more traditional cinematic techniques and a much slower camera.” However, the film doesn't sacrifice the kinetic energy the series is known for. To capture the fights between the infected and a group known as the "Jimmies," Bobbitt used the ARRI Trinity camera system. By using a gyro-stabilized remote head mounted on a Steadicam rig, they created a fluid, immersive way for the camera to navigate the chaos with 360-degree movement. The trademark jagged movement and speed of the infected is created by using a narrower shutter angle. A typical shutter angle is 180 degrees for natural motion blur, while the 28 franchise uses a narrower 90-degree, or even 45-degree shutter angle. Bobbitt expanded the signature shutter settings to apply to the Jimmies, a visual way to represent the thin, blurring line between the humans and the zombies. “There are all sorts of statements being made about humankind,” in The Bone Temple, says Bobbitt. “There's a lot of humanity and humor in the script which drew me to it.” Director Nia DaCosta and Bobbitt have a history that dates back several years. They first met on a Steve McQueen film set where DaCosta was a production assistant whose job was driving Bobbitt to and from work. Bobbitt enjoyed her first feature, Little Woods, and went on to DP both The Marvels and Hedda with her. “She's a great writer, a great director and the epitome of collaboration,” he says. Their process involves a meticulous long prep, with extensive shot-listing and storyboarding. Bobbitt prefers the intimacy of a single-camera setup, which he usually operates himself, even on large films. On the Yorkshire set, he pre-lit the entire space, enabling the actors to have the freedom to move without being tethered to specific marks. "The lighting informs actors," Bobbitt explains. "I try to light it as it should be, based upon my understanding of the emotion of the scene and discussions with the director." Rehearsals are key for Bobbitt to make lighting adjustments for close-ups, while the actors feel comfortable and immersed in the world of the story. Interestingly, The Bone Temple is Bobbitt's first foray into the horror genre. As a former documentary and news cameraman, he says, “Horror to me is a real thing. It is actual dead bodies, and the horror of what humanity can do to each other. That is embedded in my soul forever, what I've witnessed.” Bobbitt found a deep connection to the script's humanity and humor. The appeal of the 28 franchise for him is that it isn't just about monsters; it's a human story about the horrors people inflict on one another. By bringing a documentary-trained eye to a fictional apocalypse, Bobbitt has crafted a film that respects the technical demands of the genre while never losing sight of the human pulse at its center. See 28 Years Later: The Bone Temple streaming on digital soon. Hear our previous interview with Sean Bobbitt: https://www.camnoir.com/ep114/ Support Ben's short film, The Ultimate Breakup! https://www.kickstarter.com/projects/theultimatebreakup/the-ultimate-breakup-short-film?ref=nav_search&result=project&term=the%20ultimate%20breakup&total_hits=2 The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Independent artist Noel DaCosta joins MadLuh: Digging up the Underground on QSJ Radio for an intimate conversation about creativity, genre-blending, and the realities of building an independent music career. Noel shares insight into his songwriting process, artistic influences, and what it means to stay authentic in today's music industry.

Send us a textThis week we watch and discuss the latest films from Nia DaCosta. The first film released in 2026, 28 Years Later: The Bone Temple, and her adaptation of the famous play, Hedda. 00:00 - Intro02:29 - 28 Years Later: The Bone Temple22:57 - HeddaSupport the showFollow us on Instagram @moviemavensWrite us an email at moviemavenspodcast@gmail.com

We interview a lot of people for the Empire Podcast, folks, and we've finally decided to collect most of them in one easy-to-find place. So welcome to the second episode of The Interviews. This week, Chris Hewitt catches up with Jason Statham and Ric Roman Waugh, star and director of new action thriller Shelter, and along the way Chris and The Stath realise they've been doing the interview dance together for a long, long time. Chris also chats to director Derek Cianfrance about the excellent Roofman, which is out now on shiny discs and streaming. And finally, we have an excerpt from our 28 Years Later: The Bone Temple spoiler special chat with that film's director, Nia DaCosta, who tells Ben Travis all about some of that film's key moments. Remember: swerve that if you don't want to be served a nice big slice of spoiler pie. Enjoy!

