Podcasts about Huxtable

I saw the power of storytelling and the responsibility we have to share stories to educate and change lives.Dr. Terésa Dowell-Vest is an Associate Professor of Communication at Prairie View A&M University and President of the University Film and Video Association (UFVA), an organization that supports film, television, and media studies in higher education.In this conversation Terésa and I discuss:* The music of Janet Jackson, Prince, and Jimmy Jam/Terry Lewis* Teaching media in a post-truth world* What UFVA is, why it matters, and how professional associations can sharpen teaching and creative practice* What filmmaking trends she sees with her students at Prairie View A&M* The short documentary her students did in collaboration with students from USC (link here)* “The Death of Cliff Huxtable” and the process of separating art from a problematic artistThanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI generated transcript. Don't come for me.BEN: Hi everyone—Ben Guest here. Welcome to The Creativity, Education, and Leadership Podcast. Today my guest is Professor Terésa Dowell-Vest, an associate professor of Communication and Media at Prairie View A&M University and the President of the University Film and Video Association (UFVA).In this conversation we talk Janet Jackson, the media landscape for young people interested in production, what UFVA does, and more. Enjoy.Professor, thanks so much for joining me today.TERÉSA: Thank you. Thank you for having me. It's my pleasure to be here.BEN: I always like to start with a fun question. Senior year of high school—what music were you listening to?TERÉSA: Senior year of high school—1989. 1990 was a great year to be a Janet Jackson fan. *Rhythm Nation* was probably worn out in my car's tape deck. I was a huge fan.BEN: Did you do the choreography?TERÉSA: Oh yes. I can do the hands and all that—the “A‑5‑4.” I would do it, for real.And Janet Jackson was the big one, even though Prince's *Purple Rain* came out a few years earlier. That album was still in regular rotation for me in high school.And then in 1988 New Edition put out *Heart Break*—produced by Jimmy Jam and Terry Lewis. That was such a good time. So yeah: Janet, Prince, New Edition—Jimmy Jam and Terry Lewis were the soundtrack.BEN: '88 was when Bobby Brown's *Don't Be Cruel* came out, right?TERÉSA: Listen, lemme tell you, the eighties to be a teenager in the eighties, to be in your twenties in the nineties. What a time to be alive.BEN: Yeah. I love it. Okay, second fun question. What's your pick for best picture this year?TERÉSA: I'd say *Sinners*. There are a few this year, but funny enough I actually focused more on television—I was obsessed with *Stranger Things* and *Severance* (and one other show I'm blanking on), so I didn't get to the movies as much. But I did see *Sinners* and it really stuck with me. I should preface that by saying I'm not as familiar with the entire pool, but I'm almost confident it'll be a strong contender.BEN: So good. I saw that your MFA thesis was titled *The African American Producer Is the American Griot*. Can you talk about that—maybe even in relation to *Sinners*?TERÉSA: I've always been fascinated by the power of storytelling. My bachelor's degree and my MFA are both in theater because I love live engagement. That also shaped me as a professor—I love being in front of students and engaging in a transactional, interactive way, not just a linear one. Theater and education give me that kind of exchange with an audience.For my graduate thesis I came to know Dr. Maulana Karenga—best known for creating Kwanzaa. He was chair of the Black Studies program at California State University, Long Beach. During my years there (1994–1997), I was the only Black student in the program, and in 1997 I became the first Black person to graduate with my particular degree from that program. Even in the '90s I was thinking: why are we still talking about “firsts” and “onlys”?I wanted to bridge storytelling with the legacy of slavery and survival—my own ancestors were from Virginia, where I was born and raised. Dr. Karenga taught me the concept of the *griot*—the storyteller—and the responsibility that comes with that. In the U.S., storytelling often gets treated as frivolous—an extracurricular, “nice to have.” A lot of Black parents, especially, don't want their kids studying film, theater, or the liberal arts because it doesn't seem like a stable livelihood. I started undergrad as an accounting major and didn't tell my dad I'd switched to theater until graduation day—he found out when they called my name under the College of Arts instead of the College of Business. That's the mindset I came from: my family wanted us to succeed, and the arts read as struggle, not a viable career.But there's honor in being a storyteller. That idea changed how I saw theater.And it was the '90s—*Rent* was happening, and I was in Los Angeles, flying back and forth to the East Coast to see Broadway shows that weren't just entertaining; they were educating and changing lives. I remember *The Life*—not a massive hit, but it told the story of Black and Brown women working as call girls in New York City. You'd think, “Is that a Broadway story?” But the music was outstanding.And there were so many others—*Bring in 'da Noise, Bring in 'da Funk* with Savion Glover, looking at African American history through tap and music. During that period I really saw the power of storytelling—and the responsibility we have to tell stories that educate and change lives.BEN: That's so powerful. The responsibility of storytelling to educate and change lives.TERÉSA: Yeah.BEN: It's one of the things I've often thought as a teacher: I'm a storyteller. How do you construct a lesson so students are receptive? It's like you're telling a story over a unit, a curriculum, or even a single lesson.TERÉSA: When you engage with students and give them permission to share their stories, you're not really “teaching” in the traditional sense anymore. It becomes more like peer engagement than “I'm the teacher, I know the things, and I'm telling you the things.”Students receive it differently when they feel you're invested in who they are—not just their grade.BEN: There's a great quote, I think it's Roger Ebert films, but really stories are empathy machines.TERÉSA: Yeah.BEN: It allows us to walk in someone else's shoes for a moment. There was a reconciliation group in Mississippi whose motto was: “Enemies are people whose stories we haven't heard.”TERÉSA: Incredibly profound. When we think about fear, it's often a lack of understanding—no connection to the thing you're afraid of. Hearing stories can build that connection.BEN: Can you talk about the importance of media education? I'm a documentary filmmaker, documentary filmmaking in today's world where so much of where we are in a post-truth society.TERÉSA: There are mechanics to telling the truth, and mechanics to telling a lie. In fiction you see this a lot—shows like *The Mentalist* or *Law & Order* where someone reads body language, eye movement, and so on to figure out whether someone is lying.What matters for media education is helping students understand the “tells” in information—how to challenge and debunk claims instead of assuming, “Someone told me a thing, so it must be true.”I didn't fully appreciate how urgent that was until the pandemic, when early reporting was all over the place and a lot of it conflicted. Being able to sort honest, vetted information from dishonest or speculative claims mattered in a very concrete way—like realizing you probably shouldn't drink bleach.Coming out of that period, teaching media studies has meant teaching reporting with integrity. You can't just assume something is true—not because people are “bad,” but because people absorb information differently based on what they've experienced.I do a lecture with my senior capstone students on the difference between **knowledge** and **information**. Knowledge is shaped by culture, character, race, gender, where you grew up, what language you speak, what faith you practice—so it can carry bias. Information, on the other hand, is verifiable and can be vetted. 2 + 2 = 4 no matter who you are.Good storytelling—and good journalism—knows how to bridge knowledge and information with integrity. When I have journalism students who lean into opinion-driven news—whether it's Fox, MSNBC, whatever—I tell them: that's playing to an audience's sensibilities. It can be entertaining, but it isn't the same as straight reporting. Then there's reporting that aims to be more information-based—“Here's what happened today.” That also needs to be taught. We're in a moment where students need tools to tell the truth, recognize lies, pick them apart, and trust their internal compass about what's important to share.And Ben—my answers get long. You might have to cut me off.BEN: I'm going to cut you off when what you're saying stops being interesting—so I doubt I'm going to cut you off.You're the President of the University Film and Video Association. For listeners: what is UFVA?TERÉSA: UFVA is a nationally recognized organization of university and college educators and institutions focused on film, television, and media studies—both practice and theory. We're a collective of makers and scholars. Our members hold a range of degrees—MAs, MFAs, MS degrees, PhDs, EdDs.As an organization, we examine how film and television are used—and we keep digging into how the field is evolving through innovation and emerging technology. Each year we host a conference (typically in July) where we share classroom best practices and research, and we analyze how film sparks conversation.You asked me earlier about a front-runner for Best Picture. I think about *Sinners* as a kind of textbook in a lot of ways. One of my students gave an informative speech last semester on the history of hoodoo, and she referenced *Sinners* heavily because it's central to the film. In that moment she used a movie as a learning text.That's what UFVA does: we create space to share those opportunities through research and scholarship, and we bring it back to our students and institutions.BEN: You said “best practices,” and I want to come back to that because it's a rabbit hole I love.But first: in an interview you did with the *Journal of Film and Video*, you said you were about to start your UFVA presidency and weren't sure what to expect. Now that you've lived it—how was it?TERÉSA: One of the biggest things I've learned—maybe I've only really realized it in the last couple of months—is that joining an association as an educator keeps the fire hot. It keeps you learning.As UFVA President, I've met so many people who've inspired me. It's not that I want the presidency to end; it's more like, “I need more time to implement everything I'm learning from colleagues.” It also pushed me to partner with other organizations and communities I knew about but hadn't been deeply involved with.I joined UFVA because of the pandemic. Before that I'd never even heard of the University Film and Video Association. I was the kind of person who kept my head down and did my work in my silo, and I was fine with that. But when the pandemic hit, no one knew what to do with film production courses in quarantine.I reached out to colleagues—thinking maybe eight or ten of us would hop on Zoom and talk through hybrid and online teaching. That snowballed. People said, “Can I invite a colleague?” I said yes. I posted on Facebook: if you teach film production or media studies and want to talk about what we're doing this fall, let's meet.Jennifer Proctor replied and asked, “Have you heard of UFVA?” I hadn't. She suggested sharing the call with UFVA, and we kept casting the net. By the time we met, there were 126 professors from around the world—about 100 universities represented, including USC, Ivy League schools, and institutions in Germany and Australia.I ran the meeting as breakout rooms—nine of them—named after Black women in film and television: Shonda Rhimes, Julie Dash, and others. So even in the mechanics of the meeting, people were saying these names and being reminded of who matters in media.Two things came out of that experience. First, UFVA invited me to join the board. I said, “Let me be a member first,” but within a few months I knew: yes, this is where I want to be.Second, I saw the gaps. There was very little representation from HBCUs, and very few Black people involved. Not because UFVA was “bad,” but because people simply didn't know. So I understood my call: help bring people in, build bridges, and create collaboration without turning it into a slogan. I love that we get to do the work without making it a “thing.” That's been the value of the presidency for me.BEN: Love it. Can you talk about with your students at Prairie View, what are some trends you're seeing with what the young people are doing?TERÉSA: Oh, child. They want to be influencers.This is the social media age, and a lot of students see it as the primary industry of their generation—and I get it. If you have enough followers and a couple brands offer deals, it can be real money. I have students with tens of thousands of followers. I'm like, I can barely get my family to like a post. And they're like, “Oh, I do nails,” or “I do lashes,” or “I show my sneaker collection,” and they'll get 10,000 likes every time they post.My reaction is: we need to be teaching this. We need to teach students how to parlay that into careers. Even if I don't personally understand every part of it, that doesn't make it non-viable.It reminds me of when we were in school. The internet wasn't even a thing when I was in college (1990–1994), and then suddenly we were on the edge of being connected to the world. Professors were saying, “This will create cheaters—you'll never look things up in books again.” Sound familiar?Now students are figuring out VR, AR, AI. They're building brands, protecting brands, learning to be CEOs of themselves. That's exciting.BEN: Yeah. I think about that all the time. It's like when people first started writing letters—somebody must have said, “No one's going to talk to each other anymore. They're just going to send letters.”TERÉSA: Exactly. Every generation has a thing—“Who's using this calculator? You need to learn long division.”BEN: I graduated high school in '93, so when you're talking about Janet, my “Janet album” is literally *janet.*—“Again,” “That's the Way Love Goes,” all of that. It's funny how, year by year, the soundtrack shifts just a bit.BEN: Okay—teaching and best practices. What's something you've done in your classroom that really leveled up your teaching?TERÉSA: Oh, wow. Gosh, I think it's less something I've done and more the intention of showing the students that their success is not coming from looking up. It's from looking over. It's the concept that. When you graduate from college, it isn't some executive that's going to give you an opportunity. It's the people you're in the trenches with right now that you're gonna build with right now. So I think the thing that's leveled up my teaching is less a thing that I can show them as much as relationships that I can help them forge and the power of networking. So our program has has a pipeline relationship with the Annenberg School of Communication at the university. The University of Southern California professor Mickey Turner, who's a professor there at USC teaches the senior storytelling for Media course similar to the communication capstone course that I teach here. And so every semester, professor Turner and I collaborate. Those two classes together and we introduced those students to each other through pitches, research topic pitches for their final capstone project. And what they see is. Students at an HBCU or students at this PWI are not different at all. They just, they, live in different states. Perhaps they come from different backgrounds, but by and large, they have similar goals. And we teach them that this is who you need to forge a relationship with because when you are at the stage of making deals or going out and work, this is the person you're gonna want to call. So I think the thing that's leveled up my teaching is my understanding. And my teaching of that understanding of how the industry works and how it can best work for them. Since you no longer have to live in LA or New York to, to make movies people are making movies on their devices. You have to now find your tribe to tell your stories and it can be much more localized. And so I teach them to build their team where they are and not. Go after this aspirational. The only way I can make it if is if I put it in the hands of someone so far away from me. No, put it in the hands of the guy sitting next to you or the young lady that's sitting on this other side and shoot your film, make your short tell the story. Do your podcast. I feel like that's leveled up. The final piece to that USC story is that during the pandemic, five of our students from Prairie View and five students from USC collaborated on a short documentary about the pandemic and how it impacted students at HBCUs, at this HBCU versus how it impacted students at a private, pWI Prairie View is 45 minutes outside of the city of Houston. We're a rural community. We're in the middle of nowhere essentially, whereas USC is in the heart of Los Angeles and those students taught, told an amazing story. I'll send you the link to the film. It's on YouTube. Told an amazing story from two different vantage points. That is a great indication of how education can be collaborative. Just as film is.BEN: Yeah. Before we started recording, we were talking about travel—and it just reminds me: travel is one of the best educations people can get. The more you interact with people from around the country and the world, the more you realize how similar we are and what we want: better lives for our kids and a better world to live in.That feels like a good place to end. For people interested in your work, where can they find you?TERÉSA: A good starting point is **thedeathofcliffhuxtable.com**. That's where you'll find my fan-fiction series—and later scholarly series—about separating the art from the artist when the artist is problematic.Bill Cosby's work touched every stage of my life: as a child I watched *Fat Albert and the Cosby Kids* on Saturday mornings; as a teenager in the '80s I watched the Huxtables and wanted to be part of that world; and in college in the '90s—at James Madison University, a PWI—every Thursday night at 8:30 we gathered to watch *A Different World*, and it made us feel connected in a way.When I think about the more than 60 women who came forward, my first thought is: that many people aren't lying. Even if one person tells the truth, it changes everything.In 2015—around the time the New Yorker reporting was circulating and more women were speaking—I started writing fan fiction centered on the Huxtable family at the moment Cliff Huxtable dies. I “killed” Cliff Huxtable to push back on the idea that Bill Cosby was “America's dad.” That moniker belonged to Cliff Huxtable—a fictional character written by an artist who created something meaningful and also did something horrific.We can't see Cliff the same way because he wears Bill Cosby's face, but they are not the same person—one of them isn't even real. Writing the series helped me illustrate that tension, and it eventually became a scholarly project.During the pandemic we hosted a virtual series with 51 artists, scholars, and actors who read chapters and then joined post-show discussions on the themes. You can find all of that through the website, and it's also the easiest way to contact me.BEN: Wow. Professor, thank you for all the, for your time today, but also for all the good work you're doing in so many different spaces.TERÉSA: Thank you. Thank you. And I look forward to listening to the podcast even more. I'm sorry that I'm just now getting hip to your great work, but I tell you what, I am going to tune in and probably hit you up with some questions and excited remarks shortly thereafter.BEN: I love it.That was my conversation with Professor Dowell-Vest. If you enjoyed it, share it with a friend. Have a great day. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

William Sandys was an antiquarian who published a collection of Christmas carols in the 19th century that turned out to be really influential. Research: Archambo, Shelley Batt. “The Development of the English Carol Through the Fifteenth Century.” The Choral Journal, OCTOBER 1986, Vol. 27, No. 3. Via JSTOR. https://www.jstor.org/stable/23547224REFERENCES Brain, Jessica. “History of Christmas Carols.” Historic UK. 12/13/2024. https://www.historic-uk.com/CultureUK/History-Christmas-Carols/ “Carol, N.” Oxford English Dictionary, Oxford UP, June 2025, https://doi.org/10.1093/OED/1684298837. Carter, Michael. “The origins of Christmas carols.” English Heritage. https://www.english-heritage.org.uk/visit/inspire-me/origins-of-christmas-carols/ Cartwright, Mark. "The History of Christmas Carols." World History Encyclopedia. World History Encyclopedia, 05 Dec 2023, https://www.worldhistory.org/article/2339/the-history-of-christmas-carols/. Web. 03 Dec 2025. Davey, Henry, and Elizabeth Baigent. "Sandys, William (1792–1874), writer on music and antiquary." Oxford Dictionary of National Biography. September 23, 2004. Oxford University Press. Date of access 3 Dec. 2025, https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-24654 Ditchfield, Peter Hampson. “Old English customs extant at the present time; an account of local observances.” London, G. Redway. 1896. https://archive.org/details/studentshistoryo00gardrich Dreamer, Percy R. et al. “The Oxford Book Of Carols.” Oxford University Press. 1928. English Heritage. “A Brief History of Christmas Carols.” https://www.english-heritage.org.uk/members-area/members-magazine/podcast-extras/history-of-carols/ Sandys, William. “Christmas carols, ancient and modern; including the most popular in the west of England, and the airs to which they are sung. Also specimens of French provincial carols. With an introduction and notes.” London, R. Beckley. 1833. https://archive.org/details/christmascarolsa00sandrich/mode/1up Sandys, William. “Christmastide: Its History, Festivities and Carols.” London: John Russell Smith. 1860. https://archive.org/details/christmastideits00sandrich/ The Law Bod Blog. “Heading towards Christmas.” 12/2/2013. https://blogs.bodleian.ox.ac.uk/lawbod/2013/12/02/heading-towards-christmas/ Huxtable, Sally-Anne. “Wassailing: ritual and revelry.” National Trust. https://www.nationaltrust.org.uk/discover/history/art-collections/wassailing-ritual-and-revelry See omnystudio.com/listener for privacy information.

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[REBROADCAST FROM Jan. 11, 2023] To honor the life of the late Malcolm-Jamal Warner, we present part of his conversation about his Grammy-nominated spoken-word album, Hiding In Plain View. The poet, musician and beloved 'Cosby Show' actor died on Monday, July 21, 2025.

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Paulo knows credit card scammers from the '80s – and it was tough back then with the little “shook shook” machine.We hear from Jean-Claude Van Andrew Tate while Dori channels Living & Loving – but this edition includes hairy men and Benji.Plastic surgery changed The Hoff's life, and Paulo still wants to poo in George Michael's toilet.And finally… was Madonna really in The Breakfast Club? And did Dr. Huxtable cure polio?Jump To:Blue Val-Vet: (00:04:31)Jean-Claude Van Andrew Tate(00:05:59)Chevy Chase in PlayGirl (00:12:23)https://www.cracked.com/article_41915_get-a-load-of-chevy-chases-1980-playgirl-cover.htmlThird Rock from the Sun (00:21:56)Strange Brew (00:34:30)https://www.youtube.com/watch?v=2pacru8ve9k&pp=0gcJCdgAo7VqN5tDGeorge Michael's Infamous Corner (00:42:04)Christopher Atkins Speedo Stuffing Controversy (00:48:33)Two 80s Truths and a Lie (00:51:32)#Val Kilmer, #Jean-Claude Van Damme, #1980s, #Blue Velvet, #Isabella Rossellini, #David Lynch, #Top Gun, #sexual misconduct, #human trafficking, #Romania, #organized crime, #Dory, #That Eddie Show, #nostalgia, #pop culture, #Brown Bag Diet, #Hollywood, #Goldie Hawn, #Playgirl, #multimedia recommendations, #John Lithgow, #Third Rock from the Sun, #David Hasselhoff, #Strange Brew, #Rick Moranis, #Canadian humor, #Oktoberfest, #superpowers, #stuffed spiders, #Madonna, #The Breakfast Club, #new wave synth-pop, #trivia, #Two 80s Truths and a Lie, #Chevy Chase, #pun-filled banter.

We're halfway through the decade and sitcoms are starting to rule the airwaves!  Audiences are losing interest in the rich folks of Dynasty, Dallas, and Falcon Crest as they fall in love with the likes of Tony Micelli, Alex P. Keaton, and America's favorite gynecologist, Dr. Huxtable.  This episode takes a closer look at classics like The Equalizer, Family Ties, and Alice while also having fun with Courtney Cox's failures, Charles Durning as the patriarch of a black family, and the saga of Claudia Wells. Want Fanacek stickers?  Email me at fanacekpodcast@gmail.com

Subscriber-only episodeSend me a message.In this episode, I delve deeper into the concept of D&T capability, building on my previous discussion of Kimbell and Stables' work. I explore how different researchers and practitioners have approached this fundamental construct in design and technology education, particularly focusing on its development through carefully planned teaching and learning.Drawing on works by Doherty, Huxtable and Murray, as well as Gibson, I examine how D&T capability grows through the intentional integration of different types of knowledge - procedural, conceptual and practical - within authentic contexts. One of the fascinating aspects we explore is how this capability isn't something we can directly observe, but rather a construct we've developed specifically for our subject.I discuss the critical role of systematic planning in developing pupils' D&T capability, emphasising that it's not merely about having engaging projects, but about understanding how each learning experience builds upon previous knowledge and skills. This might particularly interest colleagues grappling with curriculum planning and progression.For those teaching in schools or involved in D&T education policy, I highlight the importance of creating supportive learning environments that encourage reflective practice - a theme I'll explore further in future episodes when discussing signature pedagogies.Whether you're teaching in a well-equipped workshop or working with limited resources, these insights can help shape your approach to developing pupils' D&T capability. What strategies are you currently using to build this capability in your classroom? I'd love to hear your thoughts and experiences on how you're planning for progression in your context. Book chapter: "Planning for Capability and Progression in Design and Technology" by Doherty, Huxtable and Murray Research work: K Gibson, "Technology and technological knowledge: a challenge for school curricula," Teachers and Teaching Volume 14, 2008, pages 3 to 15.Learning to Teach Design and TechnologyDesign And Technology Capability (MESH Summary)Acknowledgement:Some of the supplementary content for this podcast episode was crafted with the assistance of Claude, an AI language model developed by Anthropic. While the core content is based on the actual conversation and my editorial direction, Claude helped in refining and structuring information to best serve listeners. This collaborative approach allows me to provide you with concise, informative, and engaging content to complement each episode.If you like the podcast, you can always buy me a coffee to say 'thanks!'Please offer your feedback about the show or ideas for future episodes and topics by connecting with me on Threads @hardy_alison or by emailing me.If you listen to the podcast on Apple Podcasts, please take a moment to rate and/or review the show. If you want to support me by becoming a Patron click here. If you are not able to support me financially, please consider leaving a review on Apple Podcasts or sharing a link to my work on social media. Thank you!

Braintree plan to keep growing its Microsoft focused business in SA is the focus of this edition of Business Day Spotlight. Host Mudiwa Gavaza is joined by Heath Huxtable, MD of Braintree. Through the discussion, Huxtable walks through Braintree's journey; the business model; decision to only service Microsoft; growth; plans for extending growth; talent management; and digital transformation. Business Day Spotlight is a MultimediaLIVE Production. Editor is Demi Buzo.

Rubrique:nouvelles Auteur: arthur-conan-doyle Lecture: Daniel LuttringerDurée: 1h01min Fichier: 43 Mo Résumé du livre audio: Directeur de la prestigieuse école du Prieuré, à Mackleton dans le Nord de l'Angleterre, le dr Huxtable demande l'aide de Sherlock Holmes car le jeune Arthur Saltire, fils unique du duc de Holdernesse, qui était confié à sa garde, a disparu en même temps que son professeur d'allemand... Cet enregistrement est mis à disposition sous un contrat Creative Commons.

I've had a few chats with Matti Fallon over the years and they have always been good ones, so when he suggested a catch-up over lunch, it was a hard yes from me. We sat by the front window of Mr Vincenzo's with Mornington Park and Port Phillip Bay across the road and we feasted: stracciatella, artichokes, walnut vinaigrette and peas, snapper crudo, zucchini flowers, ricotta filling and whipped avocado, rigatoni with wild garlic pesto and smoked mozzarella. So good! We decided to leave the chat until after lunch so in true lo-fi Conversation with a chef style, and because we had already been chatting over lunch, the actual conversation just continued on, so you might feel as though you have entered halfway through. Matti had worked at Rare Hare, Huxtable, DuNord, and had a residency at the Broadsheet Kitchen, as well as running a Kiwi pie business and had finally opened his dream restaurant, Colt Dining in Mornington. Three and half weeks after opening, he lost it all in a fire. I had been about to drive down the following week to chat with Matti and he sent me a photo and the message, Raincheck. But here we are, a year on and he has opened the glorious Mr Vincenzo's. We sat at a wooden table out the back which was the only piece of furniture to be saved from the blaze and launched into it all.

The 6th District State Senate seat in Sussex County is one of only two contested State Senate seats in the general election and the only one where a Democrat and Republican square off. Incumbent Democrat Russ Huxtable is seeking another term against his Republican challenger Kim Hoey Stevenson.Delaware Public Media contributor Paul Kiefer reports on the race and how it has featured a largely civil tone between the two candidates.

Braintree's Grant van der Westhuizen and Heath Huxtable tell TechCentral's TCS+ business technology show about how to acquire software that solves present and future business needs. This might sound simple, but software purchases are complex and expensive. For companies to get their money's worth, properly diagnosing the problem a new piece of software ought to solve and ensuring that the solution is futureproof are key to extracting the most value from a purchase. In this episode of TCS+, Huxtable – MD at Braintree – and Van der Westhuizen, the company's business applications sales manager, tell TCS+ about important considerations companies should take into account when looking to solve business problems through software. Huxtable and van der Westhuizen delve into: • How customers don't really know what they want because they tend to hyperfocus on solving pain points instead of looking at the bigger picture; • Balancing short-term vs long-term thinking in purchasing decisions; • The importance of unlocking value versus thinking of software as a grudge purchase; • The flexibility provided by the Microsoft suite of business applications; • How to balance personalised solutions with maintaining a consolidated view in multi-faceted business; and • How to deal with resistance from employees in implementation projects, especially where artificial intelligence is involved. Huxtable and Van der Westhuizen are passionate about using software to drive value creation in business, and their energy comes through vividly in this interview. Don't miss the discussion! TechCentral

Up - the financial revolution that's got young Aussie's backs presents... Up Lord of the Week featuring Victorian and Torquay Boardriders Club Hmaaaadman Xavier Huxtable who just dropped a perfect heat score of 20/20 in giant throbbing orbs in the Nias regional Q. Find out how he did it right here and for fuck's sake... get on the sign up with Up already! Download the ‘Up' app and sign up in minutes. Use code 'UTFS' for $10 on signup (do it all from the comfort of your phone, no need to go to the bank or any of that bullsh*t). T&C's @ up.com.auSee omnystudio.com/listener for privacy information.

Tonight, we'll read the second half to “The Adventure of the Priory School” written by Sir Arthur Conan Doyle, as part of 1903's “The Return of Sherlock Holmes”. The first half aired last week. In last week's episode, Holmes is approached by Dr. Thorneycroft Huxtable, the headmaster of the prestigious Priory School. Huxtable seeks Holmes's help in locating the missing Lord Saltire, the young heir to the Duke of Holdernesse. Lord Saltire disappeared under mysterious circumstances from the school. The Duke tells Holmes that he does not think that his estranged wife has anything to do with his son's disappearance, nor has there been a ransom demand. Holmes and Dr. Watson go hunting on the moor for clues. They find a bicycle track, but it is not the German school master Heidegger's. Almost everything observable has been obliterated by cow tracks (of which there are many tracks). We will pick up as they continue their search. — read by 'N' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight, we'll read the second half to “The Adventure of the Priory School” written by Sir Arthur Conan Doyle, as part of 1903's “The Return of Sherlock Holmes”. The first half aired last week. In last week's episode, Holmes is approached by Dr. Thorneycroft Huxtable, the headmaster of the prestigious Priory School. Huxtable seeks Holmes's help in locating the missing Lord Saltire, the young heir to the Duke of Holdernesse. Lord Saltire disappeared under mysterious circumstances from the school. The Duke tells Holmes that he does not think that his estranged wife has anything to do with his son's disappearance, nor has there been a ransom demand. Holmes and Dr. Watson go hunting on the moor for clues. They find a bicycle track, but it is not the German school master Heidegger's. Almost everything observable has been obliterated by cow tracks (of which there are many tracks). We will pick up as they continue their search. — read by 'N' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight, we'll read the first half to “The Adventure of the Priory School” written by Sir Arthur Conan Doyle, as part of 1903's “The Return of Sherlock Holmes”. The second half will air next week. Doyle ranked this story tenth in his list of his twelve favorite Holmes stories. In this story, Holmes is approached by Dr. Thorneycroft Huxtable, the headmaster of the prestigious Priory School. Huxtable seeks Holmes's help in locating the missing Lord Saltire, the young heir to the Duke of Holdernesse. Lord Saltire disappeared under mysterious circumstances from the school. If you can stay awake, you will find a plot that is filled with twists and turns, showcasing Holmes's keen observational skills and his ability to connect seemingly unrelated clues. — read by 'N' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight, we'll read the first half to “The Adventure of the Priory School” written by Sir Arthur Conan Doyle, as part of 1903's “The Return of Sherlock Holmes”. The second half will air next week. Doyle ranked this story tenth in his list of his twelve favorite Holmes stories. In this story, Holmes is approached by Dr. Thorneycroft Huxtable, the headmaster of the prestigious Priory School. Huxtable seeks Holmes's help in locating the missing Lord Saltire, the young heir to the Duke of Holdernesse. Lord Saltire disappeared under mysterious circumstances from the school. If you can stay awake, you will find a plot that is filled with twists and turns, showcasing Holmes's keen observational skills and his ability to connect seemingly unrelated clues. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick is joined by Rob Huxtable, a partner at executive search firm Falcon, to discuss what it takes to thrive as a C-suite leader in a private equity-backed company. Rob shares his expertise on the characteristics and skills necessary for success in this environment, delving into the importance of self-esteem, execution at velocity, hands-on involvement, effective communication, and influence without authority. They also explore the need for alignment with the specific governance model of a private equity firm. KEY TAKEAWAYS Self-esteem and vulnerability are crucial traits for success in a private equity-backed company. Executives need to believe in themselves, be open to recognising their gaps, and continuously strive for improvement. Execution at velocity is highly valued in the private equity world. Executives must be able to make decisions quickly, be data-driven, and have a sense of urgency to drive results. Hands-on involvement is essential in private equity-backed companies. Executives should be willing to roll up their sleeves, be involved in various aspects of the business, and have a deep understanding of the operations. Effective communication is key. Private equity firms value clear, succinct communication that includes the problem, solution, and action plan. Building trust and maintaining alignment with the board is crucial for success. The ideal skill set for executives in private equity-backed companies includes a strong foundation from a blue-chip company, experience in progressively smaller businesses, engineering scalable operations, and the ability to align with the investment thesis of the firm. Adaptability and the ability to influence without authority are also important skills to possess. BEST MOMENTS "If you don't prepare properly for what is the biggest financial event of your life, you are the prey."  "Private equity investors are some of the brightest and most ambitious and boldest business minds out there, but they're also risk averse, thoughtful."  "You better be reinventing yourself and improving on a constant basis."  "The minute you let that moat run dry, they have no choice but to infiltrate and start taking more control than you might like." "We want to make sure they are systematised and mechanised to scale, without excessive dependency on people and more dependency on process."  VALUABLE RESOURCES Find out now if you're building a high-value, exitable business (even if you have no immediate plans to sell it). You'll get an instant PDF report with powerful insights specifically tailored to your business in just 4 minutes.https://highvalueexit.scoreapp.com/ Rob Huxtable LinkedIn - https://www.linkedin.com/in/robhuxtable ABOUT THE HOST  Nick Bradley is a renowned entrepreneur, investor, speaker, and business growth expert.His background is growing and scaling Venture Capital and Private Equity backed businesses globally. Over the last decade, he has completed 117 acquisitions and 25 business exits with a combined valuation of over $5bn dollars.His mission is to help business founders build valuable businesses and create life-changing exits so they can realise freedom, wealth, and impact. CONTACT METHOD Work with Nick: https://highvalueexit.com  Nick's Facebook: https://highvalueexit.com/fb Nick's LinkedIn: https://highvalueexit.com/li Nick's Instagram: https://highvalueexit.com/igNick Bradley- exit, strategy, podcast, business, scale, scale up, growth, equity, high-value, wealth, sell, sold: https://highvalueexit.com/

"There's a joy I'm trying to depict in my artwork." The American DJ and producer discusses her latest painting exhibition, the power of poetry and exploring queer fantasy in visual art. Today, Berlin-via-New York multidisciplinary artist Juliana Huxtable might be best known for her DJing and dance floor productions. She's the co-founder of the party Shock Value and a regular at Berghain, Herrensauna, Basement and more clubs and festivals around the world. But she's equally prolific in the worlds of poetry and visual art, and in her first appearance on the RA Exchange, she talks to senior producer Chloe Lula about her multimedia painting exhibition, -USSYPHILIA, which is on display through the beginning of January. A champion of queer and trans theory, Huxtable uses collage, painting and poetry to explore themes around identity anarchy and sexuality throughout the exhibition. While the collection is serious and somewhat academic, it's also playful, diving deep into fantasy, psychedelia and allusions to soft porn. These days, Huxtable enjoys dabbling in other kinds of art as well. In her interview, she talks about her longtime love of performance art, which she says is ghettoized in the art world context, usually relegated to awkward programming add-ons in gallery exhibitions. Her band Tongue In The Mind is shaking off the performance art stigma and bringing it into the club with their forthcoming EP on PAN, Pretty Canary, out in late 2023. To hear about how she keeps on top of parallel creative practices, her thoughts on writing, experiences with psychedelics and more, listen to the episode in full.

Check Out Brian's Linktree including his new podcast!Episodes Watched this Week:Fresh PrinceS1 E6 "Mistaken Identity"S1 E17 "The Ethnic Tip"S2 E7 "The Big Four Oh"S2 E8 "She Ain't Heavy"S2 E17 "Community Action"S2 E20 "Those Were The Days"S3 E3 "That's No Lady...That's My Cousin"The Cosby ShowS5.E13 Mrs. Huxtable Goes to KindergartenS3.E8 Vanessa's RichS2. E4 Cliff in Love (pretty sure this is the "make me a sandwich" episode you are referring to. S1.E10 How Ugly Is He?S7.E8 The Infantry Has Landed (and They've Fallen Off the Roof)Support the showPlease consider supporting the show on Patreon.Follow us on social media:TikTok (this is where we are most active!)FacebookInstagram

May contain foul language Join Sandy Hahn as he takes you on a journey of his life with MSA (Multiple System Atrophy) to help with awareness, funding, and hope surrounding this incurable disease. New Episodes every Friday at 4PM

In hour two of this Thursday edition of The Morning Shift, Tiffany, Mike, and Beau kick things off by spending some time with Atlanta Falcons Senior Defensive Assistant, Dave Huxtable! Robb Tribble, filling in for Tiffany Blackmon, Mike, Beau, and Dave discuss what it was like being the Defensive Coordinator at Independence Community College back in 1983, what it was like being on Coach Saban's coaching staff at Alabama, what it was like recruiting Dave Archer, what he plans to do when he retires but also not having any retirement plans anytime soon, the Falcons defense and defensive line this season, working with Coach George O'Leary, what having a good defensive line rotation does for the defense late in the game, what area he thinks the Falcons defense can improve in even though the defense has had some success this season, how the players responded to him his first day on the job, and the biggest difference between an NFL locker room and a College locker room.

Tread Perilously's eighth semiannual Patreon subscriber request month comes to a close with the Riptide episode called "Girls Night Out." When two housewives start knocking over expensive homes in the southland while using one of Murray's computer manuals, he, Cody, and Nick are immediately blamed for the crimes. Taking the investigation into their own hands, they soon discover the women owe local fence -- and seeming sex trafficker -- Joey Dietz $20,000. And although the situation has delayed their annual fishing trip to Cabo San Lucas, Murray thinks the Riptide team should help the ladies with their predicament. Also: Cody tries to break up with Francine. Erik finds Riptide lacking while Justin stumps for the star power of Gerald McRainey. Murray actor Thom Bray ends up the show's MVP. Erik introduces the notion of "jobber television" as an important part of the landscape. Star Trek: Strange New Worlds talk occurs. The two actual leads of Riptide are dubbed "Mustache Hunks" despite one of them emphatically lacking facial hair. Tweaks, including the addition of E.G. Daily, are suggested to make Riptide a better show. Dr. Huxtable gets called out for his treatment of Theo. Geography Corner leads to very local spots for Erik and Justin and a noted author makes a surprise appearance.

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Breakdown of todays MLB games by the numbers. We'll also look at the sacrifice of Jacky Oh aka DC Young Fly's baby mamma && will also check out the latest from Mr Huxtable.

Ada Louise Huxtable, who “invented” the profession of architecture critic, wrote countless articles for two great daily newspapers and had a gigantic influence on our understanding of the work of architects, real estate developers, city bureaucrats, and the city itself, over the course of six decades in print. Beginning in 1963, Huxtable was the first full-time architecture critic at an American newspaper. In 1970, she won the first Pulitzer Prize for distinguished criticism. With her impeccable civic values, cultivated aesthetic sensibility and lacerating accuracy, Ada Louise Huxtable, praised and razed. Huxtable, who was born and lived her life in New York City, raised the public's awareness of architecture and the urban environment. She wrote for the New York Times and later for the Wall Street Journal. She served as Curatorial Assistant for Architecture and Design at the Museum of Modern Art. Produced by Brandi Howell for the Beverley Willis Architecture Foundation's podcast, New Angle Voice. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson), with Brandi Howell and Nathan Dalton. It is part of the Radiotopia Network from PRX.

Anyone who writes about American architecture of the mid twentieth and early 21 st century measures their critical achievement with the yardstick drawn by Ada Louise Huxtable. With countless articles for two great daily newspapers, this petite New Yorker had a gigantic influence on our understanding of the work of architects, real estate developers, city bureaucrats, and the city itself, over the course of six decades in print. General readers are quite accustomed to having their choices in books, films, dance, opera, drama, TV, and music directed and influenced by critics opinions. We find our favorite interpreters, trust their judgements, buy books or tickets. But in the concrete jungle of the city, we are captives, we have no choice to ignore what is built by others to house us, for our work places, our transit systems, our public realm. The ubiquity of mediocre architecture dulls the senses, and yet, when architecture achieves greatness it can exalt the human spirit. Ada Louise Huxtable set out to separate the dull from the great. A few architects tried to argue with her. They never won. With her impeccable civic values, cultivated aesthetic sensibility and lacerating accuracy she praised and razed. Listen now to The Art We Must Live With: Ada Louise Huxtable and Architecture Criticism.   Special thanks in this episode to the generous architectural critics:  Alexandra Lange, Cathleen McGuigan, Christopher Hawthorne, Julie Iovine, Karrie Jacobs, Christine Cipriani and Paul Goldberger–all achieved their craft following the inimitable example set by Ada Louise.  Historian Meredith Clausen, Wall Street Journal editor Eric Gibson, and the Huxtable archive team of Stuart and Beverly Denenburg, and from the Getty Center:  Maristella Casciato everyone was exceedingly helpful.   This podcast is produced by Brandi Howell, with editorial advising from Alexandra Lange.   Thanks also production assistant Virginia Eskridge.  New Angle Voice is brought to you by the Beverly Willis Architecture Foundation.  Funding for this podcast comes from the National Endowment for the Humanities, the National Endowment for the Arts, the Graham Foundation.   

Wavepool Maestro Xavier Huxtable joins Smivvy for a chat about Conquering the first Concrete Jungle Surf Comp at URBNSURF! hmmmmaaadddd. See omnystudio.com/listener for privacy information.

It's no wonder we couldn't understand the Twitter files, is news a serious endeavor, Lebron wants to know why, Cosby got all the Huxtable's too, Shark week so racist and much moreThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5691723/advertisement

Wasuuuppppp Basement Gang!!!!Every time Millx comes to pod, he embodies a famous person with his outfits. One minute he is Smoky The Bear. The next minute he is the teddy bear from Ralph Lauren or Dr. Huxtable. Either way, he is a new person which leaves us to rate his fits. Listen as the gang laugh it up. Big thanks and shoutouts to Mani from Mani's World for coming through to the basement. Also be on the lookout for Black Chip Kin Annual toy drive event on Dec 17th, 2022 located on 1580 Rockaway Parkway, Brooklyn, NY, 11236. YouTube @bklynbasementpodcast8759@manisworld6025IG@manisworld__   @bklyn.basement@millx.bb@Justdre.bb@eriquita.bb@rufusgang88@blackchipkinTwitter@manisworld@bklynbasementpodcast @uncledre_bb@millx_bb@eriquita_bb@king_lu88Tik Tok @manisworld@bklynbasementpodcast@king.ace205

We speak to Alisha Huxtable, Senior Production Coordinator at DNEG. We discuss work/life balance, STEM careers, some excellent industry advice and how there is more to creativity than drawing! This an advice-packed conversation that we hope you enjoy. https://www.linkedin.com/in/alisha-huxtable/

Go to http://shipstation.com and use promo code PRIMM for a free 60-day trial. ███████████████████████████████████████████████ Dr. Huxtable poisons his entire family. It's good wholesome fun. IG: moses_primm Twitter: HoodPrimm patreon.com/primm teespring.com/stores/primms-hood-merchandise ► Videos by: Comedian Moses Primm DISCLAIMER: I DO NOT OWN RIGHTS TO VIDEO FOOTAGE ******* Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

The TV Doctor returns for a fourth season with a new series: Physician, Heal Thyself. On this episode, the TV Doc answers the question, "What was your favorite show when you were a kid?" (the answer: The Cosby Show).  It's a complicated and controversial answer; luckily, the W. Kamau Bell docuseries We Need to Talk About Cosby is there to help those of us who grew up dreaming of becoming a Huxtable work through all our feelings. And the TV Doctor is here to help us work through We Need to Talk About Cosby.CW // sexual assault; sexual violenceFor those of you who are interested in the Hannibal Burress clip mentioned in the episode, you can watch it here: https://youtu.be/VMaAOImuea0

This week the crew discuss some jokes from old media that wouldn't do as well today. Trigger warning! Show Notes: 00:00 - 00:15: Intro 00:15 - 11:43: Beer Review/Rating - Consensus: 401 Brewery Premium Apple Cider 11:43 - 12:21: Topic Intro 12:21 - 16:55: Dr Huxtable's Special BBQ Sauce (Naz) 16:55 - 19:59: Sexism in the Buffy Movie (Josh) 19:59 - 25:19: Ace Ventura: Pet Detective (Arv) 25:19 - 25:35: Beer Check 25:35 - 29:06: The Rock Speaks Chinese (Naz) 29:06 - 32:11: Michael Scott's Office Antics (Josh) 32:11 - 35:16: Mad TV's Ms Swan (Arv) 35:16 - 35:55 Topic Intro 35:55 - 36:40: Podcast Outro

Brian and Kyle welcome producer Dave to the show. They talk AIW Gauntlet for the Gold, Only Fans and some other shit Like Rate and Review on iTunes! Follow us @tencentbeerlife on all social media. Email the show at tencentbeerlife@gmail.com Sponsored By: Jenkins Insurance in Tallmadge Ohio and Drop D Pics Music: Switchblade by Bundy and the Spins --- Send in a voice message: https://anchor.fm/tencentbeerlife/message

In this episode of the Horses Mouth I had the good fortune of speaking with Local legend Xavier Huxtable, Xav is such a great guy, don't let his chill demeanor fool you he obviously gets white line fever - whether he's pulling on a contest jersey or a pair of footy boot's you better be bringing your A-game Xav is the real deal. He's currently on the World Qualifying circuit and looking for big fish and a long career - I cant wait to see him on the main stage WCT

Krig i sosiale medier er vanskelig å forholde seg til, men hva gjør vel det når alt går til helvete uansett. Gunnar er den siste i Norge som ennå ikke har hatt covid-19, skal vi tro høyst uvitenskapelig forskning utført av Dag - og det skal man jo. Spesielt når vi uansett er hjernevaskede hele gjengen i følge alle verdens seler og hvaler. Samtalen tar en streiftur innom Oscars-daskingen og Dr Huxtable, som leder videre til at verden jaggu har endret seg fort. Hva øst-europeiske kvinner kan se i øst-europeiske menn forblir et mysterium i det samtalen blir til en prat om bygd versus by - bare ispedd litt partnerdrap og øvelseskjøring.A brief history of singular ‘they'https://public.oed.com/blog/a-brief-history-of-singular-they/Everyone Uses Singular 'They,' Whether They Realize It Or Nothttps://www.npr.org/2016/01/13/462906419/everyone-uses-singular-they-whether-they-realize-it-or-not

Spider-Man's Aunt May is alive in the Huxtable-cinematic universe. #PleaseSayTheLLC --- Support this podcast: https://anchor.fm/the2020podcastllc/support

In our first episode, we sit down and chat with WFS Head of Middle School, Jon Huxtable!2:00 - Empowering middle school students6:00 - Students need to overcome obstacles, allowing them to fail is ok!9:10 - Approach to conflict, living for learning moments14:00 - Power of extracurriculars17:30 - Mad Minute Segment19:20 - Ring the Bell Segment

Mrs Huxtable Is Now Involved In The Bill Cosby Drama --- Send in a voice message: https://anchor.fm/sandy-show1/message Support this podcast: https://anchor.fm/sandy-show1/support

It's Episode 9 of The Culture Caviar Podcast! For this episode, O'T and Bri rip the band-aids off and unpack some serious childhood trauma.   We  Pop-Off about the controversial release of Bill Cosby from prison, and the beef between Aunt Viv and Mrs. Huxtable! This episode focuses on digesting some of those unspoken feelings surrounding our relationships with our fathers, our hopes for becoming parents in the future and even discuss some of the best & worst representations of black fathers in cinema.  We have a little fun picking our celebrity dads and we leave the Caviar Club with positive energy and hope about healing from those traumatic experiences surrounding black fathers and more..... Kick back with your friends, light that positive energy candle, and enjoy the healing, laughter, and vibes from O'T & Bri!Check out more content from the Culture Caviar Podcast!GoodFellaism & Queen~ism located on Apple Podcast, Spotify, and all other streaming platforms with weekly releases!To support Culture Caviar, be sure to shop Caviar Club Apparel!Use the Code: CULTURE CAVIAR to receive FREE SHIPPING on all orders!https://caviarclubapparel.bigcartel.com/For all your thrifting needs, check out Fool's Goald Thrift!Instagram:  @fools_goaldBusiness:  https://foolsgoald.com/For all things Culture Caviar, follow the socials listed below!Instagram:  @culturecaviarpodcastTwitter:  @culture_caviar

Bill Cosby's case vacated, but what does it tell us about how corrupt the entire criminal justice system has become? Dr. Huxtable was persecuted by a politically-crazed prosecutor and a liberal lapdog media because he refused to follow the liberal line on race. 

Time Stamp: 00:00 Intro - 00:00 Distance by XNDR Sound - 00:00 Host/Co-Host Talks - 00:00 My Life by DV Mayz - 00:00 Host/Co-Host Talks - 00:00 Watch Out by Nitta - 00:00 Host/Co-Host Talks - 00:00 Mayhem by Don Jewelio - 00:00 Host/Co-Host Talks - 00:00 Young Pre Roll by 60MiLL - 00:00 Outro Podcast Sites: TSApodcast.com Instagram.com/TSA_Podcast Pod.co/StarvingArtist coso.me/TSAPODCAST YouTube Channel

OH MAH GAWD SERIOUSLLAAHHHH, Maria is here, you guys! This is a dream come true in the Mommy Dome. Tommy's older sister and Starbucks' Enemy Number One, Maria stops by for a chat and she jumps in like a pro. She shares more contempt for more employees of new company's while also getting down with some of the tried and true segments of YMH. Get to know the Maria you thought you knew (she knows Tom's voice) while hearing about her military exploits, how she deals with Top Dog, and conceding that Jane does in fact have better teeth and vision. It's so fun when your jeans get even tighter cause you just washed 'em!

It gets really real this episode, little mommies. We open up to you about our past week - a tough one for us and the little doggie we adopted, Theo (Dr. Huxtable's son). Thankfully, he's still with us. We also get Jeansy with Angel from Angel's Fellatio Secrets - yes, that one. She gives a great interview and gives tips on getting ding dongs down, painless anal and more. Plus, certain cultures behave in very specific, sometimes gross ways. Are you one of those? Do you know people who are? Share with us. We love her!