Podcast appearances and mentions of Joe Hisaishi

Joe Hisaishi is known for his scores to Studio Ghibli films, like this spacious theme from Spirited Away. It features quartal harmonies with a slightly eerie vibe to start with, but settles after a while into a perfect lounge piece. There are a few different official versions with Hisiashi himself, and in this video we see where they differ. With pianist Henrik Kilhamn.Video: https://youtu.be/_tRSzrQL-xU

About: Every piece of music in this episode features a barrage of speed and action. They are often partnered with moments of action, or during intense cutscenes or gameplay segments.  Artwork: Final Fantasy VII 00:00 - Opening Bombing Mission (Excerpt) [Final Fantasy VII] by Nobuo Uematsu > 02:23 - The Brink Of Death [Chrono Cross] by Yasunori Mitsuda > 04:58 - Run Maggot, Run! [Final Fantasy XI] by Naoshi Mizuta > 09:23 - The Toppled Throne [Ni No Kuni II: Revenant Kingdom] by Joe Hisaishi > 10:54 - Mekacity Docks [Cyber Shadow] by Enrique Martin > 12:37 - God In The Heaven [Sorcerian] by Falcom Sound Team JDK > 13:58 - Battle Theme 2 [Zelda II: The Adventure Of Link] by Akito Nakatsuka > 15:02 - Death Mountain [Golden Axe III] by Naofumi Hataya, Tatsuyuki Maeda, Haruyo Oguro, Tomonori Sawada > 16:55 - GLACIES [The Legend Of Xanadu] by Falcom Sound Team JDK > 18:27 - Mid Boss [The Dark Spire] by Kenichi Arakawa > 20:30 - The Dragon's Dream [Fire Emblem: Engage] by Yasuhisa Baba, Kazuki Komai, Hiroki Morishita, Takeru Kanazaki, Daichi Aoki, Daichi Ishihara, Joya Shioiri > 21:50 - The Great Chaos Of The Battlefield [Fire Emblem Warriors: Three Hopes] by Hiromu Akaba, Asami Mitake, Ayako Toyoda, Yuki Matsumura > 26:13 - The Courtroom Magician [Professor Layton vs. Ace Attorney] by Yasumasa Kitagawa > 29:40 - Brave Heart [Rogue Galaxy] by Tomohito Nishiura > 31:20 - Sin to Win! [Neon White] by Machine Girl > 36:02 - The Round Table [Tunic] by Lifeformed, Janice Kwan > 38:49 - Festival Of The Hunt [Final Fantasy IX] by Nobuo Uematsu > 42:35 - The Chase [Final Fantasy VII] by Nobuo Uematsu > 46:04 - Fogbeasts [Xenoblade Chronicles] by ACE > pixelbeatpod@icloud.com > 

This episode of Sync Music Matters is an interview with NYX's  Sian O'Gorman about the scoring of the BBC series Dope Girls NYX is a collective of experimental vocalists and electronic artists based in London. In Greek mythology, NYX is the primordial goddess of the night, born from chaos giving birth to light and day. And it's this duality which inspires their creativity. NYX blend traditional vocal techniques with cutting-edge sound design, and in doing so they craft sonic worlds that bridge the ancient and the futuristic In 2020 their collaborative album Deep England with Gazelle Twin was named one of The Guardian's top ten contemporary albums and in 2021 NYX received Film London's Breakthrough Talent Award. They have just completed their debut TV score for the BBCs Dope Girls due out in the first half of 2025 and are due to release their debut album NYX in March 2025 Some of Sian's musical influences which aren't mentioned in the show include: Her hero Joe Hisaishi "I listen to my Miyazaki film soundtracks almost daily" The Dark Crystal Age of Resistance OST by Daniel Pemberton Mica Levi's Zone of Interest score "My mind was completely blown" Colin Stetson forever! Centred around care, connection, and collaboration, the collective creates immersive sonic landscapes that traverse the full spectrum of human emotion – from the depths of grief to ecstatic joy. Their work balances ritualistic intensity with playful exploration, offering audiences a transformative experience to ground themselves in the power of sound and embodiment. Drawing on influences from psychoacoustics, somatic practices, and experimental sound design, NYX operates at the intersection of composition and improvisation. At the heart of NYX's artistry is a distinct compositional process led by music director Sian O'Gorman. Each piece begins as a deeply personal act of vocal experimentation and layering, evolving into dynamic sonic landscapes shaped collaboratively with performers. This process blends improvisation with precise direction, resulting in music that feels both curated and alive. 00:00:00 Introduction 00:02:00 Interview with NYX - What was your path into music 20:19:06 Under The Skin - Dope Girls and the debut Album NYX 56:16:00 Getting a Taste - What music and art has influenced you? You can find out more and listen to NYX on their website www.nyx-edc.com/ NYX on Instagram

Interpreten: Mela Guitar QuartetLabel: trptkEAN: 6096041298203Zum zehnjährigen Bestehen schenkt sich das britische Mela Guitar Quartet eine neue CD, auf der die vier Musikerinnen und Musiker mit Ouvertüren und Tänzen zu erleben sind. Michael Gmasz gratuliert ganz herzlich!2015 von Absolventen der Guidhall School of Music und der Royal Academy of Music gegründet, hat sich das Mela Gitarren Quartett in den vergangenen zehn Jahren als eines der herausragenden Ensembles seiner Art etabliert und feiert heuer sein 10-Jahresjubiläum mit einer neuen CD Einspielung. 2023 hat eine größere Umbesetzung stattgefunden, die nun einen qualitätvollen Schritt in die Zukunft erlaubt, und mit dem Gewinn des prestigeträchtigen Wettbewerbes der Guitar Foundation of America jüngst einen Höhepunkt gefeiert hat. Auf CD melden sich die Melas nun erstmals in neuer Besetzung ausschließlich mit Bearbeitungen von Ouvertüren und Tänzen, die ursprünglich für Orchester bzw. Klavier entstanden sind.Die Auswahl von Werken ist dabei genauso abwechslungsreich wie die Bearbeitung derselben. Das reicht von hochvirtuosen Arrangements wie der eröffnenden Ruslan und Ljudmilla Ouvertüre von Glinka oder Camille Saint-Saëns Danse Bacchanale aus der Oper Samson et Dalila bis hin zu sehr zarten und einfühlsamen Tönen und Klängen bei Debussys zwei Arabesken oder der Ouvertüre zu Humperdincks Hänsel und Gretel. Dazwischen wird mit Holst, Elgar, Ravel, Rachmaninow oder auch Joe Hisaishi getanzt. Hier wird Gitarrenensemblemusik auf allerhöchstem Niveau geboten, technisch brillant, mit allen Spielarten, die modernes „klassisches“ Gitarrenspiel kennt und musikalisch absolut überzeugend. Eine CD, die einfach Spaß macht! (mg)

durée : 00:15:24 - Journal de la création du dimanche 16 février 2025 - par : Laurent Vilarem - Le ciné-concert connaît un grand succès. En témoigne cette semaine une soirée Lubitsch par l'Ensemble intercontemporain et un prochain concert de Joe Hisaishi. A l'affiche également, un concert fiction de Mathieu Lamboley et la résidence lyonnaise du compositeur et organiste Grégoire Rolland. - réalisé par : Céline Parfenoff

Good morning, you lovely lot, and welcome to another bit of Stace & Barry shenaniganery! This episode, Stace contemplates the benefits of Severance, Barry gets into some Squid Games, and we share some candlelight concert memories. All this, plus some excellent tunes from Joe Hisaishi & Micheal Kamen. Grab a breakfast of your choice and enjoy some Stace & Barry as part of a healthy morning routine!

