Podcast appearances and mentions of Nathan Smith

Do consider a paid subscription today in case a time accident takes place and suddenly I'm whisked back to September 5, 1698, when Tsar Peter I of Russia levied a tax on beards for everyone except the clergy and peasants. This is most likely not going to happen, but this is one possible reason to make a contribution.This Saturday edition of Charlottesville Community Engagement also offers me the opportunity to experiment. This particular version has material that did not appear on the WTJU radio program and is created fresh for the loyal listeners of the podcast.But for the first time in a regular post, paid subscribers get access to a synopsis of a particular project. There's nothing new in the reporting, but I took the opportunity to write up a summary of the ill-fated West2nd project based on a combination of previous reporting and new research. That part is not in the audio. Stories this week: * Charlottesville follows through with plans to clear encampments along the Rivanna River after 2000 Holiday Drive opens (look at the story)* Albemarle Supervisors presented with metrics on county performance in FY2026 (read story)* Albemarle Supervisors agree to allow County Executive to sign performance agreement for Southwood's second phase (view story)* Albemarle Supervisors agreed to charge fares for MicroCAT (see story)* Albemarle Supervisors approved rezoning for 18-unit development on three acres in Crozet (story forthcoming on C-Ville Weekly)* Paid subscribers get a written summary of what happened with West2nd, an unbuilt development that would been constructed on a city parking lot They are not all podcasts, but this one is. If you sign up for free, you'll get that each week as well as a lot of other information. Paid subscribers get a smidge more and support the work financially A sponsored message: Panorama Natural BurialAt Panorama Natural Burial, we believe caring for the deceased can be simple, meaningful, and deeply connected to the natural world. As a natural burial ground just outside Charlottesville, we offer families an alternative to traditional burial that honors both the people we love and the land that will carry them forward.Whether you are planning ahead, navigating a recent loss, or are just curious about natural burial, we welcome the conversation. We host regular tours and community events throughout the year. At Panorama we are building new ways of understanding death, land, ecology, ritual, memory, and community. We believe that building community around death care helps us all to live fuller lives. We are open to the public daily 9 a.m. to 7 p.m. Come visit!No arrests made in conjunction with Charlottesville removal of people from Rivanna River encampmentsThis story assembles coverage from previous editions of the newsletterThis week the City of Charlottesville followed through on a deadline to remove people from encampments along the Rivanna River as soon as an emergency shelter opened at 2000 Holiday Drive to provide an alternative.Charlottesville's chief building official issued a temporary certificate of occupancy early September 1 after work crews cleared a list of violations that held up issuance the day before.The city closed off the Rivanna Trail at Free Bridge on Tuesday to give space for the clean-up and asked media representatives to stay clear.By the end of the first day, sixteen people had opted to move into the emergency shelter and the camps were declared to be closed.The same night, video footage captured someone setting fire to two of tents still standing at one of the camp sites. Officials are still requesting help.By the end of Wednesday night, ten more people had moved in. The city that day also posted a video with Nathan Smith, the CEO of Central Arizona Shelter Services. That firm is being paid $3.2 million for a year's worth of running the emergency low-barrier shelter.“Low-barrier shelter means we do everything we can to eliminate all the things that prevent people from accessing shelter,” said Nathan Smith. “For example, people don't access shelter because they can't bring their pets.”In the video, Smith takes viewers through the renovated first floor of 2000 Holiday Drive which includes storage space for people's belongings.“We have 240 bins for what could be up to 120 people,” Smith said. “Not certain 120 people are going to be here. If so, great, everyone can have two bins, but if not, maybe they can have three.”The men's dorm currently has 37 twin-size beds in a congregate setting but more can be added. Each has a locker underneath. Charging stations are nearby for phones and other devices, but also for health equipment like CPAP machines.There are currently 21 beds in the women's dorm. There are also four isolation rooms for a variety of purposes such as if guests are sick.Tables have also been set up for guests to play games and to share time with each other. Smith said that many people experiencing homelessness are also feeling isolated.“One of the reasons why people enjoy living in encampment situations is because they have a sense of community,” Smith said. “We want to bring them into a safer space where they're not worried about getting flooded or the other things that happen with the elements, particularly in the winter.”On Thursday, the city also released images and a video of what appears to be a person dressed in light clothing along a paved portion of the trail. As they walk into the frame of the security camera, they put a hat on their head to shield their identity.The person briefly leaves the trail and walks to one of the tents still standing alongside discarded items. They use some sort of a mechanism to start a flame and walk away when it ignites. The person that moves further down the trail and appears to walk away. They turn back to catch another tent on fire. This flame burns more quickly and continues to grow as the video ends.The city asks anyone with information to call the Crime Stoppers line at 434-977-4000.Take a look at the video here.City Councilor Jen Fleisher updated the members of the Thomas Planning District Commission on the closure of the encampments at the group's meeting on September 3.“We've moved everyone out into shelter or alternative housing,” Fleisher said. “And that was an effort that involved multiple departments and agencies, as well as nonprofits and community volunteers. We've met with 26 guests, well, 27 guests as of this afternoon. Doors are open.”Fleisher said Central Arizona Shelter Services is being paid to run the site for the next year while plans continue to be developed to convert 2000 Holiday Drive into a permanent emergency shelter.Fleisher also said the cleanup of the trail will continue through Saturday and damages are being repaired.When asked about the fire, Fleisher said the fire happened after the last three residents of the encampment left on Wednesday night.So far no lawsuits have been filed against the city, but Fleisher confirmed there many people on site observing activities during the removal period.“While they were with us all day, no one communicated with us any concerns, and I haven't seen any reports yet,” Fleisher said.People staying there are getting two meals, a place to shower, and access to case managers.“That's the goal, to make this a stepping stone into transitional housing, then permanent supportive housing, and do so by really getting back on or first time connected to that case management, the support needed,” Fleisher said.On Friday, the city's Communications and Public Engagement office did another in-house video with City Manager Sam Sanders. He said that even though the shelter is operating under a temporary permit, the intent is for it to never close.“We're gonna make improvements to the space while we continue to serve in that location. I see it as a one-stop homeless services center,” Sanders said. “That's what I would like it to be. That is what we're hoping that our partners can come together and produce and that we can find as many providers who are willing to come to that location.”Sanders said the city will also be investing in transitional housing as a next step for many after a congregate emergency shelter. He thanked all involved with the swift opening of 2000 Holiday Drive.