Marcos da Costa - Secretário dos Direitos da Pessoa com Deficiência

Marcos da Costa - Secretário dos Direitos da Pessoa com Deficiência

Marcos da Costa - Secretário dos Direitos da Pessoa com Deficiência

Marcos da Costa - Secretário dos Direitos da Pessoa com Deficiência

Marcos da Costa - Secretário dos Direitos da Pessoa com Deficiência

Clearly, we've been inspired by the completely bonkers ending of 28 Years Later: The Bone Temple as we wind down the podcast — and this episode follows suit. Things spiral fast, and you really should be listening to what happens after the episodes in After Hours as it all comes to an end: https://www.patreon.com/beerandamoviepodcast How did it all get so out of control? Blame guest Josh Deleon, director Nia DaCosta, and David's Magic Sack of Beer. We finally tackle 28 Years Later: Bone Temple alongside DaCosta's 2025 release Hedda, and like Bone Temple's Iron Maiden-blasting, upside-down-cross finale, the show is a blast. The beers choose violence. We crack the brand-new Saint Arnold Brewing Eclipse IPA, then make a historically reckless decision by opening a 12-year cellared Firestone Walker XVIII Anniversary Ale. From there, responsibility exits the building. Notes get poetic. Memories unlock. By the end, the episode is gloriously off the rails — late-run BaaM chaos earned after hundreds of films and nearly a decade of bad decisions. And somehow, it still isn't the wild part. That honor belongs to this week's After Hours. The end is coming for Beer and a Movie, but we're not fading out. We're going full blast — Iron Maiden screaming, vintage beer flowing, daring the credits to roll.

Lara Pozzobon da Costa, professora criadora da metodologia CollabLanguage, falou no Direto ao Ponto sobre a proposta de aplicativo que está sendo desenvolvida em Santa Cruz do Sul e empresa está inserida na incubadora tecnológica da Unisc.

Lara Pozzobon da Costa, professora criadora da metodologia CollabLanguage, falou no Direto ao Ponto sobre a proposta de aplicativo que está sendo desenvolvida em Santa Cruz do Sul e empresa está inserida na incubadora tecnológica da Unisc.

This week, The Filmlosophers return to the wasteland for their first big review of the year, diving into the brutal and long-awaited expansion of the "Rage" universe. Hosts Eddie and Spencer, along with Intern Sarah, tackle the high-stakes intensity of Nia DaCosta's 28 Years Later: The Bone Temple. The crew provides their unfiltered and breathless thoughts on whether DaCosta's stylistic flair successfully reanimates the franchise, the terrifying implications of the "Bone Temple" itself, and if this legacy sequel actually justifies its two-decade wait or if the series has finally run out of blood. Once they navigate the infested streets of post-apocalyptic Britain, the team shifts gears to discuss the most anticipated cinematic trends and "philosophy-worthy" releases slated for the coming year. While the group finds common ground on the return of practical effects and the rise of folk-horror, the studio vibes get tense when Sarah takes the mic. She delivers a startlingly detailed and wildly controversial defense for why the hyper-sprinting infected aren't actually "zombies" at all, but are instead a misunderstood evolution of humanity that we should probably stop hitting with pipes. It's an episode full of apocalyptic adrenaline, directorial debates, and infected insights. So pull up a chair, grab your popcorn, and tune in to this week's "bone-tastic" episode of The Filmlosophers!

It might be underwhelming at the box office, but it's overwhelmed our hearts! That's right, this week on the podcast, Matt Donato and Matthew Monagle discuss Nia DaCosta's 28 Years Later: The Bone Temple, a chamber piece set in the 28 Days Later universe. Learn why both Matts believe DaCosta's feature to be the polar opposite of Danny Boyle's 28 Years Later - and why those changes are the right step forward for the franchise.

Director Nia DaCosta (Candyman, The Marvels) joins Giles Alderson and Dom Lenoir to discuss directing the massive horror sequel, 28 Years Later: The Bone Temple. In this deep-dive interview, Nia breaks down the incredible pressure and privilege of taking the baton from Danny Boyle for Part 2 of the new trilogy. She reveals her journey from the Sundance Labs with Little Woods to managing massive VFX budgets, and now returning to practical, visceral horror. We discuss working with legends like Cillian Murphy and Ralph Fiennes, the "social thriller" genre. Topics discussed: Directing 28 Years Later: Part 2 immediately after Danny Boyle. Scripting and outlining. What she does when she gets stuck on a script or as a director. Advice for directors on handling "imposter syndrome" on big sets. Dealing with disappointment and feeling like a failure. Rehearsals and locations and why all directors are different. For more interviews and filmmaking chat head to www.thefilmmakerspodcast.com where our main podcast chats are. 28 Years Later: The Bone Temple is OUT NOW Links FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! Help us out and Subscribe, listen and review us on iTunes, Spotify, or wherever you get your podcasts but more importantly, tell your pals about this podcast. Thank you! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, produced and edited by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

The divisive franchise continues with The Bone Temple. Support this podcast at — https://redcircle.com/quality-check-podcast/donations

The people have spoken.

