Podcasts about The Duffer Brothers

This BackTrack episode revisits the gripping sci-fi/horror short film‘Road To Moloch,' written by ‘Stranger Things' creators The Duffer Brothers! ‘Road To Moloch!' It is an eerie action-horror short film about a reconnaissance team of Marines sent on a mission to find U.S. soldiers missing in the vast desert of Iraq. Instead, what they encounter is an ancient, malevolent evil. #strangerthings #scifishort #horrorSubscribe to the podcast via RSS, Apple Podcasts, Pocket Casts or Amazon Music.To subscribe to the newsletter, explore the podcast archive, support the podcast, and more, visit EYE ON SCI-FI Link TreeEpisode Link:Watch: Road To Moloch On YouTube

Website - https://zoeantona.comBioBased in Atlanta, GA, Zoe Antona is an interdisciplinary artist whose work explores thenostalgic interplay between her heritage and connection to others through AbstractExpressionism. Inspired by her upbringing, the work delves into family lineage and youthfulmemories with intricate, sculptural 2D forms. Antona's pieces capture intimate momentswith a vivid focus on color, rekindling memories of life's simple pleasures. By blendingunconventional materials and 90% reclaimed materials, she acknowledges gaps in her storythrough 'voids' or 'lacunas,' challenging traditional norms from sculpture to painting.Underscoring her commitment to sustainability and innovative problem-solving.BioNoah Garret is a highly acclaimed and accomplished figure in the film industry, boasting an impressive resume as a 6x world champion Martial Artist with almost three decades of practice, turned versatile professional. With over a decade of experience in the film industry, Noah has excelled in various roles including Stunt Coordination, Fight Coordination, Stunt performing and Filmmaking. His portfolio includes more than 85 film credits with major studios, working with A-list actors such as Kevin Hart, John Cena, Samuel L. Jackson, Timothée Chalamet, Pedro Pascal, Ryan Reynolds, Will Ferrell, Dwayne Johnson, Adam Driver, Tom Hanks, Robert Deniro and many others. Noah takes pride in working closely with renowned directors like Jeff Wadlow, Craig Brewer, Berry Levinson, Russo Brothers, Francis Ford Coppola, James Gunn, Zack Snyder, Duffer Brothers, Mike Flanagan and Shawn Levy, and helping bring their visions to life with precision and creativity.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Gabrielle Nevaeh will make her Broadway debut in the highly-anticipated STRANGER THINGS: THE FIRST SHADOW. She is an Emmy-nominated actress who has graced the small screen throughout her teen years, starring in many hit shows, including Nickelodeon's "The Girl Lay Lay" and the revival of the sketch comedy show "All That." Gabrielle is also a singer, producer and clothing designer focused on sustainable fashion. In this episode, Gabrielle shares why being on Broadway is an childhood dream she never thought could come true, how comedy helped her outgrow her shy nature, and what the teamwork of live theater has taught her about acting. Stranger Things: The First Shadow  Join Stages Podcast Cast! PBS Stories From The Stage: Marylee Fairbanks

Some interesting quotes coming out of Marvel this past week. First, the new spider-man was concerned his NY neighborhood might be too woke. Then Anthony Mackie questioned whether or not America should be a term that defines Sam Wilson. Jason declares Netflix the winner of the streaming wars. Introducing del Toro's Frankenstein! Plus, Rosie sits down with an interview with the director of The Companion, Drew Hancock. See omnystudio.com/listener for privacy information.

Send us a textThe high-profile case of a serial killer has just gone to trial, and a certain vulgar guru of horror is obsessed with it. When reality blurs with his morbid fantasies, he goes down a dark path to record the most offensive podcast episode in the history of the world. On Episode 653 of Trick or Treat Radio we discuss the film Red Rooms from director Pascal Plante! We also have a very rare real world venting session, talk about remakes and the arguments for or against them, and come up with nicknames for the ultimate zeta male. So place a large sum of money on a virtual card game, have all your dark web credentials in order, and strap on for the world's most dangerous podcast!Stuff we talk about: Stranger Things Season Five, Duffer Brothers, Guinness World Records, long streaks, Benoit Incidents, Freddie Oopsie Kruger, the Orange Cnt, Tom from MySpace, The Penguin, Colin Farrell, Cristin Milioti, Clancy Brown, Batman vs. The Spleen, Moonage Daydream, Takashi Miike, Audition, Speak No Evil, Caddyshack, Gus Van Sant's Psycho, shot for shot remakes, Adam Marcus, Jason Goes to Hell, Hearts of Darkness: The Making of the Final Friday, Infernal Affairs, Martin Scorsese, George A. Romero's Resident Evil, pumpkin bomb, what color are your lungs?, no pain in the liver game, Red Rooms, Dark Web, Takeshi's Castle, Most Xtreme Elimination Challenge, Pascal Plante, fck you Rounders, online Poker, cryptocurrency, Se7en, Colt 45, Canadian Justice System, genital mutilation, Bridesmaids, Tropic Thunder, the rise of crime podcasting, Criminal, Lore, Manhunter, Albert Fish, serial killers, Jeffrey Dahmer, Wolfcop, Lowell Dean, Dark Match, Brothers Grimm, Fairy Tales, plague carrier, Dracula, Robert Eggers, the Blue Collar Cinematic Genius, the Ballzucker, The Zeta Male, Praise Hail Zeta, a Karl Renaissance, how do you remake perfection, Keeping Up With the Dahmers, and from Alpha to Zeta.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

In this special in between season's episode I have pulled one from the Patreon. Here we dwell on all our missed steps in 2023. What missed step would be complete without special guest stars like, Michael Bolton, Mutt Lange, Brother's Grimm, Russell Crowe, Disney, Eric Clapton, John Wayne, Paul McCartney, Uri Gellar, Pokémon, Joey Tempest, Europe, Nikki Sixx, Motley Crue, Duffer Brothers, The Stranger Things, Venus, Benny Hinn, Carlos Santana, Santa Claus, Artificial Intelligence, Alexa, Norwegian Black Metal, Lovecraft, Black Sabbath, The Book of Revelation, Dragons, Phoenician bath house, Nightrider, Shakespeare, first folio, Melania Trump, Quarto, 2015 Toyota Corolla, witchcraft, Knitting, Casseroles, Alpaca farms, Witchfinder General Mathew Hopkins, Jesus, Cotton Mather, Salem Witch Trials, Roseanne Barr, Jesus Christ Superstar, Vatican, Gorge Pell, Boys' choir, Genshin Impact, GUIZHONG, HEAVENLY PRINCIPLE, Sam Smith,  #666 #SketchComedy #Sketch #Comedy #Sketch Comedy #Atheist #Science #History #Atheism #Antitheist #ConspiracyTheory #Conspiracy #Conspiracies #Sceptical #Scepticism #Mythology #Religion #Devil #Satan #Satanism #Satanist #Skeptic #Debunk #Illuminati #SatanIsMySuperhero #Podcast #funny #sketch #skit #comedy #comedyshow #comedyskits #HeavyMetal #weird #RomanEmpire #Rome #AncientRome #Romans #RomanEmperor #Animation #Anime

Welcome to another episode of Sci-Fi Talk,  I'm your host, Tony Tellado, and this is Sci-Fi Talk Weekly for January 16, 2024, Episode 118. In today's episode, we start on a somber note with a real-life tragedy: the devastating fires in California, which have impacted the lives of many, including members of the entertainment industry. We'll also bring you the latest headlines, such as new cast additions for "Wheel of Time" and an exciting role for Colman Domingo in the upcoming "Running Man." Other updates include the Duffer Brothers receiving an award, the Visual Effects Society nominations, and the return of Farhar Tahir to the MCU in the Vision series. You'll also hear about Gerard Butler's grueling experience filming "300" and upcoming film adaptations like "Horizon Dawn" and "God of War." We'll dive into some fascinating fantasy book releases for January 2025 and a recap of the first season of "Severance." Plus, we'll cover updates on "Alien Romulus," a lifetime achievement award for Colm Meaney, and exciting strides in animation style by DreamWorks. Additionally, we discuss the upcoming "28 Years Later" film, an Avatar 3 update, and films like "Final Destination" and "American Psycho" turning 25 this year.   Subscribe To Sci-Fi Talk Plus For A Free One Year Trial

Min 4: SUPER FILTRO RACHEL 2025 Feliz Año Nuevo y bienvenidos a un 2025 que promete emociones fuertes, títulos de altura y grandes historias que nos van a tener pegados a la pantalla durante meses. Por eso el objetivo que nos marcamos en este primer "Estamos de Cine Edición Series" es desglosar un completo avance de las novedades más potentes que nos esperan. Nos hemos confabulado con nuestra experta de Hobby Consolas, Raquel Hernández para empezar a abrir los regalos que nos traen los Reyes Seriéfilos: Min 7: THE LAST OF US 2 (2025. Craig Mazin. Max) Min 13: STRANGER THINGS. Season Finale (2025. Duffer Brothers. Netflix) Min 21. EL CABALLERO DE LOS SIETE REINOS ( 2025. Parker Bross. Max) Min 31: THE WHITE LOTTUS 3: TAILANDIA (2025. Mike White. Max) Min 38. BLADE RUNNER 2099. (2025. Jonathan van Tulleken. Prime video) Min 44: ANDOR 2 (2025. Tony Gilroy. Disney Plus)

Welcome to a festive edition of Bottom of the Stream with Adam and Nick! We are here bringing you glad tidings and getting you up to speed with all the latest news in the world of streaming and movies. We round up a bunch of cancellations and renewals; see what's next for the Duffer Brothers; and discuss news of a highly anticipated big screen debut! We have a question of the week and take a look at some “best of” 2024 lists.   Please consider supporting the show on Patreon, If you do we will give you lots of bonus content including early access to the episodes. Check it out over at www.patreon.com/bottomofthestream   We also have a discord so join us to hang out https://discord.gg/wJ3Bfqt

Kyle and JJ enter the Upside Down to geek about the Duffer Brothers hit series, Stranger Things. JJ goes deep into the background of Project Montauk while Kyle swoons over Chief Hopper. Let's turn it up to ELEVEN!

Recorded November 7th Zac and Nicole discuss recent news including Spider_Man 4, Stranger Things 4 and why hasn't finished Agatha All Along yet. If you like our content, please leave a review. It's helpful for us and lets us know what you'd like to hear. Also, please consider following us on ⁠⁠Twitter⁠⁠, ⁠Instagram⁠⁠, and ⁠⁠TikTok⁠⁠ to continue conversing with us! For full videos of our episodes, please consider becoming a patron on ⁠⁠Patreon⁠. ⁠Thank you for listening!

Paul Reiser talks about his new film, “The Problem with People”, deciding to be a comic, comedy and heartbreak being from the same well, His love of Peter Faulk, Jack Lemon, and Alan Arkin, fathers, getting out of the house, building a music room just in case Billy Joel dropped by, Writing “What A Fool Believes” with and about Michael McDonnald, “Diner” “Mad About You.” “The Thing About My Folks”, acting and writing seriously, his sons, and realizing you can't write a standup act but just holding a pad and thinking to yourself…”What's funny?”Bio:  n Hulu's recent critically-acclaimed comedy series “Reboot” from Modern Family creator Steve Levitan, Reiser plays Gordon, the original creator of the old sitcom being rebooted. Awards Daily says “Reiser truly excels, giving one of his very best performances…here, he reminds us just how very funny and experienced he is in the world of television comedy.” He also took his first step into bloody, superhero glory, joining Season 3 of Amazon Prime's Emmy-nominated The Boys, playing “The Legend.” Also this year Reiser filmed “The Problem with People,” an original comedy feature film which he wrote, produced, and stars in alongside Jane Levy and Colm Meaney. Reiser currently stars in two hit shows for Netflix: Stranger Things—the company's biggest series of all time—where he plays Dr. Sam Owens, a role created by the Duffer Brothers specifically for him; and Chuck Lorre's The Kominsky Method, for which he received an Emmy nomination for Outstanding Supporting Actor in and Golden Globe-winning comedy ended in May 1999 and premiered 20 years later as a limited series on Spectrum Originals. All seven seasons of the original Mad About You and the re-visit are available for streaming on Amazon Prime. The multi-faceted actor also revived one of his most iconic roles in the highly anticipated return of Mad About You, the long-running hit 90s comedy Reiser co-created and starred in with Helen Hunt. The Emmy, Peabody and Golden Globe-winning comedy ended in May 1999 and premiered 20 years later as a limited series on Spectrum Originals. All seven seasons of the original Mad About You and the re-visit are available for streaming on Amazon Prime. Throughout his prolific career, Reiser has worked with both independent and mainstream filmmakers. Having earned acclaim for his supporting role in the Academy Award-winning film Whiplash, Reiser was also recently seen alongside Kevin Hart in the Netflix feature Fatherhood, John McDonagh's War on Everyone and in frequent collaborator Jeff Baena's “The Little Hours” and “Horse Girl,” which premiered at Sundance 2020, the fourth film the pair has worked on together. The veteran actor has garnered praise for notable performances in films such as Diner, Bye Bye Love, Aliens, One Night At McCool's, Beverly Hills Cop I/II and The Thing About My Folks, which Reiser wrote for his co-star Peter Falk. Reiser is a fixture behind the camera as well. He co-created and co-produced There's Johnny!, a seven-episode series which originally streamed on Hulu and now streams on Peacock. The show, a fictional story set behind-the-scenes of Johnny Carson's Tonight Show circa 1972, co-created with filmmaker David Steven Simon and co-produced with director David Gordon Green in conjunction with The Carson Company, premiered to critical praise, with Decider saying There's Johnny! is “a television experience unlike any I've seen on TV in recent years” and “unfolds like a dream, a memory fondly recalled.” As an author, Reiser's first book, Couplehood, sold over two million copies and reached the number one spot on The New York Times bestsellers list. His subsequent books, Babyhood and Familyhood, were best sellers as well. Voted by Comedy Central as one of the Top 100 Comedians of All Time, Reiser regularly performs sold-out standup at venues nationwide with dates currently booked throughout 2022 and beyond. A SUNY Binghamton graduate of its prestigious music program, Reiser co-wrote the theme song for Mad About You, “The Final Frontier,” with Grammy-winning producer Don Was, and released an album of original songs with British singer-songwriter Julia Fordham called Unusual Suspects. Over the course of his career, Reiser has received multiple Emmys, Golden Globes, American Comedy Awards and Screen Actors Guild nominations. Reiser and his family reside in Los Angeles.

