Podcasts about da costa

Dans l'actualité littéraire cette semaine : la fin du magazine "Je bouquine", l'adaptation d'un roman de Mélissa Da Costa, le décès de Marjane Satrapi et des milliers de livres offerts aux écoliers.

Mélissa Da Costa raakt haar lezers in het hart met haar ontroerende debuutroman. Nadat bij de 26-jarige Emile jong-alzheimer werd vastgesteld, besluit hij het ziekenhuis en het medeleven van zijn familie en vrienden te ontvluchten. Stiekem koopt hij een camper, plaatst een advertentie voor een reisgezel en ontmoet vervolgens de mysterieuze Joanne. Het is de start van een adembenemende roadtrip. Wij laten ons meevoeren door het indrukwekkende verhaal over vriendschap, liefde, rouw, verlies en dromen. We reizen als het ware mee door de betoverende Pyreneeën, de idyllische dorpjes en de schitterende natuur. De worsteling van Emile wordt verlicht door Joanne's transformatie van een ondoorgrondelijke reisgenoot in een fascinerende, sterke vrouw die opnieuw leert te genieten van alle kleine schoonheden die het leven te bieden heeft. Wat in deze roman heeft ons het meest geraakt? En laat de schrijfstijl ondanks al het moois nog iets te wensen over?   Website: https://onzeboekencast.podbean.com/ Spotify: https://open.spotify.com/show/1RCSbWgHjXrdXRoplhBDzp Itunes: https://podcasts.apple.com/nl/podcast/onze-boekencast/id1502166520 Twitter: https://twitter.com/onze_boekencast Facebook: https://www.facebook.com/Onze-Boekencast-110337417458188   in one place... by ikkun Easy by Ron Gelinas Chill Beats

A húszéves Ambre szerelmes, Philippe viszont házas, és csupán szeretőt keres. A lányt egy év után felemészti az érzelmileg egyre megterhelőbb, egyre kilátástalanabbá váló kapcsolat... A Visszatérés egy szép történet a veszteségről, az újrakezdésről, az önmagunk felé vezető útról szól, arról, hogy a gyógyulás gyakran akkor kezdődik, amikor végre hagyjuk, hogy mások is belépjenek a világunkba.A regény gyönyörű vidékre, az Alpokba, egy sípanzióba viszi az olvasót, ahol a félévre szinte összezártan élő idénymunkások - főleg fiatalok - egymást segítik, és közben talán sikerül feldolgozni saját traumáikat is. Mélissa Da Costáról és a könyvéről Borbély Zsuzsa irodalomterapeuta és Bíró Péter, az Európa Könyvkiadó szerkesztője beszél.

Conan parte 21.O fim da Odisseia do Cimério.Essa história é publicada pela editora Mythos e você pode encontrar toda ela no Omnibus Volume 6 Selvageria e Sofrimento e clicando aqui!

Conan parte 19.Finalmente chegamos na epopeia de Conan!Essa saga começa no Conan Omnibus vol. 5 Pirataria e Paixão pela editora Mythos, não perca clicando aqui!

La Fórmula E afronta este domingo la segunda carrera del histórico doble evento del E-Prix de Mónaco tras una espectacular Ronda 9 que volvió a confirmar por qué Monte Carlo se ha convertido en uno de los escenarios más imprevisibles y estratégicos del campeonato eléctrico. Las estrechas calles del Principado recibieron una carrera marcada por accidentes, cambios constantes de posición, estrategias de PIT BOOST y un desenlace que alteró completamente la lucha por el campeonato. Nyck de Vries fue el gran protagonista del sábado al lograr una brillante victoria para Mahindra Racing, la primera del equipo en la era GEN3 y el regreso del neerlandés al escalón más alto del podio desde Berlín 2022. El campeón de la Temporada 7 ejecutó una carrera impecable, aprovechando perfectamente la ventana estratégica del PIT BOOST y gestionando con precisión tanto el ATTACK MODE como el ritmo en las vueltas decisivas para construir una ventaja definitiva sobre sus perseguidores. La prueba dejó además un importante giro en la clasificación general. Mitch Evans volvió a demostrar el enorme potencial competitivo de Jaguar con una sólida segunda posición que le permite colocarse como nuevo líder del Campeonato Mundial de Pilotos, superando a Pascal Wehrlein y llegando a la Ronda 10 con una ventaja de 15 puntos. Jaguar también logró asaltar el liderato del campeonato de equipos, aumentando todavía más la presión sobre Porsche en un momento clave de la temporada. Uno de los grandes nombres propios del sábado fue Pepe Martí. El piloto español heredó el tercer puesto tras la penalización posterior a la carrera de Dan Ticktum y consiguió así su primer podio en Fórmula E, convirtiéndose además en el primer español en subir al cajón dentro del campeonato eléctrico. El rendimiento del rookie de CUPRA KIRO confirmó el enorme nivel competitivo que está mostrando durante su temporada de debut y lo sitúa como uno de los focos principales para la segunda carrera del fin de semana. La Ronda 9 volvió a demostrar también lo delicado que resulta cualquier error en Monte Carlo. Nick Cassidy y Jake Dennis provocaron el primer Safety Car tras un accidente en las primeras vueltas, mientras que más adelante Nico Mueller, Pascal Wehrlein, Oliver Rowland y Antonio Félix da Costa quedaron atrapados en distintos incidentes que condicionaron completamente sus carreras. El espectacular accidente entre Ticktum y Da Costa en la curva 10 terminó siendo uno de los momentos más impactantes del fin de semana y volvió a evidenciar el límite absoluto al que se compite en las calles del Principado. A diferencia de la carrera del sábado, la Ronda 10 se disputará sin PIT BOOST, devolviendo el protagonismo absoluto a la gestión energética tradicional, al posicionamiento estratégico y al uso del ATTACK MODE. Esta configuración suele generar carreras todavía más compactas, donde la eficiencia y la lectura táctica adquieren un peso enorme en un circuito donde adelantar exige precisión milimétrica y máxima confianza. Con el campeonato completamente abierto, Jaguar creciendo en rendimiento, Porsche obligado a reaccionar y Mahindra reforzada tras su inesperada victoria, el E-Prix de Mónaco afronta una segunda carrera cargada de tensión deportiva y con múltiples candidatos reales al triunfo en uno de los escenarios más emblemáticos del automovilismo mundial.

Mainz 05 verlängert Verträge mit Bell und Da Costa, zwei bilinguale Kitas in Mainz eröffnet und Schlag gegen Drogenring. Das und mehr heute im Podcast. Alle Hintergründe zu den Nachrichten des Tages finden Sie hier: https://www.allgemeine-zeitung.de/sport/fussball/fussball-bundesliga/mainz-05-ticker-die-woche-vor-dem-abstiegskampf-krimi-in-heidenheim-4804899 https://www.allgemeine-zeitung.de/lokales/mainz/stadt-mainz/zwei-internationale-kitas-in-mainz-nun-offiziell-eroeffnet-5676087 https://www.allgemeine-zeitung.de/lokales/mainz/stadt-mainz/diese-stars-kommen-fuer-summer-in-the-city-nach-mainz-5680043 https://www.allgemeine-zeitung.de/lokales/mainz/stadt-mainz/aus-fuer-mainzer-c24-bank-abfindungsangebote-und-reaktionen-5689568 https://www.allgemeine-zeitung.de/lokales/rheinland-pfalz/lka-rheinland-pfalz-gelingt-schlag-gegen-drogenhaendler-5693277 Ein Angebot der VRM.