Nach dem Wochenende hatte Danny da Costa alles unternommen, um die Niederlage gegen Köln zu verdrängen. Umso schöner, dass er trotzdem mit Tommi über den gesamten Spieltag spricht, erklärt, was den Mainzern aktuell fehlt und warum ausgerechnet das Abschneiden in der Conference League neue Hoffnung im Abstiegskampf macht. Außerdem sprechen die beiden über das Comeback von Jamal Musiala, das Endspiel des Afrika-Cups und eine neue Abseitsregel. Eine Folge, so frisch wie das neue Transfergerücht um euren Herzensklub. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/copa_ts Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Nia DaCosta's The Bone Temple is out in cinemas now!  Ben Travis joins Mike to talk (spoiler free) about their thoughts on the new movie in the '28 Years Later' franchise. Plus, Mike chats to director Nia DaCosta!  Sign up to Patreon for the full, spoilerific discussion 

Depuis 8 ans, j'écoute des personnalités remarquables de l'écosystème des métiers d'art avec la conviction que leur parole éclaire. Quel que soit notre métier, du plus proche au plus loin de l'établi, choisir de travailler dans les métiers d'art dans le monde qui nous a vu naître et encore plus dans celui qui nous verra mourir, c'est une forme d'engagement. Je le vis et j'en suis témoin à mon micro et partout dans les ateliers, dans les écoles, dans les institutions, dans les associations : l'engagement se vit au quotidien à travers le choix de la collaboration, du temps long, de la valorisation du Vivant, du respect des territoires, de l'innovation vertueuse, de la transmission respectueuse.. Les valeurs qui ont permis aux métiers d'art de traverser les millénaires peuvent nourrir et éclairer le monde qui advient. J'ai appelé ça l'intelligence artisanale parce que c'est un miroir inversé de l'intelligence artificielle mais au-delà de la formule, je crois de tout mon cœur que nous, professionnels des métiers d'art au sens large, avons beaucoup à partager et à transmettre. Nous avons aussi beaucoup à recevoir de la part d'acteurs remarquables d'autres écosystèmes: politiques, culturels, économiques, associatifs afin de muscler notre pensée et notre capacité à agir pour la société et pour la planète. C'est pourquoi désormais The Craft Project ouvre grand ses portes et ses oreilles pour porter la voix de l'engagement au-delà des métiers d'art. J'ai hâte de partager ici et partout la parole de mes invités: Elsa Da Costa (Janvier) Samuel Valensi (Février) et de rencontrer ceux qui nous accompagneront tout au long de cette année. 

MEETING DIRECTOR NIA DACOSTA & STAR JACK O'CONNELL!! 28 Years Later: The Bone Temple Interview – Coy Jandreau sits down with star Jack O'Connell (Sinners) and director Nia DaCosta (Candyman, Hedda, The Marvels) to talk about the bold, unsettling next chapter in the iconic 28 Days Later franchise. From the film's explosive “concert-like” energy to its eerie sense of macabre whimsy, The Bone Temple pushes post-apocalyptic horror into strikingly new territory. Nia DaCosta breaks down her vision for balancing bombast and stillness, contrasting the peaceful, nature-driven world of Kelson with the chaotic, cult-like mythology surrounding Sir Lord Jimmy Crystal. She discusses her fascination with horrifying acts set against beautiful landscapes, the film's heavy use of natural sound and imagery, and how themes of humanity, belief systems, mortality, and coexistence with nature shaped both the tone and visual language of the film. Jack O'Connell dives deep into creating Sir Lord Jimmy Crystal, exploring how Alex Garland's precise, lyrical writing informed the character's physicality, voice, and unsettling charisma. He talks about weaponizing iconography, embracing moral ambiguity, and the freedom of playing a character unconcerned with judgment — as well as the collaborative bond formed on set with his fellow cast members during intense night shoots. The conversation also touches on DaCosta's influences, her approach to inheriting and expanding existing cinematic worlds, the idea of shared authorship across trilogies, and how The Bone Temple embraces a darker, more philosophical take on survival, death, and meaning in a world forever changed. 28 Years Later: The Bone Temple is in theatres NOW!! Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

