Podcasts about malcolm clarke

After a hiatus you get two episodes on top of each other. So it seems only appropraite to do the same... Indefinable Magic Bite Size are immediate reactions to the latest Doctor Who episodes, but instead of being straightforward reviews they consider an aspect of the fresh adventure and use it to examine life, fandom and Doctor Who in general. Tonight, with the Fab Four (well, two of them) svaing the day and - of course - a twist at the end, your host Toby Hadoke looks at the Beatles and music in Doctor Who in general to see how the use of popular tunes has changed over the years and what they bring to the show. And he talks about mix tapes, recording off air, and tryng to get down and funky in the bedroom to Malcolm Clarke's Sea Devils score. 

"Where's the Money Gone?" is a podcast about football finance, governance and politics with  Adrian Goldberg, investigative journalist and West Brom season ticket holder, and Charlie Methven, Charlton Athletic co owner of Charlton Athletic, former director of Sunderland and boyhood Oxford United fan.This week, Adrian and Charlie talk to Malcolm Clarke Chair of the Football Supporters Association.  Made in Birmingham by We Bring Audio.  Produced by Adrian Goldberg.  Edited by Jed Thomas.  Socials by 11-29 Media.

In this episode, Gaelle Blake interviews Malcolm Clarke, managing director of Baxall Construction. They discuss how the industry can reach Net Zero targets, the social impact and value of construction, how to improve diversity, equity and inclusion within the sector, and much more.

Nick and Benji present… The Chat - Sea Devil Guards… Good Review Guide: Charlotte Pollard - The Further Adventuress… Behind-the-scenes and Drama Tease: The Diary of River Song - Friend of the Family… Also Available: Torchwood: Double.

We are talking about making documentary films in China with 2-time Oscar-winning, 4 time nominated Academy Award documentary film director, Malcolm Clarke. We are also joined by Han Yi, a Golden Horse-winning producer of documentary films. Malcolm is originally from the UK while Yi is from Chengdu, but both are currently living in Shanghai. Malcolm and Yi reside at Artefact Entertainment, and have collaborated on a number of recent films, including "Better Angels"; the mini-series, "A Long Cherished Dream", and most recently, the controversial, "Hong Kong Returns". Malcolm & Yi share both the joys and challenges of making documentaries in China, a genre growing more popular with the popularity of digital media. 1. How did you get into documentaries and how did you meet Malcolm? 2. "Better Angels" - the 2-month project that ended taking 6 years. 3. Successful documentaries are all about achieving the right timing 4. Making documentaries are way more difficult to make than fiction films 5. Documentaries are on the rise in China because they are now accepted by moviegoers 6. Moving beyond the movie theatre success matrix for documentaries in a world of digital 7. About "A Long Cherished Dream": stories about Chinese emerging from poverty 8. We don't make propaganda films 9. "Hong Kong Returns": 10 short films & why they did them 10. Short format films provide the right format and arena to convey documentaries 11. Future projects in the pipeline: "Drive Like a Girl" & the life and times of eccentric scientist, Joseph Needham 12. A/B Test: No spicy food, NYU, & Jack Ass

Returning monsters are a hallmark of Doctor Who from Sea Devils to Daleks, we look at the second act of popular monsters of the classic era. We talk about which monster return worked and how to villains and monsters intersect. And, speculate on some missed opportunies of monsters that had one-and-done outtings. Opening music is "We're Doing a Sequel" from the 2014 film Muppets Most Wanted. Closing music is "The Master's Plan" composed by Malcolm Clarke from soundtrack of The Sea Devils. We recorded this episode on 24 April 2022.

On this episode we are reviewing The Sea Devils starring Jon Pertwee, Katy Manning and Roger Delgado. "The Doctor and Jo visit the Master in his high-security prison on an island off the south coast of England. The governor, Colonel Trenchard, says ships have been disappearing mysteriously at sea. The Doctor discovers that Trenchard and the Master are in league to contact the Sea Devils, a race of reptiles in hibernation in a base beneath the sea, who have been awoken by recent work on a nearby sea fort. The Master intends to use his new allies to help him conquer the world" The Sea Devils is the third serial of the ninth season of the long-running British science fiction television series Doctor Who, which was first broadcast in six weekly parts on BBC1 from 26 February to 1 April 1972. It was written by Malcolm Hulke and directed by Michael E. Briant. The serial is notable as the first appearance of the Sea Devils and features extensive location filming in cooperation with the Royal Navy, as well as an experimental electronic score by Malcolm Clarke. https://twitter.com/atheconsole  https://www.facebook.com/Around-the-console-103450838818887  https://www.youtube.com/channel/UCPpa1cf63YOT8DlUllsjXsw

For a brief five or so years, the BBC broadcast an omnibus version of Doctor Who in the middle of the Christmas week holiday, usually on 27 December. We talk about how Barry Letts got this viewing tradition underway and ruminate on why by the time Graham Williams became producer that the omnibus specials had ceased to be. We then discuss the relevance of omnibus repeats for audiences in the 21st century in a television landscape dominated by streaming and in-home video. Opening music is from The Sea Devils, composed by Malcolm Clarke. Closing music is from Genesis of the Daleks, composed by Dudley Simpson and recreated by Benji Clifford. We recorded this episode on 23 December 2021.

Watching football is not a crime is a new monthly show where we talk about football issues that affect Football fans.this first episode we are joined by Amanda Jacks from the FSF.The reason the police are legally able to harass British citizens in this way is because of something known as Section 27. A part of the 2006 Violent Crime Reduction Act, S27 allows Plod to move people from a certain area for a 48 hour period if there is a belief that an alcohol-related offence may be committed.The law was originally passed so that two groups of drunken yahoos in a pub on a Friday night might both be sent 500 yards in the opposite direction. It was not intended to deprive peaceful Plymouth fans – fans that have travelled hundreds of miles to see their team – of watching live football.“What Section 27 does,” says Malcolm Clarke of the Football Supporters' Federation, “is treat football fans in a way that no other section of society would be treated. The way it's being used certain police forces is to assume that all fans are gathering to get drunk and cause trouble.People are innocent until proven guilty. Except, it seems, football fans. The same football fans who, recent arrest figures show, boast one troublemaker for every 100,000 people who attend each weekend's games.Senior officers are said to be dismayed at how S27 is being implemented. But reports from on the ground seem to show what history has already taught us: that if you give the police too much power, they will misuse it.Support this podcast at — https://redcircle.com/that-millwall-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This time, we're continuing our look at the reboot of the Planet of the Apes franchise and Dawn of the Planet of the Apes and along the way we ask, what are the parallels between the Simian Flu and COVID-19, who is the real villain of the movie and is this a realistic depiction of a societal collapse? Let's dive in Cast & Crew Directed by Matt Reeves: After Rupert Wyatt abandoned the chance to direct this film, Matt Reeves was hired on after directing Cloverfield and Let Me In. He had initially worked in television after developing the hit series Felicity. Starring Jason Clarke as Malcolm: Clarke has developed an everyman type of quality and had gained recognition after appearing in the critically acclaimed war film Zero Dark Thirty and has since appeared in The Great Gatsby, White House Down, Everest, Terminator Genisys and Mudbound Andy Serkis as Caesar: Serkis was the first actor to sign on for the sequel after meeting with Matt Reeves and had become a coach for the other actors who were unfamiliar with the performance capture technology. Toby Kebbell as Koba: Kebbell has become a well-rounded actor in recent years appearing in films like War Horse, Prince of Persia: The Sands of Time, Warcraft and Kong: Skull Island and even provided the motion capture performance as Kong for that film. Gary Oldman as Dreyfus: While he had not yet won an Oscar, Oldman was still widely recognized as a quality actor and had just wrapped up his run as Commissioner James Gordon in Christopher Nolan's Dark Knight Trilogy Keri Russell as Ellie: Russell had risen to fame after starring on Matt Reeves' television show Felicity and had even won a Golden Globe for her performance on the show. She has since transitioned successfully to films after appearing in We Were Soldiers, Mission Impossible 3, August Rush and Star Wars: The Rise of Skywalker Also Starring: Judy Greer as Cornelia Kodi-Smit McPhee as Alexander Kirk Acevedo as Carver James Franco also reprises his role as Will Rodman in an uncredited cameo COVID-19 & the Simian Flu Throughout the course of Dawn, the pandemic that wiped out humanity is routinely referred to as the “Simian Flu” much to exasperation of characters like Malcolm and Ellie who had apparently worked at the CDC during the outbreak and had firsthand knowledge of the origins of the virus. There's a brief prologue at the opening of the film that tracks the path of the virus of how it devastated humanity and left the remaining survivors in tatters. The COVID-19 pandemic hasn't quite reached the same levels of destruction as the “Simian Flu” did in this film, there are some obvious parallels to draw from that deduction. There were several degrading nicknames that were conceived during the summer of 2020 at the height of the COVID-19 pandemic that directly influenced a rise in hate crimes directed toward Asian Americans. The nicknames come from a place of misunderstanding and fear and it's a mood that permeates Dawn of the Planet of the Apes. Who is the Real Villain?  Sean and Chris had a healthy debate as to who the actual villain of the film really is. While the low hanging fruit would be Koba as he attempts to assassinate Caesar and kill the humans in San Francisco, an argument could be made for either Carver or Dreyfus as villains. Without Carver, the events of the film don't really kick off as he's the one who shoots Ash at the beginning of the film and brings Malcolm's group into contact with Caesar. Carver then escalates an already tense situation when he pulls a weapon on Caesar's infant son even after Malcolm had promised his group wouldn't carry weapons. Carver does eventually get killed by Koba but as Sean pointed, Carver didn't exactly have to be killed in order for Koba to carry out his insurrection. While Dreyfus is left out of the majority of the film, he does work his group into a frenzy and manages to become a villain with his final act of attempt...

Ben and David try to stump one another playing the Twin Dilemma game where one host gives the name of a 20th or 21st century story and the other host has to find its perfect pair in the other century and explain why. For example, if David says An Unearthly Child, Ben could respond with Rose since they both kicked off their respective eras on the show. Some stories are easy to find a match, others not so much and thus comedic tension is created! Opening music is "The Panel Beaters" by Padding Kingsland. Closing music is from The Twin Dilemma score by Malcolm Clarke. Both compositions are the work of the BBC Radiophonic Workshop. We recorded this episode on 2 May 2021.

Hayley King has been making her mark on the art world since 2003 - and is better known by her artist name: Flox. Her distinctive designs are made by aerosol and stencils and adorn everything from walls and prints to cushions and clothes. Her illustrations are also in two book collaborations with author Malcolm Clarke - the first was Tu Meke Tui! and the most recent is Tu Meke Tuatara!

Hayley King has been making her mark on the art world since 2003 - and is better known by her artist name: Flox. Her distinctive designs are made by aerosol and stencils and adorn everything from walls and prints to cushions and clothes. Her illustrations are also in two book collaborations with author Malcolm Clarke - the first was Tu Meke Tui! and the most recent is Tu Meke Tuatara!

*With thanks to our listener Paul McEvoy for the title suggestion It's the darkest day, the blackest hour. Chin up, shoulders back, let's see what Ben and Mark are made of as they tackle the existential horrors of 'Dark Water' and 'Death in Heaven'.  Under discussion: How careful do you have to be when dealing with death and real world tragedy in what's ostensibly a family show? Whose internal conflict was greater this series - the Doctor's or Steven Moffat's? And most pressingly of all, what is all of this for?  After that they squelch their way through Malcolm Clarke's synth soundtrack to discuss another Master plan - 1972's The Sea Devils. Under discussion: nudey monsters, the refinement of Roger Delgado, 70's electronic music and larking about with the Navy. Apologies for Mark's side of the audio, long story short it's the Zoom recording rather than the hard copy from microphone.

MEMO MATA is an American educator who’s lived in China for more than a decade. He talks with Yingying Li about the various types of Chinese parenting styles, evolution expectations for their children, leadership, COVID-19, and the importance of a holistic approach to raising the future leaders (or just happy adults) that we all hope to see more of. Memo was featured in Malcolm Clarke’s film BETTER ANGELS, and we are very glad to have him join us this week.

"Each and every one of us can make a difference every day – working for animals, people and the environment!" Lorenz Knauer is an award-winning documentary filmmaker and founder and board president of the Jane Goodall Institute for Animals, Wildlife and the Environment in Germany. He made the award-winning feature-length documentary Jane's Journey (about Jane Goodall), along with many other documentary films in his 35+ year career. “Real life and real people interest me much more than fiction – the ‘small’ stories often more than the big ones,” Lorenz says.  “As a child I witnessed the building of the Berlin Wall and understood very early that people will risk their lives so they can live in freedom, choosing to follow their inner calling instead of doing what other people tell them to do. That was an experience I have never forgotten and it laid the foundations for my deep dislike of dictators and ideologues of any kind. Many people I make films about are ‘outsiders,’ non-conformists.  More often than not, they are self-taught individuals who live out their dreams against all odds.” Lorenz was born in Munich in 1953 – “only eight years after the end of World War II, when Germany was a traumatized country on all levels.”  His father had been an anti-Nazi drafted against his will into Hitler’s army in the final phase of the war, a man Lorenz describes as “a very, very angry and violent man with a very short temper – his was reign of terror.” “It took me decades to even begin to understand where my father’s anger had its roots,” he notes.  “In fact, I was early in my forties, my own life had fallen completely apart at that point …it was then that I began years of therapy which eventually helped me understand that it was not just my father who was so angry – it was the entire generation of my parents and of their parents too: they had gone through WW I, lost that war and Germany’s honor, lost family members, lost their fortunes during the inflation in the 20’s and the Great Depression in the 30’s… and then lost WW II on top of all that! Those generations never had the opportunity to heal or to even talk about what had gone wrong and why they were so angry! It was all swept under the carpet and ‘forgotten’ because everyone was so busy rebuilding the country, making money and fighting communism during the Cold War which erupted more or less directly after WW II had ended and continued on until 1989 when the Berlin Wall finally came down and the communist system collapsed.” Lorenz grew up in West Berlin, London, and the United States, frequently shuttling among the 3 countries as his father pursued an academic career in the classics. “13 schools in some 13 schoolyears,” he notes, “so I was used to always being the ‘other,’ the foreigner, the ‘Kraut’ when in America or, when in Germany, ‘Der Ami’ or the ‘American.’”  He stayed in Europe to study law, Italian and French literature, linguistics and History of Art at various universities in Italy, France, and Germany. Lorenz’s first big break in making documentary films came in early 1989, when Oscar-winning documentary filmmaker Malcolm Clarke invited him to the United States to write and direct a film about the crisis caused by more than 200 million guns in private hands in that country. HBO had commissioned the film about all the deaths by gun on a randomly chosen date in the summer of 1989. It was to be a strong statement against gun-related violence in the US.  “It turned out to be the most difficult and painful documentary I had made,” Lorenz says.  “It was heart-wrenching to hear the stories from husbands, wives and children who had witnessed their dear ones being shot in front of their very eyes in 60 cases on that fateful day. But it was even harder to experience how our film was basically censored in the end thanks to the powerful lobbying of the National Rifle Association. The film did air in 1990 with the title ‘Guns: A Day in The Death of America,’ but the final version was by far not as powerful as our original rough cut had been. I often think today how sad it is that nothing has changed in the 30 years since I made that film – the number of annual casualties has not changed, on the contrary, things seem to have deteriorated even more.  The devastating experience of having ‘Guns’ more or less destroyed by the very people who had commissioned a powerful anti-gun-film made me decide to return to Germany and continue to make documentaries there.” Though he had been inspired by reading Silent Spring by Rachel Carson in high school, and had become concerned about dying forests and the environment since the 1970s (leading him to give up owning a car!), it was a chance meeting with Jane Goodall in early 1990 that led to a shift in his film projects. Knauer’s documentary Jane’s Journey (available for streaming), developed in 2009-2010 and debuted in 2010, explores Jane Goodall’s life from her childhood in England to the Gombe National Park in Tanzania, capturing Goodall’s journey in communicating to the world about ecological and humanitarian issues. Jane’s Journey was shortlisted for an Academy Award and invited to festivals around the world, winning the International Green Film Award at the “Cinema for Peace” festival in Berlin.  Knauer hopes to film a sequel to Jane's Journey.  "Ten years after my first visit to the Gombe area I traveled again to all the locations where we shot Jane’s Journey and the positive changes completely blew me away, inspiring me to go back and make another film as soon as I have found the funds to do so." After filming Jane's Journey, Knauer founded the Jane Goodall Institute for Animals, Wildlife and Environment in Germany with a small group of volunteers.  The Institute is “committed to comprehensive nature and species protection, education in sustainable development, and global development cooperation. Jane Goodall realized very early on that because of the multiple and ever-increasing threats to chimpanzees and other primates in modern wildlife conservation, it is absolutely necessary to include social and economic aspects of people locally and globally.” After a peripatetic childhood, Knauer has re-rooted himself in the land and soil of Germany.  “It is a great gift for me to make films about people ….   It is also a great gift to make films about the landscapes in which they – and we – live; to understand more and more about how much we are shaped by the land we live in – how closely our concepts of "home" and "land" are linked, and how important it is to be aware of our roots,” Knauer realizes.  “It was not so long ago that I realized how true this holds for my own life – it happened while I was working on a portrait of the wild and lovely alpine river that flows through my native city of Munich. Until then, I had always imagined that I was ‘free’ and ‘at home’ wherever I happened to be living and making films – but the River Isar taught me something else: My true home is only where she is…and that is where I belong. Embedded in a network of friends and people I love to work with, colleagues and producers who are open for these thoughts, thus enabling me to make my kind of documentary films.” Join us in conversation with this trauma survivor, gifted storyteller and filmmaker!

This week I want to tell you about another of my podcasts, “How China Works”. My co-host Yingying Li interviews 2-time Academy Award-winning filmmaker Malcolm Clarke about his new film BETTER ANGELS. If you like THIS show, I think you’ll like THAT one, too, so I hope you’ll check it out! APPLE: https://itunes.apple.com/us/podcast/0001-introduction-to-how-china-works/id1440747395?i=1000422918906&mt=2&app=podcast / ALL PLATFORMS: http://howchinaworks.libsyn.com / WEB: https://www.howchinaworkspodcast.com

This week I want to tell you about another of my podcasts, “How China Works”. My co-host Yingying Li interviews 2-time Academy Award-winning filmmaker Malcolm Clarke about his new film BETTER ANGELS. If you like THIS show, I think you’ll like THAT one, too, so I hope you’ll check it out! APPLE: https://itunes.apple.com/us/podcast/0001-introduction-to-how-china-works/id1440747395?i=1000422918906&mt=2&app=podcast / ALL PLATFORMS: http://howchinaworks.libsyn.com / WEB: https://www.howchinaworkspodcast.com

MALCOLM CLARKE is a 2-time Academy Award-winning documentary filmmaker. His new film BETTER ANGELS examines the world’s most consequential relationship - that of the US and China - in a powerful, moving, & candid way. This week Yingying Li talks with him about the film, lessons learned, & much more. A fantastic talk. https://www.howchinaworkspodcast.com/resources

Below The Belt Show (www.belowthebeltshow.com) in association with our friends at www.clickonthis.tv present some exclusive interviews from the Sundance Film Festival in Park City Utah! BTB's own Al Sotto talks to two-time Academy Award winning documentary filmmaker Malcolm Clarke promoting his film Better Angels! The documentary focuses on how the U.S. and China can work together and be mutually beneficial as opposed to being at odds! Click On This (clickonthis.tv) video of this interview can be viewed at: https://www.youtube.com/watch?v=b4QwOnThpOk

BTB presents another incredible episode! We are proud to present an exclusive interview with actress Katelyn Nacon from AMC's The Walking Dead! Katelyn talks about her work as Enid on TWD, the time jump and portraying an older character, the new showrunner Angela Kang, the departures of Andy Lincoln and Chandler Riggs, her other dream roles, working with Callan McAuliffe (Alden) and Samantha Morton and much more! Walking Dead fans do not miss this! In association with our friends at www.clickonthis.tv we present some exclusive interviews from the Sundance Film Festival in Park City Utah! BTB's own Al Sotto talks to two-time Academy Award winning documentary filmmaker Malcolm Clarke promoting his film Better Angels! The documentary focuses on how the U.S. and China can work together and be mutually beneficial as opposed to being at odds! BTB’s host with the most Al Sotto brings you another entertaining program! Joining the fun on the panel is Mike "The General" Zad, "The Captain" Big Nick and for the first time on BTB, leader of the Blondetourage, Ashley! So expect all the late-breaking news on pop culture, entertainment, and more! Listen to our gut busting humor, insightful commentary, and thought provoking opinions on the world of entertainment uncensored only on Below The Belt Show (www.belowthebeltshow.com)! Classic Cut: Talk Talk "Life's What You Make It" Katelyn Nacon "Undone" NOTE: Due to copyright, songs have been removed from the podcast show so listen to our show LIVE to hear all the music and commentary uncensored!

After a brief weather report, Ben and David concluded their survey of Silurians and Sea Devils from the original series featuring Sea Devil fashion, Silurian beaks, and praise for Ingrid Pitt. Ben shares with a skeptical David his unified Atlantis theory and how it could "improve" Warriors of the Deep. Not to be outdone, David wonders if the Silurians are doomed to always the same story? Opening and closing music is from "The Sea Devils" soundtrack by Malcolm Clarke, plus a bit from Deep Purple in Oslo 1987.

Toby Hadoke - comedian, actor and TV expert - continues on with a 2013 challenge to talk to at least one person involved with all of Doctor Who's televisual history. Today's free download and podcast is just the latest of this epic journey...

This week on the M2P, David and Ben look at the women companions of the Doctor from Susan to Sarah. Do companions start out well, but lose definition as their time in the TARDIS goes on? What are the rare qualities that make a good assistant? Which companion is the rarest of all? Who's slightly eccentric, but everything you want in an assistant? And, is Sarah Jane the yardstick by which all companions are measured? These questions and more in our look at the first ladies of Doctor Who. Intro music is "Frantic Fracas" by Johnny Hawksworth and used as music in the Inferno nightclub in "The War Machines". Closing music is "Jo Frees the Doctor" by Malcolm Clarke from "The Sea Devils".

The Cybermen stories from the 1980s are revisited by the Metebelis 2 on this week's show. Find the answers to questions such as: Which cyber stories work and which fall short? Has Earthshock held up over time for David? Why do the cybermen fare so poorly in Gallifrey's Death Zone? What could go wrong with the most continuity heavy story ever? And, does Ben like jazz? Plus, the two chat about how eager they are anticipating the 'excellent' fanzine, Vworp Vworp volume 3. Intro and outro music are excerpts from the incidental music score by Malcolm Clarke from "Earthshock".

Having conveniently skipped the three-Rs Dalek stories of the 1980s, Ben and David find themselves on Shad Thames discussing the Daleks stories of Davison, C.Baker, and McCoy. Intro music: "Revelation of the Daleks Suite" by Roger Limb. Outro music: "Resurrection of the Daleks Suite" by Malcolm Clarke.

Toby Hadoke presents a brand new interview with another Doctor Who name from the show's first 50 years, offered here as a free podcast...

In this episode of Oi! Spaceman, Daniel and Shana are joined by Lee Russell of Hougly Reviews and the They Must Be Destroyed on Sight! podcast (often co-hosted by Daniel, so go check it out). They discuss the Third Doctor romp "The Sea Devils," with mentions of some terrible creature effects, campy overacting from Roger Delgado, and what Mac Hulke's socialism meant for his work on Doctor Who.  Main Topic: The Sea Devils. Introducing Lee. Shana's initial thoughts on The Sea Devils: fashion victims. With a political subtext. "You don't have to pay attention to that shit!" The Sea Devils in context with the Pertwee Era. Pertwee driving around in boats and Jo Grant getting shit done. A very typical but atypical Pertwee. Can't compare Jo to Liz. Not quite a father/daughter relationship. Moving on to the Master. Eleven-dimensional chess. A useful idiot. The Three/Master dynamic. Turtle drag queens and wisdom. The Master watches the Clangers. Repeated plots in the Silurian stories. Dudes in rubber masks talking politics. "Reverse the polarity of the neutron flow." Parlaimentary Private Secretary Walker. Is Walker a stand-in for Barry Letts? Stupid Sexy Military. Sandwiches and swordfights. Dickish Jon Pertwee. Would Liz Shaw put up with it? Lee and Daniel talk about the beer can. Did Jo kill a guard? The death of Roger Delgado. Malcolm Clarke's score. The Sea-Doo chase. Screwdriver usage. Wrapping up. Next week: The Three Doctors.    Find Our Stuff!  Find us on iTunes! Or Facebook! We love email (oispacemanpodcast@gmail.com)! And all our episodes are on oispaceman.libsyn.com. Daniel's Tumblr Twitter Shana's Tumblr Twitter  You can find Lee's Youtube page here and the They Must Be Destroyed on Sight podcast here. Daniel's a regular co-host of the podcast, so if you want to hear him talk about non-Doctor Who things, go check it out for sure.

After an eventful few weeks of New Who and rampant podcest, the Three Who Rule (reduced to Two Who Adjudicate for this episode) settled down to news, shenanigans, and rampant avoiding of anything that could possibly be construed as a spoiler. But hope and glory came in the form of Malcolm Clarke, the first musician to grace the Miniscope (yes, it’s back, at least temporarily) and an underrated craftsman in the world of Classic Who. Synthesizers from 1972 and marching Cyberman themes ahoy! Check out the show notes at www.radiofreeskaro.com.