In this inaugural episode of The Biollywood Podcast, the Executive Director of the Bipartisan Commission on Biodefense, Dr. Asha M. George, and Research Principal, J.T. O'Brien, discuss the film Hidden (2015). Hidden is a 2015 American psychological thriller film written and directed by the Duffer Brothers in their feature film debut. The film stars Alexander Skarsgård, Andrea Riseborough, and Emily Alyn Lind. In this film, an unknown strange outbreak has devastated the United States. A family of three, Ray, Claire, and their daughter Zoe, have taken refuge in an abandoned fallout shelter shortly after the catastrophe to hide from the monsters outside. Learn more about the Bipartisan Commission on Biodefense here. Follow us on X (@BioCommission), LinkedIn, and Facebook for more updates. Email us with recommendations on what to review next: biollywood@biodefensecommission.org  Hidden (2015) Ratings: Relevance to Commission Recs: 3/5 Scientific Accuracy: 3/5 Scenario Development: 5/5 Entertainment Value: 5/5 Success of the Imagination or Creativity: 5/5 Shock/Surprise Value: 5/5 Government Policy: 2/5 Portrayal by Actors: 4/5 Direction: 4/5 Production: 4/5 Overall Average Score: 3.8/5    

We all know that there are a ton of fan theories regarding Regina's character (Counselor Kelly) in Season 4 of Stranger Things; theories that she has connections with Vecna. Whether she is Vecna herself or she is an agent, sending troubled kids his way. Either way, I'd like to see Regina make a comeback in Season 5 as Vecna in human form. That would be an amazing and epic plot twist! Regina is such a wonderful and talented actress; we discussed family traditions and how her roots are embedded with customs and that makes me respect her a lot more. No matter what, I believe that her grandmother would be very proud of her achievements. Grandmothers are the best! She also discusses her memorable moments on the set of Stranger Things… From the attention to detail to the background/extra actors. And I have to wholeheartedly agree with her. The attention to detail in the show is impeccable and I have always been surprised (in a good way) how much the Duffer Brothers put into this show. Not to mention the fact that the entire series takes place in the 1980s and the memories come flooding in with every episode. Overall, great interview with Regina. She did hint that she stars in a movie with Dwayne “The Rock” Johnson that will be released this November and that it's a holiday movie. Either something to do with Thanksgiving or Christmas. Who knows but surely, I will be keeping an eye out for it. --- Send in a voice message: https://podcasters.spotify.com/pod/show/southjerseyhorror/message

Stranger Things: a bonafide telly phenomenon. The Duffer Brothers' Netflix series has won an army of diehard fans across all demographics with its big budget mix of horror, fantasy and 80s nostalgia that makes sure never to skimp on character or storytelling. Kate Trefry's been a writer on the series since season two and is currently wrapping up the fifth and final season, expected to be released next year. She's also written its stage production and prequel, Stranger Things: The First Shadow, working with the Duffer Brothers, Jack Thorne and Stephen Daldry to bring Hawkins to the Phoenix Theatre in London. As well as a slew of five-star reviews, Stranger Things: The First Shadow recently picked up the best new entertainment or comedy play at the Oliviers.  Our Mick has also seen and been blown away by it, so was chuffed to bits to catch up with Kate a couple of days after the awards. They're chatting Stranger Things (obviously), the play and the series, being an outsider, winning hearts and minds, new motherhood, and the birth of evil. Visit phoenixtheatre.co.uk for tickets. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Script Apart, we're broadcasting from the Upside Down. Yes, grab your Eggos and Metallica CDs for a special, spoiler-free conversation all about Stranger Things: The First Shadow – the first theatre production that we've covered on the show, as part of a new strand of episodes called "Stage Apart." The First Shadow is a show that, as reviews have underlined, accomplishes things not thought possible in a play till now; as a spectacle, it's breathtaking in the way it conjures all manner of demogorgon-related chaos, live in front of you. But also staggering is what the show achieves as a piece of storytelling. Which is why this week, we're delighted to be joined by the wonderful Kate Trefry – writer of a great many of the show's best episodes, and writer of The First Shadow.Working from a story created by Jack Thorne and show creators The Duffer Brothers, Kate penned The First Shadow as a prequel, pulling the curtain back on how and why the Upside Down came to Hawkins in the first place. Set in 1959, it introduces us to younger versions of fan favourite characters like Hopper, Joyce and Bob Newby, as a mystery unfolds in their sleepy hometown; beloved household pets are turning up not just dead but grotesquely disfigured. This spate of killing coincides not just with the production of a play at Hawkins High School that Joyce is directing, but also with the arrival of new kid Henry Creel – a kid that, those up to date with the latest season of Stranger Things will know, has a dark future he's about to inherit.Stranger Things is one of the biggest TV shows of the last decade by pretty much any metric and in the conversation you're about to hear, we talk to Kate about why that is. We get into how the tale of Eleven, Hopper and co has become almost a new American myth – and discuss what The First Shadow does to extend and complicate that fable. Without giving anything away, we discuss how The First Shadow ties the horrors of the Upside Down to 1950s racism and America' involvement in World War II. You'll also hear about the supposed “real-life” incidents – including a horrifying alleged event called The Philadelphia Experiment – that intersect with what happens in Hawkins in the astounding The First Shadow. Listen out, also, for a tease at what season five has in store, as Stranger Things approaches its final ever episodes. Script Apart is hosted by Al Horner and produced by Kamil Dymek.  Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the show

Actor, comedian, and author Paul Reiser joins Lisa Dent to talk about his career in stand-up, his time working alongside Helen Hunt in the multi-award-winning '90s sitcom Mad About You, working with the Duffer Brothers on Netflix’s Stranger Things, and the future of television as streaming becomes more prevalent. You can see Paul Reiser March […]

Episode 450."Stranger Things"Actor: Ted Chrest.Actor Ted Chrest joins me to talk "Stranger Things" and some of his other amazing credits. Ted is a United States Veteran (Air Force), Marshall University Graduate (BFA) and an LSU Graduate (MFA).Some of the things we discuss...1. Filming Season 5 and did I guess a plot point? Vecna has plans for Nancy.2.  The fact that Stranger Things fans are the absolute best fan base.3. Why Ted Wheeler is so polarizing. Either fans love him or hate him.4. Ted Wheeler is a better Dad than people give him credit for.5. Ted definitely married out of his league with Karen Wheeler.6. Ted's parenting style.7. Ted loves Chicken, his newspaper and sleep.8. How Ted came so close to having his marriage fall apart (Billy Hargrove).9. Nancy missing, Mike missing, Will Byers missing, "I'm sure everyone's fine"10. Ted is every 80's dad.11. Joe gets emotional talking about his favorite Stranger Things moment.12. The Duffer Brothers.This and so much more. Joe's career goes so much deeper than Stranger Things, but he is so grateful and appreciative to be a part of Stranger Things. Joe is a great actor and solid human being. I loved this interview.#strangerthings #strangerthings4 #strangerthings5 #milliebobbybrown #gatenmattarazzo #nataliadyer #finnwolfhard #calebmclaughlin https://linktr.ee/mondaymorningcritic

Based on the global hit Netflix series created by the Duffer Brothers, a prequel play set within the universe of STRANGER THINGS has just opened at the Phoenix Theatre in the West End, London. The play, which is called Stranger Things: The First Shadow, features the Creel family and young versions of popular characters Joyce, Hopper, Bob, and Dr Brenner. Get your tickets to STRANGER THINGS: THE FIRST SHADOW in the West End ⬇️ https://prf.hn/click/camref:XXXXXX/destination:https://www.atgtickets.com/shows/stranger-things-the-first-shadow/phoenix-theatre/ (affiliate link) • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Special Intro: Peter Davison – The Fifth Doctor   Film at 11: Dream Scenario (2023)   Book IT: Reframe Your Brain: The User Interface for Happiness and Success (2023) by Scott Adams   Scroll With IT: Michelle Needham, the curator of the Stranger Times exhibit at the Museum of Durham History, joins us to describe the work they have done to record the historical moment we all experienced with COVID-19 and how the Duffer Brothers' Netflix series Stranger Things can help us come to terms with our experiences.  Show Notes: https://bit.ly/tms12523

Ashley and Jasmin are joined by special guest Cammerel to talk about Jasmin's favorite ship of the series Stancy AKA Steve & Nancy! We talk about what made us fall in love with their relationship in Season 1, Steve's evolution as a character, and why Nancy downplayed their relationship in the beginning. We also discuss how we all got into the show and how the Duffer Brothers really lucked out with the child actors they cast.   Please consider leaving us a rating & review! Theme Music: Stranger Things Theme Song (Salvation Synthwave Remix) by Neon Nights⁠ Follow us on: ⁠Instagram⁠ | ⁠Twitter⁠ | ⁠YouTube⁠ | ⁠Discord⁠ Follow Jasmin on: ⁠Instagram⁠ | ⁠Twitter⁠ | ⁠Tumblr ⁠| ⁠TikTok⁠ ⁠Enjoy our ST Fanfic "Stranger Years: College" on Ao3⁠ Have an episode suggestion or a theory you would like to share or hear us discuss? Email us at hamradiomedia@gmail.com You can find Cammerel's art & other creations at: InPrint Shop Etsy Shop Redbubble Store You can join Jasmin & Cammerel on the Stancy Discord at https://discord.gg/CSKDR8rwUK Produced by Brendon Garcia Audio Editing by Ashton Cooper Ham Radio: A Stranger Things Podcast is proudly presented by Ham Radio Media --- Send in a voice message: https://podcasters.spotify.com/pod/show/hamradiopodcast/message

Editors - Laura Zempel and Nat Fuller The Emmy®-nominated BEEF editing team of Laura Zempel and Nat Fuller came into this project with plenty of experience crafting storylines featuring complicated characters and situations.  Nat kicked off his career with another well-known Netflix property, STRANGER THINGS, starting as an assistant before transitioning to full editorial duties on the Duffer Brothers supernatural juggernaut.  For Laura, her time in the editing suites of complex dramas began with assisting on DEXTER, to ultimately cutting on HBO's critically-acclaimed EUPHORIA. Created by Korean director Lee Sung Jin (Sunny) for Netflix, BEEF stars Steven Yeun and Ali Wong as Danny Cho and Amy Lau, two strangers whose involvement in a road rage incident escalates into a prolonged feud. LAURA ZEMPEL In addition to her Emmy®-nominated work on BEEF, Laura's skills as an editor can be seen in EUPHORIA (2019-22), DISPATCHES FROM ELSEWHERE (2020) and ROOM 104 (2017-19).  Prior to that, she assisted on HOUSE OF CARDS (2014), DEXTER (2011-13) and IF I CAN DREAM (2010). NAT FULLER Nat's journey to being an Emmy®-nominated editor began with assisting duties on the features MALEFICENT (2014) and THE LAST WITCH HUNTER (2015), in addition to the debut season of STRANGER THINGS (2017).  Fuller would go on to co-edit the indie THE PEANUT BUTTER FALCON (2019) amidst taking on lead editing duties for Seasons 2-4 for STRANGER THINGS (2017-22). Editing BEEF In our discussion with the BEEF editing team of Laura Zempel and Nat Fuller, we talk about: Filling two gigs with one agent Nailing the ninety's needle drops Not taking sides in the edit Sound designing drug trips Taming the tension in postproduction The Credits Visit ExtremeMusic for all your production audio needs Subscribe to a low-cost monthly or annual subscription of Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

What you really NEED in a friend - even though you may have never thought of it (that's a Keep the Wow.)Stranger Things advice - from the Duffer Brothers in the Hollywood Outsider. The IRS has a warning about a refund scam that may land in your mailbox.