“We started this conversation in mid-July, and here we are in early September with the facility open that I never envisioned could be possible this quickly after buying the building last year,” Sanders said. “And our community partners, the assessment team members, all the folks who have really, really rallied around the idea that An emergency response is what was needed for what was happening at the Rivanna River.”The topic is likely to come up in some form at City Council's meeting on Tuesday, September 8.One item in the packet is Sanders' written report which contains a mention that he met with the executive director of the Thomas Jefferson Planning District Commission on September 1 to “to discuss opportunities to align funding priorities to support a regional response to homelessness using currently allocated opportunities to engage all regional parties in the discussion.”What will that look like? Stay tuned to Charlottesville Community Engagement.Background context on why one Downtown Charlottesville project didn't work outThis week, the formerly daily newspaper called the Charlottesville Daily Progress printed an article about the demise of West2nd that appears to have been based on previous reporting in this newsletter. It's likely behind a paywall, but somehow I was able to click through.West2nd is a failed development by Woodard Properties that began life as Market Plaza. The article prompted a polemic on Reddit from someone demanding that the Board of Architectural Review be disbanded due to their role in the project's demise.As with many things, that is not the complete picture.My idea of a fun Friday night is reviewing old stories to make sure any future reporting I do is still valid. I'm only as good as how accurate I am, and memory should never be trusted. I also wanted to fill in one of my knowledge gaps.In the following, all links go to reporting I did years ago at Charlottesville Tomorrow unless otherwise noted.The roots of the failure of West2nd begin with the way the project came to be. In October, City Council put out a request for developers interested in developing the city-owned lot that also included 105 spots for market vendors. That idea stemmed from a design contest held by the now-defunct Charlottesville Community Design Center in 2007.Four proposals were received and one of them did imagine purchasing the lot next door from Charlottesville Parking Center which at that time was still owned by a group of shareholders rather than one person. Council selected Woodard Properties in June 2014 for an L-shaped nine-story building with 67 residential units, commercial space, and 115 market slots.“You see that it is possible to come to decisions,” said Mayor Satyendra Huja. “I have made up my mind that mixed-use development and the market can happen on this site in spite of the number of consultants we hired that said no.”A special use permit was needed and it sailed through the review process and was approved in December 2014. The Board of Architectural Review still had to sign off on the design.On Council, Huja was just an elected official and not in his previous perch as director of the city's planning efforts. He would leave office and permanently retire from public life at the end of 2015 but was on Council in October 2015 when the special use permit was amended.In early 2015, Planning director Jim Tolbert had left. That meant the project went through the rest of the planning process without anyone on Council to try to shepherd it through and with a new person in charge in Neighborhood Development Services.Council had a lot of turnover. Mike Signer and Wes Bellamy joined Council in 2016. Heather Hill and Nikuyah Walker did so in 2018, after the events of the year before. The political climate changed.When another request to amend the special use permit came before Council in early 2018, a 3-2 majority denied it. (C-Ville Weekly version by another reporter)“Whenever we begin to create housing that is supposed to be top-notch and high-level, very rarely do individuals from low-income communities have the opportunity to take advantage of such,” said Councilor Wes Bellamy at the time.After that vote, Woodard agreed to make changes and the new count was 4-1 two months later. Only Walker remained as a no vote. (Cavalier Daily article)By June 2018, I had left Charlottesville Tomorrow and out of play as a reporter. My new job did not extend to covering the Board of Architectural Review.At this point, the project has received a preliminary certificate of appropriateness from the BAR. According to the minutes of their August 21, 2018 meeting, Woodard returned to get it finalized and he hoped to get under construction by October.A description of the review begins on page 7 and indicates many BAR members were dissatisfied with many aspects of the project.A vote to recommend denial was 5 to 3 “based on the comments cited earlier focusing on mass and height and the use of the plaza as a functional public space.”While Woodard's lawyer appealed the BAR's decision to Council, that hearing never happened. Woodard also issued a press release announcing the project would be abandoned.“I hope that someone else can move this project forward. In early 2014 when we responded to the City RFP to develop this project, it was a different City Council and different circumstances. The last straw for us was yet another unexpected delay by the City Board of Architectural Review (BAR) on August 21st” said Keith Woodard.Some other articles to round this out:* Developer scraps West2nd project, citing ‘unexpected delay' from city's Board of Architectural Review, Eliza Haverstock, Cavalier Daily, August 30, 2018* West2nd City Council appeal indicates the project could still move forward, Geremia Di Maro and Jake Gold, Cavalier Daily, September 1, 2026* ‘The last straw:' Woodard pulls the plug on West2nd, Samantha Baars, August 30, 2018Woodard's son Anthony now runs Woodard Properties and recently purchased the 100 East Water Street for $15 million from the Charlottesville Parking Center, as I reported for C-Ville Weekly.The City Market continues to be a down attraction, coinciding with one held at the Ix Art Park.How will things develop in the future?Thanks to your paid subscription to the newsletter, I hope to continue to do the work for a long time to come.This post has bonus content for paid subscribers. Upgrade to get full access.Thoughts at the end of #1119-A Somehow the work week has concluded. And I have the opportunity to take a day off. I dislike this because as I say a lot, work to me relaxing. I research things for a living, and I have a lot of deadlines. If I am working toward them, I feel in a positive state.If I am not, I begin to deteriorate.This particular edition is a little late. Many podcast listeners this week have reached out to say how important it is for them to be able to hear the stories, so I'll keep doing them. I also want to figure out how to work with people who might like to learn production skills. In any case, this is now finished and I'm going to go to a birthday party a friend is throwing for herself. I will try my best not to work when I am there.The Week Ahead may be delayed until Monday morning with the next regular newsletter on Tuesday. I have two stories written for that. The goal with work tomorrow is to try to get a lot of next week framed out so when the time comes I'll just get to the tasks at hand. At some point, too, there is financial work to be done. I really need to get to that. Thanks again for reading and listening. Please share with people. This has all grown through word of mouth and people sharing. For now, though? Time to clean my kitchen after the delicious brunch I made for myself earlier after a five mile walk after sunrise. I'm old now, and I'm here for it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit communityengagement.substack.com/subscribe

