Podcasts about medieval english literature

Melvyn Bragg and guests discuss a story that circulated widely in the middle ages about a highly learned woman who lived in the ninth century, dressed as a man, travelled to Rome, and was elected Pope.Her papacy came to a dramatic end when it was revealed that she was a woman, a discovery that is said to have occurred when she gave birth in the street. The story became a popular cautionary tale directed at women who attempted to transgress traditional roles, and it famously blurred the boundary between fact and fiction. The story lives on as the subject of recent novels, plays and films.With:Katherine Lewis, Honorary Professor of Medieval History at the University of Lincoln and Research Associate at the University of YorkLaura Kalas, Senior Lecturer in Medieval English Literature at Swansea UniversityAnd Anthony Bale, Professor of Medieval & Renaissance English at the University of Cambridge and Fellow of Girton College.Producer: Eliane GlaserReading list:Alain Boureau (trans. Lydia G. Cochrane), The Myth of Pope Joan (University of Chicago Press, 2001)Stephen Harris and Bryon L. Grisby (eds.), Misconceptions about the Middle Ages (Routledge, 2008), especially 'The Medieval Popess' by Vincent DiMarcoValerie R. Hotchkiss, Clothes Make the Man: Female Cross Dressing in Medieval Europe (Routledge, 1996)Jacques Le Goff, Heroes and Marvels of the Middle Ages (Reaktion, 2020), especially the chapter ‘Pope Joan'Marina Montesano, Cross-dressing in the Middle Ages (Routledge, 2024)Joan Morris, Pope John VIII - An English Woman: Alias Pope Joan (Vrai, 1985)Thomas F. X. Noble, ‘Why Pope Joan?' (Catholic Historical Review, vol. 99, no.2, 2013)Craig M. Rustici, The Afterlife of Pope Joan: Deploying the Popess Legend in Early Modern England (University of Michigan Press, 2006)In Our Time is a BBC Studios Audio production

Shannon Gayk joins Jana Byars to discuss her new book. Apocalyptic Ecologies: From Creation to Doom in Medieval English Literature (University of Chicago Press, 2024) is a meditative reflection on what medieval disaster writing can teach us about how to respond to the climate emergency. When a series of ecological disasters swept medieval England, writers turned to religious storytelling for precedents. Their depictions of biblical floods, fires, storms, droughts, and plagues reveal an unsettled relationship to the natural world, at once unchanging and bafflingly unpredictable. In Apocalyptic Ecologies, Shannon Gayk traces representations of environmental calamities through medieval plays, sermons, and poetry such as Cleanness and Piers Plowman. In premodern disaster writing, she recovers a vision of environmental flourishing that could inspire new forms of ecological care today: a truly apocalyptic sensibility capable of seeing in every ending, every emergency a new beginning waiting to emerge. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Shannon Gayk joins Jana Byars to discuss her new book. Apocalyptic Ecologies: From Creation to Doom in Medieval English Literature (University of Chicago Press, 2024) is a meditative reflection on what medieval disaster writing can teach us about how to respond to the climate emergency. When a series of ecological disasters swept medieval England, writers turned to religious storytelling for precedents. Their depictions of biblical floods, fires, storms, droughts, and plagues reveal an unsettled relationship to the natural world, at once unchanging and bafflingly unpredictable. In Apocalyptic Ecologies, Shannon Gayk traces representations of environmental calamities through medieval plays, sermons, and poetry such as Cleanness and Piers Plowman. In premodern disaster writing, she recovers a vision of environmental flourishing that could inspire new forms of ecological care today: a truly apocalyptic sensibility capable of seeing in every ending, every emergency a new beginning waiting to emerge. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Shannon Gayk joins Jana Byars to discuss her new book. Apocalyptic Ecologies: From Creation to Doom in Medieval English Literature (University of Chicago Press, 2024) is a meditative reflection on what medieval disaster writing can teach us about how to respond to the climate emergency. When a series of ecological disasters swept medieval England, writers turned to religious storytelling for precedents. Their depictions of biblical floods, fires, storms, droughts, and plagues reveal an unsettled relationship to the natural world, at once unchanging and bafflingly unpredictable. In Apocalyptic Ecologies, Shannon Gayk traces representations of environmental calamities through medieval plays, sermons, and poetry such as Cleanness and Piers Plowman. In premodern disaster writing, she recovers a vision of environmental flourishing that could inspire new forms of ecological care today: a truly apocalyptic sensibility capable of seeing in every ending, every emergency a new beginning waiting to emerge. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Melvyn Bragg and guests discuss the anchoress and mystic who, in the late fourteenth century, wrote about her visions of Christ suffering, in a work since known as Revelations of Divine Love. She is probably the first named woman writer in English, even if questions about her name and life remain open. Her account is an exploration of the meaning of her visions and is vivid and bold, both in its imagery and theology. From her confined cell in a Norwich parish church, in a land beset with plague, she dealt with the nature of sin and with the feminine side of God, and shared the message she received that God is love and, famously, that all shall be well and all manner of things shall be well. With Katherine Lewis Professor of Medieval History at the University of Huddersfield Philip Sheldrake Professor of Christian Spirituality at the Oblate School of Theology, Texas and Senior Research Associate of the Von Hugel Institute, University of Cambridge And Laura Kalas Senior Lecturer in Medieval English Literature at Swansea University Producer: Simon Tillotson Reading list: John H. Arnold and Katherine Lewis (eds.), A Companion to the Book of Margery Kempe (D.S. Brewer, 2004) Ritamary Bradley, Julian's Way: A Practical Commentary on Julian of Norwich (Harper Collins, 1992) E. Colledge and J. Walsh (eds.), Julian of Norwich: Showings (Classics of Western Spirituality series, Paulist Press, 1978) Liz Herbert McAvoy (ed.), A Companion to Julian of Norwich (D.S. Brewer, 2008) Liz Herbert McAvoy, Authority and the Female Body in the Writings of Julian of Norwich and Margery Kempe (D.S. Brewer, 2004) Grace Jantzen, Julian of Norwich: Mystic and Theologian (new edition, Paulist Press, 2010) Julian of Norwich (trans. Barry Windeatt), Revelations of Divine Love (Oxford World's Classics, 2015) Julian of Norwich (ed. Nicholas Watson and Jacqueline Jenkins), The Writings of Julian of Norwich: A Vision Showed to a Devout Woman and a Revelation of Love, (Brepols, 2006) Laura Kalas, Margery Kempe's Spiritual Medicine: Suffering, Transformation and the Life-Course (D.S. Brewer, 2020) Laura Kalas and Laura Varnam (eds.), Encountering the Book of Margery Kempe (Manchester University Press, 2021) Laura Kalas and Roberta Magnani (eds.), Women in Christianity in the Medieval Age: 1000-1500 (Routledge, forthcoming 2024) Ken Leech and Benedicta Ward (ed.), Julian the Solitary (SLG, 1998) Denise Nowakowski Baker and Sarah Salih (ed.), Julian of Norwich's Legacy (Palgrave Macmillan, 2009) Joan M. Nuth, Wisdom's Daughter: The Theology of Julian of Norwich (Crossroad Publishing, 1999) Philip Sheldrake, Julian of Norwich: “In God's Sight”: Her Theology in Context (Wiley-Blackwell, 2019) E. Spearing (ed.), Julian of Norwich: Revelations of Divine Love (Penguin Books, 1998) Denys Turner, Julian of Norwich, Theologian (Yale University Press, 2011) Wolfgang Riehle, The Secret Within: Hermits, Recluses and Spiritual Outsiders in Medieval England (Cornell University Press, 2014) Caroline Walker Bynum, Jesus as Mother: Studies in the Spirituality of the High Middle Ages (University of California Press, 1982) Ann Warren, Anchorites and their Patrons in Medieval England (University of California Press, 1985) Hugh White (trans.), Ancrene Wisse: Guide for Anchoresses (Penguin Classics, 1993)

Literature is full of talking animals, from modern works like Paddington to Middle English works like The Owl and The Nightingale. But why do writers create non-speaking animals that speak? And why employ animals in literature at all? In this episode of OxPods, English Language and Literature undergraduate Chloe Smith interviews Dr Eleanor Parker, a Lecturer in Medieval English Literature at Brasenose College, Oxford, whose research focuses on literature in England in the centuries before and after the Norman Conquest. They discuss how Mediaeval poets wrote about animals and how understanding human-animal dynamics can influence how we treat our planet in the present.

How would Christian queens have lived in England around the seventh century? How different were their lives from the Disney princesses we see in the movies? And what was their role in bringing Christianity to England? Emma, Trinity, and Christian journey to seventh-century England and explore the captivating stories of some of these queens and their kings with the expert guidance of Dr. Eleanor Parker, Lecturer in Medieval English Literature at Brasenose College in Oxford and author of many books on this week's episode of Kids Talk Church History. Show Notes: Episode 11: Augustine of Hippo Eleanor Parker's award-winning blog, A Clerk of Oxford Eleanor Parker books John 1:1-5 in Old English (read by Dr. Parker): 1. On frymðe wæs Word, and þæt Word wæs mid Gode, and God wæs þæt Word.  In the beginning was the Word, and the Word was with God, and the Word was God.  2. Þæt wæs on fruman mid Gode. He was in the beginning with God. 3. Ealle þing wæron geworhte ðurh hyne; and nan þing næs geworht butan him.  All things were made through him, and without him was not anything made that was made. 4. Þæt wæs lif þe on him geworht wæs; and þæt lif wæs manna leoht. In him was life, and the life was the light of men.  5. And þæt leoht lyht on ðystrum; and þystro þæt ne genamon. And the light shines in the darkness, and the darkness comprehended it not.    * Image attribution: © Ad Meskens / Wikimedia Commons

Medieval English Literature

How to hang the loo roll to where to store the mustard - TV presenter Claudia Winkleman on the domestic tasks that need to done a certain way in the home. The Health Minister Helen Whately on what the government is doing to resolve the row over nurses' pay. The latest on the online harms bill with Baroness Beeban Kidron, the founder of the 5Rights Foundation which campaigns to make the digital world safer for children and young people. British actor Naomi Ackie on playing Whitney Houston in new film Whitney Houston: I Wanna Dance. Following the death in custody of 22 year old Mahsa Amini who had been detained by the Iranian morality police for not wearing her headscarf correctly, we hear the anonymous diaries of female protestors in the country. The discovery of an ancient female burial site in Northamptonshire has been described as one of the most important finds ever discovered in Britain. This woman is thought to be a Christian leader of significant wealth and her jewellery is considered an outstanding example of craftsmanship for this early medieval period. Lyn Blackmore, from the Museum of London and Irina Dumitrescu, Professor for Medieval English Literature at the University of Bonn discuss. Presenter: Anita Rani Producer: Dianne McGregor

It's been 16 years since the fatal poisoning of Alexander Litvinenko, who had exposed corruption in Russia and died in a hospital in London after ingesting tea which contained a radioactive substance. His wife, Marina Litvinenko, brought the case to the European Court of Human Rights in 2021 which upheld that Mr Litvinenko had been the victim of a FSB assassination “probably” approved by Putin. Russia denies any involvement. Marina joins Emma to discuss the upcoming ITVX drama Litvinenko. The government has announced that street harassment will be made a crime in England with jail sentences of up to two years. The Home Secretary Suella Braverman who has backed the move says ‘every woman should feel safe to walk our streets'. But what's the reality? Reporter Ellie Flynn recently went undercover to highlight the experience of sexual harassment experienced by girls and women in the UK today. She joins Emma to talk about her new documentary. The discovery of an ancient female burial site in Northamptonshire has been described as one of the most important finds ever discovered in Britain. This woman is thought to be a Christian leader of significant wealth and her jewellery is considered an outstanding example of craftsmanship for this early medieval period. Emma is joined by Lyn Blackmore, from the Museum of London and Irina Dumitrescu, Professor for Medieval English Literature at the University of Bonn. It's been revealed that the author JK Rowling is founding and personally funding a new female only service for survivors of sexual violence in Edinburgh. We are joined by the BBC's David Wallace Lockhart and The Daily Telegraph's Suzanne Moore who broke the story. Presenter: Emma Barnett Producer: Emma Pearce

Dr. Eleanor Parker joins Grace to discuss the beauty of Old English and her delightful new book on the Anglo-Saxon calendar year, Winters in the World: A Journey Through the Anglo-Saxon Year.  Eleanor Parker is Lecturer in Medieval English Literature at Brasenose College, Oxford. She is the author of Dragon Lords: The History and Legends of Viking England (2018), Conquered: The Last Children of Anglo-Saxon England (2022), and Winters in the World: A Journey Through the Anglo-Saxon Year (2022). She has also written for History Today and is the creator of the Clerk of Oxford blog.

Joseph Weiss, MD Joseph B. Weiss, M.D. is Clinical Professor of Medicine in the Division of Gastroenterology, Department of Medicine, at the University of California, San Diego. Accepted to university at age fifteen, he attended the University of Michigan, University of Detroit, and Wayne State University. Reflecting his broad interests, he majored in Medieval English Literature, Astrophysics, and Invertebrate Zoology. Following his graduation from the Wayne State University School of Medicine in Detroit, Michigan, he completed his internship and residency in Internal Medicine at the University of California, Irvine Medical Center in Orange, California. Under the auspices of the World Health Organization and others, he has pursued interests in Tropical & International Medicine and Public Health with extended stays in Africa, the Middle East, and Latin America. Subsequently completing a clinical and research fellowship in Gastroenterology at the University of California, San Diego, he has remained active on the clinical faculty of the School of Medicine. Dr. Weiss is a Fellow of the American College of Physicians, a Fellow of the American Gastroenterological Association, and a Senior Fellow of the American College of Gastroenterology. Double board certified in Internal Medicine and Gastroenterology, Dr. Weiss has over forty years of clinical, administrative, and research experience. He has also served on the Board of Directors of the Scripps Clinic Medical Group, Clinical Board of Governors of the Scripps Clinic and Research Foundation, and Chancellor's Associates of the University of California, San Diego. He is the author of more than two dozen books on health (www.smartaskbooks.com) and has had numerous papers published in prestigious national and international medical journals, as well as in the mainstream press. As a medical consultant he continues to lecture widely, as well as provide personal guidance and advocacy to achieve optimal personalized health- care, with a focus on proactive preventive health for wellbeing, vitality, and longevity. Dr. Weiss is also an accomplished humorist and professional speaker having given over three thousand presentations nationally and internationally. He has presented at international conferences and conventions, universities, medical schools, hospitals and medical centers, Fortune 500 companies, YPO/WPO, Bohemian Grove, Esalen Institute, Renaissance Weekend, Aspen Brain Forum, international destination spas & resorts. Co-hosting a popular health care radio program on a major network affiliate in California showcased his skills as an articulate compassionate communicator with a mellifluous voice and calming presence. You can learn more about Dr. Weiss at http://www.smartaskbooks.com/.

In a programme first broadcast in 2018, Melvyn Bragg and guests discuss one of the jewels of medieval English poetry. It was written c1400 by an unknown poet and then was left hidden in private collections until the C19th when it emerged. It tells the story of a giant green knight who disrupts Christmas at Camelot, daring Gawain to cut off his head with an axe if he can do the same to Gawain the following year. Much to the surprise of Arthur's court, who were kicking the green head around, the decapitated body reaches for his head and rides off, leaving Gawain to face his promise and his apparently inevitable death the following Christmas. The illustration above is ©British Library Board Cotton MS Nero A.x, article 3, ff.94v95 With Laura Ashe Professor of English Literature at Worcester College, University of Oxford Ad Putter Professor of Medieval English Literature at the University of Bristol And Simon Armitage Poet and Professor of Poetry at the Universities of Leeds and Oxford Producer: Simon Tillotson

Oxford’s libraries house many beautiful books copied by hand before the arrival of print. What, though, about the many more books from the past which have not survived? Dr Daniel Sawyer, Research Fellow in Medieval English Literature, Merton College, Oxford Secrets from Missing Manuscripts - Oxford’s libraries house many beautiful books copied by hand before the arrival of print. What, though, about the many more books from the past which have not survived? How might we study lost manuscripts, and what might the process teach us about the experience of losing things more generally? Humanities Light Night – Oxford Research Unwrapped! As part of the national Being Human Festival, and Oxford’s Christmas Light Festival, Humanities Light Night - Oxford Research Unwrapped! was a spectacular explosion of colour, sound and activity for all, including a huge video projection onto the 3-storey Radcliffe humanities building, premiering SOURCE: CODE which featured the work of Oxford Humanities Professors Jacob Dahl, Richard Parkinson and Armand D'Angour, and co-created by Oxford Humanities researchers and The Projection Studio, world-class projection and sound-artists. A series of talks took place during the evening, relating to the theme ‘Discovery’. This event was part of the Humanities Cultural Programme.

Today I am joined by medievalist Kelly Williams for a conversation on medieval literature. Kelly is a PhD candidate in Medieval English Literature at the University of Illinois Urbana-Champaign, and she's also a close friend whom I've known for many years. So when I thought about doing a show on medieval lit, I knew she'd be the perfect person to go to.One thing that has been a goal of this show since the beginning has been to talk about writing and art in a way that takes people beyond the most dominant or readily accessible popular culture. Or, at other times, to find connections between popular culture and less mainstream work. With medieval lit, we can do both of those things. While I'm sure my audience knows the legends of King Arthur or The Canterbury Tales, how well do you know The Vinland Sagas or Irish epic The Tain? And since “medieval” can be a vague and often Eurocentric term, what about what the rest of the world was writing in that very long period that loosely spans the middle of the first millennium to the middle of the second? To help us all expand our awareness of the world's great epics, romances, poetry, and more, Kelly is here with a huge list of recommendations, and whether you're used to reading older writing or not, chances are you'll hear something that piques your interest. We also spend a little time discussing some of the current issues in the medieval studies world, one of which is the work to make it more inclusive. For example, one of the largest scholarly associations in the field, the International Society of Anglo-Saxonists, recently voted to change its name in an effort to thwart internal racism and sexism. (For more information on that, you can listen to this episode of Remixing the Humanities.) This conversation also comes at a time when white supremacists are increasingly adopting symbols from the Middle Ages as signs of a supposed (and historically-inaccurate) "white" heritage. In this kind of climate, what is the role of a medieval scholar when it comes to helping the public stay informed and combating those who try to twist history to promote narratives of hate and violence? We didn't get a chance to go in depth on this subject, but it's worth noting that part of the reason reading older texts is so important is for how they keep us culturally literate and undo both stereotypes and more malicious rewritings of the past. Oh, and we also talk about Spider-Man and his connection to medieval stories, too. How so? Well, you'll have to listen to find out, but be warned that there are some spoilers for the film Spider-Man: Into the Spider-Verse when we get to that point.---And here's a list of all the texts recommended in this episode:JulianaAndreasVis and RaminThe MabinogianThe TainThe Vinland SagasIbn Fadlan and the Land of DarknessThe Travels of Marco PoloShahnamehThe Mirror of My Heart: A Thousand Years of Persian Poetry by WomenThe Arabian NightsSunjataCaravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan AfricanPoems of the MastersThe Tale of GenjiThe Confessions of Lady NijoPopol VuhThe Secret of KellsFollow:Kelly Williams@MediaevalMuseThe Vault of CultureBlog: Shield MaidensThe Plot@ThePlotPodcast@_SeanDouglass_

Melvyn Bragg and guests discuss one of the jewels of medieval English poetry. It was written c1400 by an unknown poet and then was left hidden in private collections until the C19th when it emerged. It tells the story of a giant green knight who disrupts Christmas at Camelot, daring Gawain to cut off his head with an axe if he can do the same to Gawain the following year. Much to the surprise of Arthur's court, who were kicking the green head around, the decapitated body reaches for his head and rides off, leaving Gawain to face his promise and his apparently inevitable death the following Christmas. The illustration above is ©British Library Board Cotton MS Nero A.x, article 3, ff.94v95 With Laura Ashe Professor of English Literature at Worcester College, University of Oxford Ad Putter Professor of Medieval English Literature at the University of Bristol And Simon Armitage Poet Laureate and Professor of Poetry at the Universities of Leeds and Oxford Producer: Simon Tillotson

King Cnut the Great started life as a young Viking warrior, but quickly became one of the most successful kings in Anglo-Saxon history, reigning over a huge empire covering England, Denmark and Norway in the early 11th Century. For some, he was the perfect Christian king; for others, he was a ruthless warlord. Today in popular culture his name is associated with the tale of King Cnut and the waves - the legend of an arrogant king who believed he could stop the tide. Joining Bridget Kendall to disentangle the facts from legends about King Cnut are Else Roesdahl, professor emerita of Medieval Archaeology at the University of Århus, Denmark; Eleanor Parker, lecturer in Medieval English Literature at Brasenose College, Oxford University, UK; and historian Timothy Bolton, author of the biography Cnut the Great. (Image: An illustration where Cnut criticises his courtiers for believing that he could command the tide of the river. Credit: Bettmann/Getty Images)

In a programme first broadcast in 2018, Melvyn Bragg and guests discuss one of the jewels of medieval English poetry. It was written c1400 by an unknown poet and then was left hidden in private collections until the C19th when it emerged. It tells the story of a giant green knight who disrupts Christmas at Camelot, daring Gawain to cut off his head with an axe if he can do the same to Gawain the following year. Much to the surprise of Arthur's court, who were kicking the green head around, the decapitated body reaches for his head and rides off, leaving Gawain to face his promise and his apparently inevitable death the following Christmas. The illustration above is ©British Library Board Cotton MS Nero A.x, article 3, ff.94v95 With Laura Ashe Professor of English Literature at Worcester College, University of Oxford Ad Putter Professor of Medieval English Literature at the University of Bristol And Simon Armitage Poet and Professor of Poetry at the Universities of Leeds and Oxford Producer: Simon Tillotson

In a programme first broadcast in 2018, Melvyn Bragg and guests discuss one of the jewels of medieval English poetry. It was written c1400 by an unknown poet and then was left hidden in private collections until the C19th when it emerged. It tells the story of a giant green knight who disrupts Christmas at Camelot, daring Gawain to cut off his head with an axe if he can do the same to Gawain the following year. Much to the surprise of Arthur's court, who were kicking the green head around, the decapitated body reaches for his head and rides off, leaving Gawain to face his promise and his apparently inevitable death the following Christmas. The illustration above is ©British Library Board Cotton MS Nero A.x, article 3, ff.94v95 With Laura Ashe Professor of English Literature at Worcester College, University of Oxford Ad Putter Professor of Medieval English Literature at the University of Bristol And Simon Armitage Poet and Professor of Poetry at the Universities of Leeds and Oxford Producer: Simon Tillotson

Eleanor Parker, Lecturer in Medieval English Literature, Brasenose College, Oxford, gives the fifth and final talk in the Tolkien: The Maker of Middle Earth lecture series. This lecture focuses on Tolkien and old norse. The language and literature of medieval Scandinavia and Iceland had a profound influence on Tolkien's imagination, and this talk will introduce the language through exploring some of the Old Norse sagas, poems and legends which particularly interested Tolkien in his scholarly and creative work. This series, convened by Dr Stuart Lee, presents five Oxford academics who examine the medieval languages that J.R.R. Tolkien studied and taught. Each lecture will present a short introduction to a language and its literature. The lectures will show how Tolkien's linguistic and philological scholarship inspired him to create names for characters and places in his literary works, and to invent the languages of Middle-earth.

Eleanor Parker, Lecturer in Medieval English Literature, Brasenose College, Oxford, gives the fifth and final talk in the Tolkien: The Maker of Middle Earth lecture series. This lecture focuses on Tolkien and old norse. The language and literature of medieval Scandinavia and Iceland had a profound influence on Tolkien's imagination, and this talk will introduce the language through exploring some of the Old Norse sagas, poems and legends which particularly interested Tolkien in his scholarly and creative work. This series, convened by Dr Stuart Lee, presents five Oxford academics who examine the medieval languages that J.R.R. Tolkien studied and taught. Each lecture will present a short introduction to a language and its literature. The lectures will show how Tolkien's linguistic and philological scholarship inspired him to create names for characters and places in his literary works, and to invent the languages of Middle-earth.

Today I'm joined by Eleanor Parker, who is Lecturer in Medieval English Literature at Brasenose College, Oxford. She writes an acclaimed Medieval history blog in her guise as ‘’A Clerk of Oxford,'' and has just written a book titled ‘’Dragon Lords: The History And Legends of Viking England.'' You can find her book via the link below.  Eleanor's book: https://amzn.to/2vDun5S The History of Vikings on YouTube https://bit.ly/2TW2DEh Follow The History of Vikings on Twitter https://bit.ly/2Qsg28b Feel free to contact me with any questions, comments, suggestions or inquiries that you might have noah@thehistoryofvikings.com Music: Danheim - Framganga https://danheimmusic.com/

Hello and welcome to first proper episode of Future Classroom Podcast English. The English version of our Danish podcast about studying Future Classroom Teacher at University College UCC Campus Carlsberg. I’m Nick Holmberg. Today we are gonna share our Bill Rankin interview. Bill Rankin is a founding learning & educational technology consultant at Unfold Learning. He has a PhD in Medieval English Literature and is a the former Director of Learning at Apple. My co-host Josefine and I had the pleasure of interviewing Bill Rankin at the Danish Learning Festival in Copenhagen in the spring of 2017. The interview is originally from episode 16 of the danish podcast. Enjoy. twitter.com/rankinw https://unfoldlearning.net https://www.linkedin.com/in/rankinwilliam Social media (mainly in danish) www.futureclassroompodcast.dk facebook.com/futureclassroompodcast/ instagram.com/futureclasspod/ twitter.com/futureclasspod/ soundcloud.com/futureclasspodeng/ and search Future Classroom Podcast English on iTunes Jingle by Kristian Mogensen. Josefine twitter.com/JosefineBrinck/ instagram.com/josefinebm.dk/ Nick twitter.com/nickholmberg/ instagram.com/nickholmberg/

Melvyn Bragg and his guests discuss the epic poem Beowulf, one of the masterpieces of Anglo-Saxon literature. Composed in the early Middle Ages by an anonymous poet, the work tells the story of a Scandinavian hero whose feats include battles with the fearsome monster Grendel and a fire-breathing dragon. It survives in a single manuscript dating from around 1000 AD, and was almost completely unknown until its rediscovery in the nineteenth century. Since then it has been translated into modern English by writers including William Morris, JRR Tolkien and Seamus Heaney, and inspired poems, novels and films. With: Laura Ashe Associate Professor in English at the University of Oxford and Fellow of Worcester College Clare Lees Professor of Medieval English Literature and History of the Language at King's College London Andy Orchard Rawlinson and Bosworth Professor of Anglo-Saxon at the University of Oxford Producer: Thomas Morris.

Melvyn Bragg and his guests discuss the epic poem Beowulf, one of the masterpieces of Anglo-Saxon literature. Composed in the early Middle Ages by an anonymous poet, the work tells the story of a Scandinavian hero whose feats include battles with the fearsome monster Grendel and a fire-breathing dragon. It survives in a single manuscript dating from around 1000 AD, and was almost completely unknown until its rediscovery in the nineteenth century. Since then it has been translated into modern English by writers including William Morris, JRR Tolkien and Seamus Heaney, and inspired poems, novels and films. With: Laura Ashe Associate Professor in English at the University of Oxford and Fellow of Worcester College Clare Lees Professor of Medieval English Literature and History of the Language at King's College London Andy Orchard Rawlinson and Bosworth Professor of Anglo-Saxon at the University of Oxford Producer: Thomas Morris.

Melvyn Bragg and his guests discuss the Icelandic Sagas. First written down in the 13th century, the sagas tell the stories of the Norse settlers of Iceland, who began to arrive on the island in the late 9th century. They contain some of the richest and most extraordinary writing of the Middle Ages, and often depict events known to have happened in the early years of Icelandic history, although there is much debate as to how much of their content is factual and how much imaginative. Full of heroes, feuds and outlaws, with a smattering of ghosts and trolls, the sagas inspired later writers including Sir Walter Scott, William Morris and WH Auden. With: Carolyne Larrington Fellow and Tutor in Medieval English Literature at St John's College, Oxford Elizabeth Ashman Rowe University Lecturer in Scandinavian History at the University of Cambridge Emily Lethbridge Post-Doctoral Researcher at the Árni Magnússon Manuscripts Institute in Reykjavík Producer: Thomas Morris.

Melvyn Bragg and his guests discuss the Icelandic Sagas. First written down in the 13th century, the sagas tell the stories of the Norse settlers of Iceland, who began to arrive on the island in the late 9th century. They contain some of the richest and most extraordinary writing of the Middle Ages, and often depict events known to have happened in the early years of Icelandic history, although there is much debate as to how much of their content is factual and how much imaginative. Full of heroes, feuds and outlaws, with a smattering of ghosts and trolls, the sagas inspired later writers including Sir Walter Scott, William Morris and WH Auden. With: Carolyne Larrington Fellow and Tutor in Medieval English Literature at St John's College, Oxford Elizabeth Ashman Rowe University Lecturer in Scandinavian History at the University of Cambridge Emily Lethbridge Post-Doctoral Researcher at the Árni Magnússon Manuscripts Institute in Reykjavík Producer: Thomas Morris.