Welcome to Multiverse News, Your source for Information about all your favorite fictional universes Today, Warner Brothers held a lengthy presentation at Cinema Con during which footage was shown from several upcoming films including Barbie, Dune 2, Joker 2, Aquaman 2, Furiosa, The Flash, Wonka, The Meg 2, Beetlejuice 2, The Nun 2, and others. A full trailer was shown for The Flash, which is online now.Hayley The Jonathan Majors debacle continues to worsen as the actor's May 8 court appearance approaches. In addition to being dropped by his publicists and management firm, there have been reports of multiple alleged abuse victims coming forth to cooperate with the Manhattan District Attorney's office. Majors' attorney maintains his innocence and eventual inevitable exoneration. Coming hot off the heels of the announced Harry Potter TV series reboot, we have news that Lionsgate is following suit and developing the Twilight Saga for a similar television treatment. This comes to us at the same time as reports of a Magnificent Seven series and a Galaxy Quest series. Over in the casting rumor mill, multiple industry insiders have broadcasted scoops that Adam Driver is in final talks to portray The Fantastic Four patriarch, Reed Richards, in the MCU. Hayley The Kraven The Hunter Spinoff from Sony starring Aaron Taylor Johnson is officially confirmed to be Rated R. Two writers will write the 11th and final installment in the Fast & Furious saga, Christina Hodson, who wrote Bumblebee and The Flash, and Oren Uziel, who wrote the Cloverfield Paradox and Mortal Kombat. Juno Temple who plays keely on Ted Lasso is in final Talks to Lead Venom 3 with Tom Hardy. Adult Swim Announces a 10 episode Rick & Morty Anime Spinoff which will premiere on Max later this year. Disney & Victoria Alonso have officially Settled Out of Court for an undisclosed amount. The former Marvel executive and head of VFX was fired by Disney last month in a messy public split. 'Peaky Blinders' creator Steven Knight is in very early development of a drama series based on the life of William Shakspeare. Documentary About Alec Baldwin & the Accidental Shooting incident last year Is Underway as Rust Resumes Production. In an interview with The Hollywood reporter, actress Patti LuPone seemed to insinuate that the upcoming Marvel show Agatha Coven of Chaos is a musical or at the very least, has some musical elements stating that not only is Kathryn Hahn singing lead while other witches sing backup, but that the songs have been written by the same writers who created the song Agatha All Along for WandaVision. Netflix has released its first official teaser for season 3 of The Witcher. In our Netflix corner this week we have three quick stories, They released a trailer for FUBAR, an action comedy led by Arnold Schwarzenegger about his character's life as a spy intersecting his life as a dad. Netlix also announced The Boroughs, a sci fi series that will be produced by Stranger Things creators the Duffer Brothers, And finally, Netflix announced All the Light We Cannot See, limited series by Shawn Levy, Director for Stranger Things and Free Guy. It will star Mark Ruffalo and be based on the Pulitzer Prize winning novel.

We recap season 3 of the Mandalorian, we discuss Jury Duty and talk about Netflix's next Duffer Brothers show. Our rewatch ends with Superbad. 

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Nintendo can't be happy right now and another Netflix show with The Duffer Brothers! We'll talk about everything in the #MikeJonesMinuteCon.

SpaceX rocket explosion, Twitter checkmarks, President Biden set to announce 2024 bid, Alec Baldwin, Oakland A's are moving, Camila & Shawn, New Music Friday, Duffer Brothers new project, Jennifer Coolidge honored, White Men Can't Jump, Post Malone broke a big record, the Pope's gift to King Charles, Earth Day & more... Learn more about your ad choices. Visit megaphone.fm/adchoices

News you Need for Tuesday April 11, 2023. Trending in news now, a Grand Jury was seated in Akron yesterday to decide whether police officers should face criminal charges in the shooting of Jayland Walker.  In Hollywood, Millie Bobby Brown is engaged at 19, to Jake Bongiovi, the 20-year-old son of on Bon Jovi. Stranger Things may be ending after the fifth season, but the creators, The Duffer Brothers, and Netflix, have announced an animated spinoff of the hit series is in the works. Kim Kardashian has confirmed she will be joining the cast of the new season of “American Horror Story” with Emma Roberts. 

Listen to Piper's first song from the perspective of her dog, "The Groomers": Lyric video, SpotifyListen to Piper's second song, "Christmas Goes Way Too Fast"Listen to Piper's third song, "Life's Not Fair": Lyric video, SpotifyWant to learn more about Hear Your Song? Visit our website!Support Hear Your Song by making a tax-exempt donation to keep our programs free of charge for the kids and families we serve! You can donate here or on Venmo (@HearYourSong)!Want to register your child or teen to write a song with us? Looking to volunteer? Excited to partner? Reach out by contacting Hear Your Song here!Follow/subscribe to Hear Your Song onInstagramYouTubeFacebookTwitterSpotifyTikTokHosted by Hear Your Song's Executive Director and Co-Founder Dan Rubins, Co-Music Director Sofía Campoamor, and Programs Fellow Jack Softcheck Produced by Jacob MillerHear Your Song is a 501(c)(3) nonprofit empowering children and teens with serious illnesses and complex health needs to make their voices heard through collaborative songwriting. Season One of The Hear Your Song Podcast is made possible through the generous support of the Colburn-Keenan Foundation.