"28 Years Later: The Bone Temple" is a 2026 post-apocalyptic horror film directed by Nia DaCosta and written by Alex Garland. It was shot back-to-back with its predecessor, "28 Years Later," and is the fourth installment in the "28 Days Later" film series. The film stars Ralph Fiennes, Jack O'Connell, Alfie Williams, Erin Kellyman, and Chi Lewis-Parry. Much like "28 Years Later," the film has received acclaim from critics, with praise for Fiennes' and O'Connell's performances, Garland's writing, and DaCosta's direction, with some believing it to be superior to its predecessor. DaCosta and O'Connell were both kind enough to spend some time speaking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Sony Pictures. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

New year, new raft of bonus episodes, as those stellar guests just keep on coming. And it's a speedy return to Soundtracking for Nia DaCosta, who joins us to discuss her follow-up to 28 Years Later, The Bone Temple. Starring Ralph Feinnes, Jack O'Connell, Alfie Williams and Erin Kellyman, it picks up the story on the mainland, as our young hero from the previous film, Spike, is taken in by a crazed gang of psychopathic zombie hunters - aka The Jimmys! Friend of the show Hildur Guðnadóttir scores in typically magnificent fashion.

On Truth & Movies this week, we discuss Nia DaCosta's 28 Years Later: Bone Temple, the latest chapter in the long-running post-apocalyptic saga. We also review Kaouther Ben Hania's The Voice Of Hind Rajab and speak to Ben Hania alongside actor Erin Kellyman and director Nia DaCosta. Joining host Leila Latif are Ada Enechi and Kambole Campbell.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 156 Sam is joined by filmmaker Nia DaCosta, director of Candyman, The Marvels, and Hedda. Her new movie 28 Years Later: The Bone Temple is in UK cinemas from 14 Jan 2026.  Nia has chosen Beyond the Infinite Two Minutes (71 mins).  Directed by Junta Yamaguchi, the 2020 sci-fi comedy stars Kazunari Tosa, Riko Fujitani, Masashi Suwa, and Aki Asakura. Sam and Nia discuss working on Hedda and 28 Years Later: The Bone Temple back-to-back, how she came across Beyond the Infinite Two Minutes, and how she's inspired by Yamaguchi's low-budget filmmaking. Thank you for downloading. We'll be back in a couple of weeks! If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  Rate and review on Apple Podcasts and Spotify.  Show your support for the podcast and help us stay truly independent by leaving us a tip at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Blue Sky:  @90minfilmfest.bsky.social Instagram: @90MinFilmFest Hosted and produced by Sam Clements. Edited and produced by Louise Owen. Guest star Nia DaCosta. Additional editing and sound mixing by @lukemakestweets. Music by Martin Austwick. Artwork by Sam Gilbey.  We are a proud member of the Stripped Media Network.

Nia DaCosta sits down with Afua Hirsch to discuss the work that went into directing Hedda, and her approach to the craft.

Cette semaine, des romans d'émancipation ! Pour être l'auteur de son propre destin avec Alexandre Jardin, Cécile Coulon, Timothée de Fombelle, Mélissa Da Costa et Michaël Dichter.

Kelsi and Trey explore 28 Years Later: The Bone Temple, Nia DaCosta's wild, hilarious, and deeply unsettling follow-up in one of horror's most ambitious franchises. We start spoiler-free, breaking down our reactions, the theater experience, and why The Bone Temple plays less like a traditional sequel and more like a bold, gory side quest. Then we dive fully into spoilers, unpacking Ralph Fiennes' strangely warm and unhinged performance, Jack O'Connell's terrifyingly chaotic scenes, DaCosta's tone-bending direction, and how the film turns belief, ritual, and violence into spectacle. For more, you can sign up for our Patreon below — free members get instant access to our full 28 Days Later deep dive and other bonus episodes right now.⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

In this ScreenFish podcast interview, Nia DaCosta breaks down the creative challenges of directing 28 Years Later: The Bone Temple, the middle chapter of the iconic franchise. She reflects on collaborating with Danny Boyle and Alex Garland, crafting character arcs that bridge past and future, and staging the film's unforgettable musical sequence. In this 1on1, DaCosta also explores themes of identity, cult psychology, hope, and humanity—asking what we hold onto when the foundations of the world collapse. 28 YEARS LATER: THE BONE TEMPLE is in theatres on Friday, January 16th, 2026

Sam Clements talks to director Nia DaCosta and actor Erin Kellyman about their new film, 28 Years Later: The Bone Temple, in cinemas now.  Expanding upon the world created by Danny Boyle and Alex Garland in 28 Years Later - but turning that world on its head - Nia DaCosta directs 28 Years Later: The Bone Temple. In a continuation of the epic story, Dr. Kelson (Ralph Fiennes) finds himself in a shocking new relationship - with consequences that could change the world as they know it - and Spike's (Alfie Williams) encounter with Jimmy Crystal (Jack O'Connell) becomes a nightmare he can't escape. In the world of The Bone Temple, the infected are no longer the greatest threat to survival - the inhumanity of the survivors can be stranger and more terrifying. Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

28 DAYS LATER FRANCHISE CONTINUES! 28 Years Later: The Bone Temple Movie Review (Non-Spoiler) - the post-apocalyptic horror saga returns with a bold new chapter as Greg & John dig into 28 Years Later: The Bone Temple, the fourth installment in the 28 Days Later franchise! Directed by Nia DaCosta (Candyman, The Marvels) from a screenplay by Alex Garland (Ex Machina, Annihilation), this sequel takes the Rage Virus world into even darker, stranger, more thoughtful, & more psychologically intense territory. Download PrizePicks today at https://www.prizepicks.onelink.me/LME... & use code REJECTS to get $50 instantly when you play $5! 28 Years Later Out of Theatre Review:    • Holy Crap...Just Watched 28 YEARS LATER!! ...   28 Days Later (2002) Movie Reaction (Aaron & Andrew):    • 28 DAYS LATER (2002) MOVIE REACTION!! | Fi...   28 Days Later (2002) Movie Reaction (Tara & Roxy):    • 28 DAYS LATER (2002) MOVIE REACTION!! Dann...   28 Weeks Later (2007) Movie Reaction:    • 28 WEEKS LATER (2007) IS CRAZY INTENSE!! M...   28 Years Later (2025) Movie Reaction:    • 28 YEARS LATER (2025) IS FRIGGIN' WILD!! M...   Gift Someone (Or Yourself) A Stranger Things RR Tee! https://shorturl.at/hekk2 The film stars Ralph Fiennes (The English Patient, The Grand Budapest Hotel) as Dr. Ian Kelson, a former GP trying to make sense of humanity amid devastation, Jack O'Connell (Sinners) as the chilling cult leader Sir Lord Jimmy Crystal, and Alfie Williams reprising Spike, whose journey continues with shocking consequences. Also featured are Erin Kellyman (The Falcon and the Winter Soldier) and Chi Lewis-Parry as the imposing Alpha-infected “Samson.” Cillian Murphy (28 Days Later, Peaky Blinders) makes a surprise return as Jim in a key role that sets up the next chapter of the franchise. Shot back-to-back with 28 Years Later and scored by Hildur Guðnadóttir (Joker, Chernobyl), The Bone Temple explores how survivors rebuild belief systems and power structures in a world ravaged by the Rage Virus — where human cruelty may be as terrifying as the infected themselves. Our review breaks down DaCosta's haunting direction, Garland's layered storytelling, the cast's standout performances, and the unsettling themes of evil, survival, and the human condition that make this sequel one of the most anticipated horror films of 2026! Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