Aujourd'hui on vous conte l'histoire d'une princesse qui n'a jamais voulu en être une : l'histoire de Kaguya ! Née d'une pousse de bambou, ou peut-être sur la lune, on découvre avec elle le monde des humains et la nature, les rires, le bonheur, l'amour et la famille, mais aussi le classisme, la misogynie et la souffrance. Merci à Jayhan (@JayhanOfficial) pour les super intro et outro ! Tu peux nous suivre sur tous les réseaux : @codexespod et nous laisser une note et un commentaire sympa si tu veux. Force et amour. Ressources : - Oiseaux, insectes et bêtes sauvages, comptine chantée dans Le Conte de la princesse Kaguya joué pendant l'épisode. - Despair de Joe Hisaishi, morceau de la BO du Conte de la princesse Kaguya joué pendant l'épisode. - The Procession of Celestial Beings de Joe Hisaishi, morceau de la BO du Conte de la princesse Kaguya joué pendant l'épisode. - When I Remember This Life de Joe Hisaishi, morceau de la BO du Conte de la princesse Kaguya joué à la fin de l'épisode.

Žmonės nesusimąsto, kad šiais laikais su naujausia muzika dažniausiai susitinka kino filmuose. Tačiau jiems rašantys kompozitoriai nesitenkina tik tokia kūryba, aktyviai reikšdamiesi ir kituose žanruose. Laidoje aptariama, ką koncertų salėms siūlo kino kompozitoriai: Howard Shore (g. 1946), Danny Elfman (g. 1953), John Williams (g. 1932), Joe Hisaishi (g. 1950) ir James Newton Howard (g. 1951).Laidos autoriai Mindaugas Urbaitis ir Šarūnas Nakas

Neste episódio retomamos de onde paramos e falamos dos quatro filmes mais recentes da incrível parceria entre Joe Hisaishi & Hayao Miyazaki, de O castelo animado (2004) até o mais recente vencedor do Oscar de animação, O menino e a garça (2023), que novamente ganhou uma trilha lindíssima do mestre. Bom podcast!

Our Guest: Lucie Tassel--Lucie Tassel is an artist with ' experience, and a completely atypical background.-Being French, she naturally made her debut in Paris, where she is originally from. Under the direction of Ned Grujic, she played the role of Helen Sinclair in Bullets Over Broadway and was part of the On The Town and Godspell ensembles at the Théâtre des Variétés in Paris. She also played the role of Poncia in Federico García Lorca's play The House of Bernarda Alba at the Théâtre de La Nouvelle Athènes, directed by Guillaume Bouchède. She was also a member of the chorus of the symphony orchestra accompanying Joe Hisaishi on his last tour of France, and the singers of the Chœur à l'horizon, a Paris-based professional chorus specializing in the musical theatre repertoire, created and directed by Nima Santonja. In 2024, she played the lead role of Della in Sneaky Pete's Wild West Dinner Show at the Legacy Dinner Theatre in Wisconsin, USA. She is also the producer and artistic director of the A-Broad'way Cabaret, in collaboration with Kendra McBride as musical director, which opens this November at Green Room 42 in New York City, and in which she will sing alongside other international artists.-Lucie is a graduate of ECM in Paris, a musical comedy school run by Ned Grujic and Véronique Fruchart, where she trained for 3 years in singing (vocal technique, polyphony, musicianship), dance (classical, jazz, tap), theater (classical, contemporary, mime, clowning) and stage combat (swords, batons). —She also trained in cartoon voice-over with Edwige Chandelier. —To complete her professional training, she moved to New York to study at AMDA, the American Musical and Dramatic Academy, where she benefited from American expertise, honing her skills in singing, dancing and acting.A sportswoman from an early age, she has a passion for salsa and other Latin dances, and enjoys a wide range of disciplines including tennis (her specialty), climbing, skiing, horse-riding and rollerblading. Lucie's career path is atypical: after obtaining her Master's degree in physical and nutritional rehabilitation, she worked as an elementary school teacher in Paris for 5 years before devoting herself fully to the performing arts. Trilingual French-Spanish-English, she is also a traveler who, after visiting several countries in Europe, Asia, Africa and America, fell in love with Venezuela, a country that really helped her grow emotionally and from which she has learned an enormous amount. All these trips, and the people she met along the way, opened her heart and mind, bringing to light what she dared not admit but secretly dreamed of: being an artist.----Join the conversation LiveChat as we raise the questions, give our opinions , and ask you the same questions... --Live Chat with Us Every week... -----Music: Audio Podcast : by Daniel Howse : www.youtube.com/ProfessorSoraMusic ** OneMicNite Theme Song "Chance" & Background Song "Kanye" Host:--Contact/ Follow Marcos on IG/Fb/IMdb/Twitter/TikTok: @MarcosLuis —Show: OneMicNite Podcast with Marcos Luis *Contact/Follow: IG/Fb/Twitter/Tumbler/LinkedIn/Youtube/TikTok @OneMicNite www.OneMicnite.com - - ** Listen to Audio Podcast: Available wherever you download , all digital platforms.. ** Support Us Now: http:www.Anchor.fm/onemicnitetalk ---Follow/Contact -- The Show: All Social Media Fb/Ig/Twitter/Tumbler/TikTok/ *** watch the episodes on Youtube @OneMicNite & www.OneMicNite.com****Please Support this Podcast: PayPal/ Zell Pay: MarcosStarActor@gmail.com Venmo @ Marcoso-Luis-1 CashApp : $MarcosLuis1 Please Visit: The AzulesEn Online store to find Products that Compliment your Lifestyle: Link : https://azulesen.myshopify.com/products/onemicnite-signature-logo-unisex-talk-live-pod-tee --- Support this podcast: https://podcasters.spotify.com/pod/show/onemicnite/support