Bryan Behar is a writer/producer known for Wilfred, Glenn Martin D.D.S., and Las Man Standing. Join Michael Jamin and Bryan Behar in this deep conversation, perfect for emerging writers or aspiring TV Writers.Show NotesBryan Behar on IMDB: https://www.imdb.com/name/nm0066864/Bryan Behar on Twitter: https://twitter.com/bryanbeharBryan Behar on Instagram: https://www.instagram.com/bryan_behar/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAuto-Generated TranscriptsMichael Jamin:Someone said, well, you know, when are they gonna, are they gonna bring back multi-camera sick? They should bring 'em back.Bryan Behar:They exist Uhhuh. But they exist either for the very old or the very young. But there's been an entire generation that has been raised without them.Michael Jamin:Right? AndBryan Behar:Which infuriates me because as a historian of the, of the genre, I look back as recently as a couple years ago, and in the previous, I think 60 years of sitcoms, the number one sitcom on the air, uh, in terms of total viewers had been a multicam in 59 of the six first 60 years.Michael Jamin:You're listening to Screenwriters Need to Hear This with Michael Jam.Hey everybody, welcome to Screenwriters. Need to hear this. I'm Michael Jam. I got a special guest today. But you know, the way, um, the Letterman show always opens with, you know, my next guest needs no introduction. Well, my next guest needs an introduction, but he's like, . But, but you know what? All writers need introductions. No one's ever heard of any of us. But I'm here with Brian Behar and he is, dude, this guy's got a, he's a sitcom writer with a list of a laundry list of shows that he's worked on. I'm Brian. I'm gonna run through those cuz I'm sure you've forgotten half the credits. That's how many credits you have. AllBryan Behar:Right. I, I could name three, so please.Michael Jamin:, we started his, his career with the illustrious teen Angel, and then we slowly move up to working. I remember that show. I'd forgotten you were on work. You had some,Bryan Behar:I started with Ned and Stacy, but that may not have appeared on the, on your laundry list.Michael Jamin:Uh, my researchers who basically just download imdb did not tell me that. But we're gonna go on the IMDB order. , okay. That's accurate. Uh, then dag, remember that show with Andy and Eileen Baby Bob, you remember that show Baby Bob?Bryan Behar:The biggest hit I've ever been on ,Michael Jamin:Then a usaBryan Behar:And I still quit because I, as I told the Showrun my self-esteem can't handle running into anyone I went to high school with telling them I'm on Baby Bob. Sorry, Saltzman.Michael Jamin:Sorry. The, then a usa and then Andy Richter controls the universe. Guys, hang on. This guy's got so many credits then I'm with her. Although we're not sure if it's I'm with her or I'm with her.Bryan Behar:Brent Must Berger said I'm with her. So it was, I'm with herMichael Jamin:, I'm with her. I'm coughing. Then eight simple rules. How many of the rules did you ever get to before they canceled the show, by the way?Bryan Behar:Uh, we were on the fourth rule.Michael Jamin:Fourth rule. I was on, by the way, rules of engagement. So, oh.Bryan Behar:And I've done three shows with the working of the titleMichael Jamin:. Then, then the New Adventures of Old Christine. The, the old conventions of new Christine would've been better, but apparently that's okay. Then The Jake Effect.Bryan Behar:Yes.Michael Jamin:Weak shots. I don't even know what that is, to be honest.Bryan Behar:Oh, that was an, that was a highly touted one hour.Michael Jamin:Oh, so you can talk about some drama experience.Bryan Behar:I can talk about anything.Michael Jamin:It doesn't mean, doesn't mean what you're talking about, but you can talk aboutBryan Behar:Any Yeah, no, you're not gonna be able to stop meMichael Jamin: then. Big. Okay. Big shots then. True. Jackson vp, which was on NickelodeonBryan Behar:One episode. I, I wrote a, I wrote a story. Let's not get carried away.Michael Jamin:All right. Let's not give you too much credit then. Wil, which we worked on together.Bryan Behar:Yes.Michael Jamin:Talking Dog Show.Bryan Behar:Oh, that's where's our other Talking dog show? That that should have been a, uh, oh,Michael Jamin:Getting there. Glen Martin dds. No one knows what that is, but that's when we first worked together.Bryan Behar:But if you love, uh, Canadian cable Claymation shows you might like GlenMichael Jamin:. You might like it. Uh, last Man StandingBryan Behar:Like animation with a laugh track that isn't jaber. You're gonna love Glen. You're,Michael Jamin:That's how they promoted it. Then, uh, last Man Standing, which you were not one of the last men standing on that show.Bryan Behar:No, I was the first to go. ButMichael Jamin:. Well, Jack, no, Jack was the first to go.Bryan Behar:That's true. GreaterMichael Jamin:Was the first to go.Bryan Behar:Then he came back and then he went again, and then he came back. So, yes,Michael Jamin:I didn't realize he came back. Sorry. Then saved me. I don't know what that is. Do you know what that is?Bryan Behar:Give me a moment.Michael Jamin:Was that just a letter that you wrote to your agentBryan Behar:? Um, I did, I did write that letter from the writer's room of Save Me . Um, that was a show about Ann Hay, uh, think she Can Speak to God. And that was the least crazy part of the show.Michael Jamin:Oh, I did not know that. We'll talk about that.Bryan Behar:Yes, please.Michael Jamin:Uh, then we'll talk about Kirsty, which we worked again on You guys brought, I mean, me and my partner in on to do a freelance of that. And I had the great Cogan on the show a couple weeks ago.Bryan Behar:Oh my goodness. Well, you, you've got to everyone before me. Oh,Michael Jamin:I I, yeah. This is the bottom of the barrel week. IBryan Behar:Know, I saw on the list. I was like,Michael Jamin:. Really?Bryan Behar:So go ahead.Michael Jamin:Uh, I also have here Jennifer FallsBryan Behar:And does not get back up. Yes. All yes, I've heard them all. Uh,Michael Jamin:Ratings falls then Ned and Stacy we have on here. I don't know why it's, it's out of order here, but yes, that was 1997 N and Stacy there. And then finally, uh, you were the, you were the showrunner of Fuller House, the, the full House Free make.Bryan Behar:That is correct. I was,Michael Jamin:Now you,Bryan Behar:Is the first time you're hearingMichael Jamin:This. I had no idea. , you've, now you're fond to say that I think you've, like, you've worked on 20, it's 26 shows. Is that what it is?Bryan Behar:21 shows in 26 seasons,Michael Jamin:21 shows. And think about, so this is a career, guys. YouBryan Behar:Are, this is a hard way to do it.Michael Jamin:It is the hard way.Bryan Behar:Apply for a new job twice a year.Michael Jamin:Yeah. And it's act I mean, to be honest, it was, um, it was more doable then than it is now. I mean, now it's really hard to do that.Bryan Behar:I have no idea what people do now. Yeah. Which is, which makes me a sort of, sort of a sham as a, a teacher of, of sitcoms as I'm trying to, um, encourage and promote people to take a, take the, the risk and, uh, and jump in. But, uh, I have no idea what a career trajectory, uh, looks like today. It was, it, it, it it was very, uh, understandable when we broke in. Yeah. Like, it, like there was a clearer path and you're like, oh, I can go from show to show and there's enough sitcoms and there's, you know, I can just, if I lose one job, I'll just walk to the next bungalow on CBS Bradford and knock on the door and hope somebody else lets us in. ButMichael Jamin:That's, that's what I say. I say maybe I wonder if you agree. I say that, um, I think it's easier to break in now, but it's harder to make a sustain a career. What do you think?Bryan Behar:Um, well, I'm, I'm certainly not gonna disagree with you on your own show. I mean, you, you ,Michael Jamin:Please, if you do, I just edit it out.Bryan Behar:You have your burgeoning media empire here and I looking to be part of it. Um, God, how many does it? Okay. Um, I think you're right. Um, and by that, i I, I don't know if it's harder to sustain a career. I see a lot more people not entirely willing to commit to putting a career together.Michael Jamin:What does thatBryan Behar:Mean? Which, I mean, there's been such, um, on social media and in the press, there's such a sort of hype surrounding the concept of like the celebrity showrun that, and, and sort of with the advent of streaming services, that there's this idea that anyone can get a show on the air at any time and immediately jump from like an unemployed, unemployable, aspiring writer to a show runner. Mm-hmm. without doing any of the work in between. Like, you know, I know I hate to sound old fashioned, but you and I, we definitely put in the time working up the rung, working up the ladder. So when we finally got that call to run a show, I, you know, we, we had the skill set presumably, you know, we had been learning, we'd been acquiring a certain set of skills. Um, and I don't know that that is really like, promoted as much,Michael Jamin:But are you seeing people with not, with not a lot of experience becoming share owners?Bryan Behar:No. Um, but I'm seeing, but I'm hearing a lot of that's the aspiration.Michael Jamin:Oh, oh, yes. That's for sure. I hear that a lot.Bryan Behar:You know, like, you know, because I know you talk to a lot of people, you know, who were, you know, aspiring TV writers. And I, you know, I was doing a lot of talks on, on Clubhouse, and a lot of ask me anything kind of talks on, on Twitter and, and the, the question always sort of circles back to how do I sell a pilot to Netflix? How do I get a show on the streamer? How do I become a show runner? And it's not like, oh, what samples do I need Yeah. To break in? What skills do I need to move up the ladder? You know, it's just a different mindset. Like, it never would've occurred to me. I didn't, I didn't even sell a pilot or even attempt a pilot until I had been on 12 networks at college.Michael Jamin:It's so fun, Brian. It's like, maybe we're just the old guys, but this is exactly what I say all the time. I mean, so I'm glad that I'm not the only one saying it, or thinking atBryan Behar:Least. No, there are, there are two old guys in the Yeah, we have become the guys from the puppets, butMichael Jamin:The cranky old guys Yeah. InBryan Behar:Waldorf and Staler.Michael Jamin:But, but you, so I wanna actually wanna mention this. I wanna jump around for a second. So yes, you are also teaching at Chapman University. You're teaching, uh, is it television writing? What are you, what's their course?Bryan Behar:Um, yeah. Um, I'm teaching, I, I just, I started last semester from, this was my first time. Um, and, and currently in this fall semester, I'm teaching two classes. One is a sitcom writing class, uh, for graduate students, uhhuh. And one is a pilot writing class for undergrads. And then I'm gonna do two, they've already asked me back, uh, for two sitcom classes, uh, in the spring semester.Michael Jamin:Wow, that'sBryan Behar:Great. Yeah. It seems to be what I do. Uh,Michael Jamin:So you're enjoying it then? I loveBryan Behar:It. I love it. And I, uh,Michael Jamin:You weren't sure if you were gonna enjoy it?Bryan Behar:No, I, it, it actually took a little bit of Mm, a little coaxing internally in the family. You know, my wife had a bit of a come to Jesus moment with me. You know how, I don't know if you've heard the old joke, but they say that in Hollywood, you're retired for seven years before you realize it. Well, I had been retired for three years, and my wife was certainly well aware, and I was, I was starting to get it. Um, and she really was, you know, she really sat me down and said, like, you know, is this what you wanna do the rest of your life? Just keep banging your head against the same wall? Or is there, is there a wall you can go around and find something that gives you joy? And this has been great. WhatMichael Jamin:Exactly do you like about it?Bryan Behar:Well, I like not being on a TV show, which apparently Hollywood, Hollywood and myself have the same, likeMichael Jamin:You do have the same goal for you.Bryan Behar:They both, my, my, uh, agent manager, Hollywood producers and teaching, I'll see it the same way. .Michael Jamin:Um,Bryan Behar:No, I, I, I love, I mean, it, it, it's something so special to be around people who just are filled with nothing but hope and nothing but confidence. And, you know, it's really, I mean, if I have to spend my days around people who are positive and, and still love, have a love for the art and a love for the craft, and would give anything to be in television or be, you know, be by myself or be around a lot of bitter people complaining about why they're not in, you know, I'll take the four hours of driving down to Orange County anytime. Uh, it, it's, it's been great. And I didn't, I had no idea if I would like it.Michael Jamin:Well, first of all, it's not really a four hour drive.Bryan Behar:It's, it's two hours each way.Michael Jamin:Right. Okay. Um,Bryan Behar:So yes, for clarity's sake. Okay. It's not a four hour drive each way, but it is.Michael Jamin:But, and I'm sure what surprises you, cause it does surprise me, is just, is how much you actually know about how to do this. Right.Bryan Behar:That's the other fun part. I mean, that's is, I mean, and I don't mean it in like a smug, self satisfactory kind of way that like, wow, I'm, I'm smart, I've learned things, but when you're, when you're actually seeing it through the perspective of, of new writers and, you know, and new students and, and you're imparting knowledge on them, and, and it's, and like you said, it's not even knowledge that you're aware you have. Right. It's, we've almost picked it up by osmosis. But I mean, you know, me and I think you're a lot, you're really kind of the same way where, you know, we were both students of, of television, students of the TV history, students of the craft, you know, more than a lot of people who we did it alongside. I mean, so I think it makes sense. The, the two of us have found virgins of, of offering guidance and coaching and Yeah. And, you know, and trying to impart expertise. But it, it is, it is really satisfying and gratifying to, to realize like, wow, I, I actually did learn something. I actually have a certain level of skill. And, you know, all those years were not for, not, yeah. I'm spelling not differently in those two cases, butMichael Jamin:K nBryan Behar:O t not for nothing. Yes. , I mean, I know you're from the tri-state area. I should, I should have said it more colloquial,Michael Jamin:But, um, and so, yeah. Good. So, and you're enjoying that and you, the class sizes are kind of small or what?Bryan Behar:Yeah, I had, uh, seven last semester. My grad student was, is nine, and then 15, uh, I got 15 in my, uh, pilot class, you know, but it's, it's way tougher than I expected. You know, like, I, like they turn in, you know, like pages of a script or an outline, uh, the day before we go into class. And I, and I'm so like, you know, of, of the neurotic sense of I need to give them their money's worth, you know, they're paying a lot for the, so I write up about three pages of notes per student, per class. Wow. So, pilot class, that's, I'm writing up 45 pages of notes between the hours of two and eight on a Thursday night just to make sure I have something to give themMichael Jamin:A lot of work, dude,Bryan Behar:You know, you know, on Friday. And it's like, wow, you know, I, I used to do half the amount of work for a lot more money, but it, you know, I don't know that I would do that again. AndMichael Jamin:Let me be clear.Bryan Behar:And that's okay. I've made, I really have made my peace, which, which is threatening to people. You know, I had, I had lunch with a writer we both know the, uh, last week. And he is like, you, you want back in? I was like, no, I really don't. He's like, you can't be at peace. I'm like, no, I'm at peace. He goes, what if I offered youMichael Jamin:Go?Bryan Behar:Yeah. And I was like, he goes, what if I offered you a job on a, on a, on a pilot? I was like, okay, well first you'd have to get it on the air and you're not going to offer it. I said, but yeah, sure. Let's say you offered me a job. I'm not gonna like turn it down out of hand. Um, but I don't think it's gonna happen. He goes, yeah, probably not. He goes, your old partner's, uh, wife works at the network. She never let me hire you anyway. I'm like, then why are we having this discussion? You, you better pay for lunch.Michael Jamin:Could you wait, can you say who it was?Bryan Behar:This was Marco from, uh,Michael Jamin:Oh, Marco, really? MarcoBryan Behar:From, uh, yeah, from our Kirsty,Michael Jamin:Yes. Marco from Hello Marco from Kirsty.Bryan Behar:Hello Marco from KirstyMichael Jamin:.Bryan Behar:One of, one of my dear friends. But, you know, but I think, you know, for a lot of people that you know this, and I'm not singling him out, you know, that being a writer on television becomes one's identity. And, and it was for me for a long, long time, you know, you know, 25, 26 years, uh, of doing it. But it, you know, at some point you just have to read the writing on the wall, if that's, if that's where your career is at. And, and that's where IMichael Jamin:Are you still doing any other writing outside? Just for your, for personal reasons?Bryan Behar:Yeah, I'm doing all kinds of writing, but none of which is with the intent ofMichael Jamin:Making aBryan Behar:TV show, selling a pilot or, or getting back in, you know, on staff. Yeah. And, and that's, you know, you know, we've talked about this off camera a lot over the last, you know, five, six years just finding our own voices and, and finding other avenues to, to write on, you know, on my own. And so I'm like, I'm still writing a, you know, you know, a lot of essays. Um, I, you know, I, I had written I think 40 essays for the Huffington Post, um, over the past five years, another 20, 25 for Medium. And, and then I've moved my stuff over, uh, to sub stack. Um, so I recently wrote a, an article about growing up in Encino that was shared 10,000 times. Um, and I performed it at a, um, wow. I performed it at a spoken word, and I,Michael Jamin:And that was all from Sub, it got shared 10,000 times.Bryan Behar:Yeah. Yeah.Michael Jamin:Wait, what? We'll plug it.Bryan Behar:Apparently. I know a lot about the Valley,Michael Jamin:But, and you have a lot of thought. We'll plug it again at the end, but I wanna make sure, might as well mention it now as well. What's your sub name?Bryan Behar:Oh, find You. I assume it's, it, it has to be Brian Behar. That's with Brian with a Y. But I can, I can check. I'm sorry. This is, this is not gonna make great television watching an old Jew look, look up his SubT. But, uh, I just, um, I just got O brian behar.com, but I just got two Twitter notifications saying that even though this, uh, episode hasn't aired, it's already been referred to as two JulieMichael Jamin:, Elon Musk's ahead of time.Bryan Behar:. He's,Michael Jamin:He's, he's, he's making it better. Um,Bryan Behar:Yeah, I've lost 10,000 followers in the last week, and I don't think I've gotten that much less funny. I, but uh, I mean, there's, there's just a Twitter at Trisha. Yeah. So, as you, but in, in reference to your other question, yeah. I'm still still posting a ton on Twitter and on, on Facebook. I, I wrote a novella, um, which is just a novel that I didn't have enough words to legally call a novel. Uh, I've been writing my articles, doing spoken words, so really doing everything but the stuff that used to pay me. And, uh, but, and loving itMichael Jamin:And loving itBryan Behar:And loving it.Michael Jamin:And that's great. I wanna, so I wanna circle back to stuff that I wanna ask you, how you broke into the business. Although it's odd because I'm not sure how helpful it is for people since so much has changed, but we might as well talkBryan Behar:About it. Yeah. I mean, sitcoms used to be on Kiddo Scopes when we were breaking in , you know, was it the Dumont network that gave me myMichael Jamin:First job? , yes.Bryan Behar:I mean, my story is sort of, sort of interesting for people who like ancient history, , um, you know, cuz in many ways I was an overnight success. I wrote one spec script and was on the staff of n and Stacy two months later. Um, but this was an overnight success that, that was seven years in the making, right? Um, between the time I graduated from college, brown University. Um,Michael Jamin:Oh, for applause. Nothing.Bryan Behar:Oh, for applause. Hold for salute. Thank you. Thank you. Everyone still holding, still holding. No one seems to, no one seems to care as much as, as I do, um, between graduation and, and, and even knowing at the time of graduation that I desperately wanted to be a sitcom writer, it was seven years between then and actually getting my first job Right. Um, for the first few years. It, it just felt as though it was not like a conceivable path in my mind. It's, it felt like that was for like the funny people. That's what other people did. Um, but I knew I wanted to write mm-hmm. , and that was something I discovered at Brown. Like, I, I went to Brown thinking I was gonna be a lawyer, like all dutiful Jewish boys trying to buy their mother's affection through grades, . Um, that didn't work. So I decided I might as well do something I actually am good at and something that I like. Uh, and I started to realize that like, wow, people seem to be laughing when I'm writing stuff for the school paper. So I knew I wanted to write comedy, but, uh, a job in advertising actually felt more, uh, conceivable to me. And, and as such, I went on that path and I, and I worked as a copywriter for seven years. AndMichael Jamin:That was in New York, or out hereBryan Behar:On the west coast. Started in San Diego, then Los Angeles, and finished up in San Francisco.Michael Jamin:Okay.Bryan Behar:Um, and I was pretty good at it, and I was starting to actually get like a, a decent amount of success and traction, but all the while I could not shake the feeling that I really wanna write tv. I really wanna be a comedy writer. And if I don't try it soon, I'm gonna reach that point where I am too successful or too well paid at, at something I don't wanna do to ever take the chance. So, um, my old partner, uh, was a college friend Steve, and he said, Hey, I'm writing a specs script. And I was like, wait, you don't wanna be a TV writer? That's my dream. He's like, well, I'm doing it with another friend of ours. I said, well, tell her we're not doing it. And he and I wrote it over a facsimile machine while he was in LA and I was living in San Francisco. We were never even in the same room. Wow. AndMichael Jamin:And he was an executive at the time?Bryan Behar:He was an executive. He frequently wore suspenders by choice.Michael Jamin:I'm sorry. He was a TV executive, right? He was at, was he at a, where was he? Wonder Brother abc. WhereBryan Behar:Was he? He was at Universal. He was at Columbia. He was at spelling and he was at nbc. Yeah. So he was well into that career, but he also, he was, you know, he wa he'd been to enough tapings and be like, wow, these people aren't that smart. Like, right. Like, I can write, I can write mediocre multi-campus, it comes as well as the next guy . SoMichael Jamin:You guys teamed up, you wrote a spec and then what?Bryan Behar:And then we, we were on staff two months later. HowMichael Jamin:Did you get into, how did you get into someone's hands? What,Bryan Behar:Uh, well, he was dating the woman who became our agent. ThatMichael Jamin:Helps.Bryan Behar:And so, so there is thatMichael Jamin:,Bryan Behar:I mean, he had dated her earlier. They had met in the, uh, UTA mail room. Hi. SoMichael Jamin:That's right. She, she was my, our agent at one point too.Bryan Behar:Yeah. Um, but like I will say to our credit, like, she was like, you have to send it to me. But we were, we thought that it was almost not kosher and it sent it to some other people who were gonna sign us Uhhuh. Um, so it was a good, but here's the thing, it was a good spec. Um, and I see why we got hired, but we took a year to write it. Yeah.Because like, you know, we had unlimited time. There was no constraints of being on a show. And then we get to our first job and they say, oh, well we need our, your first script in a week. Right? Well, we had no, we had no system in place. We had never even been in the same city. Right. So we totally panicked, wrote it as quickly as possible, turned it in, and we're like, I think we did it. And we got called in by our boss, Michael Whitehorn is like, guys, you know, I have to say about this script. Like, it reads like a Marks Brothers movie. And I was like, well, thank you very much. I I appreciate. He's like, no, this is terrible. He goes, I love the March Brothers, but that's not how you write tv. He goes, there's no story, there's no setups.It's just bouncing from joke to joke. Mm-hmm. . And it literally read like it felt writing it like it was done out of panic. Yeah. And he, and he told us he was gonna have to fire us. And this was like, you know, I finally was living my dream after years and years. He did. You already. And, and within like a month it was, it was all gonna go away. And I had quit my career in San, in San Francisco in advertising. Moved down here. I had just gotten married, you know, I always like to say, other than death, divorce, and space travel, I took on all of life's great stressors in one month. But did And did you get fired from it? We did not. What happened? Here's some advice for you young folk. Yeah. Cause I know young folks like this podcast. Um, they might, they might to laugh .Um, he said, well, legally, I have to give you a second script. So you know how long ago it was when you had a two script guarantee? Yeah. He goes, so I might as well let you write it anyway cause I don't have to pay you. Right. So at that point, we, we had nothing to lose because we'd already suffered like all the indignity of being fired and everyone in the room knew it. So we kind of just slowed down and like pieced it together a lot more carefully and a lot more artfully. You know, we still, you know, we still had a ton of jokes, but it wasn't in this like, frantic style. And he, and he, to his credit, he said, this is so much better. I'm gonna, I'm taking it back. I'm gonna let you keep your job. And we ended up staying there for 24 episodes and we wrote four of them.Mm-hmm. , and we were, you know, sort of off to the races. But it, you know, so much attention is given to getting that first job. And so little attention is given to how do you keep it? Yep. How do you get the second one? How do you go from jobs two to jobs three and four? And that's like, that's the stuff that I'm trying to help people with both online and in my class, which is anyone can kind of break in with like, you know, and I've heard you talk on your, your ticks about one hit wonders. Like, that's not what people should be aspiring to. They shouldn't be aspiring to, well I, I, you know, I sold this one movie, or I sold this one pilot. But how do you get on a show? How do you, how do you keep, how do you stay in the boss's good graces mm-hmm. , how do you make friends on a staff as a staff writer, um, without being the annoying staff writer who feels compelled to fill the air with your voice mm-hmm. because you think that everyone's judging you and keeping score. And these are, you know, again, these are all super valuable, but, you know, lessons that are kind of lost arts in my mind. Um,Michael Jamin:I totally agree. It's also, you know, when I, the first script that I wrote, this is even Withouts before I met my partner, it was a good script. It got me signed by Bro Cro and Webner. But I thought I would never write. It wasn't my first script. It was the first script. I guess it was good, but I, I thought I would never do it. How could I do it again? I don't, I I got lucky. I didn't know how, I didn't know what a story was. I just got lucky, you know?Bryan Behar:Yeah. I hundred percent felt that and felt that for a long time. I mean, when I was writing like samples, and again, I, I, I sort of jumped ahead and didn't mention that I was trying to write samples for all seven of those years.Michael Jamin:Yeah.Bryan Behar:And I tried it with three or four different partners. I tried it on my own. Interesting. Um, and my real issue was I couldn't finish. You know, like people always say like, what, you know, what's the, what's your biggest advice? I'm like, finish a script. Yeah. Because I would belly ache at coffee shop houses all over Le Brea. Like, why am I not on staff? Oh, do you have a sample? Well, I've never finished oneMichael Jamin:,Bryan Behar:You know, but like, how did people not know about me? I, I won't stop talking about it, but like, I think I, I, deep down I felt that if I were to finish a script and I don't get hired then like I no longer have a sustainable dream. Like as long as it was still out there, it was something that I could always like shoot for as a safety valve if I didn't like what I was doing in advertising or in life. But once you finish something, then it becomes tangible and people would read it. But if you don't do that, it it, there's no way for them to advance you. So, uh,Michael Jamin:Yeah. Yeah. I mean it's so interesting you say about keeping the job I did. I definitely talk about that as well. It's like, how do you keep your job? And so I've seen, I've seen so many, and you must see more than me, but young staff, writers just flame out flame. They get, it's a shame cuz you get this job, but you're not ready for it. And then you're done.Bryan Behar:You, I've seen so many people get the first job and never get the second job.Michael Jamin:Yeah. Yeah.Bryan Behar:If you get the second job, there's a pretty good chance that you're inMichael Jamin:Uhhuh.Bryan Behar:Um, now again, that was in the mid nineties when NBC alone had 18 sitcoms on its fall schedule. Yeah. I don't mean 18 sitcoms on all the network, I mean, just on one of the networks. And it's not like the others, you know, were only doing, you know, biopics you, you know, this was an, an era where there was a clear path forward where you could, you could rise through the ranks. You could go from show to show you could take, you know, good credits and get a better job on another show. Mm-hmm. . Um, I mean we used to always, always, before we knew you guys, we used to resent the hell out of you. We're like, you know, cause we, you know, we'd been on like 10 shows while you guys were on Just Shoot Me in King of the Hill. Yeah.Michael Jamin:Yeah.Bryan