Podcast appearances and mentions of Jill Bilcock

Cheryl has recently finished cutting four episodes of Amazon's sweeping and epic series The Lord Of The Rings: The Rings of Power, which explores events of the second age, set thousands of years before J.R.R. Tolkien's much beloved The Lord Of The Rings.Prior to this Cheryl cut HBO's flagship series The Nevers starring Laura Donnelly and Nick Frost, TNT's The Alienist: The Angel of Darkness and TNT's dystopian drama series Snowpiercer, helmed by showrunner Graeme Manson (Orphan Black) and starring Jennifer Connelly and Daveed Diggs.She edited the penultimate and season finale episodes of Amazon Original series Hanna, directed by Anders Engström which reunited The Killing co-stars Joel Kinnaman and Mireille Enos.Previously Cheryl was working in a dark room far, far away as Additional Editor on Ron Howard's Solo: A Star Wars Story, and Ridley Scott's The Martian and Alien: Covenant, working with Oscar winning editor Pietro Scalia.With over 20 years of industry experience she has worked in the editorial teams for many major film directors including Tim Burton, Ridley Scott, Ron Howard, Baz Lurhmann, Michael Apted, Joe Wright and James Mangold. She's worked alongside high profile editors such as Pietro Scalia, Dody Dorn, Jill Bilcock, Michael McCusker, Rick Shaine, Chris Lebenzon, Christopher Rouse and Billy Rich.W: https://www.editchez.com/filmography/Also, you can check out my documentary The People of Brixton, on Kwelitv here: https://www.kweli.tv/programs/the-people-of-brixtonDamien Swaby Social Media Links:Instagram: https://www.instagram.com/filmmaker_damien_swaby/Twitter: https://twitter.com/DamienSwaby?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5EauthorWebsite: http://filmmakingconversations.com/If you enjoy listening to Filmmaking Conversations with Damien Swaby, I would love a coffee. Podcasting is thirsty work: https://ko-fi.com/damienswaby.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4532542/advertisement

Editors - Yvette M. Amirian, ACE and Matt Friedman, ACE When it comes to learning editing in film school, who better to learn from than ACE editors?  When they aren't in the cutting rooms themselves, editors Yvette M. Amirian, ACE and Matt Friedman, ACE are in the classrooms of two of the most prestigious film schools in the world.  Yvette has returned to the institution where she received her own filmmaking education, USC, to help inform the next generation as to what they need to know about the craft, as well as the career, of editing.  At the American Film Institute, Matt asks his grad students to consider more than just how to put a story together, but to question why something works or something doesn't; never letting them forget that every frame matters. Yvette M. Amirian, ACE Yvette M. Amirian, ACE is an award-nominated film and television editor. After graduating from the University of Southern California's (USC) School of Cinema-Television, she built a successful career and has been transitioning seamlessly between editing scripted and documentary content for the better part of two decades. In 2011, she and her team received an Eddie Award nomination from the American Cinema Editors (ACE) for their work on Animal Planet's Whale Wars. In 2017, she edited and produced John Singleton's L.A. Burning: The Riots 25 Years Later for A&E, which was nominated for a Primetime Emmy (Outstanding Documentary Special). Her most recent project is an upcoming scripted feature for critically acclaimed filmmaker Robert Machoian, The Integrity of Joseph Chambers. Yvette is a proud member of the Motion Picture Editor's Guild, the Academy of TV Arts & Sciences, and ACE. She lives in Los Angeles with her husband and two sons. Matt Friedman, ACE Matt won the 2021 ACE Eddie for Best Edited Feature Film (Comedy) for Palm Springs, and was nominated in 2020 for "The Farewell".  He was born in rural east Tennessee to a coal mining family living in the foothills of the Appalachians.  After graduating from Oak Ridge High School with an emphasis in Extinct Ancient Languages, Matt headed for Chicago to attend Northwestern University. Due to a series of accidental registration errors, he ended up with enough credits for a degree in Economics as well as Film. None of his college film work involved blowing up model cars, however. He finished his Econ degree at the University of Queensland, in Brisbane, Australia, where he was offered AU$100 and a Sydney snow globe by a group of Australian students if he would vote for Clinton in '92 via absentee ballot. Matt then moved to a spacious two bedroom apartment in scenic North Hollywood to begin his film career in earnest. Arriving just in time for the Northridge Earthquake and the fires and mudslides of '93, he was very lucky to begin working for a series of extremely supportive and wonderful editors, including (but not limited to!) Peter Teschner, Emma Hickox, Jill Bilcock, and Sheldon Kahn. In recent years, Matt has enjoyed cutting a variety of different types of films and television pilots, including films in Spanish and Chinese, even though he doesn't speak the languages. He now lives in the Hollywood Hills with his wonderful husband Chris and their son.   In our discussion with educators and editors Yvette M. Amirian, ACE and Matt Friedman, ACE about teaching editing in film school, we talk about: What today's editors/educators learned from their own film school experience Crafting editing curriculums, or is it curricula? What editors can learn about editing from their students Taking off points for messy timelines The next steps right after film school The Credits Visit Extreme Music for all your production audio needs See the latest new features in Avid Media Composer Hear Matt discuss his work on PALM SPRINGS See Matt walk you through his Media Composer timeline for PALM SPRINGS. Send me your feedback and questions here Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

A spotlight on the work of the film editor Jill Bilcock, featuring an interview with Jill, and reviews from her filmography of ROMEO + JULIET dir. Baz Luhrmann (1996) and THE DISH dir. Rob Sitch (2000). With presenters Flick Ford, Sally Christie and Paul Anthony Nelson.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

After leaving us hanging in anticipation in Episode 115, Crabb and Sales (a.k.a. “the monsters”) return to put us out of our misery.The Price of Shame Monica Lewinsky TED2015 (March 2015)Shame and Survival by Monica Lewinsky (Vanity Fair, June 2014)Slate’s Slow Burn Podcast (Season2: The Impeachment of Bill Clinton)Monica Lewinsky’s Twitter response to the Mike Pence comment: 'Spend more time on your knees than on the internet'Waltzing The Dragon With Benjamin Law (ABC iView)Dark Emu: Aboriginal Australia and the Birth of Agriculture by Bruce PascoeQueer Eye: Season 4 (2019) [Jonathan Van Ness (Wikipedia)]Yesterday (2019) starring Himesh Patel and Lily James (see Official Trailer)Stan & Ollie (2019) starring Steve Coogan and John C. Reilly (see Official Trailer)Jill Bilcock: Dancing The Invisible (2017) documentary about Australian film editor Jill Bilcock (see Official Trailer)500 Days of Summer (2009) Joseph Gordon-Levitt and Zooey Deschanel (see Official Trailer)Honor Freeman: Ghost objects 27 Jul - 29 Sep 2019 Gallery 16, Art Gallery of South AustraliaHonor Freeman on making sense of grief through ceramics (By Zoe Freney, Art Guide, 25 July 2019; includes images of some artworks included in the Ghost objects exhibition.)Motherless Child by Elizabeth Strout (New Yorker, August 5 & 12, 2019) *Includes Audio version read by Elizabeth Strout.

Guests - 2001: The Podcast + Nerd Up or Shut Up combocast! - we earn that red ‘E’ right off the bat, Nerd Up welcomes listener #3 Brad - our in-theater experiences of Moulin Rouge (lots of open weeping) - the Plymouth Duster returns, learning to burn out in an automatic, CarCast - budget Fast and Furious tips for your own street racing - Baz Luhrmann gets a little nutty, gets a little dark - A Star is Born, not so much a romance - Donald McAlpineCast, The HappeningCast once again - we rate John Leguizamo performances, To Wong Foo Thanks for Everything, Julie Newmar appreciation - Wesley Snipes is very muscular - Jill Bilcock appreciation, Fast and the FuriousCast - Marvel movie scores all sound the same - varied takes on Across the Universe - Joe AndersonCast, unexpected Ben Stiller appreciation - bringing some La La Land shade - Can You Ever Forgive Me? talk - Issues with hype, we gun for an AMC A-List sponsorship - all our favorite old shows that are now problematic! - John Hammond, John Hamm, John Hamm’s ham: we extrapolate - getting to the bottom of The Can Can, trying to get a ten pack of undies in Moulin Rouge times - sorry, French listeners - Nicole Kidman appreciation, Batman ForeverCast - Breaking down ‘Like a Virgin’, Richard tells… a story - Richard Roxburgh, Jim Broadbent appreciation - Goddamnit Anna Paquin, Brie Larson talk - Lion appreciation, famous people liking our posts, Shannyn SossamonCast - Greg FraserCast - Daniel Radcliffe was just FINE in Prisoner of Azkaban, DanRad talk general - Ladybird talk, Spike Lee and Boots Riley, Sorry to Bother YouCast - John Holmes talk (don’t google him at work), Reservoir DogsCast - Listener Drew appreciation - Maggie’s Buffy the Vampire Slayer cosplay, PleatherCast - Anastasia: Spice Girl, Emalee the Strange - Theater mishaps from our youth, our favorite musicals - Space Jam vs Shazaama - Lady Marmalade video talk - Jennifer Lawrence and the butt rock scandal, the crimes of Emma Stone - Rooney MaraCast yet again, Aventureland appreciation - dueling Girl With the Dragon Tattoo films - we give Moulin Rouge a Hard Hammy in the Sweatpants (that’s good)

Jill Bilcock is Australia’s most influential film editor of all time and has edited films like Strictly Ballroom and Moulin Rouge by Baz Luhrmann, and Sam Mendes’s Road to Perdition. During the festival, Axel Grigor’s prize-nominated documentary Jill Bilcock – Dancing the Invisible will be shown. Lena Runge has been active as a film editor for 30 years and has among other things edited most of Björn Runge’s films. She is current with The Wife, for which Oscar nominations abound and for which Glenn Close recently was awarded a Golden Globe. Meet two star editors in a dialog about work, rhythm, perspective and impeccable expression. Moderator: Helene Granqvist, president of WIFT International. Sound engineer: Andre Laos Produced for K-play by kulturakademin in collaboration with WIFT under Göteborg Filmfestival 2019 Ljudtekniker: Andre Laos Producerat av Kulturakademin i samarbete med WIFT under Göteborg Filmfestival 2019 www.kulturakademin.com

One of Australia's most respected film editors talks shop. The Fonda families onetime political firebrand and most versatile of actresses is put under the microscope by the Film Buffs team.

Michael and Krissa dissect the ALL ABOUT JILL retrospective showcasing the amazing talents and films of Australian film editor Jill Bilcock. They also discuss this week’s new films including BOHEMIAN RHAPSODY

Mamma Mia 2 + Jill Bilcock, Ozploitation director Brian Trenchard-Smith is in the studio to talk about his career and a screening of his first film, Australian James Bond parody The Man from Hong Kong. André reviews Mamma Mia 2, Here We Go Again and Jack reviews Jill Bilcock: Dancing the Invisible. Hot week.

Australian editor Jill Bilcock reflects on her illustrious career. Plus a review of Dwayne Johnson's new film Skyscraper, Natasha Wanganeen's top five films, a Japanese porno reboot and a look at two Netflix comedy shows - Hannah Gadsby's Nanette and Jerry Seinfeld's Coffee in Cars with Comedians.

Australian editor Jill Bilcock reflects on her illustrious career. Plus a review of Dwayne Johnson's new film Skyscraper, Natasha Wanganeen's top five films, a Japanese porno reboot and a look at two Netflix comedy shows - Hannah Gadsby's Nanette and Jerry Seinfeld's Coffee in Cars with Comedians.

Answering the big question...should I see this movie? Jill Billcock: Dancing The Invisible (Documentary)A documentary about internationally renowned film editor Jill Bilcock, that charts how an outspoken arts student in 1960s Melbourne became one of the world's most acclaimed film artists.Director: Axel GrigorWriter: Axel GrigorStars: Jill Bilcock, Cate Blanchett, Baz Luhrmann - (IMDb) Movies First RSS feed:  https://feeds.megaphone.fm/BIT7197946000 Stream podcast episodes on demand from www.bitesz.com (mobile friendly).  Subscribe, rate and review Movies First at all good podcatcher apps, including Apple Podcasts (formerly iTunes), Stitcher, PocketCasts, audioBoom, CastBox.FM, Podbean, Spreaker etc.For more, follow Movies First on Facebook, twitter and Google+:Facebook - @moviesfirsttwitter - @ moviesfirstGoogle+ -  https://plus.google.com/u/1/b/116201551232774363704/108207704769091029605  YouTube Channel: https://www.youtube.com/channel/UCatJQHaVabIvzCLqO16XvSQ  If you're enjoying Movies First, please share and tell your friends. Your support would be appreciated...thank you.#movies #cinema #entertainment #podcast #reviews #moviesfirst Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Luke spent his early days in feature film assisting legendary editor Jill Bilcock on Moulin Rouge. Luke has previously shot and edited previsualisation on Baz Luhrman's Australia and George Lucas' Star Wars: Episode III.Luke has also directed films, including the short film Miracle Fish, which garnered him an Oscar nomination for best short film. Some other projects include the short Cryo and the upcoming Out of State. Luke is a member of the Australian production company Blue Tongue Films with Nash and Joel Edgerton among others.Luke's feature films as editor include The Square and Animal Kingdom, for which he won the AFI best editing award. Luke recently edited Joel Edgerton's acclaimed film The Gift, about a married couple whose lives are up-ended by an acquaintance from the past forced into their lives.