It's been awhile since our last instrument spotlight, so in this episode, we're sharing some favorite RPG songs featuring woodwinds, like flutes, ocarinas, and more! Whether it's the incredibly moving sounds of Xenoblade Chronicles 3, the adventurous Dark Cloud 2, or Final Fantasy III's Maiden of Water, we have a lot to cover, so join us on this lovely journey, won't ya?Featuring: Mike Salbato, Hilary Andreff, Gio Castillo, Tin Manuel; Edited by Paul DennisLinks for this episodeWhat is a zurna?TracklistCalming Melodies0:09:48 - Village of the Elw (Michiko Naruke) - Wild ARMs0:11:18 - A Life Sent On (Yasunori Mitsuda) - Xenoblade Chronicles 3Open Plains and Seas0:27:27 - Shinshu Plains (Masami Ueda arr. Tomomichi Takeoka) - Okami Goju no Onchou0:31:28 - Elia, the Maiden of Water (comp. Nobuo Uematsu, arr. Takashi Hoshide, perf. Siena Wind Orchestra) - BRA★BRA FINAL FANTASY BRASS de BRAVO 3 (FFIII)Slippery & Drippy0:53:40 - Price (Shoji Meguro) - Persona 50:55:25 - Ding Dong Dell -The Cat King's Castle- (Joe Hisaishi) - Ni No Kuni: Wrath of the White WitchYour Big Chance1:15:30 - The Adventure that Never Ends (Rush Theme) (Tomohito Nishiura) - Dark Cloud 21:17:09 - Field (With Marin version) (Normal) - (Ryo Nagamatsu) - The Legend of Zelda: Link's Awakening1:47:23 - Hilary's Bonus Track!Album links for places to buy, stream, and more are available in our post on RPGFan.Get in Touch:RPGFan.comRPGFan ShopEmail us: music@rpgfan.comTwitter: @rpgfancomBluesky: @rpgfan.bsky.socialInstagram: @rpgfancomThreads: @rpgfancomFacebook: rpgfancomTwitch: rpgfancom

durée : 00:03:58 - Joe Hisaishi, Miyazaki et le classique - par : Max Dozolme - Aujourd'hui Max Dozolme nous parle de la musique de Joe Hisaishi, complice de Hayao Miyazaki, le fondateur du Studio Ghibli et maître incontesté des films d'animations japonais ! Mais saviez-vous que Joe Hisaishi cite parfois des thèmes classiques ?

The Searchers cover My Neighbors the Yamadas from Studio Ghibli director Isao Takahata. The discussion delves into Japanese culture, Takahata's films, animation styles, Joe Hisaishi & Ghibli music, and more. Please enjoy this fun episode. If you like what you heard, please rate us a 5/5 on Apple, Spotify, or Podbean, and review us on Apple. Submit your mailbags to us at thesearcherspodcast@gmail.com. We'll read both on air. Follow us on Letterboxd.com if you'd like to see what we've recently watched and/or reviewed. Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/

Lyra's been taking a lot of Japanese language and literature classes, so this summer Dan and Lyra discuss two recent Japanese movies dealing with World War II. Dan chose Takashi Yamakazi's 2023 Godzilla Minus One, and Lyra chose Hayao Miyazaki's 2013 The Wind Rises. The two debate culpability, self-sacrifice, and the Miyazaki–Neon Genesis Evangelion connection.Intro and outro music: Joe Hisaishi's score for The Wind Rises.Mid-show music: Naoki Satö's score for Godzilla Minus One.

Le livre que je vous propose de ressentir aujourd'hui est « Nagori » de Ryoko Sekiguchi, qui est paru en 2018 aux Éditions P.O.L. Ryoko est née à Tokyo en 1970 et elle vit à Paris. Elle est écrivaine, traductrice, journaliste, poétesse… Elle est l'autrice de nombreux ouvrages, dont, pour ne citer qu'eux (parce que je les ai particulièrement adorés) « La Terre est une marmite » chez Bayard, « Sentir » chez Jean Boîte, ou encore « 961 heures à Beyrouth » et « L'appel des odeurs » chez P.O.L. Ryoko écrit beaucoup sur les cinq sens, les cultures culinaires et tout ce qui nous nourrit, de sorte qu'elle se qualifie parfois comme étant « traiteur littéraire ». Elle possède l'une des plumes les plus fines et les plus poétiques sur ces sujets et ce livre, Nagori, en est une démonstration éclatante. Ce que le terme Nagori désigne, c'est la nostalgie de la saison qui vient de nous quitter. Tout au long du livre, Ryoko évoque la cuisine et cette évocation permet de ressentir pleinement le goût, puis l'arrière-goût des saisons que l'on traverse et qui nous quittent, ainsi que les textures et les émotions dont elles nous imprègnent. C'est une dialectique de l'attachement et de la séparation qui se dessine en filigrane ainsi qu'une réflexion particulièrement intéressante sur la notion de saison ou encore sur ce que c'est, au juste, qu'un produit de saison… J'ai choisi de vous en lire le 4ème chapitre, qui s'intitule « Saisons qui se répètent, saisons qui ne peuvent plus revenir ». *** Pour terminer sur une note musicale, je vous propose d'écouter « One Summer Day » de Joe Hisaishi.

In this episode, Bob Holmes from SUSS is joined by his co-host Eli Goldberg aka Ann Annie, the composer from Portland, Oregon, who has just released a new album of pastoral ambient music called The Wind. They discuss his creative process, his music, his influences, and recent tracks that have moved him, including Joe Hisaishi, Hana Stretton, North Americans, John Fahey, The Album Leaf and more. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.flowstate.fm/subscribe

Er ist seit Jahrzehnten der wohl bedeutendste Filmkomponist seines Landes, man nennt ihn auch den "John Williams Japans": Joe Hisaishi. Am 25. Mai war der Filmkomponist in der Olympiahalle, zusammen mit den Münchner Symphonikern und dem Münchner Motettenchor. Antonia Goldhammer erzählt im Gespräch mit Christian Schuler, warum er die Menschen im Konzert zum Strahlen gebracht hat.

