Podcasts about Gerhard

Gerhard Wiesler is a bowyer living on a 200-year-old farm near Weiz, Austria, where he has nut orchards of walnuts, chestnuts, and pecans. He is a prolific teacher, guiding hundreds of students yearly in the building of selfbows. Please enjoy this episode of Project Quiver on Salish Wolf with Gerhard Wiesler.          Episode Links: https://www.meinbogen.at/https://www.facebook.com/BogenbauGerhardWieslerProject Quiver at Anchor Point ExpeditionsSummary:Gerhard Wiesler shares his journey into traditional bow making, the art of crafting self bows, and the cultural significance of archery and martial arts. Discover insights into the craftsmanship, experimentation, and traditions behind this timeless craft. Gerhard and Todd discuss the art of bow making, focusing on different woods, workshop processes, and the impact of forest management on bow making materials.Show Notes:Gerhard Wiesler's background and journey into bow makingThe process of crafting self bows from a single piece of woodExperimentation with different bow designs and woodsThe tradition and cultural significance of archery in Japan and EuropeThe role of workshops and teaching in Gerhard's craftChallenges of selling handmade bows within European consumer rightsThe influence of martial arts on archery practice and philosophyInnovative techniques like bamboo wedges and fire arrows U wood differences between Europe and Pacific NorthwestImpact of forest management on bow wood qualityWorkshop process for building bows from selection to finishingDesign considerations including bow length, draw weight, and aestheticsMaterial choices for handles, arrow shelves, and stringsChapters:03:06 - The spontaneous round-the-world trip that changed everything08:01 - Why the family chose to keep homeschooling during travel11:19 - Mika Wolf and the Austrian bowmaking scene13:47 - What counts as a professional bowyer16:10 - Japanese dojo culture and slow apprenticeship19:17 - Martial arts, archery, and embodied practice21:04 - Rambo 2 and Gerhard's explosive start in archery22:28 - Making flaming arrows and archery fireworks24:14 - From compound bows to self bows25:13 - A failed first bow and the start of serious bowmaking27:00 - Burning finished bows as a ritual29:30 - Why Gerhard only builds self bows31:45 - Consumer warranty issues for handcrafted bows in Europe33:39 - Why workshops are better than custom commissions35:26 - Experimenting with different bow woods and designs36:22 - Performance, comfort, and the Yumi bow41:19 - Bamboo backing and the Japanese rope-and-wedge method42:20 - One-day and two-day workshop formats45:08 - First bows made from Pacific yew46:50 - Humidity problems in Costa Rica and switching materials48:14 - Success with knotty yew staves49:00 - European yew versus Pacific yew52:22 - Yew as a demanding wood and workshop success rates53:42 - Shipping staves and sourcing osage from the US55:23 - Ash, black locust, and hickory for workshops57:37 - Stave logistics and why he buys dried bow wood61:13 - The Redwoods and the feeling of standing among giants62:24 - How many workshops Gerhard teaches each year63:08 - Where his students come from66:47 - Walking through a full workshop from start to finish68:02 - Manau as the wood used for horse bows69:22 - Choosing bow wood by type and personality70:58 - Horse bow dimensions and strong draw weights74:27 - Choosing draw weight for beginners77:19 - Women, men, and learning style differences in archery79:52 - Bow length, performance, and tradeoffs80:22 - Rough shaping with hand tools84:31 - Handle shaping, 50 test shots, and checking limb balance85:57 - Finish options: sanding, oiling, painting, and wraps86:45 - Shelves, horse bows, and tradition88:42 - Arrow passes and decorative inlays89:30 - Strings, arrows, and cedar shaft preferences91:45 - Gerhard's informal success guarantee and free repeat workshops

In diesem C! Podcast spricht Corinne Flick mit Gerhard Wagner, Inhaber des Lehrstuhls für Bürgerliches Recht, Wirtschaftsrecht und Ökonomik an der Humboldt-Universität zu Berlin und akademischer Leiter des Masterstudiengangs International Dispute Resolution. 

In the latest episode of the CFA UK Future Proofing Finance, hosts Ben Ashby, ASIP and Tom Threlfall, CFA celebrate their milestone 21st episode with a very special guest - our very own Gerhard Sogl, Head of Content Strategy and Analytics, CFA UK. Gerhard brings his decades of experience in emerging markets, trading, and financial education to discuss his new paper on emotional liquidity, The Cost of Holding On, and why the best decisions investors can make under emotional stress aren't necessarily the ones that will deliver the best returns. 

 Also in this episode:
 - How Gerhard transitioned from FX and bond trading to content and financial education at CFA UK - Why inflationary and uncertain markets change investors emotional behaviour - Two trading blowups that shaped Gerhard's approach to emotional liquidity - Why opportunity cost can often be much larger than the visible loss - A practical mental model for managing your emotional liquidity in difficult situations Tune into this special episode to hear what happens when liquidity disappears, why emotional discipline matters as much as technical skill, and how traders and investors should manage their emotions as well as their portfolios.

Monsieur Orient-Express –Wie es Georges Nagelmackers gelang, Welten zu verbinden von Gerhard J. RekelEin. Jahr - ein Buch, Auszug 07 Hördauer 09 MinutenLiteratur Radio Hörbahn stellt „Monsieur Orientexpress“ in der Serie „Ein Jahr – ein Buch“ auf besondere Weise vor. Aus 12 markanten Auszügen entsteht ein Panorama aus Geschichte, Mythos und persönlicher Perspektive rund um den legendären Zug und seinen Schöpfer. Die Ausschnitte führen in Figuren, Schauplätze und Stimmungen ein und lassen die Faszination Orientexpress akustisch aufleben.Jeden Monat wird eine neue Folge am vereinbarten Sendetermin online gestellt. So entwickelt sich über das Jahr hinweg eine fortlaufende Erzählung, bei der jede Station ein neues Fenster in das Universum von „Monsieur Orientexpress“ öffnet.Es liest: Cassiel MetrisAgatha Christie, Graham Greene und Hollywood machten ihn zum Mythos. Bis heute beflügelt der "König der Züge" die Sehnsucht nach Abenteuern und romantischen Erlebnissen. Doch was ist seine Geschichte, welche Vision steckte dahinter ?Der Mann, der den Orient-Express und über 180 weitere Nachtzugverbindungen durch ganz Europa auf die Gleise stellte, ist Georges Nagelmackers (1845–1905). Das Ringen um seinen Traum entwickelte sich zu einem dramatischen Auf und Ab zwischen Hoffnung und Verzweiflung, Scheitern und Triumph, erlittenem Spott und großer Verehrung.Georges Nagelmackers' Lebenswerk ist ein Plädoyer für die hartnäckige Verfolgung einer Vision, das raffinierte Spiel über die Bande und den Glauben an den Umweg : geografisch, politisch und menschlich.Gerhard J. Rekelwurde 1965 in Graz geboren. Er absolvierte die Filmakademie Wien, für die Komödie „Trauma“ erhielt er eine British Academy Nomination, eine Biennale-Einladung sowie den Japanischen Drehbuchpreis. Er verfasste mehrere Drehbücher für den „Tatort“ und realisierte als Regisseur Wissenschaftsdokumentationen für ARTE, ZDF und andere Sender. Rekel hat mehrere Romane veröffentlicht, u. a. „Der Duft des Kaffees“. Das zuletzt bei K&S erschienene Buch „Monsieur Orient-Express“ erhielt den ITB-BookAward 2023 des Deutschen Buch-Börsenvereins und wurde ins Englische, Französische und Niederländische übersetztSchnitt, Technik: Jupp Stepprath, Realisation: Uwe Kullnick_____________________________________________________________________________Es gibt Literatur Radio Hörbahn seit März 2015. Unser Programm beinhaltet Lyrik, Prosa, Drama, Literaturkritik, Lyrik für Kinder, Interviews, Rezensionen, Essays, Kurzgeschichten, Aufnahmen von Lesungen, Reportagen, Vorträge, Tagungen, historische Themen, eigene Produktionen und vieles mehr.Unsere Programme laufen völlig unabhängig, ohne Werbung, ohne finanzielles Sponsorship und nur mit Hilfe ehrenamtlicher Tätigkeiten und Kooperationen ohne finanziellen Hintergrund.   Unsere Beiträge finden Sie auf unserer Seite und überall, wo es Podcasts gibt.Medienpartnerschaften: Literaturportal Bayern, Bayerische Staatsbibliothek, Internationale Jugendbibliothek, Literaturkritik.de (Universität Marburg), Literaturkritik.at, Literatur und Kritik, Institut für Literaturgeschichte (Uni Augsburg), Münchner Stadtbibliothek, Bayerische Volksstiftung, Bayerische Einigung, Amerikahaus München, Seidelvilla München, Bayernspiegel, Literaturschloss Edelstetten, L.I.S.A Wissenschaftsportal, C.H.Beck, dtv und andere Verlage …Wenn dir die Sendung  gefallen hat, hör doch mal hier hinein.Komm  doch mal zu unseren Live-Sendungen in Schwabing oder im Gasteig.

September 2, 2026 - Clay Gerhard and Tracy Whitten of the Decatur Park District joined Byers & Co to talk about the Hispanic Heritage Festival, Hype for Hikes, Turkey Trot, Putt the Kids to Bed, and shows at the Devon. Listen to the podcast now!See omnystudio.com/listener for privacy information.

20. bis 25. Juli - 21. Woche im Jahreskreis Die Texte, die in katholische Gottesdiensten in dieser Woche als Evangelium gelesen werden, sind Abschnitte aus dem Matthäusevangelium. Es geht um Heuchelei bzw Wahrhaftigkeit, Wachsamkeit und furchtabres Einsetzen unserer Talente. Gerhard Bauer ist Priester in der Wiener Pfarre Augarten und auch als Psychotherapeut tätig. Samstag, 29. August Vertrauen vermehrt sich durch Vertrauen Mt 25, 14-30

20. bis 25. Juli - 21. Woche im Jahreskreis Die Texte, die in katholische Gottesdiensten in dieser Woche als Evangelium gelesen werden, sind Abschnitte aus dem Matthäusevangelium. Es geht um Heuchelei bzw Wahrhaftigkeit, Wachsamkeit und furchtabres Einsetzen unserer Talente. Gerhard Bauer ist Priester in der Wiener Pfarre Augarten und auch als Psychotherapeut tätig. Freitag, 28. August Fragen eröffnen das Mehr Mt 25, 1-13

Ein Trollinger Rosé für 100 Euro: Provokation, Marketing oder großer Herkunftswein? Mit dieser Flasche beginnt mein Gespräch mit Matthias Aldinger über die Frage, wie Qualität, Vertrauen und Reputation über Generationen entstehen. Matthias erzählt, wie sein Großvater Gerhard mit dem Untertürkheimer Gips die materielle Grundlage des heutigen Weinguts schuf, wie sein Vater Gert den württembergischen Qualitätsanspruch neu formulierte und wie er und sein Bruder Hansjörg einen erfolgreichen Betrieb weiterentwickeln, ohne ihn lediglich zu verwalten. Es geht um familiären Unternehmergeist, ökologischen Weinbau, „kontrolliertes Nichtstun“ im Keller und den Aufbau einer eigenständigen Sektproduktion. Fünf Weine führen durch das Gespräch: der Gips Trollinger Rosé, der ungeschwefelte SINE, der aus Trauben aus Marsannay erzeugte Marcène, das Marienglas Spätburgunder GG und der Lämmler Lemberger GG. Im direkten Vergleich wird die zentrale Frage der Folge konkret: Wo endet die Handschrift des Winzers, wo beginnt der Ort – und kann die Reputation eines Erzeugers irgendwann auf seine Herkunft übergehen?

Why did the Rabbis tell the Exodus through the words of a farmer—and leave Mount Sinai out of the story? What if the Torah's shortest version of the Exodus leaves out the most important moment? The story of the Exodus without using the Book of Exodus? In Parshat Ki Tavo, an Israelite farmer enters the Temple carrying a basket of first fruits and recites a compact history of his people: "My father was a wandering Aramean. The Egyptians oppressed us. We cried out. God brought us forth and gave us this land." Those words would eventually leave the Temple, enter the Jewish home and become the centerpiece of the Passover Haggadah. Geoffrey Stern and Rabbi Adam Mintz explore why Mikra Bikkurim fascinated both the Rabbis and modern critical scholars. Gerhard von Rad called it Israel's "little historical creed," while Jeffrey Tigay noted its memorable alliteration and preservation of Israel's landless beginnings. Ibn Ezra, Rashbam and Shadal debate whether its wandering ancestor was Jacob, Abraham—or all the patriarchs combined. Unlike the narrative in Exodus, this declaration is spoken in the first person: "They oppressed us. We cried out. God brought us forth." It allows every later Israelite to enter the ancestors' history and claim it as personal memory. But the declaration also begins the Exodus before Pharaoh. By reaching back to the wandering and vulnerability of Abraham and Jacob, it transforms the Exodus from a single historical event into a recurring pattern of exile and return, danger and deliverance. Like Isaiah in the Haftarot of Consolation, the Rabbis reopened Genesis and repurposed its ancestral voices to give hope to later generations. They moved this declaration: From the Temple to the home From the pilgrim's basket to the Seder table From possession of the land to life in exile From bringing first fruits to telling the story Finally, we confront the great omission: Why does Mikra Bikkurim move from Egypt directly to the Promised Land without mentioning Moses or the revelation at Mount Sinai? Perhaps the Exodus repeats itself, while Sinai does not. Exile and redemption can recur nationally and personally, but the Torah came down from heaven only once. From then on, lo bashamayim hi—"It is not in heaven." The Torah was given to human beings to interpret and make their own. And as Rosh Hashanah approaches, the same first-person grammar returns in the Selichot confession: Aval anachnu va'avoteinu chatanu—"But we and our ancestors have sinned." We inherit not only our ancestors' redemption, but also their failures, their repentance and their hope. Join us for Liberation: Personal and Recurring. Key Takeaways When History Becomes Identity - Sacred memory is not simply the recollection of what happened to our ancestors. By speaking their story in the first person, we enter it ourselves: their vulnerability becomes our vulnerability, their liberation becomes our liberation, and their history becomes our identity. A Timeless Grammar of Liberation - The most enduring stories are not confined to the events that first produced them. By beginning before Pharaoh and extending the pattern into every generation, Mikra Bikkurim transforms the Exodus from a single historical event into a timeless grammar of exile, survival and return. The Exodus Repeats; Sinai Does Not - Liberation and revelation move through history differently. The Exodus can recur whenever human beings move from oppression to freedom, but Sinai was a singular moment. Once the Torah came down from heaven, its interpretation—and the responsibility to live by it—passed into human hands. Timestamps 00:00 Temple Script Origins 01:29 Ki Tavo Setup 02:06 Mikra Bikkurim Reading 03:54 Von Rad Historical Creed 08:23 Missing Sinai Question 12:09 Who Is the Aramean 15:36 Sponsor Break 16:42 Why Haggadah Uses It 20:53 Personal Exodus Every Year 24:50 Exile Proof Text Power 28:34 Sinai Once vs Exodus Repeat 30:43 Rosh Hashanah Tie In 32:07 Wrap Up and Viewer Question Links & Learnings Sign up for free and get more from our weekly newsletter https://madlik.com/ Sefaria Source Sheet: https://voices.sefaria.org/sheets/744553 Transcript here: https://madlik.substack.com/  

20. bis 25. Juli - 21. Woche im Jahreskreis Die Texte, die in katholische Gottesdiensten in dieser Woche als Evangelium gelesen werden, sind Abschnitte aus dem Matthäusevangelium. Es geht um Heuchelei bzw Wahrhaftigkeit, Wachsamkeit und furchtabres Einsetzen unserer Talente. Gerhard Bauer ist Priester in der Wiener Pfarre Augarten und auch als Psychotherapeut tätig. Donnerstag, 27. August Im Unmöglichen steckt die Möglichkeit Mt 24, 42-51

Henri ist Personalchef und hat ein Hobby: Er sammelt Daten über Mitarbeitende – auf seinem privaten Computer! Henri liebt es, damit Wahrsager zu spielen: Wer wird wen heiraten? Doch dann wird ein Mitarbeiter umgebracht, und ein anderer verschwindet – führen seine Daten zum Mörder ...? (00:00) Beginn Episode (03:20) Beginn Hörspiel (41:40) Gespräch ____________________ Mit: Moritz Dürr (Henri Heller), Alexandra Prusa (Sylvia Salz), Horst Warning (Kommissar Fechter), Christine Grell (Nachrichtensprecherin) ____________________ Tontechnik: Yvonne Widmer und Martin Weidmann – Regie: Isabel Schaerer ____________________ Produktion: SRF 1996 ____________________ Post gern auf krimi@srf.ch

"Lina Morgenstern – Die Geschichte einer Rebellin" von Gerhard J. Rekel (Auszug 8.) EB-EJHördauer 17 MinutenLiteratur Radio Hörbahn stellt „Lina Morgenstern – die Geschichte einer Rebellin"“ in der Serie „Ein Jahr – ein Buch“ auf besondere Weise vor. Aus 12 markanten Auszügen entsteht ein Panorama aus Geschichte, Mythos und persönlicher Perspektive rund um diese außergewöhnliche Frau Anfang 1900 vor.Jeden Monat wird eine neue Folge am vereinbarten Sendetermin online gestellt. So entwickelt sich über das Jahr hinweg der Anfang einer fortlaufenden Erzählung, bei der Monat ein neues Fenster in das Leben von „Lina Morgenstern“ öffnet.Es liest:Heike StepprathGerhard J. Rekel wurde 1965 in Graz geboren. Er absolvierte die Filmakademie Wien, für die Komödie „Trauma“ erhielt er eine British Academy Nomination, eine Biennale-Einladung sowie den Japanischen Drehbuchpreis. Er verfasste mehrere Drehbücher für den „Tatort“ und realisierte als Regisseur Wissenschaftsdokumentationen für ARTE, ZDF und andere Sender. Rekel hat mehrere Romane veröffentlicht, u. a. „Der Duft des Kaffees“. Das zuletzt bei K&S erschienene Buch „Monsieur Orient-Express“ erhielt den ITB-BookAward 2023 des Deutschen Buch-Börsenvereins und wurde ins Englische, Französische und Niederländische übersetztSchnitt und Technik: Jupp Stepprath, Realisation: Uwe Kullnick___________________________________________________________________________Es gibt Literatur Radio Hörbahn seit März 2015. Unser Programm beinhaltet Lyrik, Prosa, Drama, Literaturkritik, Lyrik für Kinder, Interviews, Rezensionen, Essays, Kurzgeschichten, Aufnahmen von Lesungen, Reportagen, Vorträge, Tagungen, historische Themen, eigene Produktionen und vieles mehr.Unsere Programme laufen völlig unabhängig, ohne Werbung, ohne finanzielles Sponsorship und nur mit Hilfe ehrenamtlicher Tätigkeiten und Kooperationen ohne finanziellen Hintergrund.   Unsere Beiträge finden Sie auf unserer Seite und überall, wo es Podcasts gibt.Medienpartnerschaften: Literaturportal Bayern, Bayerische Staatsbibliothek, Internationale Jugendbibliothek, Literaturkritik.de (Universität Marburg), Literaturkritik.at, Literatur und Kritik, Institut für Literaturgeschichte (Uni Augsburg), Münchner Stadtbibliothek, Bayerische Volksstiftung, Bayerische Einigung, Amerikahaus München, Seidelvilla München, Bayernspiegel, Literaturschloss Edelstetten, L.I.S.A Wissenschaftsportal, C.H.Beck, dtv und andere Verlage …Wenn dir die Sendung  gefallen hat, hör doch mal hier hinein.Komm  doch mal zu unseren Live-Sendungen in Schwabing oder im Gasteig.

20. bis 25. Juli - 21. Woche im Jahreskreis Die Texte, die in katholische Gottesdiensten in dieser Woche als Evangelium gelesen werden, sind Abschnitte aus dem Matthäusevangelium. Es geht um Heuchelei bzw Wahrhaftigkeit, Wachsamkeit und furchtabres Einsetzen unserer Talente. Gerhard Bauer ist Priester in der Wiener Pfarre Augarten und auch als Psychotherapeut tätig. Mittwoch, 26. August Ist etwas unmöglich? Mt 23, 27-32

August 26, 2026 - Clay Gerhard of the Decatur Park District and Jeff Ingle of the Beach House joined Byers & Co to talk about shows at the Devon and what makes the Beach House unique. Listen to the podcast now!See omnystudio.com/listener for privacy information.

20. bis 25. Juli - 21. Woche im Jahreskreis Die Texte, die in katholische Gottesdiensten in dieser Woche als Evangelium gelesen werden, sind Abschnitte aus dem Matthäusevangelium. Es geht um Heuchelei bzw Wahrhaftigkeit, Wachsamkeit und furchtabres Einsetzen unserer Talente. Gerhard Bauer ist Priester in der Wiener Pfarre Augarten und auch als Psychotherapeut tätig. Dienstag, 25. August So wunderbar Mt 23, 23-26

August 25, 2026 - Andrea Gerhard and Alyse Knust of the Heart of Illinois Community Foundation joined Byers & Co to talk about the generous nature of the community and to highlight ways donors can set up funds with the Heart of Illinois. Listen to the podcast now!See omnystudio.com/listener for privacy information.

20. bis 25. Juli - 21. Woche im Jahreskreis Die Texte, die in katholische Gottesdiensten in dieser Woche als Evangelium gelesen werden, sind Abschnitte aus dem Matthäusevangelium. Es geht um Heuchelei bzw Wahrhaftigkeit, Wachsamkeit und furchtabres Einsetzen unserer Talente. Gerhard Bauer ist Priester in der Wiener Pfarre Augarten und auch als Psychotherapeut tätig. Montag, 24. August Möglichkeitsmenschen Mt 23, 13-22

Unsere beiden heutigen Gäste sind Vater und Sohn. Der Vater verbrachte sein Berufsleben im österreichischen Staatsdienst. Er arbeitete bei der Zollwache, später bei Gendarmerie und der Polizei. Nach seiner Pensionierung zog er in die Schweiz und entdeckte dort eine neue Leidenschaft. Mit über 60 begann er, Bier zu brauen, gründete eine kleine Vereinsbrauerei und hat inzwischen mehr als 200 Sude gebraut. Der Sohn studierte Betriebswirtschaft in Linz und Managing Dynamic Organizations in Schweden. Seine berufliche Laufbahn führte ihn über Young & Rubicam und DDB in die Strategie- und Innovationsberatung. Heute beschäftigt er sich als Managing Partner von Frontira intensiv mit KI, Automatisierung und der Frage, wie Unternehmen neue Technologien praktisch nutzen können. Dann hatte der Sohn eine ziemlich verrückte Idee. Was passiert, wenn man die Erfahrung eines 68-jährigen Braumeisters mit einem autonomen KI-Agenten verbindet? Aus dieser Frage entstand das Bierprojekt “Lobster Lager”. Und aus einem kleinen Vater-Sohn-Experiment wurde innerhalb weniger Wochen eine Geschichte, die es bis auf die Bühne der NVIDIA GTC und in die Keynote von Jensen Huang schaffte. Seit über neun Jahren beschäftigen wir uns bei On the Way to New Work mit der Frage, wie Arbeit den Menschen stärkt, statt ihn zu schwächen. Was können unterschiedliche Generationen voneinander lernen, wenn beide Seiten bereit sind, ihre gewohnten Rollen zu verlassen? Wie verändern KI-Agenten unsere Fähigkeiten und damit auch die Art, wie wir künftig arbeiten? Und was können Unternehmen von einem 68-jährigen Hobbybrauer lernen, der einfach angefangen hat, mit KI zu experimentieren? Fest steht: Für die Lösung unserer aktuellen Herausforderungen brauchen wir neue Impulse. Deshalb suchen wir weiter nach Methoden, Vorbildern, Erfahrungen, Tools und Ideen, die uns dem Kern von New Work näherbringen. Darüber hinaus beschäftigt uns von Anfang an die Frage, ob wirklich alle Menschen das finden und leben können, was sie im Innersten wirklich, wirklich wollen. Ihr seid bei On the Way to New Work, heute in einer gemeinsamen Folge mit Zoomer meets Boomer, meinem Sohn und Co-Host Oskar Trautmann und unseren Gästen Gerhard und Stefan Erschwendner. [Hier](https://linktr.ee/onthewaytonewwork) findet ihr alle Links zum Podcast und unseren aktuellen Werbepartnern

Bret Tollgaard, president at Sunrez, joins to discuss faster UV blade repairs, new leading edge materials, and growing OEM approvals. Reach out to sales@sunrez.com to learn more! The Uptime Wind Energy Podcast is brought to you by Weather Guard Lightning Tech, creators of the StrikeTape Ultra LPS retrofit. Subscribe to Uptime’s Substack newsletter. And check out Rosemary’s “Engineering with Rosie” Youtube channel. Have a question we can answer on the show? Email us! Welcome to Uptime Spotlight, shining light on wind energy’s brightest innovators. This is the progress powering tomorrow. Allen Hall: Brent, welcome back to the program.  Bret Tollgaard: Appreciate you having me back on.  Allen Hall: There’s been so much happening in the world of UV prepregs and UV adhesives over the past year. Particularly on LinkedIn, I’ve seen numerous repairs which have used your material, SunRes material, to fix some pretty decent, uh, blade problems. Are you seeing, just seeing a, a much wider adoption now that everybody has basically agreed that UV is the way to go?  Bret Tollgaard: I, I really do think that it’s starting to become one of the go-to standards for a variety of repairs in the wind market. And yeah, it’s great to see both our prepregs and lights being used all over LinkedIn, showing the [00:01:00] capabilities of the materials and how happy customers are to use and adopt the materials. Allen Hall: Yeah. The UV materials are, are getting adopted by OEMs. A lot of ISPs, a, a lot of operators now have it as a standard practice to use UV cured materials just because of the speed and the time that is saved. Uh, it’s, it’s remarkable how much time you’re saving, because the, the real kicker right now if you’re trying to do a repair, even in the summer months, let’s just say it’s warm outside and the temperatures are right and it’s calm winds, you’re saving multiple hours per repair. What generally… How much time are you generally saving on a kind of a, quote unquote, “standard blade repair”?  Bret Tollgaard: More and more time, actually, with each session. So we might be saving 50 upwards of 80% of the labor of a traditional epoxy repair. Um, what we’ve been training companies to do more and more frequently is to actually pre-consolidate the entire repair patch downtower, whether it’s in the trailer or inside the tower itself. Um, and so you can pre-consolidate, get [00:02:00] all the air out in between your layers, have the primer pre-applied to the backside. That way, when you’re actually uptower, it’s simply peel, stick, roll, and then cure it out with our UV light. Sub 10 minutes, uh, will get you a fully cured part.  Allen Hall: Wow. That’s remarkable. Yeah, when I see those LinkedIn posts from all kinds of operators all around the world using your material I also noticed that the weather conditions may not be pristine like you would have to do with epoxy. So there, there’s like a band of temperatures that epoxy systems generally work in. But with the UV material, I’m noticing, I’ve s- I s- especially over the wintertime, I saw some cold weather repairs going on. Is there any limitation really to the UV cured patches and materials in temperatures?  Bret Tollgaard: There, there really aren’t for the temperature ranges that people will actually be out and installing these. Some of my favorite photos are when it’s negative five Celsius outside and everyone’s got the big gloves, the big [00:03:00] scarves, the big warmers and everything, and they’re applying our prepreg materials, uh, in below freezing conditions and still curing with the same 10-minute cycle time. Uh, another big advantage of our UV prepregs is everything’s already pre-wet out, so you’re not uptower with your fiberglass and your resin kicking off an epoxy or even some other, uh, you know, materials out there where it’s really hard to impregnate and get that saturation and kick off with UV. And so our prepreg repair patches really lend themselves to efficiency in the field, uh, over a really broad variety of, uh, ambient temperatures. So some of the negative five, negative 10 C installs all the way up to the hot ones in Texas and India and Australia, where you’ve got these people and it’s 100 Fahrenheit or, you know, 35 plus C, and you still cure with the same consistency, the same cure rate, the k- same cure speeds, um, really, really makes it a very versatile system. Allen Hall: It just gets rid of the variation and, and [00:04:00] that’s one of the items when we look at repairs. So we’re on the lightning side of this business where lightning damage happens, so we see a lot of repairs happen. We also see a lot of repairs that don’t look great. They’re, I mean, the vast majority do look great, but you get these occasional ones where they’ve tried to use epoxy in the wintertime and use a heat blanket. It, it’s difficult to do. It, it just is because of the material, it’s very difficult to do. I’m recommending more and more that they use a UV cure material if they’re gonna go off and do it, particularly as they, uh, do what I would consider to be a temporary patch until they get where they can do more in-depth work when it’s warmer outside. But it, it does really change the game because the ability to buy the material quickly is amazing. Uh, b- there’s no hazardous me- chemi- chemicals in, uh, the Sunrise material at all, so it can be shipped anywhere, anytime, overnight, on a airplane, on a truck, doesn’t matter. Does that really open up the marketplaces for the [00:05:00] Sunrise UV cure materials? Bret Tollgaard: 100%. And because of the long shelf life as well, um, we stock and store all of the common, um, materials used for wind. The prepreg, the putties, the surface primers. Fiberglass also does a great job of stocking and storing things. And yeah, because these can ship as unregulated materials, we get calls for next-day air shipping all the time, all over the world. And so whether it’s out here domestically, it’s going up to Canada, Europe, uh, Asia, Australia, um, it’s really, really simplifies the whole process from start to finish.  Allen Hall: Are there any special tools you need to use when applying a, a UV cured prepreg patch to a blade, or is it just standard existing tools? Is there anything unique there? Bret Tollgaard: No. It’s kind of as simple as it gets. There’s no vacuum bag required. There’s no heat blanket required. To truly install the materials, you’re gonna take off the back, uh, layer of, of the film on the backside of the [00:06:00] prepreg, re-stack and consolidate your materials. Uh, you’re gonna consolidate that with a basic three-inch or six-inch bubble buster hand roller. Every technician’s gonna know exactly what that is. Uh, it’s a simple piece of little rolling metal that, uh, simply rolls out any air between the, the repair patches. And then after that, you’re gonna grab a paintbrush, and you’re gonna spread some of our surface primer over the backside of the prepreg. So you got a hand roller, and you got a paintbrush That’s all you’re gonna need to get the material up onto the wind blade. And then of course, to cure the material, you need a UV light to do so. The sunshine, although it will cure the material, you never have consistent sun, light intensity, you’re on the shady side of the blade, et cetera. And so we’ve developed a variety of UV curing devices to help facilitate that. So our standard in the industry right now is what we call our Gen 2 LED lamp. It’s about the size of an eight and a half by 11 sheet of paper. Um, but it’ll, it’ll cure several square feet at a time when you’re 14 to 20 inches or so away from that [00:07:00] surface. Uh, but in addition to that, we’re also working on a patent pending LED array system that is gonna be a broader… Right now, it’s about a half meter by one square meter surface area, and it’s gonna, um, emit a very, very uniform, uh, amount of light intensity across that entire surface all at once to make it even easier for the installers so they can just strap it to the blade, cure it for five minutes, and then move it over if they have a longer, uh, you know, one to two square meter repair. Allen Hall: Wow, that’s remarkable. I, I have one of your lights, and I’m always shocked at how much light intensity there is because I’ve used other lights and seen other lights, and then they’re not nearly as bright or consistent across a, a piece of fabric, for example, where you just see uniformity.  Bret Tollgaard: That is certainly one of the challenges that we’ve actually encountered when people say, “Oh, well, I have a UV light. I bought it on Amazon. I bought it from eBay. I bought it from somewhere where that 200 watt listed on that is not truly 200 watts, or the light intensity, [00:08:00] uh, that they, you know, claim to have. UV cure materials need the correct wavelength. They also need the correct light intensity on that surface to guarantee your depth of cure and to make sure that you’re truly bonding to the base substrate behind you. The thicker you go, the more light intensity you’re going to need. So a lot of the knockoff materials really just don’t do it justice, um, and which is why we’ve, you know, intentionally built the LED curing systems that we have to cure with our prepregs, uh, and putties and adhesives. So they are all true one, uh, one single system. Allen Hall: We’ve looked at different light systems here at Weather Guard, and I know we’re engineer- we’re an engineering group, right? So we’re gonna go look to see what these different lights are, and are they really truly putting out the frequency of light which is written down on the ad. It’s amazing, like, uh, the variation you get light to light. It really depends on what the source is, but, uh, to test a light, just to test a light to make sure it’s putting out the right intensity at [00:09:00] the right frequency is super expensive. So you can buy a several thousand dollar sensor to check your hundred dollar light, or you could actually buy the right thing from SudRes and have the proper light because it does change the cure rate and what the result is. So- Y- y- is it easy to tell, Brett, when I, if I have a light in the truck, do I know it’s the right frequency? How do I even tell that, uh, to know that I’m using the right stuff?  Bret Tollgaard: Well, if it says SunRes on the backside of that lamp, you have a guaranteed method of knowing exactly what that is. Um, we have the most broad industrial use UV lamp on the market, like, first and foremost. There are several that cost four to five times what we do, but a lot of times they’re also a really small aperture, so they’re only curing a small footprint, which is why we’ve become the kind of gold standard for all UV cure repair solutions out there using a SunRes lamp. Um, we just make the best product, not to toot our own horn [00:10:00] too much. Um, but it, it really serves the need of what these industrial customers in wind and other industries are looking for. Um, and I’m sure there are other systems out there. I’ve personally tried and tested dozens of different lamps out there to always see what’s on the market, and what we provide is just above and beyond performance-wise for the cost. Allen Hall: And one of the, the questions that comes up with the light when we talk to operators, like, “Where do I get the light?” Well, you, you call Brett at SunRes and you buy yourself a light. The second question that happens is, has the OEM blessed this material? Have they validated the material? Has it been through material testing? Has the OEM done structural loading on the material? Did I know that as a repair material, it’s actually gonna adhere to my polyester blade or my epoxy blade or whatever this thing is? Do I know that this is gonna work? Sunrise has been through a number of, uh, OEMs at this point. What’s the status of your OEM [00:11:00] relationships there? Bret Tollgaard: Very, very solid, and constantly getting approved by more and more OEMs. Um, we’ve sold over 35,000 square meters of prepreg into the wind market alone. And with that has come a variety of, uh, you know, engineering approved jobs versus fully validated materials. We now have 20-year lifespans on a variety of different OEM, uh, wind parts. And so our epoxy and polyester, we adhere phenomenal to both. And yeah, our prepregs are getting, uh, used more and more in every single application.  Allen Hall: I, I assume you can provide references if, if someone were to ask, like an ISP, “Can I talk to the OEM about this?”  Bret Tollgaard: Absolutely. Uh, and it, it’s, you know, no secret. General Electric’s been one of the big pushers of UV cure materials now for a while, um, for both their epoxy and the LM polyester blades. Um, but there are several European OEMs that are actively, you know, certifying the materials as well.  Allen Hall: Oh, that’s a smart move on their part. [00:12:00] Uh, one of the considerations for using a UV material is training. Uh, do I need to do special training for my technicians? Is it really different than epoxy? Do I have to do any training at all? What’s the level of skill that would be in- involved in using a, a UV prepreg?  Bret Tollgaard: The reality is, if you have any bit of experience of knowing what a resin and a fiberglass and wetting things out, UV just makes that job even simpler. So all the repair technicians that have gone through repair academies, been trained on the, on site or on the job, that have gotten their hands dirty, as we like to call it, with making some, uh, composite repairs, UV is just gonna simplify the process even more. Um, in 2026 and 2027, we’re actually starting to work, uh, uh, more closely now with a variety of the blade repair groups or academies and training facilities to also get UV cure in people’s hands so they don’t experience, uh, for the first time when they’re out, you know, getting a job with one of these other [00:13:00] OEMs that are recommending use our material now instead of, uh, epoxy systems. Allen Hall: Mm. And all the experience that’s happened at, at Sunrise, I, I don’t know if a lot of people realize that you’re a roughly 40-year-old company. You’ve been around a long time, although you’re nowhere near 40. But the company has been around a long time. What was the origin of SunRes? Uh, because it wasn’t necessarily in wind, right? Wind is sort of an afterm- after-market kind of application where it kind of transferred over. But what, what was the core start of the business?  Bret Tollgaard: Yeah, no, we were founded in September of 1986. So in just a couple of weeks, we’ll actually hit our 40-year anniversary.  Allen Hall: Wow.  Bret Tollgaard: SunRes was originally founded, uh, in, uh, once again, the, the mid-’80s for just UV cure formulations in general. Spent the first several decades, uh, of its life being primarily an R&D, uh, kind of based group, um, formulating specialty UV cure solutions for mostly thick wall fiber reinforced applications. So anything from [00:14:00] boat hulls to, uh, drones to, uh, you know, bathtub repair and saddle trees. Um, we’ve sold really the, a whole kind of gambit of very broad basic systems to incredibly advanced high precision, uh, you know, applications. And so as we grew and evolved the, the formulas and the recipes to cert- uh, to solve certain needs, now we’re kind of elevating that to a more, uh, manufacturing based business and offering true repair solutions as opposed to just R&D and working on developing solutions to repair something.  Allen Hall: And that’s growing outside of just the pre-preg processing materials, packaging it up and shipping it. And y- you’re now getting more into specific solutions in wind, which is really exciting. The leading edge erosion issue is plaguing a lot of turbine blades in the United States and, and globally. Australia has a big problem with it, and there’s a, some other places that I’ve seen some pretty [00:15:00] rough looking blades, India being another one. Uh, the solution to go fix those blades has generally involved, uh, putting someone up on a rope, a- applying material, fiberglass back down, trying to repair holes in particular, and trying to cap that off. But now there’s some new materials that can speed up the process to at least get you back to a, a surface, a usable surface that you could then apply an LEP or whatever you decided to do there. What do those new materials look like and, and how are they being used today?  Bret Tollgaard: Yeah, no, great question. So ultimately there are broad– uh, you know, a really, really broad, uh, array of challenges that wind in particular really kind of faces. And so developing UV cure solutions to fit more of those than just a small little repair patch or a crack has been something that we’ve been working on for a while with a variety of different groups. Um, but leading edge in particular, not just protection, but also the rehabilitation of those leading [00:16:00] edges. So we’ve done that in a couple of different ways. Some have been some pre-consolidated repair patches that we’ve built, where a specific blade requires, um, you know, a, a design package to reinforce certain areas, whether it was, uh, too many ply drops in a certain zone or an area of high wear. Uh, but the other ones kind of more recently are starting to build, I’ll call like a fiber reinforced type putty, where you’re actually filling gaps, filling holes, filling imperfections with a more structural repair solution before then coming over the top with an LEP for the protection of that blade long term. And so being able to provide solutions for both, uh, hand, but then also robotics is something that we’ve been focusing on. So repair technicians can do it, but then also make sure that the, uh, robotics industry has the materials that they need to be able to do that in a fast and timely manner.  Allen Hall: So these new materials can be applied with a robot, I just heard. How does that work? Is it a cartridge system or a liquid system? How– Is it sprayed on? [00:17:00] W- how does this thing work?  Bret Tollgaard: Ultimately, it’s whatever that robotics company says that they would like and need. And so we build, uh, certain things to meet different demands on both of those aspects. But some are spray, some are coated, some are troweled, uh, all of which though, uh, include applying a UV cure material, uh, and then curing it to then make sure that they get the correct, uh, you know, mechanical and thermal properties for that leading edge or that leading edge re- rehabilitation. Allen Hall: That must be a huge time saver.  Bret Tollgaard: Phenomenally so. Uh, the robotics companies are, are pretty happy with the way that things are starting to unfold, and then same with the, uh, owner-operators. Like when you can go and you can have a robot Fix, sand, or sand, clean, fill that leading edge without a technician having to be up there. Tremendous amount of time savings, and then also just liability and repeatability, um, which is always an important thing, is having extremely high quality throughout that entire process, uh, and then recording it and everything like [00:18:00] that too.  Allen Hall: Well, that’s the key to any leading edge repair that I’ve seen, is the repeatability and controlling the, uh, sometimes the uncontrollables, trying to add a little bit of restriction about what you’re doing, how you’re doing it to get the consistency in the product. Because there’s a lot of products on the market right now, uh, that supposedly will do this thing But there’s– we have seen a variety of outcomes even for the same material. C- moving to something that’s a little more standard and, and particularly UV-based, where it’s stable, shelf-stable, right? I mean, th-there’s no expiration date necessarily. You, you probably put a time limit on it, but it’s shelf-stable, so I have a, a barrel of it in the, in the pickup truck. I can probably still use it. But, uh, what am I thinking about when I start to make those decisions? Because this is all new to most of the industry. They haven’t seen this. What– some of the things should they be considering when they’re thinking about, “I got a leading edge repair.[00:19:00] It’s kinda ugly. It’s probably cat three, maybe cat four. Where am I going here? Who am I talking to, and why am I thinking about UV?”  Bret Tollgaard: Yeah, I mean, ultimately it comes down to, you know, a variety of value that we provide the customers. Um, as you said, being shelf-stable is incredibly important. The reality is a lot of these repair materials aren’t being stored in a temperature-controlled warehouse. It’s being stored in someone’s trailer, and they’re gonna use half of a cartridge, or they’re gonna use four prepregs, and they’re gonna have six more sitting on the shelf for two more months until they move to another job that they’re gonna go and do something else. And so the materials themselves need to have an incredibly long shelf life, but also be able to handle those varying temperatures. Like if you’re out in the middle of Texas here in the United States, it can be 130, 140 degree Fahrenheit inside that trailer during the day, but at the same time at night, you can have temperatures below freezing in certain areas, and it needs to be able to withstand both of those extreme temperature environments. Um, that being said, [00:20:00] you buy from a group like us or you buy it from Fibre Glast where it is stored properly, and it can be shipped next day to, to you on site. Uh, it simply, it, yeah, it simply helps, uh, everyone long term, uh, make sure that they have the materials that they need.  Allen Hall: I would be remiss not to talk about our Strike Tape Ultra product, which is a partnership between Weather Guard, Lightning Tech, and SunRez. Uh, it’s a project that we’ve been working on for probably two years now, maybe a little bit longer. It, it’s been a tremendous amount of effort, engineering time and materials-wise, and learning about different, uh, performance of a, uh, particular resin system and trying to figure out what works. But, uh, there is now a solution, and SunRez is producing a lot of Strike Tape Ultra parts at the minute Really durable, based on Sunrise material, but you’re using not just our, our, our obviously our, our recent, uh, experiments and all the data, [00:21:00]but this goes back almost 40 years. You’re, you’re bringing 40 years of knowledge to the table to come up with a solution for a really difficult environment.  Bret Tollgaard: Yeah, and we’ve had to certainly rely on the past experiences that we have learned along the way. Um, you know, part of the challenges of working for the last year or two years together on this was to truly make as robust and durable of a system as we can. And so having this new 7303 vinyl ester-based system, uh, which we’re not only using for you but also using as the primary component for our LEP system, uh, it definitely has the durability and the longevity for, uh, your strike tapes, uh, in particular to be, uh, to withstand all the elements and all the abrasion and all the erosion that’s gonna come its way for years. Allen Hall: Now, I, I’ve watched you at trade shows take a hammer to some of your prepreg materials and demonstrate you can cure it within a couple of minutes, and you’re hitting it with a hammer and it’s super tough. We’ve done that at Weather Guard with the Strike Tape Ultra. It’s [00:22:00] crazy durable, and I don’t understand the chemistry of what you guys do. You’re experts in UV and all the chemicals and how to make this thing work, but it is truly remarkable how tough that material is and UV stable it is and how quick it is to cure and to get onto a blade in a couple of minutes. It’s quite remarkable, and the, the rain erosion performance of it has been crazy good. Uh, it’s a real game changer.  Bret Tollgaard: We’re extremely proud of the way that, uh, this has all kind of unfolded, and it has been a long time to kinda work through and iterate through the different formulas. Um, but the combination of the extremely hard and durable system that we have as the overcoating combined with our UV cure adhesive, AKA surface primer, uh, to act as that really, um, gooey, high elongation, great stress distribution kinda medium, uh, to then get that into the blade, it’s the perfect one-two combo, [00:23:00] and being able to cure in just a couple of minutes is only, uh, icing on the cake. Allen Hall: Yeah. It’s, it’s, it’s quite good. Uh, I know, uh, when people hear this podcast, you’re gonna get a lot of reach-out because we’re kinda getting near the end of the typical Northern Hemisphere season. It’s gonna get chilly here in about six to eight weeks since when we’re recording. How do people get ahold of you and start talking about repair patches and materials for this year, and also for next season? Bret Tollgaard: The easiest way is gonna be reach out to us, uh, via email, info@sunrez.com, sales@sunrez.com. We’ll put you in touch with, uh, all the right people within Sunrez to make that happen for you. Um, and similarly too, groups like com- uh, Fibre Glast have been stocking and storing the material for years. They’re really, really great at tailoring the exact amount of material that you need for a given job site. They’re willing to break it down to individual patches, single things of primer, putty. Uh, you come to us, you’re gonna have larger MOQs to be able to buy [00:24:00] boxes and rolls, uh, directly off the shelf. But at the same time too, we’re happy to get customers whatever products they need as quickly as they need, and put them in touch with the right people to do so. Allen Hall: So you just Google Sunrez, S-U-N-R-E-Z, or just go to sunrez.com, and you’ll get to the Sunrez site, and you can learn a whole bunch about the materials of what is offered. But you need to, to call Brett and call the team at Sunrez, uh, to, to get the solution for you. And it is, uh, really great working with Sunrez. It, it’s been a pleasure, honestly.  Bret Tollgaard: My, uh, my business development manager, Gerhard, will certainly have me say, “Let’s direct all that to Gerhard instead of Brett.” So he’ll be happy to get you all the info that you need. Um, but yeah, so ultimately, we’re an extremely customer-driven company, and we bend over backwards as often as necessary to get customers what they need in the time that they need it. It’s something that we really pride ourselves on. Uh, it’s also how we developed all these new, uh, technologies and materials to, to make customers’ [00:25:00]lives easier in the field. And so even as all of our wind portfolios, you know, grow and expands for product line offerings, um, we’re certainly interested in learning about what your challenge in particular is, and how we can best help you solve that challenge. Allen Hall: Yeah, so if you have a blade challenge right now, and most operators do, you better be checking out sunrez.com. Brett, it’s so great to have you back on the podcast. Love having you on, and we’ll speak again soon.  Bret Tollgaard: Looking forward to it. Thank you, Allen.

August 19, 2026 - Clay Gerhard of the Decatur Park District joined Byers & Co to talk about upcoming Devon shows, growth opportunities for the concert venue due to its success, Little Hoopsters, and Putt the Kids to Bed. Listen to the podcast now!See omnystudio.com/listener for privacy information.

Was passiert, wenn ein Sohn seinem 68-jährigen Vater einen KI-Agenten zeigt und der daraus innerhalb weniger Monate sein eigenes Betriebssystem für eine Mikrobrauerei entwickelt? Darüber sprechen wir in unserer neuen Folge mit Gerhard und Stefan Erschwendner. Gerhard war sein Berufsleben lang Beamter, erst bei der österreichischen Zollwache, später bei der Gendarmerie und Polizei. Nach seiner Pensionierung gründete er in der Schweiz eine kleine Brauerei. Stefan kommt aus Werbung, Strategie und Innovation und beschäftigt sich seit vielen Jahren mit neuen Technologien. Anfang dieses Jahres hatte Stefan eine Idee. Er wollte zeigen, dass Agentic AI weit über die Tech Bubble hinaus relevant ist. Also fragte er seinen Vater, ob sie versuchen sollten, seinen Braukessel mit einem KI-Agenten zu verbinden. Gerhard hatte keine Programmiererfahrung. Heute steuert er Teile seiner Brauerei mit KI, automatisiert Bestellungen und Lagerhaltung, entwickelt eigene Apps und lässt sich beim Spaziergang mit dem Hund von ChatGPT bei Präsentationen unterstützen. Inzwischen trägt er eine Smart Glasses Brille, die er mit seiner Apple Watch steuert und selbst für seine Zwecke angepasst hat. Die Geschichte wurde so bekannt, dass Jensen Huang sie auf der NVIDIA Entwicklerkonferenz präsentierte. Gerhard war beim OpenClaw Camp in Berlin zu Gast und arbeitet längst an seinen nächsten Projekten. Stefan hat seinem Vater den ersten Impuls gegeben. Danach begann Gerhard selbst zu lernen, auszuprobieren und weiterzubauen. Und plötzlich entstanden zwischen Vater und Sohn neue Gespräche über Arbeit, Technologie und Entwicklung. Wir sprechen darüber, warum: · Alter beim Umgang mit KI viel weniger entscheidend ist als Neugier, · man KI erleben muss, um ihre Möglichkeiten zu verstehen, · Unternehmen besser mit einem konkreten Problem anfangen als mit der nächsten großen KI Strategie. Und warum, · die eigene Vorstellungskraft gerade zu einem entscheidenden Engpass werden könnte. Für uns ist diese Folge auch deshalb besonders, weil sie viele Gedanken berührt, die uns beim Schreiben unseres Buches beschäftigt haben. „Wir müssen über Führung reden“ erscheint am 22. Oktober 2026 im GABAL Verlag. Darin geht es um KI, New Work, generationengerechte Zusammenarbeit und die Frage, wie Führung in einer Arbeitswelt gelingt, die sich gerade grundlegend verändert. Das Buch könnt ihr schon jetzt vorbestellen. Sehr gerne direkt beim Buchhändler eures Vertrauens, beim GABAL Verlag oder überall dort, wo es Bücher gibt. Wenn euch Zoomer meets Boomer gefällt, freuen wir uns über eure Kommentare, Empfehlungen und natürlich über fünf Sterne auf eurer Podcastplattform.

Was macht ein Leben wirklich erfüllt und wie finden wir heraus, was uns guttut, wenn sich im Außen und in uns selbst ständig etwas verändert?Gerhard Herb hat über Jahrzehnte Führungskräfte und Unternehmen begleitet und war vor rund 16 Jahren auch für mich ein wichtiger Wegbegleiter. In unserem Gespräch blicken wir deshalb auch auf meinen eigenen Entwicklungsweg und auf Gedanken, die mich bis heute prägen.Wir sprechen darüber, warum Wandel Zeit braucht und selten geradlinig verläuft, wie wir wieder lernen, unseren Gefühlen und unserem Gespür zu vertrauen und welche Rolle Lebensfreude, innere Freiheit, Selbstannahme und Sinn dabei spielen. Außerdem geht es um die Frage, was Menschsein und gute Führung in einer zunehmend von KI geprägten Welt ausmachen wird.Am Ende bleibt die Frage, wie wir ein Leben führen können, das wirklich zu uns passt und warum wir dafür nicht auf alles sofort eine Antwort brauchen.Mehr von Gerhard:Website: https://herb-leadership.deLinkedIn: https://www.linkedin.com/in/gerhard-herb-49b582221/Mehr von mir:Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠breaktheice_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.alexander-jung.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠breaktheice_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠produziert von ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcastly⁠⁠⁠⁠

«Gerd Minde har vært glad på andres vegne lenge nok».På Oslos vestkant, i Munkedamsveien 21, bor husmoren Gerd Minde i en leilighet som bare har navnet til ektemannen Gerhard på dørskiltet. Den dagen vi møter henne skal den giddeløse sønnen Kai omsider flytte ut og bo for seg selv i Sogn Studentby. Dette er Gerd Minde både lei for og lettet over. Som andre kvinner i sin generasjon er hun opplært til å leve for andre, så hva skal hun fylle dagene med nå? En foraktelig bemerkning fra ektemannen Gerhard, om at det å vinne i lotto er umoralsk, setter i gang noe i henne. Snart blir loddene fra Norsk Pengelotteri en altfor stor fristelse til at Gerd greier å stå imot.I romanen Kjøkken får vi et fornøyelig og innsiktsfullt portrett av en type kvinneliv og kvinnefellesskap som knapt finnes lenger, ført i pennen av en av Norges fremste nålevende forfattere, Lars Saabye Christensen. Kløktig og stilsikkert skrives syttitallshverdagen med sine vaner og tankesett fram, fra sladder om friserdamen og firmafest «med fruer» til møte i husmorlaget og hverdager med lungemos på middagsbordet. Saabye greier både å få frem monotonien og ensomheten i dagene som ligner hverandre, og alle gledene de tross alt også rommer.Siden han debuterte som forfatter i 1976 har Lars Saabye Christensen etablert seg som en av landets mest allsidige og folkekjære. Romanen Beatles (1984) er en av de største lesersuksessene i Norge noensinne, og har blitt utropt til etterkrigstidens beste Oslo-roman. Det nære forholdet til Oslo vest spiller en sentral rolle i forfatterskapet til Saabye, også i årets roman, der det også dukker opp saabyeske typer som den tafatte studenten.På Litteraturhuset møtte han forfatter Tove Nilsen til samtale om 70-tallets husmødre, ensomhet og lotto. Hosted on Acast. See acast.com/privacy for more information.

Frederick Walton caused a lot of financial family friction on the way to developing linoleum. And even though he believed he had revolutionized home dec, he didn't expect to be remembered. Research: “4,000 for His ‘Devoted Attendant.’” Western Daily Press. August 3, 1928. https://www.newspapers.com/image/813758815/?match=1&terms=%22Frederick%20Walton%22 Baker, Anne Pimlott. "Walton, Frederick Edward (bap. 1834, d. 1928), inventor of linoleum." Oxford Dictionary of National Biography. September 23, 2004. Oxford University Press. Date of access 20 Jul. 2026,

August 12, 2026 - Clay Gerhard of the Decatur Park District joined Byers & Co to talk about the opening of the renovated Garfield Park, upcoming shows at the Devon, and Zoorific Evening. Listen to the podcast now!See omnystudio.com/listener for privacy information.

Gerhard van Deventer – afdelingshoof: wetstoepassing, FSCA Volg RSG Geldsake op Twitter

August 5, 2026 - Clay Gerhard of the Decatur Park District joined Byers & Co to talk about Devon shows, Splash Cove ratings, Garfield Park ribbon cutting, and Little Hoopsters. Listen to the podcast now!See omnystudio.com/listener for privacy information.

"Traumberuf Verleger", so nannte Klaus Gerhard Saur seine Erinnerungen. Heute wurde bekannt, dass der Namensgeber des K.G. Sauer Verlags gestorben ist.

July 29, 2026 - Clay Gerhard of the Decatur Park District joined Byers & Co to talk about concerts at the Devon, Scovill Zoo, Pack Your Backpack Day at Overlook Adventure Park, and tumbling classes. Listen to the podcast now!See omnystudio.com/listener for privacy information.

Seine Eltern hätten sich eine sichere Stelle für ihn gewünscht, Wittmann aber wollte immer auf die Bühne. Viele Jahre hat er Bösewichte gespielt, bis dann sein komödiantisches Talent entdeckt wurde. Als anstrengender Bruder von Dorfpolizist Franz Eberhofer wurde er über die bayerischen Landesgrenzen bekannt.

Die Reform des Informationsfreiheitsgesetzes soll Verwaltung entlasten und Missbrauch verhindern. Kritiker fürchten weniger Transparenz und schwächere Kontrolle. Wie transparent soll unser Staat sein und welchen Preis ist uns das wert? Schröder, Gerhard www.deutschlandfunkkultur.de, Wortwechsel

Trotjänaren Martin Kristenson återvänder till Snedtänkt för att reda ut Karl Gerhards relation till Sovjetunionen. Zarah Leander och Moa Martinson nämns. Lyssna på alla avsnitt i Sveriges Radios app.

July 22, 2026 - Clay Gerhard of the Decatur Park District and Tanya Andricks of Decatur Memorial Hospital joined Byers & Co to talk about the donation of an ultrasound machine from DMH to the veterinary care unit at Scovill Zoo. Listen to the podcast now! See omnystudio.com/listener for privacy information.

Steidel, Gerhard www.deutschlandfunkkultur.de, Fazit

Quem é Jesus, o Filho de Deus? Nesta mensagem, exploramos a divindade eterna de Cristo, a unidade entre Pai, Filho e Espírito Santo e o sentido bíblico de termos como “Filho”, “primogênito”, “unigênito” e “gerado”.Ao contemplar a grandeza de Jesus e Sua humilhação voluntária na encarnação e na cruz, somos chamados a conhecê-Lo mais profundamente e a viver com a mesma disposição de amor, obediência e serviço.Você pode encontrar minhas anotações sobre este sermão na descrição deste mesmo vídeo no ⁠meu canal em português⁠ no YouTube:Este video no YouTube: ⁠https://youtu.be/dLX_yU9Z1b4Meu canal no Youtube (português): ⁠https://www.youtube.com/c/MarcosBomfim⁠Esta mensagem foi apresentada na Capital Brazilian SDA Church, em Highlands, Maryland, USA, no dia 18 de Julho de 2026.Se você quer saber mais sobre Trinitarianismo (as três pessoas da divindade), aqui estão alguns importantes artigos (em inglês):Burt, Merlin. “The Trinity in Seventh-day Adventist History.” [Silver Spring, MD:] Biblical Research Institute, 2008. https://www.adventistbiblicalresearch.org/wp-content/uploads/Trinity-in-SDA-History.pdf.Dederen, Raoul. “Reflections on the Doctrine of the Trinity.” Berrien Springs, MI: Andrews University, 1970. https://www.adventistbiblicalresearch.org/wp-content/uploads/Doctrine-of-the-Trinity.pdf.Kaiser, Denis. “Understanding the Trinity.” Adventist Review, July 1, 2018. https://adventistreview.org/magazine-article/understanding-the-trinity/.Mueller, Ekkehardt. “Did Jesus Emanate From the Father?” [Silver Spring, MD:] Biblical Research Institute, 2012. https://www.adventistbiblicalresearch.org/wp-content/uploads/Did-Jesus-Emanate-from-the-Father.pdf.Pfandl, Gerhard. “The Doctrine of the Trinity Among Adventists.” Silver Spring, MD: Biblical Research Institute, 1999. https://www.adventistbiblicalresearch.org/wp-content/uploads/trinitydoc-among-sda_0.pdf.Pfandl, Gerhard. “The Trinity in Scripture.” Silver Spring, MD: Biblical Research Institute, 1999. https://www.adventistbiblicalresearch.org/wp-content/uploads/trinscript.pdf.Pröbstle, Martin, Luise Schneeweiss, and Benedikt Grau. “Core Tenets of the Trinity.” Seventh-day Adventist Church, 2021. https://www.adventistbiblicalresearch.org/materials/trinity-posters/.Livros:Bediako, Daniel. God in 3 Persons—in the Old Testament. Biblical Research Institute Release—10, May 2015. https://www.adventistbiblicalresearch.org/wp-content/uploads/Bediako290915.pdf.Donkor, Kwabena. God in 3 Persons—in Theology. Biblical Research Institute Release—10, May 2015. https://www.adventistbiblicalresearch.org/wp-content/uploads/Donkor290915.pdf.Petersen, Paul. God in 3 Persons—in the New Testament. Biblical Research Institute Release—11, May 2015. https://www.adventistbiblicalresearch.org/wp-content/uploads/Release_11_Petersen-6-16-15.pdf.Whidden, Woodrow, Jerry Moon, and John W. Reeve. The Trinity: Understanding God's Love, His Plan of Salvation, and Christian Relationships. Hagerstown, MD: Review and Herald Pub. Assn., 2002.

July 21, 2026 - Andrea Gerhard of the Heart of Illinois Community Foundation joined Byers & Co to talk about community grants, their grant process, and grantmaking tips. Listen to the podcast now!See omnystudio.com/listener for privacy information.

July 15, 2026 - Clay Gerhard of the Decatur Park District joined Byers & Co to talk about how they are keeping safe in the heat, upcoming Devon events, summer soccer camps, Sip and Stroll at Scovill Zoo, and Pack Your Backpack Day at Overlook Adventure Park. Listen to the podcast now!See omnystudio.com/listener for privacy information.

"also uncovering the ways in which the gum trees have been harnessed and appreciated and become such a fundamental part of Australia's national identity"

In this episode of the Pioneer Podcast, I speak with Gerhard Papenfus, CEO of the National Employers Association of South Africa (NEASA) about the destructive nature of race laws in South Africa, and what could be done to fight it. We also discuss relations between South Africa and the United States, and why it's important for entrepreneurs to remain in control of decisionmaking powers over their businesses. You can support Lex Libertas here - https://www.lexlibertas.org.za/support-us Click here to sign up to the Lex Libertas Newsletter - https://www.lexlibertas.org.za/newsletter

July 8, 2026 - Clay Gerhard and Heather Purdeu of the Decatur Park District joined Byers & Co to talk about news and upcoming events at Scovill Zoo including Ice Cream Safari, Sip and Stroll, and Zoo Buddies, and also Devon concerts and Splash Cove ratings. Listen to the podcast now!See omnystudio.com/listener for privacy information.

Gerhard van der Burgh – direkteur, Buro vir Voedsel- en Landboubeleid (BFAP) Volg RSG Geldsake op Twitter

This is a bit of a special episode! I was invited as a guest onto Gen X and Gen. Podcast. A podcast geared towards answering the question: What happens when two generations really talk to each other, instead ofon top of each other? Ironman and Leadership Coach Gerhard Diels and his daughter Rebecca created  a podcast  exploring the different generations approaches to life and work. It was a joy to be invited on as a guest to chat all things leadership, work, responsibility and the question of how cooperation can succeed across generations. Tune in for an honest conversation between generations!  And check out Gerhard over on LinkedIn here and his daughter Rebecca here: 

Gerhard van Deventer – afdelingshoof: wetstoepassing, FSCA Volg RSG Geldsake op Twitter

durée : 00:01:29 - Le 6/9 de l'été - par : Marion L'Hour - 80 secondes pour vous inviter à naviguer et même à vous perdre entre abstraction et réalité. Grace l'artiste allemand Gerhard Richter à qui la fondation Luma consacre une exposition. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Die deutsche Bevölkerung altert - daher geraten die sozialen Sicherungssysteme in Schieflage. Das sagen viele Rentenexperten. Wirtschaftsjournalist Andreas Hoffmann hält dagegen: Der demografische Wandel und seine Folgen werden dramatisch überschätzt. Schröder, Gerhard www.deutschlandfunkkultur.de, Tacheles