Behar:And it's like, wow, that is a, that is an entirely other way of doing it. Which is we, we would look at you and like, so you're telling me you can get on a really good show, stay there, do a good job, stay there for a long time, then get on a better show. Yeah. And do that for a long time. And that was, you know, andMichael Jamin:A lot of that is luck. Like, you know, we got on a good show and it went four seasons and you got on a show that didn't get, you know, four seasons and then you have to, and so yeah. A lot of that is, you know, that's just luck really. You know,Bryan Behar:A lot of it is. Yes. I mean, and yet, you know, like now I've had some opportunities to sort of reflect back on my career and there are situations like old Christine for example, which ran for six years, but we just ran for the first 13 episodes. Right. Um, you know, if I knew better how to play the game, um, or you know, not to take defeat so much to heart. Um, you know, and a lot of that had to do with like, sort of grappling with depression and a lot of things mm-hmm. . Um, but like I, you know, if I knew now, if I knew then what I know now, I think there might have been a few opportunities along the way where I could have kept a job for longer. But, um, nothing I can do about that now.Michael Jamin:Not that it, not that really makes a difference, but Do you, do you see any change between the way young staff writers are today? Like when you were doing one of your last few shows and the work when you were first starting off, do you see a change in their attitudes or their readiness or anything?Bryan Behar:No. Um, I'm, I'm trying to think. You know, because I, I was very fortunate on Fuller House that I was able to promote a ton of younger writers from within the system, uh, and, and was able to give them their first staff writing jobs. Right. Um, and like that was a little different than how I had done it, which was, you know, in my case. And I think maybe, maybe in your case, but I, I don't wanna speak for you. Like, certainly in our case it was you write samples and you break in as a staff writer. And I see more and more that the only way in for a lot of people is to take other jobs on a show in the production working as a PA and then working up to a writing's assistant or start as a writing assistant then becoming the, you know, the, you know, the writing supervisor or, or you know, like that that sort of path, uh, of promotion from within seems to be a lot more common. I know that didn't answer your, that didn't answer your question specifically about the writers themselves. No. They, they seem just like young writers mm-hmm. who were, you know, who were appreciative of the shot. It seems like they've all been maybe out in the cold a lot longer than we were Yeah. Uh, before they get their first break. And I think there's less certainty about what comes after because there just aren't as many sitcoms in general and multi cams in specific.Michael Jamin:I did a post about this just a couple days ago about, cuz someone said, well, you know, when are they gonna, are they gonna bring back multi-camera sick? They should bring them back. And I was like, you know, at some point, maybe in 10 or 15 years, it might almost be impossible because whoBryan Behar:It might be Im now.Michael Jamin:Well, why do you thinkBryan Behar:So they, they exist Uhhuh, but they exist either for the very old or the very young mm-hmm. and there's been an entire, and I'm sorry I didn't mean to interrupt you, but there's been an entire generation that has been raised without them.Michael Jamin:Right.Bryan Behar:And which infuriates me because as a historian of the, of the genre, I look back as recently as a couple years ago, and in the previous, I think 60 years of sitcoms, the number one sitcom on the air, uh, in terms of total viewers had been a multicam in 59 of the six first 60 years.Michael Jamin:Yeah.Bryan Behar:Um, and this even includes like, you know, what you might call like the heyday of the single camera era. And yes, there have been a few hits that have become sizable monsters like Modern Family and The Office, but the Office even more so, you know, once it became syndicated or once it went to Netflix. Um, but even during that, those shows having their heydays, the top rated sitcoms were still two and a Half Men and Big Bang Theory. You know, I mean, I am someone who strongly believes that, that the multi cam has always been more popular than the single cam. But, and maybe we've spoken about this before, but executives didn't think it was as cool to talk about it at their, you know, west side cocktail parties. And nobody wanted to be the one who developed, you know, a big embarrassing show with a laugh track. So they would just keep plowing ahead.Michael Jamin:But they always say they're looking for it because it costs less money.Bryan Behar:They always say it, but they never buy them. Yeah. And in fact, many times we would, Steve and I would sell a pilot to someone, um, as a single cam knowing that that's the only thing that those networks were putting on that year. And they say, no, no, no, we're really looking for multi cams. They would change our pilot to a Multicam and then pick it up and say, well, nobody's, there's nowhere, nowhere on the schedule where we can place us a multicam. Yeah. There's, wait a second. You made me do it. Yeah.Michael Jamin:Um, why do youBryan Behar:Think, I'm not gonna say it would've gotten on anyway, so, butMichael Jamin:Why do you think they couldn't make it today? Do you think it's just a scheduling thing? Cause I had a different feeling about it.Bryan Behar:I think it's a scheduling thing on the one hand. Um, and I've read some articles recently about the difficulty in scheduling multi cams alongside single cams. There was an article just like this week in fact. But beyond that, I think it's, it is almost just like, why isn't there rock and roll on Top 40 radio because there hasn't been in 15 years, so there's nobody alive in that age demo who would listen to it.Michael Jamin:You think so? You think it's a viewership thing? Cause I don't, that's not what I do. I think the problem is, is I think it, when we jumped on a set, you know, when we first were on sitcoms, like, especially in Multicam, there's so much to learn about how to produce a multi-camera show that we weren't, we weren't even thinking of like running one in 10 15. Like, it was like, I don't know how to do this. Even when I'm working on it, I'm like, I wouldn't be, you couldn't put me in charge of this. And then, but now, but you, but you come out of a school. So like we were on Just Shoot Me and that came out of was on Frazier. So we kind of grew outta the Frazier School, which grew outta the cheer school. So there's like this column of like writers before you that you learn from.Bryan Behar:Yeah. It's like coming out of like the Bill Belichick coaches tree. Yeah.Michael Jamin:Right. VeryBryan Behar:Similar. You if you're, if you're a, you know, a co-executive producer on, on one on Levian show, then you can be the executive producer on when you get a deal on your next show. Like, very common to putThem,Michael Jamin:Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You could unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michael jamin.com/watchlist.Now, like if you wanted to put a single, a multi-camera show on the air, where's the talent pool other than a bunch of old guys or people who've never done it before?Bryan Behar:Yeah. And, and, and like, you know, I sounded a little facetious earlier when I said it was the purview of the very old or the very young. But like, I mean that both in terms of the people who create it and the people who watch it, you know, it, it's either like pretty old fashioned, the last remnants of like CBS multi cams mm-hmm. or it's a Disney channel, Nickelodeon show. Right. Um, and what used to be like the mainstream of comedy doesn't exist that that really vast middle Yeah. Isn't there anymore in terms of, of multi cams, either in terms of like the space that's given on the schedule or in, in the age of the people who consume it. Yeah. Um, so I just think that people now think of it as old fashioned and kind of, there's a superficial, there's a fakeness to it.Yeah. An artificiality, not superficial, an artificiality to it. Cuz now that they've seen enough comedies that are written, you know, written and produced like little movies mm-hmm. , you know, I think it's part of this, it's part of the movie of TV that's happening in the more general sense mm-hmm. that, you know, when you look at the streaming services and, and I, and I think me teaching a class on pilot writing and like of the, of the 15 kids that are writing pilots, 14 are writing one hours mm-hmm. one is writing a single camp, but of the one hours most are done in like, in genres of, you know, it's superheroes, it's science fiction, it's it's space and it's zombies. Yeah. You know, like all of which wouldn't have been on television when we were breaking in. Yeah. It was multi cam comedies and procedural dramas and that was it. It was, and it was like you could wrap your hands around it. It doesn't mean that it was like a glorious time in terms of, you know, this great diversity of product, but like from the perspective of people trying to, you know, like rise up through the hierarchy, it was a lot more tangible and easier to comprehend. Yeah.Michael Jamin:I was even thinking of shows, like even the shows were like, gimme a break or, or small Wonder. Like, those shows were also very comfortable, you know, or Punky Brewster, like they were comfortable shows they don't exist anymore.Bryan Behar:It feels like you're setting me up. But I am, I have long been of as much as I try to write edgy stuff and like you and I were on Will, I mean, you know. Yeah. Like we both have, you know, the bonafides of, you know, to write cool single camera stuff. But I've also been of the belief that the calm and sitcom often stands just as much for comfort as it does for comedy. Yeah. And all those shows you described, um, there was a comforting, soothing value. Now some of it has to do with, we were young at the time, some of it has to do with our own nostalgia for an easier time. But I mean, that's why I got into sitcoms in the first place because, you know, my family life was pretty rough. I didn't have a ton of friends, but I loved the Brady Bunch. Yeah. Um, and I found that even like, at a very, very young age, like I found that world incredibly soothing.Michael Jamin:But that's not a good example. Cause that was a single camera show.Bryan Behar:I know. But it, it doesn't feel like a single camera show. Um, and you're right. But, uh, I mean, but whether, but it was still, it was still a family sitcom. Yeah. Um, and like for instance, like when I, like when we were first offered the chance to write on Fuller House, not to run it, but just, you know, to be a co-executive producer in the first season, I had no interest mm-hmm. and I was like, I never saw Full House. Um, but two, but two things sort of changed my mind. One was my daughter, who was like maybe like 13, 14 at the time, and she's like, you're gonna take this meeting and you're not gonna fuck it up. She's like, this is gonna be huge. Because she, you know, she knew the power of the original Full house as a kid who sort of grew up on the reruns and like whatever, she was homesick from school, we would tape her five episodes of the Brady Bunch and five episodes of, um, full House.It seemed easier than actually parenting or offering her medicine. Um, but that's neither hit nor the other. But the other thing was realizing like, okay, I don't know Full House, but I sure know the Brady Bunch. And that full house served the exact same function for kids who were 10 years younger than me as the Brady Bunch did in my life. And I'm like, oh, I know what that felt like to Yeah. I know what it felt like to be that age and, and want to be soothed by a TV show and wanna feel like you're part of a, you know, a surrogate family on the air. And, and that that really helped, helped me as a way inMichael Jamin:Yeah.Bryan Behar:So realize is that kind of showMichael Jamin:Yeah. It's an interesting, it really is an interesting time for writers. What are you, what are you, how are you advising your students to break in then? What are you telling them?Bryan Behar:Well, I try not to spend as much time on the how to break in mm-hmm. as to give them the tools that might open the door and might help them. And, and, and I, you know what, what I do, again, I'm, I'm, I'm sort of evading the question by design. Um, like for instance, I, I run my classes as if they were a writer's room. I push all the tables together. We sit around one big table with me at the front, like a big mock, just like the old days. Yeah. At one 20th. At one 20th. The salary. Right. Of, of, but like, I want them to get used to what it, you know, what it feels like to, you know, pitch amongst their peers what it feels like to, you know, offer an idea or a joke to somebody at the head of the table.So like, as far as teaching them the craft, I think I'm doing a pretty good job. I don't know that I have as much wisdom when it comes to how does one break in these days. Right. Um, I alluded to in a teeny bit earlier, which is one of the things I will say is do not turn down any job on a television show mm-hmm. , because that has become more and more the only way in is to rise through the ranks. It, it is entirely a function of who, you know, so many of the jobs come from the people doing, you know, the non-writing jobs that, you know, that lead into it.Michael Jamin:But you also have to be ready. It's not, it's not enough to know somebody. Your script has to, you have to know how to writeBryan Behar:Well. Yeah. I don't know that you're gonna get those writing assistant jobs or those pa jobs even without a script. So, I mean, you have to have a great script now just to get those jobs.Michael Jamin:Oh, okay. I wasn't aware ofBryan Behar:That. I think you do. I'veMichael Jamin:Never, I've never read any, I've never asked a pa or write assistant to read their, I'd rather not read their script.Bryan Behar:Yeah, no, I, I, I mean, I'm of the, I'm of the, I'm the same way. I just would rather assume that they, that they're funny. Right. Uh, you know, after the interview, but like you, I, again, since I wasn't running the show, um, when we started out, I don't know if they had spec scripts originally. Right. I inherited so many of them, you know, so, but you know, but what I tell them is like, you know, you're sitting there behind the keyboards. Like, nobody wants you to be the one pitching jokes all day long, but like, pick your battles. Like, you know, I've seen, I've seen writing assistants like win a job from pitching a, you know, lobbying a giant joke out of the corner of the room when no one's expecting it. Right. You know, and in some ways, like the pressure's off. No one is expecting you to save the day.Mm-hmm. . Um, and I always say like, if you really need to be funny, be funny at lunch, you know, like when you're just like, cuz then you were, if you're sitting around one table at lunch, you're all just people. There's not that same hierarchy. Right. People. And then a year from now when we say, oh, we need a staff writer, we were far more likely to say like, oh, so and so made me laugh, you know, you know, while I was eating my gato grill. Then, uh, you know, then have to read a stack of scripts. You know, you know, so like I say, like you can break it as a staff writer, the traditional way you can get hired, um, at, in another type of job. Like we've just been talking about within the production. And then there's all these writing programs that mm-hmm. Things still exist, even though Warner Brothers a few weeks ago said they were canceling the Warner program. They brought it back. They brought it back. Okay. Yeah. That's like, that is like the third way. And that, that's still a valid and beyond that, I don't really know how, I know people all wanna be discovered. Everyone, everyone wants to like write a pilot that gets bought by a streamer mm-hmm. and they wanna be a celebrity showrun. Right. And I don't know, I don't know that that exists, but it probably exists just enough that everyone thinks they can do it. Yeah. Like for instance, like I'm teaching at Chapman, which is a fabulous program. It like barely existed 20 years ago, and now it's like the fourth film school in the country according to the, you know, the most recent rankings. And like, their big claim to fame is the two brothers who created Stranger Things like in their twenties. Right. Like out of nowhere, I think they had one credit. And the next thing you know, they have a show that's the biggest show on all television in all mediums. Right. Streamer, cable pay, cable, anything. And I forgot broadcast that used to be a thing that we cared about. Um, but like, everyone's like, well, the Duffer Brothers did it. Why can't I create some, some genre of sci-fi? And it's like, you can possibly, but that's again, that's the exception. Yeah. What's gonna happen if you don't,Michael Jamin:I think that's exactly right. I think that's, that's the exception. It's, and it's such a remarkable exception that the media picks up on it and talks about it because it's what an unusual story. And then therefore people think, oh, that's how you do it. You know,Bryan Behar:And I guess that's, I mean, if we really were being fair, there's always been that media story of the V kid, you know mm-hmm. 20 years ago it was Josh Schwartz, he's, he's 11 years old and he created the oc Yeah. You know, there's always, you know, there's always someone who got, you know, I think James L. Brooks was one of them, you know? Right. Like, there's always somebody who in their twenties gets a show on the air and ruin it for everybody else. Mm-hmm. . But, but, but I mean, by ruin it by everybody else is it creates this illusion that all you need to do is sell a pilot, not learn how to write tv.Michael Jamin:Yeah. I, you know, I remember when we were first signed, or when I, yeah, I guess it was with Sheer signed and, um, our agent said, oh, oh, no, no. She said it to me before, before I was with Sheer. She said, you know, I signed one new baby writer a year. You're the baby writer. In three years you're gonna be running your own show. And, and I, and I, I, I smiled very play. Oh, that's great. And then after I hung up, I was seriously panicked. I was like, run my own show. I, I, I don't even know if I can write another script. Like that's the last thing I wanna do is run our own show.Bryan Behar:Of course. Now here's something I'm gonna admit to you that you're, you're gonna laugh at me. And, and, and That's okay. It would not be the first time. Like Steve, and, and, and I can't talk too much about it because it's part of ongoing litigation, some of the specifics of this. But Steve and I were offered the opportunity to run Fuller House, uh, beginning season four.Michael Jamin:Mm-hmm. .Bryan Behar:Um, so we had been doing this for I think 22 years. I was like 53 years old, 52 years old. And I said no, because of the thought of running a show, even with 22 years experience, even at 52 years old, seemed inconceivable to me. Yeah. Now, you know, I have a history of severe panic disorder and a lot of other things that, that contribute to that. And then they came back and offered it to us again. They're like, no, no, we, we thought about someone else, it's you. And we said no again, um, because no, now we're, we're in a kind of an extreme case, but part of it was a function of that ship had sailed in my mind mm-hmm. as far as like being a possibility. Like when you, when you're hitting your, your, you know, your your early to mid fifties and you've not run a show, I think in it's a, it's a, it is a fair assumption to say that the business doesn't see you that way.Mm-hmm. , like you're, you know, Steve and I were very competent number twos and very competent number threes mm-hmm. . Um, but the thought of actually like taking on the big chair still seemed like something that like engendered panic. Yeah. And, and then, you know what? We did it and I loved it and I, I loved doing it. I was eager to do it again. Um, you know, we did 30, 31 episodes, uh, under our helm and like started to take on responsibilities and facets that I'd never, ever even thought about. Right. It was great. So, and I, so even though I never got to do it another time or another time yet, I'm thrilled that I was able to get past that fear because it really was like the sort of the last fear that was out there for me.Michael Jamin:But the thing is, when people say that, when people say, I wanna run my own show, and I said, do you, you don't even know what a Showrun does. Like why would you, like, why, why are you signing up for a job? You don't even know what the job entails.Bryan Behar:Well, because they've seen Matt Wener give an interview at the end of Madman or Vince Gilligan, the end of Breaking Bad. And they know that like, you know, they know what their salaries are and they know their celebrities. Yeah. You know, and they get good, you know, they get good tables at Mr. Chap. I mean, I don't know, but like, I didn't know what his, there was no such thing as a celebrity Showrun when we were breaking in. Like there were, yes, there were successful people. You know, like I was very aware who created Seinfeld and friends and who created Cheers and what the back ends were. Right. But that thing where, and it really is kind of a function of premium tv, like sort of the Post Sopranos one hour world, you know, the Mad Men, Sopranos, breaking beds, the Shield, the Wire Deadwood, like those have really kind of deified the one hour show runner as like pop culture celebrities.Michael Jamin:Yeah.Bryan Behar:And they've, they've sort of become the new film directors. Yeah.Michael Jamin:Right.Bryan Behar:So everybody wants that.Michael Jamin:Right.Bryan Behar:And again, like if you see the Duffer Brothers do it, you know, at, at 28 years old or however, however young they were, um, people are, people rightly do ask Why not us? Mm-hmm. . But again, like I had been doing TV for 22 or 23 years before I took over that show and still had no conception of what running a show entailed. Yeah. In terms of just the sheer enormity of the pressure of the responsibility. And that was with two of us, and that was with two of us dividing the task. I had no idea how someone does that on their own. Yeah. Cause even with two people that felt like, like, like a, her her lay super human effort. Yep. You know, and I'm sure you found the same thing, like, um, there's so many different, you're making a decision all day long, every day at a furious pace. Yep. And yet there's nothing like it. Like it was such, it was, you know, and I don't mean like just from like a, the standpoint of like, I felt powerful, but like, there were like, having such a sense of purpose every day was fantastic. Uhhuh,You know, overcoming fears and like developing like a skill like that I didn't even know I needed to possess. Like, that was interesting. Yeah. You know, so I feel, I mean, it certainly helps me as a teacher because if I had never run a show, I'd feel like a little bit like a fraud offering notes and like fixing scripts and mm-hmm. having now having done it, like at, I'm not gonna say the highest levels, but a high level. Right. Um, you know, I feel like far more qualified to be the one teaching people. Cause I feel like I've done at least the equivalent of that in, in tv.Michael Jamin:Yeah. It, it's, it's interesting because even as I, before I started doing, like talking on social media, I was like, well, you know who, I'm not Vince Gilligan, I'm not Chuck Lori, I'm not Steve Levitan. I'm not, I'm not the highest there is, you know, um, what,Bryan Behar:Well, two things come to mind. Number one, don't sell yourself short because you're still super high within, you're still super high within the, you know, the pecking order. Like, once you take out those, those few brand names, right. You've done it. You've, you've run multiple shows. You've run multiple good shows and people liked working for you. And, uh, you know, like the, the job we did together on, on Glen Martin was a pleasure. And, uh, you know, that's probably the closest I ever felt to like really writing in my own voice Yeah. And kind of just letting go and not being self-conscious and just writing whatever felt silly or funny. Right. So that's one thing you've done. But the other thing where I think you have a leg up in fact, is what was the last time Chuck Laurie or Steve Leviton had to really think about what they were gonna do next and plot accordingly. You know, like both of them just go to CS and say, get me a get me, you know, get me a show on Hulu. And they do. Like, but that's not like how people in real, in real life behave.Michael Jamin:Yeah. I, that's one I talked about with my wife. She goes, well, yeah, but that, those are the superstars you can talk to. You can speak to what does it mean to be a working writer who's not a superstar? Who'sBryan Behar:That's, that's a hundred percent right. It's a little insulting that our wives know about people who are superstars and they, they tend to usually be taller, um, Who had a here, but like, um, I don't, I don't know that Steve Levitator or Chuck Laurie or you know, or Larry David is gonna speak as, you know, as succinctly or as I impactfully as you do about, you know, the like day to day mechanics of breaking in, building a career, keeping a job. And those are, you know, those are the things that I talk about day to day. And, and now I've moved on to the third, you know, the third thing, which is how do I build like a sort of a purposeful life outside of the writer's room, right. And, and try to use the skills that I developed or the knowledge that I accrued and either help others or, you know, game satisfaction for myself. And I'm, you know, trying really hard to still do both without, you know, the, you know, the old crutches that I used to have, which is, you know, getting laughs from a, from a gaggle of Jews,Michael Jamin:It's so,Bryan Behar:And JBMichael Jamin:N JB, we, um, you know, I, when people, they'll comment on social media, sometimes I'll, I'll make a post and then I guess people are, I dunno if they're being argumentative or just trying to impress me or whatever, but they'll say, yeah, but Quentin Tarantino says, and I'm like, Quentin Tarantino is anybody just, is anyone mistaking you for Quentin Tarantino ? Yeah. No, I mean, have his career,Bryan Behar:But I mean, but they're, they're, I mean, it's beyond annoying, but that's always been the case. I remember like my, one of my first or second jobs running into like, the wife of someone I went to college with, and she's like, why aren't you on Seinfeld or South Park? That's what we watch. Yeah. You don't watch the shows you're on. It's like, okay, first of all, like, you're a viewer. You didn't create either of those shows unless you're, unless you change your name to Matt Stone. Like you're not those people. So like, pipe down a little. I said, secondly, you have to think about this. Like, it's the nba, like, hey, like I'm coming out of college, I wanna be on the Lakers. Who gives a fuck what you want? You were drafted by the Pelicans. Like, like, we don't get to choose where we write.Yeah. Like, oh, Tarantino said like, okay, you're not Tarantino. Like, trust me, I'm doing better than you are. So like , you know, I mean, yes. But that, I mean, that's gone on forever and ever. I'll tell you a story. My grandmother re she rested me. She just, she passed away a year ago and she ended up being, she lived in 99 years and eight months and ended up dying as a very kind person for like the first 95 years. She wasn't Right. And like, she would admit that, and like, we had no relationship and like on, I, I had been on four jobs at the time. Um, and on all four she told me how much she didn't like the show. I was on . So she invited Beth and I out for dinner. I hope it wasn't Glen Martin . No, no, no, no, no. That would've been later that she didn't like, okay, what's, she's like, who watches Claymation ?Why is there a laugh track? Scooby . But she, so she invites Beth and I have to dinner with her and her, her boyfriend. Um, and she's like, oh, that show that Then Stacy, I hated that show. And I'm like, oh, well I'm on a different show now. Oh, I don't like that show either. Okay. And I literally said, grandma, like I, I'm happy to tell you that before I, right before I came to dinner today, I came, I'm coming directly from a meeting. I had just had a meeting on Frazier. Uhhuh. Now Frazier at the time had just won the me for Best comedy five years in a row. Right. Anything's gonna oppress her. And she goes, Ugh. She goes, I hate that show. That's a dumb show, . So I say to myself, okay, and I turn to Beth, like, she can see that I'm soothing, and Beth and I are Huling and I'm like, the woman doesn't know anything about television.She's an older, she's an older Jewish woman from a different era. She's not gonna like anything you do. She, she knows nothing about television. I was like, you're right. That's why would I get myself upset? She knows nothing. And then she says, why don't you write something like David Kelly mm-hmm. . And then the boyfriend says, it's David E. Kelly. And then I realized, no, she knew a tremendous amount about television shouldn't . Like she knew chapter in verse, everything that he had written from Allie McBeal to picket fences. She just didn't like what I was doing. Right. , I don't remember, I don't remember how we got to this, but Oh, annoying people telling us our credits aren't good enough. Right. It's like, yeah. Like, I remember, I remember when people were on Raymond for the, you know, all nine years, and I'd be like, these lucky SAPs, like had, they haven't had to go through anything that we've gone through.They got one job. They had a, they had to go to a few movie nights on a Sunday with Phil Rosenthal never eat dinner there. Yeah. And to get nine years of fat paychecks. And that's just not, that wasn't our experience, but our experience certainly prepared us for more kinds of experiences. And I, and it certainly behooved me, I believe when it, when it was time to run a show, you know, I definitely had far more of an awareness of what I wanted a room to feel like mm-hmm. , uh, what I wanted it not to feel like specifically. Yeah. Uh, you know, based on having had so many different kinds of experiences. And that's, that's like 0.2 that I alw

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Talk about opening a Can of Worms-- Jonathan Dunne is on the show with us! Support the show on Patreon Field Notes Jonathan Dunne talks about his variety show Can of Worms which you can see at the Lincoln Lodge in Chicago! As such, we have a conversation about conversations regarding whether comedy should be offensive or not. And we're sick of it! Doesn't go anywhere productive, ever. Netflix is very allegedly letting creators edit their programs post-release. The "Duffer" Brothers vehemently deny this claim, but fans have found proof showing otherwise. The Oscars not-so allegedly apologize for cancelling Sacheen Littlefeather 50 years ago. Join the Thought Cops Deputy Patrol Support the show on Patreon Join the Thought Cops Discord! Click here to buy Thought Cops shirts, hoodies, stickers, and mugs. Like what we do? Buy us a Ko-fi! Episode produced by Commissioner Zwick Leave the show a voicemail at 312-788-7361 or thoughtcopspodcast@gmail.com

Three & 1/2 Gentlemen find their way back to Hawkins and the upside down as they continue their Summer TV show reviews and brings you the final episode of Vol 2, with the pop culture phenomenon created by the Duffer Brothers, Stranger Things, starring Winona Ryder and David Harbour. Join the hosts as they wrapped up season 4 and square off against Vecna. You can listen to Three & 1/2 Gentlemen's movie and TV reviews on every podcast platform. Come listen and follow us on. Instagram@the.gentlemenpodcast and our website thegentlemenpodcast.com

Cryptographers have identified the first known secure global communication system, in the form of nineteenth century newspaper ads. Plus, a fourth patient has been effectively cured of HIV. And Netflix is retroactively editing Stranger Things. The edits are not as big a deal as they seem, but the fact that Netflix can implement them so easily raises bigger questions about the future of arts and entertainment. Sponsors:Kolide, Got Slack? Got Macs? Get Kolide: Device security that fixes challenging problems by messaging your users on Slack. Try Kolide Today! https://l.kolide.co/3aVdR90 Indeed, Get a free $75 credit PLUS earn up to $500 extra in sponsored job credits with Indeed's Virtual Interviews at Indeed.com/goodnewsLinks:Codebreakers Find ‘Sexts,' Arctic Dispatches in 200-Year-Old Encrypted Newspaper Ads (Vice)Fourth patient seemingly cured of HIV (BBC)Fourth person 'cured' of HIV, but is a less risky cure in sight? (Medical Xpress)Stranger Things Season 4: Duffer Brothers on Fixing Will's Birthday (Variety)Netflix retroactively editing Stranger Things is the beginning of a dangerous TV trend (GQ)Is Netflix's ‘Stranger Things' Editing Out Jonathan's Creepy Behavior in Season 1? (The Mary Sue)Jackson Bird on TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Three & 1/2 Gentlemen journeys back to the upside down as they continue their Summer TV show reviews and brings you episode 8 of Vol 2, with the pop culture phenomenon created by the Duffer Brothers, Stranger Things, starring Winona Ryder and David Harbour. Join the hosts as they approach the final countdown battle against Vecna. You can listen to Three & 1/2 Gentlemen's movie and TV reviews on every podcast platform. Come listen and follow us on. Instagram@the.gentlemenpodcast and our website thegentlemenpodcast.com

It's Shark Week, a new show called Love in the Flesh forces people in online relationships to meet, Nick Cannon has another kid, Elon Musk says he hasn't had sex for a while, people are accusing the Duffer Brothers of pulling a George Lucas, Scott Budman joins the show to talk about Sunny Balwani and a look at the minds of Millennials, some fast facts, a list of the coolest TV shows, and Vinnie reads your texts!