Cette année le Festival de Cannes célèbre le studio Ghibli avec la Palme d'or d'honneur, l'occasion pour nous de revenir sur l'oeuvre du talentueux compositeur Joe Hisaishi.En effet, les films japonais du studio Ghibli, et particulièrement ceux du réalisateur Hayao Miyazaki ont un point en commun : l'amour de la Nature.Et pour cela, son fidèle compositeur Hisaishi, accompagne ces moments en musique.Voilà pourquoi il est intéressant d'analyser une sonorité musicale pour chaque élément : la terre, le vent, le feu et l'eau. On vous raconte tout dans cet épisode.Un podcast écrit et réalisé par Constance Mathews

Il y a quelques semaines, Felicia, Micaela et Julien du kung-fu sont allés voir le concert de Joe Hisaishi à La Défence Arena, une des plus grandes salles de concert d'Europe comme je vous le disais mercredi. C'est aussi un des lieux pour les J.O. Je crois qu'il y aura la gymnastique là-bas.  Joe Hisaishi est compositeur des musiques de film, notamment des films du studio Ghibli.  www.onethinginafrenchday.com  

Eles voltaram! Nosso Bons Companheiros sobre Joe Hisaishi & Hayao Miyazaki retoma de onde paramos, e chega à fase da consagração mundial e das ameaças de aposentadoria com Princesa Mononoke e A Viagem de Chihiro. Bom podcast!

We are joined by martin today to review Robot Carnival. What I expected to be a 15 minute conversation went a lot longer then expected. Eight fantasy segments by Japanese filmmakers show variations on the theme of robots. Release date: 21 July 1987 (Japan) Directors: Koji Morimoto, Hiroyuki Kitakubo, Yasuomi Umetsu, MORE Licensed by: Discotek Media Music by: Joe Hisaishi; Isaku Fujita; Masahisa Takeichi Studio: A.P.P.P.

durée : 00:50:57 - Certains l'aiment Fip - Un entretien et une balade musicale dans l'œuvre du célèbre compositeur japonais des musiques de film du Studio Ghibli d'Hayao Miyazaki, qui s'apprête à sortir sa "Symphony No. 2 - Viola Saga" chez Deutsche Grammophon.

Bien le bonjour à tous ! On se retrouve pour une émission plutôt consequente d'où le temps qu ia été doublé pour faire de cet épisode un moment sympa à l'écoute ;)Dans ce numéro, nous allons partir en voyage dans le temps avec le second film de Kimagure Orange Road (Max & Compagnie) puis vous pourrez écouter près de 1h50 de chansons provenant de la franchise, parfois des INSERT Songs (que l'on entends durant un épisode, un OAV ou un film) ou les génériques de début et de fin ! si vous ne connaissez pas les chansons de KOR vous allez être étonné par la qualité musicale ou parfois de grands noms comme Joe Hisaishi ou Sagisu ont participés :) Vous pourrez aussi écouter par chapitre cette émission pour passer Shin KOR et aller directement aux chansons :) C'est pas pratique çà ?Pour retrouver Irulanne que vous pouvez entendre en fin d'émission, voici sa page Youtube :) : https://www.youtube.com/@Irulanne. Bonne écoute à vous ! -----------------------Mes réseaux sociaux-------------------------- Facebook : https://www.facebook.com/AnimeNoMelody Twitter : https://twitter.com/DamienTremollet-Twitch : https://www.twitch.tv/yotadelatisane Instagram : https://www.instagram.com/yotadelatisane Voici la pochette et infos du cd ! Shin Kimagure Orange☆Road ~Soshite, Ano Natsu no Hajimari~ ORIGINAL SOUNDTRACK Référence : VPCG-84613 https://vgmdb.net/album/28622Édition du 01 Novembre 1996, Editeur : VAP, Inc.Musique de Yuki Kajiura [PUB]

About: The end of a long sunny day brings some peace in the form of a breezy sunset. This is a collection of breezy afternoon songs. Artwork: Chocobo GP 00:00 - Serenity [Fire Emblem: Awakening] by Hiroki Morishita, Rei Kondoh > 02:37 - On The Beach At Dusk [Pokémon Mystery Dungeon: Explorers of Sky] by Arata Iiyoshi > 05:10 - On The Farm [Chocobo GP] by Hidenori Iwasaki > 08:43 - Have A Break In The South [Persona 5 Strikers] by Ayana Hira > 12:14 - Sunset Song [Paradise Killer] by Epoch > 15:28 - Hazy Sunset [Atelier Ryza 2] by Reo Uratani > 17:00 - Gentle Rays [Parasite Eve II] by Naoshi Mizuta > 20:42 - Coffee With A Bullet [Shadow Hearts] by Yoshitaka Hirota > 23:04 - Memories Of A Summer Day [Persona 5] by Shoji Meguro > 24:02 - Panola City (Night) [Pokémon Sun & Moon] by Hitomi Sato > 25:56 - Carefree Days [Ni No Kuni II: Revenant Kingdom] by Joe Hisaishi > 27:20 - Main Theme Arrange - Guitar Version [Suikoden] by Miki Higashino > 29:16 - Distance In Our Memories [Scarlet Nexus] by Hayata Takeda > 31:53 - Brezze With U [Paradise Killer] by Epoch > pixelbeatpod@icloud.com > 

Sai Oscar, entram Nausicaä, Laputa, Totoro e Kiki: começou a temporada 2024 no Papo de Trilha, e abrimos com chave de ouro, com um….. oscarizado! É o primeiro de uma série de três episódios sobre Joe Hisaishi & Hayao Miyazaki, Bons Companheiros há mais de 40 anos. Bom podcast!

Das Simple Music Ensemble ist gerade auf Tournee durch Deutschland und spielt mit Vorliebe Neoklassik und Filmmusik. In München ist es am 7. Februar mit seinem Programm "spirited away" mit Kompositionen von Joe Hisaishi zu hören.

In which Devin and Paola talk about stuff.Support Film Literate on Patreon!Guest: Paola Zavala (Instagram, Letterboxd)

About: For almost as long as gaming has existed, we've had big bad boss enemies to deal with. The tunes that accompany them often increase the intensity to the max with hard-hitting, fast themes. We've lined up a fourth Boss Rush set of music for you. Best prepare yourself well. Artwork: Final Fantasy XIV 00:00 - Critical Clash II [Octopath Traveller II] by Yasunori Nishiki > 03:11 - Battle -Abdiel- [Shin Megami Tensei V] by Ryota Kozuka, Toshiki Konishi, Kenichi Suchiya, Tsukasa Masuko, Shoiji Meguro > 06:01 - Song Of Giga Rosa [Xenoblade Chronicles 2] by Kenji Hiramatsu > 07:48 - Burning Spirits [Dawn Of Mana] by Kenji Ito, Tsuyoshi Sekito > 12:04 - BT Ver. 1 [Unlimited SaGa] by Masashi Hamauzu > 15:20 - Fateful Encounter [Ni No Kuni II: Revenant Kingdom] by Joe Hisaishi > 16:58 - Spear Of Justice [Undertale] by Toby Fox > 18:51 - Battle 2 [Final Fantasy IV] by Nobuo Uematsu > 21:07 - Fight Against Byrne [The Legend Of Zelda: Spirit Tracks] by Toru Minegishi, Manaka Tominaga, Asuka Ohta, Koji Kondo > 23:44 - Southern White Wind [Atelier Ryza: Ever Darkness and the Secret Hideout] by Hayato Asano > 25:38 - Battle Oath [Fantasian] by Nobuo Uematsu > 27:53 - Fateful Confrontation [The Legend of Heroes: Trails In The Sky SC] by Falcom Sound Team JDK > 30:48 - Insatiable [Final Fantasy XIV: Shadowbringers] by Masayoshi Soken > 34:38 - Fight!! Ver 4 ~ The Final Battle [Grandia II] by Noriyuki Iwadare > pixelbeatpod@icloud.com > 

Ryan and Dylan are joined by Studio Ghibli fanatic Ryan Mayers to discuss the supposed final work of legendary Japanese animator Hayao Miyazaki.

