Podcast appearances and mentions of colin self

Os acercamos el sonido de la última edición del Lev Festival de Gijón, celebrado del 1 al 4 de mayo. Escuchamos fragmentos de Colin Self, Lila Tirando a Violeta y Jalied Jamie, y el concierto integro de Katarian Gryvul. Escuchar audio

Le compte à rebours est enclenché, c'est les vacances pour beaucoup d'entre nous vendredi, en tout cas c'est les vacances pour Tsugi Radio. On ne vous laisse pas comme ça : vendredi à 17h, Flore Benguigui revient avec un épisode hors-série de Cherchez la femme, consacré à Yoko Ono. Vous retrouverez aussi la semaine prochaine quelques-uns de nos résidents et résidentes : Rita Amoureux, Ultranoük, et puis deux DJs se sont occupés des cadeaux de Noël. KasbaH s'occupera de l'apéro du 24 à partir de 18h pour une veillée de Noël œcuménique qui se balade sur les dancefloors de toutes les rives de la Méditerrannée… et le 25 à midi, c'est, vous en avez l'habitude le Merry Mixmas de Loki Starfish, histoire de vous aider à affronter le déjeuner. Aujourd'hui dans Place des Fêtes, Antoine Gailhanou, notre spécialiste en instruments et musiques traditionnelles qui viendra en fin d'émission nous parler de le kalimba qu'on appelle aussi le piano à pouces… et puis une dernière mise à jour de la playlist des nouveautés de Tsugi Radio avant la trêve des confiseurs et des maisons de disque. Une mise à jour qui ressemble quand même pas mal à ce qui va nous occuper en début d'année avec Uzi Freyja, Walter Astral, Miel de Montagne et Rone qui sort une réédition de son tout premier album sorti il y a 15 ans, Spanish Breakfast. RONE "Bora (Vocal feat. Alain Damasio)" LES VULVES ASSASSINES "Sauveur du monde"= UZI FREYJA "Don't Disturb Me" BAGARRE "Ring Ring" MIEL DE MONTAGNE "Nouveau départ" WEEKEND AFFAIR "Comme tout le monde" WALTER ASTRAL "Zénith" COLIN SELF "Doll Park Doll Park" LIV DEL ESTAL "Distance" Mo Laudi x DJ Satelite feat Max Hoba "Lerato Laka (My love)" THE POPULISTS "Acidité"

Con Surfin' Bichos, Hidrogenesse, Menta... y más nuevas canciones de La Plata, Biela, White Denim, Homer, Colin Self, Bellzzz, Lauren Mayberry, Phantogram y 070 Shake.Escuchar audio

Eve Essex is a composer and multi-instrumentalist based in Brooklyn, NY. She performs with woodwinds and voice, accompanied by instrumental ensembles, and by electronic arrangements that use synthesizers, drum machines, live processing, and other sounds. Her work slides easily from structured electronic pop to open-ended melodic explorations and big-band arrangements. She has scored film soundtracks, written music for installation and performance art, and explored prog, jazz, and electroacoustic ideas with groups including The Fabulous Truth, Das Audit, and a host of other collaborations. Essex's second solo album The Fabulous Truth will be released in LP, cassette and digital formats by Soap Library in June 2024. Her debut solo album, Here Appear, was jointly released by Soap Library (cassette) and Sky Walking (LP) in 2018. In the summer of 2024, she will be Composer In Residence at Crosstown Arts in Memphis, TN. As a featured instrumentalist she has contributed to works by The God In Hackney, Peter Gordon & Love of Life Orchestra, James K, Kevin Kenkel, Liturgy, Colin Self, Mike Shiflet, UCC Harlo, and Peter Zummo, among others.https://eveessex.comhttp://eveessex.bandcamp.comLinktreeInstagramWe also requested Eve to share with us some of her favorite things.Catch them all in our newsletter: https://putf.substack.com/The PUTF show is an interview series, dedicated to showcasing inspiring creatives from the PUTF community and beyond. Guests are invited to share their unique career journeys, stories, and visions.The PUTF show is produced by WAVDWGS, a video production company based in NYC.https://wavdwgs.com/Pick Up The Flow, is an online resource based in NYC striving to democratize access to opportunities. Opportunities are shared daily on this page and website, and weekly via our newsletter.More on https://putf.substack.com/Listen to this episode on audio platforms:Spotify: https://tinyurl.com/spotify-putfApple: https://tinyurl.com/putf-applepodcast Hosted on Acast. See acast.com/privacy for more information.

Os proponemos para esta Semana Santa, una Atmósfera tranquila, con discos que nos han cautivado y de los que escucharemos varios temas. Un programa que comienza con uno de los instrumentos a los que Atmósfera cuida mucho, en todas sus manifestaciones, clásicas o extremadamente contemporáneas, el piano de Daniela Orvin. Seguiremos con Monique Jean, Colin Self o Ashi Wada. Escuchar audio

Planningtorock, Peaches, Hard Feelings and Colin Self discuss bullying themselves into releasing music, audio as a weapon against apathy, why there's no shelf life on great music, using music-making process as a tool for self-discovery, and making sounds with their bodies. Jam Rahuoja Rostron, also known as Planningtorock, is a singer-songwriter, producer, composer and director from Bolton, England now based in Tallin, Estonia. They experiment with electronic sounds, digital instruments, and manipulated vocals and sounds. Musician, producer and performance artist Peaches has spent the past two decades breaking barriers with her work. From Toronto, Canada, she plays with gender role representation, mixed with hard electronic sounds, and shocking live shows. American artist, composer and choreographer Colin Self, who's based in New York and Berlin, works across multiple disciplines and practices, using voices, bodies and computers as musical tools interfaced into software. Hot Chip's Joe Goddard and singer Amy Douglas, better known as Hard Feelings, create an immersive experience that weaves together new wave, synthpop, and dance. Their debut album has been described as ‘an opera of sad bangers'.

“Dimensions of Voice” highlights 3 artists who use voice as a central instrument; as landscape, sound bath, conjuring device, and fluid transmission between worlds, binaries, time and space.An extension of the Art of Performance Series, “Dimensions of Voice” is a broadcast of sets by Colin Self, Odeya Nini and Anna Oxygen, all who engage in composing practices that center voice tripping, voice improvisation, and voice as a cosmic force for community connection.Anna Oxygen is an artist whose work spans performance, sound, technology and interactivity. As a solo musician she frequently performs a mix of improvised vocalizations and narrative electronic dance pieces. She is also a founding member of media performance collective Cloud Eye Control, creating interactive and time-based work that addresses speculative futures and the impact of technology on the human psyche. She frequently works collaboratively and has a special interest in connectivity across platforms and dimensions (3D to 2D to the astral place and back again) She has performed nationally and internationally at a number of venues including the San Francisco Museum of Modern Art, MOMA PS1, Festival A Mil, Chile and The New Museum (NYC) among others.The “Art of Performance” series is made possible by a grant from mediaThe foundation inc. For more details visit www.mediathe.orgSupport dublab programming by becoming a Sustaining Member

“Dimensions of Voice” highlights 3 artists who use voice as a central instrument; as landscape, sound bath, conjuring device, and fluid transmission between worlds, binaries, time and space. An extension of the Art of Performance Series, “Dimensions of Voice” is a broadcast of sets by Colin Self, Odeya Nini and Anna Oxygen, all who engage in composing practices that center voice tripping, voice improvisation, and voice as a cosmic force for community connection. Odeya Nini is a Los Angeles based experimental vocalist and composer. At the locus of her interests are textural harmony, gesture, tonal animation, and the illumination of minute sounds, in works spanning chamber music to vocal pieces and collages of musique concrète. Her solo vocal work extends the dimension and expression of the voice and body, creating a sonic and physical panorama of silence to noise and tenderness to grandeur. Odeya's work has been presented at venues and festivals around the US and internationally from Los Angeles to Tel Aviv, Canada, Mongolia and Vietnam. Odeya holds a BFA from the New School for Jazz and Contemporary Music and an MFA in composition from California Institute of the Arts. The “Art of Performance” series is made possible by a grant from mediaThe foundation inc. For more details visit www.mediathe.org https://www.youtube.com/watch?v=6rDTnc1TAPE&feature=youtu.be

“Dimensions of Voice” highlights 3 artists who use voice as a central instrument; as landscape, sound bath, conjuring device, and fluid transmission between worlds, binaries, time and space.An extension of the Art of Performance Series, “Dimensions of Voice” is a broadcast of sets by Colin Self, Odeya Nini and Anna Oxygen, all who engage in composing practices that center voice tripping, voice improvisation, and voice as a cosmic force for community connection.Colin Self is an artist and composer based in Berlin. They create music, performance and environments for expanding consciousness, troubling binaries and boundaries of perception and communication. They work with communities across disciplines and practices, using voices, bodies, and computers as tools to interface with biological and technological software. Self is a Rhizome Commission Grant recipient for video project ClumpTV, a Queer Art Mentorship Fellow, and was an Eyebeam Resident in 2016. They are a co-founder of queer collective Chez Deep and The Radical Diva Grant, and was a vocalist and performer for the band SSION. Self runs a non-utilitarian choir internationally, and has released several albums including a solo album “Siblings”, on RVNG International in 2018Watch the video of this performance HEREThe “Art of Performance” series is made possible by a grant from mediaThe foundation inc. For more details visit www.mediathe.org 

The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. During the course, visiting artists to the MFA Theatre Program's Grad Lab are interviewed after leading a workshop with the students. Grad Lab is one of the core components of the program where graduate students work with guest artists and develop group-generated performance experiments. Miguel was interviewed by Andrew Del Vecchio (SLC22) and Jillian Jetton (SLC23). Miguel Gutierrez is a choreographer, composer, performer, singer, writer, educator and arts advocate who has lived in New York for over twenty years. He is fascinated by the time-based nature of performance and how it creates an ideal frame for phenomenological questions around presence and meaning-making. His work proposes an immersive state, for performer and audience alike, where attention itself becomes an elastic material. He believes in an approach to art making that is fierce, fragile, empathetic, political, and irreverent. In recent years he has been occupied with thinking about how he negotiates his queer Latinx identity within the traditions of the white avant-garde. This led to This Bridge Called My Ass, a piece that bends tropes of Latinidad to identify new relationships to content and form. The piece premiered in 2019 at The Chocolate Factory as part of American Realness Festival and tours throughout 2019 and 2020 to a host of venues. He has been presented in more than 60 cities around the world, in venues such as at Centre National de Danse, Centre Pompidou, Festival Universitario, ImPulsTanz, Fringe Arts, Walker Art Center, TBA/PICA, MCA Chicago, Live Arts Bard, American Realness, and the 2014 Whitney Biennial. He has received support from Creative Capital, MAP, National Dance Project, National Performance Network, and Jerome Foundation. He has received fellowships from New York Foundation for the Arts, the Tides Foundation, Guggenheim Foundation, United States Artists, an award from Foundation for Contemporary Art, a 2016 Franky Award from Prelude Festival and four Bessies. He is a 2016 Doris Duke Artist. Other recent work includes Cela nous concerne tous (This concerns all of us), a commission for Ballet de Lorraine inspired by the May '68 French protests. With Ishmael Houston-Jones he co-directed Variations on Themes from Lost and Found: Scenes from a Life and other works by John Bernd, which received a 2017 Bessie for Outstanding Revival. He has been an artist in residence at MANCC, LMCC, Centre Choréographique National de Montpellier, Centre National du Danse Pantin, Baryshnikov Art Center, and Gibney. He has created music for several of his works, for Antonio Ramos' work, and with Colin Self for Jen Rosenblit and Simone Aughterlony. He performs with Nick Hallett as Nudity in Dance. He also currently performs a music project called SADONNA: sad versions of upbeat Madonna songs. His book WHEN YOU RISE UP is available from 53rd State Press. His essays have been published in A Life in Dance (ed. Rebecca Stenn and Fran Kirmser), In Terms of Performance: A Keywords Anthology (ed. Shannon Jackson and Paula Marincola) and his essay “Does Abstraction Belong To White People” is one of the most viewed essays on BOMB's website. https://www.miguelgutierrez.org/ photo by Marley Trigg Stewart

Miguel Gutierrez lives in Brooklyn, NY. He creates dance based performances, music and poetry. His work has been presented at Centre National de Danse/Pantin, Centre Pompidou, Kampnagel, ImPulsTanz, Philly Live Arts, Walker Art Center, TBA/PICA, MCA Chicago, ICA Boston, New York Live Arts, Live Arts Bard, AMERICAN REALNESS, the 2014 Whitney Biennial and many other festivals and venues. He has received support from Creative Capital, MAP, National Dance Project, Jerome Foundation, New York Foundation for the Arts and the Tides Foundation. He is a 2010 Guggenheim Fellow, United States Artist Fellow, and award recipient from Foundation for Contemporary Art. He is a 2016 Doris Duke Artist. He has received four New York Dance and Performance Bessie Awards. His recent work includes a commission for Ballet de Lorraine in Nancy, France, called Cela nous concerne tous (This concerns all of us), which was inspired by the events of May 1968 in France. He has created music for several of his works, for choreographer Antonio Ramos, and in collaboration with Colin Self for Jen Rosenblit and Simone Aughterlony's Everything Fits In The Room. He has performed as a singer with Anohni, Justin Vivian Bond, Vincent Segal, and Holcombe Waller, has a music duo with Nick Hallett called Nudity in Dance, and he recently launched a project called SADONNA, sad versions of Madonna songs. He invented DEEP AEROBICS and he is a Feldenkrais Method® practitioner. He is the program director for LANDING, a new educational initiative at Gibney Dance Center. His book WHEN YOU RISE UP is available from 53rd State Press. www.miguelgutierrez.org Ishmael Houston-Jones' improvised dance and text work has been performed world-wide. Drawn to collaboration as a way to move beyond boundaries and the known, Houston-Jones celebrates the political aspect of cooperation. Houston-Jones curated Platform 2012: Parallels at Danspace Project, an 8-week series of events that interrogated the intersection of dance makers from the African Diaspora with the aesthetics of Post-modern choreography. In 2016 he co-curated, with Will Rawls, Platform 2016: Lost and Found – Dance, New York, HIV/AIDS, Then and Now that queried the effects that the loss of a generation of artists to AIDS has had on current dance creation. As an author Ishmael Houston-Jones' writing has been anthologized in several books, recently in Saturation – Race, Art and the Circulation of Value, (2020) and Writers Who Love Too Much – New Narrative 1977 – 1997, (2017). Houston-Jones' first book FAT and Other Stories was published in 2018 The recipient of four New York Dance and Performance “Bessie” Awards, Houston-Jones' work has received support from: The Robert Rauschenberg Foundation, 2018; The Herb Alpert Awards in the Arts, 2016; The Doris Duke Charitable Trust, 2015; and The Foundation for Contemporary Arts, 2013. Ishmael Houston-Jones is an adjunct professor at New York University's Tisch School of the Arts' Experimental Theater Wing and a master lecturer at The University of the Arts (Philadelphia) School of Dance. www.batesdancefestival.org

See here for more info: bit.ly/3fMSfvHFor more episodes: patreon.com/aqnbIn this episode, we respond to the topic of illness, considering the structural conditions affecting health and the nature of life, by inviting artist, writer LTTR journal and collective co-founder Every Ocean Hughes for a discussion, as well as an audio work by interdisciplinary artist and writer Clay AD.Steph speaks with Every about her work around notions of queer death and illness, as well as her place in a rich lineage of queer art that crosses her early days in the 2000s New York city punk scene, and more recent working relationships with the likes Geo Wyeth and Colin Self.This is followed with a reading by Clay AD—a Glasgow-based artist working across writing, sound, video and movement—from their novel Metabolize, If Able. We first spoke with Clay last year, for an interview on AQNB, and have been drawn to their use of sci-fi and speculative fiction to explore themes of illness, ecology and biopolitics today.

Esta semana os proponemos un programa sensorialmente intenso; sonidos estimulantes, relajantes, profundos. Escucharemos las composiciones de Caludio F. Baroni con el Ensemble Maze, el reflexivo álbum “EXO” de Bit-Turner, a la sueca Anna-Karin Berglund bajo su alias de AKB. Estará con nosotros José Barrera presentándonos algunos temas de diferentes trabajos bajo su alias de Bite. Abriremos el recorrido discográfico de Burial durante el período 2011/2019 y terminaremos con Colin Self . Escuchar audio

In this episode Jared talks with artist, composer and choreographer Colin Self, who builds on queer dance and movement traditions, drawing from extended notions of family and kin.Colin first appeared on AQNB’s radar as part of experimental drag collective Chez Deep. Formed in New York in 2012, the group that originally included Alexis Penney, Bailey Stiles, Hari Nef, Sam Banks along with Colin produced a series of performance videos in collaboration with our site back in 2015. Now based in Berlin, Colin has released music on RVNG Intl. and presented performances as well as workshops for the likes of 3hd Festival, MoMA PS1 and the Getty Center, while being a live and studio collaborator of musician Holly Herndon.

Deep gratitude to Gala Mukomolova (@galactic_rabbit_horoscopes and @bigdykeenergypodcast), Rachel Burgos (@snakerootapothecary), Andrew Gurza (@itsandrewgurza), Colin Self (@colinself), Dr. Sand Chang (@heydrsand), Vi Khi Nao (@vikhinao), Liz Collins (@lizzycollins7), Zena Sharman (@zenasharman) and Una Osato (@thisisuna). --- Send in a voice message: https://anchor.fm/asher-pandjiris/message

Stance catches up with actor and director powerhouse Adjoa Andoh to find out more about her production of Shakespeare’s Richard II showing at the Globe Theatre in London. It’s the first UK show to be produced entirely by people of colour - front and backstage. Stance flew to Bergen in Norway to check out Borealis, an experimental music festival showcasing everything from music to performance art to dance. Voices featured include Last Yearz Interesting Negro, Juliana Huxtable, Colin Self, B L A C K I E and more. Stancepodcast.com @stancepodcast

Mike Norton has a change of heart. Produced by Noam Osband. Final song: Emblem by Colin Self. 

Miguel Gutierrez meets with Marc Kate for the 40th episode of Why We Listen to listen to and discuss: Meredith Monk – ‘Gotham Lullaby’ Diane Cluck – ‘Yr Million Sweetnesses’ Colin Self – ‘Aflame’ Miguel Gutierrez makes performances and is based in Brooklyn. http://miguelgutierrez.org Listen to the podcast on the player below, or download HERE. […]

Today on Snacky Tunes, Dave Lane from The Gourmand, award-winning food and culture journal, comes out to Roberta’s to tell us about his unique magazine with spectacular design. We also have Caroline Russock in the studio, food writer for Philadelphia City Paper who tells us about some of the greatest sandwich spots in Philadelphia. After the break, Colin Self sings some tunes for us and we experience perhaps the greatest moment in Snacky Tunes history. Tune in to hear it all! This program has been sponsored by Fairway Market. Image from The Gourmand “Even the content is not about now, it’s timeless stuff.” [11:15] –Dave Lane on Snacky Tunes “I don’t pay too much attention to what’s physically happening as much as I almost feel as though there’s this thing of being aggressively neutral in weird ways.” [52:00] –Colin Self on Snacky Tunes

Movement Research Studies Project: We Came To This City To Shit On A Stage Adrienne Truscott With Panelists: Sara Beesley of Joe's Pub, Eric Dyer of Radiohole, Vallejo Gantner of PS122, performer/choreographer/curator Colin Self, and choreographer/performer Gillian Walsh. Gibney Dance Center, December 3, 2013 as part of the Movement Research Festival Fall 2013 “Le Song, Ya?!” curated by Adrienne Truscott and Jibz Cameron aka Dynasty Handbag The conversation revolved around the following question: "How do we make, define, and notice 'transgressive' art in a city whose identity, economy and landscape are increasingly manicured, welcoming, mainstream, highly visible and inaccessible?"