After six episodes telling the story of Lahinch, the people behind the club, the team preparing the course and the players who have actually lived the Walker Cup, we are finally here.The Walker Cup is coming to Lahinch.On September 5th and 6th, the United States will take on Great Britain and Ireland at Lahinch Golf Club in the 51st playing of the Walker Cup.Twenty of the best amateur golfers in the world.Twenty six matches.Two teams.One trophy with more than a century of history behind it. In the final episode of the PaddyTalks Golf Walker Cup Series, I get you ready for the weekend.We start with the basics.What exactly is the Walker Cup?How does the format work?What are foursomes?Why is match play so different?And why can one hole, one match or one point completely change the direction of the weekend? Then we meet the captains, Dean Robertson and Nathan Smith, before going through both teams, the reserves and some of the players who could become the stories of the weekend.I also pick the players I will be watching most closely across the weekend.Then we leave the team sheets behind and get onto the course.Where should you actually watch the Walker Cup at Lahinch?And why the final holes could provide some of the most dramatic match play of the entire weekend. But this episode isn't just about the golf.If you're coming to Lahinch, I have recommendations for where to get coffee, where to grab food, where to have a pint, where to bring the kids and what else you should experience while you're in Clare.Because the Walker Cup is coming to Lahinch.But Lahinch is much more than a golf course. Can GB&I win the Walker Cup back?And will we all be talking about this weekend for decades to come?This is Episode 7 of 7 in the PaddyTalks Golf Walker Cup Series.Let's make it one to remember.Listen back to previous episodes at:www.paddytalksgolf.comThe PaddyTalks Golf Podcast is POWERED BY ForeGolf Custom.For your own tour level custom fitting experience, visit www.foregolf.ie and book your fitting today. Hosted on Acast. See acast.com/privacy for more information.

Tommy Morrison's professional career is off to a flying start.The former University of Texas standout joins Gary Williams after earning his first Korn Ferry Tour victory in just his fourth start and recording five top-10 finishes through his first six events. Morrison discusses the transition from college to professional golf, the incredibly low scoring required on the Korn Ferry Tour, what makes Jackson Koivun special, and why his time at Texas helped prepare him for the next level.Then, U.S. Walker Cup captain Nathan Smith joins the show ahead of the upcoming matches at Lahinch Golf Club in Ireland. Smith breaks down the process of selecting the American team, the importance of veteran Stewart Hagestad, the emergence of Miles Russell, and what awaits Team USA on the road against a talented GB&I squad.Plus, Gary opens the show with his thoughts on LIV Golf, its lasting impact on the PGA TOUR and Ryder Cup, and later examines the need for more consequence and player turnover as professional golf moves toward major changes in 2028.On Today's Show:• Tommy Morrison on his fast start in professional golf• Morrison on Jackson Koivun's elite ball striking and distance control• Nathan Smith previews the U.S. Walker Cup team• Miles Russell, Stewart Hagestad and Team USA• The challenge awaiting the Americans at Lahinch• Gary on LIV Golf's impact on the professional game• The FedExCup, Signature Events and the importance of “churn” heading toward 2028Subscribe to 5 Clubs for more conversations and analysis from across the world of golf. Watch or listen to the show live Monday–Wednesday on Golf Channel and SiriusXM PGA TOUR Radio at 8 AM ET.FOLLOW 5 Clubs: Instagram: https://www.instagram.com/5clubsgolf/X: https://x.com/5ClubsGolf Facebook: https://www.facebook.com/5ClubsGolf/TikTok: https://www.tiktok.com/@5clubsgolf#5Clubs #GolfChannel #PGATOUR #WalkerCup #TommyMorrison

BIG STORY: We spoke with Nathan Smith, the Democratic candidate for Tarrant County District Clerk, who will unseat 30-year incumbent Republican Tom Wilder.nathan4tarrant.comJoin the 817 Gather Discord, donate to the 817 Gather, and follow us on Instagram & TikTok.

Ozempic lawsuits piling up… Pablo Escobar and his riches… Luka  Doncic needs to pay… A look at lotto… Email: Chewingthefat@blazemedia.com Subscribe to Blaze TV / $20 off annual subscription… www.blazetv.com/jeffy Myspace coming back?... Cocaine Hippo baby recued… Uganda moving giraffes for oil rigs… Nazi Ships and Wooly Mammoth bones in Danube river… Stolen cannonballs found by TSA… NFL is Back… Carrie Underwood is back for Sunday Night Football… Disney sold out Superbowl Ads already… Perez Hilton still alive… Who Died Today: Mary Rivera 82 / Nathan Smith 45 / James Aren Duckett 68 / Dominick Anthony Occhicone 80… Joke(s) of The Day… Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on On The Front Foot, Bryan Waddle and Jeremy Coney pay tribute to one of the greats – Sir Garfield Sobers, who passed away at age 89. They also discuss a series win in the West Indies, the ICC's recognition of Black Caps all-rounder Nathan Smith, and the continued absence of a new test coach for England. Share your views at onthefrontfoot20@gmail.com LISTEN ABOVE See omnystudio.com/listener for privacy information.