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Jean-Marc da Costa und Manfred Wolf sind die kreativen Köpfe hinter serien.lighting, einem der renommiertesten deutschen Hersteller von innovativen und designorientierten Leuchten. Ihr beruflicher Werdegang ist geprägt von einer gemeinsamen Vision, herausragendes Leuchtendesign mit technologischer Raffinesse und handwerklicher Perfektion zu verbinden. Beide lernten sich während ihres Designstudiums an der Hochschule für Gestaltung in Offenbach kennen, wo sie früh die Leidenschaft für Lichtgestaltung entdeckten. Mit einem klaren Fokus auf minimalistisches Design und höchste Funktionalität gründeten sie 1985 das Unternehmen serien.lighting. Ziel war es von Anfang an, Leuchten zu entwickeln, die sich sowohl durch ihre formale Ästhetik als auch durch innovative technische Lösungen auszeichnen. Ihre Arbeit ist stark von der Idee der Serienproduktion geprägt, was auch namensgebend für das Unternehmen war. Sie schafften es, technische Komplexität und minimalistisches Design miteinander zu verbinden, und haben so eine eigene, unverwechselbare Designhandschrift entwickelt, die in der Branche Anerkennung findet. Im Laufe der Jahre wurden ihre Produkte mit zahlreichen internationalen Designpreisen ausgezeichnet, darunter der der German Design Award, der German Brand Award und der Focus Open. Ihre Leuchten sind heute in modernen Architekturprojekten weltweit zu finden, von Wohnhäusern über Hotels bis hin zu öffentlichen Gebäuden wie Museen und Bibliotheken. serien.lighting hat sich in den vergangenen Jahrzehnten als eine der führenden Adressen für Lichtdesign in Deutschland etabliert und setzt mit jeder neuen Leuchtenkollektion Maßstäbe in puncto Innovation und Design. Wolf und da Costa setzen in ihrer Arbeit auf klare Linien, hochwertige Materialien und eine präzise Verarbeitung. Ihre Designs verbinden Licht und Raum auf eine Weise, die sowohl funktional als auch ästhetisch überzeugt, ohne dabei aufdringlich zu wirken. Das Unternehmer-Duo teilen sich bis heute seit 40 Jahren ein Büro und führen das Familienunternehmen, wie sie es nennen, gemeinsam. Seit Gründung am identischen Standort in Rodgau südlich von Frankfurt entstehen Ideen, erste Entwürfe und werden die Produkte komplett inhouse unter Ihrer Leitung entwickelt. Privat haben die beiden ganz unterschiedliche Leidenschaften. Manfred Wolf schraubt bevorzugt an seiner Oldtimersammlung und fährt mit den alten Schätzchen auch schon mal mehrere Wochen durch Südafrika. Jean-Marc da Costa liebt Architektur und alles, was mit seiner portugieschischen Heimat zusammenhängt.

Stoccolma, 1984 – In diversi punti della città vengono ritrovati resti umani, smembrati e abbandonati in modo frammentario. La polizia fatica a capire a chi appartengano: mancano infatti  alcune parti fondamentali, tra cui la testa e le mani. Il caso sconvolge l'opinione pubblica e apre un'indagine complessa, segnata fin da subito da incertezze e zone d'ombra. Solo in seguito quei resti verranno collegati alla scomparsa di Catrine Da Costa, una giovane donna sparita nel nulla settimane prima. Le indagini si concentrano rapidamente su due medici, mentre emerge una testimonianza destinata a dividere profondamente gli investigatori: quella di una bambina, ritenuta inizialmente decisiva ma sempre più controversa con il passare del tempo. Il processo che ne segue diventa uno dei più discussi della storia svedese: prove fragili, errori investigativi e un verdetto che assolve gli imputati, lasciandoli però marchiati per sempre. A distanza di decenni, il caso resta senza una verità definitiva, sospeso tra giustizia e dubbio. Ma allora chi ha ucciso davvero Catrine Da Costa? E perchè? Proviamo a scoprirlo insieme a Giulia Lazzaris, esperta di cronaca nera e autrice del podcast “The Whispers”. Iscriviti al gruppo Telegram per interagire con noi e per non perderti nessuna delle novità in anteprima e degli approfondimenti sulle puntate: https://t.me/LucePodcast Se vuoi ascoltarci senza filtri e sostenere il nostro lavoro, da oggi è possibile abbonarsi al nostro canale Patreon e accedere a contenuti bonus esclusivi tramite questo link:https://www.patreon.com/posts/155048625?utm_campaign=postshare_creator

After a late night church service Dawnia Dacosta began the familiar half and hour ride home. She had done the drive so many times she could have done it with her eyes closed. But as she cruised down I95 she felt her car sputter then slow. She had run out of gas. As she eased onto the shoulder, she may have thought of her mother and the lessons drilled in long before moments like this ever came. Be prepared. Stay alert. Know what to do. So Dawnia followed those rules. Windows up. Doors locked. Hazards flashing. From where she stood, she could see the glow of a Texaco sign just off the exit ramp, not far at all. As she clutched an empty gas can, she stepped into the night, convinced it would be a quick walk… she'd make it. Sources:https://caselaw.findlaw.com/court/fl-supreme-court/1720973.htmlhttps://flcourts-media.flcourts.gov/content/download/347254/file/02-1590_AmdInit.pdfhttps://library.law.fsu.edu/Digital-Collections/flsupct/dockets/sc02-1590/02-1590amdinit.pdfhttps://www.iexitapp.com/exits/Florida/I-95/North/686https://www.newspapers.com/image/229834760/?terms=dawnia%20dacosta&match=1https://abc3340.com/news/nation-world/lucious-boyd-cold-case-jane-doe-eileen-truppner-dawnia-dacosta-murder-rape-resolved-indictment-convicted-murderer-rapist-death-row-broward-county-sheriff-detectives-florida-december-5-2023https://www.sun-sentinel.com/1998/12/13/hundreds-celebrate-life-of-slain-nursing-student/https://www.newspapers.com/image/638261922/?match=1&terms=Roderick%20Bullardhttps://www.cnn.com/2023/12/05/us/florida-murder-rape-cold-case-dna/index.htmlhttps://web.archive.org/web/20090830185850/http://www.fadp.org/news/Sun-Sentinel-20040115.htmhttps://cbs12.com/news/local/lucious-boyd-cold-case-jane-doe-eileen-truppner-dawnia-dacosta-murder-rape-resolved-indictment-convicted-murderer-rapist-death-row-broward-county-sheriff-detectives-florida-december-5-2023https://www.newspapers.com/image/238640528/?match=1&terms=melissa%20floydhttps://pubapps.fdc.myflorida.com/OffenderSearch/detail.aspx?Page=Detail&DCNumber=699893&TypeSearch=AInewspapers.com/article/the-palm-beach-post-gina-marie-moore/9867526/

Na was ist das denn? Das wird doch nicht…das kann doch nicht…das ist doch tatsächlich…der Klassenerhalt mit dem Danny da Costa hier mal so ganz fröhlich in diese Folge reinschneit. Er spricht vom Spiel gegen den FC St. Pauli und über eine wilde Mainzer Saison. Außerdem reden Tommi und Danny natürlich ausführlich über die Rückkehr von Schalke 04 ins Oberhaus und wie man eigentlich richtig Aufstiege feiert - inklusive Katerinput von Jetztschon-S04-Legende Timo Becker. Weitere Themen: Die Bayern gegen Heidenheim sowie ein kurzer Ausblick auf die internationale Woche, wie gehts Dannys Hündin? Wann hat Lukas Podolski angefangen Fußball zu spielen und was macht eigentlich Bordeaux? Darum hört jetzt diese Folge, die genauso reinknallt wie eine feiernde Arena auf Schalke. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/copa_ts Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

In this week's episode, we're back with another character deep dive, this time covering an almost universally disliked character, Violet Da Costa. We debate whether or not she can actually be considered "important," cover her actions as they relate to the lore, and look at her personality and values. Let us know if you like her! Now introducing Assassin's Creed Lorecast merch for everyone! Check it out at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠our shop!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Want to chime in on the conversation? You can become a patron at the Master Assassin tier or higher and join us ON THE SHOW! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/aclorecast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We've launched merch! Become a patron at the Assassin tier or higher to get these exclusive rewards! Check out our website! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠cupspodcasting.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you enjoyed our podcast, give us a rating and review on Apple and/or Spotify! We'll even read your review out on the show! Join our The Cups Podcasts discord server where we dive deeep into all video game discussions. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/fxR2WVDNhP⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Come hang out on the Robots Radio discord server to join the fun! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/AW5Wc4kgZb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you love our merch, check out the artist behind the designs! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://libanezink.wixsite.com/libanezart⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you love our music, check out the musician behind our theme! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pipeman Studios⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also find us on Twitter at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠aclorecast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and you can dm us or email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠assassinscreedlorecast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Music by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pipeman Studios⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website designed by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠H-I-T Media Solutions⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Merch designed by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lauren Ibañez Ink⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Boys and girls, please open your textbooks. Rip out the pages. Carpe Diem. We're seizing the day and talking about 1989's Dead Poets Society with filmmaker Nia DaCosta in this episode, but don't get too wild and change your name to Nuwanda or anything! This week, we discuss House MD, prep schools, the fact that David Sims played Puck in a high school production, and Robin Williams' Oscar legacy. O Podcast, my podcast! Read about Franny's weirder cut Check out Jack Black's YouTube Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Many of us spend years trying to find our strength somewhere outside ourselves, through achievement, validation, or circumstance, only to realize that what we're really seeking has been within us all along. This episode is a little different. In January, I attended the Gladiator Summit in Dubai and had the opportunity to sit down backstage with three remarkable teachers: Regan Hillyer, a globally recognized manifestation and mindset coach, Sean Kanan, actor, author, and motivational speaker, and Yaya DaCosta, actress, filmmaker, and advocate for holistic well-being. While each conversation explores different paths, from personal transformation to authenticity to embodied spirituality, what ties them together is a shared invitation to awaken our inner power. In this special series, you'll hear reflections on aligning your inner state, reclaiming your authenticity, and living with deeper intention. If you've been searching for clarity, resilience, or a stronger connection to yourself, these are conversations you'll want to lean into. — *Note: This episode was recorded backstage, and due to a misunderstanding with the event PR team, the audio quality isn't at its usual standard. Thank you for your patience—I hope you'll still find the conversations meaningful and worth your time.

What happens when the thing you pride yourself on most… is the very thing quietly breaking you? Janice DaCosta grew up in a world where excellence wasn't optional. You hold it together. You don't fall apart. You make it work—no matter what. Until one day, standing in front of a mirror with scissors in her hand, she couldn't hold it together anymore. What followed was a complete Control, Alt, Delete reset. Raised in a family of serial entrepreneurs with deep roots on Wall Street, Janice DaCosta grew up learning values centered around excellence, rigorous work ethic, and community upliftment. Love was at the core, but hustle was integral too. Janice's professional journey began in the corporate world, navigating high-pressure environments across multiple continents as a global logistics leader. She excelled in male-dominated environments, but behind the scenes, it was a different story. She was holding together a marriage that wasn't working. Showing up strong, being everything to everyone in every role she played. And quietly, she was unraveling. That pivotal “mirror moment” happened on a regular day when the façade finally cracked. It became the catalyst for radical change. She realized true failure wasn't in letting go and not being perfect. It was in sacrificing herself at the altar of perfection. Thus began her long, messy, honest healing process. She started recording raw, unfiltered conversations with herself on video through which she allowed herself to unpack, witness, and process what she'd been holding back for years. This practice of speaking aloud, instead of shoving the emotions down, helped her cultivate self-trust and gave her the courage to finally seek support from others. Through this introspective journey, Janice unlocked the transformative power of “unshakable relief.” She learned to define her worth outside productivity, to let go of shame, and to give herself permission to feel all the emotions that make us human. That journey and its hard-won wisdom are now at the heart of her latest book on emotional wealth, which reimagines the concept of “pay yourself first.” Keep listening to hear what it sounds like when someone who “has it all together” finally admits… yeah, I don't—and can't keep pretending I do. Because you might recognize yourself here. Hype Song Janice's hype song is Run the World (Girls)- Beyonce https://youtu.be/Xqo08TXbxWQ?si=jvYs5OeWT25608Wr Resources Janice DaCosta's website: iamjaniceclaire.com LinkedIn: https://www.linkedin.com/in/janicedacosta Facebook: https://www.facebook.com/iamjaniceclaire Instagram: https://www.instagram.com/iamjaniceclaire Invitation from Lori:This episode is sponsored by Zen Rabbit.Smart business leaders know trust is the foundation of every great workplace. And in today's hybrid and fast-moving work culture, trust isn't built in quarterly town halls or the occasional Slack message. It's built through consistent, clear, and HUMAN communication.Companies and leaders TALK about the importance of connection and community. And it's easy to believe your organization is doing a great job of maintaining an awesome corporate culture. Because you've got annual all-hands and open door policies, and “fun" team-building events.But let's be real. Leaders who are serious about building real trust are finding better ways to strengthen culture, create connection, and foster community.That's where I come in. Forward thinking companies are hiring me to produce internal/private podcasts. To bring leadership and employees together through authentic stories, real conversations, and meaningful connections. Think of it as your old-school printed company newsletter - reinvented for the modern workforce. I KNOW, what a cool idea, right?!If you run, work for, or know of a company that wants to upgrade communication, facilitate connections, build community, and maintain culture, let's chat. Message me at Lori@ZenRabbit dot com.Because when people feel heard, they engage.

She Was 10 Minutes From Home: The Murder of Dawnia DaCostaDawnia DaCosta was just minutes away from where she was supposed to be.What started as a routine night—a late prayer vigil, a familiar drive—turned into something far more unsettling. Within a matter of hours, Dawnia would vanish, leaving behind a trail of questions, conflicting witness accounts, and a case that wouldn't fully come together until years later.In this episode, we walk through the timeline of that night, the investigation that followed, and the evidence that both helped—and delayed—answers. From the gas station sighting to the composite sketch, to the DNA that ultimately pointed to Lucious Boyd, this case reveals how easily critical details can be missed when they aren't fully connected.And even now, the story doesn't end with one victim.The night Dawnia attended a prayer vigil aloneThe gas station encounter and witness descriptionsThe church van theory and early investigative focusThe discovery of Dawnia's body and forensic findingsHow DNA evidence led to Lucious BoydThe 2023 breakthrough linking another victim in the same time frameWhat this case reveals about patterns, missed connections, and delayed justiceWhy This Case Stays With YouDawnia didn't step outside of her routine.She was close to home. Close to safety.And somehow—that still wasn't enough.

Eine neue Folge Copa TS ist da und gleich zu Beginn wird die große Mainzer-in-Game-Klogeschichte aufgelöst. Außerdem geht's um den Lauf der Mainzer und die Doppelbelastung. Tommi war beim aufregenden Derby und hat, obwohl er im Stadion war, ein Tor lediglich gehört - hä? Es geht darum, ob man jetzt noch tippen sollte, um die „Feuerwehrmannsituation“ und die Länderspielpause. Außerdem sprechen die beiden über die Frage: Was machen Daten mit dem Fußball? Deswegen packt nun eure Kopfhörer in die Sporttasche und hört diese Folge, die Bock macht wie die Spielweise vom VfB Stuttgart. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/copa_ts Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

O percussionista brasileiro que gravou "Thriller" de Michael Jackson.

Há 200 anos foi lançada uma das obras americanas mais populares de sempre: “O Último dos Moicanos”, que muitos conhecem do filme de 1992 com Daniel-Day Lewis. Quem são, afinal, os moicanos do título?See omnystudio.com/listener for privacy information.