Dungeon Master Anthony uses Dungeons and Dragons to tell us why Eddie Munson will return in season 5 of Stranger Things!Join the conversation on Twitter: @MACandGUpodcast

Three & 1/2 Gentlemen travels back to Hawkins to break through the upside down as they continue their Summer TV show reviews and brings you the final episode of Vol 1, with the pop culture phenomenon created by the Duffer Brothers, Stranger Things, starring Winona Ryder and David Harbour. Join the hosts as they wrapped up episode 7 and get closer to the ultimate Vecna showdown in Vol 2.  You can listen to Three & 1/2 Gentlemen's movie and TV reviews on every podcast platform. Come listen and follow us on. Instagram@the.gentlemenpodcast and our website thegentlemenpodcast.com

Three & 1/2 Gentlemen travels further to the upside down as they continue their Summer TV show reviews and brings you episode five and six of the pop culture phenomenon created by the Duffer Brothers, Stranger Things, starring Winona Ryder and David Harbour. Join the hosts as they get closer to the end of Vol 1 and their ultimate showdown with Vecna.  You can listen to Three & 1/2 Gentlemen's movie and TV reviews on every podcast platform. Come listen and follow us on. Instagram@the.gentlemenpodcast and our website thegentlemenpodcast.com

In this The More You Know Episode, we review Thor: Love and Thunder and we reveal how we really feel about Kevin Feige and Phase 4 of The Marvel Cinematic Universe. Plus we talk about how no one is talking about certain sweaty b-holes film directors, celebrities trying to uncancel themselves, and authors who may or may not have committed murder.MENTIONSLet's make it official: Become a Friend Of The Show for $3 / month on Patreon to support our small business and hear us recap The Bachelorette this season. For $7 / month, you can be a Best Friend Of The Show and get TMYK episodes every week and our monthly Ask Us Anything live stream. From the DMs: Braum's | fact check- Are orthopedics the hottest doctors? | Knox is making TikToksTrailer Park // The Woman King | Honk for Jesus. Save Your Soul. | Amsterdam | Margot Robie IMDb | Taika Waititi says Stranger Things ruined Kate BushSweaty Bhole // A Timeline of David O. Russell's Controversies | NSFW language or conflict adverse enneagram 9s: David vs Lily Tomlin video | see also: Thank God for Jokes by Mike Birbiglia (Netflix) | Amy Adams says David O. Russell made her cry every day (via British GQ) | Clooney on Russell Box Office Recap // Thor: Love and Thunder (see also: MCU Phase 4, Natalie Portman IMDb, Chris Hemsworth IMDb, Staw Hat Goofy on TikTok) | Minions: The Rise of Gru | Elvis | Jurassic World Dominion // Upcoming - Where the Crawdads Sing | Paws of Fury: The Legend of Hank | Persuasion | Don't Make Me Go (Amazon Prime)Red light mentions: Millie Bobby Brown calls the Duffer Brothers sensitive sallies THE BACHELORETTE EPISODE RECAPSWe recap each episode of The Bachelorette for our Friends of the Show at Patreon. Support at either Friend level gets you our weekly recaps dropped into your podcast app every Tuesday night. Go to knoxandjamie.com/patreon to support the show. And thank you! GREEN LIGHTSJamie: book- Upgrade by Blake Crouch | movie - Marcel the Shell with Shoes On (see also: Common Sense Media)Knox: list - Best Books of the Year (So Far) by Knox McCoy | revisit - Channel Orange by Frank Ocean | series (not safe for kids) - The Boys S3 (Amazon Prime)SHOW SPONSORSVideo Archives: Listen to Quentin Tarantino and Roger Avary's new podcast here Honey: Download it for free and save money at join.honey.com/popcastThirdLove: Get 20% off your first order at ThirdLove.com/popZiprecruiter: Try it for free at ZipRecruiter.com/popcastSubscribe to Episodes: iTunes | Android Subscribe to our Monthly Newsletter: knoxandjamie.com/newsletterVisit this month's sponsors: knoxandjamie.com/sponsorsShop our Amazon Link: amazon.com/shop/thepopcast | this week's featured itemFollow Us: Instagram | Twitter | FacebookSupport Us: Monthly Donation | One-Time Donation | SwagSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Stranger Things features a number of powerful character arcs, but a personal favorite of the bunch is Nancy Wheeler's evolution from timid student finding her way in the high school social scene to a sheer force who's willing to throw herself into danger to fight for her loved ones. That epic transformation is exactly what we break down in this new edition of Collider Ladies Night with Nancy Wheeler herself, Natalia Dyer.In Season 1 of Stranger Things, Nancy is inspired to step up and face the Upside Down after Barb's (Shannon Purser) disappearance. It's a mighty powerful early point of change for the character, and it's something that the Duffer Brothers continued to build upon as Nancy's circle of loved ones grew and as the threat of the Upside Down intensified. Throughout much of Season 2, Nancy teams with Jonathan (Charlie Heaton) to expose Hawkins Lab, and then in Season 3, she applies that tenacity to overcoming intense disrespect from the staff of the Hawkins Post to see an investigation through that proves vital to battling the Mind Flayer.As we see in Stranger Things 4, Episode 9, “The Piggyback,” every single character proves vital to the plan to defeat Vecna (Jamie Campbell Bower), but Nancy in particular shows off an especially essential ability to assess the threat and figure out what's necessary to power through the mission, a quality that will undoubtedly be crucial to saving Hawkins in the show's final season.Hear all about Dyer's journey from discovering her passion for acting to becoming a Netflix powerhouse on this episode of Collider Ladies Night! See acast.com/privacy for privacy and opt-out information.

Seen Thor: Love and Thunder? Have questions? Drop us a line at xray@crooked.com.On this episode of X-Ray Vision, Jason Concepcion and Rosie Knight workout with Surtur's chains! First in Previously On (2:59), Jason and Rosie discuss the upcoming Paper Girls adaptation on Amazon Prime as well as the Duffer Brothers new production company and expanding the Stranger Things-verse. Then they lightning recap episodes 4 & 5 of Ms. Marvel, exploring the messiness of time travel narratives and pondering whether Damage Control will inevitably lead to the Sentinels and the X-Men (because it's not X-Ray Vision without talking about X-Men!). In the Airlock (1:05:09), Jason and Rosie dive deep (deeeep) into the shadow realm to discuss Thor: Love and Thunder (in theaters now), recapping the film, giving their reactions on Christian Bale's performance, Taika's magical, manic energy, as well as background and lore on some new and familiar ideas and characters in the MCU. Tune in every Friday and don't forget to Hulk Smash the Follow button!Nerd Out Submission Instructions!Send a short pitch and 2-3 minute voice memo recording to xray@crooked.com that answers the following questions: 1) How did you get into/discover your ‘Nerd Out?' (2) Why should we get into it too? (3) What's coming soon in this world that we can look forward to or where can we find it?Follow Jason: twitter.com/netw3rkFollow Crooked Uncultured on Twitter & IGPre-order Godzilla vs. Battra now!Listener's Guide to X-Ray VisionPaper Girls – Available at Image comics; by Brian K. Vaughan & Cliff Chiang.Ms. Marvel creator Bisha K. Ali's Reading List on Partition available here.Rachel Paige's official Marvel recap on Ms. Marvel episode 5.Rosie's Esquire article on the Endgame timeline.Maryam Ahmad's Nerdist article on Djinn & Ms. Marvel.Strange Tales #138 – written by Stan Lee and Jack Kirby, pencils by Jack Kirby and John Severin, inks by Severin, colors by Stan Goldberg, letters by Sam Rosen.Venom #4 — Depicts the symbiote origins of the Necrosword; written by Donny Cates, pencils by Ryan Stegman, inks by JP Mayer, colors by Frank Martin Jr, letters by Clayton Cowles.___With our constitutionally protected right to abortion under attack, abortion funds are working nonstop to make sure people can still access (and afford) abortion.Visit votesaveamerica.com/roe to learn more, donate, and take action.

This week on The Nerdpocalypse Podcast, the guys return and discuss Irma Vep, The Boys, Ms. Marvel, Daredevil and Kingpin's reunion on upcoming Disney+ show "Echo," Duffer Brothers expanding their brand, James Cameron seems delusional about a lot of people's feelings on "Avatar," trailer for The Woman King, and much more! SHOW NOTES CHECKED OUT Thor: Love and Thunder Irma Vep Thief The Boys - Episode 7 Ms. Marvel - Episode 5 TOPICS - Section 1 Daredevil and Kingpin to meet again in “Echo” series for Disney+ Taron Egerton has met Kevin Feige on a Marvel role, hopes for Wolverine The Duffer Brothers to talk on Stephen King's “The Talisman” TOPICS - Section 2 James Cameron seems very upset at “trolls” when it comes to Avatar James Cameron may pass Avatar to another director(s) to finish series The Duffer Brothers announce “Upside Down Pictures” WTF? by JayTeeDee Mark: https://bit.ly/3P3ST6s Terrence: https://bit.ly/3nQwyO9 Jay: https://bit.ly/3ygHvNO TRAILERS Honk for Jesus Clerks III Amsterdam The Woman King

Grab your kleenex and your mixtapes, because this week, Princess and Tessa are talking Stranger Things 4, Volume 2. They'll get into THAT PART (you know the one), Vecna and El's prom date, and who should be on the Mount Rushmore of the Stranger Things universe. A big ol' !!SPOILER WARNING!! for episodes 8 and 9 of Stranger Things 4. If you haven't watched them yet, we'll be here when you get back.

Welcome to Episode 429 where I'm joined by Joe Stark from Starkcast, Melissa Sloter from the Wild Pretty Things podcast as well as Jon Counce. In this episode for Good Pop Bad Pop for TV we talk about what we've been watching on TV so we 100% talk about Season 3 of THE BOYS. Melissa talks about Season 3 of THE UMBRELLA ACADEMY. Jon and Joe give a spoiler free review of STRANGER THINGS Season 4 Volume 2. Prime Video has a new series starring Chris Pratt THE TERMINAL LIST as well as a new dating reality series THE ONE THAT GOT AWAY. And we've got 2 very different AMC+ series with DARK WINDS and THIS IS GOING TO HURT. In Movies this week we discuss 2 Hulu movies with GOOD LUCK TO YOU, LEO GRANDE and THE PRINCESS. Disney+ has a new movie about 3 brothers that make it to the NBA with RISE. And Paramount+ added the I AM RICHARD PRYOR documentary to their ongoing series. In News we talk about a possible STRANGER THINGS spin-off series teased by the Duffer Brothers. We might get a Romy and Michelle 2. We know who Sigourney Weaver is playing in AVATAR: THE WAY OF WATER And Dan Trachtenberg talks more Predator movies. In Marvel News we have tons of rumors this week. Taron Egerton has had talks with Marvel. Could he be our next Wolverine? Lots of BLACK PANTHER: WAKANDA FOREVER rumors. Could Jessica Jones return in a Disney+ series? Are the Inhumans coming to the MCU? And has Jason Segal been cast as The Thing in the She-Hulk series? And in Star Wars News the Taika Waititi movie sounds further off than ever and we're not even sure if it's even happening now. Learn more about your ad choices. Visit podcastchoices.com/adchoices

That was a metalhead finale we can cheer for. It came down to the wire and Eleven's arms were extending while she screamed, of course. BUT the Duffer Brothers delivered a gut punch that made us remember why we love this show. While Jim is condemning pineapple pizza to The Upside Down, A.Ron is happy to report that this episode delivers in stakes, pacing, and surprises.  Got feedback? Send us a message at strangerthings@baldmove.com.  Hey there! Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the discussion: Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter | Instagram | Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

That was a metalhead finale we can cheer for. It came down to the wire and Eleven's arms were extending while she screamed, of course. BUT the Duffer Brothers delivered a gut punch that made us remember why we love this show. While Jim is condemning pineapple pizza to The Upside Down, A.Ron is happy to report that this episode delivers in stakes, pacing, and surprises.  Got feedback? Send us a message at strangerthings@baldmove.com.  Hey there! Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the discussion: Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter | Instagram | Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Stranger Things Season 4 Volume 1 is on Netflix and picking up steam with critics and fans. The Duffer Brothers deliver heavy in this first half of the fourth season. Eleven and the rest of the crew is back battling a new villain, Vecna. Is this the Thanos of the Stranger Things World? Volume 2 releases on July 1st. Did the show deliver overall? ATHLETIC GREENS: http://www.athleticgreens.com/BIGTHING Follow the crew on Twitter! Kristian Harloff https://twitter.com/KristianHarloff Learn more about your ad choices. Visit megaphone.fm/adchoices

We can't wait to go back to the Upside Down with the first full trailer for Stranger Things Season 4