In this episode of the show, Binksy, Jamie, Baldy and Stu look back at the Black Caps v England series in an attempt to figure out where to next for both sides. There's also a quick word on the Women's T20 World Cup final, and a nod to some upcoming white-ball series also featuring India and the West Indies.   We start the show with plenty of positivity from the New Zealand side of the ledger again as the Black Caps series victory remains at the forefront of our memories. There's a heap of praise on the bowling group and Nathan Smith in particular, along with questions about whether the batting lineup still contains a few areas of concern. Daryl Mitchell's gritty hundred is singled out as a sign of NZ's situational awareness, and we dare to dream about whether this group can go to Australia and win having now ticked off India and England in recent times. As we turn to England, the questions mount up in the wake of Ben Stokes's retirement, and 'Who's next?' is right up there on the list. We discuss the good and the frustrating about the Stokes/McCullum era, what England could take forward with them into the next one and whether Harry Brook is the right person to lead that group. We also speculate about who might replace Stokes at 7, and who might take over as coach if Brendon McCullum is moved on from the test role. After a long discussion, we round out the show with a conversation about the Women's T20 World Cup. We say thanks and farewell to three White Ferns legends in Sophie Devine, Suzie Bates and Lea Tahuhu, then look ahead to the final between England and Australia that will play out not long after our recording. There's also a brief mention of Vaibhav Sooryavanshi's international debut at the remarkable age of 15 years 99 days, but no doubt there will be longer discussions on his career in the weeks and months ahead. We'll be back again next week with more news and views. Until then please take the time to give us a like, follow, share or subscribe on all our channels (@toporderpod on Twitter & Facebook, and @thetoporderpodcast on Instagram & YouTube) and a (5-Star!) review at your favourite podcast provider, or tell a friend to download. It really helps others find the show and is the best thing you can do to support us. You can also find all our written content, including our Hall of Fame series, at our website. You can also dip back into our guest episodes - including conversations with Mike Hesson, Shane Bond and Mike Hussey, current players such as Matt Henry, Sophie Devine and Ish Sodhi, coaches Gary Stead, Jeetan Patel and Luke Wright, as well as Barry Richards, Frankie Mackay, Bharat Sundaresan and many more fascinating people from all across the cricketing world. And if you'd like to reach out to us with feedback, questions or guest suggestions, get in touch at thetoporderpodcast@gmail.com. Thanks for listening.   0:00 Intro 1:40 Plenty of positives for the Black Caps 5:35 Depth of NZ's bowling attack 10:00 Black Caps' style 13:45 Daryl Mitchell's throwback hundred 16:20 Could NZ finally beat Australia away? 23:10 How much change is needed for England? 33:05 What should England take forward from Bazball? 38:15 England's leadership 46:00 Who replaces Ben Stokes at 7? 57:05 Women's T20 World Cup 1:06:50 India v England & NZ's ODI squad v West Indies Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, we sit down with Nathan Smith, LPC, CMPC Candidate, as he shares his personal journey into the field of sport psychology. Nathan opens up about the experiences that shaped his passion for mental performance, resilience, and helping athletes unlock their full potential. Through his story, listeners will discover the power of mindset, purpose, and perseverance, both in sport and in life.

Today on the Show, the guys chatted to Black Cap, Nathan Smith after the win this morning! (0:01:33) Plus, it’s Tuesday so that means we have your lame claims to fame to run through! (0:43:53) Follow The Hauraki Breakfast Show on Instagram Subscribe to the podcast now on iHeartRadio, YouTube, or wherever you get your podcasts! Featuring Jeremy Wells and Manaia Stewart, "The Hauraki Breakfast" a radio show like no other weekdays from 6am on Radio Hauraki. Guaranteed to teach you bad new habits, raise your eyebrows, and make you smirk on a regular basis. News, sport & music that rocks! See omnystudio.com/listener for privacy information.

Daniel Norcross is alongside former England captains Michael Vaughan and Sir Alastair Cook, as well as BBC chief cricket commentator Jonathan Agnew for reaction to the third day's play between England and New Zealand at Trent Bridge.Hear from England spinner Shoaib Bashir, and New Zealand allrounder Nathan Smith.

In this episode of the show, Binksy, Baldy, Jamie and Stu look back at the First Test between England and the visiting Black Caps at Lord's.. We start the show by throwing it to the victors as England take a 1-0 lead in this Test series. Jamie is cautious with his optimism, while Binksy takes us through the Lord's experience and we discuss how important victory in any form was to kickstart this next phase of the Stokes/McCullum partnership. As the conversation continues, it inevitably turns to the Lord's pitch, which prompted an apology from the MCC after the surface grabbed most of the headlines. Was this game even watchable from a neutral perspective? And can we really take any lessons from what happened during the course of the game? In a much more enjoyable and positive segment of the show, we return to the cricket on display to discuss the bowling groups from both sides. There were bags for the returning Ollie Robinson and Kyle Jamieson, plus two more for Nathan Smith and Gus Atkinson. Throw in the performances of Will O'Rourke, Josh Tongue and to a lesser extent Matt Henry and Ben Stokes and it's easy to see why the batters had such a tough time navigating the conditions. For the batters, a fifty on debut for Emilio Gay was about the only highlight, so there's a temptation to put the game in the shredder and move on, but did either team get the tactics right? Was there a hint that the Bazball approach may well be changing after all? To round out the show, we briefly discuss what's next for both sides. Will Matt Henry be fit for the second Test? Will Jofra Archer return to England's squad? And is Kane Williamson retiring? We'll be back again with more news and views next week, most likely to look ahead to the second Test and look back at what happened elsewhere around the world. Until then please take the time to give us a like, follow, share or subscribe on all our channels (@toporderpod on Twitter & Facebook, and @thetoporderpodcast on Instagram & YouTube) and a (5-Star!) review at your favourite podcast provider, or tell a friend to download. It really helps others find the show and is the best thing you can do to support us. You can also find all our written content, including our Hall of Fame series, at our website. You can also dip back into our guest episodes - including conversations with Mike Hesson, Shane Bond and Mike Hussey, current players such as Matt Henry, Sophie Devine and Ish Sodhi, coaches Gary Stead, Jeetan Patel and Luke Wright, as well as Barry Richards, Frankie Mackay, Bharat Sundaresan and many more fascinating people from all across the cricketing world.  And if you'd like to reach out to us with feedback, questions or guest suggestions, get in touch at thetoporderpodcast@gmail.com. Thanks for listening.  0:00 Intro 2:15 England take a 1-0 lead at the home of cricket 10:20 The Lord's pitch was a shocker 14:30 NZ frustrations 21:05 Impressive bowling performances: England/Ollie Robinson 26:00 Should the Black Caps' batters have been more positive? 35:00 Did we see a change in England's approach? 42:30 Changes and retirements (?) for the rest of the series Learn more about your ad choices. Visit podcastchoices.com/adchoices