Die Crunchtime rief Sebastian Hoeneß vor dem Spiel in Mainz aus, beim 2:2 sah man davon nur zeitweise etwas. Umso wichtiger wird die kommende Woche. Denn dann treten wir zuerst gegen den portugiesischen Tabellenführer FC Porto an, bevor am Sonntag die direkte Konkurrenz aus Leipzig ins Neckarstadion kommt. Über unseren besonderen Gegner im UEFA-Pokal-Achtelfinale reden wir mit einem besonderen Gast: Roberto Pinto war in seiner Kindheit Fan des FC Porto, und bestritt später für den VfB zwischen 1999 und 2001 53 Bundesliga-Spiele, sechs Pokal-Spiele, sieben Partien im UI-Cup und acht im UEFA-Pokal. Mit ihm reden wir über seine Karriere und dann über den Gegner, der uns am Donnerstag erwartet - inklusive Reise- und Kulinarik-Tipps für Porto! Anschließend reden wir noch über das erneut etwas ärgerliche Auswärtsspiel in Mainz, wo der VfB die nächsten Punkte liegen ließ, die er gegen Leipzig am Sonntagabend tunlichst zurückholen sollte. Zum Abschluss reden wir noch über die anderen VfB-Mannschaften und die Leihspieler. Diese Folge konntet Ihr diesmal leider nicht live auf unserem Twitch-Kanal mitverfolgen - nächstes Mal wieder! Die Themen im Überblick 00:00:56   Begrüßung 00:01:29   Vorstellung 00:10:57   Aktuelle Themen 00:13:45   Blick auf Porto 00:28:55   Das 2:2 in Mainz 00:30:34   Die erste Halbzeit 00:38:52   Das 0:1 durch Lee 00:49:22   Die zweite Halbzeit 00:54:36   Demirovic und Undav drehen das Spiel 01:02:45   Das 2:2 durch Da Costa und Fazit 01:12:41   Die Lage nach dem fünfundzwanzigsten Spieltag 01:16:38   Blick auf Leipzig 01:25:42   Rund um die anderen VfB-Mannschaften & VfB-Leihspieler Rund um den Brustring unterstützen Wenn Ihr uns finanziell unterstützen wollt, könnt Ihr das entweder über Patreon oder PayPal tun. Das Geld nutzen wir, um die laufenden Kosten zu decken und Rund um den Brustring weiter zu entwickeln. Schon kleine Spenden helfen uns. Alle Infos findet Ihr hier. Wenn Euch unser Podcast gefällt, gebt uns gerne Feedback dazu, sei es auf Facebook, Twitter, Instagram und BlueSky oder eben in Form einer positiven Bewertung und ein paar netten Worten auf Apple Podcasts oder Spotify. Wir freuen uns natürlich auch, wenn Ihr uns ganz altmodisch offline weiterempfehlt! Abonniert auch unseren WhatsApp-Kanal, um immer über neue Folgen und Blogartikel auf dem Laufenden zu sein! Danke an: Ron für das Intro und Outro.

Paying Yourself First Emotionally | A Conversation with Janice Claire DaCostaIn this episode of DaliTalks, I sit down with author, mind-shift advocate, and TEDxMallardCreek founder Janice Claire DaCosta for a powerful conversation about emotional wealth and why it may be the most overlooked driver of sustainable leadership and personal effectiveness.We explore what it really means to pour back into yourself, why high performers are often the most emotionally depleted, and how to start building emotional wealth even when life feels overwhelming.Whether you are a leader, a parent, an educator, or a professional who has been giving more than you have been receiving, this one is for you.IN THIS EPISODE WE COVER:What emotional wealth really means and why it matters, how high performance can mask emotional depletion, the difference between emotional intelligence and emotional wealth, what The Mind-Shift Experience is and how it connects to the book, practical steps to start building your emotional wealth today, how to recognize when your emotional reserves are overdrawn, and who this book was written for and what Janice wants readers to walk away feeling.ABOUT JANICE CLAIRE DaCOSTAJanice Claire DaCosta is an author, speaker, and The Mind-Shift Advocate™ dedicated to helping individuals and leaders transform adversity into clarity and purpose. She is the founder and curator of TEDxMallardCreek and the creator of The Mind-Shift Experience. Her debut book, Pay Yourself First: The Blueprint to Emotional Wealth, released March 2nd, 2025, offers a powerful framework for building emotional resilience from the inside out. Janice believes that the moments that break you are the very ones that remake you.

Gina Dacosta, partera comadrona, falleció el 24 de febrero del 2026. Esta es una repetición de la entrevista que se le hizo en el 2020, justo antes del encierre por el COVID 19, y como al año de su diagnóstico con cáncer. Como muchas pacientes de cáncer, ella quería vivir un poco más para dar más de sí para su familia y su comunidad, pero la enfermedad tenía otros planes. No se fue antes de ella seguir su excelente labor e impactando con luz a todas las personas que tenían contacto con ella. Esto es un duelo colectivo. Les animo a que pasen por su página de Instagram para ver algo de su vida y mostrar solidaridad con su familia. 