This is part 2 of our conversation with Thiago Da Costa, serial entrepreneur and founder and CEO of a Datagrid AI, a company that creates agent and connectors to help companies work more efficiently.In part one we explored Thiago's journey as a serial founder, and what it takes to scale companies from zero to meaningful revenue.In this second part, we go deeper into what truly separates great CEOs from dangerous ones. We talk about transparency, capital discipline, customer obsession, and the growing risk of the celebrity CEO—leaders who master distribution and attention before they build real products. Tiago shares candid perspectives on motivation, resilience, and why founders who aren't deeply anchored to the problem they're solving will eventually burn out.We also shift into a broader discussion on AI—why this moment is fundamentally different from past technology waves, where real opportunities still exist, and why so many AI startups are destined to fail.Contact Dino at: dino@al4ep.comWebsites:al4ep.comdatagrid.aiAdditional Guest Links:LinkedIn: linkedin.com/in/thiagocosta2Corporate LinkedIn: linkedin.com/company/datagrid-ai/Authentic Leadership For Everyday People / Dino CattaneoDino on LinkedIn: linkedin.com/in/dinocattaneoPodcast Instagram – @al4edp Podcast Twitter – @al4edpPodcast Facebook: facebook.com/al4edpMusicSusan Cattaneo: susancattaneo.bandcamp.com

In this week's episode of the Black Girl Nerds podcast, we welcome writer/director Nia DaCosta to discuss her latest film 28 Years Later: The Bone Temple. Fresh off directing 28 Years Later: The Bone Temple, a bold and unsettling expansion of the universe created by Danny Boyle and Alex Garland, she turns a familiar horror landscape on its head injecting it with psychological depth, cultural tension, and a haunting sense of humanity.From redefining studio horror with Candyman, to helming one of the most ambitious franchise films in recent memory with The Marvels, her career has been marked by fearless storytelling and an uncompromising point of view.Host: Chalice WilliamsMusic by: SammusEdited by: Jamie Broadnax

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Avec "Les Belles Promesses" chez Calmann Lévy et "Fauves" paru chez Albin Michel, les 2 auteurs de best-seller vont enchanter leurs lecteurs. Ecoutez Laissez-vous tenter avec Sophie Aurenche du 06 janvier 2026.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Today's guest is Thiago Da Costa, a serial entrepreneur with multiple exits and decades of experience building deeply technical companies. His latest venture, Datagrid AI is an enterprise agentic solution that connects data and automates workflows across tools, files, and systems, Thiago brings a rare combination of technical depth, founder instinct, and hard-earned perspective on what it really takes to start, scale, and survive as an entrepreneur. We talk candidly about the realities of founder-led growth, why most early hires fail, how scaling actually works in practice, and why instinct—tempered by experience—often matters more than advice.We also dig into the employee side of the equation: how to evaluate a founder before joining a startup, what questions really matter in interviews, and why effort, ownership, and clarity are the ultimate differentiators in today's market.Contact Dino at: dino@al4ep.comWebsites:al4ep.comdatagrid.aiAdditional Guest Links:LinkedIn: linkedin.com/in/thiagocosta2Corporate LinkedIn: linkedin.com/company/datagrid-ai/Authentic Leadership For Everyday People / Dino CattaneoDino on LinkedIn: linkedin.com/in/dinocattaneoPodcast Instagram – @al4edp Podcast Twitter – @al4edpPodcast Facebook: facebook.com/al4edpMusicSusan Cattaneo: susancattaneo.bandcamp.com

O Pelas Pistas recebeu António Félix da Costa e Mitch Evans para o nosso episódio especial de Natal. Dessa vez Felix da Costa abriu o jogo sobre o período mais difícil da sua passagem pela Porsche e revelou como uma relação desgastada com seu antigo companheiro de equipe pesou diretamente na decisão de seguir para a Jaguar.Ao lado de Mitch Evans, os pilotos explicam por que a Fórmula E exige uma postura mais egoísta dentro da pista. Com muito contato entre os carros, disputas agressivas e estratégias imprevisíveis, o clima entre os pilotos se torna naturalmente mais tenso — e isso impacta até a convivência fora do cockpit.No Momento PitStop, curiosidades e histórias pouco conhecidas sobre os dois pilotos da Jaguar. E após uma provocação de Thiago Alves, Mitch Evans e Félix da Costa revelam seus Top 3 pilotos mais admiráveis dos últimos 20 anos.Aperta o play e mergulhe na Fórmula E como você nunca viu. E conta pra gente: quem estaria no seu Top 3?Este episódio é patrocinado por PITSTOP Faça seu pedido na loja, whats ou site! https://www.pitstop.com.br/MOTOROLACadastre-se e ganhe até R$200,00 na sua primeira comprahttps://www.motorola.com.br/novidadesPatrocine o Pelas PistasEntre em contato com nosso time comercial:pelaspistas@pod360.com.brLoja Oficial Pelas Pistas Podcast https://pelaspistas360.com.br/ Redes sociais: @‌pelaspistas360   / pelaspistas360  Seja membro deste canal no Youtube e ganhe benefícios    / @pelaspistaspodcast  PATROCINE O PELAS PISTASEntre em contato com nosso time comercial:pelaspistas@pod360.com.brLOJA OFICIAL PELAS PISTAS PODCASThttps://pelaspistas360.com.brREDES SOCIAIS@pelaspistas360  / pelaspistas360  SEJA MEMBRO DO CANAL NO YOUTUBE E GANHE BENEFÍCIOS   / @pelaspistaspodcast  NOSSAS REDES  / pelaspistas360    / pelaspistas360  Apresentadores: Thiago Alves, Christian Fittipaldi e Nelsinho Piquet Direção Executiva: Marcos Chehab e Tiago Bianco Direção de Conteúdo: Felipe Lobão Produção: Kal Chimenti Captação de áudio: Willian Souto Edição de áudio: Doriva RozekCaptação de vídeo e Redes sociais: Guilherme Diaz

Did PTSD exist in the Old West, and if so, did it contribute to the violence of the frontier? Join me as we explore how trauma affected soldiers and civilians alike long before the condition had a name, from Civil War veterans suffering from what was once called soldiers' heart or Da Costa's syndrome to rising rates of alcoholism, domestic violence, and institutionalization across the United States. Using historical research, homicide statistics from frontier towns like Dodge City and San Francisco, and modern scholarship, we'll examine whether PTSD was a driving force behind Old West violence or one factor among many. And stick around to the end for another listener Q&A! We'll discuss Brushy Bill Roberts, Doc Scurlock, Henry Plummer, and the Montana vigilantes, along with reflections on notable Western films and books.   National Center for PTSD - https://www.ptsd.va.gov/   Legends & Outlaws Calendar!  https://wildwestcalendar.com/   Merch! https://wildwestextramerch.com/   Buy Me A Coffee!  https://buymeacoffee.com/wildwest   Check out the website! https://www.wildwestextra.com/   Email me! https://www.wildwestextra.com/contact/   Free Newsletter! https://wildwestjosh.substack.com/   Join Patreon for ad-free bonus content! https://www.patreon.com/wildwestextra Learn more about your ad choices. Visit megaphone.fm/adchoices

Our latest guest on Soundtracking is Nia DaCosta, who joins us to discuss her film Hedda, which is streaming now on Amazon Prime as well as other home entertainment platforms. Based on the Henrik Ibsen play, Hedda stars former Soundtracking guests Tessa Thompson and Tom Bateman among a fine cast, and centres around a lavish party in which personal and professional tensions simmer. Hildur Guanodottir's score is predictable fabulous.

In this episode of the AgNext Podcast, Kim and Pedro welcome Dr. Bianca da Costa, a Research Scientist at AgNext. Dr. da Costa specializes in dairy sustainability and works closely with Dr. Diego Manriquez. Tune in to hear her share her professional background, discuss her current research, and highlight the Dairy Science Club she co-founded with Dr. Manriquez to support student engagement in dairy science.About AgNextAgNext is at the forefront of research in animal and ecosystem health, dedicated to enhancing the profitability of the supply chain. Serving as a crossroads for producers, industry partners, and researchers, AgNext drives innovation in sustainable animal agriculture. Our research focuses on advancing the science of animal agriculture to ensure a safe, secure, and nutritious food supply. Our mission is to identify and scale innovations that foster animal and ecosystem health, promoting profitable industries that support vibrant communities. Learn more at ⁠agnext.colostate.edu⁠⁠. Music Credit, Producer, and Artwork Song: Tony Petersen - Dusting the Broom (downloaded from Artlist)Producer: Erica GiesenhagenArtwork: Julia Giesenhagen

Aristocratic chaos agent Hedda Gabler isn't a character. She's a Rorschach test, and has been for over a century now. Since first appearing in 1891 as the puzzling eponymous protagonist of a play by Henrick Ibsen, audiences have stared into at this recently married woman, driven by domestic suffocation into acts of destruction, and found different meanings, reflective of who they are, reflective of their politics and personal struggles. Is she a beacon of feminist freedom, lashing out at the restraints forced upon her by a misogynistic upper class? Is she a tragic figure, numbed then maddened by the spiritual emptiness of a bourgeois life? Or is she more simply put, a monster - someone so bored, she seeks entertainment in the destruction of others?In writer-director Nia DaCosta's new take on the character, starring frequent collaborator Tessa Thompson, she's perhaps all of the above and more – this is a queer retelling that fizzes with intrigue and nuance and a kinda Brat Summer-era celebration of feminine messiness. Today on Script Apart, a podcast about the first draft secrets of great movies and TV shows, Nia joins me to talk about the thematic through line in her work, connecting Hedda with her 2018 thriller Little Woods and her 2023 foray into superhero cinema, The Marvels. We get into her fascination with unconventional women on-screen, the literature in her childhood that led her to Hedda and every important spoiler plot point from this new adaptation.Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.To get ad-free episodes and exclusive content, join us on Patreon.Get coverage on your screenplay by visiting ScriptApart.com/coverage. Hosted on Acast. See acast.com/privacy for more information.

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. To those of you who joined us for our Live Christmas Spectacular at the Prince Edward Theatre in London's West End last weekend—thank you for being a fabulous audience and we hope you had as much festive film buff fun as we did. To those of you who couldn't be there—fear not! This week's Take brings it directly to your ears. Recorded live from the auditorium, it's stuffed full of more goodies than your Christmas stocking, including interviews with Nia DaCosta on next year's 28 Years Later sequel The Bone Temple, and Jason Isaacs beamed to us chatting about whatever he was doing in a massive conference centre in New Orleans... Plus reviews of some brand new films you can watch in cinemas and at home this holiday: Wake Up Dead Man: A Knives Out Mystery—the latest instalment in the whodunnit franchise that's fast becoming a Christmastime screen staple, starring the fabulously accented Daniel Craig as detective Benoit Blanc and Josh O'Connor as a priest at the centre of the case—alongside the stellar ensemble cast we've come to expect from Knives Out. Plus we've got Goodbye June—the directorial debut from Kate Winslet that sees a dysfunctional family thrown together when their matriarch falls gravely ill at Christmas. The ensemble cast includes Helen Mirren, Toni Colette, Johnny Flynn, Timothy Spall, and Andrea Riseborough, alongside Winslet herself—and its screenplay was penned by her son Joe Anders. Kate Winslet will be joining us for an extended Christmas special interview on the Take—so you'll hear a little sneak peek of that too. And finally, on a less festive note we've got Lurker—a fame and fandom psychodrama about a retail worker who becomes part of a pop star's inner circle. We've got a Christmas cracker edition of the Laughter Lift too (oh you lucky things). Enjoy it, and we hope to see some more of your fabulous faces in the audience next year! Timecodes (for Vanguardistas listening ad-free) Wake Up Dead Man: A Knives Out Mystery review: 11:19 Nia DaCosta Interview: 19:27 Christmas Cracker Laughter Lift: 42:22 Lurker review: p1 47'17 Jason Isaacs interview: 48:50 Lurker review pt 2: 1:00:53 Goodbye June review: 01:05:35 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

A provocative reimagining of Henrik Ibsen's classic play, “Hedda” stars Tessa Thompson as the aristocrat caught between a past love and a stifling marriage. Thompson and director Nia DaCosta discuss the film, now streaming on Prime Video.

When the filmmaker Nia DaCosta (Candyman, The Marvels, 28 Years Later: The Bone Temple) was growing up, she says she only saw Black women portrayed in one of two ways: either as harmful stereotypes or as noble figures who became one-dimensional in their wisdom and perfection. Nia has dedicated her career to presenting complex and nuanced portrayals of Black women on-screen. Her new movie, “Hedda,” is loosely based on Henrik Ibsen's classic 1891 play “Hedda Gabler,” which features one of literature's most controversial characters. But in this new adaptation, the title character is reimagined as a biracial and bisexual woman in 1950s England. Nia joins Tom Power to talk about the film and what happens when we let people be imperfect.

DaCosta directed the box office hit horror movie Candyman and The Marvels. Her latest, Hedda, is an adaptation of Henrik Ibsen's 1891 play, Hedda Gabler. She reimagines the main character as a queer, mixed-race Black woman, played by Tessa Thompson. DaCosta spoke with Tonya Mosley about navigating white spaces in Hollywood, why she loves horror, and her time as a production assistant. Also, jazz critic Martin Johnson reviews bassist Linda May Han Oh's album Strange Heavens. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy