Podcasts about literary culture

In this episode, I chat with Wendy, a passionate bibliophile and bookseller from Nairobi. We explore Wendy's journey into the world of books, the establishment of her bookstore Soma Nami, and the contrasting literary cultures of Nairobi and Lagos. The conversation delves into book recommendations, the importance of reading diverse authors, and the challenges of navigating the literary scene. Wendy shares her top book picks, critiques a disappointing read, and expresses her desires for the future of reading, including the need for more authentic local stories. The episode concludes with practical tips for overcoming reading slumps.Chapters00:00 Introduction to Wendy and Her Journey05:27 Wendy's Early Memories with Books08:20 Transitioning from Reader to Bookseller11:27 The Impact of COVID on Bookstores14:20 Literary Culture in Nairobi vs. Lagos17:17 The Literary Season in Nairobi20:11 Choosing What to Read Next23:33 The Art of Recommending Books26:28 Exploring Memoirs and Their Appeal37:56 The Art of Book Recommendations40:21 Top Five Book Recommendations58:20 Navigating Disappointments in Reading01:06:24 Desires for the Future of Reading01:11:52 Introduction and Engagement with Listeners01:12:22 Encouraging Community and Sharing the PodcastIn Case You Missed It ⁠⁠⁠⁠⁠ 1. ⁠BROKEN by Fatima Bala (Book Chat)⁠2. ⁠⁠⁠⁠⁠⁠⁠⁠⁠An Easy Guide To NetGalley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 3. The 2025 Something Bookish Reading Challenge GuideIf you love my content, kindly consider supporting me ⁠⁠⁠⁠⁠⁠⁠⁠⁠by ⁠buying me a digital cup of coffee⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠ CONTACT Questions? Comments? Email me at amynbawa.allah@gmail.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments.  This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments.  This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments.  This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments.  This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments.  This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments.  This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023). New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments.  This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject. Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen's College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America (Princeton UP, 2023), Korey Garibaldi explores interracial collaborations in American commercial publishing—authors, agents, and publishers who forged partnerships across racial lines—from the 1910s to the 1960s. Garibaldi shows how aspiring and established Black authors and editors worked closely with white interlocutors to achieve publishing success, often challenging stereotypes and advancing racial pluralism in the process. Impermanent Blackness explores the complex nature of this almost-forgotten period of interracial publishing by examining key developments, including the mainstream success of African American authors in the 1930s and 1940s, the emergence of multiracial children's literature, postwar tensions between supporters of racial cosmopolitanism and of “Negro literature,” and the impact of the Civil Rights and Black Power movements on the legacy of interracial literary culture. By the end of the 1960s, some literary figures once celebrated for pushing the boundaries of what Black writing could be, including the anthologist W. S. Braithwaite, the bestselling novelist Frank Yerby, the memoirist Juanita Harrison, and others, were forgotten or criticized as too white. And yet, Garibaldi argues, these figures—at once dreamers and pragmatists—have much to teach us about building an inclusive society. Revisiting their work from a contemporary perspective, Garibaldi breaks new ground in the cultural history of race in the United States. Korey Garibaldi is Assistant Professor of American Studies at the University of Notre Dame. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America (Princeton UP, 2023), Korey Garibaldi explores interracial collaborations in American commercial publishing—authors, agents, and publishers who forged partnerships across racial lines—from the 1910s to the 1960s. Garibaldi shows how aspiring and established Black authors and editors worked closely with white interlocutors to achieve publishing success, often challenging stereotypes and advancing racial pluralism in the process. Impermanent Blackness explores the complex nature of this almost-forgotten period of interracial publishing by examining key developments, including the mainstream success of African American authors in the 1930s and 1940s, the emergence of multiracial children's literature, postwar tensions between supporters of racial cosmopolitanism and of “Negro literature,” and the impact of the Civil Rights and Black Power movements on the legacy of interracial literary culture. By the end of the 1960s, some literary figures once celebrated for pushing the boundaries of what Black writing could be, including the anthologist W. S. Braithwaite, the bestselling novelist Frank Yerby, the memoirist Juanita Harrison, and others, were forgotten or criticized as too white. And yet, Garibaldi argues, these figures—at once dreamers and pragmatists—have much to teach us about building an inclusive society. Revisiting their work from a contemporary perspective, Garibaldi breaks new ground in the cultural history of race in the United States. Korey Garibaldi is Assistant Professor of American Studies at the University of Notre Dame. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America (Princeton UP, 2023), Korey Garibaldi explores interracial collaborations in American commercial publishing—authors, agents, and publishers who forged partnerships across racial lines—from the 1910s to the 1960s. Garibaldi shows how aspiring and established Black authors and editors worked closely with white interlocutors to achieve publishing success, often challenging stereotypes and advancing racial pluralism in the process. Impermanent Blackness explores the complex nature of this almost-forgotten period of interracial publishing by examining key developments, including the mainstream success of African American authors in the 1930s and 1940s, the emergence of multiracial children's literature, postwar tensions between supporters of racial cosmopolitanism and of “Negro literature,” and the impact of the Civil Rights and Black Power movements on the legacy of interracial literary culture. By the end of the 1960s, some literary figures once celebrated for pushing the boundaries of what Black writing could be, including the anthologist W. S. Braithwaite, the bestselling novelist Frank Yerby, the memoirist Juanita Harrison, and others, were forgotten or criticized as too white. And yet, Garibaldi argues, these figures—at once dreamers and pragmatists—have much to teach us about building an inclusive society. Revisiting their work from a contemporary perspective, Garibaldi breaks new ground in the cultural history of race in the United States. Korey Garibaldi is Assistant Professor of American Studies at the University of Notre Dame. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America (Princeton UP, 2023), Korey Garibaldi explores interracial collaborations in American commercial publishing—authors, agents, and publishers who forged partnerships across racial lines—from the 1910s to the 1960s. Garibaldi shows how aspiring and established Black authors and editors worked closely with white interlocutors to achieve publishing success, often challenging stereotypes and advancing racial pluralism in the process. Impermanent Blackness explores the complex nature of this almost-forgotten period of interracial publishing by examining key developments, including the mainstream success of African American authors in the 1930s and 1940s, the emergence of multiracial children's literature, postwar tensions between supporters of racial cosmopolitanism and of “Negro literature,” and the impact of the Civil Rights and Black Power movements on the legacy of interracial literary culture. By the end of the 1960s, some literary figures once celebrated for pushing the boundaries of what Black writing could be, including the anthologist W. S. Braithwaite, the bestselling novelist Frank Yerby, the memoirist Juanita Harrison, and others, were forgotten or criticized as too white. And yet, Garibaldi argues, these figures—at once dreamers and pragmatists—have much to teach us about building an inclusive society. Revisiting their work from a contemporary perspective, Garibaldi breaks new ground in the cultural history of race in the United States. Korey Garibaldi is Assistant Professor of American Studies at the University of Notre Dame. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America (Princeton UP, 2023), Korey Garibaldi explores interracial collaborations in American commercial publishing—authors, agents, and publishers who forged partnerships across racial lines—from the 1910s to the 1960s. Garibaldi shows how aspiring and established Black authors and editors worked closely with white interlocutors to achieve publishing success, often challenging stereotypes and advancing racial pluralism in the process. Impermanent Blackness explores the complex nature of this almost-forgotten period of interracial publishing by examining key developments, including the mainstream success of African American authors in the 1930s and 1940s, the emergence of multiracial children's literature, postwar tensions between supporters of racial cosmopolitanism and of “Negro literature,” and the impact of the Civil Rights and Black Power movements on the legacy of interracial literary culture. By the end of the 1960s, some literary figures once celebrated for pushing the boundaries of what Black writing could be, including the anthologist W. S. Braithwaite, the bestselling novelist Frank Yerby, the memoirist Juanita Harrison, and others, were forgotten or criticized as too white. And yet, Garibaldi argues, these figures—at once dreamers and pragmatists—have much to teach us about building an inclusive society. Revisiting their work from a contemporary perspective, Garibaldi breaks new ground in the cultural history of race in the United States. Korey Garibaldi is Assistant Professor of American Studies at the University of Notre Dame. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America (Princeton UP, 2023), Korey Garibaldi explores interracial collaborations in American commercial publishing—authors, agents, and publishers who forged partnerships across racial lines—from the 1910s to the 1960s. Garibaldi shows how aspiring and established Black authors and editors worked closely with white interlocutors to achieve publishing success, often challenging stereotypes and advancing racial pluralism in the process. Impermanent Blackness explores the complex nature of this almost-forgotten period of interracial publishing by examining key developments, including the mainstream success of African American authors in the 1930s and 1940s, the emergence of multiracial children's literature, postwar tensions between supporters of racial cosmopolitanism and of “Negro literature,” and the impact of the Civil Rights and Black Power movements on the legacy of interracial literary culture. By the end of the 1960s, some literary figures once celebrated for pushing the boundaries of what Black writing could be, including the anthologist W. S. Braithwaite, the bestselling novelist Frank Yerby, the memoirist Juanita Harrison, and others, were forgotten or criticized as too white. And yet, Garibaldi argues, these figures—at once dreamers and pragmatists—have much to teach us about building an inclusive society. Revisiting their work from a contemporary perspective, Garibaldi breaks new ground in the cultural history of race in the United States. Korey Garibaldi is Assistant Professor of American Studies at the University of Notre Dame. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America (Princeton UP, 2023), Korey Garibaldi explores interracial collaborations in American commercial publishing—authors, agents, and publishers who forged partnerships across racial lines—from the 1910s to the 1960s. Garibaldi shows how aspiring and established Black authors and editors worked closely with white interlocutors to achieve publishing success, often challenging stereotypes and advancing racial pluralism in the process. Impermanent Blackness explores the complex nature of this almost-forgotten period of interracial publishing by examining key developments, including the mainstream success of African American authors in the 1930s and 1940s, the emergence of multiracial children's literature, postwar tensions between supporters of racial cosmopolitanism and of “Negro literature,” and the impact of the Civil Rights and Black Power movements on the legacy of interracial literary culture. By the end of the 1960s, some literary figures once celebrated for pushing the boundaries of what Black writing could be, including the anthologist W. S. Braithwaite, the bestselling novelist Frank Yerby, the memoirist Juanita Harrison, and others, were forgotten or criticized as too white. And yet, Garibaldi argues, these figures—at once dreamers and pragmatists—have much to teach us about building an inclusive society. Revisiting their work from a contemporary perspective, Garibaldi breaks new ground in the cultural history of race in the United States. Korey Garibaldi is Assistant Professor of American Studies at the University of Notre Dame. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

The medieval poet Hafez and how his work speaks to today, the impact of digs undertaken by 19th-century feminist archaeologist Jane Dieulafoy and the novels she wrote looking back to a Persian past, the role of classical singing and the impact of the Mongol invasion are discussed by the academics Julia Hartley, Lecturer in Comparative Literature at the University of Glasgow; Michelle Assay, Principal investigator of the Marie Curie/UKRI project, “Women and Western Art Music in Iran” at King's College London; Sussan Babaie, Professor in the Arts of Iran and Islam at the Courtauld Institute and Ide Haghi, Lecturer in Modern Foreign Languages at the University of Glasgow. Chris Harding presents.Producer: Jayne EgertonJulia Hartley's book Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France is out now. You can hear more from Julia in a Free Thinking discussion about Alexander the Great and in a Radio 3 Essay called Alexander and the Persians. Michelle Assay contributed to a discussion about Lady Macbeth. All are available as Arts & Ideas podcasts and on BBC Sounds.

East of Delhi: Multilingual Literary Culture and World Literature (Oxford University Press, 2023) examines literature produced, practiced, and circulated in and out of North India, focusing on the region of Awadh, from the beginning of recorded vernacular literature in the late fourteenth century to the colonial era of the early twentieth century. This book considers texts in a wide range of genres-courtly, devotional, and popular-composed in the main languages of the region: Hindavi, Persian, Brajbhasha, and Urdu. Individual chapters focus on narratives, devotional song-poems and didactic works, local courtly literary practices, and multilingual education as recorded in biographical dictionaries-anthologies. This book suggests that the multilingual and multi-genre approach is better suited to capturing the texture, complexity, and dynamics of literature in the world, and of literary history, than approaches that focus only on global circulation or models that draw centers and peripheries on a single global map. Francesca Orsini is Professor Emerita of Hindi and South Asian Literature at SOAS, University of London. After earning an undergraduate degree in Hindi at Venice University and living in Delhi, she completed her PhD at SOAS. She taught at the University of Cambridge and SOAS and held visiting positions at Columbia University and the University of Pennsylvania. She was a fellow at the Radcliffe Institute for Advanced Studies, Harvard, and is a Fellow of the British Academy, a regional editor of the Murty Classical Library of India, and an editor of the Cambridge Studies in World Literature series. Her previous monographs include the 2009 book Print and Pleasure: Popular Literature and Entertaining Fictions in Colonial North India and the 2002 book The Hindi Public Sphere 1920-1940, Language and Literature in the Age of Nationalism. She has recently also been writing on decolonisation, the role of magazines in cold-war internationalisms and rethinking the paradigm of world literature by taking a more multilingual and located approach. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

East of Delhi: Multilingual Literary Culture and World Literature (Oxford University Press, 2023) examines literature produced, practiced, and circulated in and out of North India, focusing on the region of Awadh, from the beginning of recorded vernacular literature in the late fourteenth century to the colonial era of the early twentieth century. This book considers texts in a wide range of genres-courtly, devotional, and popular-composed in the main languages of the region: Hindavi, Persian, Brajbhasha, and Urdu. Individual chapters focus on narratives, devotional song-poems and didactic works, local courtly literary practices, and multilingual education as recorded in biographical dictionaries-anthologies. This book suggests that the multilingual and multi-genre approach is better suited to capturing the texture, complexity, and dynamics of literature in the world, and of literary history, than approaches that focus only on global circulation or models that draw centers and peripheries on a single global map. Francesca Orsini is Professor Emerita of Hindi and South Asian Literature at SOAS, University of London. After earning an undergraduate degree in Hindi at Venice University and living in Delhi, she completed her PhD at SOAS. She taught at the University of Cambridge and SOAS and held visiting positions at Columbia University and the University of Pennsylvania. She was a fellow at the Radcliffe Institute for Advanced Studies, Harvard, and is a Fellow of the British Academy, a regional editor of the Murty Classical Library of India, and an editor of the Cambridge Studies in World Literature series. Her previous monographs include the 2009 book Print and Pleasure: Popular Literature and Entertaining Fictions in Colonial North India and the 2002 book The Hindi Public Sphere 1920-1940, Language and Literature in the Age of Nationalism. She has recently also been writing on decolonisation, the role of magazines in cold-war internationalisms and rethinking the paradigm of world literature by taking a more multilingual and located approach. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

East of Delhi: Multilingual Literary Culture and World Literature (Oxford University Press, 2023) examines literature produced, practiced, and circulated in and out of North India, focusing on the region of Awadh, from the beginning of recorded vernacular literature in the late fourteenth century to the colonial era of the early twentieth century. This book considers texts in a wide range of genres-courtly, devotional, and popular-composed in the main languages of the region: Hindavi, Persian, Brajbhasha, and Urdu. Individual chapters focus on narratives, devotional song-poems and didactic works, local courtly literary practices, and multilingual education as recorded in biographical dictionaries-anthologies. This book suggests that the multilingual and multi-genre approach is better suited to capturing the texture, complexity, and dynamics of literature in the world, and of literary history, than approaches that focus only on global circulation or models that draw centers and peripheries on a single global map. Francesca Orsini is Professor Emerita of Hindi and South Asian Literature at SOAS, University of London. After earning an undergraduate degree in Hindi at Venice University and living in Delhi, she completed her PhD at SOAS. She taught at the University of Cambridge and SOAS and held visiting positions at Columbia University and the University of Pennsylvania. She was a fellow at the Radcliffe Institute for Advanced Studies, Harvard, and is a Fellow of the British Academy, a regional editor of the Murty Classical Library of India, and an editor of the Cambridge Studies in World Literature series. Her previous monographs include the 2009 book Print and Pleasure: Popular Literature and Entertaining Fictions in Colonial North India and the 2002 book The Hindi Public Sphere 1920-1940, Language and Literature in the Age of Nationalism. She has recently also been writing on decolonisation, the role of magazines in cold-war internationalisms and rethinking the paradigm of world literature by taking a more multilingual and located approach. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

East of Delhi: Multilingual Literary Culture and World Literature (Oxford University Press, 2023) examines literature produced, practiced, and circulated in and out of North India, focusing on the region of Awadh, from the beginning of recorded vernacular literature in the late fourteenth century to the colonial era of the early twentieth century. This book considers texts in a wide range of genres-courtly, devotional, and popular-composed in the main languages of the region: Hindavi, Persian, Brajbhasha, and Urdu. Individual chapters focus on narratives, devotional song-poems and didactic works, local courtly literary practices, and multilingual education as recorded in biographical dictionaries-anthologies. This book suggests that the multilingual and multi-genre approach is better suited to capturing the texture, complexity, and dynamics of literature in the world, and of literary history, than approaches that focus only on global circulation or models that draw centers and peripheries on a single global map. Francesca Orsini is Professor Emerita of Hindi and South Asian Literature at SOAS, University of London. After earning an undergraduate degree in Hindi at Venice University and living in Delhi, she completed her PhD at SOAS. She taught at the University of Cambridge and SOAS and held visiting positions at Columbia University and the University of Pennsylvania. She was a fellow at the Radcliffe Institute for Advanced Studies, Harvard, and is a Fellow of the British Academy, a regional editor of the Murty Classical Library of India, and an editor of the Cambridge Studies in World Literature series. Her previous monographs include the 2009 book Print and Pleasure: Popular Literature and Entertaining Fictions in Colonial North India and the 2002 book The Hindi Public Sphere 1920-1940, Language and Literature in the Age of Nationalism. She has recently also been writing on decolonisation, the role of magazines in cold-war internationalisms and rethinking the paradigm of world literature by taking a more multilingual and located approach. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

In this episode, Translator from Icelandic to English, larissa Kyzer talks about her translations, Icelandic literature, Special relation Icelanders have with Volcanoes and the book 'The Fires'.you can find the link to buy the book, 'The Fires' in the show notes.https://www.larissakyzer.com/aboutLarissa Kyzer is a writer and Icelandic to English literary translator. Her translation of Kristín Eiríksdóttir's A Fist or a Heart was awarded the American Scandinavian Foundation's 2019 translation prize. The same year, she was one of Princeton University's Translators in Residence. In 2021, she guest edited “On the Periphery,” a spotlight on new Icelandic writing for Words Without Borders. Her translation of Sigríður Hagalín Björnsdóttir's The Fires was released in 2023 and will be followed by Fríða Ísberg's The Mark in 2024. Larissa has received grant funding and support from the Fulbright Commission, the Icelandic Ministry of Education and Culture, the Icelandic Literature Center, and Finland's Kone Foundation. She is a former co-chair of PEN America's Translation Committee, is currently an At-Large board member for the American Literary Translators Association, and runs the virtual Women+ in Translation reading series Jill!https://bit.ly/3tyKmDG* For your Valuable feedback on this Episode - Please click the below linkhttps://bit.ly/epfedbckHarshaneeyam on Spotify App –http://bit.ly/harshaneeyam Harshaneeyam on Apple App –http://apple.co/3qmhis5 *Contact us - harshaneeyam@gmail.com ***Disclaimer: The views and opinions expressed by Interviewees in interviews conducted by Harshaneeyam Podcast are those of the Interviewees and do not necessarily reflect the official policy or position of Harshaneeyam Podcast. Any content provided by Interviewees is of their opinion and is not intended to malign any religion, ethnic group, club, organization, company, individual, or anyone or anything.This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrpChartable - https://chartable.com/privacy

The Letters and the Law: Legal and Literary Culture in Late Imperial Russia (Northwestern UP, 2022) explores the fraught relationship between writers and lawyers in the four decades following Alexander II's judicial reforms. Nineteenth-century Russian literature abounds in negative images of lawyers and the law. Literary scholars have typically interpreted these representations either as the common, cross‑cultural critique of lawyerly unscrupulousness and greed or as an expression of Russian hostility toward Western legalism, seen as antithetical to traditional Russian values. The Letters and the Law is the first book to frame the conflict in terms of the two professions' competition for cultural authority. Anna Schur combines historical research and literary analysis to argue that the first generations of Russian trial lawyers shaped their professional identity with an eye to the celebrated figure of the writer and that they considered their own activities to be a form of verbal art. A fuller understanding of writers' antipathy to the law, Schur contends, must take into account this overlooked cultural backdrop. Laced with the better‑known critique of the lawyer's legalistic proclivities and lack of moral principle are the writer's reactions to a whole network of explicit and implicit claims of similarity between the two professions' goals, methods, and missions that were central to the lawyer's professional ideal. Viewed in this light, writers' critiques of the law and lawyers emerge as a concerted effort at protecting literature's exclusive cultural status in the context of modernization and the rapidly expanding public sphere. The study draws upon a mix of well-known and rarely studied nineteenth-century authors and texts—with particular attention paid to Fyodor Dostoevsky and Mikhail Saltykov-Shchedrin—and on a wide range of nonliterary sources, including courtroom speeches, guides to forensic oratory, legal treatises, and specialized press. Anna Schur is a professor of English at Keene State College in New Hampshire. She is the author of Wages of Evil: Dostoevsky and Punishment (Northwestern University Press). Yelizaveta Raykhlina is a historian of Russia and Eurasia and holds a PhD from Georgetown University. She is a faculty member at New York University. To learn more, visit her website or follow her on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Letters and the Law: Legal and Literary Culture in Late Imperial Russia (Northwestern UP, 2022) explores the fraught relationship between writers and lawyers in the four decades following Alexander II's judicial reforms. Nineteenth-century Russian literature abounds in negative images of lawyers and the law. Literary scholars have typically interpreted these representations either as the common, cross‑cultural critique of lawyerly unscrupulousness and greed or as an expression of Russian hostility toward Western legalism, seen as antithetical to traditional Russian values. The Letters and the Law is the first book to frame the conflict in terms of the two professions' competition for cultural authority. Anna Schur combines historical research and literary analysis to argue that the first generations of Russian trial lawyers shaped their professional identity with an eye to the celebrated figure of the writer and that they considered their own activities to be a form of verbal art. A fuller understanding of writers' antipathy to the law, Schur contends, must take into account this overlooked cultural backdrop. Laced with the better‑known critique of the lawyer's legalistic proclivities and lack of moral principle are the writer's reactions to a whole network of explicit and implicit claims of similarity between the two professions' goals, methods, and missions that were central to the lawyer's professional ideal. Viewed in this light, writers' critiques of the law and lawyers emerge as a concerted effort at protecting literature's exclusive cultural status in the context of modernization and the rapidly expanding public sphere. The study draws upon a mix of well-known and rarely studied nineteenth-century authors and texts—with particular attention paid to Fyodor Dostoevsky and Mikhail Saltykov-Shchedrin—and on a wide range of nonliterary sources, including courtroom speeches, guides to forensic oratory, legal treatises, and specialized press. Anna Schur is a professor of English at Keene State College in New Hampshire. She is the author of Wages of Evil: Dostoevsky and Punishment (Northwestern University Press). Yelizaveta Raykhlina is a historian of Russia and Eurasia and holds a PhD from Georgetown University. She is a faculty member at New York University. To learn more, visit her website or follow her on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Letters and the Law: Legal and Literary Culture in Late Imperial Russia (Northwestern UP, 2022) explores the fraught relationship between writers and lawyers in the four decades following Alexander II's judicial reforms. Nineteenth-century Russian literature abounds in negative images of lawyers and the law. Literary scholars have typically interpreted these representations either as the common, cross‑cultural critique of lawyerly unscrupulousness and greed or as an expression of Russian hostility toward Western legalism, seen as antithetical to traditional Russian values. The Letters and the Law is the first book to frame the conflict in terms of the two professions' competition for cultural authority. Anna Schur combines historical research and literary analysis to argue that the first generations of Russian trial lawyers shaped their professional identity with an eye to the celebrated figure of the writer and that they considered their own activities to be a form of verbal art. A fuller understanding of writers' antipathy to the law, Schur contends, must take into account this overlooked cultural backdrop. Laced with the better‑known critique of the lawyer's legalistic proclivities and lack of moral principle are the writer's reactions to a whole network of explicit and implicit claims of similarity between the two professions' goals, methods, and missions that were central to the lawyer's professional ideal. Viewed in this light, writers' critiques of the law and lawyers emerge as a concerted effort at protecting literature's exclusive cultural status in the context of modernization and the rapidly expanding public sphere. The study draws upon a mix of well-known and rarely studied nineteenth-century authors and texts—with particular attention paid to Fyodor Dostoevsky and Mikhail Saltykov-Shchedrin—and on a wide range of nonliterary sources, including courtroom speeches, guides to forensic oratory, legal treatises, and specialized press. Anna Schur is a professor of English at Keene State College in New Hampshire. She is the author of Wages of Evil: Dostoevsky and Punishment (Northwestern University Press). Yelizaveta Raykhlina is a historian of Russia and Eurasia and holds a PhD from Georgetown University. She is a faculty member at New York University. To learn more, visit her website or follow her on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Letters and the Law: Legal and Literary Culture in Late Imperial Russia (Northwestern UP, 2022) explores the fraught relationship between writers and lawyers in the four decades following Alexander II's judicial reforms. Nineteenth-century Russian literature abounds in negative images of lawyers and the law. Literary scholars have typically interpreted these representations either as the common, cross‑cultural critique of lawyerly unscrupulousness and greed or as an expression of Russian hostility toward Western legalism, seen as antithetical to traditional Russian values. The Letters and the Law is the first book to frame the conflict in terms of the two professions' competition for cultural authority. Anna Schur combines historical research and literary analysis to argue that the first generations of Russian trial lawyers shaped their professional identity with an eye to the celebrated figure of the writer and that they considered their own activities to be a form of verbal art. A fuller understanding of writers' antipathy to the law, Schur contends, must take into account this overlooked cultural backdrop. Laced with the better‑known critique of the lawyer's legalistic proclivities and lack of moral principle are the writer's reactions to a whole network of explicit and implicit claims of similarity between the two professions' goals, methods, and missions that were central to the lawyer's professional ideal. Viewed in this light, writers' critiques of the law and lawyers emerge as a concerted effort at protecting literature's exclusive cultural status in the context of modernization and the rapidly expanding public sphere. The study draws upon a mix of well-known and rarely studied nineteenth-century authors and texts—with particular attention paid to Fyodor Dostoevsky and Mikhail Saltykov-Shchedrin—and on a wide range of nonliterary sources, including courtroom speeches, guides to forensic oratory, legal treatises, and specialized press. Anna Schur is a professor of English at Keene State College in New Hampshire. She is the author of Wages of Evil: Dostoevsky and Punishment (Northwestern University Press). Yelizaveta Raykhlina is a historian of Russia and Eurasia and holds a PhD from Georgetown University. She is a faculty member at New York University. To learn more, visit her website or follow her on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

The Letters and the Law: Legal and Literary Culture in Late Imperial Russia (Northwestern UP, 2022) explores the fraught relationship between writers and lawyers in the four decades following Alexander II's judicial reforms. Nineteenth-century Russian literature abounds in negative images of lawyers and the law. Literary scholars have typically interpreted these representations either as the common, cross‑cultural critique of lawyerly unscrupulousness and greed or as an expression of Russian hostility toward Western legalism, seen as antithetical to traditional Russian values. The Letters and the Law is the first book to frame the conflict in terms of the two professions' competition for cultural authority. Anna Schur combines historical research and literary analysis to argue that the first generations of Russian trial lawyers shaped their professional identity with an eye to the celebrated figure of the writer and that they considered their own activities to be a form of verbal art. A fuller understanding of writers' antipathy to the law, Schur contends, must take into account this overlooked cultural backdrop. Laced with the better‑known critique of the lawyer's legalistic proclivities and lack of moral principle are the writer's reactions to a whole network of explicit and implicit claims of similarity between the two professions' goals, methods, and missions that were central to the lawyer's professional ideal. Viewed in this light, writers' critiques of the law and lawyers emerge as a concerted effort at protecting literature's exclusive cultural status in the context of modernization and the rapidly expanding public sphere. The study draws upon a mix of well-known and rarely studied nineteenth-century authors and texts—with particular attention paid to Fyodor Dostoevsky and Mikhail Saltykov-Shchedrin—and on a wide range of nonliterary sources, including courtroom speeches, guides to forensic oratory, legal treatises, and specialized press. Anna Schur is a professor of English at Keene State College in New Hampshire. She is the author of Wages of Evil: Dostoevsky and Punishment (Northwestern University Press). Yelizaveta Raykhlina is a historian of Russia and Eurasia and holds a PhD from Georgetown University. She is a faculty member at New York University. To learn more, visit her website or follow her on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The Letters and the Law: Legal and Literary Culture in Late Imperial Russia (Northwestern UP, 2022) explores the fraught relationship between writers and lawyers in the four decades following Alexander II's judicial reforms. Nineteenth-century Russian literature abounds in negative images of lawyers and the law. Literary scholars have typically interpreted these representations either as the common, cross‑cultural critique of lawyerly unscrupulousness and greed or as an expression of Russian hostility toward Western legalism, seen as antithetical to traditional Russian values. The Letters and the Law is the first book to frame the conflict in terms of the two professions' competition for cultural authority. Anna Schur combines historical research and literary analysis to argue that the first generations of Russian trial lawyers shaped their professional identity with an eye to the celebrated figure of the writer and that they considered their own activities to be a form of verbal art. A fuller understanding of writers' antipathy to the law, Schur contends, must take into account this overlooked cultural backdrop. Laced with the better‑known critique of the lawyer's legalistic proclivities and lack of moral principle are the writer's reactions to a whole network of explicit and implicit claims of similarity between the two professions' goals, methods, and missions that were central to the lawyer's professional ideal. Viewed in this light, writers' critiques of the law and lawyers emerge as a concerted effort at protecting literature's exclusive cultural status in the context of modernization and the rapidly expanding public sphere. The study draws upon a mix of well-known and rarely studied nineteenth-century authors and texts—with particular attention paid to Fyodor Dostoevsky and Mikhail Saltykov-Shchedrin—and on a wide range of nonliterary sources, including courtroom speeches, guides to forensic oratory, legal treatises, and specialized press. Anna Schur is a professor of English at Keene State College in New Hampshire. She is the author of Wages of Evil: Dostoevsky and Punishment (Northwestern University Press). Yelizaveta Raykhlina is a historian of Russia and Eurasia and holds a PhD from Georgetown University. She is a faculty member at New York University. To learn more, visit her website or follow her on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

The Letters and the Law: Legal and Literary Culture in Late Imperial Russia (Northwestern UP, 2022) explores the fraught relationship between writers and lawyers in the four decades following Alexander II's judicial reforms. Nineteenth-century Russian literature abounds in negative images of lawyers and the law. Literary scholars have typically interpreted these representations either as the common, cross‑cultural critique of lawyerly unscrupulousness and greed or as an expression of Russian hostility toward Western legalism, seen as antithetical to traditional Russian values. The Letters and the Law is the first book to frame the conflict in terms of the two professions' competition for cultural authority. Anna Schur combines historical research and literary analysis to argue that the first generations of Russian trial lawyers shaped their professional identity with an eye to the celebrated figure of the writer and that they considered their own activities to be a form of verbal art. A fuller understanding of writers' antipathy to the law, Schur contends, must take into account this overlooked cultural backdrop. Laced with the better‑known critique of the lawyer's legalistic proclivities and lack of moral principle are the writer's reactions to a whole network of explicit and implicit claims of similarity between the two professions' goals, methods, and missions that were central to the lawyer's professional ideal. Viewed in this light, writers' critiques of the law and lawyers emerge as a concerted effort at protecting literature's exclusive cultural status in the context of modernization and the rapidly expanding public sphere. The study draws upon a mix of well-known and rarely studied nineteenth-century authors and texts—with particular attention paid to Fyodor Dostoevsky and Mikhail Saltykov-Shchedrin—and on a wide range of nonliterary sources, including courtroom speeches, guides to forensic oratory, legal treatises, and specialized press. Anna Schur is a professor of English at Keene State College in New Hampshire. She is the author of Wages of Evil: Dostoevsky and Punishment (Northwestern University Press). Yelizaveta Raykhlina is a historian of Russia and Eurasia and holds a PhD from Georgetown University. She is a faculty member at New York University. To learn more, visit her website or follow her on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Korey Garibaldiis Assistant Professor in the Department of American Studies at the University of Notre Dame. His courses focus on histories of citizenship, imperialism, cultural and economic thought, and the African diaspora.

A Persian epic depicted in The Yellow Book which Aubrey Beardsley was art editor for, Iranian figures on the French operatic stage and Rudyard Kipling's links with decadent ideas: Shahidha Bari is joined by Dr Julia Hartley, Dr Alexander Bubb and Professor Jennifer Yee to discuss new research into late nineteenth century art, literature and opera and what we mean by decadence. Was it really a-political and focused on surface and ornament? And how far are ideas about art for art's sake and sex for sex's sake linked? Producer: Robyn Read Dr Alexander Bubb teaches at the University of Roehampton, London and is the author of Flights of Translation: Popular Circulation and Reception of Asian Literature in the Victorian World. Professor Jennifer Yee teaches Modern Languages at the University of Oxford and has edited a book French Decadence in a Global Context. Julia Hartley is a BBC/AHRC New Generation Thinker who teaches at Glasgow University. Later this year she will be publishing Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France You might be interested in a Radio 3 Sunday Feature asking Should Feminists Read Baudelaire ? And the Free Thinking programme website has a collection of discussions exploring Prose, Poetry and Drama

Welcome to this week's episode of Low Season Traveller Insider Guides brought to you in partnership with our good friends at Tourism Ireland Today we head back over to Dublin one last time, where I spent a wonderful 3 days in the low season of January earlier this year.  With clear blue skies, low crowds and plenty of things to experience and do, Dublin rarely disappoints in the winter months.  And what better way to pass the time than meeting up with some wonderful people like today's guest, Simon O'Connor who is the Director of the Museum of Literature Ireland or MoLI as it's better known. MoLI is a museum of literature for the world's greatest storytellers.  A tranquil oasis on St Stephen's Green in the heart of Dublin, MoLI is where visitors from all over the world come to discover Ireland's rich literary heritage from past to present via it's immersive exhibitions and rare treasures from the National Library of Ireland. And it is an utterly inspiring place which I had the pleasure of passing a few hours in before meeting up with Simon in his curator's office when we met up to find out more about Ireland's literary past. And if you're interested in learning more about the Museum or indeed would like to plan a visit during your next trip to Dublin, you can learn more by visiting moli.ie. But That's our show for this week. Thanks as always, for your company, and if you enjoyed this podcast, please do leave us a positive rating and review on your podcast app and also don't forget to follow us on Facebook, Instagram and LinkedIn to be the first to hear our latest low season stories, articles and guides. Have a great week wherever you are and remember that travel is always better and fairer for the planet, the local communities and you the travellers, when it's without the crowds…

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Christian nationalism is a kind of con game. And of all the authors examined in this podcast, the one most likely to appreciate that con would be Richard Marsh, author of the 1897 horror novel The Beetle. A one time con artist himself, Marsh treats the gender fluidity of his shapeshifting monster as a con game, a scam that defrauds God himself. Today, we're going to talk about how The Beetle's view of transgenderism illuminates the complex of hate, fear, and fascination with which Christian nationalists tell some of their most vicious lies: the ones about LGBT+ people. Written, narrated, and produced by Lucas Kwong Theme song "Lair" by The Brother K Melee (www.brotherkmusic.com) Closing song "Expire/Exhale" by Lucas Kwong Voice actors: Christian Young-Valdovinos, Naomi Kwong Join Brad in Costa Mesa, CA - January 13: https://www.eventbrite.com/e/473515687167 Join Brad in Los Angeles - January 14: https://www.eventbrite.com/e/466693531917 Pre-Order Brad's new book: https://www.amazon.com/Preparing-War-Extremist-Christian-Nationalism/dp/1506482163 For access to the full Orange Wave series, click here: https://irreverent.supportingcast.fm/products/the-orange-wave-a-history-of-the-religious-right-since-1960 To Donate: https://www.paypal.com/paypalme/BradleyOnishi Patreon: https://www.patreon.com/straightwhiteamericanjesus SWAJ Apparel is here! https://straight-white-american-jesus.creator-spring.com/listing/not-today-uncle-ron Further Reading:  Victoria Margree, British Women's Short Supernatural Fiction, 1860-1930: Our Own Ghostliness  Daniel Orrells Minna Vuohelianen, and Victoria Margree, eds., Richard Marsh, Popular Fiction, and Literary Culture, 1890-1915 Joe Vallese, ed. It Came From The Closet: Queer Reflections on Horror. Cynthia Miller, ed. The Silence Of The Lambs: Critical Reflections On A Cannibal If you're enjoying the podcast, please consider making a donation at ko-fi.com/lucaskwong or leaving a review at our Apple Podcasts page: https://podcasts.apple.com/us/podcast/monster-in-the-mirror/id1654399705 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://swaj.supportingcast.fm

Christian nationalism is a kind of con game. And of all the authors examined in this podcast, the one most likely to appreciate that con would be Richard Marsh, author of the 1897 horror novel The Beetle. A one time con artist himself, Marsh treats the gender fluidity of his shapeshifting monster as a con game, a scam that defrauds God himself. Today, we're going to talk about how The Beetle's view of transgenderism illuminates the complex of hate, fear, and fascination with which Christian nationalists tell some of their most vicious lies: the ones about LGBT+ people. Written, narrated, and produced by Lucas Kwong Theme song "Lair" by The Brother K Melee (www.brotherkmusic.com) Closing song "Expire/Exhale" by Lucas Kwong Voice actors: Christian Young-Valdovinos, Naomi Kwong Join Brad in Costa Mesa, CA - January 13: https://www.eventbrite.com/e/473515687167 Join Brad in Los Angeles - January 14: https://www.eventbrite.com/e/466693531917 Pre-Order Brad's new book: https://www.amazon.com/Preparing-War-Extremist-Christian-Nationalism/dp/1506482163 For access to the full Orange Wave series, click here: https://irreverent.supportingcast.fm/products/the-orange-wave-a-history-of-the-religious-right-since-1960 To Donate: https://www.paypal.com/paypalme/BradleyOnishi Patreon: https://www.patreon.com/straightwhiteamericanjesus SWAJ Apparel is here! https://straight-white-american-jesus.creator-spring.com/listing/not-today-uncle-ron Further Reading:  Victoria Margree, British Women's Short Supernatural Fiction, 1860-1930: Our Own Ghostliness  Daniel Orrells Minna Vuohelianen, and Victoria Margree, eds., Richard Marsh, Popular Fiction, and Literary Culture, 1890-1915 Joe Vallese, ed. It Came From The Closet: Queer Reflections on Horror. Cynthia Miller, ed. The Silence Of The Lambs: Critical Reflections On A Cannibal If you're enjoying the podcast, please consider making a donation at ko-fi.com/lucaskwong or leaving a review at our Apple Podcasts page: https://podcasts.apple.com/us/podcast/monster-in-the-mirror/id1654399705 Learn more about your ad choices. Visit megaphone.fm/adchoices

In this podcast, Kushal has a chat with Ajeet Bharti about Hindi Language and Literary Culture. The 14th of September is celebrated as Hindi Bhasha Diwas. This podcast is an attempt to look at the different areas that one needs to master before one becomes a good writer in the Hindi Language. Follow Ajeet: Twitter: @AjeetBhartii Youtube: https://www.youtube.com/c/DOPolitics/videos Book: https://www.amazon.in/Jo-Bhi-Kahoonga-Sach/dp/B09T3JD1H3/ref=sr_1_1?qid=1646406658&refinements=p_27%3AAjeet+Bharti&s=books&sr=1-1 #HindiDiwas #हिंदी_दिवस #AjeetBharti ------------------------------------------------------------ Listen to the podcasts on: SoundCloud: https://soundcloud.com/kushal-mehra-99891819 Spotify: https://open.spotify.com/show/1rVcDV3upgVurMVW1wwoBp Apple Podcasts: https://podcasts.apple.com/us/podcast/the-c%C4%81rv%C4%81ka-podcast/id1445348369 Stitcher: https://www.stitcher.com/show/the-carvaka-podcast ------------------------------------------------------------ Support The Cārvāka Podcast: Become a Member on YouTube: https://www.youtube.com/channel/UCKPxuul6zSLAfKSsm123Vww/join Become a Member on Patreon: https://www.patreon.com/carvaka UPI: kushalmehra@icici To buy The Carvaka Podcast Exclusive Merch please visit: http://kushalmehra.com/shop ------------------------------------------------------------ Follow Kushal: Twitter: https://twitter.com/kushal_mehra?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor Facebook: https://www.facebook.com/KushalMehraOfficial/? Instagram: https://www.instagram.com/thecarvakapodcast/?hl=en Koo: https://www.kooapp.com/profile/kushal_mehra Inquiries: https://kushalmehra.com/ Feedback: kushalmehra81@gmail.com

“The play is a living, thriving organism that changes day to day.”  This week on Speak The Speech, we are joined by award-winning scholar, David McInnis. David performs an excerpt from Macbeth and discusses the dramatic convention of witches, what rehearsal and performance would have looked like Shakespeare's time, analyses Shakespeare in comparison with other works of the time and his experience editing Shakespeare.  David is currently Associate Professor of Shakespeare and Early Modern Drama at the University of Melbourne. He is the author of Shakespeare and Lost Plays, for Cambridge University Press, and Mind-Travelling and Voyage Drama in Early Modern England, for Palgrave. He's also edited Thomas Dekker's Old Fortunatus for the Revels Plays series, and Dekker's If this be not a good play, the devil is in it for the Routledge Anthology of Early Modern Drama. He is co-founder and editor of the Lost Plays Database and has edited a number of books including Lost Plays in Shakespeare's England, Loss and the Literary Culture of Shakespeare's Time, and Shakespeare and Virtual Reality. His work has been featured in The New York Times, The Guardian, the BBC and the Australian Book Review and he is currently editing Timon of Athens for the Arden Shakespeare 4th series. 

The Final Draft Great Conversations podcast is all about books, writing and literary culture. We're dedicated to exploring Australian writing, looking into the issues that drive our storytelling to discover more from the books you love.These are the stories that make us who we are.Georgina Young's debut novel Loner won the Text Prize for Young Adult novels, was commended by the CBCA as a notable book for older readers, and was shortlisted for a Prime Minister's Literary Award.Now Georgina is back with her new novel Bootstrap and she's joining us today on the podcast.Ginsborough's famous for its chicken and leek pies and not much else. Down the road in Koornang all they've got is Al's Takeaway and Jackson Sweeney is doing his best to sour that reputation.Sweeney's not languishing in Koornang per se. Languishing sounds way more active than what Sweeney is doing. With nothing but Hooley Dooley's on a Friday to look forward to (and Sweeney's pashed most of the available blokes there) life is looking dire.That is until a tall, dark and very out of place bloke named Bootstrap splits into Sweeney's life saying he's come to see the night that Sweeney becomes a hero!Join me as we discover Georgina Young's Bootstrap...Final Draft is produced and presented by Andrew PopleWant more great conversations with Australian authors?Discover this and many more conversations on Final Draft every week from 2ser.Get in touch with Andrew and Final Draft. We love to hear about what you're reading!Twitter - https://twitter.com/finaldraft2serInstagram - https://www.instagram.com/finaldraft2ser/Facebook - https://www.facebook.com/finaldraft2ser/

James O'Loghlin is a comedian, television and radio host. You might know him from shows such as The New Inventors but James is also the author of ten books, including six novels for children.James was also a lawyer in a former life and his segued that experience into his new novel, our book club for this week, Criminals.It seems like just another ordinary day...Sarah is doing bar work at the club. A nice normal job while she's on stress leaving from her job as a cop. She's tending bar when a man walks into the club with a shotgun.Mary is just trying to enjoy a quiet drink. She's always enjoying a quiet drink and doesn't appreciate the loud man in the balaklava interrupting her reverie. Daydrinking isn't exactly a long term plan and so Mary decides to do something foolish.And poor Dean. He can't understand why everybody won't just get down on the ground and give him the money. He needs this and one big score could set him up for a while.In one brief flurry of activity Criminals throws Sarah, Dean and Mary's lives together and sets them on a path to explore what it means to be a criminal and how life is more than simply a matter of Black and White.Through each of his main characters James O'Loghlin explores some fundamental ideas about crime and criminality.Sarah has always wanted to be a cop. Her single dad is her idol. A lifetime police officer she has looked up to him and all he represents. But Sarah's also been disillusioned by her time on the force and is starting to wonder if following the letter of the law is the best way to understand people.Dean went to school with Sarah. It's an uncomfortable fact as he holds a shotgun in her direction but it also gets him thinking; he wasn't always a junkie burglar waiting to graduate to armed robbery.At school Dean was a footy star, but he relied on making it to first grade and when that didn't happen he was lost. Drugs and petty crime helped Dean escape until they became the thing he has to escape from. Is it possible though that there is more to his life, and can he choose a different path before it's too late.Mary seems to have it all a middle class suburban life can offer. So why does she stand in front of the shotgun, daring the man in front of her. Mary's struggling to make sense of her life and is starting to think that these men robbing the club with such abandon know more about how to live and maybe she could borrow a leaf from their book.Criminals follows this small ensemble cast through the aftermath of the robbery and into their lives, such as they are. Questions of right and wrong loom large in each of their pasts and O'Loghlin challenges us to sort through our ideas of crime and criminality to understand how we live when these categories are not so clear cut.The novel explores mental health and the ways it can shape, even steer lives and the consequences of not getting help. It's a surprisingly nuanced look at a heavily scrutinized area and while no one book could pretend to have an answer, Criminals shows us that the conversation is essential and one we all must have.Criminals is pacy and finds a balance between its action and the introspection of its protagonists. While each are, perhaps miles from the lived experience of the reader, the novel brings us into their lives and makes us appreciate they are more than their apparent stereotype might reveal.Book Club is produced and presented by Andrew PopleWant more great conversations with Australian authors?Discover this and many more conversations on Final Draft every week from 2ser.Get in touch with Andrew and Final Draft. We love to hear about what you're reading!Twitter - https://twitter.com/finaldraft2serInstagram - https://www.instagram.com/finaldraft2ser/Facebook - https://www.facebook.com/finaldraft2ser/

The Final Draft Great Conversations podcast is all about books, writing and literary culture. We're dedicated to exploring Australian writing, looking into the issues that drive our storytelling to discover more from the books you love.These are the stories that make us who we are.Claire G. Coleman is a Noongar writer, from Western Australia, now based in Naarm. Claire's debut novel is the award winning Terra Nullius. She is the author of the novel The Old Lie and Lies Damned Lies, an historical and cultural exploration of the ongoing impact of colonial invasion. Claire's third novel, is Enclave.Enclave takes us to the community of Safetown. There residents live a comfortable life, secure in the knowledge they are protected by ‘the wall'. Within that concrete edifice security patrol their streets and drones surveil the airway to ensure even the smallest transgression is met with swift consequences.Christine has spent her entire life basking in the comfort her fathers wealth and Safetown's security provide the daughter of an influential family. Sure her father is a distant figure, her mother a high functioning alcoholic, but they've just bought her an apartment and extended her a line of seeming unlimited credit.Safetown was built to protect families like Christine and she should be happy with this safety. Except her best friend Jack is missing and Christine has begun to notice her servants, people who don't look quite like her…Join as we discover Claire G Coleman's Enclave.Final Draft is produced and presented by Andrew PopleWant more great conversations with Australian authors?Discover this and many more conversations on Final Draft every week from 2ser.Get in touch with Andrew and Final Draft. We love to hear about what you're reading!Twitter - https://twitter.com/finaldraft2serInstagram - https://www.instagram.com/finaldraft2ser/Facebook - https://www.facebook.com/finaldraft2ser/

*WARNING SPOILERS*This part of our conversation with Claire contains spoilers for Enclave. Definitely don't tune in until you've read Enclave!What are you waiting for? Go get a copy now!Claire G. Coleman is a Noongar writer, from Western Australia, now based in Naarm. Claire's debut novel is the award winning Terra Nullius. She is the author of the novel The Old Lie and Lies Damned Lies, an historical and cultural exploration of the ongoing impact of colonial invasion. Claire's third novel, is Enclave.In this special bonus of outtakes from the Enclave interview Claire talks about inspirations for the story, famous fans and the potential for her work to be adapted.Final Draft is produced and presented by Andrew PopleWant more great conversations with Australian authors?Discover this and many more conversations on Final Draft every week from 2ser.Get in touch with Andrew and Final Draft. We love to hear about what you're reading!Twitter - https://twitter.com/finaldraft2serInstagram - https://www.instagram.com/finaldraft2ser/Facebook - https://www.facebook.com/finaldraft2ser/

Today I wanted to indulge us with some fun, thoughtful, edge of your seat, literary sci-fi. Now that may seem like I've just thrown a whole lot of adjectives at the wall to see what sticks (and in a way I have) but stay with me, I think I'm justified…Georgina Young's debut novel Loner won the Text Prize for Young Adult novel, was commended by the CBCA as a notable book for older readers, and was shortlisted for a Prime Minister's Literary Award.Now Georgina is back with her new novel Bootstrap and it is all the adjectives I mentioned above and more.Ginsborough's famous for its chicken and leek pies and not much else. Down the road in Koornang all they've got is Al's Takeaway and Jackson Sweeney is doing his best to sour that reputation.Sweeney's not languishing in Koornang per se. Languishing sounds way more active than what Sweeney is doing. With nothing but Hooley Dooley's on a Friday to look forward to (and Sweeney's pashed most of the available blokes there) life is looking dire.That is until a tall, dark and very out of place bloke named Bootstrap splits into Sweeney's life saying he's come to see the night that Sweeney becomes a hero!Now I could tell you that Bootstrap is full of the most outlandish cast of characters you've met in a long time…I could tell you that the book has more twists than the highway out of Ginsborough…I could mention that this is a refreshing take on the sci-fi staple of messing with your own timeline…All of that would be true but it still wouldn't capture the enormous heart that Georgina Young has infused into the most unlikable, lovable rogue that is Sweeney and the strange and beguiling figure of Bootstrap.Sweeney feels trapped in Koornang and that's the central dramatic tension of the novel. He feels like nothing will ever happen to him and little changes when the entirety of the space time continuum seems to come crashing onto his doorstep.In a lot of ways Sweeney is all of us when we are feeling the FOMO and getting down on our lives. In a much more real way he is a young gay man who is languishing in a town that doesn't have enough to offer him and is actively trying to such the life out of him.The arrival of his best friend Marnie and the enigmatic Bootstrap are still not enough to shake Sweeney's stupor. He sees one as an excuse to get drunk and the other as a quick pash when he gets there. Marnie's on her own journey into the doldrums and can't quite seem to shake her own tendency to plant her food in her mouth. These are not the heroes we need but then again Bootstrap may not deserve saving…I loved Bootstrap as much for its high octane adventuring as for its parodying small town charm (or was it desperation? Sweeney is really unsure about his nostalgia) In highlighting that regional Australia is a tough place to grow up it also shows us a world where every corner holds a memory. It's all in stark contrast to the figure of Bootstrap who is a fugitive from his own past.There's an incredibly clever and thoughtful crop of mind bending speculative and science fiction popping up in Australia lately and I am here for it. Georgina Young's Bootstrap is so grounded as to defy the notion that it literally opens up a whole new world of timey wimey adventuring for readers…Book Club is produced and presented by Andrew PopleWant more great conversations with Australian authors?Discover this and many more conversations on Final Draft every week from 2ser.Get in touch with Andrew and Final Draft. We love to hear about what you're reading!Twitter - https://twitter.com/finaldraft2serInstagram - https://www.instagram.com/finaldraft2ser/Facebook - https://www.facebook.com/finaldraft2ser/

The Final Draft Great Conversations podcast is all about books, writing and literary culture. We're dedicated to exploring Australian writing, looking into the issues that drive our storytelling to discover more from the books you love.These are the stories that make us who we are.Lauren Draper is a writer and marketing professional from Melbourne, her writing has appeared in publications such as Kill Your Darlings and Dumbo Feather.Lauren joins Andrew on the show with her debut young adult novel, The Museum of Broken Things.Reece is in limbo, and as far as it goes there are worse places to be stuck than the beachside town of Hamilton. But it's not just the place Reece is stuck in her memories. Memories of The Terrible Thing Happened and the way it has basically put her life on hold.Maybe she can ride out the last year of school, but fate and a resident shark named Bruce are determined to throw her in the way of Gideon and there's a whole other set of secrets.Join me as we discover Lauren Draper's The Museum of Broken Things...Final Draft is produced and presented by Andrew PopleWant more great conversations with Australian authors?Discover this and many more conversations on Final Draft every week from 2ser.Get in touch with Andrew and Final Draft. We love to hear about what you're reading!Twitter - https://twitter.com/finaldraft2serInstagram - https://www.instagram.com/finaldraft2ser/Facebook - https://www.facebook.com/finaldraft2ser/Find Lauren Draper at laurendraperauthor.com

I re-visited the 1958 classic A Night to Remember, the first and main British cinematic interpretation of the sinking; it was based, of course, on the book of the same name by Walter Lord and I speak to Lord's work and influence as well. I really wanted to bring some true academic analyses to this film AND address the comparisons of it to James Cameron's 1997 film. So there's some of both. Let me know what you think!The article I mention by Sarah Street is in a collection called The Titanic in Myth and Memory: Representations in Visual and Literary Culture : https://www.bloomsbury.com/us/titanic-in-myth-and-memory-9780857717382/I also really appreciated Steven Biel's analysis of the film in his book Down with the Old Canoe:  https://www.amazon.com/Down-Old-Canoe-Cultural-Disaster/dp/0393340805/ref=sr_1_1?keywords=down+with+the+old+canoe&qid=1638918281&sr=8-1Support the pod on Patreon:https://www.patreon.com/unsinkablepodContact me!unsinkablepod@gmail.comInsta: unsinkablepodTwitter: unsinkablepod

Sonallah Ibrahim's Warda is the story of a female fighter in the 1960s and 70s Dhofar rebellion in Oman, and of the Egyptian intellectual who, decades later, tries to solve the mystery of what happened to her. We discuss the vibrant and mysterious female character at the heart of one of Ibrahim's most ambitious literary projects with scholar, editor and translator Hosam Aboul-ela. As Aboul-ela writes in his introduction to his new translation, Warda is someone who “somehow manages to embody both the historical and the unimaginable.”  Warda is available, in Hosam Abou-ela's translation, from Yale University Press. Hosam also writes about Warda in his Domestications: American Empire, Literary Culture, and the Postcolonial Lens. Hosam's translation of Sonallah Ibrahim's Stealthis available from New Directions. Sonallah Ibrahim's Zaat, in Tony Calderbank's translation,is, unfortunately, out of print. Hosam Aboul-ela is also the editor of the Arabic list at Seagull Books, an award-winning Kolkata-based publisher. One of the first books it published was The Stillborn by Arwa Salih. Forthcoming titles include Salim Barakat's Come, Take a Gentle Stab, co-translated by Huda Fakhreddine and Jayson Iwen; Akram Musallam's The Dance of the Deep-blue Scorpion, translated by Sawad Hussain, and Hussein Barghouthi's Among the Almond Blossoms, translated by Ibrahim Muwahi.