Simon Mann is alongside the BBC's Chief Cricket Commentator Jonathan Agnew, former England captain Michael Vaughan and TMS stats guru Andy Zaltzman to review the second day of the First Test between England and New Zealand at Lord's. A day where 17 wickets fell and Emilio Gay scored a half century. Hear from Gay and New Zealand bowler Nathan Smith who took six wickets on a frantic day.

(00:00) Dragons/NZ Warriors(27:20) Mindfulness(31:04) Ben Gold(36:30) NZ NBL(40:00) Charlisse Leger-Walker(47:35) All Whites(01:05:25) BlackcapsThis week in the Niche Cache we check in with a Dragons fan after their first win of the NRL season and reflect on an epic loss for NZ Warriors vs Penrith Panthers. Then we update a bunch of basketball things with Ben Gold joining Tasmania in the Aussie NBL, Reuben Te Rangi in fine form for Tauranga Whai and Charlisse Leger-Walker grinding through the opening phase of the WNBA season. Then we dive into All Whites World Cup matters with Tim Payne stumbling on a groove, friendly previews and Elijah Just's form heading into the tournament. Blackcaps are about to start their Test series vs England as well so we attack that from all angles talking through Nathan Smith's role, Rachin Ravindra's excellence and a wee dip in form for Daryl Mitchell. Patreon: https://www.patreon.com/elnichecacheSubstack: https://thenichecache.substack.comDonate: https://buymeacoffee.com/thenichecachethenichecache@gmail.com

This is a special message from guest speaker Pastor Nathan Smith on understanding how to remain in faith during periods of shaking.

On this special pre-winter/northern summer episode of The BYC Podcast, Dylan Cleaver joins Paul Ford mid-Test between the Blackcaps and Ireland to discuss why the hell are we playing Ireland, and is it part of the World Test Championship? (00:00)... Then they recap the play so far from the batting of Rachin Ravindra, Tom Blundell and Dean Foxcroft to the history-making bowling of Nathan Smith. Answer debate: What does it all mean when it comes to selections and for our chances against England at Lord's next week? Follow The ACC on Instagram or Facebook or TikTok Subscribe to The BYC Podcast now on iHeartRadio, YouTube, or wherever you get your podcasts! iHeartRadio Apple Spotify YouTube THANKS MATE!See omnystudio.com/listener for privacy information.

Blackcap Nathan Smith joins the show to chat about the current test against Ireland, Upcoming test against England, The Cricket crowds in Ireland, and more! Learn more about your ad choices. Visit megaphone.fm/adchoices

Neil Manthorp is joined by the former England fast bowler Steve Harmison to discuss the week's biggest stories. They are also joined on the show by the New Zealand all-rounder Nathan Smith, and the England batter Heather Knight. How big a blow will it be for England if Jacob Bethell misses the first Test at Lord's next week? Who comes in to replace him at No.3 if he is ruled out with injury? Was the decision for Jofra Archer to miss the first Test now justified after Rajasthan Royals made it to the IPL play-offs? Could England's Test stars miss a Test series to play in the 2028 LA Olympics instead? How are New Zealand feeling ahead of their Tests against Ireland and England? Is this the strongest New Zealand bowling attack in their history? How will England's World Cup chances be impacted if Nat Sciver-Brunt is ruled out with injury? What's going on in South Africa with tickets for the Newlands Test against England this winter?Instagram: @talkSPORT_CricketYouTube: https://www.youtube.com/channel/UC9vsecLHNgTj-yoNumw63lQX: @Cricket_TS @NeilManthorp @Harmy611Hosts: Neil Manthorp and Steve HarmisonProducer: Scott TaylorHosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

