Podcasts about century france

Patriotism is a concept that's been used throughout history. From rallying the troops in wartime to acting as the “glue” that brought revolutionaries together in 18th Century France; the idea of loving one's civilisation and supporting its values, dates all the way back to Ancient Greece. Georgios Varouxakis, professor of the history of political thought at Queen Mary University of London, runs Adam Fleming through a potted history of patriotism and how it's evolved over time.

French prime minister Jules de Polignac believed he was receiving visions of the Virgin Mary during France's 1830 July Revolution — or so many sources claim. But is it true? Join me as we sort fact from fiction, and see how these claims tie into the religious history of 19th Century France. Support independent historical research like this podcast on Patreon: https://patreon.com/thesiecle See a full annotated transcript of this episode: http://thesiecle.com/factcheck3 Learn more about your ad choices. Visit megaphone.fm/adchoices

An engaging history of motherhood, demography, and infertility in twentieth-century France, Fertile expectations: The politics of involuntary childlessness in twentieth-century France (Manchester University Press, 2025) by Dr. Margaret Andersen explores fraught political and cultural meanings attached to the notion of an "ideal" family size. When statistics revealed a sustained drop in France's birthrate, pronatalist activists pushed for financial benefits, propaganda, and punitive measures to counter declining fertility. Situating infertility within this history, the author details innovations in fertility medicine, cultural awareness of artificial insemination, and changing laws on child adoption. These practices offered new ways of responding to infertility and formed part of a growing expectation of being able to control one's fertility and family size. This book presents the political and cultural context for understanding why private questions about when to start a family, how many children to have, and how to cope with involuntary childlessness, evolved and became part of state demographic policies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An engaging history of motherhood, demography, and infertility in twentieth-century France, Fertile expectations: The politics of involuntary childlessness in twentieth-century France (Manchester University Press, 2025) by Dr. Margaret Andersen explores fraught political and cultural meanings attached to the notion of an "ideal" family size. When statistics revealed a sustained drop in France's birthrate, pronatalist activists pushed for financial benefits, propaganda, and punitive measures to counter declining fertility. Situating infertility within this history, the author details innovations in fertility medicine, cultural awareness of artificial insemination, and changing laws on child adoption. These practices offered new ways of responding to infertility and formed part of a growing expectation of being able to control one's fertility and family size. This book presents the political and cultural context for understanding why private questions about when to start a family, how many children to have, and how to cope with involuntary childlessness, evolved and became part of state demographic policies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

An engaging history of motherhood, demography, and infertility in twentieth-century France, Fertile expectations: The politics of involuntary childlessness in twentieth-century France (Manchester University Press, 2025) by Dr. Margaret Andersen explores fraught political and cultural meanings attached to the notion of an "ideal" family size. When statistics revealed a sustained drop in France's birthrate, pronatalist activists pushed for financial benefits, propaganda, and punitive measures to counter declining fertility. Situating infertility within this history, the author details innovations in fertility medicine, cultural awareness of artificial insemination, and changing laws on child adoption. These practices offered new ways of responding to infertility and formed part of a growing expectation of being able to control one's fertility and family size. This book presents the political and cultural context for understanding why private questions about when to start a family, how many children to have, and how to cope with involuntary childlessness, evolved and became part of state demographic policies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

An engaging history of motherhood, demography, and infertility in twentieth-century France, Fertile expectations: The politics of involuntary childlessness in twentieth-century France (Manchester University Press, 2025) by Dr. Margaret Andersen explores fraught political and cultural meanings attached to the notion of an "ideal" family size. When statistics revealed a sustained drop in France's birthrate, pronatalist activists pushed for financial benefits, propaganda, and punitive measures to counter declining fertility. Situating infertility within this history, the author details innovations in fertility medicine, cultural awareness of artificial insemination, and changing laws on child adoption. These practices offered new ways of responding to infertility and formed part of a growing expectation of being able to control one's fertility and family size. This book presents the political and cultural context for understanding why private questions about when to start a family, how many children to have, and how to cope with involuntary childlessness, evolved and became part of state demographic policies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science

An engaging history of motherhood, demography, and infertility in twentieth-century France, Fertile expectations: The politics of involuntary childlessness in twentieth-century France (Manchester University Press, 2025) by Dr. Margaret Andersen explores fraught political and cultural meanings attached to the notion of an "ideal" family size. When statistics revealed a sustained drop in France's birthrate, pronatalist activists pushed for financial benefits, propaganda, and punitive measures to counter declining fertility. Situating infertility within this history, the author details innovations in fertility medicine, cultural awareness of artificial insemination, and changing laws on child adoption. These practices offered new ways of responding to infertility and formed part of a growing expectation of being able to control one's fertility and family size. This book presents the political and cultural context for understanding why private questions about when to start a family, how many children to have, and how to cope with involuntary childlessness, evolved and became part of state demographic policies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

An engaging history of motherhood, demography, and infertility in twentieth-century France, Fertile expectations: The politics of involuntary childlessness in twentieth-century France (Manchester University Press, 2025) by Dr. Margaret Andersen explores fraught political and cultural meanings attached to the notion of an "ideal" family size. When statistics revealed a sustained drop in France's birthrate, pronatalist activists pushed for financial benefits, propaganda, and punitive measures to counter declining fertility. Situating infertility within this history, the author details innovations in fertility medicine, cultural awareness of artificial insemination, and changing laws on child adoption. These practices offered new ways of responding to infertility and formed part of a growing expectation of being able to control one's fertility and family size. This book presents the political and cultural context for understanding why private questions about when to start a family, how many children to have, and how to cope with involuntary childlessness, evolved and became part of state demographic policies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

An engaging history of motherhood, demography, and infertility in twentieth-century France, Fertile expectations: The politics of involuntary childlessness in twentieth-century France (Manchester University Press, 2025) by Dr. Margaret Andersen explores fraught political and cultural meanings attached to the notion of an "ideal" family size. When statistics revealed a sustained drop in France's birthrate, pronatalist activists pushed for financial benefits, propaganda, and punitive measures to counter declining fertility. Situating infertility within this history, the author details innovations in fertility medicine, cultural awareness of artificial insemination, and changing laws on child adoption. These practices offered new ways of responding to infertility and formed part of a growing expectation of being able to control one's fertility and family size. This book presents the political and cultural context for understanding why private questions about when to start a family, how many children to have, and how to cope with involuntary childlessness, evolved and became part of state demographic policies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

On August 27, 1783, a large crowd gathered in Paris to watch the first ascent of a hydrogen balloon. Despite the initial feverish enthusiasm, by the mid-nineteenth century the balloon remained relatively unchanged and was no longer seen as the harbinger of a new era. Yet that all changed in the last third of the century, when following the traumatic Franco-Prussian War defeat, the balloon reemerged to become the modern artifact that captured the attention of many. Through this process, the balloon became an important symbol of the fledgling Third Republic, and France established itself as the world leader in flight. In Ascending Republic: The Ballooning Revival in Nineteenth-Century France (MIT Press, 2025), Dr. Patrick Luiz Sullivan De Oliveira tells for the first time the story of this surprising revival.Through extensive research in the press and archives in France, the United States, and Brazil, De Oliveira argues that French civil society cultivated popular enthusiasm for flight (what historians call “airmindedness”) decades before the advent of the airplane. Champions of French ballooning made the case that if the British Royal Navy controlled the seas and the Imperial German Army dominated the continent, then France needed to take ownership of the skies. The French appropriated this newly imagined geopolitical space through a variety of practices, from republican savants who studied the atmosphere at high altitudes to aristocrats who organized transcontinental long-distance competitions. All of this made Paris into the global capital of a thriving aeronautical culture that incorporated seemingly contradictory visions of sacrificial patriotism, aristocratic modernity, colonial anxiety, and technological cosmopolitanism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On August 27, 1783, a large crowd gathered in Paris to watch the first ascent of a hydrogen balloon. Despite the initial feverish enthusiasm, by the mid-nineteenth century the balloon remained relatively unchanged and was no longer seen as the harbinger of a new era. Yet that all changed in the last third of the century, when following the traumatic Franco-Prussian War defeat, the balloon reemerged to become the modern artifact that captured the attention of many. Through this process, the balloon became an important symbol of the fledgling Third Republic, and France established itself as the world leader in flight. In Ascending Republic: The Ballooning Revival in Nineteenth-Century France (MIT Press, 2025), Dr. Patrick Luiz Sullivan De Oliveira tells for the first time the story of this surprising revival.Through extensive research in the press and archives in France, the United States, and Brazil, De Oliveira argues that French civil society cultivated popular enthusiasm for flight (what historians call “airmindedness”) decades before the advent of the airplane. Champions of French ballooning made the case that if the British Royal Navy controlled the seas and the Imperial German Army dominated the continent, then France needed to take ownership of the skies. The French appropriated this newly imagined geopolitical space through a variety of practices, from republican savants who studied the atmosphere at high altitudes to aristocrats who organized transcontinental long-distance competitions. All of this made Paris into the global capital of a thriving aeronautical culture that incorporated seemingly contradictory visions of sacrificial patriotism, aristocratic modernity, colonial anxiety, and technological cosmopolitanism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

On August 27, 1783, a large crowd gathered in Paris to watch the first ascent of a hydrogen balloon. Despite the initial feverish enthusiasm, by the mid-nineteenth century the balloon remained relatively unchanged and was no longer seen as the harbinger of a new era. Yet that all changed in the last third of the century, when following the traumatic Franco-Prussian War defeat, the balloon reemerged to become the modern artifact that captured the attention of many. Through this process, the balloon became an important symbol of the fledgling Third Republic, and France established itself as the world leader in flight. In Ascending Republic: The Ballooning Revival in Nineteenth-Century France (MIT Press, 2025), Dr. Patrick Luiz Sullivan De Oliveira tells for the first time the story of this surprising revival.Through extensive research in the press and archives in France, the United States, and Brazil, De Oliveira argues that French civil society cultivated popular enthusiasm for flight (what historians call “airmindedness”) decades before the advent of the airplane. Champions of French ballooning made the case that if the British Royal Navy controlled the seas and the Imperial German Army dominated the continent, then France needed to take ownership of the skies. The French appropriated this newly imagined geopolitical space through a variety of practices, from republican savants who studied the atmosphere at high altitudes to aristocrats who organized transcontinental long-distance competitions. All of this made Paris into the global capital of a thriving aeronautical culture that incorporated seemingly contradictory visions of sacrificial patriotism, aristocratic modernity, colonial anxiety, and technological cosmopolitanism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

On August 27, 1783, a large crowd gathered in Paris to watch the first ascent of a hydrogen balloon. Despite the initial feverish enthusiasm, by the mid-nineteenth century the balloon remained relatively unchanged and was no longer seen as the harbinger of a new era. Yet that all changed in the last third of the century, when following the traumatic Franco-Prussian War defeat, the balloon reemerged to become the modern artifact that captured the attention of many. Through this process, the balloon became an important symbol of the fledgling Third Republic, and France established itself as the world leader in flight. In Ascending Republic: The Ballooning Revival in Nineteenth-Century France (MIT Press, 2025), Dr. Patrick Luiz Sullivan De Oliveira tells for the first time the story of this surprising revival.Through extensive research in the press and archives in France, the United States, and Brazil, De Oliveira argues that French civil society cultivated popular enthusiasm for flight (what historians call “airmindedness”) decades before the advent of the airplane. Champions of French ballooning made the case that if the British Royal Navy controlled the seas and the Imperial German Army dominated the continent, then France needed to take ownership of the skies. The French appropriated this newly imagined geopolitical space through a variety of practices, from republican savants who studied the atmosphere at high altitudes to aristocrats who organized transcontinental long-distance competitions. All of this made Paris into the global capital of a thriving aeronautical culture that incorporated seemingly contradictory visions of sacrificial patriotism, aristocratic modernity, colonial anxiety, and technological cosmopolitanism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

On August 27, 1783, a large crowd gathered in Paris to watch the first ascent of a hydrogen balloon. Despite the initial feverish enthusiasm, by the mid-nineteenth century the balloon remained relatively unchanged and was no longer seen as the harbinger of a new era. Yet that all changed in the last third of the century, when following the traumatic Franco-Prussian War defeat, the balloon reemerged to become the modern artifact that captured the attention of many. Through this process, the balloon became an important symbol of the fledgling Third Republic, and France established itself as the world leader in flight. In Ascending Republic: The Ballooning Revival in Nineteenth-Century France (MIT Press, 2025), Dr. Patrick Luiz Sullivan De Oliveira tells for the first time the story of this surprising revival.Through extensive research in the press and archives in France, the United States, and Brazil, De Oliveira argues that French civil society cultivated popular enthusiasm for flight (what historians call “airmindedness”) decades before the advent of the airplane. Champions of French ballooning made the case that if the British Royal Navy controlled the seas and the Imperial German Army dominated the continent, then France needed to take ownership of the skies. The French appropriated this newly imagined geopolitical space through a variety of practices, from republican savants who studied the atmosphere at high altitudes to aristocrats who organized transcontinental long-distance competitions. All of this made Paris into the global capital of a thriving aeronautical culture that incorporated seemingly contradictory visions of sacrificial patriotism, aristocratic modernity, colonial anxiety, and technological cosmopolitanism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Greg Jenner is joined in 16th-Century France by Dr Estelle Paranque and comedian Shaparak Khorsandi to learn all about controversial queen Catherine de' Medici.Catherine's life was dramatic from the moment she was born: orphaned when she was just a few weeks old, she was brought up by her uncle the Pope, and her childhood was shaped by the tumultuous politics of Renaissance Florence. At fourteen, she was married to the son of the king of France and shipped off to the French court, only to find herself involved in a literal ménage à trois with her teenage husband's older mistress. But after her husband became king – and even more so after he died and her sons ruled France – Catherine came into her power as queen and later queen mother. And through her children and the marriages she organised for them, Catherine's influence was even felt beyond the borders of France. She even corresponded with Tudor queen Elizabeth I!This episode traces Catherine's tumultuous personal and political life from orphaned child to grandmother of Europe, exploring along the way the terror of the French Wars of Religion, and asking whether the dark legend of Catherine 'the serpent queen' is deserved, or whether she has been misunderstood by history.This is a radio edit of the original podcast episode. For the full-length version, please look further back in the feed.Hosted by: Greg Jenner Research by: Hannah Cusworth Written by: Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Ben Hollands Senior Producer: Emma Nagouse Executive Editor: James Cook

Murder in a cathedral, horrific illnesses and deformities, narrow escapes from injury and death, a vengeful dragon, a wandering eyeball, a bawdy monk and other sinners redeemed—the accounts of miracles performed by the Virgin Mary gathered and translated in The Miracles of Mary in Twelfth-Century France (Cornell UP, 2024) provide vivid glimpses into medieval life and beliefs. Bruce L. Venarde provides fluent translations of the first five collections of Marian miracle narratives from France, written in the second quarter of the twelfth century and never before available in English. The stories recorded in these collections—by Herman of Tournai; Hugh Farsit; Haimo of Saint-Pierre-sur-Dives; John, son of Peter; and Gautier of Compiègne—offer descriptions of travel, living conditions, medical knowledge, conflict between and among lay and religious authorities, and the burgeoning cult of the Virgin Mary, which had only recently become important in Western Europe. Including notes, tables, and maps that orient and illuminate the texts, The Miracles of Mary in Twelfth-Century France makes these riveting tales available to readers seeking a view into the medieval past. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Murder in a cathedral, horrific illnesses and deformities, narrow escapes from injury and death, a vengeful dragon, a wandering eyeball, a bawdy monk and other sinners redeemed—the accounts of miracles performed by the Virgin Mary gathered and translated in The Miracles of Mary in Twelfth-Century France (Cornell UP, 2024) provide vivid glimpses into medieval life and beliefs. Bruce L. Venarde provides fluent translations of the first five collections of Marian miracle narratives from France, written in the second quarter of the twelfth century and never before available in English. The stories recorded in these collections—by Herman of Tournai; Hugh Farsit; Haimo of Saint-Pierre-sur-Dives; John, son of Peter; and Gautier of Compiègne—offer descriptions of travel, living conditions, medical knowledge, conflict between and among lay and religious authorities, and the burgeoning cult of the Virgin Mary, which had only recently become important in Western Europe. Including notes, tables, and maps that orient and illuminate the texts, The Miracles of Mary in Twelfth-Century France makes these riveting tales available to readers seeking a view into the medieval past. Learn more about your ad choices. Visit megaphone.fm/adchoices

Murder in a cathedral, horrific illnesses and deformities, narrow escapes from injury and death, a vengeful dragon, a wandering eyeball, a bawdy monk and other sinners redeemed—the accounts of miracles performed by the Virgin Mary gathered and translated in The Miracles of Mary in Twelfth-Century France (Cornell UP, 2024) provide vivid glimpses into medieval life and beliefs. Bruce L. Venarde provides fluent translations of the first five collections of Marian miracle narratives from France, written in the second quarter of the twelfth century and never before available in English. The stories recorded in these collections—by Herman of Tournai; Hugh Farsit; Haimo of Saint-Pierre-sur-Dives; John, son of Peter; and Gautier of Compiègne—offer descriptions of travel, living conditions, medical knowledge, conflict between and among lay and religious authorities, and the burgeoning cult of the Virgin Mary, which had only recently become important in Western Europe. Including notes, tables, and maps that orient and illuminate the texts, The Miracles of Mary in Twelfth-Century France makes these riveting tales available to readers seeking a view into the medieval past. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Murder in a cathedral, horrific illnesses and deformities, narrow escapes from injury and death, a vengeful dragon, a wandering eyeball, a bawdy monk and other sinners redeemed—the accounts of miracles performed by the Virgin Mary gathered and translated in The Miracles of Mary in Twelfth-Century France (Cornell UP, 2024) provide vivid glimpses into medieval life and beliefs. Bruce L. Venarde provides fluent translations of the first five collections of Marian miracle narratives from France, written in the second quarter of the twelfth century and never before available in English. The stories recorded in these collections—by Herman of Tournai; Hugh Farsit; Haimo of Saint-Pierre-sur-Dives; John, son of Peter; and Gautier of Compiègne—offer descriptions of travel, living conditions, medical knowledge, conflict between and among lay and religious authorities, and the burgeoning cult of the Virgin Mary, which had only recently become important in Western Europe. Including notes, tables, and maps that orient and illuminate the texts, The Miracles of Mary in Twelfth-Century France makes these riveting tales available to readers seeking a view into the medieval past. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Murder in a cathedral, horrific illnesses and deformities, narrow escapes from injury and death, a vengeful dragon, a wandering eyeball, a bawdy monk and other sinners redeemed—the accounts of miracles performed by the Virgin Mary gathered and translated in The Miracles of Mary in Twelfth-Century France (Cornell UP, 2024) provide vivid glimpses into medieval life and beliefs. Bruce L. Venarde provides fluent translations of the first five collections of Marian miracle narratives from France, written in the second quarter of the twelfth century and never before available in English. The stories recorded in these collections—by Herman of Tournai; Hugh Farsit; Haimo of Saint-Pierre-sur-Dives; John, son of Peter; and Gautier of Compiègne—offer descriptions of travel, living conditions, medical knowledge, conflict between and among lay and religious authorities, and the burgeoning cult of the Virgin Mary, which had only recently become important in Western Europe. Including notes, tables, and maps that orient and illuminate the texts, The Miracles of Mary in Twelfth-Century France makes these riveting tales available to readers seeking a view into the medieval past. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Murder in a cathedral, horrific illnesses and deformities, narrow escapes from injury and death, a vengeful dragon, a wandering eyeball, a bawdy monk and other sinners redeemed—the accounts of miracles performed by the Virgin Mary gathered and translated in The Miracles of Mary in Twelfth-Century France (Cornell UP, 2024) provide vivid glimpses into medieval life and beliefs. Bruce L. Venarde provides fluent translations of the first five collections of Marian miracle narratives from France, written in the second quarter of the twelfth century and never before available in English. The stories recorded in these collections—by Herman of Tournai; Hugh Farsit; Haimo of Saint-Pierre-sur-Dives; John, son of Peter; and Gautier of Compiègne—offer descriptions of travel, living conditions, medical knowledge, conflict between and among lay and religious authorities, and the burgeoning cult of the Virgin Mary, which had only recently become important in Western Europe. Including notes, tables, and maps that orient and illuminate the texts, The Miracles of Mary in Twelfth-Century France makes these riveting tales available to readers seeking a view into the medieval past. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Murder in a cathedral, horrific illnesses and deformities, narrow escapes from injury and death, a vengeful dragon, a wandering eyeball, a bawdy monk and other sinners redeemed—the accounts of miracles performed by the Virgin Mary gathered and translated in The Miracles of Mary in Twelfth-Century France (Cornell UP, 2024) provide vivid glimpses into medieval life and beliefs. Bruce L. Venarde provides fluent translations of the first five collections of Marian miracle narratives from France, written in the second quarter of the twelfth century and never before available in English. The stories recorded in these collections—by Herman of Tournai; Hugh Farsit; Haimo of Saint-Pierre-sur-Dives; John, son of Peter; and Gautier of Compiègne—offer descriptions of travel, living conditions, medical knowledge, conflict between and among lay and religious authorities, and the burgeoning cult of the Virgin Mary, which had only recently become important in Western Europe. Including notes, tables, and maps that orient and illuminate the texts, The Miracles of Mary in Twelfth-Century France makes these riveting tales available to readers seeking a view into the medieval past. Learn more about your ad choices. Visit megaphone.fm/adchoices

Murder in a cathedral, horrific illnesses and deformities, narrow escapes from injury and death, a vengeful dragon, a wandering eyeball, a bawdy monk and other sinners redeemed—the accounts of miracles performed by the Virgin Mary gathered and translated in The Miracles of Mary in Twelfth-Century France (Cornell UP, 2024) provide vivid glimpses into medieval life and beliefs. Bruce L. Venarde provides fluent translations of the first five collections of Marian miracle narratives from France, written in the second quarter of the twelfth century and never before available in English. The stories recorded in these collections—by Herman of Tournai; Hugh Farsit; Haimo of Saint-Pierre-sur-Dives; John, son of Peter; and Gautier of Compiègne—offer descriptions of travel, living conditions, medical knowledge, conflict between and among lay and religious authorities, and the burgeoning cult of the Virgin Mary, which had only recently become important in Western Europe. Including notes, tables, and maps that orient and illuminate the texts, The Miracles of Mary in Twelfth-Century France makes these riveting tales available to readers seeking a view into the medieval past. Learn more about your ad choices. Visit megaphone.fm/adchoices

In episode fifty-four, Caveman and Maggi take a trip to 14th Century France to talk about Baby Driver. A near modern classic ruined by its own actors. Can it stand the test of Timeline? Find out today!Follow our Instagram, Threads, & Letterboxd accounts @movieminglepod Check out our YouTube channel, MovieMinglePodcastQuestions? Comments? Write us at movieminglepod@gmail.com

Greg Jenner is joined in 16th-Century France by Dr Estelle Paranque and comedian Shaparak Khorsandi to learn all about controversial queen Catherine de' Medici.Catherine's life was dramatic from the moment she was born: orphaned when she was just a few weeks old, she was brought up by her uncle the Pope, and her childhood was shaped by the tumultuous politics of Renaissance Florence. At fourteen, she was married to the son of the king of France and shipped off to the French court, only to find herself involved in a literal ménage à trois with her teenage husband's older mistress. But after her husband became king – and even more so after he died and her sons ruled France – Catherine came into her power as queen and later queen mother. And through her children and the marriages she organised for them, Catherine's influence was even felt beyond the borders of France. She even corresponded with Tudor queen Elizabeth I!This episode traces Catherine's tumultuous personal and political life from orphaned child to grandmother of Europe, exploring along the way the terror of the French Wars of Religion, and asking whether the dark legend of Catherine 'the serpent queen' is deserved, or whether she has been misunderstood by history.If you're a fan of scheming queens, scandalous royal love affairs and dramatic religious conflicts, you'll love our episode on Catherine de' Medici.If you want more from Shaparak Khorsandi, check out our episodes on Justinian and Theodora and the Ancient Olympics. And for more quality queens, listen to our episodes on Emma of Normandy and Eleanor of Aquitaine.You're Dead To Me is the comedy podcast that takes history seriously. Every episode, Greg Jenner brings together the best names in history and comedy to learn and laugh about the past. Hosted by: Greg Jenner Research by: Hannah Cusworth Written by: Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Ben Hollands Senior Producer: Emma Nagouse Executive Editor: James Cook

A Valentine's Present to accompany Season 10, Episode 7 Girls, Girls, Girls in which we talked about La Voisin and the Affair of Poisons. We continue that conversation and delve into the interplay of magic and poison during the 1600s in France.

Few books have influenced me as much as the Makers of Modern Strategy series. The three volumes (published in 1942, 1986, and 2023) are indispensable to understanding statecraft, leadership, and the evolution of warfare across millennia. The New Makers of Modern Strategy (2023) is a thousand pages long and analyzes strategy from ancient Greece to the Congo. The man behind this behemoth collection is Hal Brands, a professor at the Johns Hopkins School of Advanced International Studies and a returning ChinaTalk guest. In our conversation, we discuss: The process for compiling such an ambitious collection of essays; Unique insights and new topics covered in the 2023 edition, including Tecumseh, Kabila in the Congo, and Strategies of Equilibrium in 17th Century France; Advice for reading the book effectively; Revolutions in military affairs, from the atom bomb to quantum computers. For reference, you can compare the content of the three volumes with this spreadsheet, courtesy of Nicholas Welch. Outtro music: When This Cruel War is Over (Civil War ballad by Hermes Nye) https://open.spotify.com/track/1Zjcz6B4PromuFFXMWu8hK?si=500b718d8361421b Learn more about your ad choices. Visit megaphone.fm/adchoices

Few books have influenced me as much as the Makers of Modern Strategy series. The three volumes (published in 1942, 1986, and 2023) are indispensable to understanding statecraft, leadership, and the evolution of warfare across millennia. The New Makers of Modern Strategy (2023) is a thousand pages long and analyzes strategy from ancient Greece to the Congo. The man behind this behemoth collection is Hal Brands, a professor at the Johns Hopkins School of Advanced International Studies and a returning ChinaTalk guest. In our conversation, we discuss: The process for compiling such an ambitious collection of essays; Unique insights and new topics covered in the 2023 edition, including Tecumseh, Kabila in the Congo, and Strategies of Equilibrium in 17th Century France; Advice for reading the book effectively; Revolutions in military affairs, from the atom bomb to quantum computers. For reference, you can compare the content of the three volumes with this spreadsheet, courtesy of Nicholas Welch. Outtro music: When This Cruel War is Over (Civil War ballad by Hermes Nye) https://open.spotify.com/track/1Zjcz6B4PromuFFXMWu8hK?si=500b718d8361421b Learn more about your ad choices. Visit megaphone.fm/adchoices

The Brothers talk about Werewolves on Halloween. We watch our language so this one is appropriate for the kids. We discuss the full moon and the strange things that happen under it. We even talk about some history and the story of the Beast of Gévaudan which took place in 17th Century France. Enjoy!Two ordinary brothers discussing extraordinary ideas... and some random shit.Email- thebrothersrandomv@gmail.comCheck us out on YouTube- https://www.youtube.com/@thebrothersrandom

Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments.  This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments.  This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments.  This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments.  This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments.  This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments.  This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments.  This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In France during the 17th Century, a string of unexpected deaths lead to a murder inquiry that uncovered the dark practices of a serial poisoner, who had plied her trade in the streets of Paris, using the popular alchemy and astrology social circles for cover. The eventual arrests shocked the nation, when it was discovered that far from common rabble, the poisoners had hailed from a more well bred class of citizen. Unfortunately, for the Royal Court, the case was only the start of what would turn out to be an unravelling scandal, fueled by a moral panic and the wild imaginations of those accused, that saw witchcraft, occultism, poison and assassination infest the entirety of French society, from the bottom, all the way to the very top. SOURCES Somerset, Anne (2004) The Affair Of The Poisons: Murder, Infanticide, And Satanism At The Court Of Louis XIV. St Martin's Press, NY, USA. Duramy, Benedetta Faedi (2012) Women & Poisons in 20th Century France. Golden Gate University School of Law, CA, USA. Zacharias, Gerhard (1964) Der dunkle Gott: Satanskult und Schwarze Messe. Wiesbaden, Germany. Duc de Louis de Rouvroy Saint-Simon (2016) Memoirs of Louis XIV and His Court and of the Regency — Complete. CreateSpace Independent Publishing Platform. ------- For almost anything, head over to the podcasts hub at darkhistories.com Support the show by using our link when you sign up to Audible: http://audibletrial.com/darkhistories or visit our Patreon for bonus episodes and Early Access: https://www.patreon.com/darkhistories The Dark Histories books are available to buy here: http://author.to/darkhistories Dark Histories merch is available here: https://bit.ly/3GChjk9 Connect with us on Facebook: http://facebook.com/darkhistoriespodcast Or find us on Twitter: http://twitter.com/darkhistories & Instagram: https://www.instagram.com/dark_histories/ Or you can contact us directly via email at contact@darkhistories.com or join our Discord community: https://discord.gg/cmGcBFf The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.  

Have you been told your draft isn't ready yet, because you still need to find your argument? We have all gotten that feedback at some point. But what we haven't been told is how to find our argument. Today we return to The Dissertation-to-Book Workbook: Exercises for Developing and Revising Your Book Manuscript (U Chicago Press, 2023), with Dr. Katelyn E. Knox and Dr. Allison Van Deventer, to learn how to find and assemble an argument. Whether you are writing an article, dissertation or a book, this episode is the skills workshop you need! Our guest is: Dr. Allison Van Deventer, who is a freelance developmental editor for academic authors in the humanities and qualitative social sciences. She is the co-author of The Dissertation-to-Book Workbook: Exercises for Developing and Revising Your Book Manuscript. Our co-guest is: Dr. Katelyn Knox, who is an associate professor of French at the University of Central Arkansas. She is the author of Race on Display in 20th- and 21st-Century France. She is the co-author of The Dissertation-to-Book Workbook: Exercises for Developing and Revising Your Book Manuscript. Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell (and why) and what happens to those we never tell. Listeners may also enjoy: The Dissertation to Book Workbook The Grant Writing Guide Where Research Begins Book Proposals Learning from Rejection and Failure Contracts, Agents and Editors: Demystifying the Path to Publication Dissertations Wanted : A Conversation with the Editor of the University of Wyoming Press University Press Submissions and the Peer Review Process Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us here again to learn from even more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You'll find them all archived here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Have you been told your draft isn't ready yet, because you still need to find your argument? We have all gotten that feedback at some point. But what we haven't been told is how to find our argument. Today we return to The Dissertation-to-Book Workbook: Exercises for Developing and Revising Your Book Manuscript (U Chicago Press, 2023), with Dr. Katelyn E. Knox and Dr. Allison Van Deventer, to learn how to find and assemble an argument. Whether you are writing an article, dissertation or a book, this episode is the skills workshop you need! Our guest is: Dr. Allison Van Deventer, who is a freelance developmental editor for academic authors in the humanities and qualitative social sciences. She is the co-author of The Dissertation-to-Book Workbook: Exercises for Developing and Revising Your Book Manuscript. Our co-guest is: Dr. Katelyn Knox, who is an associate professor of French at the University of Central Arkansas. She is the author of Race on Display in 20th- and 21st-Century France. She is the co-author of The Dissertation-to-Book Workbook: Exercises for Developing and Revising Your Book Manuscript. Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell (and why) and what happens to those we never tell. Listeners may also enjoy: The Dissertation to Book Workbook The Grant Writing Guide Where Research Begins Book Proposals Learning from Rejection and Failure Contracts, Agents and Editors: Demystifying the Path to Publication Dissertations Wanted : A Conversation with the Editor of the University of Wyoming Press University Press Submissions and the Peer Review Process Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us here again to learn from even more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You'll find them all archived here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

The gang are joined by special guest writer/culture critic Kayleigh Donaldson as they delve into the world of 18th Century France and legendary provocateur/filth-peddler, the Marquis de Sade, for a tale of smut, censorship and dehumanisation in Philip Kaufman's 2000 film Quills.   Follow Kayleigh on Twitter     Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

A group of archaeologists get embroiled in an adventure where they must travel back in time to 14th Century France, to save their professor before the French battle the English at Castlegard. If they fail, they won't be able to return. Call us and leave a voicemail at 1 ‪(305) 563-6334‬ Music provided by: https://www.atlassoundarts.com/ This is SciFi Voice: https://twitter.com/DNikky162 Mentions: Sleepy Captain Kyoshii https://x.com/KyoCat2468, The Wanderer https://x.com/wanderingpaths1, Bess Motta https://x.com/BessMotta, Michael Shane https://x.com/Glitter_Rock, Twist My Arm https://x.com/TwistMyArmCast, Gary B - Creator https://x.com/gbbloom, Jorge Luis @jorgelgp13, Heather M @hlm_fl, Creek Indian, Captain Spandex, xX Lil Mo Xx Ads: Spaceships, The Podcast That Wouldnt Die Sci-Fi fan or creator? Follow the hashtag https://twitter.com/hashtag/ThisisScifi?src=hashtag_click&f=live for more sci-fi goodness! #ScienceFiction And join our https://discord.gg/yRynvjB! #WeNeedRobertToWatchBabylon5 https://discord.gg/yRynvjB A "https://podcasters.spotify.com/" podcast --- Support this podcast: https://podcasters.spotify.com/pod/show/scifiremnant/support

How do you turn a dissertation into a book? Today's book is: The Dissertation-to-Book Workbook: Exercises for Developing and Revising Your Book Manuscript (U Chicago Press, 2023), by Dr. Katelyn E. Knox and Dr. Allison Van Deventer, which offers a series of manageable, concrete steps and exercises to help you revise your academic manuscript into a book. The Dissertation-to-Book Workbook offers clear examples, as well as targeted exercises, checklists and prompts to take all the guesswork out of writing a book. You will learn how to clarify your book's core priorities, pinpoint your organizing principle, polish your narrative arc, evaluate your evidence, and much more. Using what this workbook calls “book questions and chapter answers,” you will learn how to thread your book's main ideas through its chapters, assemble an argument, and revise the manuscript. By the time you complete the workbook, you will have confidence that your book is a cohesive, focused manuscript that tells the story you want to tell. Our guest is: Dr. Katelyn Knox, who is an associate professor of French at the University of Central Arkansas. She is the author of Race on Display in 20th- and 21st-Century France. Our co-guest is: Dr. Allison Van Deventer, who is a freelance developmental editor for academic authors in the humanities and qualitative social sciences. Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell (and why) and what happens to those we never tell. Listeners may also enjoy: Stylish Academic Writing The Emotional Arc of Turning A Dissertation Into A Book The Artist's Joy: A Guide to Getting Unstuck and Embracing Imperfection Becoming the Writer You Already Are Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us here again to learn from even more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You'll find them all archived here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How do you turn a dissertation into a book? Today's book is: The Dissertation-to-Book Workbook: Exercises for Developing and Revising Your Book Manuscript (U Chicago Press, 2023), by Dr. Katelyn E. Knox and Dr. Allison Van Deventer, which offers a series of manageable, concrete steps and exercises to help you revise your academic manuscript into a book. The Dissertation-to-Book Workbook offers clear examples, as well as targeted exercises, checklists and prompts to take all the guesswork out of writing a book. You will learn how to clarify your book's core priorities, pinpoint your organizing principle, polish your narrative arc, evaluate your evidence, and much more. Using what this workbook calls “book questions and chapter answers,” you will learn how to thread your book's main ideas through its chapters, assemble an argument, and revise the manuscript. By the time you complete the workbook, you will have confidence that your book is a cohesive, focused manuscript that tells the story you want to tell. Our guest is: Dr. Katelyn Knox, who is an associate professor of French at the University of Central Arkansas. She is the author of Race on Display in 20th- and 21st-Century France. Our co-guest is: Dr. Allison Van Deventer, who is a freelance developmental editor for academic authors in the humanities and qualitative social sciences. Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell (and why) and what happens to those we never tell. Listeners may also enjoy: Stylish Academic Writing The Emotional Arc of Turning A Dissertation Into A Book The Artist's Joy: A Guide to Getting Unstuck and Embracing Imperfection Becoming the Writer You Already Are Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us here again to learn from even more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You'll find them all archived here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

Professor Rachel Mesch guides us through three compelling lives and careers in 19th-century France. The lives of French writers, Jane Dieulafoy (1850–1916), Rachilde (1860–1953), and Marc de Montifaud (1845–1912), did not conform to nineteenth-century notions of femininity. In their work, they contested conventional gender norms, and refused to be categorized by traditional gender standards. These three lives tell us much more about late 19th-century France than we previously knew. Episode 554.

Mr Ritchie there's something happening in 9th Century France! VIKINGS! There's many a Dane axe to be ground in the story of ROLLO THE WALKER...not to mention FEUDS, people falling in the water and HAIRCUTS worse than DEATH! Join the exiled ROLLO and his extremely SILLY band of VIKINGS as they travel to FRANCE in search of riches and ADVENTURE...which another way of saying STEALING and murder...we remind you this is still supposed to be a show for families! It's just that Vikings are horrible! Next week the siege of Paris, the birth of Normandy and more people going 'ARGH' as they fall in the water await! A big pile of tax free Danegeld to ZapSplat for music & SFX  Scott Buckley will be placed in a Longship and set on fire to thank him for his glorious music! We honour Lord Fast Fingers and his very fast fingers for penning the intro  Hit us up on our Ko-Fi and your place in Valhalla is assured! Please Rate and Review  and Odin's Ravens will fly down from his throne and do the washing up!  

Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France (Penn State University Press, 2024), Dr. Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period's reconceptualization of art. Drawing on sources ranging from eighteenth-century artists' writings to twenty-first-century laboratory analyses, Dr. Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century's end reimagined as the irreducible essence of art's autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art's meaning and purpose. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France (Penn State University Press, 2024), Dr. Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period's reconceptualization of art. Drawing on sources ranging from eighteenth-century artists' writings to twenty-first-century laboratory analyses, Dr. Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century's end reimagined as the irreducible essence of art's autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art's meaning and purpose. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 18th Century France the Ancien Regime comes up against the Enlightenment and Age of Reason and, spoiler alert, it doesn't end well for the monarchy. In this episode that serves as a sort of French revolution for dummies we look at what happened, from the storming of the Bastille on, well, Bastille Day to the rise of Napoleon Reading List: Vive La Revolution: A Stand-up History of the French Revolution by Mark Steel Buy books through our affiliate bookshop and you'll help fund We Are History by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too. Support We Are History on Patreon and get exclusive benefits including bonus episodes, mugs and more! https://patreon.com/WeAreHistory We Are History is written and presented by Angela Barnes and John O'Farrell. Production by Simon Williams. Group Editor is Andrew Harrison. We Are History is a Podmasters Production Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 1830, France's slow-moving political crisis builds to a fever-pitch, as King Charles X goes to war with his liberal opposition at home, and the Regency of Algiers abroad. Amid military and electoral campaigns, Charles X will face a decision that could reshape his reign. The Siècle's 5th anniversary is coming up on January 22, 2024. I'm hosting a special Q&A episode (with a guest moderator you might know!) and want your quesitons! Please email david (at) thesiecle (dot) com by January 13, 2024, with any questions you want considered for inclusion in that episode — about the show, about 19th Century France, or even about me. Learn more about your ad choices. Visit megaphone.fm/adchoices

Corey Mohler from Existential Comics returns to the show to discuss the famous novel (and its many adaptations) by Victor Hugo "Les Misérables". Together they discuss the novel, its various adaptations, its political and social themes, 19th Century France, the "Giants of '93", read some passages from the book, and discuss its ongoing legacy and relevance for us today!   Check out Existential Comics HERE  Check our all our previous episodes with Corey on a wide range of topics HERE   ------------------------------------------------------- Support Rev Left Radio: https://www.patreon.com/RevLeftRadio or make a one time donation: https://www.paypal.com/paypalme/revleft