Christian and Devin review  The Boy and the Heron. After losing his mother, Mahito moves to the country with his father and new stepmother, Natsuko, and encounters a mysterious gray heron. When Natsuko suddenly goes missing, Mahito, guided by the heron, must find her by venturing into a dream-like realm where the living and the dead exist side by side. Hayao Miyazaki's first feature film in 10 years, The Boy and the Heron is a hand-drawn, original story written and directed by the Academy Award®-winning director. Produced by Studio Ghibli co-founder Toshio Suzuki, the film features a musical score from Miyazaki's long-time collaborator Joe Hisaishi. The theme song for the film "Spinning Globe" was written and performed by global J-pop superstar Kenshi YonezuTOPICS IN THIS EPISODE:Start / Housekeeping (00:18)The Boy and the Heron Review (05:36)Final Thoughts and Ratings (26:47)Coming Up Next / Closing (30:44)'THE HOLDEROVER GRADES: Christian: 79/100Devin: 77/100Overall  Score: 78/100Contact Film Optix Rate and Review us on Apple Podcast and Spotify on your podcast platform of choice! Email us at filmoptix@gmail.com Tweet at us @FilmOptix Follow us @Film Optix on Instagram Follow us on Letterboxd Visit our Website Thank you for listening!!!

For this week's second podcast review, I am joined by Brendan Hodges & Giovanni Lago. Today, we are reviewing the newest film from iconic director Hayao Miyazaki, "The Boy And The Heron," starring Soma Santoki, Masaki Suda, Aimyon, Yoshino Kimura, Shōhei Hino, Ko Shibasaki, Takuya Kimura and on the English dub, Luca Padovan, Robert Pattinson, Karen Fukuhara, Gemma Chan, Christian Bale, Mark Hamill, Florence Pugh, Willem Dafoe & Dave Bautista. In what could be the all-time great master director's final film, please tune in as we discuss its themes around death, legacy, grief, hope in the face of devastating collapse, and more in our SPOILER-FILLED review. In our reflective discussion, we also review the voice performances, animation, beautiful score from Joe Hisaishi, and more. Thank you. We hope you enjoy it! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

"The Boy And The Heron" had its North American premiere at the 2023 Toronto International Film Festival, where it was 2nd runner-up to the People's Choice Award. The new Hayao Miyazaki film has garnered strong reviews, winning Best Animated Feature from the New York and Los Angeles Film Critics and has now been nominated for two Golden Globe Awards for Best Animated Feature and Best Original Score for Miyazaki's close collaborator Joe Hisaishi. The world-renowned Japanese composer has scored all but one of Miyazaki's films, and his latest is receiving considerable praise. Hisaishi was kind enough to spend a few minutes talking with us about his work on the film, which you can listen to below. Please be sure to check out the film, now playing in theaters from GKIDS, which is up for your consideration in all eligible categories at this year's Academy Awards. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

[School of Movies 2023] Arguably director Hayao Miyazaki's finest hour, and by extension the peak of composer Joe Hisaishi and for Studio Ghibli in general. This one is almost too easy to either sing the praises of, or to dismiss because it was so popular. Disney distributed it in America, and it made $395 million, which might make it the most successful theatrical release for an anime movie. By contrast, My Neighbours the Yamadas two years prior in 1999 made $11 million on three quarters the budget. Spirited away was showered with critical praise and won many awards. It's the popular girl. But this girl is also endlessly fascinating; stirring, whimsical, intelligent, exciting, funny, and unforgettable. She stays with us, and we return to her again and again for comfort and to feel that sense of quiet awe. It's also noteworthy that this has one of the best American language tracks for any Japanese film; Daveigh Chase (Lilo of Stitch fame, Donnie Darko's sister and the girl from The Ring), Jason Marsden (Max in The Goofy Movie), Susan Egan (Megara of Hercules fame and the Broadway version of Beauty and the Beast) Suzanne Pleshette (The Birds) David Ogden Stiers (Lilo & Stitch and Beauty and the Beast) and Tara Strong (literally every cartoon ever made). On this one occasion you should definitely try Dub AND Sub. This is the film we chose to close out our 2023 series on the studio (though we still have The Boy and the Heron, along with 'The Imaginary' from Studio Ponoc, and whatever the future brings. We will be there to curate their art. Guests: Brenden Agnew of Cinapse  @BLCAgnew Alejandra Vargas @Plutoburns whose YouTube channel is here

We asked our followers what should we talk about on this one, so here's a summary of all the shows we've been enjoying this year and also an quick update on what has been up with our personal lives! Mentioned:  Power Trip (pics and videos) Coldplay (pics and videos) Joe Hisaishi (pics and videos) MUSE (videoclips) Our Grammy outfits 2023 ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ Brushes and Keys: ⁠⁠⁠instagram.com/BrushesAndKeys⁠⁠⁠ ⁠⁠⁠twitter.com/BrushesAndKeys⁠⁠⁠ ⁠youtube.com/@BrushesAndKeys⁠ Austin Wintory: ⁠⁠⁠instagram.com/a.wintory⁠⁠ ⁠⁠⁠twitter.com/awintory⁠⁠⁠ Angela Bermudez: ⁠⁠⁠instagram.com/angelabermudeza⁠⁠⁠ ⁠⁠⁠twitter.com/angelabermudeza⁠⁠⁠ Canvas Bermintory:⁠⁠ ⁠instagram.com/canvasbermintory⁠⁠⁠ Email us!⁠⁠ ⁠brushesandkeys@gmail.com⁠⁠⁠ ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Creator of the "eventually, forever" newsletter and film twitter heavy Adam Sullivan joins us to discuss the brilliant Hayao Miyazaki and his 1992 film 'Porco Rosso'. Initially conceived as a short film exclusively for in-flight guests of Japan Airlines, the film eventually grew in ambition and scope and now stands as one of Miyazaki's most underrated, visually transcendent masterpieces. We discuss the film's many classic Hollywood touchpoints, including the films of Howard Hawks, Victor Fleming, and John Ford and how these influences create a sense of fantasy more grounded that other Miyazaki works. Then, we discuss the film's setting amidst the rising tide of fascism in the Adriatic and its connection to the moving character portrait at its core. Finally, we discuss how 'Porco Rosso' (perhaps more than any other film) suggests some of the director's late period affinities in works like 'The Wind Rises'.Plus: We talk Miyazaki's latest work 'The Boy & The Heron', which we have all had the chance to see ahead of its wide release in the US Friday, 12/8/23. Follow Adam Sullivan on Twitter.Read and subscribe to Adam's newsletter "eventually, forever".....Our theme song is "Mirror" by Chris Fish 

Critique cinéma par François Bégaudeau du film "Le Garçon et le Héron" de Hayao Miyazaki. Pendant la 1ère guerre mondiale au Japon, un jeune garçon prénommé Mahito perd sa mère dans l'incendie d'un hôpital. Peu de temps après ce drame, il s'installe à la campagne avec son père où l'attend Natsuko, la sœur de sa mère défunte et nouvelle épouse de son père, tandis qu'un héron cherche à l'attirer dans un manoir hanté. Date de sortie : 1 novembre 2023 © 2023 – Studio Ghibli Extrait : © Le Roi et l'Oiseau de Paul Grimault Musique : © End of the world – Joe Hisaishi

Hello everyone and welcome to Some Like It Scott's second Countdown miniseries on 2023, a podcast first focusing entirely on the works of Japanese animator, Hayao Miyazaki: the Miyazaki Countdown. To honor one of the living legends of animation, the countdown crew of Scott, Scott, and Jay will watch all 11 of Miyazaki's films to-date, rewinding all the way back to his directorial origins with 1979's action-adventure heist thriller LUPIN III: THE CASTLE OF CAGLIOSTRO, all the way to his then-final film, 2013's biographical epic romance drama, THE WIND RISES. Join us each week over the next 11 weeks, as we build up to what is Miyazaki's self-proclaimed now-final film (we'll see...), the fantasy epic, THE BOY AND THE HERON.   In Part 8 of the Miyazaki Countdown, Scott, Scott, and Jay discuss Hayao Miyazaki's most acclaimed film to-date, the 2001 Academy Award winning animated fantasy film, SPIRITED AWAY. SPIRITED AWAY tells the story of a 10-year-old girl named Chihiro, whose family are traveling to their new home in a new city. Chihiro's father takes Chihiro and her mother on a detour as they near their new home to explore an abandoned amusement park, and while there, they find a restaurant curiously fully stocked with prepared foods. Hungry, Chihiro's parents ravenously begin to consume the food, making Chihiro uncomfortable and leading her to explore the nearby attractions, including a bathhouse. Approaching the bridge to the bathhouse, a mysterious boy, named Haku, appears to Chihiro and begs her to leave before nightfall. Rushing back to warn her parents, Chihiro finds only pigs where her mother and father were before, and panickedly fleeing the impending nightfall, Chihiro is stopped in her tracks when an ocean of water blocks her path back to the amusement park entrance. Stuck in this unknown and scary fantastical world, Chihiro must adapt quickly to her new surroundings and navigate new potential allies and enemies, all while finding a way to rescue her parents and return to the real world. The countdown crew give their thoughts on what many consider Miyazaki's greatest film, including the numerous themes of environmentalism, consumerism, and traditional cultural values, in addition to discussing Chihiro as a potential evolution in Miyazaki's lead character archetype and the reversion back to a smaller-scale narrative from the expansive PRINCESS MONONOKE. (Oh yeah, and an absolutely ludicrous Joe Hisaishi score, though what's new.)

Hello everyone and welcome to Some Like It Scott's second Countdown miniseries on 2023, a podcast first focusing entirely on the works of Japanese animator, Hayao Miyazaki: the Miyazaki Countdown. To honor one of the living legends of animation, the countdown crew of Scott, Scott, and Jay will watch all 11 of Miyazaki's films to-date, rewinding all the way back to his directorial origins with 1979's action-adventure heist thriller LUPIN III: THE CASTLE OF CAGLIOSTRO, all the way to his then-final film, 2013's biographical epic romance drama, THE WIND RISES. Join us each week over the next 11 weeks, as we build up to what is Miyazaki's self-proclaimed now-final film (we'll see...), the fantasy epic, THE BOY AND THE HERON.   In Part 5 of the Miyazaki Countdown, Scott, Scott, and Jay discuss the conclusion of Hayao Miyazaki's incredible 3-year run with the 1989 fantasy coming-of-age anime film, KIKI'S DELIVERY SERVICE. In a rare adaptation from Miyazaki, based on the Japanese children's fantasy novel of the same name by Eiko Kaduno, KIKI'S DELIVERY SERVICE takes copious liberties in its telling of the coming-of-age story of a 13-year-old witch, who sets off from home with her talking black cat "familiar" named Jiji, under the good omen of a full moon. Like her witch mother before her, Kiki must spend a year in a city with no other witches in it, learn a skill, become independent, and thereby prove her worth and abilities as a witch contributing to society. Like all great coming-of-age stories (and adventures too for that matter), Kiki is quickly beset with setbacks: a great storm forces her to take shelter on a train overnight; an aviation-loving boy named Tombo is extremely forward with Kiki on the street after becoming enamored with her flying abilities; and Kiki of course has no idea what she's going to do and what of her skills she can leverage to survive and thrive in her new port-city home. The good news is that Kiki doesn't have to do it alone. She has her trusty familiar, Jiji, and a very kind bakery owner who provides Kiki with housing and a job while Kiki figures it all out. All that's left is for Kiki to navigate a new city, looking for a new job, with barely any friends! Easy enough. The countdown crew give their thoughts on Miyazaki's first real crack at a coming-of-age film, where Kiki ranks in the animation king's lead character ensemble thus far, and just how immaculate the vibes are combining the vision for the film's port city setting and Joe Hisaishi's strings-heavy European-inspired score.

After years of delays, Joe Hisaishi finally made it to Wembley Arena to conduct his music from Hayao Miyazaki's films with the help of the BBC Concert Orchestra and Crouch End Festival Chorus. And the Ghibliotheque gang were there to experience the magic! Here, Michael, Jake and Steph reunite to talk through one spellbinding night.Join us on Patreon for ad-free and bonus episodes, Discord access and show footnotes and more: Patreon.com/ghibliothequeEmail us: ghibliotheque@gmail.com or follow us on Twitter @ghibliotheque and Instagram @ghibliotheque.pod.@MichaelJLeader – Michael@jakehcunningham – Jake@_stephwatts - Steph Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Les films japonais du studio Ghibli et particulièrement ceux du réalisateur Hayao Miyazaki ont un point en commun : l'amour de la Nature.Et pour cela, son fidèle compositeur Joe Hisaishi, accompagne ces moments en musique.Voilà pourquoi il est intéressant d'analyser une sonorité musicale pour chaque élément : la terre, le vent, le feu et l'eau. On vous raconte tout !

This week, Eric and Laurence discuss the 1997 Studio Ghibli Classic, Princess Mononoke and discuss how it had so much more of an impact on the latest Zelda games than we had previously been aware of. We also get into some of our other favorite films from the beloved animation studio, Laurence converts Eric to a NewJeans stan, Eric extols the virtues of garlic confit, and so much more on this episode of Gay for Play! A note on audio: we lost the original recording of this episode and ended up using a backup of our recorded Discord call, apologies for the audio quality in the first half of the show!"Studio Ghibli's Apocalypse and the Atomic Age" by Hello Future Me on Youtube================Get in touch with us!EMAIL US at gayforplaypodcast@gmail.comFOLLOW G4P Twitter: @GayForPlayPodInstagram: @GayForPlayPodTwitch: twitch.tv/gayforplaypodSupport the Show & Unlock Bonus Episodes on our PATREON========CREDITSIntro and outro music by Connor Marsh (@connorjmarshmallow)Show art by Benny Kessler (@retro.spectacle.studio)Special thanks to our patrons: Blueberri Mary,  Elijah Punzal,  Trevor McTavish,

A world of sprites and spirits encountered by childhood sisters in the 1988 animated feature film by Hayao Miyazaki (Spirited Away) and Studio Ghibli has become a hit stage adaptation for the Royal Shakespeare Company. The original composer Joe Hisaishi worked with playwright Tom Morton-Smith and Director Phelim McDermott and the production returns to the Barbican this autumn. Chris Harding and guests look at how this story of Totoro relates to Japanese beliefs about ghosts and nature, and how Miyazaki used ideas of childhood innocence to critique post-War Japanese society. Chris Harding is joined by the playwright Tom Morton-Smith, Michael Leader from the podcast Ghiblioteque, Dr Shiro Yoshioka, Lecturer in Japanese Studies at the University of Newcastle, and Dr Xine Yao, co-director of qUCL at University College London, and a Radio 3/AHRC New Generation Thinker. My Neighbour Totoro from the Royal Shakespeare Company in collaboration with Improbable and Nippon TV runs at the Barbican Theatre in London from 23 November Music from Studio Ghibli films is included in a BBC Prom concert being performed by the BBC Concert Orchestra on Monday August 28th and then available on BBC Sounds. You can find a collection of programmes exploring different facets of Japanese culture on the Free Thinking programme website https://www.bbc.co.uk/programmes/p0657spq Producer: Luke Mulhall

On 30 March 2023, Deutsche Grammophon announced the signing of an exclusive agreement with Joe Hisaishi, the revered Japanese composer whose work has become synonymous with the magical Studio Ghibli animations of director Hayao Miyazaki. Spanning the full spectrum of Hisaishi's work as composer, conductor and pianist, the deal will deliver a richly varied range of audio and audiovisual recordings. For his first DG album, out now, Hisaishi has created an exciting series of symphonic arrangements of his original soundtracks for such Ghibli classics as Spirited Away, Princess Mononoke, and My Neighbor Totoro. Fittingly titled A Symphonic Celebration and made in London with the Royal Philharmonic Orchestra, conducted by the composer, the album presents state-of-the-art recordings of the extraordinary music of this much-loved artistic force in animated movie-making.Track Listing:1 Merry-Go-Round Of Life (from 'Howls Moving Castle')2 One Summer's Day (The Name of Life) (English Version from 'Spirited Away')3 The Legend of the Wind (from 'Nausicaa¨ of the Valley of the Wind')4 Nausicaa¨ Requiem (from 'Nausicaa¨ of the Valley of the Wind')5 The Battle between Mehve and Corvette (from 'Nausicaa¨ of the Valley of the Wind')6 The Distant Days (from 'Nausicaa¨ of the Valley of the Wind')7 The Bird Man (from 'Nausicaa¨ of the Valley of the Wind')8 A Town with an Ocean View (from 'Kiki's Delivery Service')9 Heartbroken Kiki (from 'Kiki's Delivery Service')10 Mother's Broom (from 'Kiki's Delivery Service')11 The Legend of Ashitaka (from 'Princess Mononoke')12 The Demon God (from 'Princess Mononoke')13 Princess Mononoke (from 'Princess Mononoke')14 A Journey (A Dream of Flight) (from 'The Wind Rises')15 Nahoko (The Encounter) (from 'The Wind Rises')16 A Journey (A Kingdom of Dreams) (from 'The Wind Rises')17 Deep Sea Pastures (from 'Ponyo on the Cliff by the Sea')18 Mother Sea (from 'Ponyo on the Cliff by the Sea')19 Ponyo's Sisters Lend a Hand - A Song for Mothers and the Sea20 Ponyo on the Cliff by the Sea (from 'Ponyo on the Cliff by the Sea').21 Doves and the Boy (from 'Castle in the Sky')22 Carrying You (from 'Castle in the Sky')23 Bygone Days (from 'Porco Rosso')24 Symphonic Variation Merry-Go-Round + Cave of Mind25 One Summer's Day (The Name of Life)26 Reprise (from 'Spirited Away')27 The Path of the Wind (from 'My Neighbor Totoro')28 Hey Let's Go (from 'My Neighbor Totoro')29 My Neighbor Totoro (from 'My Neighbor Totoro')This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Soundtracks are one of the most important but often underappreciated parts of anime production, having the ability to underscore scenes and characters in an adaptation while evoking strong emotions in the audience. Ionatan and Ravi break down the technical process for score composition as well as the historical context for music in the anime industry. Then, they discuss the most prominent anime composers and what makes each of their musical styles unique, from industry legends like Joe Hisaishi and Yoko Kanno to relative newcomers like Hiroyuki Sawano and Kensuke Ushio.

Today we present another ALL REQUEST SHOW on THE FLAGSHIP SHOW on the CINEMATIC SOUND RADIO PODCAST. Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April 2021, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to participate in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do so you will be able to participate in all upcoming all-request programs. For this all-request show, and in honour of the release of the fifth and presumably last Indiana Jones adventure, INDIANA JONES AND THE DIAL OF DESTINY, I asked my patrons to select cues from action/adventure films with only one rule... no Indiana Jones tracks. Participants included Victor Field, Glenn McDorman, Will Welch, Don Mase, Carl Wonders, Stacy Livitsanis, Jérôme Flick, Al Brown, Deniz Çağlar, Lee Wileman, Jochen Stolz, Max Hamulyak, Angela Rabatin and Joe Wiles. They requested tracks from such composers as Basil Poledouris, Jerry Goldsmith, James Horner, John Debney, Joe Hisaishi, Craig Safan, Ludwig Goransson, John Williams, Andrew Lockington, Hans Zimmer, James Newton Howard and Alfred Newman. This was once again a fantastic show to produce and I want to thank those who participated. Again, for those that didn't get a chance to send in a request and want to be a part of the next all-request program sometime this summer, we'd love to have you join the CINEMATIC SOUND RADIO PODCAST Patreon family. But don't feel like you have to join. I'm not forcing anyone to join. Remember this podcast will always be free to listen to but if you want to support the program and join the community we've formed on Patreon then we'd love to have you. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

  As season 3 of The Film Scorer podcast slowly comes to a close (only a few episodes left), Chad Cannon (Ghost of Tsushima: Iki Island) joins the show! Chad and I primarily talk about his latest score, which is for the documentary miniseries Algiers, America, following a high school football team in New Orleans (the Edna Carr Cougars). The score mostly features Chad's modern classical compositions, as well as some New Orleans-centric elements that Chad crafted with a few local musicians. As such, Chad talks about the challenge of scoring around three hours of music, visiting New Orleans to get in touch with the city's musicality, and balancing various musical elements, styles, and genres.   Along the way, we also cover Chad's prolific work in the documentary scoring arena, carving out a bit of a specialization within the field (although he has done a number of fiction films, series, and videogames as well), and how and why the public reception to documentary music differs from that of music for other media. Finally, we briefly touch on Chad's work in arranging for legendary composer Joe Hisaishi, and Chad's upcoming project in which Hisaishi is providing the main theme.   You can find out more about Chad on his website. Algiers, America is currently on Hulu, and while Chad's score is not yet available, many of his other works are available digitally on all major platforms.  

For this second week of our AniMAYtion month, we're taking a look at one of our favorites from Studio Ghibli, Howl's Moving Castle (English dubbed). We talk aesthetics, from steampunk fairy tale to Dark Academia to Steve Martin, Howl as superhero, the freedom of living in disguise, the corrupting power of magic, Hayao Miyazaki's boundlessly creative yet realistically cinematic style, Joe Hisaishi's perfect musical score, and themes of greed, vanity, and the uselessness of war. It's a discussion almost as rich as the film itself, so jump on the steam-powered airship and ride into the sunset with us!

Brent, Nate, and Kate hop on a dragon's back and fly into May's new theme (AniMAYtion) with the 2001 animated classic Spirited Away starring: Daveigh Chase as Chihiro/Sen, Suzanne Pleshette as Yubaba/Zeniba, Jason Marsden as Haku, Susan Egan as Lin, David Ogden Stiers as Kamaji, Lauren Holly as Chihiro's Mother, Michael Chiklis as Chihiro's Father, John Ratzenberger as Assistant Manager, Tara Strong as Boh, and Bob Bergen as No-Face.Spirited Away is a 2001 Japanese animated fantasy film written and directed by Hayao Miyazaki, produced by Studio Ghibli, and distributed by Toho. It tells the story of a young girl named Chihiro Ogino who, while moving to a new town with her parents, stumbles upon a mysterious world of spirits and demons.The film begins with Chihiro and her family getting lost on their way to their new home. They eventually come across what appears to be an abandoned amusement park and decide to explore it. As they begin to eat the food left out at one of the stalls, Chihiro's parents are transformed into pigs, and she finds herself trapped in a world of spirits.She is taken in by a young boy named Haku, who advises her to ask for work from Yubaba, the witch who rules over the spirits. Yubaba agrees to employ her but takes away her name, renaming her Sen. She is put to work at a bathhouse for spirits and is given a difficult task by Yubaba: to identify and serve a stink spirit that has entered the bathhouse.As Chihiro works at the bathhouse, she learns about the many spirits and creatures that inhabit the spirit world, as well as the rules and customs that govern them. She also discovers that Haku is a dragon who is under Yubaba's control, and that she must help him break free from her spell.Throughout the film, Chihiro faces many challenges and obstacles as she tries to find a way back to the human world. She is helped by a variety of characters, including a friendly spirit named No-Face and a river spirit that she rescues from pollution.As she navigates the spirit world and learns more about herself and the people around her, Chihiro ultimately finds the courage to confront Yubaba and demand her name back. With the help of her friends and the knowledge she has gained, she is able to break the spell on Haku and return to the human world, where she is reunited with her parents.Spirited Away was directed by Hayao Miyazaki, who also wrote the screenplay and designed the characters. It was produced by Studio Ghibli, a renowned animation studio in Japan. The film features music by Joe Hisaishi and animation by a team of talented animators, including Masashi Ando, Katsuya Kondō, and Yoshifumi Kondō.The film was released in Japan in 2001 and became a critical and commercial success, grossing over $347 million worldwide. It won numerous awards, including the Academy Award for Best Animated Feature in 2003, and has since become a beloved classic of Japanese animation. Hosted on Acast. See acast.com/privacy for more information.

"What's up? Sorry, mun—if it's a pep talk youer after, I'm a bit short of wise words at the moment. Got a few unwise ones if you fancy them..."This week, join two pure-hearted podcasters as Rick and special guest Jared (PlayAlongPodcast) explore the magical world of Level 5's Ni No Kuni: Wrath of the White Witch. This has been a JRPG a long time coming to the show, and one look at it is plain to see why: animations by Studio Ghibli, music by Joe Hisaishi, and writing from Level 5 all come together to create a genuinely magical experience. Hear us talk all about the battles, the puns, and more. Don't be a cry-baby-bunting, click play 'init? MORE PLAYALONGPODCAST: https://linktr.ee/playalongpodcastPATREON: www.patreon.com/pixelprojectradioDISCORD: https://discord.gg/Rfjx2ptWP5TWITTER: https://twitter.com/pixelprojectpodINSTAGRAM: https://www.instagram.com/pixelprojectradiopodcast/Thank you for listening! Want to reach out to PPR? Send your questions, comments, and recommendations to pixelprojectradio@gmail.com! And as ever, any ratings and/or reviews left on your platform of choice are greatly appreciated!

This month we talk to Swim Deep keyboardist and film journalist extraordinaire James Balmont about our favourite music in Japanese film. We cover the most successful director/composer collaborations, from Takeshi Kitano and Joe Hisaishi to Sogo Ishii and Hiroyuki Onogawa to Shin'ya Tsukamoto and Chu Ishigawa, and loads more! Follow Adam on Twitter, Instagram and Youtube Follow Ben on Twitter and Letterboxd If you enjoy our show then please give us a 5 star rating and review wherever you listen, and be sure to subscribe so you don't miss an episode. As always, thanks for listening x