In this episode of the show, Binksy and Stu celebrate the Top Order's 500th episode before discussing the week that was in IPL 2026 and evaluate the Black Caps' Test squad for the upcoming tour to Ireland and England, plus a bit of England Cricket chat as well. We start the show by raising the bat to 500 episode for The Top Order Podcast. It's been a fun journey filled with plenty of highlights, so the boys share a few before moving on to the cricket once again. As the conversation turns to IPL 2026, we discuss a week which saw the majority of the higher-ranked sides stumble, while the Gujarat Titans, Kolkata Knight Riders and Chennai Super Kings took advantage and moved up the ladder. For GT, Shubman Gill and Sai Sudharsan are easy to praise, but it's Rashid Khan who we put in the spotlight for his impressive contributions and craft. Binksy then asks whether Stu believes in the Sunrisers yet, whereas Stu's trying to figure out why the Punjab Kings are dropping so many catches - and also basking in the glory of Finn Allen's hundred for KKR. In the second half of the show, the guys discuss the newly announced 19-player Black Caps Test squad to tour the UK and Ireland. What did they get right in the draft last week? And are there any surprises? There's praise for the seam bowling attack despite the absence of Jacob Duffy, with Matt Henry, Will O'Rourke, Kyle Jamieson, Nathan Smith and co. all in line to feature. On the England side of things, a new selector has (sort of) been announced, and Binksy outlines potential changes from The Ashes that could open the door for a return for Ollie Robinson and a fresh face in the batting line up. We'll be back in your feed again soon with more cricket news, including the charge to the IPL finals and the Black Caps' tour to England. Until then please take the time to give us a like, follow, share or subscribe on all our channels (@toporderpod on Twitter & Facebook, and @thetoporderpodcast on Instagram & YouTube) and a (5-Star!) review at your favourite podcast provider, or tell a friend to download. It really helps others find the show and is the best thing you can do to support us. You can also find all our written content, including our Hall of Fame series, at our website. You can also dip back into our guest episodes - including conversations with Mike Hesson, Shane Bond and Mike Hussey, current players such as Matt Henry, Sophie Devine and Ish Sodhi, coaches Gary Stead, Jeetan Patel and Luke Wright, as well as Barry Richards, Frankie Mackay, Bharat Sundaresan and many more fascinating people from all across the cricketing world. And if you'd like to reach out to us with feedback, questions or guest suggestions, get in touch at thetoporderpodcast@gmail.com. Thanks for listening. 0:00 Intro 1:30 500 episodes for the Top Order 6:20 IPL 2026: GT's charge into the Top 4 11:25 Is it time to believe in SRH? 15:00 Why can't the Punjab Kings catch? 20:15 Finn Allen stars for KKR, but is it too late? 24:30 CSK holding on 28:35 Black Caps Test squad announced 39:25 Changes for England? Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Thom Francis welcomes poets Kathleen Anne Smith and Nathan Smith to the mic. They shared their work at the 2024 Word Fest Open Mic at the Sand Lake Center for the Arts on April 27, 2024. +++++ After years away, Word Fest returned. What began in 2001 as a one-day open mic at Thatcher Park grew into a week-long celebration of poetry and spoken word across the region. On April 27, 2024, the open mic came back to life after a four-year hiatus at the Sand Lake Center for the Arts with an afternoon of featured readers and community voices. Today, we're highlighting two of those poets: Kathleen Anne Smith and Nathan Smith. Kathleen Anne Smith, author of Let the Stones Grow Soft, read poems including “How Do We Home Alone?” Nathan Smith read “Chapters” from his book Cotton Candy Sun and “The Gay Boys Survival Guide: 20 Rules to Reach 25.”

IHRB's Francesca Fairbairn speaks to Mark Dickinson, outgoing General Secretary of Nautilus International, and Nathan Smith, a ship inspector with the International Transport Workers' Federation, to find out more about dark fleets. Together they examine the weaknesses in international maritime law that allow dark fleets to thrive, and the human cost borne by the seafarers on board.

The Black Caps believe it's depth in their squad that will get them through the T20 series against South Africa - which starts tonight at Bay Oval. Eight members of New Zealand's squad that were beaten by India in the World Cup final will miss out, and are resting. Black Cap Nathan Smith joined D'Arcy to discuss. LISTEN ABOVESee omnystudio.com/listener for privacy information.

This week on Group Chat, the guys kick things off fresh off Daylight Savings — and nobody's mad about it. The LA Marathon took over the city, and with it came one of the most unbelievable finishes in recent sports memory: Nathan Smith, a 36-year-old middle school teacher, came from behind in the final seconds to steal the win in a photo finish for the ages. Nike, call this man. The crew also digs into the controversy around LA handing out medals at mile 18, the logistics of playing Frogger through 10,000 runners on Sunset, and why Boston will always have more credibility. From there: Is Whole Foods actually one of the cheapest grocery stores in America? The guys make the case — and call out the "whole paycheck" narrative as outdated marketing. Plus, the best days of the week to shop on Amazon, Walmart, and Revolve thanks to dynamic pricing, and what surge pricing has taught us about how we spend. The five wealthiest counties in the US are all in the DC area. What does that tell us about who's really winning? The crew breaks it down. And finally: matcha is everywhere, vegetarianism might be the new woke, and Drama's Fantasy Factory is going viral on TikTok all over again.

This week on Headline Highlights: A heartbreaking development in the disappearance of 27-year-old Nathan Smith, son of Lil John, as a body has been found that authorities believe may be his. An arrest has been made in the shocking case of Anna Kepner, whose body was discovered hidden beneath a bed on a Carnival Cruise ship. Newly released autopsy reports in the Tepe murders reveal disturbing details about the true brutality of the crimes. And after days full of questions rather than answers, major updates have emerged in the Nancy Guthrie case..If you're new here, don't forget to follow the show for weekly deep dives into the darkest true crime cases! To watch the video version of this episode, head over to youtube.com/@annieelise. .

The Rickey Smiley Morning Show delivered an emotional and eventful episode as the team opened the day by sending heartfelt condolences to Lil Jon, who recently confirmed the tragic passing of his 27‑year‑old son, Nathan Smith, known professionally as DJ Young Slade. Authorities recovered Nathan’s body from a Georgia pond after he was reported missing, with police stating that no foul play is suspected. The show also turned its attention to Cardi B, who made headlines for reportedly spending more than $1.2 million to support boyfriend Stefon Diggs at the Super Bowl—covering private suites, premium seating, multiple private jets, and lavish after‑party plans as part of a once‑in‑a‑lifetime celebration. The crew continued with uplifting entertainment news as Halle Berry officially announced her engagement to longtime partner Van Hunt, ending months of speculation. Berry confirmed on The Tonight Show Starring Jimmy Fallon that she “did not say no” and proudly displayed her multi‑karat diamond ring while sharing that the couple simply hasn’t chosen a wedding date yet. The show closed with sharp political conversation after reports that Governor Wes Moore, the nation’s only Black governor, was uninvited from this year’s White House National Governors Association dinner—an unprecedented departure from bipartisan tradition that Moore described as “blatant disrespect” and a painful exclusion. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

The Rickey Smiley Morning Show delivered an emotional and eventful episode as the team opened the day by sending heartfelt condolences to Lil Jon, who recently confirmed the tragic passing of his 27‑year‑old son, Nathan Smith, known professionally as DJ Young Slade. Authorities recovered Nathan’s body from a Georgia pond after he was reported missing, with police stating that no foul play is suspected. See omnystudio.com/listener for privacy information.

Topics: Condolence to Nathan Smith (4:14) Winter Olympics started and protesters get sprayed and gassed (9:39) Trump social media posted disrespectful post of the Obamas (14:00) Trump wanting more locations changed for his name to be added (21:20) ICE agents still acting up but a judge tells them no warrantless arrest in Oregon (25:37) New rule coming into effect where employees can't appeal firings and more (34:36)  More Epstein files were released, and people are doing damage control (40:16)  SuperBowl and halftime talk (50:00) Ending Music: Kanye West – Jesus Lord (Instrumental) National Suicide Prevention Lifeline: 1-800-273-8255 Twitter: @My2Podcast Instagram: my2centspodcastg2 YouTube: My2CentsPodcast Business email: my2centspod@yahoo.com

Grace Juarez delivers the latest entertainment news on:- The death of 3 Doors Down lead singer, Brad Arnold after his battle with cancer- Green Day's Billy Joe Armstrong calls out ICE during a performance- Lil Jon's son, Nathan Smith, reported dead after being missing since Tuesday

As of February 6, 2026, authorities in Milton, Georgia, are conducting an intensive search for Nathan Murray Smith, the 27-year-old son of rapper Lil Jon. Known professionally as DJ Young Slade, Smith was reported missing after running out of his home on foot on the morning of Tuesday, February 3. This is what I picked up surrounding the case

What happens when the first generation won't let go?In this episode, we sit down with Nathan Smith to unpack one of the most common—and painful—challenges in the Buy Here Pay Here industry: dealership succession planning that goes sideways. Nathan shares his story of working for his father, being ready to take over, and watching it all fall apart when his dad wanted out but refused to structure a deal that actually worked.Then we flip the script. Nathan found a better path forward by partnering with a seasoned dealer who was ready to exit the right way. We break down how that transition happened, what the first 90 days looked like, the unexpected challenges (like inheriting a portfolio with short warranty terms), and why taking over an existing store with repeat customers changed everything. We cover:Why so many boomer-generation dealers can't exit successfullyThe real cost of trying to take 100% off the tableHow Nathan structured the buyout with a seasoned dealerManaging inherited customer relationships and portfolio riskThe power of starting with 47% repeat/referral businessWhy multiple rooftops aren't always the answerCollecting 98% of an inherited portfolio (and why that matters)If you're thinking about succession—whether you're the one trying to exit or the one trying to take over—this episode is required listening.Support the businesses that support the podcastBuckeye Risk ServicesReinsurance, tax planning, and long-term wealth strategies built specifically for independent dealers.https://www.buckeyerisk.comBlytzPayBuy Here Pay Here payment processing with fast funding, text-to-pay, and real dealer-focused support.https://www.blytzpay.comIturan GPSGPS and payment technology for BHPH and retail dealerships focused on asset protection, recovery tools, and customer management.https://www.ituranusa.comFollow & ConnectWebsite: https://www.theindependentdealer.comEmail: info@ependentdealer.comFacebook Group: @independentautogroupLuke Godwin: @lukegodwinJeff Watson: /sendtojeffwLike, subscribe, and share this episode with another dealer who needs a fresh perspective.

How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America. Dave Brubeck and the Performance of Whiteness (Oxford UP, 2023) uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck's critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries. Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America. Dave Brubeck and the Performance of Whiteness (Oxford UP, 2023) uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck's critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries. Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America. Dave Brubeck and the Performance of Whiteness (Oxford UP, 2023) uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck's critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries. Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America. Dave Brubeck and the Performance of Whiteness (Oxford UP, 2023) uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck's critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries. Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America. Dave Brubeck and the Performance of Whiteness (Oxford UP, 2023) uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck's critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries. Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Risible: Laughter without Reason and the Reproduction of Sound (University of California Press, 2024) explores the forgotten history of laughter, from ancient Greece to the sitcom stages of Hollywood. Delia Casadei approaches laughter not as a phenomenon that can be accounted for by studies of humor and theories of comedy but rather as a technique of the human body, knowable by its repetitive, clipped, and proliferating sound and its enduring links to the capacity for language and reproduction. This buried genealogy of laughter re-emerges with explosive force thanks to the binding of laughter to sound reproduction technology in the late nineteenth century. Analyzing case studies ranging from the early global market for phonographic laughing songs to the McCarthy-era rise of prerecorded laugh tracks, Casadei convincingly demonstrates how laughter was central to the twentieth century's development of the very category of sound as not-quite-human, unintelligible, reproductive, reproducible, and contagious. A free e-book version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit here to learn more.​ Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Risible: Laughter without Reason and the Reproduction of Sound (University of California Press, 2024) explores the forgotten history of laughter, from ancient Greece to the sitcom stages of Hollywood. Delia Casadei approaches laughter not as a phenomenon that can be accounted for by studies of humor and theories of comedy but rather as a technique of the human body, knowable by its repetitive, clipped, and proliferating sound and its enduring links to the capacity for language and reproduction. This buried genealogy of laughter re-emerges with explosive force thanks to the binding of laughter to sound reproduction technology in the late nineteenth century. Analyzing case studies ranging from the early global market for phonographic laughing songs to the McCarthy-era rise of prerecorded laugh tracks, Casadei convincingly demonstrates how laughter was central to the twentieth century's development of the very category of sound as not-quite-human, unintelligible, reproductive, reproducible, and contagious. A free e-book version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit here to learn more.​ Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Risible: Laughter without Reason and the Reproduction of Sound (University of California Press, 2024) explores the forgotten history of laughter, from ancient Greece to the sitcom stages of Hollywood. Delia Casadei approaches laughter not as a phenomenon that can be accounted for by studies of humor and theories of comedy but rather as a technique of the human body, knowable by its repetitive, clipped, and proliferating sound and its enduring links to the capacity for language and reproduction. This buried genealogy of laughter re-emerges with explosive force thanks to the binding of laughter to sound reproduction technology in the late nineteenth century. Analyzing case studies ranging from the early global market for phonographic laughing songs to the McCarthy-era rise of prerecorded laugh tracks, Casadei convincingly demonstrates how laughter was central to the twentieth century's development of the very category of sound as not-quite-human, unintelligible, reproductive, reproducible, and contagious. A free e-book version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit here to learn more.​ Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Episode 512, Ryan and Jose  thank all out great supporters, both from Patreon and our recent Kickstarter. Plus there's some Hellraiser and Candyman news, and some cool Nightbreed figures.   This is the Clive Barker Podcast, where long-time fans Ryan and Jose interview guests, bring you the news, and take deep dives into Barker-related stuff.  Episode 512 is available in Podcast Audio and YouTube vide.  Sponsor : Don Bertram's Celebrate Imagination | Pinterest | ETSY Store Check out his recent paintings, “Date Night“,  “Guardian Angel II”,  and”Shooting Star“,  Sponsor : Ed Martinez YouTube Channel Hellraiser 2022 Short about the new puzzle box configurations Patreon (Live Thanks)     Patreon Members Shout-Out (Become a Patron) David Anderson Erik Van T' Holt Daniel Elven Amanda Stewart Bradley Gartz Matthew Batten Bennett Jesse Clara Leslie Returning Sponsor: Don Bertram's Celebrate Imagination Brand New Sponsor, Ed Martinez YouTube Channel New from Patreon Clive Barker's Creepy Pasta and the Haunted Legend of Ben Drowned Extended interview with Peter Atkins Texas Frightmare Memories News From The Reef Nicholas Vince video for the Hellraiser Revival Discord:  Quentin Tarantino on Hellraiser Clive Barker essay Kevin Von Strawbridge: Nightbreed Figures Kickstarter Update Goals and plans for future episodes Where we are now Kickstarter Thanks  Now Playing Podcast, Terry, Daniel Elven, Erik Van 'T Holt, Arnaldo Carvalho, Damien, Markus Justin Williams, Mike Danhauser, Tim Ramaekers, Robert Brown, Anna Lovatt, OdeOllie, Matthew Aaron Burns, Nick Plonske, Jesse Owen Wells, Jacob Hendricks, ProtegeJoe, Nathan Smith, Ben H, Mellory Tutt, Michael Rief, Bigeaux, Christopher Myer, Jonathan Kui, Michael J. Sullivan, Don Bertram, Bennett Reingold, Warren Blyth, Amanda Stewart, Robert Harling, Ben Warren Show Notes Hellraiser Revival Discord Now Playing Podcast Indie Inc Coming Next News Interviews Book Club of Blood: Son of Celluloid And this podcast, having no beginning will have no end.  web www.clivebarkercast.com Apple Podcasts,  Android,  Amazon Music, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Radio.com, and YouTube and Facebook: | BarkerCast Listeners Group | Occupy Midian  BlueSky | Reddit | Discord Community Support the show Buy Our Book: The BarkerCast Interviews Occupy Midian  Hardcover | Kindle | Apple Become a Patreon Patron | Buy a T-Shirt Music is by Ray Norrish All Links and show notes in their Entirety can be found at https://www.clivebarkercast.com

He's one of the most accomplished amateur golfers in the game – a four-time U.S. Mid-Amateur champion and four-time Masters competitor. Just last month, he captained the 2025 Walker Cup team to victory over Great Britain and Ireland.  Nathan Smith knows how to get the most out of himself and his team, especially when the pressure is on and the stakes are high. In this episode, he shares the leadership mentality and coaching habits that have helped him build trust, navigate adversity, and bring out the best in his team. If you lead a team or coach others, don't miss this one!  You'll also learn:  How to set your people up for success The weird reason he doesn't regret missing the cut by one stroke at the Masters Tips for building camaraderie, even when people aren't in the same place What it was like playing Augusta with Arnold Palmer Take your learning further. Get proven leadership advice from these (free!) resources: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The How Leaders Lead App⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: A vast library of 90-second leadership lessons to stay sharp on the go  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Daily Insight Emails⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: One small (but powerful!) leadership principle to focus on each day Whichever you choose, you can be sure you'll get the trusted leadership advice you need to advance your career, develop your team, and grow your business.

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This sermon was preached by Nathan Smith at Covenant Fellowship Church on August 24, 2025. Series: Non-Series Sunday Scripture: 2 Chronicles 20:1-25

With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

We are at Cypress with the USGA and joined by the setup man for the U.S. Amateur and Walker Cup, Ben Kimball, and by the U.S. Walker Cup captain, Nathan Smith. Plus we talk Scottie's press conference, Grant Horvat's decision not to play a Tour event, Joel Dahmen and Geno Bonnalie splitting, and much more.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/foreplaypod

Andrew S. Berish. 2025. Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse. (U of Chicago Press, 2025) Some good words from the inside flap: “ A deep dive into the meaning behind the hatred of jazz.A rock guitarist plays four notes in front of one thousand people, while a jazz guitarist plays one thousand notes in front of four people. You might laugh or groan at this jazz joke, but what is it about jazz that makes people want to disparage it in the first place?Andrew S. Berish's Hating Jazz listens to the voices who have denounced, disparaged, and mocked the music. By focusing on the rejection of the music, Berish says, we see more holistically jazz's complicated place in American cultural life. Jazz is a display of Black creativity and genius, an art form that is deeply embedded in African American life. Though the explicit racial tenor of jazz jokes has become muted over time, making fun of jazz, either in a lighthearted or aggressive way, is also an engagement with the place of Blackness in America. An individual's taste in music may seem personal, but Berish's analysis of jazz hatred demonstrates that musical preferences and trends are a social phenomenon. Criticism of jazz has become inextricable from the ways we understand race in America, past and present. In addition to this form of criticism, Berish also considers jazz hate as a form of taste discrimination and as a conflict over genre boundaries within different jazz cultures.Both enlightening and original, Hating Jazz shows that our response to music can be a social act, unique to our historical moment and cultural context—we react to music in certain ways because of who we are, where we are, and when we are. “ Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies