Podcasts about jacopone

Full Text of ReadingsFourth Sunday of Advent Lectionary: 12The Saint of the day is Blessed Jacopone da TodiJacopone da Todi's Story Jacomo or James, was born a noble member of the Benedetti family in the northern Italian city of Todi. He became a successful lawyer and married a pious, generous lady named Vanna. His young wife took it upon herself to do penance for the worldly excesses of her husband. One day Vanna, at the insistence of Jacomo, attended a public tournament. She was sitting in the stands with the other noble ladies when the stands collapsed. Vanna was killed. Her shaken husband was even more disturbed when he realized that the penitential girdle she wore was for his sinfulness. On the spot, he vowed to radically change his life. Jacomo divided his possessions among the poor and entered the Secular Franciscan Order. Often dressed in penitential rags, he was mocked as a fool and called Jacopone, or “Crazy Jim,” by his former associates. The name became dear to him. After 10 years of such humiliation, Jacopone asked to be received into the Order of Friars Minor. Because of his reputation, his request was initially refused. He composed a beautiful poem on the vanities of the world, an act that eventually led to his admission into the Order in 1278. He continued to lead a life of strict penance, declining to be ordained a priest. Meanwhile, he was writing popular hymns in the vernacular. Jacopone suddenly found himself a leader in a disturbing religious movement among the Franciscans. The Spirituals, as they were called, wanted a return to the strict poverty of Francis. They had on their side two cardinals of the Church and Pope Celestine V. These two cardinals though, opposed Celestine's successor, Boniface VIII. At the age of 68, Jacopone was excommunicated and imprisoned. Although he acknowledged his mistake, Jacopone was not absolved and released until Benedict XI became pope five years later. He had accepted his imprisonment as penance. He spent the final three years of his life more spiritual than ever, weeping “because Love is not loved.” During this time he wrote the famous Latin hymn, Stabat Mater. On Christmas Eve in 1306, Jacopone felt that his end was near. He was in a convent of the Poor Clares with his friend, Blessed John of La Verna. Like Francis, Jacopone welcomed “Sister Death” with one of his favorite songs. It is said that he finished the song and died as the priest intoned the “Gloria” from the midnight Mass at Christmas. From the time of his death Brother Jacopone has been venerated as a saint. Reflection His contemporaries called Jacopone, “Crazy Jim.” We might well echo their taunt, for what else can you say about a man who broke into song in the midst of all his troubles? We still sing Jacopone's saddest song, the Stabat Mater, but we Christians claim another song as our own, even when the daily headlines resound with discordant notes. Jacopone's whole life rang out our song: “Alleluia!” May he inspire us to keep singing. Click here for more on Blessed Jacopone! Saint of the Day, Copyright Franciscan Media

Rubrique:religions Auteur: jacques-de-benedictis Lecture: LéaDurée: 05min Fichier: 5 Mo Résumé du livre audio: Le Stabat Mater est une hymne religieuse ainsi qu'une séquence du Moyen Âge, traditionnellement attribuée au poète franciscain Jacopone da Todi. Texte réservé à la liturgie des Heures, cette œuvre est associée à la fête de Notre-Dame des sept Douleurs par l'Église catholique dans le rite romain, d'où son nom de Sequentia de Septem Doloribus Beatæ Virginis. Le Stabat Mater fut souvent mis en musique. Cet enregistrement est mis à disposition sous la Licence art libre. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Avec Olivier Jaune

Full Text of ReadingsFriday of the Third Week of Advent Lectionary: 198The Saint of the day is Blessed Jacopone da TodiJacopone da Todi's Story Jacomo or James, was born a noble member of the Benedetti family in the northern Italian city of Todi. He became a successful lawyer and married a pious, generous lady named Vanna. His young wife took it upon herself to do penance for the worldly excesses of her husband. One day Vanna, at the insistence of Jacomo, attended a public tournament. She was sitting in the stands with the other noble ladies when the stands collapsed. Vanna was killed. Her shaken husband was even more disturbed when he realized that the penitential girdle she wore was for his sinfulness. On the spot, he vowed to radically change his life. Jacomo divided his possessions among the poor and entered the Secular Franciscan Order. Often dressed in penitential rags, he was mocked as a fool and called Jacopone, or “Crazy Jim,” by his former associates. The name became dear to him. After 10 years of such humiliation, Jacopone asked to be received into the Order of Friars Minor. Because of his reputation, his request was initially refused. He composed a beautiful poem on the vanities of the world, an act that eventually led to his admission into the Order in 1278. He continued to lead a life of strict penance, declining to be ordained a priest. Meanwhile, he was writing popular hymns in the vernacular. Jacopone suddenly found himself a leader in a disturbing religious movement among the Franciscans. The Spirituals, as they were called, wanted a return to the strict poverty of Francis. They had on their side two cardinals of the Church and Pope Celestine V. These two cardinals though, opposed Celestine's successor, Boniface VIII. At the age of 68, Jacopone was excommunicated and imprisoned. Although he acknowledged his mistake, Jacopone was not absolved and released until Benedict XI became pope five years later. He had accepted his imprisonment as penance. He spent the final three years of his life more spiritual than ever, weeping “because Love is not loved.” During this time he wrote the famous Latin hymn, Stabat Mater. On Christmas Eve in 1306, Jacopone felt that his end was near. He was in a convent of the Poor Clares with his friend, Blessed John of La Verna. Like Francis, Jacopone welcomed “Sister Death” with one of his favorite songs. It is said that he finished the song and died as the priest intoned the “Gloria” from the midnight Mass at Christmas. From the time of his death Brother Jacopone has been venerated as a saint. Reflection His contemporaries called Jacopone, “Crazy Jim.” We might well echo their taunt, for what else can you say about a man who broke into song in the midst of all his troubles? We still sing Jacopone's saddest song, the Stabat Mater, but we Christians claim another song as our own, even when the daily headlines resound with discordant notes. Jacopone's whole life rang out our song: “Alleluia!” May he inspire us to keep singing. Click here for more on Blessed Jacopone! Saint of the Day, Copyright Franciscan Media

Partendo da una lauda di Jacopone da Todi, passiamo velocemente in rassegna i più importanti generi della letteratura religiosa, dall'exemplum all'agiografia. Il componimento inscena l'anima che propone al corpo di digiunare ed espiare per mezzo della sofferenze, mentre il corpo scongiura l'anima di cambiare idea, risparmiandosi l'esperienza del dolore e della privazione. Questa scena offre lo spunto di un approfondimento in varie direzioni, dalla filosofia all'arte, per portare alla luce un certo paradigma culturale già presente nel mondo antico, che, reinterpretato dal cristianesimo, è giunto pressoché intatto fino a noi. --- Send in a voice message: https://podcasters.spotify.com/pod/show/stefanodambrosio/message

Friends of the Rosary:September is the month of Our Lady of Sorrows, Nuestra Señora de los Dolores, in Spanish. The sorrow of the Blessed Mother was immeasurable. It was surpassed only by her love. Her love was even stronger than death. It made her able to support the cruel death of Jesus Christ. The Stabat Mater — a 13th-century Latin hymn written by Franciscan friar and poet Jacopone da Todi — focused on the sorrow of the Virgin Mary during the crucifixion of Jesus Christ. It proclaimed: "O Mother... make me feel the depth of your sorrow, so that I may weep with you. May I bear in my heart the wounds of Christ; make me share in His Passion and become inebriated by the Cross and Blood of your Son."Let's contemplate Mary's sorrows and ask her for the grace of sharing with her in the Passion of Jesus. This participation should lead us to real compassion, that is, to suffering with Jesus and Mary.  The Fathers of the Church said that the sight of Mary at the foot of the Cross makes the lesson of the Cross less hard and less bitter. Her maternal example encourages us to suffer and makes the road to Calvary easier. Ave Maria!Jesus, I Trust In You! To Jesus through Mary! + Mikel A. | RosaryNetwork.com, New York • ⁠September 6, 2023, Today's Rosary on YouTube | Daily broadcast at 7:30 pm ET

I fondamentali consigli finanziari di Mary's Jacopone. Bajiji enigmistici: la sfida di intelligenza tra Marco e Gae. Scienza Pretesa (l'inutile rubrica scientifica a cura di Gaetano) e naturalmente gli aneddoti (im)perdibili di Saverio!I bajiji, detti anche arachidi, sono l'accompagnamento ideale per un momento di leggerezza, chiacchiere tra amici e risate. Lo puoi ascoltare in auto, mentre fai jogging, mentre cucini o quando vuoi tu. Che poi è anche video podcast. Però in questo caso non guardarlo in auto. Neanche mentre cucini. Neanche mentre corri. Beh insomma, vedi tu come e quando goderti Bajiji, l'importante è farlo senza ferire te stesso o il prossimo.Vuoi avere un "pezzo" di Marco e Pippo tutto tuo? ENTRA NELLO SHOP

Full Text of ReadingsThursday of the Fourth Week of Advent Lectionary: 198The Saint of the day is Blessed Jacopone da TodiJacopone da Todi's Story Jacomo or James, was born a noble member of the Benedetti family in the northern Italian city of Todi. He became a successful lawyer and married a pious, generous lady named Vanna. His young wife took it upon herself to do penance for the worldly excesses of her husband. One day Vanna, at the insistence of Jacomo, attended a public tournament. She was sitting in the stands with the other noble ladies when the stands collapsed. Vanna was killed. Her shaken husband was even more disturbed when he realized that the penitential girdle she wore was for his sinfulness. On the spot, he vowed to radically change his life. Jacomo divided his possessions among the poor and entered the Secular Franciscan Order. Often dressed in penitential rags, he was mocked as a fool and called Jacopone, or “Crazy Jim,” by his former associates. The name became dear to him. After 10 years of such humiliation, Jacopone asked to be received into the Order of Friars Minor. Because of his reputation, his request was initially refused. He composed a beautiful poem on the vanities of the world, an act that eventually led to his admission into the Order in 1278. He continued to lead a life of strict penance, declining to be ordained a priest. Meanwhile, he was writing popular hymns in the vernacular. Jacopone suddenly found himself a leader in a disturbing religious movement among the Franciscans. The Spirituals, as they were called, wanted a return to the strict poverty of Francis. They had on their side two cardinals of the Church and Pope Celestine V. These two cardinals though, opposed Celestine's successor, Boniface VIII. At the age of 68, Jacopone was excommunicated and imprisoned. Although he acknowledged his mistake, Jacopone was not absolved and released until Benedict XI became pope five years later. He had accepted his imprisonment as penance. He spent the final three years of his life more spiritual than ever, weeping “because Love is not loved.” During this time he wrote the famous Latin hymn, Stabat Mater. On Christmas Eve in 1306, Jacopone felt that his end was near. He was in a convent of the Poor Clares with his friend, Blessed John of La Verna. Like Francis, Jacopone welcomed “Sister Death” with one of his favorite songs. It is said that he finished the song and died as the priest intoned the “Gloria” from the midnight Mass at Christmas. From the time of his death Brother Jacopone has been venerated as a saint. Reflection His contemporaries called Jacopone, “Crazy Jim.” We might well echo their taunt, for what else can you say about a man who broke into song in the midst of all his troubles? We still sing Jacopone's saddest song, the Stabat Mater, but we Christians claim another song as our own, even when the daily headlines resound with discordant notes. Jacopone's whole life rang out our song: “Alleluia!” May he inspire us to keep singing. Click here for more on Blessed Jacopone! Saint of the Day, Copyright Franciscan Media

In this episode of Channel U, we celebrate National Poetry Month. Our guest is Union Institute & University alumna Lois Roma-Deeley (Ph.D. 2000). The award-winning poet, educator and current Poet Laureate of Scottsdale, Arizona will read selected poems from her books and discuss her work, her approach to writing, and her journey as a writer. Her most recent full-length book of poetry is The Short List of Certainties, winner of the Jacopone da Todi Book Prize. She is the author of three previous collections: Rules of Hunger, northSight and High Notes, which was a finalist for the Patterson Poetry Prize. Her fifth book of poetry, Like Water in the Palm of My Hand, is forthcoming from Kelsey Books in 2022. Roma-Deeley's poems have been featured in numerous literary journals and anthologies, nationally and internationally. Roma-Deeley was named the 2012-2013 U.S. Community College Professor of the Year by the Carnegie Foundation for the Advancement of Teaching and CASE. Roma-Deeley founded and directed the Creative Writing and Women's Studies programs at Paradise Valley Community College as well as the Creative Writing Women's Caucus of the Association of Writers and Writing Programs. Roma-Deeley is Associate Editor of Presence: A Journal of Catholic Poetry. Authors of Union features a conversation with one of our published authors. Your host is Dr. Linwood Rumney, professor in the UI&U General Education Program, poet and author. He is the winner of the 17th Annual Gival Press Poetry Award for Abandoned Earth. His poems and nonfiction essays have appeared in many publications including the North American Review and Crab Orchard Review. His translations of Aloysius Bertrand, an early practitioner of the modern prose poem in French, have appeared in Arts & Letters and Hayden's Ferry Review. His fellowships include the American Antiquarian Society, The Writers' Room of Boston, and the St. Botolph Club, as well as a residency from the Kimmel Harding Nelson Center. He recently completed his Ph.D. as a Charles Phelps Taft Dissertation Fellow at UC.

Full Text of ReadingsWednesday of the Fourth Week of Advent Lectionary: 198All podcast readings are produced by the USCCB and are from the Catholic Lectionary, based on the New American Bible and approved for use in the United States _______________________________________The Saint of the day is Blessed Jacopone da TodiJacomo or James, was born a noble member of the Benedetti family in the northern Italian city of Todi. He became a successful lawyer and married a pious, generous lady named Vanna. His young wife took it upon herself to do penance for the worldly excesses of her husband. One day Vanna, at the insistence of Jacomo, attended a public tournament. She was sitting in the stands with the other noble ladies when the stands collapsed. Vanna was killed. Her shaken husband was even more disturbed when he realized that the penitential girdle she wore was for his sinfulness. On the spot, he vowed to radically change his life. Jacomo divided his possessions among the poor and entered the Secular Franciscan Order. Often dressed in penitential rags, he was mocked as a fool and called Jacopone, or “Crazy Jim,” by his former associates. The name became dear to him. After 10 years of such humiliation, Jacopone asked to be received into the Order of Friars Minor. Because of his reputation, his request was initially refused. He composed a beautiful poem on the vanities of the world, an act that eventually led to his admission into the Order in 1278. He continued to lead a life of strict penance, declining to be ordained a priest. Meanwhile, he was writing popular hymns in the vernacular. Jacopone suddenly found himself a leader in a disturbing religious movement among the Franciscans. The Spirituals, as they were called, wanted a return to the strict poverty of Francis. They had on their side two cardinals of the Church and Pope Celestine V. These two cardinals though, opposed Celestine's successor, Boniface VIII. At the age of 68, Jacopone was excommunicated and imprisoned. Although he acknowledged his mistake, Jacopone was not absolved and released until Benedict XI became pope five years later. He had accepted his imprisonment as penance. He spent the final three years of his life more spiritual than ever, weeping “because Love is not loved.” During this time he wrote the famous Latin hymn, Stabat Mater. On Christmas Eve in 1306, Jacopone felt that his end was near. He was in a convent of the Poor Clares with his friend, Blessed John of La Verna. Like Francis, Jacopone welcomed “Sister Death” with one of his favorite songs. It is said that he finished the song and died as the priest intoned the “Gloria” from the midnight Mass at Christmas. From the time of his death Brother Jacopone has been venerated as a saint. Reflection His contemporaries called Jacopone, “Crazy Jim.” We might well echo their taunt, for what else can you say about a man who broke into song in the midst of all his troubles? We still sing Jacopone's saddest song, the Stabat Mater, but we Christians claim another song as our own, even when the daily headlines resound with discordant notes. Jacopone's whole life rang out our song: “Alleluia!” May he inspire us to keep singing. Click here for more on Blessed Jacopone! Saint of the DayCopyright Franciscan Media

Nel segno delle “distanze”, filo conduttore della 17esima edizione, torna il festival Vicino/lontano 2021, in programma a Udine da giovedì 1 a domenica 4 luglio, in presenza. Oltre 70 gli appuntamenti in programma – tra confronti, incontri, concerti, mostre e proiezioni – che coinvolgeranno 200 ospiti dal mondo delle scienze, della letteratura, dell'arte, dello spettacolo e dell'informazione. Sarà anche quest'anno il Premio Terzani a chiudere il festival: domenica 4, alle 21, attesissimo protagonista della serata per la consegna del Premio, nella scenografica cornice del piazzale del Castello di Udine, lo scrittore, poeta e attivista ambientale islandese Andri Snær Magnason, autore de Il tempo e l'acqua (Iperborea, traduzione di Silvia Cosimini). Il vincitore sarà premiato da Angela Terzani Staude, presidente di Giuria del Premio, e intervistato da Marino Sinibaldi. Seguirà l'esecuzione dello Stabat Mater del compositore Valter Sivilotti, una riscrittura della preghiera medievale attribuita a Jacopone da Todi per la voce recitante d'eccezione di Moni Ovadia, che intreccerà le parole con la musica, dando spazio alla prosa poetica di Erri De Luca e alle parole struggenti di Pier Paolo Pasolini, oltre che al racconto, lucido e suggestivo insieme, di Andri Snær Magnason. In scena, diretti dal maestro Sivilotti, il gruppo vocale femminile ArteVoce Ensemble, l'Accademia Giovanile del Coro FVG e i solisti dell'Accademia Musicale Naonis, soprano solista Franca Drioli. Tutti gli appuntamenti del festival sono gratuiti, con prenotazione sul sito vicinolontano.it, ma sarà sempre possibile, nei limiti di capienza delle sedi, registrarsi “last minute” in loco. Fra le proposte clou del festival, che avrà la sua anteprima mercoledì 30 giugno con la serata speciale per i 50 anni di attività di Medici Senza Frontiere, spicca il progetto editoriale “Una voce per Sepideh”, promosso da Vicino/lontano con l'associazione “Librerie in Comune” di Udine: proprio giovedì primo luglio uscirà per i tipi di Gaspari Editore la traduzione italiana dei Diari dal carcere di Sepideh Gholian, giovane reporter e attivista iraniana arrestata nell'autunno 2018, mentre seguiva in veste di giornalista lo sciopero dei lavoratori di una raffineria di zucchero. Il progetto ha ottenuto il patrocinio di Amnesty International Italia, sarà presentato il primo luglio alle 19, nella Loggia del Lionello con l'intervento di Emanuele Russo, presidente di Amnesty International Italia, Giuliana Borsatti, giornalista esperta di Iran e Fabrizio Foschini, traduttore dei Diari. Condurrà l'incontro il direttore dell'Ansa Fvg Francesco De Filippo. Darà voce alla struggente testimonianza di Sepideh l'attrice Aida Talliente, accompagnata dal musicista di origine iraniana Mehdi Limoochi. Sabato 3 luglio, alle 18.30 alla Libreria Tarantola di Udine, Stefano Allievi presenterà il suo ultimo libro, il saggio “Torneremo a percorrere le strade del mondo”, edito UTET, dedicato ai processi di mobilità: in dialogo con la giornalista Anna Dazzan, Allievi ricorderà che «il territorio di riferimento, non solo in senso fisico-geografico, non è più necessariamente quello in cui nasciamo: è dove decidiamo di mettere radici. Salvo la possibilità di toglierle da lì, se lo vogliamo. E trasformarci. Anche radicalmente». Oltre a sottolineare il forte legame tra disuguaglianze e mobilità, Allievi propone soluzioni concrete per ripensare il significato di confine, controllare le frontiere, gestire i flussi, consentire una mobilità sostenibile sia per i luoghi di partenza che per quelli di arrivo. Domenica 4 luglio chiuderà il programma del festival nella chiesa di San Francesco, nel segno dell'ottimismo, la conferenza-spettacolo “Ri/partire. L'Italia dopo la pandemia” (ore 18) del sociologo all'Università di Padova Stefano Allievi, realizzata in sinergia con "Fabrica: l'occasione per ripensarsi": a cominciare da una diversa idea del ripartire, inteso come ricominciare, iniziare di nuovo,

Tutti conosciamo il Canto di Natale di Dickens, e forse anche le laudi di Jacopone da Todi. Ma se ti dicessimo che in letteratura il Natale è stato trattato il modi molto diversi, e anche un po' fuori dagli schemi, sapresti a cosa ci riferiamo?In questa pillola vediamo come il Natale sia stato trattato da alcuni autori nella letteratura italiana: poesie intime, racconti popolari che descrivono spaccati di vita di paese, commedie amare entrate nella storia del teatro. Se vuoi approfondire, ti lasciamo questa gallery da sfogliare: https://www.studenti.it/il-natale-nella-letteratura-italiana-e-straniera.html?gallery=1643Colonna sonoraBlippy trance / Wish Background - Kevin Mac Leod https://incompetech.com/Effetti sonori: https://www.zapsplat.com

Ser santo significa ser amigo de Dios, significa estar en amistad con Dios, significa estar en armonía con la Santísima Trinidad. Es estar en gracia y unión a Dios por que Dios es santo. Si estamos en unión con Dios podemos participar en la santidad de Dios. Dios nos creó a su imagen y semejanza y como tal, nos creó para estar en santidad y para ser santos. Podemos decir que ser santos es simplemente participar en la santidad y pureza de Dios. El catecismo de la iglesia católica en su numeral 2013 nos dice: 2013 “Todos los fieles, de cualquier estado o régimen de vida, son llamados a la plenitud de la vida cristiana y a la perfección de la caridad” (LG 40). Todos son llamados a la santidad: “Sed perfectos como vuestro Padre celestial es perfecto” (Mt 5, 48): Al ser santos estamos llamados a la plenitud de la vida. Por medio de la santidad podemos disfrutar verdaderamente lo que es la vida. Aparte de que todos estamos llamados a la santidad, la iglesia nos presenta ejemplos a la santidad. Estos ejemplos lo llamamos santos canonizados. Los santos canonizados son aquellas personas que vivieron una vida en armonía y amistad con Dios, los cuales se nos presentan como ejemplos de santidad. El Santo del Dia nos presenta un santo para honrar y reflexionar en ese día particular. Te invito a conocer y reflexionar un poquito sobre la vida de algunos de los tantos santos de la iglesia. ¡Acompáñame ahora y escucha el episodio! Recuerda que al principio del programa escucharas un anuncio en inglés y después escucharas el episodio.

- Jacopone da Todi - Cilicio - Lauda - Lauda drammatica - Ordini mendicanti - Francescani conventuali e spirituali - Ascetismo - Stilobiti ed eremiti - Contemptus mundi - Danza macabra --- Send in a voice message: https://anchor.fm/stefanodambrosio/message

Según una antigua tradición, los cristianos recuerdan “los siete dolores de la Virgen”: momentos en que, perfectamente unida a su Hijo Jesús, pudo compartir de modo singular la profundidad de dolor y de amor de su sacrificio Esta devoción a la Virgen Dolorosa arraigó en el pueblo cristiano, sobre todo, a partir del siglo XIII, con la aparición de la Orden de los Servitas, que se consagraron a la meditación de los dolores de María. Así nacieron, desde fines de la Edad Media, las dos fiestas del Viernes de Dolores y del 15 de septiembre que es la que hoy celebramos, manifestando la compasión que Nuestra Señora siente por la Iglesia de Cristo, siempre sometida a las pruebas y a las persecuciones. Hoy es el día de repetir amorosamente la famosa secuencia: Stabat Mater Dolorosa, compuesta en el siglo XIII por Jacopone da Todi y reinterpretada a través de los siglos de múltiples formas musicales. Y es que la música va fuertemente ligada a los estados de ánimo, los sentimientos y los recuerdos, es un medio para expresar, como para despertar emociones, hay un tipo de música para cada emoción, la música nos puede provocar alegría, miedo o tristeza. La música proporciona sensaciones, endulza nuestras vidas. Un potente crecendo orquestal puede conmovernos y emocionarnos, así como las marchas fúnebres pueden ser proveedoras de una increíble carga emotiva para muchos devotos de nuestras tradiciones de piedad popular. Nos ayudan a elevar una plegaria al cielo cuando llevamos sobre nuestros hombros a nuestras imágenes de especial devoción y a meditar sobre nuestra fe católica. Así como hacer que nos invada la nostalgia por aquellos que ya no están con nosotros y con quienes compartimos o nos inculcaron nuestra devoción y tradiciones.

One of the seven greatest Latin hymns of all time, Stabat Mater Dolorsa is based upon the prophecy of Simeon that a sword was to pierce the heart of his Mother, Mary. The hymn originated in the 13th century during the peak of Franciscan devotion to the crucified Jesus and has been attributed to Pope Innocent III, St. Bonaventure, or Jacopone da Todi (1230-1306) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Un'emozione indescrivibile interpretare un testo del genere e non penso di avere il cuore per aggiungere altro a riguardo. Mi auguro solo di essere riuscito in un umile quanto dignitoso contributo in proposito. Grazie a tutte le persone che si sono fermate ad ascoltarmi e a dedicarmi qualche minuto della propria preziosa vita. #piumenere #francescomerli ********************************************************* Lascio anche qualche canale esterno per i più curiosi dato che sono presente un po' su tutti i social con materiali di recitazione, scrittura, doppiaggio e disegno di diverso genere: :D FACEBOOK: https://www.facebook.com/francesco.me... https://www.facebook.com/piumenere.fm INSTAGRAM: https://www.instagram.com/piumenere/?... https://www.instagram.com/francesco__... TWITTER: https://twitter.com/f_merli

Stabat Mater Dolorosa is considered one of the seven greatest Latin hymns of all time. It is based upon the prophecy of Simeon that a sword was to pierce the heart of His mother, Mary (Lk 2:35). The hymn originated in the 13th century during the peak of Franciscan devotion to the crucified Jesus and has been attributed to Pope Innocent III (d. 1216), St. Bonaventure, or more commonly, Jacopone da Todi (1230-1306), who is considered by most to be the real author. STABAT Mater dolorosa iuxta Crucem lacrimosa, dum pendebat Filius. AT, the Cross her station keeping, stood the mournful Mother weeping, close to Jesus to the last. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

San Francesco d'Assisi e Jacopone da Todi: sono i due grandi protagonisti della letteratura religiosa. In questa pillola racconteremo temi, atori e opere principali della prima forma di letteratura italiana in volgare.Per approfondire: https://www.studenti.it/letteratura-religiosa-caratteristiche-e-protagonisti.htmlColonna sonoraBlippy trance / Poppers and prosecco / Gregorian Chant - Kevin Mac Leod - https://incompetech.com/Effetti sonori: https://www.zapsplat.com

»Da bi ljubezen kupil, vse sem, / svet in sebe, dal naprodaj; / če, kar je ustvarjeno, bilo bi moje, / bi vse za ljubezen dal brez vsakršne pogodbe.« Ko pravkar navedene stihe slišimo prvič, iztrgane iz slehernega konteksta, bi bržčas pomislili, da imamo opravka z izpovedjo kakega Puškina, Heineja ali katerega drugega izmed nesrečno zaljubljenih romantičnih pesnikov prve polovice 19. stoletja. Pa ni tako; dotični verzi so namreč nastali pred debelimi sedmimi stoletji na Apeninskem polotoku, napisal jih je mož po imenu Jacopone iz Todija, ljubezen pa, o kateri je tu govora, ni povezana s kako nedosegljivo lepotico, temveč s Kristusom, z Bogom. To seveda pomeni, da smo se nenadoma znašli v pesniški pokrajini, ki je naši vsakdanji bivanjski izkušnji bistveno bolj tuja, kakor to velja za romantiko 19. stoletja, vendar pa je treba reči, da je v govorici, ki jo uporablja Jacopone da Todi, nekaj nenavadno svežega, neposrednega, intenzivnega in prepričljivega, nekaj, kar nas živo nagovarja tudi v 21. stoletju. Kaj bi ta »nekaj« utegnil biti, smo preverjali v tokratnem Kulturnem fokusu. Pri tem nam je pomagal dr. Alen Širca, predavatelj na Oddelku za primerjalno književnost in literarno teorijo ljubljanske Filozofske fakultete, ki je za založbo Kulturno-umetniškega društva Logos pred nedavnim pripravil in prevedel Brezmerje, izbor iz pesniškega opusa Jacoponeja iz Todija. Oddajo je pripravil Goran Dekleva. foto: portret Jacoponeja iz Todija, ki ga je v stolnici v Pratu naslikal Paolo Uccello (Wikipedia; javna last)

En clave de Dios (XIII): Stabat Mater. En el presente programa realizamos un recorrido por los Stabat Mater compuestos a lo largo de la historia de la música. Así, escuchamos diversos fragmentos de las plasmaciones musicales del texto medieval mariano del fraile franciscano Jacopone da Todi, que refleja el sufrimiento de la Virgen María ante su Hijo Crucificado, pertenecientes a Giovanni Pierluigi da Palestrina, Antonio Vivaldi, Giovanni Battista Pergolesi, Franz-Joseph Haydn, Luigi Boccherini, Gioacchino Rossini, Antonin Dvorak y Francis Poulenc.

Lezione scolastica su "Donna de' Paradiso" di Jacopone da Todi 3C - prof. Luigi Gaudio