Podcast appearances and mentions of Theodore Shapiro

This week the crew is all back together!!!! Tron is back baby!!!! We figured we keep it light and watch a comedy starring the Statham in a more comedic role but still oddly acting how he would any of his action roles. We are covering Spy from 2015 written and directed by Paul Feig and starring Melissa McCarthy, Jude Law, Jason Statham, Allison Janney, Miranda Hart, Rose Byrne, Peter Serafinowicz, Bjorn Gustafsson, Curtis Jackson and Bobby Cannavale. Thanks for checking us out and if you would like to find our back catalog go to Podbean.com where you can find our past and up to date episodes. You can find us where most other podcasts are found. Intro track "Who can you trust" by Ivy Levan https://youtu.be/SSBYAKdiUno?si=CnU4kltYeGMPXywA Outro track "Agent Susan Cooper" by Theodore Shapiro from the SPY motion picture soundtrack https://youtu.be/z4P68PUsTd8?si=njwX69d9phabKTiT  

Dit zijn onze shownotes:Vorige week waren we er niet vanwege Pasen, in de komende tijd komt er nog twee keer een aflevering te vervallen, maar geen nood, we maken de afleveringen die we wel maken gewoon extra leuk!Wil je ons helpen? Geef ons dan likes en recensies in jouw favoriete podcastapp en deel ons met iedereen die wel wat Ballet Kroket kan gebruiken in het leven!Welkom bij aflevering 32 van het tweede seizoen van Ballet Kroket! We hebben het over alle dingen waarmee je het leven kunt vieren, versieren en verdiepen, kortom over alles op de lijn van ballet tot kroket.Je kunt onze opnames bijwonen, iedere maandagavond van 19:30 - 21 uur in Studio Kookhaven in Amsterdam Oost. Kom bijvoorbeeld op maandag 12 mei 2025, dan maken we er een evenement van met de Ballet Kroket Huisband, de bar van Dick, de winkel van Lone én de mogelijkheid om bij Lone aan te schuiven en een crew-maaltijd van haar te eten, voor E 15,-. Reserveren kan via de mail: alles@balletkroket.nlHost Francien Knorringa zag de korte film Maturation Station van Melissa Mabesoone. De film is op dit moment niet te zien, maar hier is wel meer informatie te vinden. https://www.filmfestivaloostende.be/nl/programma/2025/maturation-stationHost Jannekee Kuijper las The Handmaid's Tale en The Testaments van Margaret Atwood. En ze zag de gelijknamige serie op Videoland. https://www.videoland.com/nl/titels/the-handmaids-tale/Gids Stieni Bosma zag twee films naar aanleiding van het overlijden van de paus. The Two Popes op Netflix. https://www.netflix.com/title/80174451 En Conclave is te huur via Pathé Thuis of te zien met een abonnement via Prime Video. https://www.primevideo.com/detail/0I9JT6CL8MAAALX1QJF7K1I6I2/ref=atv_dp_share_cu_rGids Milan Breebaart liet drie opvallende tunes van series horen en vertelde ons hoe ze muzikaal in elkaar zitten. De tune van The White Lotus door Cristobal Tapia De Veer. https://youtu.be/RowuA0zKsLs?feature=sharedDe tune van Severance door Theodore Shapiro. https://youtu.be/BNQS5u7SHiI?feature=sharedDe tune van Ernst, Bobbie en de Rest door Erik van Trommel (Ernst) en Gert-Jan van den Ende (Bobbie). https://youtu.be/pgp_DvvecYw?feature=sharedOnze Adverteerders:Hermit Gin - de lekkerste gin die er is, gemaakt met Oosterscheldewater en nog een trits aan geheime ingrediënten, te koop bij Gall en Gall. www.hermitgin.comSeafarm, voor de lekkerste oesters. https://www.seafarm.nl/producten/oestersDe Kookhaven - te gekke locatie aan de rafelrand van Amsterdam, geschikt voor al uw culinaire uitspattingen, van private dining tot kookworkshop, van vergadering tot culinair feestje. Iedereen viert weleens een feestje dat thuis of op het werk niet past. Bespreek de mogelijkheden met uitbater Dick Ferwerda. www.kookhaven.nlDon Ostra - oestermannen Arend Bouwmeester (de jonge), nieuwe ster Marijn en Dick Ferwerda serveren oesters en gin op geheel eigen wijze. Voor luisteraars van Ballet Kroket geldt een 99% glimlachgarantie. Neem contact op met Dick Ferwerda als je oesters wil bestellen voor pasen, dan kun je ze vlak voor pasen ophalen tijdens een oester pop up in de Kookhaven. www.donostra.nlLone Poulsen, de kok die uit het noorden kwam en private dinings en workshops verzorgt in het teken van de nordic cuisine. Op 13 april kun je de workshop Blad Bloem Bes bij haar volgen. Je kan ook vers Deens roggebrood bij haar bestellen. En ze maakt likeur van de bladeren van je vijgenboom als je dat wil. Op evenement-dagen van Ballet Kroket kun je een crew maaltijd van haar eten. Neem contact op via: www.shecamefromnorth.comJachthaven Bouwmeester, de full service jachthaven in Amsterdam waar je van reparatie, stalling tot volledige botenbouw overal voor terecht kan. https://jachthavenbouwmeester.nlAdverteren in Ballet Kroket? Mail alles@balletkroket.nlBallet Kroket wordt op maandagavond opgenomen in Studio Kookhaven in Amsterdam. Wil je een opname bijwonen? Dat kan iedere maandagavond. Op bepaalde dagen maken we er een heel evenement van. Kom maandagavond 7 april live bijwonen dan is er een heuse Paas-markt met brocanterie en cadeautjes, de bar van Dick en de winkel van Lone en zie je ook de Ballet Kroket Huisband o.l.v. Arend Bouwmeester en Mathijs Goené. Mail alles@balletkroket.nlKijk op onze insta: https://www.instagram.com/balletkroket/ en stuur ons een DM.Abonneer je via je favoriete podcast-app op onze podcast dan vallen de nieuwe afleveringen vanzelf in je bibliotheek.Reageren? We horen graag van je!www.balletkroket.nl

A peek behind the radio magic curtain, Doomsday and the golden age of the MCU, and Bud’s Backlog . . . UNVEILED!

Nachdem sie mit Boygenius im Trio kurz die Musikwelt aufgeräumt hat, veröffentlicht US-Songwriterin Lucy Dacus nun wieder ein Soloalbum. Ihr Viertes. Aber auch hier haben die grossen Labels angebissen. Und einer der einzigen Guestslots des Albums gehört Superstar Hozier («Take Me to Church»). Welcome to the Big Leagues oder Sellout? «Forever Is a Feeling» begleitet uns durch die ganze Sounds!-Woche – und ihr könnt das Album als CD gewinnen. Nur live in der Sendung! +++ PLAYLIST +++ · 22:56 – GLETSCHERTRACK von POLARBӔREN · 22:52 – ENTERING LUMON (ODESZA SEVERANCE REMIX) von THEODORE SHAPIRO · 22:49 – ALLES WAS ICH WILL von DIE STERNE · 22:46 – C'EST DUR von MONO MOCHI · 22:39 – CHANGE MY NAME von ELIE ZOÉ · 22:35 – MAKE WAY FOR WAVES von AMY MILLAN · 22:30 – PIROUETTE von AIN'T · 22:28 – POUR TOI von TOM D. · 22:24 – FAMILIAR von AMINÉ · 22:20 – MAKING PLANS FOR NIGEL von XTC · 22:14 – SARA von FLEETWOOD MAC · 22:11 – RICOCHET von SORRY GIRLS · 22:08 – SEXY TO SOMEONE von CLAIRO · 21:55 – LIVE FOREVER von OASIS · 21:51 – YOU'RE GORGEOUS von BABYBIRD · 21:47 – RUNNING/PLANNING von CMAT · 21:42 – KING von FLORENCE + THE MACHINE · 21:39 – IF NOT NOW, IT'S SOON von SELF ESTEEM · 21:35 – GHOSTS & ALIENS von CLAIRE MY FLAIR · 21:32 – TUESDAY von JULIEN BAKER & TORRES · 21:27 – ANKLES von LUCY DACUS · 21:23 – FOREVER IS A FEELING von LUCY DACUS · 21:20 – MODIGLIANI von LUCY DACUS · 21:15 – BEST GUESS von LUCY DACUS · 21:10 – BIG DEAL von LUCY DACUS · 21:04 – NOT STRONG ENOUGH von BOYGENIUS

On this week's show, we catch up with a flurry of singles from the past several weeks with a Music Dance Experience Mix Tape featuring - but not limited to - fresh tracks from HAIM, The Waterboys & Chappell Roan. All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Bringing the band back together, Pol returns from his lower body injury, and the quorum geeking resumes. Now. LEAVE POL ALONE with your movie! Bud’s Weekly Geek-out 18:10 – Flow and Blender Coming Soon 26:05 – The Last of Us (HBO series, S2, April 13) 27:59 – Lilo & Stitch (in theatres May 23) 30:27 – Kevin Smith Says DOGMA 2 Will Bring Back Matt Damon and Ben Affleck’s Doomed Angels Geek News Proper 35:10 – Gene Hackman and wife Betsy’s causes of death revealed (heart disease and Alzheimer’s after death from Hantavirus Pulmonary Syndrome a week earlier) 39:48 – Disney confirms animation studio layoffs in Vancouver 41:51 – The Electric State promo: Chris Pratt tests Millie Bobby Brown’s knowledge on ’90s tech – ANSWERING MACHINE OGMs 45:03 – James Cameron confirms Avatar 3 will be long as hell proof: his wife cried through the whole thing

The TV show Severance debuted on Apple TV+ in February 2022. It was created by writer Dan Erickson, and developed into a series by director and executive producer Ben Stiller. He directed the pilot and most of the episodes. After the first season came out, Severance was nominated for 14 Emmys, including Outstanding Drama Series, and it won two Emmys: for Main Title Design and for Musical Composition. I love this show, and the main title sequence is incredible. I was so excited to get to talk to the composer, Theodore Shapiro, about how he made the main title theme music. In this episode, you'll hear how that theme first came into existence in a totally different form, and then, how Teddy re-imagined it to become the final version. For more, visit songexploder.net/severance.

Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously (Indiana UP, 2024) includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts--from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke--especially in times of crisis--including comfort, catharsis, and connection. Lily E. Hirsch is a musicologist and author most recently of Can't Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono; Weird Al: Seriously; and Insulting Music: A Lexicon of Insult in Music. Lily on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously (Indiana UP, 2024) includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts--from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke--especially in times of crisis--including comfort, catharsis, and connection. Lily E. Hirsch is a musicologist and author most recently of Can't Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono; Weird Al: Seriously; and Insulting Music: A Lexicon of Insult in Music. Lily on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously (Indiana UP, 2024) includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts--from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke--especially in times of crisis--including comfort, catharsis, and connection. Lily E. Hirsch is a musicologist and author most recently of Can't Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono; Weird Al: Seriously; and Insulting Music: A Lexicon of Insult in Music. Lily on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously (Indiana UP, 2024) includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts--from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke--especially in times of crisis--including comfort, catharsis, and connection. Lily E. Hirsch is a musicologist and author most recently of Can't Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono; Weird Al: Seriously; and Insulting Music: A Lexicon of Insult in Music. Lily on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously (Indiana UP, 2024) includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts--from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke--especially in times of crisis--including comfort, catharsis, and connection. Lily E. Hirsch is a musicologist and author most recently of Can't Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono; Weird Al: Seriously; and Insulting Music: A Lexicon of Insult in Music. Lily on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Every time you find yourselves here, Settlers, it's because you chose to come back. The boys share their theories for what the "work" actually is, draft their top Lumon employees, and continue their anti-temp crusade.

When it comes to biting satire and outrageous humour, Tropic Thunder remains a standout in the annals of Hollywood comedies. Released in 2008, this film, directed by Ben Stiller, is a unique blend of action, absurdity, and razor-sharp commentary on the entertainment industry itself. In this Tropic Thunder Movie Review, we dive deep into the film's multilayered humour, its over-the-top performances, and the controversies that have kept it relevant long after its initial release.Plot Breakdown and SetupTropic Thunder follows the chaotic production of a Vietnam War film that spirals out of control when its pampered, clueless actors are dropped into the jungle for some “method” filmmaking. What starts as a fictional movie quickly devolves into real-life danger, though the cast has no idea they are no longer pretending. The plot is as meta as it gets—a movie about making a movie, where the line between fiction and reality is hilariously blurred.Ben Stiller plays Tugg Speedman, a fading action star desperately seeking credibility by taking on a “serious” role in a war drama. His co-stars include Kirk Lazarus (played by Robert Downey Jr.), a multiple Oscar-winning actor who undergoes a controversial pigment alteration surgery to play a Black soldier, and Jeff Portnoy (Jack Black), a drug-addicted comedian known for his gross-out humour. Alongside them are Kevin Sandusky (Jay Baruchel), the earnest newbie, and Alpa Chino (Brandon T. Jackson), a rapper-turned-actor trying to maintain his street cred. As the film's director loses control, the actors must survive real threats in the jungle, thinking it's all part of the shoot.A Satirical Punch to Hollywood's EgoAt its core, Tropic Thunder is an unflinching satire of Hollywood excess, egotism, and the absurd lengths actors go to in search of acclaim. The film skewers method acting, self-important stars, and the exploitative nature of the movie business. Ben Stiller, who not only stars but directs, doesn't shy away from poking fun at the very industry that made him famous.Stiller's Tugg Speedman embodies the desperation of actors clinging to their fading stardom. His previous attempts to earn respect as a serious actor—most notably in the disastrous Simple Jack, where he plays a mentally disabled man—are a clear jab at how Hollywood sometimes exploits sensitive topics for awards. The film pulls no punches in exposing the cynical calculation behind some “prestige” performances.Robert Downey Jr.'s portrayal of Kirk Lazarus, a method actor who famously “doesn't break character until the DVD commentary,” takes method acting to absurd extremes. The decision for Lazarus to undergo a skin pigmentation procedure to play a Black character is undeniably provocative, pushing the boundaries of satire in ways that sparked debate even upon the film's release. The character is a vehicle for Tropic Thunder to critique the pretentiousness of actors who go to unhealthy or inappropriate lengths to inhabit their roles—without excusing the controversial nature of Lazarus's arc.Meanwhile, Jack Black's Jeff Portnoy represents a different Hollywood trope: the comedic actor known for lowbrow, bodily-function-driven humour who secretly longs for artistic respect. Black leans into this portrayal with reckless abandon, turning Portnoy into a parody of a certain kind of comedian trapped by his own public persona.The Performances: A Career High for Downey Jr.Though the entire cast delivers hilarious performances, Robert Downey Jr. steals the show with his portrayal of Kirk Lazarus. His commitment to the role is complete, both playing up the absurdity of Lazarus's method acting and delivering an authentic, sharp commentary on Hollywood's more troubling habits. Downey Jr.'s performance walks a very fine line—one that could have easily veered into offensive territory. However, by using the character to critique the very behaviour he is embodying, the role becomes an effective, albeit a controversial, form of satire. His role earned him an Academy Award nomination for Best Supporting Actor, cementing it as one of the most memorable comedic performances of the 2000s.Ben Stiller's turn as the washed-up action star is also noteworthy, mainly because his character serves as the audience's guide through the absurdity of the film's events. Stiller's deadpan delivery and earnest attempts at drama make Tugg Speedman's cluelessness all the more entertaining.Jack Black, as Jeff Portnoy, veers into more chaotic, physical comedy, adding a layer of absurd humour to the group's dynamic. His struggles with drug addiction while lost in the jungle add a layer of vulnerability to the otherwise outlandish character.Controversy and Cultural ImpactTropic Thunder courted its fair share of controversy upon release, particularly for its portrayal of Kirk Lazarus and its use of blackface as a satirical device. Robert Downey Jr. defended the role as an exploration of actors' ethical boundaries, and the film itself uses Lazarus's storyline to highlight the ridiculous lengths some performers will go for their craft. Still, the role continues to prompt discussions on what constitutes effective satire versus offensive content.Additionally, the film's subplot involving Tugg Speedman's role in Simple Jack—a blatant parody of Hollywood's handling of disability—also generated pushback from advocacy groups. These controversies, however, are key to understanding the film's legacy. Tropic Thunder was always intended to provoke, challenge, and make audiences uncomfortable as they laugh.Despite (or perhaps because of) these controversies, Tropic Thunder remains a touchstone in discussions about satire, comedy, and filmmakers' responsibilities when dealing with sensitive topics. Its willingness to push boundaries and make audiences question the ethics of the film industry itself is part of what keeps it relevant more than 15 years later.Cinematic Elements: More than Just ComedyOn the technical side, Tropic Thunder is surprisingly well-made for what is primarily a comedy. John Toll's cinematography brings an epic, blockbuster feel to the film, particularly in the action sequences that are staged with the same level of intensity as a serious war movie. Theodore Shapiro's score also works in tandem with the action, providing a dramatic undertone that heightens the film's satirical edge.The jungle setting, explosive battles, and grandiose direction all emphasise how over-the-top Hollywood productions can become, underscoring the film's satire. While Tropic Thunder could have quickly been shot with a straightforward, low-budget comedy aesthetic, the decision to treat it like an actual war film makes the story's absurdity all the more pronounced.Legacy: A Satirical Time CapsuleIn many ways, Tropic Thunder serves as a time capsule of mid-2000s Hollywood. It captured a specific moment in the film industry when method acting, prestige pictures, and action blockbusters dominated the cultural conversation. The film remains controversial, but it's also widely regarded as one of the best satirical comedies of its time. Whether it skewers egotistical actors, lampoons Hollywood's excesses, or simply delivers absurd, laugh-out-loud moments, Tropic Thunder stands as a film that invites laughter and introspection in equal measure.As we explore Tropic Thunder's genius and provocations in this podcast episode, we ask: Does it still hold up? Is it a biting satire of Hollywood or an offens...

Music for film reflecting cinema's engagement with the idea of an over populated planet prompted by the release this week of Chie Hayakawa's Japanese feature, 'Plan 75', with a score by Jeremie Archache and Christophe Musset. The programme also includes music from 'Inferno' by Hans Zimmer, 'Passengers' by Thomas Newman, 'Idiocracy' by Theodore Shapiro, Miklos Rozsa's 'The World, The Flesh and The Devil', Fred Myrow's 'Soylent Green' as well as cues from 'Cloud Atlas', 'Elysium', 'What Happened To Monday' and Craig Armstromg's 'In Time'. Also in the line up is Alan Silvestri's 'Avengers - Infinity War'. The Classic Score of the Week is Jerry Goldsmith's masterly music for 'Logan's Run' from 1976.

On this episode, I'm gushing about Severance, a horror science fiction psychological thriller television series from Apple TV that debuted last year. This show is a peak at a world in which our work life is completely severed from our home life through the severance program created by a very ominous company called Lumon Industries. We are introduced to the Macrodata Refinement team and also to the newest coworker who wants to escape this weird, creepy cubicle hell. She sounds like me on a daily basis. It's a short spoiler free shoutout to a show i'm late to the party about it but glad I finally arrived! For the title, Severance, the artist is Theodore Shapiro.

Episode 373."Creed III"Composer: Joe Shirley.Composer Joseph Shirley recently scored Michael B. Jordan's directorial debut Creed III; and season 3 of Disney+'s The Mandalorian.Upcoming projects include producing music for DreamWorks Animation's upcoming film, Trolls 3. Notable credits include Paul Feig's Netflix feature film The School of Good and Evil; Disney+'s hit series The Book of Boba Fett, created by Jon Favreau; and Netflix's Jackass Forever documentary, directed by Jeff Tremaine. His music can also be heard on Amazon Studios' animated series Fairfax; Disney+'s The Mysterious Benedict Society, which he co-composed with Theodore Shapiro; and he has also co-written/co-produced the single "It's All Love" from DreamWorks Animation film Trolls 2: World Tour.Welcome, Joe Shirley.Monday Morning Critic: Instagram, TiKTok, YouTube and Facebook.Twitter:@mdmcriticwww.imdb.com/title/tt12597724/www.mmcpodcast.comPlease feel free to reach out anytime:   mondaymorningcritic@gmail.com

GODT NYTÅR! Dette er anden del af VSOAÅ Awards, hvor vi kigger tilbage på året 2022 i streamingens verden. I denne del er det 'Årets Toby Sviner', 'Årets Værste Serie', 'Årets Streamingtjeneste', 'Årets Højdepunkt i Studiet' og naturligvis kongekategorien 'Årets Serie'. PS. Vi har fortsat en smule lydproblemer i dele af disse awardafsnit - håber, I vil bære over med os. Vi høres på åen. Forresten... Vi er på Twitter - og Instagram-mediet: @streamaaen Og også Facebook: www.facebook.com/streamaaen. Kontakt os gerne: streamaaen@gmail.com. Bag podcasten står Peter Vistisen, Tobias Iskov Thomsen og Anders Zimmer Hansen - alle tidligere studentermedhjælpere Yderligere informationer Citat fra film/serie: Stranger Things (21 Laps Entertainment, Monkey Massacre Productions, Upside Down Pictures, Netflix - composers: Michael Stein, Kyle Dixon), SAS: Rogue Heroes (Kudos, Nebulastar, Banijay Rights, BBC One), Only Murders in the Building (Rhode Island Ave. Productions, Another Hoffman Story Productions, 40 Share Productions, 20th Television, Disney Platform Distribution, Hulu - music: Siddhartha Khosla), Vikings Valhalla (Metropolitan Films International, History, MGM Television, MGM Television and Digital Distribution, Netflix Streaming Services, Netflix - composer: Trevor Morris), Andor (Lucasfilm, Disney Platform Distribution, Disney+ - composer: Nicholas Britell), Severance (Red Hour Productions, Endeavor Content, Apple Inc., Apple TV+ - composer: Theodore Shapiro)

Composer for the film The School For Good And Evil. We chat about the various musical styles used and instrumentation like a harpsicord. He discusses coming up for musical themes for the main characters Agatha and Sophie as they try to find where they belong, good or evil.

Theodore Michael Shapiro is an American film composer from Washington D.C. who is known for composing various films such as Jennifer's Body, Old School, Safe Men, Idiocracy, Wet Hot American Summer, Zoolander 2, Year One, DodgeBall, Tropic Thunder, On the Ropes, 13 Going on 30, Girlfight, Captain Underpants and The Devil Wears Prada. I had the chance to chat with Teddy about his Emmy-nominated work on the Apple+ series Severance. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/followingfilms/support

“This place is an intellectual wasteland.” In this episode, we discuss the first movie adaptation of Jeff Kinney's hit book series: Diary of a Wimpy Kid, as well as briefly review the films we logged on our Letterboxd dairies in the past week. — TIME CODES: 00:00 - INTRO 01:40 - BASIC FACTS 03:06 - THE CHEESE 41:12 - WHAT WE WATCHED — Diary of a Wimpy Kid (2010) IT'S NOT A DIARY! IT'S A MOVIE. “Greg Heffley is headed for big things, but first, he has to survive the scariest, most humiliating experience of any kid's life – middle school! That won't be easy, considering he's surrounded by hairy-freckled morons, wedgie-loving bullies, and a moldy slice of cheese with nuclear cooties!” Directed by Thor Freudenthal and starring Zachary Gordon, Robert Capron, Steve Zahn, Devon Bostick, Rachael Harris, Chloë Grace Moretz, and Laine MacNeil Andrew McNee. Written by Jackie Filgo, Jeff Filgo, Gabe Sachs, and Jeff Judah, edited by Wendy Greene Bricmont, cinematography by Jack Green, score composed by Theodore Shapiro, and produced by Brad Simpson, Nina Jacobson, and Jeff Kinney. Find where to stream it here: https://www.justwatch.com/us/movie/diary-of-a-wimpy-kid — OUR LINKS: Recently Logged Main Webpage: https://anchor.fm/recentlylogged Letterboxd: https://boxd.it/30uy1 Micah's Stuff YouTube: https://youtube.com/channel/UCqan1ouaFGl1XMt_6VrIzFg Letterboxd: https://boxd.it/AkCn Twitter: https://twitter.com/micah_grawey Instagram: https://www.instagram.com/m_grawey_films/ Robbie's Stuff Website: https://robbiegrawey.com — EPISODE CREDITS: Recently Logged Podcast creators - Micah and Robert Grawey Hosts - Micah and Robert Grawey Songs used in this episode - Baroque Coffee House (Sting) by Doug Maxwell, Cartoon Bank Heist (Sting) by Doug Maxwell, and Hero Theme by Kevin MacLeod (Hero Theme by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ | Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100491 | Artist: http://incompetech.com/) Editor - Robert Grawey Episode art designer - Robert Grawey Episode Description - Robert Grawey --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/recentlylogged/support

To celebrate 2 years of Soundtrack Your Life, we present to you a very special guest: Craig Wedren, the former Shudder to Think front man, and current TV/Film composer. Craig fronted the highly influential rock band, Shudder to Think in the late 80s/early 90s before the band turned to soundtrack work. Shudder to Think soundtracked Jesse Peretz's 1997 film, First Love, Last Rites and 1998's Lisa Cholodenko's 1998 film, High Art. Craig continued to work the TV/Film space, creating music for films such as Wet Hot American Summer, School of Rock, and Role Models as well as TV shows like Reno 911, Don't Trust the B*tch in Apartment 23, Fresh Off the Boat, Shrill, New Amsterdam and Yellow Jackets. Shudder to Think happened to be on the bill for Ryan's first concert and Ryan has followed Craig's career ever since. They chat about: How Craig got a crash course in film scoring in college How he continues to work with his crew from college How the all-star vocal roster for First Love, Last Rites came about Why he has a vocal coach credit for Anchorman Returning to Wet Hot American Summer for Netflix How Craig met collaborators: Theodore Shapiro, Jefferson Friedman, and Anna Warronker For More Information about Craig Wedren: Website: https://www.craigwedren.com IG: https://www.instagram.com/craigwedren Twitter: https://www.twitter.com/craigwedren

Spoiler Warning: Skip 29:22 - 30:48 to avoid some Severance spoilers. There is an audible warning before spoilers within the interview as well. Theodore Shapiro's versatility as a storyteller spans across genres from slapstick screwball comedies like Dodgeball all the way to nuanced character dramas like The Secret Life Of Walter Mitty. Recently he re-teamed with director Ben Stiller for the acclaimed Severance on Apple TV+. The series is a wonderfully executed thriller that blends science fiction in a grounded modern reality with plenty of social commentary on top of well-developed characters and storytelling. Theodore shares a bit about his path to becoming a composer including taking us into his general approach. We discuss the great traits he loves in his regular collaborators like Paul Feig and Ben Stiller, and why he loves working with them. Theodore tells the story of how he first met Ben Stiller, which led him to scoring Dodgeball and eventually working with Ben when he was in the director's chair on Tropic Thunder. We look back at projects like Tropic Thunder, Zoolander 2, and do a bit of a dive into Severance. For Severance, we examine the approach Theodore took musically including how that intense season 1 finale was crafted, developing character arcs, working on the source music in the show, how the extraordinary main title sequence came together, favorite moments, and much more! A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Theodore Shapiro is one of the emerging superstars of film and television composing, with a background in comedies and recent breakout hits such as Apple TV+'s SEVERANCE, directed by Ben Stiller. Teddy talks about getting started on another breakout hit YELLOWJACKETS before handing off the series to his friends Craig Wedren and Anna Waronker. Then, we dive into the intensely cinematic, deeply intimate and isolated music for SEVERANCE. Plus, how Teddy and Ben Stiller found their groove during pandemic lockdowns. Interview by Kenny Holmes and Matt Schrader on MORE SCORE.

¿Estarías dispuesto a separar tu yo laboral de tu yo cotidiano, hasta el punto de que el uno no pueda recordar qué hace el otro? Analizamos la distopía laboral de Dan Erickson y Ben Stiller, primero en formato libre de spoilers y luego dando paso a las teorías más diversas sobre qué es Lumon Industries, qué hace y si habrá una opción "Tecno-flamenco de coches de choque" en la Music Dance Experience. Únete a nosotros en Telegram: t.me/redmarciana Con Jose Ceballos, Sergio Valencia y Eusebio Arias Edición: Jose Ceballos Temas de Theodore Shapiro, Ethan Sloan y Motörhead Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

#ProcessingSeverance host Rasha Goel talks to Theodore Shapiro, composer of the new #AppleTVPlus series #Severance. Process the show alongside our Hollywood Critics Association experts and share your feedback! More about Severance, Season 1: Cast: Adam Scott as Mark, Britt Lower as Helly, John Turturro as Irving, Christopher Walken as Burt, Patricia Arquette as Harmony Cobel / Mrs. Selvig, Jen Tullock as Devon, Zach Cherry as Dylan, Tramell Tillman as Milchick, Yul Vazquez as Petey, Dichen Lachman as Ms. Casey. Showrunner: Ben Stiller.

In a world where so many people have learned to start working from home the last couple of  years(and many still do), the phrase "don't take your work home with you" has become ever more dubious. But what if you could really leave it all at the office -- not just your work, but your memories of doing that work? That's the eerie premise of Apple TV+'s latest series, Severance, a Ben Stiller-directed corporate satire that imagines a company that allows its employees to undergo an experimental procedure to cleave their memories in twain. One of you, the "Innie," only remembers the time you spent in the office; the other, the "Outie," gets to live their off-work hours blissfully unaware of the stressors or responsibilities of the job.   It sounds nice in practice, but for the Innies who actually work for the Lumon Corporation, it's a special kind of existentialist hell, where all they know are the four white, antiseptic walls of their office. And it's a place that Mark (Adam Scott) and the other three members of his department will have to navigate, as they work to figure out what their real lives are like and discern what they're actually doing for Lumon.   Severance is easily one of the best shows of the year thus far, flitting effortlessly in tone between horror and workplace comedy and haunting character drama thanks to Stiller's stylish, unpredictable direction.   Aiding the feeling of banal claustrophobia the show engenders is the score by Emmy-nominated composer Theodore Shapiro, who's scored just about every comedy you ever loved in the 2000s (13 Going on 30, Dodgeball, Jennifer's Body). But his versatility really shines through in his work with Stiller, especially here, where the existential emptiness of Lumon, and the Innies' lives in it, is personified by ominous descending piano melodies and mind-mending instrumental distortions.   I was lucky enough to sit down with Teddy to talk about Severance, the challenges of TV scoring, stepping out of the comedy wheelhouse, and finding the right, restrained sound for such a complicated show.   You can find Ted Shapiro at his official website here.   Severance is currently streaming on Apple TV+. You can also listen to the score for Severance on your preferred music streaming service courtesy of Endeavor Content.   qcLMwdMXGXnrdWZvMjqB

Presented by ScreenTimes.net Screen Times Apple TV Release Calendar Screen Times: Apple Originals Award Season Guide ScreenTimes.net - Tweet Screen Times Sigmund Judge - Screen Times Interview with Theodore Shapiro

February 2022 - Pt 1In the latest episode of Between the Notes, your hosts, Tony Black & Sean Wilson, begin their look at film music in the month of February 2022 across two episodes.In this first part, they look at MOONFALL, THE BOOK OF BOBA FETT, PARALLEL MOTHERS & more, covering scores by composers including Alberto Iglesias, Ludwig Göransson, Theodore Shapiro and more.Plus! Sean provides his retro pick for the chosen theme - disaster movie scores - and in news, they discuss John Williams' latest foray into Star Wars and the latest Oscars debacle...Host / EditorTony BlackCo-HostSean WilsonSupport the We Made This podcast network on Patreon:Patreon.com/wemadethisTwitter: @btw_notesWe Made This on Twitter: @wmadethis / www.wemadethisnetwork.comTitle music 'Milky Way' (c) Peter Sandberg/Epidemic Sound

February 2022 - Pt 1 In the latest episode of Between the Notes, your hosts, Tony Black & Sean Wilson, begin their look at film music in the month of February 2022 across two episodes. In this first part, they look at MOONFALL, THE BOOK OF BOBA FETT, PARALLEL MOTHERS & more, covering scores by composers including Alberto Iglesias, Ludwig Göransson, Theodore Shapiro and more. Plus! Sean provides his retro pick for the chosen theme - disaster movie scores - and in news, they discuss John Williams' latest foray into Star Wars and the latest Oscars debacle... Host / Editor Tony Black Co-Host Sean Wilson Support the We Made This podcast network on Patreon: Patreon.com/wemadethis Twitter: @btw_notes We Made This on Twitter: @wmadethis / www.wemadethisnetwork.com Title music 'Milky Way' (c) Peter Sandberg/Epidemic Sound

Ahora puedes apoyar a ELDT con un único pago y la cantidad que prefieras: paypal.me/LibroTobias Tras el fin de la II Guerra Mundial, la lucha contra el comunismo comenzó a ser una obsesión para el Comité de Actividades Antiamericanas, que puso sus ojos en la colonia de Hollywood. Cualquiera que fuese sospechoso de haber pertenecido al partido o haber tenido relación con él, era incluido en las listas negras que posteriormente irían depurando a miembros de la Industria. Muchas carreras cinematográficas quedaron truncadas, gracias a que se utilizó a delatores entre los propios compañeros de profesión. Fragmentos: - Fragmento del principio extraído de la película “Trumbo”. - Fragmento del final extraído de la película “Buenas noches y buena suerte”. Canciones: - “Guilty by Suspicion” de James Newton Howard (de la película “Caza de brujas”) - “Eighty words a minute” de Theodore Shapiro (de la película “Buenas noches y buena suerte”) Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

In this episode, I'm talking with film composer Theodore Shapiro.  Theodore (Teddy) is one of the most prominent composers in Hollywood today.  His credits include many many well-known feature films and he has a deep passion for his work.  

Theodore Shapiro - Suite from The Devil wears Prada Theodore Shapiro - Office Chaos

In episode 2, host Jim Penola continues his deep dive of THE INVITATION with a reading of pages 6 through 15 of the screenplay––exploring the indelible score by Theodore Shapiro, the introduction of the ensemble cast, and the way those supporting players might amplify Will's (Logan Marshall-Green) grief instead of relieve it. | Original Score by John Penola | Additional Audio Production by Brandon Sheer | Follow us on Twitter: @AnInvitation and Instagram: @Invitation2Invitation | Email us: Invitation2Invitation@gmail.com |

Welcome to the third episode of COMPOSER CONVERSATIONS WITH DAVID COSCINA on CINEMATIC SOUND RADIO. On today's episode, David chats with Theodore Shapiro. Shapiro was born in Washington, D.C. He earned a Bachelor of Arts degree in music from Brown University in 1993, followed by a Master of Fine Arts in music composition from the Juilliard School in 1995. He is best known for his film scores, particularly for the comedies STATE AND MAIN, 13 GOING ON 30, ALONG CAME POLLY, THE DEVIL WEARS PRADA, FUN WITH DICK AND JANE, IDIOCRACY, YOU, ME AND DUPREE, WET HOT AMERICAN SUMMER, MARLEY & ME, TROPIC THUNDER, the Jay Roach film DINNER FOR SCHMUCKS and was one of the composers for DIARY OF A WIMPY KID. He's also worked on CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE, which was honoured as being the best score of 2017 by CINEMATIC SOUND RADIO and was awarded the 2017 IFMCA AWARD for Best Original Score For An Animated Film. His most recent projects include BOMBSHELL, SPIES IN DISGUISE and TROLLS WORLD TOUR. David spoke with Shapiro about his most recent work, his approach and methodology to writing the score to 2018's DESTROYER. Other topics include music technology, Shapiro's compositional background and the impact of working from home during the pandemic. Enjoy the show! —— Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Theodore Shapiro was born Washington, DC and is a composer who has delivered memorable music for some of the funniest movies of the past 10 years from the upbeat, jazzy sounds of THE DEVIL WEARS PRADA to the jungle-adventure send-up of TROPIC THUNDER and the sentiment of last MARLEY & ME.   He has scored a long list of amazing movies covering the spectrum from his work on the 2003 hit Old School, to the 2019 motion picture 'Bombshell'.  He has created the music for other amazing films such as 'Destroyer' directed by our past guest Karyn Kusama, 'Last Christmas', and 'The Devil Wears Prada'.   And we can't skip mentioning his amazing work on the HBO T.V. show "Game Change" for which he was nominated for an Emmy!     His careful touch has made him a sought-after collaborator for some of Hollywood’s leading directors.   Shapiro is a classically trained composer with a bachelor’s degree from Brown and master’s from Juilliard who, despite commissions for classical works, decided he’d rather be working in film. “   "Ask yourself the question, are you being kind to yourself, and take up that struggle to do it as much as you can." - Teddy Shapiro   Topics we discuss: Asking young people "what are they listening to" Taking the leap to Movies Difficulty of making the decision Turning down a huge Opera opportunity Being better His view that his work isn't good enough Using the next project to get better Being a composer for Comedy Films His aspirations What Creation is to him His process The instillation of confidence and belief His dad The people he collaborates with Early childhood musical influence What support looked like for him Managing Family with Success Impact of having Children   References: Theodore-Shapiro.com Iconoclasm John Adams and Thomas Ades (composers) John Williams Daily Chronicle   Credits: Lead editor + Producer: Ruf Holmes   Music: Main Theme: "Eaze Does It" by Shye Eaze and DJ Rufbeats, a More In Common Podcast Exclusive. Guest theme:  "Light Keys" by DJ Rufbeats created as a More In Common Podcast Exclusive.

Adam and Josh wrestle with GHB, a reality in which Benson was in a sorority, the continued mistreatment of the homeless, super rapey college bars staffed by enabling deviants, exposition machine Michelle Monaghan, miscast body types for collegiate swimmers, theories of the genesis of Christopher Meloni's entrée into Wet Hot American Summer, and apocryphal baseball lore which can only mean one thing: they watched "Consent," Episode 10 from Season 2 of Law & Order: SVU. Music: Divorcio Suave "Munchy Business" 4:49 - Flight of the Conchords "A Kiss Is Not a Contract" from Flight of the Conchords (2008) 13:36 - Harvey Sid Fisher "Scorpio" from Astrology Songs (1993) 19:19 - Theodore Shapiro & Craig Wedren "Higher and Higher" from Wet Hot American Summer (2001) 21:47 - Barry DeVorzon & Perry Botkin Jr. "Nadia's Theme (The Young and the Restless)" from Nadia's Theme (The Young and the Restless) (1976) Next week's episode: Season 7, Episode 13 "Blast"

Robert and Kenny begin the show discussing the dates changes to the Academy Awards and the Golden Globes in 2021 and what they watched recently, including HBO's new reboot of Perry Mason scored by Oscar-nominated composer Terence Blanchard. Then, Kenny asks Robert to share how his best buddy Bruce Willis helped turn Hudson Hawk into a reality in the latest installment of "Score Stories." Later, Theodore Shapiro joins the show to share his many tales of scoring some of the greatest comedies of the last two decades including Old School, Dodgeball, I Love You, Man, Tropic Thunder. Teddy also details his grueling, yet rewarding experience working with actor/director Ben Stiller, why he's always battling being pigeon-holed as the comedy composer and his process of trying to get editors original music before temp score is put into a film. This episode is presented by Spitfire Audio. Follow us on Twitter @ScoreThePodcast, or send Kenny and Robert your questions for the mailbox at ScoreTheMailbox@epicleff.com. Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto © 2020 Epicleff Media

"Maybe you're a penguin, Tim, but Julie's not a penguin. She's a lioness. Don't try to mate a lioness with a penguin. Ever.” Aside from a few dips onto other genres, Jay Roach generally sticks with comedies, and seems to fare well when he's doing big, broad ones. Take the Austin Power films, or perhaps Meet the Fockers. With such a strong curriculum vitae in comedy films, having him direct a remake of Francis Veber's Le Dîner de Cons looks great on paper. But when it comes time to write, make, and release the movie, does it hold up as well? Join us – Pete Wright and Andy Nelson – as we wrap up our Francis Veber and His Remakes series with the remake of his 1998 film Le Dîner de Cons with Roach's 2010 film Dinner for Schmucks. We talk about the general vibe that this remake feels so American, and what that means to the farce in the translation. We look at the construction of the characters and why we preferred them in the original. We chat about comedy beats that worked really well for us and gave us a sense of the Roach we were wanting. We discuss the nature of Veber's films and why they seem so translatable. We talk about the actors, notably Paul Rudd and Steve Carell, but also Bruce Greenwood, Octavia Spencer, Stéphanie Szostak, Zach Galifianakis, Jemaine Clement, Lucy Punch, and more. We touch on Theodore Shapiro's always great comedy score. And we touch on the title and how it compares to the original. It's an interesting concept for a film that doesn't hold up to the original, but it still allows for a great conversation. So check it out then tune in! The Next Reel – when the movie ends, our conversation begins. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: iTunes • Amazon • Netflix • YouTube Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

"Maybe you're a penguin, Tim, but Julie's not a penguin. She's a lioness. Don't try to mate a lioness with a penguin. Ever.” Aside from a few dips onto other genres, Jay Roach generally sticks with comedies, and seems to fare well when he's doing big, broad ones. Take the Austin Power films, or perhaps Meet the Fockers. With such a strong curriculum vitae in comedy films, having him direct a remake of Francis Veber's Le Dîner de Cons looks great on paper. But when it comes time to write, make, and release the movie, does it hold up as well? Join us – Pete Wright and Andy Nelson – as we wrap up our Francis Veber and His Remakes series with the remake of his 1998 film Le Dîner de Cons with Roach's 2010 film Dinner for Schmucks. We talk about the general vibe that this remake feels so American, and what that means to the farce in the translation. We look at the construction of the characters and why we preferred them in the original. We chat about comedy beats that worked really well for us and gave us a sense of the Roach we were wanting. We discuss the nature of Veber's films and why they seem so translatable. We talk about the actors, notably Paul Rudd and Steve Carell, but also Bruce Greenwood, Octavia Spencer, Stéphanie Szostak, Zach Galifianakis, Jemaine Clement, Lucy Punch, and more. We touch on Theodore Shapiro's always great comedy score. And we touch on the title and how it compares to the original. It's an interesting concept for a film that doesn't hold up to the original, but it still allows for a great conversation. So check it out then tune in! The Next Reel – when the movie ends, our conversation begins. Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: iTunes • Amazon • Netflix • YouTube Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

This next composer has scored legendary films like The Devil Wears Prada, Marley & Me, Blades of Glory, DodgeBall: A True Underdog Story, and Spy. In the animation world, he has made himself known as the composer of Captain Underpants: The First Epic Movie, Spies In Disguise, and most recently Trolls World Tour. He is a frequent collaborator of Ben Stiller and has scored The Secret Life of Walter Mitty, Tropic Thunder, and Zoolander 2. Born in Washington, D.C. he earned a Bachelor of Arts degree in music from Brown University in 1993, followed by a Master of Fine Arts in music composition from the Juilliard School in 1995. The composer is... Theodore Shapiro --- Support this podcast: https://anchor.fm/composertalk/support

The explosively popular Fire and Water Records is back! Ryan Daly welcomes Tom Panarese from Pop Culture Affidavit back to FWR for Soundtrack Selections volume 8. Raise your boombox high above your head as you blast back-to-back hits from Cameron Crowe movies. Soak up the sunshine and palm trees of Beverly Hills with Patti LaBelle, or give your soul-sucking office job the middle finger with The Geto Boys. All that and more, plus: a song from a Batman soundtrack! Finally, right?!! Track list “On the Dark Side” by John Cafferty and the Beaver Brown Band from Eddie and the Cruisers “Then He Kissed Me” by The Crystals from Adventures in Babysitting / Goodfellas “Clerks” by Love Among Freaks from Clerks “Somebody's Baby” by Jackson Browne from Fast Times at Ridgemont High “In Your Eyes” by Peter Gabriel from Say Anything “Stir it Up” by Patti LaBelle from Beverly Hills Cop “Damn it Feels Good to Be a Gangsta” by The Geto Boys from Office Space “Bad Days” by The Flaming Lips from Batman Forever “Higher and Higher” by Theodore Shapiro and Craig Wedren from Wet Hot American Summer “Every Time You Go Away” by Paul Young from Planes, Trains, and Automobiles “Storybook Love” by Willy DeVille and Mark Knopfler from The Princess Bride Additional music by Ray Parker, Jr.; The Soggy Bottom Boys; Whitney Houston; Prince; Will Smith; Madonna; Seal; Irena Cara. Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. Like the FIRE AND WATER RECORDS Facebook page at: https://www.facebook.com/firewaterrecords/ This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK. Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER – https://twitter.com/FWPodcasts Like our FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe to FIRE AND WATER RECORDS on iTunes: https://podcasts.apple.com/us/podcast/fire-and-water-records/id1458818655 Or subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Support FIRE AND WATER RECORDS and the FIRE AND WATER PODCAST NETWORK on Patreon: https://www.patreon.com/fwpodcasts Thanks for listening!

Anne Hathaway, el tema de la moda y Theodore Shapiro son 3 detalles que tienen en común estas 2 cintas que seguro ya las viste, ¡Dale play y entérate de estos datos curiosos en #AquíSeHablaDeOtrasCosas !

On today's new episode of THE FLAGSHIP SHOW on CINEMATIC SOUND RADIO, I begin a four-part series dedicated to my favourite scores from the past ten years.  On part one I’ll be talking about and playing music from my number 20 – 16 favourite scores of the past decade.  You'll be hearing music from such composers as Andy Hull, Robert McDowell, Marco Beltrami, James Newton Howard, Christopher Willis, Theodore Shapiro and Jonny Greenwood.  Selecting the scores for these shows was an interesting exercise. I had to go back through all my best-of lists since 2010, listen to all the top 5 scores from those years and then pick my 20 favourites. Putting them in order was the toughest part because, in all honesty, I love all of these scores featured in these shows. I was actually contemplating presenting them alphabetically to make it easier for me, but that would be cheating and wouldn’t be as interesting or as fun! Again, these are my favourites. No doubt you are going to have a much different list. If you do, please share it with me on Twitter, Facebook or on cinematicsound.net. I’d love to read what you liked over the past ten years! Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to the premiere episode of FILMIC WITH LEY BRICKNELL on CINEMATIC SOUND RADIO. —— Note from Erik Woods: I have been a fan of Ley’s show for years. I first discovered her eclectic program when it was on the RadioNowhere network where it debuted back in 2009. Her month show brought me much joy and I discovered a lot of music I had never heard before AND I even stole a few ideas from her show for myself. For instance, when I was on WROCK Radio I presented a segment called the “John Williams Score of the Week.” Well, that was completely ripped off from Ley’s monthly John Barry segment on her show. Sadly in 2017, RadioNowhere shut down and FILMIC didn’t have a home. Fortunately, Ley began broadcasting her shows on Mixcloud. Back in the fall of 2019, I was losing Brandon Shea-Mutala’s excellent BREAKING THE WAVES program and I immediately put out the call to Ley to see if she was interested in joining CINEMATIC SOUND RADIO to fill the spot. Ley was struggling to find an audience on Mixcloud so I thought her jumping over to CSR was the best way for her to find that audience. I’ve even had the pleasure meet Ley face to face back in the summer of 2016 when she vacationing in Ontario. We went out for a wonderful lunch at a local brewing here in Kitchener-Waterloo. We would have talked forever if we were allowed to, unfortunately, we could only spend and hour chatting about… well… film music of course. Ley is a charming, sweet. funny, friendly, warm human being and I hope I have the honour of meeting her again sometime soon. So, please give a warm CINEMATIC SOUND RADIO welcome to Ley Bricknell and her brilliant show FILMIC. Say hi to Ley in the comments below or send her an email to let her know how much you love her show. I’m sure she would appreciate it! —— On FILMIC's premiere episode here on CINEMATIC SOUND RADIO, which is actually FILMIC’s 71st broadcast, Ley presents some late 2019 releases, new releases, a classic vintage soundtrack from 1947 and a tribute to Kirk Douglas. Composers include John Powell, Ennio Morricone, Brain Easedale and Theodore Shapiro with music from such films as CALL OF THE WILD, MY NAME IS NOBODY, BLACK NARCISSUS, SPIES IN DISGUISE and much, much more. Enjoy! —— ABOUT LEY BRICKNELL A miss-spent youth can be applied to Filmic presenter Ley Bricknell, she missed the Rolling Stones, a lot of classic TV and the phenomena that was Discotheque due to inhaling movies as often as she could. Black & White, Technicolour, world and indie – she watched them all. It became the scores which made the most impression. Whilst friends were boogying on down to the latest chart hits, Ley would spend endless hours listening to the John Barry scores for the 007 films and other movie music. Hard earned cash soon disappeared on soundtracks, be it vinyl or CD (and now downloads) and what started as an interest has grown into a passion with a collection which seriously needs to be put in alphabetical order! Ley has been involved in radio production and broadcasting for over 25 years. Filmic has been on the air for 10 years playing new and vintage scores and together with it’s ‘weird and wonderful’ segments – you never quite know what you’re going to get! Popcorn compulsory. —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Our guest on this week's soundtracking is something of a protofeminist in Hollywood terms, in that he makes it his mission to put strong, charismatic women at the very centre of his narratives. Paul Feig made his name with Bridesmaids in 2011 - a much loved comedy starring Kristen Wiig, Rose Byrne and Mellisa McCarthy that has more than stood the test of time. 8 years later he's back with another female-led offering, Last Christmas, which was written by (and features) Emma Thompson and sees Emilia Clarke take the lead. Scored by Paul's regular collaborator Theodore Shapiro, Last Christmas is held together musically by a string of George Michael classics, both of whose work you'll hear plenty of ...

Our weekly bonus episode where we reflect on our main interview of the week—this time with Theodore Shapiro, film composer for over 70 motion pictures from Wolf of Wall Street to Marley & Me and Ghostbusters to the forthcoming Fair & Balanced.  See omnystudio.com/listener for privacy information.

Film composer Theodore Shapiro has scored over 70 films, from The Wolf of Wall Street to The Devil Wears Prada, Marley and Me to Ghostbusters. Unfortunately, none of his success has stopped The Resistance. Here's our honest conversation about the balance between contentment and ambition and how enough is never really enough. See omnystudio.com/listener for privacy information.

Theodore Shapiro joins Anthony to discuss his career and work on the film 'Destroyer'.

This triple-interview-episode features Kristen Romanelli's conversations with the composers for three major movie releases from December of 2018: AQUAMAN'S Rupert Gregson-Williams, DESTROYER's Theodore Shapiro and MOWGLI's Nitin Sawhney! You'll dive deep into the stories and motivations behind each score as well as the intricate, specific techniques employed by each composer for each of these very different film projects.Episode Highlights01:11 - Theodore Shapiro (Destroyer)14:36 - Nitin Sawhney (Mowgli: Legend of the Jungle)35:00 - Rupert Gregson-Williams (Aquaman)Music Selections 00:00 Destroyer - The Calling Card by Theodore Shapiro02:21 Destroyer - DUI by Theodore Shapiro04:27 Destroyer - Hungry Little Mutt by Theodore Shapiro08:04 Destroyer - Taz by Theodore Shapiro09:48 Destroyer - Full Circle by Theodore Shapiro11:27 Destroyer - Bank Shootout by Theodore Shapiro12:18 Destroyer - Bank Job Gone Wrong by Theodore Shapiro13:53 Destroyer - Chaconne by Theodore Shapiro14:35 Mowgli - The Wolf Boy by Nitin Sawhney18:28 Mowgli - Bagheera Finds Mowgli by Nitin Sawhney20:50 Mowgli - Kaa's Lair by Nitin Sawhney21:50 Mowgli - Challenging Khan/The Fight/There's The Hunter by Nitin Sawhney22:59 Mowgli - Holi Festival by Nitin Sawhney24:15 Mowgli - Lori (Lullaby) by Nitin Sawhney27:05 Mowgli - You Are A Man Cub by Nitin Sawhney34:29 Mowgli - Changes (feat. Kara Marni) by Nitin Sawhney34:59 Aquaman - Arthur by Rupert Gregson-Williams38:03 Aquaman - Black Manta by Rupert Gregson-Williams40:21 Aquaman - He Commands The Sea by Rupert Gregson-Williams42:06 Aquaman - Kingdom of Atlantis by Rupert Gregson-Williams45:20 Aquaman - Reunited by Rupert Gregson-WilliamsNotes:Read the full composer interviews on FSM Online (Subscription Required)Find and Follow:Follow Kristen Romanelli on Twitter - @kbfornowFollow The Soundcast on Twitter - @audiosoundcastSpotify: Find our Spotify Companion Playlist here! Support Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracksSubscribe and More InfoaCASTGOOGLE PLAYiTUNESRSS FEEDSPOTIFYSTITCHER RADIOTUNEIN RADIO

In our latest episode of The Pop Disciple Podcast, we are joined by Theodore Shapiro, the sophisticated composer behind Karyn Kusama's gritty crime thriller, Destroyer and Blue Sky Studios' animated comedy, Spies in Disguise. ABOUT POP DISCIPLE Pop Disciple is a storytelling platform, exploring the creative work of entertainment industry professionals. With a focus in music in media, we present in-depth interviews with world-class music supervisors, film and television composers, and influencers in the realms of film and music. Visit PopDisciple.com. Follow @PopDisciple on Instagram. Music Credits Podcast Theme & Outro Music: Goldo Cues Throughout Episode: Theodore Shapiro

On today’s episode, we are presenting the long-awaited, final episode of our TOP 20 FAVOURITE SCORES OF 2017 program. I’ve been absent from the program for about a month now. A terrible flu ripped through my family in February, which also affected me, and only now am I starting to feel somewhat normal. The first part of our countdown celebrated selections 20 through to 11. You can hear that program by going to http://www.cinematicsound.net/favourite-scores-of-2017-part-i/ Today’s program presents suites from selections 10 through to 1 featuring the film, TV and video game music of Alexandre Desplat, John Williams, Theodore Shapiro, Jonny Greenwood, Yoko Kanno, George Kallis, Christopher Willis, Yasunori Mitsuda and Michael Giacchino. While I’m sure your personal best of 2017 list is very different than mine, I never expect anyone’s favourites to mirror my own, I offer you a chance to put me in my place. Please feel free to contact me or write in the comments section below with scores that I might have left off the list. With that, enjoy the countdown! Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

[Watch the video interview on our YouTube Channel] Composer Theodore Shapiro sits down and talks in great depth about his career and recent works in this episode of All Access. Shapiro's filmography is unique in that his scores always seem to transcend genre boundaries and focus solely on the characters and emotional arcs no matter if the movie incorporates comedy, action, horror or drama. We talk at lengths about how he aspired to be a composer and that film composition came later down the road. The topic of typecasting comes up and Theodore talks about why it seems he tackles lots of comedies and action/comedies. We go into great lengths about building relationships and working with directors such as David Mamet, Ben Stiller and John Hamburg. Theodore also discusses his approach for certain films like The Secret Life Of Walter Mitty, Spy and his most recent score to Ghostbusters. We also touch upon the controversial backlash towards the new Ghostbusters and Theodore shares his whole view on the situation. Theodore Shapiro is such a great talent and a composer who has been able to build a unique sound as a storyteller whose music is admired by many. It was a great honor to have him as a guest. Interview Produced & Presented By:Kaya Savas Special Thanks:Theodore Shapiro

On this week’s episode of CINEMATIC SOUND RADIO, we will be playing music from brand new soundtrack releases only. You’ll hear selections from CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE by Theodore Shapiro, ANNABELLE HOOPER AND THE GHOSTS OF NANTUCKET by David James Nielsen, ALBION: THE ENCHANTED STALLION by George Kallis, SPIDER-MAN: HOMECOMING by Michael Giacchino, “Love” from BOSS BABY by Conrad Pope, WAR FOR THE PLANET OF THE APES by Michael Giacchino, DEFORMERS by Austin Wintory, THE MUMMY by Brian Tyler, WONDER WOMAN by Rupert Gregson-Williams and selections from LIGHTS, CAMERA… MUSIC! SIX DECADES OF JOHN WILLIAMS including HEIDI, GOODBYE, MR. CHIP, and SLEEPERS. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

Matthew Sweet with music for films mapping female power and male anxiety - in the week that has seen the launch of the remake of Ghostbusters starring Kristen Wiig, Kate McKinnon and Melissa McCarthy. The programme features scores by James Bernard, David Arnold, Angelo Badalamenti, Brian Tyler, Jerry Goldsmith, Patrick Doyle, James Newton Howard and Theodore Shapiro. The Classic Score of the Week is "Some Like It Hot".

MovieInsiders ain't afraid of no Ghostbusters review! Of het nu de nieuwe oestrogeen remake is of de testosteron klassieker uit 1984, ze krijgen een eerlijke en onpartijdige analyse. De controverse rondom de film loopt de spuigaten uit, maar is de versie met dames nou wel of niet een remake? En zo ja, kan die zich dan in de toekomst bij het rijtje beste remakes voegen? 00:00 Introductie 02:01 Recensie: Ghostbusters '16 Gast: Anne 20:47 Filmmuziek: Ghostbusters '16 (componist Theodore Shapiro) 24:09 Jee of Nee 25:36 Klassieker: Ghostbusters (1984) 37:34 Filmsong: The Bus Boys - Cleanin' up the Town (uit Ghostbusters '84) 40:47 Top 5: Beste Remakes 66:02 Vooruitblik en Filmmuziek: 13 Assassins (componist Kôji Endô) Presentatie: Gudo en John

On this week’s episode of CINEMATIC SOUND RADIO we’ll be featuring music from three brand new film scores. We open the program with music from Theodore Shapiro’s score to the rebooted version of GHOSTBUSTERS. You’ll also hear selections from Rupert Gregson-Williams’ THE LEGEND OF TARZAN and music from one of the scores of the year, SWISS ARMY MEN by Andy Hull and Robert McDowell. Our John Williams album of the week is music from Steven Spielberg’s 1997 film AMISTAD. Our re-recording of the week comes from MovieScore Media new album ELIA CMIRAL: THE CHAMBER SUITES featuring music from RONIN, APARTMENT ZERO and ATLAS SHRUGGED PART ONE. Our video game score of the week is from the cancelled video game FABLE LEGENDS with original music by Russell Shaw. And our film music vault selection is Quincy Jones and Gerald Friend Emmy award winning music from the 1977 television mini-series ROOTS. And we’ll celebrate the 25th anniversary of three films with music from TERMINATOR 2: JUDGMENT DAY by Brad Fiedel, CITY SLICKERS by Marc Shaiman and Michael Kamen’s classic score to ROBIN HOOD: PRINCE OF THIEVES. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

Matthew Sweet presents a selection of film music inspired by the fears of communist infiltration in Hollywood in the late 40s and 50s and the persecution of the "Hollywood 10" and others, in the week of the launch of Jay Roach's new film "Trumbo" with music by Theodore Shapiro. The programme features music from "Red Dawn", "Silk Stockings", "The Day The Earth Stood Still", "High Noon", "Inherit The Wind", "The Eternal Sea", "The Caine Mutiny", "On The Waterfont", "Spartacus" and "Exodus".

This week on the Crossrip: news, updates, and a look back at the animated Extreme Ghostbusters on its 18th birthday! First up, a quick update on "King of the Ghostbusters" Peter Mosen, Troy and Chris dance around some GB16 casting spoilers (but don't spoil them), Theodore Shapiro might be scoring Feig's new film (and what does that mean for Henry Jackman? Or Hugh Jackman for that matter?), Yahoo has a great interview with Paul Feig on spoilers, and NYCC promises Diamond Select Reveals and a scavenger hunt for Ghostbusters: The Ultimate Visual History. After the news, stick around for discussion on Extreme Ghostbusters, where were Chris and Troy when it first aired? How did the internet play into its release? What went wrong with the show's ratings? And why hasn't it been released on a digital home video format? All that and more in another jam-packed Crossrip!

Matthew Sweet presents an edition of music from spy movies, featuring scores from gritty Carré-esque espionage films to James Bond action fantasies. This week's new release is Paul Feig's "Spy", starring Melissa McCarthy, with a score by Theodore Shapiro. Other featured films include "The Lady Vanishes"; "The Third Man"; "On Her Majesty's Secret Service"; "The Spy Who Came In From The Cold"; "Tinker, Tailor, Soldier, Spy" and Matthew's Classic Score of the Week - Roy Webb's music for Alfred Hitchcock's "Notorious".

Interview: Theodore Shapiro (Year One) Marius Masalar speaks with composer Theodore Shapiro regarding his latest effort for the film YEAR ONE. He shares about his approach to scoring comedies as well as the unique musical opportunities YEAR ONE afforded him. Recorded June 04, 2009 Published June 24, 2009 Episode Highlights 00:00 - Opening 00:30 - Part I: The King of Comedy Scoring? 03:10 - Part II: Musical deadpan versus slapstick 06:01 - Part III: Unique opportunities in Year One 10:24 - Part IV: Keeping it all together 16:15 - Part V: Deadlines 19:28 - Part VI: Breaking new ground and conclusion Music Clips (Select music clips contained in this podcast) 00:00 Bazaar - Year One (Theodore Shapiro) 05:23 Zed to the Rescue - Year One (Theodore Shapiro) 09:47 Abraham and Isaac - Year One (Theodore Shapiro) 16:01 Hut Burner - Year One (Theodore Shapiro) 19:34 The Chosen Ones - Year One (Theodore Shapiro)