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…ON TODAYS PROGRAM…   FERNANDO AND THE HONDA CURSE, LAWRENCE STROLL SELLS ASTON MARTIN NAMING RIGHTS FOR 50 MILLION POUNDS. FERRARI ON THE OTHER HAND SHOW OFF NEW SPINNING REAR WING AND, LOOK VERY COMPETITIVE ! MCLAREN AND MERCEDES ARE NOT FAR BEHIND… RED BULL IS STILL A QUESTION MARK?…AND FERNANDO WILL NEED HIS CAMPING CHAIR AS THE GP2 ENGINE THAT FAILED HIM AT MCLAREN, THAT WENT KABLAMO IN THE INDY 500 AND LOOKS TO HAUNT ALONSO FOR ANOTHER LONG SEASON!! STAY TUNED FOR SOME GREAT ONE LINERS FROM MACHISMO… THIS WEEK'S NASIR HAMEED CORNER…MORE VINTAGE BANTER BETWEEN THE HOST AND NASIR…THIS WEEKS SPECIAL GUEST: MARCUS ERICSSON, MARTIN BRUNDLE, AND MIKI MONRAS DE ESPANA…! Indianapolis 500 Veteran Hucul Dies at 79   INDIANAPOLIS (Friday, Feb. 20, 2026) – Canadian driver Cliff Hucul, a veteran of three Indianapolis 500 starts in the late 1970s, died Feb. 17 on his farm in his native Prince George, British Columbia. He was 79. Hucul made three consecutive starts in “The Greatest Spectacle in Racing” from 1977-79. His best finish came as a rookie in 1977, 22nd in the No. 29 Team Canada McLaren/Offenhauser that Hucul bought after Johnny Rutherford drove it to victory in the 1976 “500.” Hucul completed 72 laps before being sidelined by gearbox problems. He qualified on Bump Day for that race despite touching the wall in practice the previous day and suffering two engine failures during the Month of May, a significant pitfall for his low-budget team. Hucul's best qualifying spot was 18th in 1979, his final “500” start. The small-town driver from northern British Columbia learned his craft by racing stock cars and modified sprint cars at local tracks. He then began racing modifieds and supermodifieds in the Pacific Northwest against drivers that included eventual Indianapolis 500 winner and INDYCAR SERIES champion Tom Sneva and his brother Jerry Sneva. Hucul made 24 total USAC and CART starts between 1977-81, with eight top-10 finishes. Hucul's best finish in the standings was 11th in 1979, when he started the season by placing fifth at Ontario Motor Speedway and a career-best fourth at Texas World Speedway. In 1996, Hucul became a paraplegic after an automobile accident when crossing black ice on a highway in British Columbia. Despite being confined to a wheelchair, Hucul remained active, managing his farm and mentoring many drivers in the area. He was inducted into the Prince George Sports Hall of Fame for his lifetime contributions to auto racing. Hucul is survived by his son, Kelly, and daughter-in-law, Sylvie; daughter, Michele, and many grandchildren. 2026 BAHRAIN TESTING - WEEK 1, DAY 3 MAX VERSTAPPEN “Looking at the test overall, the Team got in a good number of laps on the first day so we were happy with that. We completed a lot of things that we wanted to test with the new Power Unit and the car in general. Today it was a continuation of that plus also trying to explore a little bit more with the car; you go through so many test items that it continues to change and evolve with everything that you are testing. In general, it is all so new that we are still learning a lot, but the car was good. We also have new tyres, so we spent some time looking at different sets and understanding what we need to improve and be better at. With the power unit, looking at the laps we got on the board, the start that we have had is good. That's exactly what we wanted to do and it was not a given. Whether it will be enough to win races, we don't know, we will just focus on ourselves and try to do the best we can, but there is still massive room for improvement. Finally, with the car, we learnt a lot about what worked and what didn't. Our runs also gave us even more ideas for the afternoon with Isack and then for next week, where we can continue to try new things and different set ups.” ISACK HADJAR “The first week here in Bahrain has gone well. Of course, I had to wait a little before getting in the car after Barcelona, but once I did, we were able to put it to the test and really work through what we need ahead of next week and Melbourne. There are so many things to look at, but we're staying on track with our programme so far. True performance and pace are always hard to judge in pre-season, but we can be happy with the reliability we've had from the power unit this week. There are still things to work on in terms of balance and tyre management, but that's completely normal for this time of year. We're working through it together as a Team to get where we want to be for Australia. I've known the people here for a while now, but it's great to be working with them again in an environment like this." ASTON MARTIN The Aston Martin Aramco Formula One™ Team concluded its testing programme at the Bahrain International Circuit today, with Lance Stroll returning to the cockpit of the AMR26 for the final time before the Australian Grand Prix. Lance did not get on track until late in the morning session due to a battery-related issue that had impacted Fernando's running yesterday. Honda carried out simulations on the test bench at HRC Sakura before the car returned to the track. Due to a shortage of power unit parts, the run plan was very limited and consisted only of short stints. Lance Stroll “It's been a challenging couple of weeks here in Bahrain, and today's limited running wasn't the way we wanted to finish the second test. It's clear the car isn't where we want it to be performance-wise, and we know there's a lot of work ahead in the coming weeks and months. There's a long season ahead, and we'll keep pushing flat out to unlock more performance. I want to say a big thank you to everyone trackside and back at the AMRTC for the work that's gone in so far. It's not where we want to be right now, but I know how determined this team is. We'll stick together, rise to the challenge and keep working until we deliver the performance we are looking for.” WILLIAMS F1 2026 Bahrain pre-season testing – Day 3 James Vowles, Team Principal: Another solid day of running and mileage. It's great to see that across the last six days of testing, we've been predominantly tyre and time limited, and able to complete the full programme that we wanted. That's just a testament to the hard work of the teams, both here and in Grove, making sure that we made up for lost time. 
 No one truly knows where all the performance lies. That's what Melbourne is all about, so I can't wait to go there, to gain a further understanding of where we are. What I know for sure, though, is we have work to do. There's no doubt about it. We've put ourselves on the back foot. But my assurance to everyone is that we have an aggressive programme lining up in front of us in order to make sure that we extract as much performance in this car as possible over the forthcoming months. Carlos Sainz: The past six days of testing in Bahrain has been one of the most interesting and challenging tests that I've been part of, given the new regulations and number of things we had to learn. The progress from day one has been significant, although there are still going to be things to understand and solve at the start of the season. We go into the first half of the year with lower expectations than 2025 knowing that we'll be starting slightly on the back foot. However, I'm really looking forward to getting started and focusing on improving the cars through the year to become more competitive. Bring on Melbourne! Alex Albon: It's been a relatively smooth test here in Bahrain. We got some good mileage under our belts and tested everything we wanted to get out of the car, so I'm feeling more ready for Melbourne. There's still a lot we need to understand and plenty of performance left on the table that we need to extract, but I'm glad the tests went to plan. It's now all about maximising the next few days to prepare for the first race of the year! THIS WEEK'S INTERVIEW WITH MIKI MONRAS... Miki Monrás on battling Bottas and Ricciardo in the late 2000s and the rising cost of junior racing In the late 2000s, Miki Monrás was one of Spain's brightest prospects on the junior single-seater ladder, trading blows with the likes of Daniel Ricciardo, Valtteri Bottas and António Félix da Costa in Formula Renault and GP3. But while his rivals pushed on towards F1 or careers in GTs, the Spaniard's single-seater journey came to an abrupt halt in 2011. Feeder Series caught up with Monrás to reflect on the times he rubbed shoulders with greatness, the challenges of racing in the post–financial crisis era, and life beyond motorsport. By Anabelle Bremner Back in the noughties, the path from karting to Formula 1 looked nothing like it does today. There was no standardised Formula 4, no carefully managed ladder – just a patchwork of championships that rewarded those brave enough, and wealthy enough, to dive straight in. Eurocup Formula Renault 2.0 was as deep as it got: 40-car grids stacked with future stars, the proving ground where Pierre Gasly, Nyck de Vries and Lando Norris would come to cut their teeth. But before all of them, it was Monrás in the thick of it. He made his single-seater debut in late 2007, the result of years spent chasing speed. His first taste of racing, in fact, came on two wheels – on a motocross bike, inspired by his father, who had raced professionally in Spain and Europe. At the age of eight, Monrás joined a motocross camp, and it wasn't long before karting came calling. “After the first race, I really enjoyed it,” he recalls. “I remember it was Christmastime and I asked for a motocross scooter and for a go-kart. So I finally got the go-kart, and that's the way I started. Then I started racing in Catalonia, and I just moved through Spain and Europe and all the world championships until formula.” Single-seater racing, however, would prove a unique beast. Shortly before turning 16, Monrás moved straight from karting into Formula Renault 2.0, in which the competition was fierce. “Normally at that age you'd go before to a category not straight to 2.0,” he said. “My first year I was racing with Bottas, I was racing with Ricciardo, I was racing with [Andrea] Caldarelli – really good drivers.… I was racing against people that were already racing for two years in single-seaters. That was a big difference.”His first Eurocup campaign, in 2008, proved a challenging one. He was scoreless for his first five rounds with the Hitech Junior Team (no relation to the current Hitech) before a switch to SG Formula brought him six points in the final two rounds. Valtteri Bottas, then of Motopark Academy, went on to claim that year's title after a close fight involving Ricciardo, Caldarelli and Roberto Merhi. The next year brought Monrás a decidedly better season and three podiums with SG Formula, owned by Mercedes Junior Team advisor Stéphane Guerin. He wound up fifth overall in a season dominated by a fierce three-way fight between Félix da Costa, Jean-Éric Vergne and Albert Costa – the last of whom ultimately took the title. Racing against so much talent at such a young age left Monrás with plenty of perspective on what might have been. “Ricciardo was my teammate. Jean-Éric Vergne was my teammate. I raced with Da Costa, Bottas, with Magnussen, so many people that have been racing each other and winning races,” he said. “[I] think if I changed something at that point, maybe I would be in Formula 1, but who knows. Maybe yes, maybe no. “But at that time, it was really difficult times because it was 2010, '11, '12, where there was also a big crisis in the world, especially in Europe. It was really difficult for Spanish drivers to get the sponsors and the money to race.” The financial squeeze triggered by the 2008 global financial crisis left Monrás and many of his peers in a precarious position. Several teams, such as SG Formula, shut their doors in the wake of the crisis amidst an already shifting landscape in junior racing. “It's been changing a lot from that time until now. When I was racing Eurocup 2.0, one time we were like 48 drivers, I remember. 2008 at Spa. It was a massive level and so many drivers wanted to go in,” he said. “Eurocup was really high level, I would say maybe [comparable] to Formula 4 about the car and the lap times. “Motorsport has changed a lot in the last few years. It's more expensive. At that time, Eurocup was also expensive, but I think Formula 4 is around €700,000 more or less, maybe more now. It's quite expensive. Back then, I think Eurocup was around €300,000 or €250,000, so there was a massive difference. A lot more people could race at that time.” After two and a half years competing in various Formula Renault series, Monrás stepped up to GP3 in 2010. The inaugural season, won by eventual F1 driver Esteban Gutiérrez, came with another steep learning curve. Monrás managed two podiums and a 10th-place finish in the standings, but the step up exposed the limits of what talent alone could achieve in a field packed with hungry, well-backed drivers. “When I raced GP3, that was the first year of the championship, so it was a new championship for all of the teams. I also raced with Arden, which was a new team in the category, so it made it a bit difficult,” he said. “During testing, I remember I was flying in GP3, and then suddenly in some races there was such a huge difference with some other cars and drivers. It was difficult sometimes. … I think this is always present in motorsport in all categories. You will find some kind of differences within cars and teams. It just will always be there.” Challenging as it was, that season had its highs for Monrás. A recovery drive in Spa's characteristic rain remains a fond memory for the Spaniard. “I had a really bad qualifying because there were some yellow flags,” he explained. “Because there were 30 cars, it was easy to find yellow flags if you're waiting for the last minutes in qualifying. I finished [ninth in] race one, and in race two it started raining really heavily after five laps. I went from P10 to P3, nearly fighting for the win in the last lap against Rossi and Tambay. That was a really good race.” After a season in GP3, Monrás moved up a rung on the ladder to Formula Two. At the time, the feeder series landscape was fragmented. GP2 and Formula Renault 3.5 offered established paths to Formula 1, while the MotorSport Vision's FIA Formula Two Championship, which first ran in 2009, aimed to do the same with a more affordable package. “Formula Two at that point was very competitive, economically speaking,” Monrás said. “It was a lot cheaper to race in Formula Two than race in GP2 at that moment or 3.5 because it was like all one team. All the cars were one team with different engineers, and that made it low cost for the time. “A lot of drivers went to it because of that. They were racing in the best tracks, same as World Series and similar to GP2, and the car was competitive. Maybe not as competitive as GP2 or 3.5 because it was a bit slower, but it was really competitive and really fast, on the straight especially.”  “In that time, what they were saying was it was very equal. You had one engineer for three cars, you were sharing data with these three cars, and it was all under the same team. You can always find differences in motorsport. Maybe not a difference to make one car win and one car P15, but you can still always find two-tenths difference in similar cars, and two tenths, sometimes it's a lot of time,” he said. “The cars were on the same team, but each engineer was doing the set-up for his driver. The set-up I was using and maybe the set-up Bortolotti was using, he had won the championship maybe from our different set-ups. Every race, you changed engineers. Every weekend, you were rotating engineers so at the end of the season, everybody worked with everyone.” By 2012, the funding had dried up. Monrás was left sponsorless and unable to compete in Formula Two. He sampled GT racing in the Blancpain Endurance Series and tested with both Audi Sport and Atech GP, but no program materialised. From there, Monrás transitioned into driver coaching and team management – mostly with the AV Formula team owned by his manager, Adrian Vallés – and eventually “moved on” from motorsport around 2017. “I was working also with McLaren Automotive, but it was not motorsport. It was automotive, developing road cars, really competitive cars. After that I decided to stop because I wanted to follow a new career professionally, and I moved onto real estate which I have always been [involved with] because of my family, so that's why I decided to move over,” he said. “I now work in a real estate company which I own with some partners, and that's my day-to-day nowadays.” After years climbing the ladder in lockstep with some of the sport's future stars, Monrás has found a new rhythm – one that's decidedly less fast, but no less his own. Yet his career remains a reminder of the talent that defined an era: a Spaniard who went wheel to wheel with the likes of Ricciardo, Bottas, and Vergne, racing in some of the deepest junior grids of the 2000s and 2010s. In the story of that generation, Monrás may no longer be on track, but he's never far from the memory of it all.

The Cinematography Podcast Episode 345: Sean Bobbitt In the landscape of post-apocalyptic cinema, few franchises carry as much visual baggage as the 28 Days Later franchise. Known for pioneering the "fast zombie" and the gritty, digital lo-fi aesthetic of the early 2000s, the series has always found a novel visual approach for every entry. For the latest installment, 28 Years Later: The Bone Temple, cinematographer Sean Bobbitt, BSC, faced a unique challenge: honoring the jagged zombie movement of the franchise while carving out a look that feels entirely new. While 28 Years Later was shot on iPhones and set its own tone, Bobbitt was determined to make The Bone Temple stand apart. The goal was to capture a duality within the setting. Dr. Kelson (Ralph Fiennes) has created a special space within The Bone Temple, where the chaos parts around him. Bobbitt explains, “We just wanted to highlight the fact that this was a place of peace and tranquility, and acceptance, but also bonkers madness by using much more traditional cinematic techniques and a much slower camera.” However, the film doesn't sacrifice the kinetic energy the series is known for. To capture the fights between the infected and a group known as the "Jimmies," Bobbitt used the ARRI Trinity camera system. By using a gyro-stabilized remote head mounted on a Steadicam rig, they created a fluid, immersive way for the camera to navigate the chaos with 360-degree movement. The trademark jagged movement and speed of the infected is created by using a narrower shutter angle. A typical shutter angle is 180 degrees for natural motion blur, while the 28 franchise uses a narrower 90-degree, or even 45-degree shutter angle. Bobbitt expanded the signature shutter settings to apply to the Jimmies, a visual way to represent the thin, blurring line between the humans and the zombies. “There are all sorts of statements being made about humankind,” in The Bone Temple, says Bobbitt. “There's a lot of humanity and humor in the script which drew me to it.” Director Nia DaCosta and Bobbitt have a history that dates back several years. They first met on a Steve McQueen film set where DaCosta was a production assistant whose job was driving Bobbitt to and from work. Bobbitt enjoyed her first feature, Little Woods, and went on to DP both The Marvels and Hedda with her. “She's a great writer, a great director and the epitome of collaboration,” he says. Their process involves a meticulous long prep, with extensive shot-listing and storyboarding. Bobbitt prefers the intimacy of a single-camera setup, which he usually operates himself, even on large films. On the Yorkshire set, he pre-lit the entire space, enabling the actors to have the freedom to move without being tethered to specific marks. "The lighting informs actors," Bobbitt explains. "I try to light it as it should be, based upon my understanding of the emotion of the scene and discussions with the director." Rehearsals are key for Bobbitt to make lighting adjustments for close-ups, while the actors feel comfortable and immersed in the world of the story. Interestingly, The Bone Temple is Bobbitt's first foray into the horror genre. As a former documentary and news cameraman, he says, “Horror to me is a real thing. It is actual dead bodies, and the horror of what humanity can do to each other. That is embedded in my soul forever, what I've witnessed.” Bobbitt found a deep connection to the script's humanity and humor. The appeal of the 28 franchise for him is that it isn't just about monsters; it's a human story about the horrors people inflict on one another. By bringing a documentary-trained eye to a fictional apocalypse, Bobbitt has crafted a film that respects the technical demands of the genre while never losing sight of the human pulse at its center. See 28 Years Later: The Bone Temple streaming on digital soon. Hear our previous interview with Sean Bobbitt: https://www.camnoir.com/ep114/ Support Ben's short film, The Ultimate Breakup! https://www.kickstarter.com/projects/theultimatebreakup/the-ultimate-breakup-short-film?ref=nav_search&result=project&term=the%20ultimate%20breakup&total_hits=2 The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Independent artist Noel DaCosta joins MadLuh: Digging up the Underground on QSJ Radio for an intimate conversation about creativity, genre-blending, and the realities of building an independent music career. Noel shares insight into his songwriting process, artistic influences, and what it means to stay authentic in today's music industry.

Send us a textThis week we watch and discuss the latest films from Nia DaCosta. The first film released in 2026, 28 Years Later: The Bone Temple, and her adaptation of the famous play, Hedda. 00:00 - Intro02:29 - 28 Years Later: The Bone Temple22:57 - HeddaSupport the showFollow us on Instagram @moviemavensWrite us an email at moviemavenspodcast@gmail.com

We interview a lot of people for the Empire Podcast, folks, and we've finally decided to collect most of them in one easy-to-find place. So welcome to the second episode of The Interviews. This week, Chris Hewitt catches up with Jason Statham and Ric Roman Waugh, star and director of new action thriller Shelter, and along the way Chris and The Stath realise they've been doing the interview dance together for a long, long time. Chris also chats to director Derek Cianfrance about the excellent Roofman, which is out now on shiny discs and streaming. And finally, we have an excerpt from our 28 Years Later: The Bone Temple spoiler special chat with that film's director, Nia DaCosta, who tells Ben Travis all about some of that film's key moments. Remember: swerve that if you don't want to be served a nice big slice of spoiler pie. Enjoy!

Clearly, we've been inspired by the completely bonkers ending of 28 Years Later: The Bone Temple as we wind down the podcast — and this episode follows suit. Things spiral fast, and you really should be listening to what happens after the episodes in After Hours as it all comes to an end: https://www.patreon.com/beerandamoviepodcast How did it all get so out of control? Blame guest Josh Deleon, director Nia DaCosta, and David's Magic Sack of Beer. We finally tackle 28 Years Later: Bone Temple alongside DaCosta's 2025 release Hedda, and like Bone Temple's Iron Maiden-blasting, upside-down-cross finale, the show is a blast. The beers choose violence. We crack the brand-new Saint Arnold Brewing Eclipse IPA, then make a historically reckless decision by opening a 12-year cellared Firestone Walker XVIII Anniversary Ale. From there, responsibility exits the building. Notes get poetic. Memories unlock. By the end, the episode is gloriously off the rails — late-run BaaM chaos earned after hundreds of films and nearly a decade of bad decisions. And somehow, it still isn't the wild part. That honor belongs to this week's After Hours. The end is coming for Beer and a Movie, but we're not fading out. We're going full blast — Iron Maiden screaming, vintage beer flowing, daring the credits to roll.

This week, The Filmlosophers return to the wasteland for their first big review of the year, diving into the brutal and long-awaited expansion of the "Rage" universe. Hosts Eddie and Spencer, along with Intern Sarah, tackle the high-stakes intensity of Nia DaCosta's 28 Years Later: The Bone Temple. The crew provides their unfiltered and breathless thoughts on whether DaCosta's stylistic flair successfully reanimates the franchise, the terrifying implications of the "Bone Temple" itself, and if this legacy sequel actually justifies its two-decade wait or if the series has finally run out of blood. Once they navigate the infested streets of post-apocalyptic Britain, the team shifts gears to discuss the most anticipated cinematic trends and "philosophy-worthy" releases slated for the coming year. While the group finds common ground on the return of practical effects and the rise of folk-horror, the studio vibes get tense when Sarah takes the mic. She delivers a startlingly detailed and wildly controversial defense for why the hyper-sprinting infected aren't actually "zombies" at all, but are instead a misunderstood evolution of humanity that we should probably stop hitting with pipes. It's an episode full of apocalyptic adrenaline, directorial debates, and infected insights. So pull up a chair, grab your popcorn, and tune in to this week's "bone-tastic" episode of The Filmlosophers!

It might be underwhelming at the box office, but it's overwhelmed our hearts! That's right, this week on the podcast, Matt Donato and Matthew Monagle discuss Nia DaCosta's 28 Years Later: The Bone Temple, a chamber piece set in the 28 Days Later universe. Learn why both Matts believe DaCosta's feature to be the polar opposite of Danny Boyle's 28 Years Later - and why those changes are the right step forward for the franchise.

Director Nia DaCosta (Candyman, The Marvels) joins Giles Alderson and Dom Lenoir to discuss directing the massive horror sequel, 28 Years Later: The Bone Temple. In this deep-dive interview, Nia breaks down the incredible pressure and privilege of taking the baton from Danny Boyle for Part 2 of the new trilogy. She reveals her journey from the Sundance Labs with Little Woods to managing massive VFX budgets, and now returning to practical, visceral horror. We discuss working with legends like Cillian Murphy and Ralph Fiennes, the "social thriller" genre. Topics discussed: Directing 28 Years Later: Part 2 immediately after Danny Boyle. Scripting and outlining. What she does when she gets stuck on a script or as a director. Advice for directors on handling "imposter syndrome" on big sets. Dealing with disappointment and feeling like a failure. Rehearsals and locations and why all directors are different. For more interviews and filmmaking chat head to www.thefilmmakerspodcast.com where our main podcast chats are. 28 Years Later: The Bone Temple is OUT NOW Links FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! Help us out and Subscribe, listen and review us on iTunes, Spotify, or wherever you get your podcasts but more importantly, tell your pals about this podcast. Thank you! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, produced and edited by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

The people have spoken.

Nia DaCosta's The Bone Temple is out in cinemas now!  Ben Travis joins Mike to talk (spoiler free) about their thoughts on the new movie in the '28 Years Later' franchise. Plus, Mike chats to director Nia DaCosta!  Sign up to Patreon for the full, spoilerific discussion 

Depuis 8 ans, j'écoute des personnalités remarquables de l'écosystème des métiers d'art avec la conviction que leur parole éclaire. Quel que soit notre métier, du plus proche au plus loin de l'établi, choisir de travailler dans les métiers d'art dans le monde qui nous a vu naître et encore plus dans celui qui nous verra mourir, c'est une forme d'engagement. Je le vis et j'en suis témoin à mon micro et partout dans les ateliers, dans les écoles, dans les institutions, dans les associations : l'engagement se vit au quotidien à travers le choix de la collaboration, du temps long, de la valorisation du Vivant, du respect des territoires, de l'innovation vertueuse, de la transmission respectueuse.. Les valeurs qui ont permis aux métiers d'art de traverser les millénaires peuvent nourrir et éclairer le monde qui advient. J'ai appelé ça l'intelligence artisanale parce que c'est un miroir inversé de l'intelligence artificielle mais au-delà de la formule, je crois de tout mon cœur que nous, professionnels des métiers d'art au sens large, avons beaucoup à partager et à transmettre. Nous avons aussi beaucoup à recevoir de la part d'acteurs remarquables d'autres écosystèmes: politiques, culturels, économiques, associatifs afin de muscler notre pensée et notre capacité à agir pour la société et pour la planète. C'est pourquoi désormais The Craft Project ouvre grand ses portes et ses oreilles pour porter la voix de l'engagement au-delà des métiers d'art. J'ai hâte de partager ici et partout la parole de mes invités: Elsa Da Costa (Janvier) Samuel Valensi (Février) et de rencontrer ceux qui nous accompagneront tout au long de cette année. 

"28 Years Later: The Bone Temple" is a 2026 post-apocalyptic horror film directed by Nia DaCosta and written by Alex Garland. It was shot back-to-back with its predecessor, "28 Years Later," and is the fourth installment in the "28 Days Later" film series. The film stars Ralph Fiennes, Jack O'Connell, Alfie Williams, Erin Kellyman, and Chi Lewis-Parry. Much like "28 Years Later," the film has received acclaim from critics, with praise for Fiennes' and O'Connell's performances, Garland's writing, and DaCosta's direction, with some believing it to be superior to its predecessor. DaCosta and O'Connell were both kind enough to spend some time speaking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Sony Pictures. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

New year, new raft of bonus episodes, as those stellar guests just keep on coming. And it's a speedy return to Soundtracking for Nia DaCosta, who joins us to discuss her follow-up to 28 Years Later, The Bone Temple. Starring Ralph Feinnes, Jack O'Connell, Alfie Williams and Erin Kellyman, it picks up the story on the mainland, as our young hero from the previous film, Spike, is taken in by a crazed gang of psychopathic zombie hunters - aka The Jimmys! Friend of the show Hildur Guðnadóttir scores in typically magnificent fashion.

On Truth & Movies this week, we discuss Nia DaCosta's 28 Years Later: Bone Temple, the latest chapter in the long-running post-apocalyptic saga. We also review Kaouther Ben Hania's The Voice Of Hind Rajab and speak to Ben Hania alongside actor Erin Kellyman and director Nia DaCosta. Joining host Leila Latif are Ada Enechi and Kambole Campbell.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Cette semaine, des romans d'émancipation ! Pour être l'auteur de son propre destin avec Alexandre Jardin, Cécile Coulon, Timothée de Fombelle, Mélissa Da Costa et Michaël Dichter.

Kelsi and Trey explore 28 Years Later: The Bone Temple, Nia DaCosta's wild, hilarious, and deeply unsettling follow-up in one of horror's most ambitious franchises. We start spoiler-free, breaking down our reactions, the theater experience, and why The Bone Temple plays less like a traditional sequel and more like a bold, gory side quest. Then we dive fully into spoilers, unpacking Ralph Fiennes' strangely warm and unhinged performance, Jack O'Connell's terrifyingly chaotic scenes, DaCosta's tone-bending direction, and how the film turns belief, ritual, and violence into spectacle. For more, you can sign up for our Patreon below — free members get instant access to our full 28 Days Later deep dive and other bonus episodes right now.⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

This is part 2 of our conversation with Thiago Da Costa, serial entrepreneur and founder and CEO of a Datagrid AI, a company that creates agent and connectors to help companies work more efficiently.In part one we explored Thiago's journey as a serial founder, and what it takes to scale companies from zero to meaningful revenue.In this second part, we go deeper into what truly separates great CEOs from dangerous ones. We talk about transparency, capital discipline, customer obsession, and the growing risk of the celebrity CEO—leaders who master distribution and attention before they build real products. Tiago shares candid perspectives on motivation, resilience, and why founders who aren't deeply anchored to the problem they're solving will eventually burn out.We also shift into a broader discussion on AI—why this moment is fundamentally different from past technology waves, where real opportunities still exist, and why so many AI startups are destined to fail.Contact Dino at: dino@al4ep.comWebsites:al4ep.comdatagrid.aiAdditional Guest Links:LinkedIn: linkedin.com/in/thiagocosta2Corporate LinkedIn: linkedin.com/company/datagrid-ai/Authentic Leadership For Everyday People / Dino CattaneoDino on LinkedIn: linkedin.com/in/dinocattaneoPodcast Instagram – @al4edp Podcast Twitter – @al4edpPodcast Facebook: facebook.com/al4edpMusicSusan Cattaneo: susancattaneo.bandcamp.com

In this week's episode of the Black Girl Nerds podcast, we welcome writer/director Nia DaCosta to discuss her latest film 28 Years Later: The Bone Temple. Fresh off directing 28 Years Later: The Bone Temple, a bold and unsettling expansion of the universe created by Danny Boyle and Alex Garland, she turns a familiar horror landscape on its head injecting it with psychological depth, cultural tension, and a haunting sense of humanity.From redefining studio horror with Candyman, to helming one of the most ambitious franchise films in recent memory with The Marvels, her career has been marked by fearless storytelling and an uncompromising point of view.Host: Chalice WilliamsMusic by: SammusEdited by: Jamie Broadnax

Today's guest is Thiago Da Costa, a serial entrepreneur with multiple exits and decades of experience building deeply technical companies. His latest venture, Datagrid AI is an enterprise agentic solution that connects data and automates workflows across tools, files, and systems, Thiago brings a rare combination of technical depth, founder instinct, and hard-earned perspective on what it really takes to start, scale, and survive as an entrepreneur. We talk candidly about the realities of founder-led growth, why most early hires fail, how scaling actually works in practice, and why instinct—tempered by experience—often matters more than advice.We also dig into the employee side of the equation: how to evaluate a founder before joining a startup, what questions really matter in interviews, and why effort, ownership, and clarity are the ultimate differentiators in today's market.Contact Dino at: dino@al4ep.comWebsites:al4ep.comdatagrid.aiAdditional Guest Links:LinkedIn: linkedin.com/in/thiagocosta2Corporate LinkedIn: linkedin.com/company/datagrid-ai/Authentic Leadership For Everyday People / Dino CattaneoDino on LinkedIn: linkedin.com/in/dinocattaneoPodcast Instagram – @al4edp Podcast Twitter – @al4edpPodcast Facebook: facebook.com/al4edpMusicSusan Cattaneo: susancattaneo.bandcamp.com

Did PTSD exist in the Old West, and if so, did it contribute to the violence of the frontier? Join me as we explore how trauma affected soldiers and civilians alike long before the condition had a name, from Civil War veterans suffering from what was once called soldiers' heart or Da Costa's syndrome to rising rates of alcoholism, domestic violence, and institutionalization across the United States. Using historical research, homicide statistics from frontier towns like Dodge City and San Francisco, and modern scholarship, we'll examine whether PTSD was a driving force behind Old West violence or one factor among many. And stick around to the end for another listener Q&A! We'll discuss Brushy Bill Roberts, Doc Scurlock, Henry Plummer, and the Montana vigilantes, along with reflections on notable Western films and books.   National Center for PTSD - https://www.ptsd.va.gov/   Legends & Outlaws Calendar!  https://wildwestcalendar.com/   Merch! https://wildwestextramerch.com/   Buy Me A Coffee!  https://buymeacoffee.com/wildwest   Check out the website! https://www.wildwestextra.com/   Email me! https://www.wildwestextra.com/contact/   Free Newsletter! https://wildwestjosh.substack.com/   Join Patreon for ad-free bonus content! https://www.patreon.com/wildwestextra Learn more about your ad choices. Visit megaphone.fm/adchoices

Our latest guest on Soundtracking is Nia DaCosta, who joins us to discuss her film Hedda, which is streaming now on Amazon Prime as well as other home entertainment platforms. Based on the Henrik Ibsen play, Hedda stars former Soundtracking guests Tessa Thompson and Tom Bateman among a fine cast, and centres around a lavish party in which personal and professional tensions simmer. Hildur Guanodottir's score is predictable fabulous.

Aristocratic chaos agent Hedda Gabler isn't a character. She's a Rorschach test, and has been for over a century now. Since first appearing in 1891 as the puzzling eponymous protagonist of a play by Henrick Ibsen, audiences have stared into at this recently married woman, driven by domestic suffocation into acts of destruction, and found different meanings, reflective of who they are, reflective of their politics and personal struggles. Is she a beacon of feminist freedom, lashing out at the restraints forced upon her by a misogynistic upper class? Is she a tragic figure, numbed then maddened by the spiritual emptiness of a bourgeois life? Or is she more simply put, a monster - someone so bored, she seeks entertainment in the destruction of others?In writer-director Nia DaCosta's new take on the character, starring frequent collaborator Tessa Thompson, she's perhaps all of the above and more – this is a queer retelling that fizzes with intrigue and nuance and a kinda Brat Summer-era celebration of feminine messiness. Today on Script Apart, a podcast about the first draft secrets of great movies and TV shows, Nia joins me to talk about the thematic through line in her work, connecting Hedda with her 2018 thriller Little Woods and her 2023 foray into superhero cinema, The Marvels. We get into her fascination with unconventional women on-screen, the literature in her childhood that led her to Hedda and every important spoiler plot point from this new adaptation.Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.To get ad-free episodes and exclusive content, join us on Patreon.Get coverage on your screenplay by visiting ScriptApart.com/coverage. Hosted on Acast. See acast.com/privacy for more information.

DaCosta directed the box office hit horror movie Candyman and The Marvels. Her latest, Hedda, is an adaptation of Henrik Ibsen's 1891 play, Hedda Gabler. She reimagines the main character as a queer, mixed-race Black woman, played by Tessa Thompson. DaCosta spoke with Tonya Mosley about navigating white spaces in Hollywood, why she loves horror, and her time as a production assistant. Also, jazz critic Martin Johnson reviews bassist Linda May Han Oh's album Strange Heavens. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy