18th-century artistic movement and style
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A Chicago painter with an endless amount of surprises that unfold inside her landscapes of the Rococo and fantastical. Her work represents a continuation of the Chicago Imagists of the 60's with an interest in combining eccentric figuration with abstraction. “Bramson incorporates the passionate complexity of eastern mythology, the sexual innuendos of soap operas, and sometimes the happy endings of cartoons” said critic Miranda McClintic She has shown her work prolifically in prestigious galleries and Museums internationally and her work is included in over 100 major collections including the Museum of Contemporary Art in Chicago ,The national museum of American Art in Washington DC and many more. She also was a professor of art at the University of Illinois at Chicago and then a visiting artist at the School of the Art Institute of Chicago …. totaling over 40 years of being a teaching Artist.
Fala Povo! Neste Nordicast vamos falar sobre melhores jogos lançados até momento em 2025! Programa com a presença da Carol (Lost Token)! Vote no Covil no Prêmio Ludopedia: https://www.ludopedia.com.br/votacao Jogos que Viram Mesa Paulo - Power Grid, Brass Lancashire, Balconia Carol- Cascadia, Rococo, Gutenberg, Ark Nova *Melhor Temático do Primeiro Quadrimestre: Paulo - Cthulhu Death May Die Medo do Desconhecido Carol- Nucleum Ordem e Progresso *Melhor Jogo Caixa Pequena do Primeiro Quadrimestre Paulo - Cabanga!, Homem Morcego, Fishing Carol- Cabanga *Jogo Ruim ou que Decepcionou Paulo - Pass Pass Carol- Homem Morcego *Melhor Euro do Primeiro Quadrimestre Paulo - Esdras e Neemias Carol- Everdell Farshore pra ser diferente, mas tbm é Esdras e Neemias *Melhor Expansão Paulo - Marvel United Civil War, Carol- Nucleum Ordem e Progresso *Qual jogo gostaria de jogar? Paulo - Kelp, Exp. Projeto Gaia Frota Perdida Carol- Daitoshi, Coffee Rush *Top 5 Carol 1- Forest Shuffle 2- Esdras e Neemias 3- Dorfromantik 4- Finspan 5- Superstore 3000 Paulo 1- Voidfall 2- Dorfromantik 3- Senhor dos Aneis o Jogo de Vaza 4- Cyclades Legendary Edition 5- Finspan Menção Honrosa Marvel United Multiverse, Terra Mystica Big Box, Forest Shuffle Notícias: https://www.playeasy.com.br/brass-lancashire-3226.html https://www.playeasy.com.br/entre-linhas-superinteressante-promo.html https://ludopedia.com.br/topico/88410/stonemaier-games-processa-presidente-dos-eua-por-tarifas https://ludopedia.com.br/topico/88181/reviva-a-batalha-de-hoth-em-battle-of-hoth Ingressos Covil Con https://www.sympla.com.br/evento/covil-con-2025/2617044 Jogos Lançados no Quadrimestre: https://ludopedia.com.br/lancamentos?ano=2025&fl_status=1 Apoie o Covil pelo Youtube: https://www.youtube.com/channel/UC2X22MnKPeLn2fxl-eVnrTA/join Apoie o Covil pelo Apoia.se: https://apoia.se/covildosjogos Jogos de tabuleiro é na Playeasy: https://playeasy.com.br/ Acessórios Realísticos é na Gorilla 3D: https://www.gorilla3d.com.br/ Para mais vídeos, resenhas em texto e para ouvir nosso podcast, acesse: https://covildosjogos.com.br
Fala Povo! Neste Nordicast vamos falar sobre melhores jogos lançados até momento em 2025! Programa com a presença da Carol (Lost Token)! Vote no Covil no Prêmio Ludopedia: https://www.ludopedia.com.br/votacao Jogos que Viram Mesa Paulo - Power Grid, Brass Lancashire, Balconia Carol- Cascadia, Rococo, Gutenberg, Ark Nova *Melhor Temático do Primeiro Quadrimestre: Paulo - Cthulhu Death May Die Medo do Desconhecido Carol- Nucleum Ordem e Progresso *Melhor Jogo Caixa Pequena do Primeiro Quadrimestre Paulo - Cabanga!, Homem Morcego, Fishing Carol- Cabanga *Jogo Ruim ou que Decepcionou Paulo - Pass Pass Carol- Homem Morcego *Melhor Euro do Primeiro Quadrimestre Paulo - Esdras e Neemias Carol- Everdell Farshore pra ser diferente, mas tbm é Esdras e Neemias *Melhor Expansão Paulo - Marvel United Civil War, Carol- Nucleum Ordem e Progresso *Qual jogo gostaria de jogar? Paulo - Kelp, Exp. Projeto Gaia Frota Perdida Carol- Daitoshi, Coffee Rush *Top 5 Carol 1- Forest Shuffle 2- Esdras e Neemias 3- Dorfromantik 4- Finspan 5- Superstore 3000 Paulo 1- Voidfall 2- Dorfromantik 3- Senhor dos Aneis o Jogo de Vaza 4- Cyclades Legendary Edition 5- Finspan Menção Honrosa Marvel United Multiverse, Terra Mystica Big Box, Forest Shuffle Notícias: https://www.playeasy.com.br/brass-lancashire-3226.html https://www.playeasy.com.br/entre-linhas-superinteressante-promo.html https://ludopedia.com.br/topico/88410/stonemaier-games-processa-presidente-dos-eua-por-tarifas https://ludopedia.com.br/topico/88181/reviva-a-batalha-de-hoth-em-battle-of-hoth Ingressos Covil Con https://www.sympla.com.br/evento/covil-con-2025/2617044 Jogos Lançados no Quadrimestre: https://ludopedia.com.br/lancamentos?ano=2025&fl_status=1 Apoie o Covil pelo Youtube: https://www.youtube.com/channel/UC2X22MnKPeLn2fxl-eVnrTA/join Apoie o Covil pelo Apoia.se: https://apoia.se/covildosjogos Jogos de tabuleiro é na Playeasy: https://playeasy.com.br/ Acessórios Realísticos é na Gorilla 3D: https://www.gorilla3d.com.br/ Para mais vídeos, resenhas em texto e para ouvir nosso podcast, acesse: https://covildosjogos.com.br
In this episode of She Who Paints, I sit down with ceramic sculptor and visionary artist Jen Dwyer, whose intricate, sensual, and playful works challenge patriarchal narratives while embracing the sacred feminine. Jen opens up about her artistic journey, from her early influences to her deep connection with Rococo aesthetics and how she uses clay and paint as a medium for storytelling, healing, and reclaiming feminine power. We talk candidly about how she navigates the art world and working with moguls like Hashimoto Contemporary gallery while staying true to her inner voice. Whether you're an artist, a lover of ceramics, or someone drawn to the mystical and feminine in art, this episode will leave you inspired to create from your truth and honor the stories your body holds.
C'est un spécial DUO cette semaine avec David Bussières et Justine Laberge d'Alfa Rococo ! À quel âge se sont-ils rencontrés ? Comment leurs parents les auraient-ils décrits lorsqu'ils étaient jeunes ? Si je leur donnais un billet d'avion, où s'envoleraient-ils ? À vous de le découvrir dans cet épisode ! Bonne écoute :)
When Madame du Barry, King Louis XV's last mistress, pleaded for “just a little moment more” before her execution in 1793, in the throes of the French Revolution, she seemed to capture the fleeting pleasures and indulgence of the Rococo age. Artnet Editor Katie White eloquently described this moment before du Barry's death in the opening of a recent essay, exploring how, centuries later, the aesthetic of whimsy, romance, and unapologetic luxury is making a bold return. She calls it Neo-Rococo. So what is Neo-Rococo, really? It's a contemporary movement that merges the delicate pastels, ornamental elegance, and sensuality of 18th-century Rococo with modernist abstraction and feminist perspectives of contemporary art. Artists like Flora Yukhnovich, Michaela Yearwood-Dan, and Francesca DiMattio are key figures in this revival. They draw on the decorative roots of Rococo while addressing the complexities of today's world. On this episode of The Art Angle, Katie joins Senior Editor, Kate Brown, to discuss this fascinating resurgence of a centuries-old aesthetic sensibility, and how it extends beyond the art world into broader pop culture. What lessons can we learn from this era of late Baroque history? Quite a few as a turns out. And some surprising ones—these artists are actually subverting the escapist art movement to draw out some interesting questions about beauty and femininity.
When Madame du Barry, King Louis XV's last mistress, pleaded for “just a little moment more” before her execution in 1793, in the throes of the French Revolution, she seemed to capture the fleeting pleasures and indulgence of the Rococo age. Artnet Editor Katie White eloquently described this moment before du Barry's death in the opening of a recent essay, exploring how, centuries later, the aesthetic of whimsy, romance, and unapologetic luxury is making a bold return. She calls it Neo-Rococo. So what is Neo-Rococo, really? It's a contemporary movement that merges the delicate pastels, ornamental elegance, and sensuality of 18th-century Rococo with modernist abstraction and feminist perspectives of contemporary art. Artists like Flora Yukhnovich, Michaela Yearwood-Dan, and Francesca DiMattio are key figures in this revival. They draw on the decorative roots of Rococo while addressing the complexities of today's world. On this episode of The Art Angle, Katie joins Senior Editor, Kate Brown, to discuss this fascinating resurgence of a centuries-old aesthetic sensibility, and how it extends beyond the art world into broader pop culture. What lessons can we learn from this era of late Baroque history? Quite a few as a turns out. And some surprising ones—these artists are actually subverting the escapist art movement to draw out some interesting questions about beauty and femininity.
“Rococo & co”De Nicolas Pineau à Cindy Shermanau MAD, musée des Arts Décoratifs, Parisdu 12 mars au 18 mai 2025Entretien avec François Gilles, doctorant et sculpteur, et co-commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 11 mars 2025, durée 26'32,© FranceFineArt.https://francefineart.com/2025/03/20/3601_rococo_musee-des-arts-decoratifs/Communiqué de presse Commissaires :Bénédicte Gady, directrice des musées par intérim – conservatrice en chef du patrimoine en charge des collections de Dessins, Papiers peints et Photographies au musée des Arts décoratifsTurner Edwards, doctorantFrançois Gilles, doctorant et sculpteurLe musée des Arts décoratifs propose, du 12 mars au 18 mai 2025, une exposition inédite consacrée au style rococo. « Rococo & co. De Nicolas Pineau à Cindy Sherman » explore les évolutions de ce style, de son émergence au début du XVIIIe siècle jusqu'à ses résurgences dans le design et la mode contemporaine, en passant par l'Art nouveau et l'art psychédélique. Près de 200 dessins, mobilier, boiseries, objets d'art, luminaires, céramiques, et pièces de mode dialoguent dans un jeu de courbes et de contre courbes. Nicolas Pineau et Juste Aurèle Meissonnier côtoient Louis Majorelle, Jean Royère, Alessandro Mendini, Mathieu Lehanneur, mais aussi les créateurs de mode Tan Giudicelli et Vivienne Westwood, et l'artiste Cindy Sherman. Le commissariat est assuré par Bénédicte Gady, directrice des musées par intérim, Turner Edwards, doctorant, et François Gilles, doctorant et sculpteur.Cette exposition célèbre la restauration d'un fonds unique au monde de près de 500 dessins issus de l'atelier du sculpteur Nicolas Pineau (1684-1754), l'un des plus importants propagateurs du style rocaille, que l'Europe adopte sous le nom de rococo. Adepte d'une asymétrie mesurée et d'un subtil jeu de pleins et de vides, Nicolas Pineau s'illustre dans des domaines variés : boiserie, sculptures ornementales, architecture, estampe, mobilier ou orfèvrerie. La présentation de cette figure majeure du rococo se prolonge dans un atelier qui plonge le visiteur au coeur de la fabrique d'une boiserie rocaille. Asymétries, sinuosités, rêves de Chine et imaginaires animaliers illustrent les infinies variations du style rococo. Enfin, du XIXe au XXIe siècle, cette esthétique trouve de nombreux échos, du néo-style aux détournements les plus inattendus et ludiques.Figure du rococo. Nicolas Pineau, entre Paris et Saint-PétersbourgD'abord connu pour son œuvre gravée, Nicolas Pineau est appelé en 1716 en Russie, où il devient premier sculpteur puis premier architecte de Pierre le Grand. Pour le tsar, il dessine de nombreux projets de décors, jardins, monuments et édifices, participant activement aux grands chantiers qui transforment Saint Pétersbourg en capitale d'un nouvel empire et Peterhof en une nouvelle Versailles. De retour à Paris en 1728, Pineau souhaite poursuivre sa carrière d'architecte, mais c'est en tant que sculpteur qu'il excelle et se distingue auprès de ses contemporains. Il travaille principalement pour la noblesse parisienne et pour Louis XV, tout en continuant à envoyer ses modèles en Allemagne et en Russie, et en maintenant une activité éditoriale. Essentiellement constituée de sculptures de façades et de boiseries, son oeuvre est en grande partie détruite avec l'avènement du néo-classicisme. Toutefois, des vestiges subsistent encore aujourd'hui dans les rues du vieux Paris, témoignant de l'élégance de son art.[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Hey Guys, It's Meg!!! What's up? What's poppin'? Welcome to the podcast!!! It was a time known for its elegance, extravagance, light-heartedness, and a dash of rebellion. But what exactly was The Rococo Era? #rococoera #rococo #rococorevival #2025trends #trending
In deze aflevering schuift reisjournalist Gert aan, die met zijn camper een roadtrip maakte langs de Duitse Vakwerkhuisroute. Deze route verbindt pittoreske dorpjes en historische stadjes verspreid over heel Duitsland, elk met zijn eigen unieke charme. Gert legt uit wat vakwerkhuizen zo bijzonder maakt: architectonische pareltjes waar geen baksteen aan te pas komt en die al eeuwen overeind blijven.
This week's guest is renowned designer of Glenmore and Rococo, Matthias Cramer. We talk about historical games, being a professional and the fall of the Berlin Wall...but which games did he choose?Support the show here 1817 Descent Paths of Glory Match of the Century The Republic of RomeBecome a supporter of this podcast: https://www.spreaker.com/podcast/five-games-for-doomsday--5631121/support.
The Boardgame Specialist Podcast Episode 111: Top 100: 20 to 11 https://discord.gg/NCCQxb9kyBCarla IG: boardgamespecialist FB: Red Deer Board Game Fanatics Mel IG: mels_boardgame_room FB Mel's Board Game Room YouTube: Mel's Board Room[1:04] Lone Wolves[5:52] Terror Below[10:44] Magnificent[16:24] Le Havre: The Inland Port[20:21] Orleans[24:35] Century[28:49] Unfair [33:34] Downforce[38:16] Azul[43:02] Champion of Midgard [46:28] The Gallerist[50:54] Destinies[55:42] Forest Shuffle[59:12] Wyrmspan[1:02:33] The White Castle[1:07:44] Chronicles of Crimes [1:10:18] Rococo[1:15:58] Five Tribes[1:19:44] Lost Ruins of Arnak[1:24:46] Ra[1:27:42] Ark Nova[1:33:19] Tinner's Trail
When Madame du Barry, King Louis XV's last mistress, pleaded for “just a little moment more” before her execution in 1793, in the throes of the French Revolution, she seemed to capture the fleeting pleasures and indulgence of the Rococo age. My colleague, Artnet Editor Katie White eloquently described this moment before du Barry's death in the opening of a recent essay, exploring how, centuries later, the aesthetic of whimsy, romance, and unapologetic luxury is making a bold return. She calls it Neo-Rococo. So what is Neo-Rococo, really? It's a contemporary movement that merges the delicate pastels, ornamental elegance, and sensuality of 18th-century Rococo with modernist abstraction and feminist perspectives of contemporary art. Artists like Flora Yukhnovich, Michaela Yearwood-Dan, and Francesca DiMattio are key figures in this revival. They draw on the decorative roots of Rococo while addressing the complexities of today's world. On this episode of The Art Angle, Katie joins me to discuss this fascinating resurgence of a centuries-old aesthetic sensibility, and how it extends beyond the art world into broader pop culture. What lessons can we learn from this era of late Baroque history? Quite a few as a turns out. And some surprising ones—these artists are actually subverting the escapist art movement to draw out some interesting questions about beauty and femininity.
When Madame du Barry, King Louis XV's last mistress, pleaded for “just a little moment more” before her execution in 1793, in the throes of the French Revolution, she seemed to capture the fleeting pleasures and indulgence of the Rococo age. My colleague, Artnet Editor Katie White eloquently described this moment before du Barry's death in the opening of a recent essay, exploring how, centuries later, the aesthetic of whimsy, romance, and unapologetic luxury is making a bold return. She calls it Neo-Rococo. So what is Neo-Rococo, really? It's a contemporary movement that merges the delicate pastels, ornamental elegance, and sensuality of 18th-century Rococo with modernist abstraction and feminist perspectives of contemporary art. Artists like Flora Yukhnovich, Michaela Yearwood-Dan, and Francesca DiMattio are key figures in this revival. They draw on the decorative roots of Rococo while addressing the complexities of today's world. On this episode of The Art Angle, Katie joins me to discuss this fascinating resurgence of a centuries-old aesthetic sensibility, and how it extends beyond the art world into broader pop culture. What lessons can we learn from this era of late Baroque history? Quite a few as a turns out. And some surprising ones—these artists are actually subverting the escapist art movement to draw out some interesting questions about beauty and femininity.
Épisode 1231 : Dinette, Miximaliste et Cornichons, ça pourrait être le nom d'un album de musique hippie venu des années 1970 mais pas du tout, c'est une partie du menu que nous propose Pinterest pour ses fameuses prédictions 2025. Quel est le processus de prévision de Pinterest ?Pinterest c'est la plateforme di projet. On y va et on effectue des recherches pour nourrir notre imagination t trouver des tips sur un truc que l'on va faire ou acheter. Par définition, Pinterest c'est déjà du prospectif.Pinterest analyse les mots-clés de milliards de recherches sur Pinterest. Grâce au machine learning, leurs équipes identifient les groupes de tendances émergents.Pas forcément ceux qui ont le plus de requêtes mais ceux qui ont la plus grandes progression en pourcentage.Et c'est vrai que Pinterest vise bien souvent juste. Par exemple, l'année dernière ils prédisaient une tendance forte autour du rétro-chic. Et cette tendance Papi-Chic s'est clairement imposée au cours de l'année faisant les beaux jours de marques comme Paraboot et aux pantalons cote de velours.—Dinette Party : mignon, coloré et naifEn 2025 il y aura du kawai, du naïf et plus globalement de la mignonerie.L'outdoor mais en mode montagneLa plage, le bord de mer,… C'est so 2024.En 2025, place à la montagne, les sommets enneigés, l'air pure et le lifestyle qui va avec. Player oneLa place du jeu vidéo et la croissance exponentielle de la culture gaming devaient forcément nous amener à une tendance autour des joueurs.Changer de skin au quotidien ? C'est possible. En 2025, les Gen Z et X se lancent dans la customisation de leurs avatars. Cheveux, tenues, accessoires : ça va gamer tout en style.Rococo is not deadCelui là il m'a bien plu, car il y a toujours une trace d'histoire et d'architecture dans les predicts. Il y a 2 ans on était sur l'inspiration Grecque, Athena, les colonnes des temples et maintenant on penche vers le style italien baroque, le Rococo.Cerise maniaChaque année il y a un parti pris colorimetrique et une couleur se dégage des tendances de l'année à venir, en 2025, c'est le rouge cerise qui sera à l'honneur !Et on retrouve des traces de cet attrait pour le rouge Chery partout : Make-up rubis, cherry martini, revisite du clafoutis, voitures, moodboards et déco : en 2025, la Gen Z et les Millenials vont passer au temps des cerises !Retrouvez toutes les notes de l'épisode sur www.lesuperdaily.com ! . . . Le Super Daily est le podcast quotidien sur les réseaux sociaux. Il est fabriqué avec une pluie d'amour par les équipes de Supernatifs. Nous sommes une agence social media basée à Lyon : https://supernatifs.com. Ensemble, nous aidons les entreprises à créer des relations durables et rentables avec leurs audiences. Ensemble, nous inventons, produisons et diffusons des contenus qui engagent vos collaborateurs, vos prospects et vos consommateurs. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
“I appreciate the Rococo for its extravagance and theatricality, as it appeals to my love of kitsch.”- STUART NETSKY Netsky is a conceptual artist making paintings, mixed media sculptures, prints and other objects. An original voice and artist whose work jumps off the canvas and confronts us with the eclectic absurdity of our image inundated culture. A lover of the theatrical, mixed with his unique version of pop and Romantic master painting. His work is made in distinct series, creating a pictorial eclecticism that obscures our ability to make sense of the image, acting as a metaphor for the confusion and shifting dichotomies in social interactions.Digital images speak to our technologically driven world and reflect the temporal paradox in pop culture whereby the past is brought to the present, the present to the past. He digitally appropriates art and historical images with those from film and popular culture, juxtaposed with psychedelic and floral patterns and mixes them all together. His influences include Francois Boucher and Gerhard Richter, Jean-Honore Fragonard, Gene Davis, Bridget Riley, Nicholas Krushenick and Jean-Antoine Watteau, among others - the rococo and abstraction, op art and pop art, anime and realism, and the psychedelic all come together, layered, spliced and distorted, materials that evoke the psychosexual. He views his practice as a drag display operating within the time he has lived in while embracing nostalgia and romanticism for their tender and universal sensibilities. He received a Master of Art in Art Education from Philadelphia College of Art in 1986 and went on to receive a Master of Fine Art in sculpture from Tyler School of Art, Elkins Park, PA in 1990. Netsky was an Adjunct Professor at The University of the Arts, Philadelphia, and is currently an Adjunct Assistant Professor at Jefferson University. He has had solo exhibitions of his work at Philadelphia's Institute of Contemporary Art, Larry Becker Contemporary Art, Richard Anderson, NYC, Locks Gallery, Bridgette Mayer Gallery, and a retrospective at the Rosenwald Wolf Gallery, University of the Arts. He has also shown in innumerable group shows nationally and internationally. In 1995, he received the Pew Fellowship in the Arts. His work is in the collections of The Philadelphia Museum of Art, The Southern Alleghenies Museum of Art, The Jane Voorhees Zimmerli Art Museum, Woodmere Art Museum, as well as the Johnson and Johnson Collection and many private collections.
Terminamos la semana con nuestro turista musical en busca de una nueva sintonía entre las enviadas por los oyentes al 630 645 630. Continuamos escuchando la charla que tuvimos con Sanguijuelas del Guadiana sobre su próximo disco y sobre la añoranza de las raíces cuando tienes que marcharte de tu lugar de origen para labrarte un futuro. A las 8, un resumen de la actualidad y conocemos una nueva canción que no te puedes sacar de la cabeza: 'Tom's Diner' de DNA. Además descubrimos una nueva palabra regional, esta vez desde Zamora: CUZO. Por último, nos encerramos en el búnker de Radio 3 para decorarlo con el estilo rococó de Maika Makovski.Escuchar audio
durée : 00:14:50 - Le Disque classique du jour du jeudi 14 novembre 2024 - Enregistré avec le Luzerner Sinfonie Orchester et dirigé par Michael Sanderling, le nouvel album d'Edgar présente une pièce maîtresse du répertoire pour violoncelle : les Variations Rococo de Tchaïkovski.
durée : 00:14:50 - Le Disque classique du jour du jeudi 14 novembre 2024 - Enregistré avec le Luzerner Sinfonie Orchester et dirigé par Michael Sanderling, le nouvel album d'Edgar présente une pièce maîtresse du répertoire pour violoncelle : les Variations Rococo de Tchaïkovski.
durée : 02:04:30 - Musique matin du jeudi 07 novembre 2024 - par : Gabrielle Oliveira-Guyon - Dix ans après son premier enregistrement chez Erato, Edgar Moreau présente "Rococo", un album inspiré du monde slave, entre virtuosité et lyrisme. Il sera également en concert avec l'Orchestre National de France dans le Concerto n°1 de Chostakovitch. - réalisé par : Yassine Bouzar
Hello divas it's the FIRST Sunday Service episode without the glamorous southern belle Carmen, and today Carly is joined by Brighton drag queen diva Rococo Chanel! Talking drag, the role of transsexuals IN drag, inspiration, Brighton, UK diva culture and somewhat surprisingly, the exciting world of theme parks and dark rides, this episode is a cutesie little nugget that we hope you will enjoy! Follow Rococo Chanel Loveline: (678) 460-6253 - call us to be featured on Sunday's episode! Thank you so much to our Patreon subscribers, we love you! Intro song: Ladytron - International Date Line Outro song: Ladyhawke - Paris Is Burning Find the dolls over on Instagram: @TheCarmenLaurent, @Tr4nbie & @DivaDownPod
On this episode of The Hillsdale College Online Courses Podcast, Jeremiah and Juan (and a very special guest) discuss Haydn's The Creation before introducing Dr. Hyperion Knight. In “The History of Classical Music,” concert pianist and Hillsdale College Distinguished Fellow Hyperion Knight explains how music has developed and what distinguishes the greatest musical achievements through the life of Beethoven. Join this course, whether you are a music novice or an aficionado of the classical style, to learn what makes music great. The Classical Period synthesized opposing Rococo elements into a classic style and explored the capabilities of each instrument by giving each a crucial role in compositions. Significant pieces discussed include Haydn's “Farewell Symphony” and The Creation, and Mozart's Le Nozze di Figaro, Don Giovanni, The Magic Flute, Requiem, and piano concertos.See omnystudio.com/listener for privacy information.
On this episode of The Hillsdale College Online Courses Podcast, Jeremiah and Juan (and a very special guest) discuss Haydn's The Creation before introducing Dr. Hyperion Knight. In “The History of Classical Music,” concert pianist and Hillsdale College Distinguished Fellow Hyperion Knight explains how music has developed and what distinguishes the greatest musical achievements through the life of Beethoven. Join this course, whether you are a music novice or an aficionado of the classical style, to learn what makes music great. The Classical Period synthesized opposing Rococo elements into a classic style and explored the capabilities of each instrument by giving each a crucial role in compositions. Significant pieces discussed include Haydn's “Farewell Symphony” and The Creation, and Mozart's Le Nozze di Figaro, Don Giovanni, The Magic Flute, Requiem, and piano concertos.See omnystudio.com/listener for privacy information.
Listen to Part One of ArtMuse's episode on Madame de Pompadour, the official mistress of King Louis XV, who became the first woman of Bourgeoisie origins to ever become the King's mistress in the French Royal Court.And she was much more than just a mistress. As the years went on, Madame de Pompadour eventually graduated from mistress to the King's political advisor and became involved with domestic and foreign affairs.She was also an important patron of the arts. She was Boucher's favorite model and can be found in nine separate portraits by him. Through her patronage, Madame de Pompadour greatly influenced and inspired the development of the Rococo style.ArtMuse is produced by Kula Production Company. Today's episode was written by me, your host, Grace Anna.I have included images, resources and suggestions for further reading on the ArtMuse website and Instagram.
Today's guest is Maria Vogel, the founder of Rococo—a New York City based art advisory focused on private art sales and public art experiences. Through her monthly membership program, Club Rococo, and other experiences like artist-focused dinners called Rococinco, Maria has created a community that feels fresh and inviting for all of us curious about art. Rococo is changing the way we can connect with artists, and how we perceive artists—at the end, its about celebrating them in every aspect, their behind the scenes work, the storytelling behind their final pieces. I invite you to get to know Rococo better via their Instagram @rococoartadvisory and hope you find this episode inspiring!
Hoy en el Tlacuache de LOS40 con Faisy, Gabo Ramos y el Diablito Los bartenders del tlacuache escuchan tus penas, Dr Shenka de Panteón Rococo nos habla de sus próximos proyectos y cerramos con nuestro Tlacuache Tenebrudo
Recorded Wednesday, June 26, 2024 Book talk begins at 18:28 Our annual Mother Bear KAL has begun and will run until August 31. To find out all about this wonderful charity, please go to Mother Bear Project website. Talk bears with us in the Mother Bear Chatter thread and post your finished bears in the FOs thread. Any bears you have knit in 2024 are eligible - post photos on the FO Thread Every Saturday at noon Pacific time - Virtual Knitting Group via Zoom Tracie is teaching a class on making knitted toys at Rumpelstiltskin in Sacramento on July 13 and August 3. See the class listing here for details! KNITTING Barb finished: Mother Bear #295 Stashbusting Helix Hat #10 by Jessica Rose Tracie finished: Mother Bear 325 - 327 Staycation pullover by Susanne Sommer, using Zealana Performa KIWI fingering in the Rococo colorway Barb is working on: Gardengate by Jennifer Steingass, using Cloudborn Merino Superwash Sock Twist in the Graphite Heather colorway and Cloudborn Fibers Highland Fingering in the Petal colorway Barb has cast On: Mother Bear #296 Tracie has cast on: Just Float by Stephanie Lotven (TellyBean Knits) in Apple Fiber Studio Sparkling Cider in Malachite and Life in the Long Grass Silk/Merino Sock in Autumn Davis by Pam Allen, using Knit Picks Snuggle Puff in the Hatchling colorway She continues to work on: toys - Scraps Chaps for class and Digital Citizens Fiddly Bits cowl #11 by Jana Pihota BOOKS Barb read: Things I Learned from Falling by Claire Nelson - 4 stars Alien by Alan Dean Foster - 4.5 stars Aliens by Alan Dean Foster - 4.5 stars Stranded by Sarah Goodwin - 4 stars Tracie read: Virgins by Carol Rivers - 4 stars. Tracie does not recommend the audio version The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid - 4-5 stars Smoke Screen (Alexander Blix & Emma Ramm #2) - 3.75 stars
Recorded Wednesday, June 12, 2024 Book talk begins at 16:04 Our Summer Top KAL is has ended. Thank you so much to everyone who participated, and please listen to the end of the episode to hear our list of prize-winners. Our annual Mother Bear KAL has begun and will run until August 31. To find out all about this wonderful charity, please go to Mother Bear Project website. Talk bears with us in the Mother Bear Chatter thread and post your finished bears in the FOs thread. Any bears you have knit in 2024 are eligible. Every Saturday at noon Pacific time - Virtual Knitting Group via Zoom Tracie is teaching a class on making knitted toys at Rumpelstiltskin in Sacramento on July 13 and August 3. See the class listing here for details! KNITTING Barb finished: Mother Bear #294 Bankhead hat #30 Tracie finished: Mother Bear 324 Elisenberg Jacket by Guri Pedersen in Paintbox Yarns Simply DK in Spearmint Green and Blush Pink Barb is working on: Gardengate by Jennifer Steingass, using Cloudborn Merino Superwash Sock Twist in the Graphite Heather colorway and Cloudborn Fibers Highland Fingering in the Petal colorway Barb has cast On: Mother Bear #295 Stashbusting Helix Hat by Jessica Rose #10 Tracie is casting on: Just Float by Stephanie Lotven (TellyBean Knits) in Apple Fiber Studio Sparkling Cider in Malachite and Life in the Long Grass Silk/Merino Sock in Autumn She continues to work on: Staycation pullover by Susanne Sommer, using Zealana Performa KIWI fingering in the Rococo colorway Fiddly Bits cowl #11 by Jana Pihota toys - Scraps Chaps for class and Digital Citizens BOOKS Barb read: Woman 99 by Greer Macallister - 4 stars American Girl by Wendy Walker - 3.5 stars Any Other Family by Eleanor Brown - 3.5 stars Oh, William! by Elizabeth Strout - 4 stars Tracie read: Death on Ocean Boulevard: Inside the Coronado Mansion Case by Caitlin Rother - 3.5 stars Last Night at the Viper Room: River Phoenix and the Hollywood He Left Behind by Gavin Edwards - 3.5 stars Tracie recommends watching River Phoenix in: Running on Empty (1988) - available to rent on YouTube and Prime Video Dogfight (1990) - available to rent on YouTube and Prime Video
fWotD Episode 2584: Ludwigsburg Palace Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Saturday, 1 June 2024 is Ludwigsburg Palace.Ludwigsburg Palace, nicknamed the "Versailles of Swabia", is a 452-room palace complex of 18 buildings located in Ludwigsburg, Baden-Württemberg, Germany. Its total area, including the gardens, is 32 ha (79 acres) – the largest palatial estate in the country. The palace has four wings: the northern wing, the Alter Hauptbau, is the oldest and was used as a residence of the Duke of Württemberg; the east and west wings were used for court purposes and housing guests and courtiers; the southern wing, the Neuer Hauptbau, was built to house more court functions and was later used as a residence.Eberhard Louis, Duke of Württemberg, appointed Philipp Joseph Jenisch to direct the work, and construction began in 1704. In 1707, Jenisch was replaced by Johann Friedrich Nette, who completed the majority of the palace and surrounding gardens. Nette died in 1714, and Donato Giuseppe Frisoni finished much of the palace façades. In the final year of construction, Eberhard Louis died, and the Neue Hauptbau's interiors were left incomplete. Charles Eugene's court architect, Philippe de La Guêpière, completed and refurbished parts of the New Hauptbau in the Rococo style, especially the palace theatre. Charles Eugene abandoned the palace for Stuttgart in 1775. Duke Frederick II, later King Frederick I, began using Ludwigsburg as his summer residence in the last years of Charles Eugene's reign. Frederick and his wife Charlotte, Princess Royal, resided at Ludwigsburg and employed Nikolaus Friedrich von Thouret to renovate the palace in the Neoclassical style. Thouret converted much of Ludwigsburg's interiors over the reign of Frederick and later life of Charlotte. As a result of each architect's work, Ludwigsburg is a combination of Baroque, Rococo, Neoclassical, and Empire style architecture.The constitutions of the Kingdom and Free People's State of Württemberg were ratified at Ludwigsburg Palace, in 1819 and 1919 respectively. It was the residence for four of Württemberg's monarchs and some other members of the House of Württemberg and their families. The palace was opened to the public in 1918 and survived World War II intact. It underwent periods of restoration in the 1950s, 1960s, and 1990s and again for the palace's 300th anniversary in 2004. The palace had more than 350,000 visitors in 2017 and has hosted the Ludwigsburg Festival every year since 1947.Surrounding the palace are the Blooming Baroque (Blühendes Barock) gardens, arranged in 1954 as they might have appeared in 1800. Nearby is Schloss Favorite, a hunting lodge built in 1717 by Frisoni. Within the palace are two museums operated by the Landesmuseum Württemberg dedicated to fashion and porcelain respectively.This recording reflects the Wikipedia text as of 00:30 UTC on Saturday, 1 June 2024.For the full current version of the article, see Ludwigsburg Palace on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Aditi Standard.
Listen Recorded on May 28, 2024 Book talk begins at 22:55 ANNOUNCEMENTS and NEWS: Our Summer Tops KAL is almost over, going until to June 1, 2024. Prizes winners will be announced in Episode 288! Our next KAL will be our annual Mother Bear KAL. DATES: 6/1/24 - 8/31/24 To find out all about this wonderful charity, please go to Mother Bear Project website. Talk bears with us in the Mother Bear Chatter thread and post your finished bears in the FOs thread. Tracie and Barb had a discussion about the excellent YouTube video that Susan B. Anderson made showing how she embroiders faces on toys: Every Saturday at noon Pacific time - Virtual Knitting Group via Zoom EVENTS Tracie will be at: Treadles to Threads Spinning Guild's Fiber Frolic - June 1 at the Soul Food Farm outside Vacaville, CA KNITTING Barb Finished: Mother Bears # 292 & #293 Bankhead Hats #28 & #29 Tracie finished: Mother Bears #321 - 323 Dream in Blue Cardigan by Drops Design in pink and mint acrylic scraps Elorie by Elizabeth Doherty, using Berroco ReMix in the Artichoke colorway Barb is working on: Gardengate by Jennifer Steingass, using Cloudborn Merino Superwash Sock Twist in the Graphite Heather colorway and Cloudborn Fibers Highland Fingering in the Petal colorway Barb has cast On: Bankhead hat #30 by Susie Gourlay using Knit Picks City Tweed HW in the Marsh Colorway Tracie continues to work on: Fiddly Bits cowl #11 by Jana Pihota Tracie has cast on: Staycation pullover by Susanne Sommer, using Zealana Performa KIWI fingering in the Rococo colorway Eisinberg Jacket by Guri Pederson in Paintbox Yarns Simply DK in the Spearmint Green and Blush Pink color ways BOOKS Barb read: The Rip by Holly Craig - 3 stars The Light of Farallon Island by Jen Wheeler - 4 stars Tracie read: The Harbor by Katrine Engberg - 3.5 stars Shanghai Girls by Lisa See - 4.5 stars The Vanishing Class of 3B by Jackie Kabler - 3.5 stars Saint Maybe by Anne Tyler - 5 stars Tracie recommends these two videos about what organizing is NOT: Jordan Theresa: The Cult of Organisation & The Celebrity Kitchen Complex Hannah Alonzo: The unhinged consumerism of “restock” influencers, so unrealistic!
In this episode of the GASB Podcast, host Michael Denehey sits down with Jacine Greenwood, founder of a Roccoco Botanicals, who shares her journey from battling health issues to achieving remarkable success in business. Despite facing adversity, Jacine highlights the silver linings, including attracting key team members and achieving recognition for her products. Join us as Jacine discusses the importance of resilience, consistency, and team dynamics in building a thriving business. Why would you wait any longer to start living the lifestyle you signed up for? Balance your health, wealth, relationships and business growth. And focus your time and energy and make the most of this year. Let's get into it by clicking here. Michael delves into our guest's startup journey, their perception of success, industry reconsideration, and the pivotal stress point during business expansion. They discuss the joys of small business growth, vital entrepreneurial habits, and strategies for team building, encompassing wins, blunders, and invaluable advice. And a snapshot of the final five Grow A Small Business Questions: What do you think is the hardest thing in growing a small business? According to Jacine Greenwood, the hardest thing in growing a small business is overcoming fear. She explains that fear often prevents business owners from making necessary decisions, such as investing in new opportunities or hiring additional staff. Greenwood emphasizes the importance of learning to navigate fear and push through it, as every significant leap in her business has been preceded by fear. She believes that feeling a little fear indicates that one is pushing outside their comfort zone and striving for growth. What's your favourite business book that has helped you the most? Jacine Greenwood's favorite business book, which has helped her the most, is "Atomic Habits" by James Clear. She finds value in the book's emphasis on the importance of habits in determining success. Greenwood particularly resonates with the idea of incremental improvements and the compound effect that small habits can have over time. She applies this principle to her own life by ensuring that she never leaves tasks for tomorrow if she can complete them today, thereby embodying a proactive approach to productivity. Are there any great podcasts or online learning resources you'd recommend to help grow a small business? Jacine Greenwood doesn't listen to many podcasts but recommends the following: Alex Moseley: For business and entrepreneurship insights. The Real Life with Rudy Mawer: Focuses on mindset and entrepreneurship. JT Fox: Offers valuable insights into entrepreneurship and business. She also emphasizes the value of networking with other business owners, as it provides opportunities to learn about new apps, websites, and software, as well as to build relationships that can lead to business opportunities. What tool or resource would you recommend to grow a small business? Jacine Greenwood emphasizes the importance of networking with other business owners as a valuable resource for growing a small business. She suggests that networking provides opportunities to learn about new tools, apps, websites, and software, as well as to build relationships that can lead to business opportunities. Therefore, she views networking as a crucial tool/resource for business growth. What advice would you give yourself on day one of starting out in business? Jacine Greenwood advises herself to focus on two key areas from day one: learning marketing quickly and investing in mindset development. She highlights the importance of these aspects for navigating the challenges of entrepreneurship and achieving success in business. Book a 20-minute Growth Chat with Troy Trewin to see if you qualify for our upcoming course. Don't miss out on this opportunity to take your small business to new heights! Enjoyed the podcast? Please leave a review on iTunes or your preferred platform. Your feedback helps more small business owners discover our podcast and embark on their business growth journey. Quotable quotes from our special Grow A Small Business podcast guest: Success in business lies in embracing fear and taking monumental leaps – Jacine Greenwood Small business growth thrives on continuous learning and strategic networking – Jacine Greenwood Networking is the lifeblood of business growth; build relationships, reap rewards – Jacine Greenwood
Angels in most traditions are heavenly messengers, and modern pop culture has greatly exaggerated almost every feature. While it makes sense to assume that there are female or feminine angels, each one named in Abrahamic scriptural tradition is a man.The word Angel comes from the Greek Aggelos (lit: messenger), and the Hebrew word Malak has the same meaning. In this episode we explore the groups of archangels listed in various sources, most notably Michael, Gabriel, Raphael, and Uriel, but also including Raguel, Sariel, Remiel, and the Metatron.But more than just a handful of favorite messengers, there are also different kinds of angels, from the baby-faced Cherubim (think of the Renaissance Cupid, though Ezekiel gave them interchangeable animal faces), to the brilliantly dazzling Seraphim (aka fire-folk), to the cosmic horrors known as the Ophanim (the famous "biblically accurate angels" that are simply haunting wheels of eyes and wings and twisted metal)--that last one is dubious in angelic status....Angels show up all over the Hebrew and Christian Bibles, and the entire Quran is said to have been delivered by the same angel that brought Mary and Joseph the news of her pregnancy. In more recent times, works like Paradise Lost and The Divine Comedy have contributed a lot to how we see angels in Western tradition.Angel is also a fair label for demi-god-like beings in other traditions, such as the Devas of Dharmic tradition, the Vördr of Norse tradition, the Yazata (lit: holy) of Mazdeism (aka Zoroastrianism), and the Daemons of Greco-Roman tradition. We consider each of these, and how some are better fits than others for this label.Interpreting Colossians 1:16 to contain a list of angels is ridiculous, and nobody should be that bad at reading.All this and more.... Support us on Patreon or you can get our merch at Spreadshop.Join the Community on Discord.Learn more great religion factoids on Facebook and Instagram. [00:00:11] Katie Dooley: There's a fine. You can go to jail if you... And a fine. There's both. [00:00:19] Preston Meyer: Oh, good. [00:00:19] Katie Dooley: Both a fine and jail. If your phone goes off. [00:00:23] Preston Meyer: That's a bad time. [00:00:24] Katie Dooley: Yeah. It is. You could always ask an angel for help if you go to jail. [00:00:34] Preston Meyer: Ah, there's a lot of stories of people meeting angels in jail. Makes you wonder about those angels, doesn't it? [00:00:39] Katie Dooley: Right. Well, we're gonna explain more on today's episode of. [00:00:43] Both Speakers: The Holy Watermelon Podcast. [00:00:47] Katie Dooley: Yeah. So. I like that. This is. I feel like we haven't done an episode like this in a minute where we talk about a whole bunch of. We talk about a concept in a whole bunch of religions. [00:01:03] Preston Meyer: Yeah, it has been a minute. [00:01:03] Katie Dooley: I'm excited. So we're talking about angels. [00:01:09] Preston Meyer: Say it ainn't so. [00:01:12] Katie Dooley: Or if you were a really bad speller in junior high an angle. [00:01:16] Preston Meyer: I feel like. Yeah, I must have shared it on our discord this Christmas of somebody who shared a collection of angles that they brought to their family. [00:01:25] Katie Dooley: Yeah, there was a girl in junior high with me. I won't call her a friend because she wasn't. But this was when everyone was on MSN, so you had everyone's email. And her email was sweet angle and then some number. I was like, oh boy. [00:01:41] Preston Meyer: Mhm. Yeah. Spelling is important. [00:01:45] Katie Dooley: Yeah. We all have those cringey emails. [00:01:47] Preston Meyer: Well, it's like most people just cannot spell rogue. [00:01:52] Katie Dooley: Almost every time I see somebody try to say rogue they spell rouge. Now, being a Star Wars fan in a French immersion program growing up, I was not going to make that mistake. Instead, I made all kinds of other mistakes of spelling words the French way in an English context. [00:02:07] Katie Dooley: Well, that's good. Um, but speaking of words, tell us where the word angel comes from. [00:02:13] Preston Meyer: So the word angel as it is known in English. Yes, the the word angel, as you know, it comes from the Greek word Angelos, spelt with no Ns but two G's. Huh? You can complain about that, but English does stupid things too. The word means messenger, which is speculated to have been derived from the older word for mounted courier, which I think is just a cool extra layer of meaning to that. The Hebrew word that typically gets translated into angel in the Greek Bibles is malak, which also means messenger. So there's also the last of the Old Testament or Hebrew Bible prophets. In the Christian Bible format because remember they arrange the books differently is Malachi and he's got the perfect name it basically just means my messenger. Was that his name? We'll never know. [00:03:20] Katie Dooley: Interesting. And yeah, messenger, mounted courier. I'm getting a lot of mailman vibes. Even. Malak. Malak. Malak. Yeah. Mailman. [00:03:36] Preston Meyer: Most of the angels that we see in the Judeo-Christian tradition are men rather than women. So yeah, mailman's great. So the frustrating thing is that the ideas that come along with this word over centuries of thought and baggage collection there's there's a lot of variety and meaning. And most traditions have gotten to the point where the word doesn't mean messenger anymore. Uh, usually it it's just thought of as this is a demigod. The word means some sort of class of demigod, usually with multiple classes. We'll get into that later. And in a lot of religions, you'll see them treated basically as demigods that have dominion over various elements because they can't be gods, because usually you're looking at them in a monotheistic lens. [00:04:36] Katie Dooley: Yeah, I can, especially when when you said it, we'll get into the hierarchy of the angels. But like it's like, how does this even work in a monotheistic tradition to have all of these layers of divine beings? [00:04:50] Preston Meyer: Yeah, they're they're residents of heaven, so they're better than you and me, but they've got great powers, is the deal. [00:05:00] Katie Dooley: And I guess we don't worship angels. I guess saints would actually be a worse sort of like knock to the monotheistic than an angel. [00:05:09] Preston Meyer: Oh, but see, I think it's a mistake to separate them In the Catholic tradition specifically, or any of the the Orthodox, the saint traditions. Lutherans whatever. If you if you're into saints, Saint Michael is one of them. Michael the Archangel, he's a demigod, just like Mother Teresa. Yeah and maybe with better reasons. I. [00:05:43] Katie Dooley: Mean, can't be worse. [00:05:45] Preston Meyer: One has tales of actual divine power, the other is known to be just awful. [00:05:52] Katie Dooley: Yeah. Cleaned and reuse needles. Yeah. [00:05:54] Preston Meyer: I want to believe that there is a way to clean needles safely. But I know that actual health care professionals say, don't do that. And there's good reason for that. [00:06:04] Katie Dooley: I mean, you're probably right. I'm sure there is. But to, like, guarantee its safety is probably near impossible. Just donated blood this week. Right? Like it's such a small little needle. How would you make sure it was maybe the syringe part, but the little needle anyway. Gross. Don't do it, don't. Clean needles for all. [00:06:25] Preston Meyer: Yeah. Adding angels to monotheism. It does look an awful lot like demigods in a system where there is just one greater God. And we've had this conversation about how Hinduism, you've got a lot of lesser gods under Brahma. [00:06:44] Katie Dooley: Yeah. And I mean even Shinto, all the kami, there's greater kami, there's lesser kami. [00:06:51] Preston Meyer: It's complicated. And it just makes the argument for strict monotheism the way most people define it, a lot harder to argue. [00:07:01] Katie Dooley: Yes. And all the Abrahamic religions have angels, and those are the monotheistic ones. And people are vehement about the fact that they're monotheistic. And it's like, but then they're saints and angels, whether you group them together or not. I mean, even in Christianity, there's the Trinity. [00:07:22] Preston Meyer: Yeah, I saw a meme on Reddit the other day, and it was it was definitely a Mormon kid posting a meme slamming the Trinity in a group that has historically not been friendly to Mormons. And they roasted him hard in the comments, but all of the arguments they offered were absolute nonsense. It's frustrating. Like, it's it's okay to believe in the Trinity if you're going to believe in anything, whatever. But if you're going to slam somebody for not getting it, make sure you get it. [00:07:22] Katie Dooley: This is such an old movie, but in Bill Maher's Religulous. [00:08:07] Preston Meyer: Oh, that's a lot of fun. [00:08:08] Katie Dooley: It is. He asks one guy about the Trinity, and he, the guy explains it that it's like water. It can be ice, or it can be steam, or it can be water. And that's the Trinity. And I was like, well, that or Bill Maher was like, well, that sounds good on paper, but it really doesn't explain it. They're different, but they're the same. Anyway, we're digressing a bit, but let's jump into talking about angels in the Hebrew Bible. [00:08:32] Preston Meyer: Yeah. So there's. A lot of appearances of angels. It's kind of a recurring theme. [00:08:40] Katie Dooley: Yeah, and not just in the Hebrew Bible, but there are also angels in rabbinic literature and in the Apocrypha as well. [00:08:46] Preston Meyer: Oh for sure. Yeah, the angels are, I would say, a pretty prominent part of this faith. [00:08:51] Katie Dooley: Yeah. And from my research, it feels like there's more angels in the Hebrew Bible than in the Christian Bible. [00:08:59] Preston Meyer: There's definitely more angels named in the Hebrew tradition than there are in the New Testament. The New Testament names Gabriel outright and then just mentions, oh yeah, and other angels showed up for this event. [00:09:15] Katie Dooley: And I guess also like the whole last half of the Christian Bible is just letters. [00:09:24] Preston Meyer: Yeah, not a whole lot of narrative storytelling. Whereas the Hebrew Bible has a lot of really great storytelling in it. [00:09:32] Katie Dooley: Right. Uh, in the Hebrew Bible, the angels visit many people, including Abraham, Isaac, Jacob, Moses, Joshua, and Hagar, and they're typically used as messengers, like the name implies. But sometimes they appear as warriors and they're supposed to look like regular people without wings. [00:09:49] Preston Meyer: Yeah. It's just dudes. They're just here doing stuff. And not a whole lot of religions love that. They gotta have the wings. We talked about this before. We recorded the biblically accurate angels that are so popularly memed right now, specifically one type of type of angel. We'll talk about that later. These angels look like men. [00:10:12] Katie Dooley: Yes, but all the angels with wings don't just have a pair of wings. They have multiple pairs of wings. [00:10:18] Preston Meyer: Well, you got angels with one pair. You got angels with two pairs. You got angels with three pairs. Four pairs. And then you've got the absolute cosmic horrors. Lovecraftian nonsense with gears and wings and eyes without number. Yeah. There are options. [00:10:37] Katie Dooley: There is some frustrating ambiguity on angels in the Hebrew Bible, obscuring the relationship between Yahweh and the angels. [00:10:46] Preston Meyer: In our Patreon exclusive Bible study. We're not yet to the really interesting. Well, I guess we have covered a few scenes where this has happened for you. Um, there's going to be more. So the appearance of the Angel of the Lord in the Hebrew Bible does have a pattern to it that I think is really interesting, that it does make it hard to tell who we're talking about in the story because of everything that's going on when it happens. The narrator introduces the Angel of the Lord, and then this angel feels pretty godlike in the way he shows up. He does huge miracles, sometimes annihilating a whole army like in 2 Kings 19. It's pretty epic. Not a thing you'd expect somebody who isn't imbued with God-like power to accomplish. And then the witnesses worship him, which, whether he's the creator or not, you're going to receive a great deal of gratitude for saving a bunch of people from a devastating army. [00:11:54] Katie Dooley: Yeah, yeah, in that instance for sure. [00:11:56] Preston Meyer: And this is a pattern that goes on several times in the scriptures. And I think it's interesting. Though it's always treated as though he is the Lord himself, not a messenger and there's a couple of different explanations for what's going on there. But I think whaneighbourst's very likely happened is that this text tradition that we have simply originally said that the Lord showed up and did this thing he's called the Lord of armies. That's one of his titles, kind of a big deal. He was a God of war as far as the neighbours were concerned, and fairly so since they often lost to the Israelites. And then later editors, I think, decided that their God wouldn't do this thing himself. He's too far beyond us, so he would send an angel to do it. And so they added this Angel of the Lord. That's my hypothesis. Pretty hard to prove what an ancient editorial process would have been without variance in the text that back me. [00:13:08] Katie Dooley: Right? The Jewish scripture also introduces four angels that will become the Christian archangels that surround God's throne. So Michael shows up in the biblical book of Daniel as the victor in a battle between nations. The name means "Who is like God?" most prefer to read that as a question. Who is like God? [00:13:28] Preston Meyer: As a challenge. God is the greatest, which is a weird name. latter-dayThe Latter-Day Saint tradition says that this name was given to Adam because he was like God, not terribly popular in the broader Christian community. [00:13:47] Katie Dooley: Gabriel also shows up in Daniel more as a messenger than as a conqueror. The name indicates the power of God usually has a bearer. [00:14:00] Preston Meyer: Somebody who conveys. [00:14:01] Katie Dooley: I do know what the word means, but I'm like that feels like a lot of Rs. The name indicates the power of God usually has a bearer of an empowering message. These are the only two mentioned by name in the Bible. [00:14:14] Preston Meyer: Gabriel and Michael. But, you know, there's lots more angels. There was an angel that Jacob wrestled with who later came to be known as Israel. And maybe that was the Lord himself? Maybe it was just an angel. Maybe it was Michael. Maybe it was Gabriel. Maybe it was somebody else that we don't know their name because he's not outright named. Except for maybe that Angel of the Lordbusiness. [00:14:46] Katie Dooley: Right. Then there's Raphael, who's features prominently in the apocryphal Book of Tobit, a story with notable similarities to the Bhagavad Gita. The name Raphael highlights the healing power of God. I'm just thinking of the Lucifer TV series. I'm like, I know that character, Uriel. I think he was a bad guy in Lucifer. He rounds out the set of four showing up in the apocryphal additions to the writings of Ezra. His name means God is my light suitable to his role as guide and instructor. [00:15:19] Preston Meyer: But wait. There's more. [00:15:21] Katie Dooley: What? There's so many. [00:15:23] Preston Meyer: So for a long time, it was really nice that we had a set of four, and they matched the four cardinal points of the compass, the four corners of the world. They took care of the world and the dealings of men within it. And then we got our Enoch literature. And we throw away this need for four and say, well, wait, we can do better. There's seven. And one of the ideas that makes this look good is that it matches the lampstand that's in the temple that has seven branches. So that's kind of nice. And then we get Raguel, whose name means "God will pasture" like a shepherding kind of business. He's connected with justice. He's supposed to watch the damned to make sure they stay within their bounds, which is kind of weird. Like, I guess without him, demons would just absolutely ruin this planet. Like humans couldn't do well enough on our own. [00:16:24] Katie Dooley: It also gives me, like, big, like, Hades vibes. [00:16:26] Preston Meyer: Sure. Yeah. He guards the demons that are locked away in Tartarus. Tartarus being a Greek place where the Titans are held. Yeah. You notice how there's going to be problems here of ideas crossing national boundaries. Yeah. Um, then we have Sariel. His name means "God is my Ruler". Uh, basically serves the same purpose as Raguel without being connected to the idea of justice so explicitly. Sidekick, I guess? Then there's Remiel, which means "God has Thundered". We talked about Thunder as a great nickname a couple episodes ago. I think that was. This is an interesting situation. He's connected to hope, and he's supposed to be the one responsible for all true visions, and he is also a bit of a psychopomp. That he would be the guide that takes you to heaven if that is your destination. Yeah, kind of interesting. This name is too similar to Ramiel, who, according to the same book, liked the human ladies too much and became the father of many of the watchers, the great giants in the early part of human history, when the one legendary version of our religious history has angels mating with humans to make giants, and they just ruined everything. [00:17:54] Katie Dooley: So there's Remiel and Ramiel. That is very confusing. [00:17:54] Preston Meyer: Especially when we're talking about a language that was originally written with no real differentiation between vowels. The vowel marks we have today are pretty new. So it's just a tradition. And so the confusion that exists today is certainly an old confusion. And then of course, there's lots of other angels that are named in the apocryphal literature. And some of them get multiple names, including some of the ones we've talked about. They're also known by other names sometimes. And the great thing about having a list of your favourite angels is you can swap them out sometimes and just say, no, this dude wrote this list. I don't like that one. I'm gonna pop in my guy over here. Just cause. Did you ever watch Dogma? [00:18:49] Katie Dooley: No. [00:18:50] Preston Meyer: We need to fix that. [00:18:51] Katie Dooley: Okay. Movie night? [00:18:53] Preston Meyer: Absolutely. Okay. Dogma is an absolute treasure. Part of Kevin Smith's Jay and Silent Bob saga but this features Alanis Morissette as God and Alan Rickman as the Metatron, and oh, why can't I think of the names right now? Ben Affleck and Matt Damon are fallen angels. [00:19:18] Katie Dooley: Oh, wow. It's ridiculous, isn't it? [00:19:20] Preston Meyer: It is so much fun. But the Metatron is just this really weird figure in religious angeology. I guess it never made any sense to me ever. And my first exposure to it was Alan Rickman. [00:19:36] Katie Dooley: But it is in actual religion, the Metatron? [00:19:36] Preston Meyer: Yeah. Everything you see in dogma is taken from real religious ideas and then twisted for humor, which is great, except for I don't I haven't found yet any validation for the Golgotha poop demon but, the ideas behind it are validated in many religious ideas so there's that. But so this Metatron, according to Kabbalistic sources, is the name of Enoch after his transformation into an angel when he was promoted to the great office of Heavenly Scribe. So he would be the one who writes down the book of life for God. Which is completely different than the job that he has in dogma, where he speaks for God. Because if you were to hear the voice of God, your head would explode and you would die. A lot of religions actually really buy into this idea, even though it absolutely contradicts what we have in the biblical text. [00:20:44] Katie Dooley: Yeah, because God talks to a lot of people. [00:20:47] Preston Meyer: Yeah. Well, so the idea that a lot of people have bought into as well. Yeah, it says God talked to them, but he talked to them through the Metatron. It's a stretch that I don't love. The name I think is really interesting for the Metatron, and people are going to argue about it forever, probably because we still haven't come to a solid conclusion on it. Some say that it's the Hebrew word for some sort of keeper. Others say that it comes from the Greek construction of Meta Throne, so that we have the guy in the chair beside the chair. Remember, we've talked about the very obvious and well-documented polytheistic origins of the Israeli religion. Yahweh is the son of El. There was never only one throne. So the guy on the chair, beside the chair, beside the chair, beside the chair, who knows how many chairs there are? Whatever. [00:21:50] Katie Dooley: I mean a lot. There's a lot. [00:21:53] Preston Meyer: Right. Well, in the theology that is evident a little bit in the book of Job, there is a council of God. [00:22:03] Katie Dooley: I mean, because even they talk about Michael being the right hand of God, but Jesus is also the right hand of God. So they're going to wrestle over that. [00:22:09] Preston Meyer: Well, so that's something that the Jehovah's Witnesses think they've fixed. They say Jesus is Michael. [00:22:20] Katie Dooley: Perfect. Wrap it up. [00:22:21] Preston Meyer: Rather than admitting that the Bible is very clear that Jesus is Jehovah. Every time you try to come up with a really good, tight little bow to simplify things there's a really good chance you're screwing it up. [00:22:38] Katie Dooley: Yeah, because it's religion. [00:22:41] Preston Meyer: Yeah. Nothing's ever as simple as you want it to be. [00:22:44] Katie Dooley: So I just threw this wrench in our notes because I started explaining the angelology of the Hebrew Bible. And then I realized everyone has angelology and it just be easier to explain what that is right now. So angelology is the ranking system of angels. That's how many angels there are. [00:23:09] Preston Meyer: And it's never as simple as you want it to be. [00:23:11] Katie Dooley: No, it's like I saw a ranking and then I saw different rankings and then I saw different ranking. So I don't think we've included any rankings in here. [00:23:21] Preston Meyer: Just to keep it simple. Stick with the basics. [00:23:24] Katie Dooley: If you're curious on how angels are ranked, pick your favorite scholar and go for it. So in the Abrahamic religions, Islam has no standardized hierarchy, but scholars divide up the angels into different groups depending on the scholar. This can be anywhere from 8 to 14 different groups. So while they're all on par, there's different species of angels? Categories? [00:23:47] Preston Meyer: I think species is a fair classification, I guess we'll talk about some angels that definitely feel like they would be different species from others. [00:23:58] Katie Dooley: Then there are different types of angels that appear in Judaism and then therefore Christianity. And they have been ranked a variety of different ways depending on which rabbi or kabbalist you're reading. [00:24:14] Preston Meyer: Yay! Complicated. [00:24:16] Katie Dooley: Very complicated. [00:24:18] Preston Meyer: Um, the Hebrew Bible differentiates between different kinds of heavenly beings as well. And they're all called angels, generally speaking. But sometimes you'll get other great titles like Seraphs or Seraphim. [00:24:32] Katie Dooley: I think the best way to compare this is that there's dogs and then there's dog breeds, there's angels, and there's types of angels. [00:24:41] Preston Meyer: Sure. Yeah. [00:24:43] Katie Dooley: They're all dogs. They're all angels. They're just... They got special features. [00:24:48] Preston Meyer: Sure. I don't know if it's a perfect analogy, but it definitely helps with explaining what's going on here, [00:24:53] Katie Dooley: That they're all angels, but there's cherubs and seraphs. [00:25:00] Preston Meyer: So my whole life I've, I've never heard people say cherubs. But that's definitely the way the word is spelled. Yeah. [00:25:13] Katie Dooley: In Hebrew? [00:25:15] Preston Meyer: Yeah and even when we spelled it c h, it was meant to be like the ch in Loch Loch Ness. We just we've gotten used to doing all the CHs as cha- so we went with cherubs. [00:25:31] Katie Dooley: I'm going to start calling them cherubs at Christmas. [00:25:33] Preston Meyer: Absolutely. Even though a cherub is a thing you eat, that's fine. [00:25:39] Katie Dooley: Sorry. Go through your types of angels. [00:25:41] Preston Meyer: So cherubs are best known for being painted in Rome as children. That's just the deal. But it was one of these who protected the tree of life with a flaming sword in Genesis. We see cherubs on the the Ark of the Covenant with their wings and all that. Ezekiel gives them more wings than everybody else but Ezekiel was getting, maybe a little too much of that temple oil that we now know for sure had hallucinogens in it. [00:26:15] Katie Dooley: Nice. How many wings? Was this the three and four pairs? [00:26:20] Preston Meyer: I think Ezekiel's cherubs only had two pairs of wings. [00:26:24] Katie Dooley: That's still four full wings. [00:26:26] Preston Meyer: Right. He also gave them interchangeable faces of lions, oxes, men and eagles. It's a little bit weird. Um, the same faces that we have described in Ezekiel. They get used again in the Revelation of John. So the name cherub, hard to know for sure, it may have been derived from an Old Assyrian word caribou meaning mighty. [00:26:52] Katie Dooley: Interesting. So where we get caribou...? [00:26:54] Preston Meyer: No. Entirely different. [00:26:56] Katie Dooley: Okay. Well, because those are pretty mighty creatures. Yeah. Majestic even. [00:27:01] Preston Meyer: Haul Santa's fat ass across the sky at Christmas. [00:27:05] Katie Dooley: Um, tell me more about seraphs. [00:27:07] Preston Meyer: Seraphs, the name means burning, and they're always illustrated verbally or in art, in visual arts, as being surrounded by light. So these guys get described by Isaiah as having six wings. Other than that, they're people-shaped, but lots of wings. And so those are the two reasonable ones, because cherubs are always described as children for a long time as a kid or not as a kid, as a teenager trying to figure out angels from the Latter-Day Saint perspective, where we really don't talk about angels very much at all relative to the things we're talking about today. It's mostly you've got either spirits who haven't got bodies yet or people who have got bodies, died. And thus are still unembodied, or those great spirits who have come back resurrected with their bodies in full glory. And so you got cherubs would be the young ones who haven't got bodies yet. Seraphs are the glorified ones who have got their bodies and all the glory of God, whatever. Ophans have never been part of this discussion. The ophanim, the name means wheels, and this is a class of angels described only by Ezekiel and depending on your version of the Bible, you might not even recognize that he's talking about angels. So there's some argument on whether or not these even belong here. But when people talk about biblically accurate angels, the ones that are absolutely terrifying and monstrous, it's the ophanim. Sometimes they're called thrones because these gear monsters support the throne where God sits. And that's their deal. They don't visit Earth. They're not messengers. [00:29:07] Katie Dooley: Good, good. [00:29:09] Preston Meyer: So the whole be not afraid meme of no, this is the most terrifying moment of my life. The ophans. [00:29:16] Katie Dooley: Were not those messengers. That's good. They remind me of the Bhagavad Gita. The guy with infinite eyes and infinite mouths, like. I don't want to be visited by that. [00:29:28] Preston Meyer: No, I don't think anybody would. [00:29:30] Katie Dooley: I think... That's is that Krishna or Vishnu in their, like, real form? I think that's what it is. I forget now, but, um, someone will listen to our... [00:29:39] Preston Meyer: The Messenger was Krishna in the Bhagavad Gita. So these these guys are just wild. It's really hard to know what Ezekiel was experiencing, but I feel like he was definitely getting the best of the temple oils and the way that eyes are described here with all these wing imagery. My instinct is to say that he was also seeing and failing to interpret correctly because of it, wonderful intoxication, a peacock. [00:30:18] Katie Dooley: That's interesting. Yeah. That's a not a terrible theory. [00:30:21] Preston Meyer: Well, so the the tail feathers, they all got eyes. Yeah. And wings might be hard to see where one wing ends and the next thing might be a wing if you're high, especially the peacock just feels right. [00:30:38] Katie Dooley: Okay. All right. [00:30:43] Preston Meyer: But yeah, so they are not visitors to Earth. They're not messengers. They're their own special thing built out of wheels and gears and eyeballs and feathers that support, apparently, according to Ezekiel's vision and some creative license and interpretation, the throne of God. And taking that into consideration and the description of the cherubs with the weird heads of all these various animals, it makes sense that there's some interesting sorts of ideas, like the they're chimeras of one sort or another, that we see all over the old world. And it makes sense that a lot of scholars would agree that some of these ideas are coming in they're very odd forms from neighboring nations. [00:31:35] Katie Dooley: Fair, you gotta make it popular to the public. [00:31:37] Preston Meyer: Right? Plus, people love stories about that. Weird monsters thing. So yeah, popular to the public helps. [00:31:46] Katie Dooley: Yeah. So in the Christian Bible, angels appear only as messengers and teachers, though there is a scene in the Revelation of John illustrating Heaven, where the four faces of Ezekiel described as cherubs, are represented. [00:32:02] Preston Meyer: We also get Gabriel. He's the one who showed up to Joseph and Mary, both of them separately, to let them know, "Hey, there's a baby in there. Don't freak out. It's Jesus." [00:32:16] Katie Dooley: Though I do love the memes about Joseph. [00:32:19] Preston Meyer: Yes, they are certainly entertaining. [00:32:22] Katie Dooley: Have you seen the one where Joseph is like, "I made you a cherry pie", and Mary's like, "we don't have cherries." And he was like, "God gave them to me. Do you see how stupid that sounds?" Uh, and then the stepdad, ones "I'm the dad that stepped up". [00:32:43] Preston Meyer: Oh, yeah, yeah. I feel weird about Joseph being left out of the story after the nativity. Like there's the sons of the carpenter or whatever, because Jesus had brothers. There's no arguing against that. But we never know about him dying. But also, he wasn't there when Jesus died. People just lost track of where his stepdad was. [00:33:09] Katie Dooley: Yeah. Angels who go undescribed appear at a few crucial points of the end of the Jesus story, presumably in regular human form. No wings. [00:33:20] Preston Meyer: Yeah. We got angels who were there when Jesus came out of the empty tomb. Well, when he made the tomb empty. We got angels standing around in Jerusalem when Jesus ascends up into the clouds. Reminding people. This what I'm doing, that they said he'll come back the same way he left. So if you find somebody claiming to be Jesus reborn, biblical contradiction. And then we have more angels in medieval writings. [00:33:55] Katie Dooley: Which is pretty cool. [00:33:56] Preston Meyer: Yeah. Have you ever read Paradise Lost? [00:34:00] Katie Dooley: I haven't, but I want to. [00:34:02] Preston Meyer: I also have not read Paradise Lost. I've only read about it. It's one of those great popular things that just hasn't hit my table yet. John Milton's Paradise Lost, written so, so long ago, 1667, was when it was published. Great couple of great poems. Angels are super important. We got the story of Satan / Lucifer. Because for so long, everybody just assumed Lucifer means Satan. [00:34:32] Katie Dooley: Yeah. So the two we're going to talk about, I, tell me if I'm wrong and maybe, maybe we don't know because we haven't read it, I think this is where the connection of Lucifer and the Bible is to the devil, because Lucifer in the Bible is not the devil, [00:34:45] Preston Meyer: Right? Lucifer in the Bible is not ever the devil. [00:34:48] Katie Dooley: So this must be where... [00:34:50] Preston Meyer: I feel like that's. [00:34:51] Katie Dooley: And even in, uh, Dante as well. [00:34:55] Preston Meyer: Yeah, I've talked with a couple of doctors of theology in my time at university, and there's not any solid consensus on whether Dante Alighieri, who wrote The Divine Comedy, was super influential on Christian theology, or if he was writing about things that he'd been learning at church. Um, there's not a strong consensus there, by the sounds of it, but very fascinating stuff. Not that Dante agrees with all of the thoughts on angels, but his thoughts are very well preserved. [00:35:34] Katie Dooley: Sorry, we are jumping ahead a little bit, but Paradise Lost is an epic poem. And yes, it talks about Satan, Lucifer. It also talks about Adam and Eve in a separate part. It outlines the hierarchy of angels. It talks about Lucifer, Satan's rebellion, the war in heaven, and what fallen angels are, which I read that there's parts of this all pulled from, like the Dead Sea Scrolls. So there is a... [00:36:00] Preston Meyer: Well, the Dead Sea Scrolls weren't available when Paradise Lost. It's been like 70 years. [00:36:08] Katie Dooley: But anyway it had biblical or Apocryphal references. [00:36:13] Preston Meyer: Yeah, yeah, there's definitely a lot of rabbinical literature that would have been some good source material for, [00:36:18] Katie Dooley: Because there is no fallen angels in the Bible. [00:36:22] Preston Meyer: There is a couple of passages that allude to huge swathes of angels being cast out of heaven before the foundation of the world. What that looks like is the matter of many hypotheses. [00:36:38] Katie Dooley: So we started talking about the Divine Comedy. [00:36:40] Preston Meyer: It's even older. [00:36:42] Katie Dooley: Yeah, and most people are familiar with Dante's Inferno, which is a part one of the three parts of... [00:36:47] Preston Meyer: Dante's Inferno, is great drama because it's the first part of a trilogy. And so if you're going to get tired and quit, at least you'll have read some of Inferno. But it's also the great part where Dante gets to slam on all the thinkers and popes that he didn't like and say, "Ha! You guys are in hell. I know, because I'm the dude who wrote the book". [00:37:12] Katie Dooley: So this is also written in a poem format, and he wrote it between 1308 and 1321, and it describes the afterlife. Obviously, the inferno is the hell part and Paradiso is the part that describes heaven. [00:37:29] Preston Meyer: And then there's the part in between. Purgatorial. For purgatory. [00:37:29] Katie Dooley: So Paradiso describes the nine spheres of heaven. There's what? Seven circles of hell. Nine circles of hell anyway. Inferno describes the circles of hell. I don't remember how many. And Paradiso describes the nine spheres of heaven in the ninth sphere. I'm reading the notes wrong. The ninth sphere of heaven is where the angels reside. It's called Prima Mobile. There's one more sphere where God resides. So according to Dante, angels are beings that are most familiar to God, and they are made of an immaterial. [00:38:07] Preston Meyer: Now, what sort of substance is immaterial, Katie? But light is matter as well. Light is a particle and a wave. It's like when people say that God exists outside of time and space. [00:38:21] Katie Dooley: I'm, uh. I'm rereading His Dark Materials. They're probably made of dust. Have you read? [00:38:21] Preston Meyer: No [00:38:29] Katie Dooley: Oh. They're great. They were very controversial when they came out of the 90s. [00:38:33] Preston Meyer: Sure. That's the, um, the Amber Spyglass. [00:38:37] Katie Dooley: Yeah, yeah, yeah. Um, so probably dust is what I'm going to call it. [00:38:40] Preston Meyer: Sure, but dust is matter too. [00:38:43] Katie Dooley: No, in the book it's a divine matter, but they call it dust. Capital D dust. [00:38:47] Preston Meyer: Okay. When I think of immaterial substance, it sounds like they're just holograms. But I'm always reminded of, I think it was Neil deGrasse Tyson who said, you know, if you if your God exists outside of time and space, that's how you describe a thing that does not exist. [00:39:06] Katie Dooley: So like tug on the collar... [00:39:08] Preston Meyer: It's a really popular description for a lot of Christians and people of other traditions as well. And I don't see the need to describe God as outside of time and space, especially when it causes you the problem of now you've described something that doesn't exist. [00:39:26] Katie Dooley: Maybe out of time, but definitely not out of space. [00:39:30] Preston Meyer: Even outside of time doesn't make any sense to me. [00:39:34] Katie Dooley: I guess time would be irrelevant for God, I guess is my point. [00:39:37] Preston Meyer: Right and yeah, if you live long enough, time might not matter but you still exist in a state where there's an event and things before and after that. [00:39:46] Katie Dooley: Now we're getting into the multiverse and.... It's all great in theory, but very confusing in practice. So we touched briefly on angels in Islam because of their non-hierarchy but groupings. In Islam, they believe they are heavenly beings originating directly from God. Like little God offspring. [00:40:08] Preston Meyer: Yeah, but usually in the creation sense, like molded because in the Islamic tradition, the Quran is very clear that God does not have children. The Quran is also very clear he had three daughters. [00:40:24] Katie Dooley: What a holy book that contradicts itself? Say it ain't so. Colour me shocked. [00:40:30] Preston Meyer: It's tricky. But they would have been angels, not gods, even though they were definitely figures that were recognized as goddesses among the heathens. [00:40:43] Katie Dooley: It's fine. So the Quran is the number one Islamic source referring to angels, but there's also angels in the hadiths and elsewhere in Islamic literature. [00:40:53] Preston Meyer: I mean, the whole thing wouldn't have happened if not for an angel at least allegedly appearing to Muhammad. Um, good old [00:41:02] Jibril. The same figure that we called Gabriel earlier in this [00:41:06] episode. They're messengers, servants for God. And Jibril is the greatest messenger. I don't remember hearing anything about Michael and looking up things in Islam. [00:41:18] Katie Dooley: Um, they have sort of a 1 to 1 comparison I put in the notes. Um. But I don't know where they appear in the Quran. [00:41:27] Preston Meyer: So, like in Judaism, angels are super great for protecting against terrible things. Angels are attracted to sacred places. The whole guardian thing makes sense. And every now and then, you'll find them protecting people. With it an angel will not enter an unclean place. This is pretty typical of most religions. That an angel that is supposed to be so good and pure, not going to go to places that could be called haram or go near a dog even because that's dirty. [00:42:04] Katie Dooley: My dog was an angel, so. [00:42:04] Preston Meyer: Many are. [00:42:10] Katie Dooley: I disagree with that. Maybe they're more powerful angels. And so other angels are scared to come by. [00:42:19] Preston Meyer: Uh, there are many classes of angels. Or maybe Paige was just a jinn. [00:42:24] Katie Dooley: Oh, wow. But it's probably more accurate anyway. Angels in Islam, are believed to be older than humans and the jinn that Preston mentioned. And they have no human desires. They don't tire, they don't get hungry. They're never angry. [00:42:38] Preston Meyer: So they're often described this way in Jewish literature and the trouble that I have with this idea is that they saw in most versions of early Judeo-Christian Abrahamic origins of the world. They saw the daughters of man and said, that's a really good place to play hide the sausage, and that's not an angel that doesn't have passions. Oh, well. [00:43:18] Katie Dooley: Um, Muslims do not believe in the concept of the fallen angel like in Christianity. Rather, they believe that angels are infallible. [00:43:25] Preston Meyer: Right? And the Iblis isn't a fallen angel, but a terrible jinn. I'm pretty sure, if I remember correctly. [00:43:34] Katie Dooley: So they, as Preston, sort of asked, Islam shares three out of the four archangels with Christianity. So we have Jibril, who's Gabriel; Mikhail, who's Michael; Israfil, who's Raphael. And then the fourth one is Azrail, or Azrael is the English name, but that's not Uriel. Those are their archangels. [00:43:57] Preston Meyer: And, um, Azrael would be a little bit more familiar with the Angel of death called sometimes Malak Hamad. There's another name that I can't remember, Samael, I think. I might be confusing with another angel. I have to look that up later. [00:44:16] Katie Dooley: I mean, that sounds correct to someone who watched the entire series of Lucifer, but that's my only frame of reference right now. That's terrible. [00:44:27] Preston Meyer: Popular culture is a great tool for education as long as it's well-written. [00:44:32] Katie Dooley: So the Quran describes angels as well-formed human beings. Nice build. Sure. Uh, made of pure light. And they have multiple pairs of wings. So I read two, three, four pairs of wings. [00:44:47] Preston Meyer: Right. So we get very similar descriptions for the jinn. But the jinn are newer and a lot more selfish and a lot more likely to do sexy things so than the angels in this tradition. And then we can change gears a little bit to Zoroastrianism. And I think a lot of the ideas of angels that we get in Judaism probably find a much more comfortable home in Zoroastrianism. Um, the writings of Ezekiel. Are generally thought to have come post-exile. And so this influence would have been definitely a part of this deal. If that is how that worked out. So then in Persian Zoroastrian tradition, there are several forms of yazata. I like that word. Any word that has a bunch of syllables and the same vowel every time. I don't know why it gets me just right. Like Canada. [00:45:52] Katie Dooley: How patriotic you are. Rococo. Rococo. [00:45:58] Preston Meyer: Rococo. That first I was a little soft, but I can appreciate it. [00:46:04] Katie Dooley: It's a great art movement. [00:46:05] Preston Meyer: So anyway, the Yazata are a class of beings defined nominally as worthy of worship. Gods, in the simplest sense. This is complicated by the fact that we still don't have a good definition of what is a God that everybody can agree on. If it is worshiped, it is a god. That's the deal. That's for today's discussion. I feel like that's pretty fair. So this same word, yazata is applied to all the really good things, including some plants and even prayer formats. So because of that, I feel like a really fair way to translate that into English instead of worthy of worship would be anything that is holy. [00:46:54] Katie Dooley: Holy, sacred, yeah. [00:46:55] Preston Meyer: Yeah, and like the Most Holy One, would be your Most High God, which in this case would be Ahura Mazda, the greatest of the Yazata. So in the earliest writings, Yazata is anything good, and in slightly later early writings the Yazatas are completely and absolutely divine, and so it quickly went from holy things as opposed to profane things, to holy things, as in the gods and God adjacent things in a religion that's mostly monotheistic but isn't quite either. Tricky business. We've talked about this in our Zoroastrian episode. The Persian, the Legend of Persian Zoro. Yeah. Tricky business. So the most popular yazatas received a formal ranking. Relatively late in the Zoroastrian time frame. In about the fourth or fifth century BCE, a calendar was instituted that used the names of the angelic Yazatas to name the months, the days, and even the portions of the days. There's five parts of the day, and each of them are named for various yazata angel figures and so based on that, we got what became of well known because everybody needs to know how you're measuring time, angelology. That was kind of nifty. And so for the Mazdaists, the seven Amesha Spenta, we've talked about them before, they're roughly equivalent to archangels. And so it feels like maybe the shift from 4 to 7 might have been influenced from this time of exile with the Babylonian. [00:48:56] Katie Dooley: Yeah. I mean, this is all happening in the same place at the same time in the world, so. [00:49:00] Preston Meyer: Yeah. And so Ahura Mazda is often described as the father of the Amesha Spenta, but it's generally not taken literally. Just like the Muslims say that Allah is the creator of these angels, not the father, father. [00:49:16] Katie Dooley: Though there was one Amesha Spenta that is described as his daughter. Do you remember that? [00:49:20] Preston Meyer: Well, they're all described as his children. [00:49:22] Preston Meyer: No, there was one specifically that was like, it's his daughter. [00:49:25] Preston Meyer: This one is definitely a daughter. Oh, and he's got other sons, too, right? But they're more godly and less angelic. But they are all yazata. Not that it's not confusing. [00:49:38] Katie Dooley: I haven't said this in a long time. A square is a rectangle, but a rectangle isn't a square. [00:49:44] Preston Meyer: The trouble with that is that for a long time, a square was also called a rectangle. [00:49:52] Katie Dooley: Oh, I thought you were gonna, like, correct me on the yazata. Like, not all yazata are gods, but all gods are yazata. [00:49:59] Preston Meyer: No, that's... Yeah, you got that right. But there's even more. Because why stop with just the Judeo-Christian and immediately Judeo-Christian adjacent? There is other great ideas. [00:50:13] Katie Dooley: There's so many. So the Dharmic religions, this is Hinduism, Buddhism and Jainism all have Devas, which means heavenly, shining or divine being. The word is generally applied to the gods of the Hindu peoples, as well as to cosmic principles that might manifest during meditation. It is a worthy goal to ascend from this human level and to be reincarnated as a deva. Devas are said to be mortal, expected to die after thousands of years, and be reborn if they don't escape samsara. [00:50:47] Preston Meyer: Imagine being demoted from Deva back to human. [00:50:50] Katie Dooley: I mean, it happens. [00:50:51] Preston Meyer: I mean, the story is that it must. [00:50:58] Katie Dooley: Each has their own... Each of the devas has their own identity, different than an avatar, right? So there's different avatars of Vishnu and different avatars of Krishna, which is a temporary embodiment of a god. [00:51:10] Preston Meyer: When they just come down for what for them is a weekend. And I think it's really interesting that for Zoroastrianism, the Devas are, well, not the Devas. Deva was an evil god. He's the bad guy. [00:51:30] Katie Dooley: Oh yeah. [00:51:32] Preston Meyer: So I'm curious if that label comes from conflict between the two nations. [00:51:40] Katie Dooley: I don't know. [00:51:41] Preston Meyer: And I haven't been able to find anything that says, oh yeah, sure, "this idea is good, Preston", but I still like it in my head. Next on our list, we have the border. In ancient Norse tradition, we have the Vördr as basically essentially guardian angels. Some of them will follow people around, some of them are trees that you might have in a yard that have been around for a while. And so they'll house minor guardian angels in their root. [00:52:13] Katie Dooley: That's cool. [00:52:14] Preston Meyer: It is kind of cool. The name Vördr basically evolved into what we have in English as warden means watcher, but the word wraith also comes from this root and wraiths, as far as I've been able to find meaning in it is like the scary. [00:52:35] Katie Dooley: Yeah, never positive. I always just think of the ringwraiths but... [00:52:38] Preston Meyer: Sure. Yeah. Bad times. Yeah, they're they're not good friends, but the Vördr are our guardian angels, basically. It's hard to tell how much the idea changed when Christians showed up into their neighborhood, but it probably did change a little bit. Or maybe they're partly responsible for the way we see guardian angels in our Anglo tradition. [00:53:06] Katie Dooley: Yeah. Well. And then it's interesting. There's also demons in ancient Greek mythology spelled d-a-e-m-o-n-s so pronounced the same but not to be confused with demons. [00:53:19] Preston Meyer: In so many words we just drop that A it's interesting that we allow it to persist in this word, but I think there's a good reason for it. [00:53:30] Katie Dooley: Well, and then topical in His Dark Materials, in one of the worlds, everyone has a daemon, which is an animal spirit attached to you. [00:53:40] Preston Meyer: That's spelled with an A. [00:53:40] Katie Dooley: And it's spelt with an A. And when I was a kid in reading, I had no idea how to say it. [00:53:46] Preston Meyer: Did you say a damon the whole time? Yeah. That's fair. [00:53:52] Katie Dooley: So demons with an A are positive. And just like the Vördr, they are minor deities that would act as guides, guardian angels or whatever. And it's the same thing. We kind of have this, cuple of traditions that are very influential on Judeo-Christian and Western, therefore Western culture of this idea of guardian angel. [00:54:14] Preston Meyer: Yeah. Looking up angels across all these religious traditions has been pretty cool. There's something like the idea of an angel in almost every religious tradition, though naturally, they're not all going to be called angels. But the idea that there's somebody watching out for you is pretty universal. In the more primal religious traditions, it makes a lot of sense that usually we're talking about ancestors. [00:54:44] Katie Dooley: Right? Their ancestor worship. And we haven't actually talked about... I guess Shintoism, has some ancestor worship, but we haven't talked about Daoism at all, right. Which is a big ancestor worship religion. Maybe that's one we should add to our list right away. I think you're right. But that's basically Mulan. Where she... [00:55:05] Preston Meyer: The good animated one. [00:55:06] Katie Dooley: Yeah, absolutely. Where's she? lights some incense and prays to her ancestors for guidance. [00:55:13] Preston Meyer: And then has to try to keep a straight face while traveling with Eddie Murphy. Oh, now I want to watch Mulan. Thanks. Yeah, so that is a big. topical guardian angels. [00:55:29] Preston Meyer: Right. [00:55:29] Katie Dooley: Mushu is a guardian angel. [00:55:30] Preston Meyer: Here we are in a year of the Dragon. [00:55:32] Katie Dooley: What? It's all coming together. [00:55:35] Preston Meyer: But it's not the year of the Fire Dragon. In the 60 year cycle, it's the year of the Wood dragon. [00:55:40] Katie Dooley: Wow, interesting I didn't know that. You, dear listener, congregant, could be our guardian angels. [00:55:48] Preston Meyer: We would love it so much if you would support this podcast financially. [00:55:55] Katie Dooley: I was going to say you can do that a few ways. So, um, spreadshirt is great. If you want to buy someone a gift, buy yourself some merch, one time fee. You have our Patreon with bonus episodes, extra content from our interviews, if you like a subscription model, there's more coming down the pipe there as well. We also would love your support your warden watcher wraith on our social media. What social media are we on, Preston? [00:56:22] Preston Meyer: We are on Facebook, Instagram, YouTube and of course Discord, where we have some pretty great memes and discussions organized into great little channels. I love discord! You can also share this podcast with a friend and give us five stars on Apple Podcast. It's a great way to help us out. [00:56:39] Preston Meyer: Thank you so much for joining us. [00:56:41] Both Speakers: Peace be with you.
Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France (Penn State University Press, 2024), Dr. Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period's reconceptualization of art. Drawing on sources ranging from eighteenth-century artists' writings to twenty-first-century laboratory analyses, Dr. Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century's end reimagined as the irreducible essence of art's autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art's meaning and purpose. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France (Penn State University Press, 2024), Dr. Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period's reconceptualization of art. Drawing on sources ranging from eighteenth-century artists' writings to twenty-first-century laboratory analyses, Dr. Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century's end reimagined as the irreducible essence of art's autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art's meaning and purpose. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France (Penn State University Press, 2024), Dr. Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period's reconceptualization of art. Drawing on sources ranging from eighteenth-century artists' writings to twenty-first-century laboratory analyses, Dr. Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century's end reimagined as the irreducible essence of art's autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art's meaning and purpose. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France (Penn State University Press, 2024), Dr. Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period's reconceptualization of art. Drawing on sources ranging from eighteenth-century artists' writings to twenty-first-century laboratory analyses, Dr. Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century's end reimagined as the irreducible essence of art's autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art's meaning and purpose. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France (Penn State University Press, 2024), Dr. Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period's reconceptualization of art. Drawing on sources ranging from eighteenth-century artists' writings to twenty-first-century laboratory analyses, Dr. Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century's end reimagined as the irreducible essence of art's autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art's meaning and purpose. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France (Penn State University Press, 2024), Dr. Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period's reconceptualization of art. Drawing on sources ranging from eighteenth-century artists' writings to twenty-first-century laboratory analyses, Dr. Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century's end reimagined as the irreducible essence of art's autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art's meaning and purpose. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France (Penn State University Press, 2024), Dr. Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period's reconceptualization of art. Drawing on sources ranging from eighteenth-century artists' writings to twenty-first-century laboratory analyses, Dr. Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century's end reimagined as the irreducible essence of art's autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art's meaning and purpose. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
Locate those headphones and clean off that earwax - it's time for another episode of Taskmaster: The People's Podcast!This week we're talking series 8 episode 4, including why Jack won't be letting Jenny near his wife, a quasi-philosophical discussion about ‘what is a loo roll, really' and, of course, the best way to entertain a baby.We also take a look at the eye-watering Norwegian task recommended by listeners last week, and Jack's stats answer a question about whether or not it's better to just do nothing during a task.Have a thought, goof, bloop, or want to weigh in on the upcoming Series 17? Why not send it to fans@taskmaster.tv.Get in touch: fans@taskmaster.tvWatch all of Taskmaster on All 4 www.channel4.com/programmes/taskmaster Visit the Taskmaster Store for all your TM goodies!taskmasterstore.comCatch up with old episodes from anywhere in the worldtaskmastersupermaxplus.vhx.tvVisit the Taskmaster YouTube Channelyoutube.com/taskmaster Taskmaster the Podcast is Produced by Christine Macdonald for Avalon Television
Hoy en Jessie Cervantes en Exa, tenemos en entrevista a Panteón RococoSee omnystudio.com/listener for privacy information.
Hoy en Jessie Cervantes en Exa, tenemos un gran programa, nos acompaña en cabina Panteón Rococo además de nuestras secciones, la Radiografía del Día de la Mujer, los espectáculos con Gil Barrera, el Mundo de Poncho Vera, cine con Rafa Sarmiento y las mejores recomendaciones para tu fin de semana, A Dónde Ir. Aquí en la estación Naranja.See omnystudio.com/listener for privacy information.
You know how we tell teens “it gets better”? Sorry Hoppip, your future is BLEAK. It's Skiploom! Join Brandon and Brielle as they try to marry this Pokémon off using a Rococo oil portrait painting, do the iceless bucket challenge, and completely ream Lorde out for her Solar Power era. Strap in folks—your heroic hosts turn this garbage creature into a glorious episode.Listen to BONUS EPISODES and MORE at patreon.com/WhosThatPatreonTiktok and Instagram: @WhosThatPokemonPodTwitter: @BrandonZelman and @CapnBrielle
Jean-Honore Fragonard's painting, The Swing is one of those rare pieces that feels so immediately accessible it has begun to make the leap from the museum gallery wall to pop culture. Early in the immensely popular Disney movie Frozen, the character of Anna jumps up in front of the painting to mimic the expression of the woman on the swing. It was a moment that portrayed Anna as spontaneous and caught up in the moment but also foreshadowed a love interest with perhaps less than noble intentions. This is a great example of a Rococo artwork as the angles create a sense of movement and the spotlight on the central figure feels like a continuation of the high drama of the Baroque, but the Rococo was a bit more frivolous and self-indulgent. In this painting, we see a woman riding on a swing inside a private garden. It was a space where the aristocrats might be more at ease to let loose and have a bit of fun away from the strict confines of polite society. Fragonard was commissioned to make this painting which was kept in a private cabinet for only his patron and close friends to enjoy. Arts Madness 2024 links: The Brackets Spotify Playlist Prediction Form Check out my other podcasts Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices
La construcción de mazos es una mecánica y un género relativamente nuevos. Apareció por primera vez en Dominion, de 2008, y sus continuaciones han imitado a menudo las estructuras básicas de Dominion. La idea básica es que las cartas pueden proporcionar acciones, moneda para usar sólo en el turno actual o puntos de victoria. En el Dominion básico, casi todas las cartas proporcionan sólo uno de estos usos, pero muchos creadores de mazos posteriores las combinaron y ofrecieron a los jugadores la posibilidad de elegir cómo usar cada carta. Algunos juegos también se han expandido más allá de estos límites, como las bases que persisten en los tableros de los jugadores hasta que son destruidas en Star Realms.00:00:00 - Inicio00:01:51 - Preview del Campamento Barton 202400:14:08 - Origen de los juegos de construcción de mazos00:18:56 - Juegos de Construcción de mazo o deckbuilding01:37:32 - Nuestras recomendaciones de juegos de construcción de mazos o deckbuilding01:49:42 - AlteredJuegos que se nombran en este episodio:- Arctic Scavengers (2009)- Thunderstone (2009) Dragones y Mazmorras- Tanto Cuore (2009)- Puzzle Strike (2010)- Ascension: Deckbuilding Game (2010) introdujo el draft en el Deskbuilding- Barbarossa (2010)- Quarriors (2011) no deja de ser un derivado de dados- Friday (2011)- Blood Bowl Team Manager (2011)- Rune Age (2011)- Mage Knight Board Game (2011)- Core Worlds (2011)- A Few Acres of Snow (2011)- Eminent Domain (2011)- Nightfall (2011)- Copycat (2012)- Trains (2012)- Legendary: A Marvel Deck Building Game (2012)- Lewis & Clark (2013)- Rococo (2013)- A Study in emerald (2013)- Concordia (2013)- Asgard's Choosen (2013)- Star Realms (2014)- Valley of the Kings (2014)- Roll for the Galaxy (2014)- Hyperborea (2014)- Mythotopia (2014)- Baseball Highlihts (2015)- Hero Realms (2016)- Hands in the Sea (2016)- Aeon's End (2016)- Tyrants of the Underdark (2016)- Clank (2016)- Great Western Trail (2016)- Millenium Blades (2016)- Mystic Vale(2016)- Flamme Rouge (2016)- The Quest for el Dorado (2017)- Too many Bones (2017)- Harry Potter Howards Battle (2017)- Time of Crisis (2017)- After the virus (2017)- The Path of Light and Shadow (2018)- Pócimas y Brebajes (2018)- Obsesión (2018)- War Chest (2018)- Tainted Grail (2019)- Undaunted Normandy (2019)- Lost Ruins of Arnak (2020)- Dune Imperium (2020)- Cubitos (2021)- Rocketmen (2021)- Heat (2022)- Star Wars the Deck Building Game (2023)Enlaces:Canal de anuncios de Telegram: https://t.me/visludicaGrupo de Telegram: https://t.me/visludicaarmyPara escucharnos en audio: https://visludica.com
Hear about a German road trip to 9 UNESCO Cities as the Amateur Traveler talks to Renee Hannes from dreamplanexperience.com about her exploration of the land of her ancestors. https://amateurtraveler.com/germany-road-trip-to-9-unesco-cities/ Renee says, "I just returned from living in Berlin for 3 months. So had an opportunity to make a little bit of a longer trip and was there with my husband and dog and lived in Berlin and I had a good chance to be able to see the city and lots of other places around it. I had this long list of places on my to-do list. I think like most travelers, I become very quickly overwhelmed with how many places I wanted to see. So I thought why not think about what are those places that are worthy of a visit?" "That's where I came upon thinking about it from a UNESCO perspective and UNESCO sites are always worthy places to visit special places to visit in terms of the history and the moments in history that they help create and shape the architecture that usually is pretty spectacular to be able to see from, nature and the landscapes that we want to protect and then also it gives us really good insights into the culture. So after I had that long list, I went back and thought, what is close to Berlin? And that's how I was able to stumble on these 9 destinations." City 1: Berlin UNESCO Site: Museum Island: Spend the first day exploring Museum Island, home to five world-class museums. Delve into history, art, and archaeology at the Altes Museum, Neues Museum, Alte Nationalgalerie, Bode Museum, and the famous Pergamon Museum (when it reopens). City 2: Potsdam (Day Trip from Berlin) UNESCO Site: Sans Souci Palace and Park: Explore the stunning Sans Souci Palace, a masterpiece of Rococo architecture, surrounded by beautiful gardens, fountains, and other palaces. Optional Activities: Visit the Dutch Quarter and the historic center of Potsdam. City 3: Wittenberg (Short Train Ride from Berlin) UNESCO Site: Martin Luther's 95 Theses Site: Visit the place where Martin Luther nailed his 95 Theses to the door, sparking the Protestant Reformation. City Exploration: Wander through the charming streets of Wittenberg's Old Town. If possible, visit the city in June for the Luther Wedding celebration. City 4: Quedlinburg UNESCO Site: Old Town with Half-Timbered Houses: Immerse yourself in the enchanting medieval atmosphere of Quedlinburg's Old Town, characterized by over 1300 half-timbered houses. Activities: Climb to the top of the hill for panoramic views of the town from the castle. Explore the Quedlinburg Cathedral and the Culture Church. Visit museums showcasing the town's history and heritage. City 5: Goslar (Day Trip from Quedlinburg) UNESCO Sites: Imperial Palace (Kaiserpfalz): Discover the grandeur of the Imperial Palace overlooking Goslar. Optional Activities: Take a guided tour of the Rammelsberg mine, gaining insights into a thousand years of mining history. Explore the old town with its half-timbered houses and churches. Take a ride on a train through the Harz Mountains on the Harz Railway. City 6: Hamburg Highlights: Warehouse District (Speicherstadt): Explore the UNESCO-listed Speicherstadt, Hamburg's historic warehouse district. Marvel at the red brick buildings lining the canals, reminiscent of the city's trading past. Hamburg City Center: Stroll through the city center, enjoy the vibrant atmosphere, and visit landmarks like St. Michael's Church and the Rathaus (City Hall). City 7: Lubeck (Day Trip from Hamburg) UNESCO Site: Holstentor Gate: Visit the iconic Holstentor Gate, the entrance to Lubeck's Old Town, representing the city's historical significance as a trading hub. Exploring Beyond Main Streets: Wander off the main streets to discover elegant homes reflecting the wealth of medieval merchants. Explore St. Mary's Church and other architectural gems. Marzipan Delights: Visit the Niederegger marzipan shop to indulge in marzipan treats and learn about the city's marzipan-making history. Cities 8 and 9: Wismar and Stralsund UNESCO Sites: Wismar: Explore the charming town of Wismar on the Baltic Sea, known for its fortified walls, historic market square, and lively harbor atmosphere. Stralsund: Visit Stralsund, another Baltic Sea gem, with a large public square featuring diverse architectural styles. Explore St. Nicholas Church and enjoy seafood at the harbor. Return to Berlin A 9-city UNESCO road trip through Germany offers a blend of historical exploration, architectural marvels, and scenic beauty.
SEASON 20 BEGINS!!! We meet ICON of film and Hollywood costumes SANDY POWELL OBE!!!! We discuss her love of art, collaborating with legendary queer artists/creative minds Derek Jarman and Lindsay Kemp, a 25 year collaboration with choreographer Lea Anderson, and how art informs her costume design. Sandy is a multi award-winning Costume Designer who has won three Academy Awards, three BAFTA Awards for Best Costume Design, plus the recent honour of BAFTA Fellowship 2023, and a Costume Designers Guild Award.Londoner, Sandy, studied at St Martins School of Art and the Central School of Art and Design where she specialised in theatre design. She started her professional career in fringe with the National Theatre working on numerous productions including Orders of Obedience and Rococo. She went on to design sets and costumes for productions of Lumiere and Son, Bright Side and Culture Vulture. As a student and one of the leading lights of the international theatre scene she most admired was Lindsay Kemp, the gifted director, designer and performer. On impulse she spoke to him on the phone and said how much she wanted to work with him. After seeing samples of her work he asked her to join him in Milan as costume designer for his theatre company. During her 3 year spell with him she worked on Nijinsky which was a study of the start and madness of the great Russian dancer. She also designed the costumes for The Big Parade, a tragic- comic homage to the silent screen, and the stage and screen versions of A Midsummer Nights Dream. In 1985 she rapidly established herself in the world of video working on many pop promos with director Derek Jarman and with him on his film Caravaggio, and Zenith's For Queen and Country.Born in 1960, she was raised in south London, where she was taught to sew by her mother on a Singer sewing machine, and began experimenting with cutting and adapting patterns at a young age. Educated at Sydenham High School, she went on to complete an Art Foundation at Saint Martins in 1978, and in 1979 she began a BA in Theatre Design at Central School of Art and Design (now Central Saint Martins.)In 1981 she withdrew from her degree to assist a costume designer who worked for a fringe theatre company called Rational Theatre, and also began a long collaboration with Lindsay Kemp designing for him in Italy and Spain.In 1984 when, after a spell as a costume designer on music videos, she moved into the film industry. Her break came when the film director and stage designer Derek Jarman appointed her costume designer on his film, Caravaggio (1986), starring Tilda Swinton and Sean Bean. To date, Powell has worked as Costume Designer on over 50 films, including Orlando (1992);The Crying Game (1992); Interview with the Vampire (1994); Michael Collins (1996); The Wings of The Dove (1997); Hilary and Jackie (1998); The End of the Affair (1999); Gangs of New York (2002); Far From Heaven (2002); Sylvia (2003); The Aviator (2005); The Departed (2006); Shutter Island (2010) Hugo (2011) The Wolf of Wall Street (2013); Cinderella (2015); Carol (2015); Mary Poppins Returns (2018); and Living (2022). She has earned 76 award nominations and won 27 awards in her career, including Academy Awards for Shakespeare in Love (1998) and The Aviator (2004), a BAFTA Award for Velvet Goldmine (1998), and both an Academy Award and a BAFTA Award for The Young Victoria (2010).Follow @TheSandyPowell on Instagram.Thanks for listening!!! This season is shaping up to be one of the most fascinating so far!!! Thanks for listening. Follow us @TalkArt for images of works we discuss in today's episode. Hosted on Acast. See acast.com/privacy for more information.
How did the French aristocracy affect the furniture of the modern home, and most of the furniture we sit on today? Korey Morris joins us in the studio for our first listener-submitted question to ask about contemporary couches. And Brian springboards into a journey to the very beginnings of comfort in design. And Sam elaborates on the elaborate history of the Rococo movement. Produced and Hosted by Brian Moore and Sam Malott Brown. Audio Mixing and Editing by Jeffery Brown. Guest starring Korey Morris. Follow us on Facebook and Instagram @FormingFunctionPodcast and visit our website to suggest a topic at FormingFunctionPodcast.com. Forming Function Season 1 is supported in part by grant funding from Michigan Architectural Foundation.
Rose Bertin (1747-1813) was one of the original celebrity fashion designers. Though she came from a humble background, she was integral in crafting Marie Antoinette's excessively decadent style. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, and Abbey Delk. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.
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