Podcast appearances and mentions of Leonard Nimoy

Before there was streaming Trek or "immersive experiences," there was something almost unbelievable: an officially licensed Star Trek stage play in London in 1994. This week on The Trek Files, Larry Nemecek welcomes actor Adrian Cohen (credited at the time as Adrian Neil), who played Mr. Spock in the ambitious theatrical production mounted during the height of the Star Trek: The Next Generation era. Using a clipping from the London Evening Standard as the document of the week, Adrian recounts the surreal experience of stepping onto a full-scale Enterprise bridge in front of packed houses of passionate British Trek fans. What began as a skeptical audition ("I can't play Spock!") quickly evolved into a whirlwind production featuring transporter effects, Klingons, time travel, elaborate costume changes, and even an Enterprise flying out over the audience. Adrian and Larry explore how producer John Gore approached the material with both reverence and playful theatricality, creating something that celebrated Star Trek rather than parodying it. Along the way, Adrian shares memories of discovering just how intense Trek fandom could be, the pressure of channeling Leonard Nimoy's iconic presence, and the unexpectedly emotional reaction from audiences seeing Star Trek brought to life on stage for the very first time. This week, The Trek Files points a spotlight at a little-known corner of improbable yet completely inevitable Trek history. Documents and Additional References London Evening Standard clipping covering the 1994 Star Trek stage production Reference: Adrian Cohen on IMDB Reference: Leonard Nimoy John Gore on IMDB John Gore on BoradwayWorld The Trek Files Season 15 on Memory Alpha All episodes and documents: The Trek Files on Memory Alpha Visit the Trekland site for behind-the-scenes access and exclusive merchandise. The conversation continues on Discord with live chats and the Roddenberry Podcasts community! Join today!

Like what you hear? Show some love and send a text. #CheersReels, Booze & Bro's (RB2Podcast) boldly goes where we've never gone before as we dive into Star Trek (2009), the blockbuster reboot that brought the legendary sci-fi franchise into hyperspace for a new generation.Chris Pine steps into the captain's chair as James T. Kirk, while Zachary Quinto delivers a fantastic take on Spock, creating one of the most compelling rivalries—and friendships—in modern sci-fi. We break down the alternate timeline, the emotional impact of Leonard Nimoy's return, and how J.J. Abrams managed to satisfy longtime Trekkies while welcoming newcomers aboard.From thrilling space battles and memorable one-liners to Karl Urban's scene-stealing performance as Bones, we discuss why this movie remains one of the gold standards for franchise reboots. And of course, we're pairing this interstellar adventure with some booze-worthy brews worthy of a celebration on the Enterprise.So grab a drink, engage the warp drive, and join us for a fun, nostalgic, and action-packed breakdown of Star Trek.Support the show

Star Trek IV – The Voyage Home, Teil 17: 400 Tonnen Wal, ein beleidigter Spock & klingonischer Gegenwind! Kirk will nur schnell zurück ins 23. Jahrhundert, aber Gillian Taylor denkt sich: schöne Zeitreise, ich komme mit. Also hebt die getarnte Bounty aus dem Golden Gate Park ab, wirbelt Jogger:innen um, sucht Wale auf einer viel zu groben Frequenz und steuert mit fragwürdiger Physik Richtung Beringsee. Ganz normaler Dienstag in San Francisco, nur mit mehr Buckelwal und weniger funktionierender Kausalität. In dieser Folge rechnen wir uns durch Scottys berühmte 400 Tonnen, erklären, warum 401 Megahertz gleichzeitig erstaunlich gut und absolut unbrauchbar ist, schauen auf das Presidio als zukünftigen Sitz der Sternenflotte und erleben McCoy in Höchstform, wenn er Spock mit einem einzigen Satz liebevoll diagnostiziert. Dazu: Transporter-Horror, Full Impulse als atmosphärischer Scheibenvernichter und die Frage, ob Star Trek gerade aus einem alten Militärposten eine Zukunft baut, die endlich etwas gelernt hat.

When Three Men and a Baby opened on 25th November 1987, few could have predicted that a low-budget remake of a French comedy, shot in Toronto, starring two television actors, a comedy star and a baby girl, would become the highest-grossing film of the year in the US and a genuine turning point in Hollywood history. Yet that is precisely what it did.The film arrived at a specific cultural inflection point. More women were entering the workforce, the feminist movement was reshaping assumptions about domestic labour, and the recession of the early eighties had nudged more fathers into caregiving roles. Against that backdrop, watching Tom Selleck's broad-shouldered leading man coo helplessly over a baby carried real comic charge, and tapped into something the culture was quietly working through: what modern fatherhood might actually look like.But the film's off-screen legacy is arguably more significant than anything on it. Disney in 1983 had nearly gone bankrupt on the catastrophic failure of The Black Cauldron. The creation of Touchstone Pictures and its low-budget, high-concept adult comedies was the rescue plan. Three Men and a Baby was its greatest proof of concept: the studio's first ever $100 million domestic grosser, crowning Disney as the number one studio in Hollywood by the end of 1987. The revenue that film and its Touchstone stablemates generated bought the animation department enough time, talent, and resources to complete The Little Mermaid two years later, and triggered the Disney Renaissance.A film about three hapless bachelors and an abandoned baby, made cheaply and quietly in Canada, may be one of the most consequential comedies Hollywood ever produced.Support Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

This week's Inbox of Oddities is packed with nightmare fuel, Viking poop lore, haunted farmhouse crawlspaces, ghost geese, forbidden islands, creepy imaginary friends, and one truly alarming email titled “Wombat Geometry.” Yes. Really. Kat and Jethro dive into listener stories that range from hilariously bizarre to deeply unsettling — including children hearing crying inside walls, mysterious cigarette smoke lingering in a 200-year-old farmhouse, and the psychological differences between fearing heights, edges, and falling. Along the way, they discuss Niʻihau, Hawaii's mysterious “Forbidden Island,” Leonard Nimoy's classic In Search Of, escalator phobias, Viking digestive disasters, and whether ghost geese should properly be called “poltergeese” or “poultrygeists.” Plus: The world's largest fossilized human turd A box full of detached Roman statue dicks Spam emails about cube-shaped wombat poop Strange things kids say that absolutely should not be repeated after dark Cat's mission to rescue dogs from Ecuador The Freak Family once again proving they're the greatest community on earth If you like creepy listener stories, weird history, paranormal oddities, dark humor, and the kind of conversations that spiral from Viking bowel movements to haunted walls in under three minutes, this episode is your happy place. #BoxOfOddities #InboxOfOddities #ParanormalPodcast #WeirdHistory #GhostStories #LeonardNimoy #Niihau #ForbiddenIsland #WombatGeometry #VikingHistory #TrueWeird #FreakFamily Learn more about your ad choices. Visit megaphone.fm/adchoices

What happens when a video game stops playing by the rules? Doug and returning guest Noah (Gunchpot) go deep on the most creative, bizarre, and genuinely brilliant video game mechanics ever designed — from games that fake-crash your console to math games that secretly turn into space jail simulators. Games covered include Shenmue (the 1999 Dreamcast game that made boredom part of the experience by giving you an actual forklift job), Seaman (raise a fish with a human face that insults you, narrated by Leonard Nimoy), Eternal Darkness: Sanity's Requiem (the GameCube horror game that fake-deleted your save file and muted your TV on purpose), Metal Gear Solid (Psycho Mantis reads your memory card and comments on your other games), Facade (a 2005 AI couples therapy simulator where typing the word "melon" gets you thrown out of the apartment), Frog Fractions (a browser math game that secretly turns into a completely different game — then hid its sequel inside an entirely separate game for years), Doki Doki Literature Club (the anime dating sim that deletes characters from your hard drive as part of its horror), Disco Elysium (where your skills literally argue with you and you can fail a check just trying to get out of bed), and WarioWare (five-second micro games with one-word instructions and zero hand-holding). Plus: QWOP, Baby Steps, Superhot VR, Keep Talking and Nobody Explodes, I Am Bread, and more. Before all that: Noah is working through 800 of 1,000 movies on his Letterboxd watchlist, watched Ghostbusters and Jurassic Park for the first time this year, and is deep in the David Lynch rabbit hole. Doug's dog Bruno had a very eventful Mother's Day morning involving a rabbit, a shovel, and a crow. Then it's time for The Verdict — the Letterboxd review guessing game. This round covers The Mummy, Devil Wears Prada 2, Nosferatu, Longlegs, Conclave, Barbie, Glass Onion, and Andor. This week's recommendations: Noah: Casino Royale. One of the best action films ever made, full stop. Doug: Potion Seller's debut album Buzzard is out now. Go listen. Brainsynthesizer.com for merch and physical copies.   Subscribe: https://youtube.com/mindgappodcast  Join the Discord: https://discord.gg/T3HwyEw5v7  Listen everywhere you get podcasts  Support us on Patreon: https://www.patreon.com/mindgappodcast Merch on Redbubble: https://www.redbubble.com/shop/ap/67768184  

Imagine it's 1979. You queue up to see STAR TREK: THE MOTION PICTURE over the holidays. You're super psyched. Not since "Space Seed" have you been so high on the idea of boarding the Enterprise. And then you see ST:TMP and feel like you'd have more fun watching a documentary of William Shatner and Leonard Nimoy talking about taking a shit than you would watching that bloated, dull, space opera. Now imagine it's 1982. You queue up to watch WRATH OF KHAN because it can't be worse than TMP, right? And not only is it not worse, IT'S FUCKING GANGBUSTERS, THE BEST STAR TREK MOVIE ANYONE WILL EVER MAKE, SPACE: THE FINAL FRONTIER, FUCK YEAH! Now imagine this same scenario, except instead of TMP it's MORTAL KOMBAT from 2021, and WRATH OF KHAN is MORTAL KOMBAT II (3:04). That's right. MORTAL KOMBAT II IS FUCKING GANGBUSTERS, THE BEST MORTAL KOMBAT MOVIE ANYONE WILL EVER MAKE (probably), FINISH HIM, MOTHERFUCKER, FUCK YEAH! Or something like that. Over on Patreon, we talk about Walter Hill's 1982 classic 48 HRS.

For our second Not-So-Terrible-2, we have the best turnaround for a sequel that Hollywood has ever seen: Star Trek II: The Wrath of Khan. After the boring failure that was Star Trek: The Motion Picture, Paramount pulled in someone who had never seen Star Trek to direct the film, Nicholas Meyer. Starring William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Walter Koenig, Nichelle Nichols, Bibi Besch, Merritt Butrick, Kirstie Alley, and an incredible performance from Ricardo Montalbán.

Back in 1966, a little science fiction show boldly went where no television series had gone before. To celebrate the 60th anniversary of Star Trek: The Original Series, we assembled a pod dedicated to the show that changed TV with its swashbuckling adventure, big ideas, and thoughtful morality tales. We discuss the initial vision for the series and the unforgettable cast who brought it to life — including William Shatner, Leonard Nimoy, Nichelle Nichols, and the rest of that legendary bridge crew. Along the way, we revisit our favorite episodes like “Amok Time” and “The Enemy Within,” and explore why these stories still hold up.  We also shout-out parodies and homages to Trek like Galaxy Quest, Free Enterprise, and the chilling Black Mirror episode “USS Callister.” So grab your communicator, set phasers to fun, and join us as we celebrate sixty years of Star Trek: The Original Series! Special guest host: Warren Drummond (Los Angeles-based storyboard artist and author of "A Hard Day's Work.") Special featured guests: RobinTreks, Harley M, and Thomas N. Perkins. 

⁠⁠Take the Glitterjaw Listener Survey⁠⁠⁠⁠ and enter to win a $50 gift card!BONUS EPISODE! We complete the prophesized Weird Fox Crossover Trifecta when Mulder and Scully meet The Simpsons in "The Springfield Files"! X-Files fan Ben from Little Dead Aliens and Simpsons fan Tommy from Lee Carvallo's Podding Challenge join us for this zany episode that also includes Leonard Nimoy, some of the most iconic AND dated Simpsons jokes, and maybe...not enough Mulder and Scully?⁠Check out Little Dead AliensCheck out Lee Carvallo's Podding ChallengeCheck out Distant Echoes: A Star Wars PodcastA proud part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tip us on Ko-Fi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Gimmicks Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gimmickspodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme song:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Disco Tears" by Raven⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Creative Commons Attribution 3.0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In Episode 13 of Out To Get You, we are joined by Jadzia Axelrod, author of The DC Book of Pride, Galaxy: As The World Falls Down, and the upcoming Justice League: Dream Girls, to take the shape of Philip Kaufman's adaptation of Invasion of the Body Snatchers! Content Warning:This episode contains discussion of gaslighting, systemic othering and eradication, referring to a character by the actor's name, and more topics that may be sensitive for listeners.In this episode, we discuss the collapse of the social contract, through the lens of personal autonomy, social murder, and the threat of forced assimilation, in this 1978 sci-fi thriller starring Donald Sutherland, Brooke Adams, Veronica Cartwright, Jeff Goldblum, and Leonard Nimoy.Follow Jadzia on BlueSky and pick up Galaxy: As The World Falls Down at your local bookstore or comic shop today!Follow Out To Get You on BlueSky and Patreon for new episodes, bonus content , and more, and get your own Valentine M. Smith-designed merch at TeePublic.Questions for Possession (1981) are open through Sat, May 9th, 2026.Send your questions and comments to OutToGetYouPodcast@gmail.com.

Today on another brand new episode of the Rarified Heir Podcast we are talking to Adam Nimoy, son of actor, director, pilot, musician and much more, Leonard Nimoy. We spoke to Adam about growing up the child of one of the most beloved actors of his generation because he portrayed one of the most iconic characters of the 20th century, Spock from Star Trek in television and film. Of course, not too long ago we spoke to Adam's sister Julie Nimoy and brother-in-law David Knight and we learned a few things about Leonard. But this one is just a bit different. On this episode, we learn from Adam about the relationship, struggles and finally  acceptance he had with his father which was outlined in two books, 2008's My Incredible, Wonderful, Miserable Life:An Anti Memoir and 2024's The Most Human: Reconciling with My Father, Leonard Nimoy. Among other things, it was with the help of getting sober and a 12-Step program that both father and son leaned on to connect after a period of estrangement and also how it helped to be open and honest and share – something that was in limited supply for most of Adam's life. Along the way, we take a deep dive in L.A. nostalgia including our shared education at University High School in West L.A, restaurants he and his family frequented, several of his father's automobiles, the Paisley Underground scene of the 1980s, how the band the Rain Parade were his first clients when he was becoming a lawyer via his relationship growing up with them as a kid, Leonard's TV movie Baffledwhich holds a special place in host Josh Mills's heart and how the last vestiges of the beloved Stan's Donuts in Westwood has finally closed shop. This is the Rarified Heir Podcast. Everyone has a story. Live long and prosper friends. Take a listen.

Zo impossibly finds himself on a futuristic space craft ostensibly designed for science and exploration, but for a space craft of peace, the U.S.S. Enterprise is sure loaded for bare with powerful shields, nimble impulse engines, deadly accurate phasers, devastating photon torpedoes and a brilliant Captain. She will require all of these advantages as her Captain and crew discover and attempt to dismantle a galaxy spanning conspiracy that threaten to plunge the United Federation of Planets into an endless war with the Klingon Empire.   Episode Chapters: 00:02:50 Opening Credits for Star Trek VI: The Undiscovered Country starring William Shatner, Leonard Nimoy and Deforest Kelly, Kim Cattrall and Christopher Plummer 00:32:52 Favorite Parts of the 1991 film Star Trek VI: The Undiscovered Country 01:50:03 Trivia from the intergalactic political thriller - Star Trek VI: The Undiscovered Country 01:59:20 Critics' Thoughts on Nicholas Meyer's Star Trek VI: The Undiscovered Country Please leave a comment, suggestion or question on our social media: Back Look Cinema: The Podcast Links:Website: www.backlookcinema.comEmail: friends@backlookcinema.comYouTube: https://www.youtube.com/@backlookcinemaTwitter: https://twitter.com/backlookcinemaFacebook: https://www.facebook.com/BackLookCinemaInstagram: https://instagram.com/backlookcinemaThreads: https://www.threads.net/@backlookcinemaTikTok: https://www.tiktok.com/@backlookcinemaTwitch https://www.twitch.tv/backlookcinemaBlue Sky: https://bsky.app/profile/backlookcinema.bsky.socialMastodon: https://mstdn.party/@backlookcinemaBack Look Cinema Merch at Teespring.comBack Look Cinema Merch at Teepublic.com Again, thanks for listening.

We Kept Watching! Ian and Matthew return to Leonard Nimoy and the 1970s investigation show In Search of…, to explore the episodes involving ships and all things nautical. The Titanic, The Bermuda Triangle, and more!

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

Recovery is The Most Human Journey with Adam NimoyLearn more about Adam Nimoy and The Most Human:Website - https://adamnimoy.comTwitter - https://twitter.com/AdamNimoyThe Most Human: Reconciling with My Father, Leonard Nimoy - https://a.co/d/0bCxpCVm Recovery literature (quit-lit) recommendations:AA Big Book - https://www.aa.org/the-big-bookThe ToraSacred Housekeeping: A Spiritual Memoir - https://a.co/d/0iMtLg69 Best piece of Recovery advice: Hold On Song that symbolizes recovery to Adam: Get Together by TheYoungbloods - https://youtu.be/7xGxQXmu7Os?si=CM8gXh9rjHFinZQ4 Summary In this inspiring interview, Adam Nimoy shares his journeythrough recovery, the transformative power of 12-step programs, and theprofound reconnection with his father. Discover practical insights on living ameaningful, connected life and the importance of service, forgiveness, anddaily routines in recovery. Key  topics The role of 12-step programs in recoveryReconciliation with family and forgivenessDaily routines and small acts of service in sobriety Don't forget to check out “The Way Out Playlist” availableonlyon Spotify. Curated by all our wonderful guests on the podcast! https://open.spotify.com?episode/07lvzwUq1L6VQGnZuH6OLz?si=3eyd3PxVRWCKz4pTurLcmA (c) 2015 - 2026 The Way Out Podcast | All Rights Reserved.Theme Music: “all clear” (⁠⁠⁠https://ketsa.uk/browse-music/)byKetsa (https://ketsa.uk⁠⁠⁠)licensed underCCBY-NC-ND4.0(https://creativecommons.org/licenses/by-nc-nd)

It is Jason's birthday month, so he is calling the shots. This week he picks Star Trek II: The Wrath of Khan and honestly… it might be the best decision he has ever made.We break down what makes Khan such an iconic villain, why this sequel hits harder than most, and how it still holds up today. Plus, Dave Mader and Graeme Pass join us to talk revenge, sacrifice, and that ending.This one is packed with great moments, big laughs, and some serious love for a sci fi classic.Please remember to like, comment, subscribe and click that notification bell for all our updates! It really helps us out!Starring: William Shatner, Leonard Nimoy, , DeForest Kelley, James Doohan, Walter Koenig, George Takei, Nichelle Nichols, Bibi Besch, Merritt Butrick, Paul Winfield, Kirstie Alley & Ricardo MontalbánDirected By: Nicholas MeyerSynopsis: As Adm. James T. Kirk (William Shatner) and Capt. Spock (Leonard Nimoy) monitor trainees at Starfleet Academy, another vessel from the United Federation of Planets is about to try out the planet-creating Genesis Device in a seemingly deserted portion of space. In the process, two of Kirk's officers are captured by Khan (Ricardo Montalban), an enemy Kirk thought he'd never see again. Once more, Kirk takes the Enterprise's helm, where he meets Khan's ship in an intergalactic showdown.Watch LIVE on Twitch (https://www.twitch.tv/heydidyouseethisone ) and YouTube (https://www.youtube.com/@HeyDidYouSeeThisOne ) every Thursday at 8 PM ESTWE HAVE MERCH - https://www.redbubble.com/people/HDYSTMerch/shop?asc=u & http://tee.pub/lic/GdSYxr8bhtY Website: https://www.ufpodcasts.com/hdysto Audio version of the show: Spotify - https://podcasters.spotify.com/pod/show/heydidyouseethisone Apple Podcasts - https://podcasts.apple.com/us/podcast/hey-did-you-see-this-one/id1712934175YouTube Audio Podcast - https://youtube.com/playlist?list=PLD6BOSx2RcKuP4TogMPKXRMCxqfh5k9IU&si=umIaVrghJdJEu2ARA MEMBER OF THE UNITED FEDERATION OF PODCASTSCheck us out online at: https://www.ufpodcasts.com/Main Intro & outro videos created by Steve Waters & Jason R PhillipsMain Intro and Outro Themes created by Joshua Howard - remixes by Jacob Hiltz & Jake ThurgoodLogo created by Jeff RobinsonWebsite by: https://www.facebook.com/worldmindinfoDirector Of Interstitials - Alex GowAdditional Intro and Outro song written and performed by Windom Earle – please follow at: (https://www.youtube.com/@windomearle)We use White Bat Audio for our pre-show– a user that creates DMCA free music for podcasters and YouTubers. Please follow at: (https://www.youtube.com/@WhiteBatAudio)heydidyouseethisone #wrathofkhan #startrek #moviepodcast #scifi

Send us a text or a voicemailA young woman is abducted by a monstrous figure intent on raising her on a diet of only string cheese and cigarettes. On Episode 715 of Trick or Treat Radio our feature film discussion is Dolly from director Rod Blackhurst! We also talk about some of the most memorable and infamous Mondo films, learn the dietary habits of our resident “health nut”, and we react to trailers for the films; Alpha from director Julia Ducournau, and Buffet Infinity from director Simon Glassman. So grab your entire doll (or action figures if that makes you feel better) collection, bring it into the woods to make creepy scenes, and strap on for the world's most dangerous podcast!Stuff we talk about: Jenna Ortega, Beetlejuice, Hereditary, actors who get passed over for roles, Ari Aster, sparking up an intelligent conversation, Christian Cage, turtleneck to mock turtleneck, Milly Shapiro, The Boys, Gen V, Daredevil, Talk is Jericho, Kuarantine, Rascals, PJ Farley, Chris Jericho, Square One Mall, having cops break up your pool party, The Brainiac, Hammer Horror, The Curse of the Crying Woman, The Mephisto Waltz, Family Plot, Tremors 2, The Backlot Murders, The Man With the Screaming Brain, SyFy, Bruce Campbell, Bubba Hotep, Shaun of the Dead, Elle Fanning, Predator: Badlands, Kristen Stewart, Crimes of the Future, Love Lies Bleeding, Jenna Jameson, Zombie Strippers, The X-Files, Supernatural, Fred Dekker, The Monster Squad, Night of the Creeps, Innerspace, The Substance, Dennis Quaid, Ed Wood, Glen or Glenda, Bela Lugosi, Dracula, Faces of Death, real atrocities, steakandcheeseDOTcom, Savage Man Savage Beast, mauled to death by lions and bears, Roar!, Shocking Asia, Traces of Death, Mondo Cane, The Killing of America, Riz Ortolani, Nekromantik, Strange Days, Ralph Fiennes, The House of Frankenstein, Kurando Mitsutake, Krull, Ice Pirates, Julia Ducournau, Alpha, Nick Cave, “what's that static movie?” Simon Glassman, SCTV, Buffet Infinity, Neon Films, Yellow Veil Pictures, how great is the breakfast buffet, string cheese for breakfast, food shaped like cigarettes, Dolly, Texas Chainsaw Massacre, Max the Impaler, Sean William Scott, Rod Blackhurst, Fabianne Therese, Ethan Suplee, Brute 1976, wrestlers playing masked killers, Becky, Day of the Dead, Deranged, William Friedkin, Sorcerer, How to Kill Monsters, Unsolved Mysteries vs. In Search Of, Robert Stack, Leonard Nimoy, Transformers: The Movie, RIP Tigger, The Untrustable Uncrustable, Circumvent Yourself, Oil Your Mohel, and a little tinkle with the ivories.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: Support the show

Anthony and Laurie have a lot of news to catch up on. They start with the cancellation of Star Trek: Starfleet Academy, looking at statements from Paramount as well as reactions from both the cast and the show’s fans, and have a brief debate about whether or not that factored into the decision. Robert Picardo’s recent comments about Star Trek taking “a pause” sparked a broader discussion of what might happen next with the franchise both on TV and in movies. They also take a look at a new interview with Paul Giamatti about Academy‘s Nus Braka. They chat about Project Hail Mary author Andy Weir’s comments on this era of Trek, along with his subsequent apology to Alex Kurtzman, and Tony goes through the latest on new comics and games. They recap some of the Trek Talks panels, particularly the Deep Space Nine “Trials and Tribble-ations discussion where Ira talked about nervously calling Leonard Nimoy to get his approval and the Enterprise writers panel where they talked about their pitches for season 5. Laurie gives a full Trek Talks update and then urges everyone to go check out the footage and images from the Artemis mission.

Anthony and Laurie have a lot of news to catch up on. They start with the cancellation of Star Trek: Starfleet Academy, looking at statements from Paramount as well as reactions from both the cast and the show’s fans, and have a brief debate about whether or not that factored into the decision. Robert Picardo’s recent comments about Star Trek taking “a pause” sparked a broader discussion of what might happen next with the franchise both on TV and in movies. They also take a look at a new interview with Paul Giamatti about Academy‘s Nus Braka. They chat about Project Hail Mary author Andy Weir’s comments on this era of Trek, along with his subsequent apology to Alex Kurtzman, and Tony goes through the latest on new comics and games. They recap some of the Trek Talks panels, particularly the Deep Space Nine “Trials and Tribble-ations discussion where Ira talked about nervously calling Leonard Nimoy to get his approval and the Enterprise writers panel where they talked about their pitches for season 5. Laurie gives a full Trek Talks update and then urges everyone to go check out the footage and images from the Artemis mission.

Zo and Chris (a special guest and host of the Saturday Morning Podcast) embark on a trek to the final frontier. They board the USS Enterprise, but, unbeknownst to them, they are heading for a place that should not exist - a planet at the center of the galaxy where God is said to exist. This excursion, they've heard, is lead by a mysterious preacher named Sybok who is a Vulcan who has embraced his emotions. How Sybok convinced Captain Kirk, Captain Spock and Doctor McCoy to risk the safety of the ship in an attempt to cross The Great Barrier at the center of the Milky Way is anyone's guess. Was he really that convincing or was it mind control?    00:13:58 Opening Credits for Star Trek V: The Final Frontier starring William Shatner, Leonard Nimoy and Deforest Kelly 00:36:57 Favorite Parts of the 1989 film Star Trek V: The Final Frontier 01:43:35 Trivia from the comedy - Star Trek V: The Final Frontier 02:16:16 Critics' Thoughts on William Shatner's Star Trek V: The Final Frontier   The Saturday Morning Podcast Links Link Tree: linktr.ee/SatMornPod Twitter: https://twitter.com/SatMornPod Instagram: https://www.instagram.com/satmornpod/ Bluesky: https://bsky.app/profile/satmornpod.bsky.social Email: satmornpod@hotmail.com   Please leave a comment, suggestion or question on our social media: Back Look Cinema: The Podcast Links:Website: www.backlookcinema.comEmail: friends@backlookcinema.comYouTube: https://www.youtube.com/@backlookcinemaTwitter: https://twitter.com/backlookcinemaFacebook: https://www.facebook.com/BackLookCinemaInstagram: https://instagram.com/backlookcinemaThreads: https://www.threads.net/@backlookcinemaTikTok: https://www.tiktok.com/@backlookcinemaTwitch https://www.twitch.tv/backlookcinemaBlue Sky: https://bsky.app/profile/backlookcinema.bsky.socialMastodon: https://mstdn.party/@backlookcinemaBack Look Cinema Merch at Teespring.comBack Look Cinema Merch at Teepublic.com Again, thanks for listening.

“Semi-Detached”: When a foster child's arrival coincides with a rash of terrifying unexplained events in their home, a couple and the psychiatrist brought in to investigate begin to suspect the girl may be unleashing some kind of psychic force — but the truth behind the disturbances is far more disturbing than anyone imagined. | #RetroRadio #WeirdDarkness | EP0617CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Colonel Chabert” (July 12, 1977)00:47:53.658 = CBC Nightfall, “Semi-Detached” (February 18, 1983) ***WD01:16:15.904 = Nightmare, “Chance of a Ghost” (March 31, 1945) ***WD01:38:19.206 = Obsession, “Hunting Party” aka “Holiday House” (October 09, 1950) ***WD02:01:23.719 = Origin of Superstition, “Itching Palm” (1935)02:16:21.296 = Peril, “The Sidewalk Empire” (May 15, 1947) ***WD02:41:02.044 = Mystery Playhouse, “Beautiful Science” (February 15, 1946)03:04:35.278 = Price of Fear, “To My Dear Saladin” (June 06, 1983) ***WD03:34:26.230 = The Adventures of Ellery Queen, “Vanishing Magician” (November 06, 1943) ***WD04:04:13.032 = Quiet Please, “Berlin 45” (December 26, 1948)04:34:40.454 = Radio City Playhouse, “Soundless Special” (August 11, 1948) ***WD05:04:10.113 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy."I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0617

“The Gift”: When Walter Powers helps his lover murder her wealthy husband, he thinks he's gotten away with the perfect crime — until the dead man shows up at his apartment that same night with a gift, a warning, and knowledge of secrets that no living person could possibly know. | #RetroRadio #WeirdDarkness | EP0616CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Gift” (July 08, 1977)00:45:40.701 = The Black Mass, “Moonlit Road” (November 30, 1970) ***WD01:18:07.702 = Beyond Midnight, “Hello Down There” (January 22, 1969) ***WD (LQ)01:48:03.192 = MindWebs, “Kelle4rman's Eyepiece” (March 07, 1977)02:10:24.877 = Studio X, “Professor Goes For a Walk” (1956-57)02:22:52.788 = Mystery In The Air, “Horla” (August 21, 1947) ***WD02:52:44.613 = Molle Mystery Theater, “Beckoning Fair One” (June 05, 1945) ***WD03:21:25.415 = Murder at Midnight, “Man With a Black Beard” (February 03, 1947) ***WD03:46:45.257 = Black Museum, “A Pair of Spectacles” (January 27, 1951) ***WD04:11:51.347 = Mysterious Traveler, “Behind The Locked Door” (November 06, 1951)04:41:30.739 = Mystery House, “Well, Well, Another Body” (September 23, 1945) ***WD05:07:28.032 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy."I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0616

Deep in Canada's Northwest Territories, a remote valley holds a disturbing record: since 1908, at least 44 people have vanished or been found dead, some discovered without their heads.IN THIS EPISODE: Deep in Canada's Northwest Territories, a remote valley holds a disturbing record: since 1908, at least 44 people have vanished or been found dead, some discovered without their heads. And despite it being over a hundred years ago when it began – there are still sightings of strange men, odd encounters, missing people, and still… corpses being found, right through into the 21st century. Burned.. beheaded… and in some cases… fresh.PRINT VERSION (Original Article): https://weirddarkness.com/nahanni-valley-headless-men-canada/EPISODE PAGE (includes sources): https://weirddarkness.com/ValleyOfHeadlessMenCHAPTERS (All Times Approximate – Add One Minute To Each For YouTube)…00:00:00.000 = PART ONE: They Never Stopped Coming 00:04:25.883 = Show Open00:05:59.272 = PART TWO: The People Who Were Never Found00:19:26.630 = PART THREE: The Bodies That Shouldn't Be There00:42:52.965 = PART FOUR: Still Here After All These Years00:56:46.346 = Show Close*** = Begins immediately after inserted ad break=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.=====Originally aired: March 31, 2026ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.

“A Stranger Among Us”: A chance encounter at a church social leads a widowed mother down a rabbit hole of missing time, stolen cars, and hypnotic revelations — and what she remembers from that lost night is only the beginning. | #RetroRadio #WeirdDarkness | EP0615CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “A Stranger Among Us” (July 07, 1977)00:45:48.546 = House of Mystery, “Gift From The Dead” (August 03, 1947) ***WD01:15:31.351 = Incredible But True, “Silent As a Tomb” (1949)01:19:00.383 = Inner Sanctum, “The Strange Cat” (July 26, 1942) (Low Quality At End)01:39:58.996 = The Key, “Woman Murdered” (1950s) ***WD02:04:41.421 = Lights Out, “Lord Marley's Ghost” (July 14, 1937)02:34:22.869 = Lux Radio Theater, “The Canterville Ghost” (June 18, 1945)03:33:32.909 = Macabre, “Man In The Mirror” (November 27, 1961) ***WD04:02:35.329 = Philip Marlowe, “Kid On The Corner” (December 03, 1949)04:31:51.019 = Let George Do It, “Ghost of Ireland Betty” (September 27, 1954) ***WD (LQ)05:03:13.611 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy."I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0615

A terrified young woman is convinced that invisible forces are closing in on her family — and she's right, but not for any reason anyone could have predicted. | #RetroRadio #WeirdDarkness | EP0614CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = I Love a Mystery, “Thing That Cries In The Night” (October 31, 1949)00:13:13.023 = I Love a Mystery, “Thing That Cries In The Night” (November 01, 1949)00:24:50.231 = I Love a Mystery, “Thing That Cries In The Night” (November 02, 1949)00:36:56.409 = I Love a Mystery, “Thing That Cries In The Night” (November 03, 1949)00:48:18.335 = I Love a Mystery, “Thing That Cries In The Night” (November 04, 1949)01:00:02.152 = I Love a Mystery, “Thing That Cries In The Night” (November 07, 1949)01:12:48.454 = I Love a Mystery, “Thing That Cries In The Night” (November 08, 1949)01:24:18.975 = I Love a Mystery, “Thing That Cries In The Night” (November 09, 1949)01:35:58.404 = I Love a Mystery, “Thing That Cries In The Night” (November 10, 1949)01:47:42.299 = I Love a Mystery, “Thing That Cries In The Night” (November 11, 1949)01:58:33.009 = I Love a Mystery, “Thing That Cries In The Night” (November 14, 1949)02:10:22.312 = I Love a Mystery, “Thing That Cries In The Night” (November 15, 1949)02:22:12.869 = I Love a Mystery, “Thing That Cries In The Night” (November 16, 1949)02:32:42.838 = I Love a Mystery, “Thing That Cries In The Night” (November 17, 1949)02:43:41.254 = I Love a Mystery, “Thing That Cries In The Night” (November 18, 1949)02:56:21.600 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy."I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0614

“Hexed” | A newlywed American woman in Ceylon becomes convinced she is cursed — but the most dangerous thing on the island may be the secret she's been keeping from her husband. | #RetroRadio #WeirdDarkness | EP0613CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Hexed” (July 05, 1977) ***WD00:45:45.100 = 5 Minute Mysteries, “A Study In Ornithology” (June 02, 1943)00:50:43.183 = Future Tense, “With Folded Hands” (May 14, 1974) ***WD01:19:05.496 = BBC Ghosts From The Past, “Mortmain” (April 22, 1992)02:03:07.910 = The Adventures of Superman, “Mystery of the Walking Dead” (November 05, 1949)02:32:56.253 = Hall of Fantasy, “Marquis of Death” (June 22, 1953)02:56:29.603 = BBC Haunted Tales of the Supernatural, “Which One” (September 20, 1980)03:23:17.571 = The Haunting Hour, “Assignment Death” (July 20, 1945)03:47:49.913 = Hermit's Cave, “The House On Lost Man's Bluff” (October 26, 1941)04:12:11.571 = Mystery Is My Hobby, “Death Asks a Question” (November 19, 1947)04:38:57.553 = Sherlock Holmes, “The Sally Martin” (November 23, 1946) ***WD05:07:36.932 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy."I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0613

“Gravestone”: When three women on a winter hike stumble into a snow-covered graveyard and one accidentally dances on a grave, what follows will make them question everything they thought they knew about the boundary between the living and the dead. | #RetroRadio #WeirdDarkness | EP0612CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Revenge” (July 01, 1977)00:45:40.848 = The Devil and Mr. O, “Gravestone” (July 06, 1942) ***WD01:14:57.426 = The Diary of Fate, “Rollie Andrews” (August 08, 1948) ***WD01:41:54.477 = Dimension X, “Destination Moon” (June 24, 1950) ***WD02:10:13.629 = The Strange Dr. Weird, “Journey Into The Unknown” (November 21, 1944)02:21:20.118 = The Eleventh Hour, “Threatening Letter” (April 07, 1948)02:47:38.932 = Escape, “Country of the Blind” (March 20, 1949)03:16:14.189 = Murder By Experts, “Summer Heat” (June 13, 1949) ***WD03:45:43.217 = Exploring Tomorrow, “Sound Decision, aka the Martian Queen” (April 02, 1958)04:01:48.800 = Faces In The Window, “Pit And The Pendulum” (January 24, 1953) ***WD04:32:48.181 = Dark Fantasy, “Delicate Case of Murder” (February 20, 1942)04:57:06.597 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy."I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0612

Send us Fan MailA Man From the Future arrives at a podcast studio where he must recruit the precise combination of disgruntled hosts to join him on a one-night quest to save the world from the terminal threat of a rogue artificial unintelligence. On Episode 713 of Trick or Treat Radio our feature film discussion is Good Luck, Have Fun, Don't Die from director Gore Verbinski! We also talk about which show has the creepiest theme song, we talk about the dangers of social media and its negative effects on us, and react to trailers for the following upcoming films; The Furious, The End of Oak St., and Itch! So grab your AI repellent, dream up some insane Studio Ghibli inspired memebot, and strap on for the world's most dangerous podcast!Stuff we talk about: Evil Dead Burn, Lee Cronin, taking risks and gambling, The Mummy, The Illustrated Man, Lesbian Nuns, Hear No Evil, The Embalmer, Scooby-Doo, Zoombies 2, Bates Motel, The Scarecrow, Sarah Jean Underwood, Deadly Weekend, Creep, The Crazies, Hannibal, Afterlife, Amy Smart, Campfire Tales, Mirrors, Billy Warlock, Halloween 2, Society, The Thing Below, Leonard Nimoy, In Search Of…, Unsolved Mysteries, Zombies of the Stratosphere, Invasion of the Body Snatchers, The Rocketeer, Cheech and Chong's Up In Smoke, The Munsters, The Alfred Hitchcock Hour, taking an “L”, which theme is spookier?, The Furious, Joe Taslim, The End of Oak Street, J.J. Abrams, David Robert Mitchell, The Raid films, Oldboy, hallway fight scenes, It Follows, Ewan McGregor, RIP Sam Kieth, The Maxx, The Cyber, Sam Rockwell, A Cure For Wellness, Juno Temple, Haley Lu Richardson, Michael Pena, Zazie Beetz, Studio Ghibli, Night Patrol, Ryan Prows, being desensitized by school shootings, Stepford Wives, The Authority, Andrew Yang, Noble Mobile, paying you to not use your phone, how harmful social media is to our brains, Send Help, Sam Raimi, Patreon Takeover, Sirat, One Battle After Another, Linus' Patreon Takeover, Afroman, Full of Vitamin Z, and don't itch me bro.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

“Elmer Versus The Mutant Rats”: When a small-town manure hauler's quiet vacation gets interrupted by rats the size of chihuahuas, it turns out that's just the beginning — because something much, much bigger is living underneath the entire town. | #RetroRadio #WeirdDarkness | EP0611CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater “Dead Men Do Tell Tales” (June 30, 1977) ***WD00:45:41.626 = Strange Adventure, “The Diamond of Destiny” (1945)00:48:58.380 = Appointment With Fear, “My Fate Cries Out” (December 04, 1976) ***WD01:16:33.310 = BBC Radio 4 / BBC Radio 7 / Ghost Story, “The Mistletoe Bride” (December 25, 2006)01:30:48.350 = Beyond The Green Door, “Travis Takes Poison” (1966) ***WD01:34:53.578 = Box 13, “The Great Torino” (October 24, 1948)02:01:33.996 = Chet Chetter's Tales From The Morgue, “Elmers Versus The Mutant Rats” (1991-1992) ***WD02:27:06.706 = The Clock, “The Story of Mr. Littlefield” (October 25, 1955)02:51:11.356 = Creeps By Night, “Strange Burial of Alexander Jordan” (July 13, 1944)03:20:41.850 = The Crime Club, “Sometimes a Sucker Wins” (September 04, 1947)03:51:16.686 = Danger Dr. Danfield, “Case of the Whirling Mirrors” (November 25, 1946)04:15:51.390 = CBC Deep Night, “Man Radio” (July 29, 2005)04:49:48.592 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy."I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0611

“The Pedestrian” by Ray Bradbury | In a future where everyone stays indoors and stares at screens, one man's simple evening walk is enough to get him arrested. | #RetroRadio #WeirdDarkness | EP0610CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Adventure of the Speckled Band” (June 28, 1977) ***WD00:46:35.629 = Theater Five, “Body Without Crime” (November 04, 1964)01:05:47.446 = CBC Theater 1030, “The Pedestrian” (1968-1971) ***WD01:31:31.156 = Tales From The Tomb, “The Girl of His Dreams” (1960s)01:35:05.037 = 2000 Plus, “When Worlds Met” (May 03, 1950) ***WD02:04:07.178 = The Unexpected, “The Tulip Garden” (March 02, 1948)02:18:54.089 = Unsolved Mysteries, “Mystery of the Zombie” (1936) ***WD02:33:24.475 = The Weird Circle, “Mysterious Bride” (July 06, 1943)03:00:53.414 = The Whistler, “The Christmas Bonus” (December 25, 1944)03:30:19.709 = Witch's Tale, “Puzzle” (September 07, 1934)03:54:56.612 = X Minus 1, “The Map Makers” (September 26, 1956)04:23:37.913 = Zero Hour, “Escape To Nowhere” (May 07, 1974)04:41:57.015 = ABC Mystery Time, “My Adventure in Norfolk” (1957) ***WD (LQ)05:05:57.538 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy."I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0610

“Conquerors Isle” | A Navy pilot rescued from a Pacific life raft tells his psychiatrist a terrifying story — that somewhere beneath an uncharted island, a race of beings far beyond human intelligence is quietly preparing to take over the world. | #RetroRadio #WeirdDarkness | EP0609CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Come Fill My Cup” (June 27, 1977)00:46:27.960 = Half Hour to Kill, “Audition Episode, Never Aired” (October 29, 1946) ***WD01:14:45.527 = The Sealed Book, “Murderer Unknown” (August 19, 1945) ***WD01:44:14.592 = The Shadow, “The Leopard Strikes” (January 05, 1941)02:14:01.061 = Sleep No More, “Conquerors Isle” (November 21, 1956) ***WD02:42:35.328 = BBC Radio 4 Spine Chillers, “The Boy Who Cried Woof” (December 24, 1984)02:56:29.941 = Strange Wills, “Mad Concerto” (June 08, 1946)03:26:21.444 = Strange, “Greenwood Acres” (October 10, 1955) ***WD03:38:54.287 = Suspense, “Dime a Dance” (January 13,1944)04:08:11.884 = Tales of the Frightened, “Story of Wood” (December 18, 1957)04:12:31.541 = The Creaking Door, “Aunt Mae” (1964-1968)04:41:32.785 = The Saint, “Red Rose” (May 20, 1951) ***WD05:10:44.205 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy."I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0609

“Fan Mail” | When a devoted soap opera fan becomes so consumed by a fictional murder that she can no longer tell the difference between the show and reality, the lines between fantasy and real-life violence begin to dangerously blur. | #RetroRadio #WeirdDarkness | EP0608CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Fan Mail” (June 24, 1977)00:47:08.584 = CBC's Nightfall, “Beauty's Beast” (February 04, 1983)01:13:47.748 = Obsession, “Murder Deferred” aka “Second Best” (November 13, 1950)01:43:51.425 = Origin of Superstition, “Unlucky At Cards” (May 11, 1944) ***WD01:57:28.061 = Peril, “The Gamble” (November 07, 1947) ***WD02:22:09.692 = Mystery Playhouse, “Mathematics For Murder” (February 01, 1946) (LQ towards the end)02:45:52.933 = Price of Fear, “The Ninth Removal” (April 20, 1974)03:14:24.181 = Adventures of Ellery Queen, “World Series Crime” (October 02, 1943) ***WD03:43:52.031 = Quiet Please, “Very Unimportant Person” (December 05, 1948)04:12:56.521 = Radio City Playhouse, “Level Crossing” (August 08, 1949)04:42:19.091 = Sam Spade, “Spoof On First Nighter” (November 16, 1947)04:58:31.630 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy."I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0608

Look for this podcast on YouTube Music, Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and numerous other podcast apps. Get the full list of options here: https://weirddarkness.tiny.us/OTR“Tomorrow Cloudy and Cold” | A young drifter with no past and no roots agrees to become a scientist's paid test subject — never suspecting that the experiments would unleash something inside him that could destroy everything he's finally found worth living for. | #RetroRadio #WeirdDarkness | EP0606CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Tomorrow Cloudy and Cold” (June 21, 1977)00:47:19.830 = House of Mystery, “The Ghost Who Forgot Halloween” (October 27, 1945) ***WD01:18:41.340 = Incredible But True, “The Monk of Sawtooth Mountain” (1950-1951)01:22:25.836 = Inner Sanctum, “Terrible Vengeance” | Australian Version | June 14, 1942)01:47:38.378 = The Key, “Window Cleaner” (1956) ***WD02:13:22.851 = Lights Out, “Organ” (May 12, 1937) ***WD02:43:12.734 = Lux Radio Theater, “The Return of Peter Grimm” (February 13, 1939)03:44:55.800 = Macabre, “Weekend” (November 20, 1961) ***WD04:12:15.506 = Philip Marlowe, “Birds On Wing” (November 26, 1949)04:41:37.413 = The Black Mass, “Outsider” (November 20, 1968) ***WD05:03:45.726 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy."I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0606

“The Birth-Mark” | A man's growing obsession with a tiny flaw on his wife's face begins to reveal a far more disturbing imperfection within himself.CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Birth Mark” (June 20, 1977) ***WD00:45:41.302 = 5 Minute Mysteries, “Death at X Bar” (1947-1950)00:50:37.698 = Future Tense, “Picture's Don't Lie” (May 09, 1974) ***WD01:18:00.348 = BBC Ghosts From The Past, “The Boat Hook” (April 15, 1992)02:01:27.849 = Michael Shayne, “Case of Hate That Killed” (October 19, 1949) ***WD02:27:55.132 = Hall of Fantasy, “The Tell-Tale Heart” (October 19, 1949) ***WD02:51:33.820 = BBC Haunted Tales of the Supernatural, “Keeping His Promise” (September 13, 1980)03:19:39.124 = The Haunting Hour, “The Devil's Deep” (1945-1949)03:47:03.346 = Hermit's Cave, “The House of Murder” (April 13, 1947) ***WD04:11:25.045 = Mystery Is My Hobby, “Death Speaks With Ten Fingers” (September 18, 1946)04:37:43.415 = Sherlock Holmes, “The Genuine Guarnarius” (November 16, 1946)05:06:57.329 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy."I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0605

“There Will Come Soft Rains” | A smart home continues making breakfast, cleaning the floors, and reading poetry to a family that was vaporized in a nuclear blast — because no one programmed it to know they were gone. | #RetroRadio #WeirdDarkness | EP0604CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Two Motives For Murder” (June 17, 1977) ***WD00:46:34.701 = Dimension X, “There Will Come Soft Rains” and “Invasion” (June 17, 1950) ***WD01:15:57.012 = The Strange Dr. Weird, “The House Where Death Lives” (November 07, 1944) (LQ)01:29:10.131 = The Eleventh Hour, “Mountain Climber” (1947-1948) ***WD (LQ)01:55:27.092 = Escape, “Finger of Doom” (March 19, 1949)02:24:53.830 = Everyman's Theater, “Cat Wife” (October 18, 1940)02:53:53.236 = Murder By Experts, “It's Luck That Counts” (August 29, 1949) ***WD03:23:23.351 = Exploring Tomorrow, “The Mutants” (March 26, 1958) ***WD03:41:29.971 = Faces In The Window, “Lightning Rod Man” (January 17, 1953) ***WD (LQ)04:05:10.296 = Dark Fantasy, “W Is For Werewolf” (February 13, 1942)04:29:25.917 = Fear on 4, “Blood Of Eva Bergen” (January 23, 1988)04:57:09.801 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0604

“Little Lucy's Lethal Libation” | A frustrated ad man convinced that women are systematically destroying his career begins to suspect the conspiracy runs deeper than he imagined — even into his own home. | #RetroRadio #WeirdDarkness | EP0603CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Little Lucy's Lethal Libation” (June 16, 1977) 00:46:47.640 = BBC Radio 4, “The House On The Hill” (1988)01:00:51.515 = Beyond The Green Door, “Invasion of the Green Planet” (1966) ***WD01:04:24.601 = Box 13, “A Book of Poems” (October 17, 1948)01:31:18.629 = Chet Chetter's “Return of the Master Constipator” (1990-1992) ***WD01:54:53.774 = The Clock, “The Actor” (October 18, 1955)02:18:53.017 = Creeps By Night, “The Final Reckoning” (July 12, 1944) ***WD02:46:49.869 = The Crime Club, “Death Swims at Midnight” (August 28, 1947) ***WD03:16:46.141 = Danger Dr. Danfield, “Diamond Pendant Stolen” (November 10, 1946) ***WD03:42:02.545 = CBC Deep Night, “Pig And Pepper” (July 22, 2005)04:11:02.197 = The Devil and Mr. O, “Mr. Freak” (July 10, 1970) ***WD04:35:49.786 = Diary of Fate, “Stanley Becker” (July 27, 1948) ***WD05:01:16.748 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0603

“Elizabeth is Frightened” | When Elizabeth marries the charming and mysterious Phillip Bailey, she slowly realizes that his obsession with the power of hypnosis may be part of a sinister plan to destroy her. | #RetroRadio #WeirdDarkness | EP0602CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Murder One” (June 14, 1977) ***WD00:46:41.678 = Theater Five, “Why Can't Life Be More Like In Movies” (November 03, 1964)01:06:12.572 = The Unexpected, “Jailbreak” (August 22, 1948)01:20:54.921 = Unsolved Mysteries, “Lizzie Borden Case” (1936) ***WD01:34:44.316 = Dark Venture, “Elizabeth Is Frightened” (July 22, 1947)02:04:42.433 = Weird Circle, “Oblong Box” (1944)02:32:18.440 = The Whistler, “Windfall” (December 18, 1944)03:01:07.484 = Witch's Tale, “Wedding Gift” (March 29, 1938)03:26:38.048 = X-Minus-1, “The Lifeboat Mutiny” (September 11, 1956)03:54:52.572 = Zero Hour, “A Shortage Story” (May 06, 1974) ***WD04:12:05.187 = ABC Mystery Time, “Murder In Haste” (1957) ***WD04:35:47.824 = Strange Adventure, “Sahara Adventure” (1945) ***WD04:39:04.601 = Appointment With Fear, “Morning Glory” (July 18, 1943) ***WD (LQ)05:05:41.331 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0602

After making history as the first woman to travel into space, an astronaut returns to Earth with a passenger no one expected — an alien intelligence slowly taking control of her mind and body. | #RetroRadio #WeirdDarkness | EP0601CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “First Woman In Space” (June 13, 1977)00:47:25.223 = The Sealed Book, “To Have And To Hold” (August 12, 1945) ***WD01:16:54.863 = The Shadow, “The Ghost of the Stair” (December 29, 1940) ***WD01:45:57.073 = BBC Radio 4 Spinechillers, “The Blue Room” (February 27, 1984)01:58:26.056 = Stay Tuned For Terror, “Lizzie Borden Took An Axe” (July 23, 1945) ***WD02:11:23.544 = Strange Wills, “Audition/Never Aired” (January 15, 1946)02:41:58.960 = Strange, “Phantom Wagoneer” (March 21, 1955) ***WD02:55:34.220 = Suspense, “One Way Ride to Nowhere” (January 06, 1944)03:24:30.997 = Tales of the Frightened, “Shakespeare's Hometown” (December 17, 1957)03:28:49.113 = Tales of Tomorrow, “The Old Die Rich” (March 26, 1953) ***WD04:00:36.078 = Tales From The Tomb, “Spirits of the Dead” (1960s)04:02:48.671 = The Creaking Door, “Vagrant” (April 29, 1964) ***WD04:32:04.178 = The Saint, “The Ghost Who Came To Dinner” (April 08, 1951)05:00:00.898 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0601

“The Night We Died” - In the year 2043, a seasoned con man agrees to go undercover for the Interplanetary Police — impersonating a dead revolutionary leader to infiltrate a group of moon rebels plotting to launch atomic missiles at Earth — but the deeper he gets into the deception, the less certain he becomes about who is really running the con. | #RetroRadio #WeirdDarkness | EP0600CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Night We Died” (June 10, 1977)00:47:04.001 = Peril, “The Diary” (1953) ***WD01:12:40.724 = Mystery Playhouse, “Burn, Witch, Burn” (January 25, 1946) ***WD01:37:23.492 = Philip Morris Playhouse, “Lady From The Sea” (1939-1949) ***WD02:05:29.676 = Price of Fear, “Specialty of the House” (April 13, 1974) ***WD02:34:00.758 = Adventures of Ellery Queen, “Circus Train” (March 27, 1943) ***WD02:59:21.780 = Quiet Please, “My Son John” (November 28, 1948) ***WD03:28:42.734 = Radio City Playhouse, “Hit And Run” (August 04, 1949) ***WD03:57:58.268 = The Cat, “Audition” (October 21, 1946 – Aired during “Suspense”) ***WD04:13:55.394 = Sam Spade, “The Hail and Farewell Cap” (April 27, 1951) ***WD04:42:55.149 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0600

When young Doctor George returns home and falls in love with Jenny, he becomes increasingly troubled by her unshakeable belief that she can see and speak with those who have long since passed. Convinced he knows what is best for the woman he loves, George sets out to make her face the truth — but some doors, once opened, cannot be closed. | #RetroRadio #WeirdDarkness | EP0599CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Dialogue With Death” (June 09, 1977) ***WD00:45:35.568 = Molle Mystery Theater, “Comic Strip Murder” (October 24, 1944) ***WD01:14:52.512 = Rocky Fortune, “The Museum Murder” (January 19, 1954)01:37:44.309 = Murder at Midnight, “Death Tolls Requiem” (January 20, 1947)02:04:12.737 = The Black Museum, “The Old Wooden Mallet” (May 05, 1952) ***WD02:30:03.758 = Mysterious Traveler, “Fire In The Sky” (August 28, 1951) ***WD02:59:26.422 = Mystery House, “Malice In Wonderland” (September 09, 1945) ***WD03:24:56.098 = CBC Nightfall, “The Contract” (January 28, 1983)03:53:19.943 = Nightmare, “The Leech” (April 07, 1954)04:15:59.401 = Obsession, “The Blackout Killer” (August 07, 1940)04:43:41.311 = Origin of Superstition, “Cap Turned Backwards” (1935) ***WD04:58:32.179 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0599

A newlywed couple's honeymoon takes a terrifying turn when Roger agrees to be hypnotized and buried alive for $500 — only to discover the carnival showman who put him there is actually an escaped homicidal maniac with no intention of digging him up. | #RetroRadio #WeirdDarkness | EP0598CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Blood Red Wine” (June 06, 1977)00:46:18.820 = Macabre, “Final Resting Place” (November 13, 1961) ***WD01:13:50.475 = Philip Marlowe, “Fine Italian Hand” (November 05, 1949)01:43:15.804 = Let George Do It, “Graystone Ghost” (March 24, 1952)02:13:14.277 = The Black Mass, “Diary of a Madman” (December 16, 1964) ***WD02:52:32.936 = Beyond Midnight, “Don't Joke In a Morgue” (1968-1970) ***WD03:20:58.240 = MindWebs, “The End” (March 05, 1983)03:47:19.490 = Starlight Theater, “Man Hires Hit Man To Kill Him” (ADU) ***WD04:14:59.546 = Mystery In The Air, “The Marvelous Barastro” (August 07, 1947)04:44:15.424 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0598

Gene Roddenberry's name is synonymous with Star Trek, but he relied on a team to bring his vision to life. Most of his writers were men with one exception, the trailblazing Dorothy Fontana. Professionally, she went by D.C. Fontana to counter the belief that women couldn't write genres like war, Westerns or sci-fi. Fontana became story editor and wrote some of the most beloved episodes of The Original Series, became the de facto showrunner on The Animated Series, and helped launch The Next Generation. She excelled at building character relationships and alien species – especially Vulcans – and worked closely with Leonard Nimoy to develop Spock. I talk with writers and podcasters Jarrah Hodge, Ian Spelling, Brian Drew and Laurie Ulster about how Fontana quietly shaped a franchise and influenced generations of fans through Star Trek's 60th anniversary. Special thanks to The Writers Guild Foundation Archive for clips of D.C. Fontana from their series, The Writer Speaks. This episode is sponsored by Mizzen + Main. Our listeners get 20% off their first purchase at mizzenandmain.com using the promo code IMAGINARY20. To support Imaginary Worlds, you can donate to the show on Patreon and receive bonus extras, or buy the cool merchandise at our online store! Learn more about your ad choices. Visit podcastchoices.com/adchoices

When a scientist is murdered aboard a deep space vessel and the only witness is a bizarre alien creature that communicates in morse code, three security agents race to decode what it saw — before the killer destroys the secret that could unlock the stars forever.IN THIS EPISODE: “The Star Beast” by Damon Knight (Planet Stories, Spring 1949)MORE Stories Like This: https://www.auditoryanthology.com=====Originally aired: March 09, 2026EPISODE PAGE (includes sources): https://weirddarkness.com/TheStarBeastABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.

When a nurse goes searching for a missing patient in a rarely-used hospital wing, she finds herself trapped in an endless labyrinth of shifting corridors — and the patients she encounters there don't belong in this century.IN THIS EPISODE: “The Endless Ward” by Keith ConradMORE Stories Like This: https://www.auditoryanthology.com=====Originally aired: March 09, 2026EPISODE PAGE (includes sources): https://weirddarkness.com/TheEndlessWardABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.

When a dying man's eyes fill with unspeakable terror at something only he can see, his daughter's search for answers leads her to a hidden room — and a secret her father buried long ago. | #RetroRadio #WeirdDarkness | EP0597CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Two-Dollar Murders” (June 03, 1977) ***WD00:47:03.036 = The Haunting Hour, “Murder Is My Business” (1945-1949)01:14:19.578 = Hermit's Cave, “The Blackness of Terror” (April 06, 1947)01:38:47.692 = Mystery Is My Hobby, “Death Buys Flowers” (1945-1950)02:04:30.354 = Sherlock Holmes, “Singular Affair of the Dying Schoolboys” (November 09, 1946)02:33:08.532 = House of Mystery, “Haunters and Haunted” (June 13, 1945) ***WD02:47:29.475 = Incredible But True, “Rescue At Sea” (1950-1951)02:51:11.172 = Inner Sanctum, “Man From Yesterday” (December 21, 1941) (LQ)03:20:31.367 = The Key, “Wife Beater” (1956) ***WD03:45:49.579 = Lights Out, “Sub-Basement” (August 24, 1943) ***WD04:15:04.632 = Lux Radio Theater, “The Canterville Ghost” (June 18, 1954)05:14:14.751 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0597

A child prodigy with the power to build worlds sets out to become humanity's god — but even a genius who can create a planet cannot control the people who live on it. | #RetroRadio #WeirdDarkness | EP0596CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “A God Named Smith” (June 02, 1977) ***WD00:46:15.088 = Everyman Theater, “This Precious Freedom” (October 04, 1940) ***WD01:13:30.876 = Exploring Tomorrow, “The Mutants” (March 26, 1958) ***WD (LQ)01:31:25.222 = Faces In The Window, “Black Cat” (November 22, 1952) ***WD01:55:05.244 = Dark Fantasy, “Sea Phantom” (February 06, 1942)02:19:08.639 = Fear on 4, “Hairy Hand of Dartmoor” (1988-1992)02:46:37.714 = 5 Minute Mysteries, “Clue In The Hand” (1947-1950)02:51:38.723 = Future Tense, “Cold Equation” (May 08, 1974) ***WD03:15:02.972 = BBC Ghosts From The Past, “Black Stockings & Broken Mirrors” (April 08, 1992)03:58:43.198 = Guests of Doom, “Programs 11 & 12” (1930s) ***WD04:24:25.909 = The Hall of Fantasy, “Man-Size In Marble” (April 10, 1947)04:50:43.138 = Show Close (ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0596

A banker who sacrificed love for career discovers that twenty years of buried guilt can dig its own grave. | #RetroRadio #WeirdDarkness | EP0595CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Silent Witness” (May 30, 1977)00:44:15.215 = Creeps By Night, “Six Who Did Not Die” (July 11, 1944) ***WD01:11:49.174 = The Crime Club, “A Deed Indeed” (August 21, 1947) ***WD01:41:46.411 = Danger Dr. Danfield, “Legend of Windigo” (November 03, 1946) ***WD02:07:33.200 = CBC Deep Night, “The Intercom” (July 15, 2005)02:41:30.920 = The Devil and Mr. O, “Where Are You” (October 08, 1971)03:11:10.799 = The Diary of Fate, “Matt Cooper” (July 20, 1948) ***WD03:38:33.243 = Dimension X, “The Green Hills of Earth” (June 10, 1950)04:04:21.848 = Escape, “A Shipment of Mute Fate” (March 13, 1949) 05:00:09.417 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0595

A visitor touring an asylum encounters a serene white-haired woman who believes she is still aboard a doomed ocean liner — and the truth behind her delusion is far more heartbreaking than it first appears. | #RetroRadio #WeirdDarkness | EP0594CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Countess” (May 26, 1977)00:45:11.826 = The Zero Hour, “The Price of Admission” (May 03, 1940) ***WD01:02:36.228 = ABC Mystery Time, “Four Time Loser” (1957) ***WD01:26:36.855 = Strange Adventure, “The Road To Rawhide” (1945) ***WD01:29:50.123 = Appointment With Fear, “And The Deep Shuddered” (November 20, 1945) ***WD01:55:33.788 = BBC Radio, “Red Letter Day” (1986-1987)02:09:47.141 = Beyond The Green Door, “Mosley Searches For Schneider” (1966)02:13:23.389 = The Black Book, “The Price of the Head” (February 02, 1952) ***WD02:28:08.135 = Yours Truly Johnny Dollar, “The Ghost To Ghost Matter” (May 18, 1958) ***WD02:51:45.567 = Box 13, “Double Mothers” (October 10, 1948)03:18:40.326 = CBC Mystery Theater, “Two Little Punctures” (September 22, 1967) ***WD03:45:43.706 = Chet Chetter's Tales From The Morgue, “Elmer Vs. The Invaders” (1990-1992) ***WD04:12:51.496 = The Clock, “The Millionaire” (October 11, 1955)04:42:17.347 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0594

A small-time hustler gets more than he bargained for when a mysterious stranger who claims to be the devil offers him wealth, power, and everything he's ever wanted — all for a price he may not be willing to pay. | #RetroRadio #WeirdDarkness | EP0593CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Transmutations, Inc” (May 24, 1977) 00:45:44.565 = Theater 1030, “Two Little Punctures” (July 12, 1953) ***WD01:12:45.315 = Two Thousand Plus, “Rocket And Skull” (October 10, 1951) ***WD01:40:53.311 = The Unexpected, “The Winfield Diamond” (August 15, 1948)01:55:42.086 = Nick Carter—Master Detective, “Death After Dark” (February 19, 1944) ***WD02:24:57.782 = Dark Venture, “Coverup” (February 24, 1947)02:54:44.664 = The Weird Circle, “Ancient Mariner” (January 22, 1944)03:21:54.078 = The Whistler, “Lie or Consequences” (December 11, 1944)03:50:20.605 = Witch's Tale, “The Power of Lucifer” (December 07, 1937) ***WD04:16:45.692 = X Minus One, “Surface Tension” (August 28, 1956)04:44:39.577 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0593