Podcasts about Depict

Laurent Kretz reçoit Léa Moraly, Directrice e-commerce de Soeur, une marque de prêt-à-porter, et Charles Binet, Directeur Produit & Design chez Depict AI, outil avancé et visuel de e-merchandising, partenaire de cet épisode. Comment passer d'un e-commerce “manuel” à un e-merchandising intelligent, visuel et automatisé grâce à l'IA ? Léa partage les coulisses de la transformation digitale de Soeur : refonte continue du site, optimisation de la page produit, gestion pointue de l'image de marque et accélération à l'international. Avec Charles, ils dévoilent comment Depict AI a permis à Soeur d'augmenter la flexibilité sur Shopify et d'analyser la performance produit en temps réel.00:00:00 : Introduction00:06:17 : Expansion retail et internationalisation de Soeur00:09:34 : L'outil Depict, gain de temps et flexibilité pour les équipes00:18:30 : Intégration Depict sur un site Shopify custom00:26:13 : L'apport de l'IA dans Depict, score produit et merchandising00:36:17 : International, challenges techniques et organisation du stock00:44:33 : Gestion unifiée du stock, projet OMS et Ship-from-Store00:49:35 : La culture photo chez Soeur, l'importance des assets visuels00:55:48 : GPT Search, plateforme de recherche IA pour e-commerceEt quelques dernières infos à vous partager :Suivez Le Panier sur Instagram lepanier.podcast !Inscrivez- vous à la newsletter sur lepanier.io pour cartonner en e-comm !Écoutez les épisodes sur Apple Podcasts, Spotify ou encore Podcast AddictLe Panier est un podcast produit par Cosa, du label Orso Media.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On this episode, I'm asking a simple question with a very complicated answer. Is the AI bubble about to burst? With Luke Hodgson, co-founder of Commerce Thinking and High Cohesion.We kick things off by reviewing four recent news stories that have fuelled bubble talk, from Mira Murati's $2 billion raise at Thinking Machines Lab to Palantir's stock drop and Meta's AI hiring freeze. Then we dig into the reality. What's hype, what's real, and how should brand operators navigate it?Luke and I explore whether the current wave of AI investment is overinflated or just misunderstood. We talk about unit economics, cracks in the AI stack, and how the winners might not be the AI-first startups, but the brands quietly experimenting in the background.We also zoom out. If this is an industrial revolution compressed into a decade, what happens to jobs? How should brands structure their teams? And is there any government on the planet actually ready for what's coming?If you work in tech or commerce, and you're trying to make sense of the AI noise, this one's for you.Depict.ai are on a mission to help shoppers discover the products they love - while giving merchandisers total creative control. Turn keyword searches into real conversations. Help customers explore and uncover more of your catalogue. Merchandisers stay in control of the story.Upgrade your storefront at Depict.aiCheckout Factory here.Sign up to our newsletter here.

On this episode, I'm talking with John Tan (CEO of Depict.ai) about why onsite search is broken, what it will take to fix it, and how Depict is reimagining discovery through AI.We unpack the difference between onsite search and traditional search, and explore why it's time for ecommerce to move beyond the basic grid. John shares his vision for a more conversational, more emotionally resonant way to browse, what he calls “vibe searching”. Less keyword filtering. More: “I'm going to a wedding in Tuscany next month. What should I wear?”We also talk about how this kind of interaction could change how websites are built, how merchandising is done, and what consumers expect from brand experiences. And we look at the broader AI landscape. What's real, what's hype, and whether the house of cards can hold.If you're working in ecommerce and thinking about the future of CX, conversion and what shoppers really want, this one's for you.Depict.ai are on a mission to help shoppers discover the products they love - while giving merchandisers total creative control. Turn keyword searches into real conversations. Help customers explore and uncover more of your catalogue. Merchandisers stay in control of the story.Upgrade your storefront at Depict.aiCheckout Factory here.Sign up to our newsletter here.

On this episode, I'm revisiting the big shifts in commerce tech with Luke Hodgson. Who's winning, who's losing, and what's changing under the surface.We break the conversation down into four key areas: platforms, frontend tools, back office systems, and AI. We look at why Shopify still has the momentum, why BigCommerce's rebrand hasn't made much impact, and why platforms like Centra are gaining ground with modern fashion brands. Luke also explains why Magento is fading, and why Salesforce Commerce Cloud rarely comes up in conversation anymore.We talk about why fragmented tool stacks are falling out of favour, and how consolidation is changing the frontend experience. And we dive into the back office, where the ERP landscape is overdue for disruption, but still proving hard to unseat. Luke shares a strong view on where AI will change everything and where it won't.We end with predictions. Luke backs next-gen merchandising tools. I put my money on the Nordics.If you're watching the commerce tech landscape and wondering where to place your bets, this one's for you.Depict.ai are on a mission to help shoppers discover the products they love - while giving merchandisers total creative control. Turn keyword searches into real conversations. Help customers explore and uncover more of your catalogue. Merchandisers stay in control of the story.Upgrade your storefront at Depict.aiCheckout Factory here.Sign up to our newsletter here.

On today's show, Scoot talks about President Trump targeting CBS Mornings co-host Gayle King, and South Park's new epsiode depicting Trump as Satan's boyfriend. Also, Scoot talks to Scoot talks to Danny Conwill, owner of Felix's in the French Quarter, to give an update on the trash collecting debacle in the Quarter. Then, Scoot learns the definition of the word "trumpery", and a WWL caller asks why people aren't as outraged over national politics as much as local politics. Finally, Scoot talks about Travis Kelce refusing to sign an autographs of a young fan, people throwing adult toys onto the court at a WNBA game, and why it's important to talk about the top news.

Why do the Puranas depict even the gods doing immoral things? What kind of moral lesson is taught by that? by Exploring mindfulness, yoga and spirituality

Why does Revelation depict sevenfold judgment cycles -- e.g., seven seals, seven trumpets, seven bowls? How might the Old Testament help us to understand the logic of Revelation's structure in this regard? And what other biblical prophet depicted divine judgment along the lines of a sevenfold schema?+++Support the The Bible (Unmuted) via Patreon: https://www.patreon.com/TheBibleUnmutedRead Matt's blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠matthewhalsted.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Don't forget to subscribe to The Bible (Unmuted)!

As the Trump administration cracks down on immigration, students across the country are losing their international visas. The Times-Picayune/The Advocate's Marie Fazio tells us about the students in Louisiana who've had their visas revoked.The Musaica Chamber Ensemble is gearing up for its season finale with four trios, including a world premiere and the Beethoven Septet. Violist and president Bruce Owen joins us with the details.A new sculpture exhibit in Baton Rouge hopes to shed light on a glaring problem in Louisiana's criminal justice system: wrongful convictions. The organization, The Innocence Project of New Orleans, is the driving force behind the new exhibit, Exonerated: Portraits of the Wrongfully Convicted. The installation features nearly two dozen life-sized busts depicting former prisoners. Producer Matt Bloom sat down with Baton Rouge sculptor Becky Gottsegen and one of the exhibit's subjects, Raymond Flanks, who was wrongly convicted of murder as a 20 year old. __Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

FOLLOW US:LinkedIn: https://www.linkedin.com/company/inside-commerce/ ABOUT THIS EPISODE:In this episode of the Inside Commerce podcast, Paul Rogers speaks with Lana Rush and Ben Jones from Osprey London about their recent replatforming project to Centra. They discuss the challenges faced with Magento, the rationale behind the transition, and the goals for their digital flagship store. The conversation delves into the evaluation of different platforms, the benefits of headless commerce, and the importance of a strong tech stack. It's interesting to hear why a leading brand chose Centra over Shopify, and the advantages the Centra ecosystem offers the ecommerce team.Lana and Ben also touch on international expansion strategies and the partnership with Grebban, highlighting the future roadmap for Osprey London.Key takeaways:Osprey London is a heritage brand needing digital transformation.Transitioning from Magento to Centra was driven by technical limitations.The focus was on brand storytelling and immersive customer experience.Headless commerce offers creative freedom and flexibility.International expansion is a key growth strategy for Osprey London.The tech stack includes innovative solutions like Depict and Ingrid.Working with Greban has streamlined maintenance and bug fixing.Future projects will enhance customer engagement and brand loyalty.

Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. Military reporter Emanuel Fabian joins host Amanda Borschel-Dan for today's Daily Briefing. Israel carried out an airstrike in Syria on Monday evening, targeting a military facility near the city of Tartous, in the country’s northwestern coastal region. And today, the Defense Ministry says it is carrying out activities to clear explosives from an area of the Golan Heights near the Syrian border. Fabian updates on IDF activities inside Syria. We spend the rest of the episode on the series of IDF probes into the failures on October 7, 2023. We learn about the immediate failures, including that the attack was a surprise with no intelligence warning. Hamas had numerous forces and was attacking several areas simultaneously. And the IDF had far fewer forces and minimal capabilities available: When the attack began, involving over 5,000 terrorists, just 767 IDF troops were stationed on the border. And then we turn to specific investigations into the air force, the navy and the intelligence wing, and we learn about the series of disasters that led to the tragedies at the Nahal Oz IDF base and Kibbutz Kfar Aza. And finally, we zoom into one of the many tales of heroism that were highlighted in the reports, the story of Kfar Aza resident Brig. Gen. Yisrael Shomer, who fought off terrorists with a kitchen knife before securing a weapon and eventually killing 20. Please see today's ongoing liveblog for more updates. For further reading: Israel attacks military site in northwestern Syria; no casualties reported Entire Gaza Division was overrun for hours, and IDF didn’t know it; 767 troops faced 5,000 terrorists IDF identified but ignored 5 warning signs of Hamas attack on eve of Oct. 7, its probe shows The intel on Hamas attack plan was there, but IDF simply refused to believe it, probe finds Before Oct. 7, IDF probe shows, Hamas duped Israel into thinking it did not pose a major threat IDF’s Oct. 7 probes show it misread Hamas for years, left southern Israel utterly vulnerable Terrorists took Kfar Aza in an hour. Recapturing it took the IDF days, probe finds ‘Systemic failure’: How Nahal Oz base, 850 meters from Gaza yet utterly vulnerable, fell to Hamas Subscribe to The Times of Israel Daily Briefing on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode was produced by the Pod-Waves. IMAGE: Members of Zaka walk through the destruction caused by Hamas terrorists in Kibbutz Kfar Aza, as they collect the dead bodies, near the Israeli-Gaza border, in southern Israel, October 15, 2023. (Edi Israel/Flash90)See omnystudio.com/listener for privacy information.

'The workplace is more often about are you willing to do X, Y, and Z.' Bringing consent-informed practices to Hollywood, Amanda Blumenthal shares her experiences coordinating intimate scenes to protect the safety of performers and crew while channeling an artistic vision for viewers. Examining the nuances of workplace and interpersonal consent, she sheds light on ways the industry sets standards for consent to navigate differences in power and create professional environments.  Amanda Blumenthal is one of the founders of intimacy coordination for film and television, which aims to create safer spaces on set for both performers and crew members while empowering bold and creative storytelling. She comes to this work with a background in sex and relationship coaching, sex-positive queer sex education work, and advocacy work for survivors of sexual assault. Amanda is the founder of the Intimacy Professionals Association, which provides SAG-AFTRA accredited intimacy coordinator training to a global audience, as well as educational workshops for the film industry on topics related to intimacy work for the screen.  Host: Katie Koestner Editor: Evan Mader Producers: Catrina Agluat and Emily Wang

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre ‘poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. The Endo/Exo Writers Project. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre ‘poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. The Endo/Exo Writers Project. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre ‘poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. The Endo/Exo Writers Project. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre ‘poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. The Endo/Exo Writers Project. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices

Southern Oregon Historical Society archives contain a legacy of landscapes from 19th century painters.

Entertainment reporter Peter Ford has weighed in on a new commercial for gin brand Still G.I.N owned by Snoop Dog and Dr Dre with Frank Sinatra and Sammy Davis Jr making an appearance with the use of AI. See omnystudio.com/listener for privacy information.

On today's episode of The Big Number, Tom Haberstroh and Dan Devin dig into the shooting statistics that illustrate how elite the Boston Celtics are on offense this season.Specifically, they analyze the ridiculous rate at which they are launching threes, and how it's setting them up for another NBA Championship run. They also praise Derrick White for his precision and resume that is strong enough for him to be an All-Star.(2:16) The Big Number: 910(15:12) Little Number 1: 12.4%(21:13) Little Number 2: .635(26:14) Little Number 3: 4.7(31:57) Little Number 4: 8.33(37:50) Over/Unders

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

D-Wade reacts to Statue Backlash! Wade defends his Statue Slander as it continues draw attention to his special moment Leroy takes issue with Wade's words in defense of his now viral monument Leroy claims Wade did not want the Statue to look like him, but instead like a moment

Han har bråttom när AI utvecklas allt snabbare. Hur är det att samtidigt behöva sänka tempot? Lyssna på alla avsnitt i Sveriges Radio Play. Sedan två år tillbaka har utvecklingen inom artificiell intelligens, AI, varit glödhet. Det satsas astronomiska summor, samtidigt som tunga forskare har efterlyst att forskningen pausas och varnar för att det kan sluta med mänsklighetens undergång. Andra lyfter fram vilka fantastiska möjligheter en superintelligent AI skulle innebära för mänskligheten.Ett av de unga stjärnskotten på den svenska AI-himlen är Oliver Edholm. I debatten är han en av de som har lyft både möjligheter och risker med AI, och som driver på för en internationell reglering.Hur ser han på framtiden? Varför går det så snabbt nu? Och vad är det som gör människor unika, som maskiner aldrig kan ersätta?”Kände mig som en alien”Oliver Edholm är född 2002, och har ofta kallats AI-geni eller -underbarn. Han var forskningsassistent i Singapore redan som 16-åring och grundade AI-företaget Depict som 17-åring, ett bolag han fortfarande är styrelseordförande i. Tiden i skolan var tuff, både socialt och i skolsystemet, och i högstadiet drabbades han av en livskris. En kris som kom ikapp honom på riktigt först häromåret, när han gick in i väggen.Nu är han mitt i ett sabbatsår, för att ”ta tillbaka sin ungdom” och fundera på vårt existensberättigande i en värld med maskiner som är bättre än oss på det mesta...Programledare: Martin WicklinProducent: Filip BohmKontakt: sondagsintervjun@sr.se

Caricatures of politicians have long been a part of the world's editorial pages - and every time a new person comes into the spotlight, a debate happens on how to appropriately depict them. How far is too far? What's funny, what sends a message? Michael welcomes award winning editorial cartoonist Rob Rogers, who draws for Smerconish.com to discuss how he draws Vice President Kamala Harris. Then, the audience weights in on how they would draw her. Original air date 27 September 2024.

In an era of rapid digital communication and sensationalized media, the portrayal of religious communities often falls short of capturing their true essence and diversity. Sarah Jane Weaver from Desert News shares how the recent depiction of women in the Church of Jesus Christ of Latter-day Saints in popular media has sparked a crucial conversation about representation, faith, and the power of individual voices. With the unfair and oversimplified portrayals, it becomes imperative to seek out authentic narratives and explore the multifaceted experiences of women in the Church of Jesus Christ while encouraging a more nuanced understanding of faith, empowerment, and community in the modern world.  

When you respond in anger, you're not trusting God's sovereignty, so refrain from getting angry today. Nothing about it will bring you any good.-------- Thank you for listening! Your support of Joni and Friends helps make this show possible.     Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org   Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

Han beskrivs som ett AI-underbarn och har redan hunnit jobba på Klarna, forskat i Singapore och startat företaget Depict. Men så kom kraschen. I en längre poddintervju med SvD Tech brief berättar Oliver Edholm om sin resa – från raketkarriär och investerarsuccé till utbrändhet och svåra beslut. Han avslöjar också anledningen till att han slutat som vd, och berättar varför han tycker att det behövs ett slags kärnvapenavtal för AI.

진행자: 박준희, Ali Abbot [Herald Review] ‘Parasyte: The Grey,' run-of-the-mill monster horror series that lacks charm of original manga 기사 요약: 원작 만화의 매력을 담지 못한 호러물 [1] “Parasyte: The Grey,” the ambitiously re-imagined series by star director Yeon Sang-ho, is a run-of-the-mill monster horror show that fails to capture the charm and essence of the original manga. * Ambitiously: 야심차게 * Run-of-the-mill: 지극히 평범한; 보통의 * Capture: 사로잡다 * Manga: 만화 [2] The series is set in the universe of the popular Japanese manga series “Parasyte,” but completely deviates from the original plot, to exclusively narrate the stories that unfold as the Parasytes invade South Korea. * Universe: (특정한 유형의) 세계 * Deviate: (일상·예상 등을) 벗어나다 * Narrate: 이야기를 하다; 들려주다 * Unfold: (어떤 내용이 서서히) 펼쳐지다 [3] With the monsters, which have tentacles erupting from their heads, there was a risk of them appearing juvenile. Yet, thanks to advanced VFX techniques, the monster tentacles boast a realistic and terrifying appearance that is enough to convince and entertain young viewers and adult audiences alike. * Erupting: 폭발하는 * Juvenile: 어린애 같은; 유치한 * Boast: 뽐내다; 자랑하다 * Entertain: 즐겁게 해 주다 [4] “Parasyte: The Grey” depicts how organizations, which were created for the coexistence of individuals, can clash with people -- leaving the audience to ponder about what coexistence truly entails. * Depict: 묘사하다; 그리다 * Clash: 맞붙다 * Ponder: 곰곰이 생각하다 * Entail: 수반하다 기사 원문: http://www.koreaherald.com/view.php?ud=20240327050604 [코리아헤럴드 팟캐스트 구독] 아이튠즈(아이폰):https://itunes.apple.com/kr/podcast/koliaheleoldeu-paskaeseuteu/id686406253?mt=2 네이버 오디오 클립(아이폰, 안드로이드 겸용): https://audioclip.naver.com/channels/5404 팟빵 (안드로이드): http://www.podbbang.com/ch/6638

미술가 김태윤(@depict_tk)과의 합주 - Yoonkee Kim 12.31.23 | VISLA FM by VISLA

WOKE Democrat sworn in as School Board President on EXPLICIT books that depict NAKED GAY BOYS!

Get ready for a super fun and inspiring episode today; we are talking all about how to take your visions, dreams, and ideas and translate them realistically and accurately onto a three dimensional surface. I give an inside look into my artistic process and break down visionary painting step my step! Be sure to grab my FREE Full Time Artist Training: https://www.awakeningartistacademy.com/full-time-artist-training IG: danawilcher Send me an email to join my insiders list / ask questions: danawilcher12@gmail.com, and check out my prints and original artwork at danawilcher.com

Kourtney Kardashian has broken her silence since welcoming her baby boy.Noel Gallagher has reportedly struck up a romance with Sally O'Neill, after his divorce with ex-wife Sara MacDonald was finalised.The final series of Netflix's royal drama The Crown will depict the last time Prince William and Prince Harry spoke to their mother.Jerry O'Connell addressed why he hasn't publicly commented on inflammatory remarks made about his wife Rebecca Romijn by her ex-husband John Stamos in his new book.The upcoming seventh season of CBS' Young Sheldon will be its last.Courteney Cox is paying tribute to her Friends co-star and onscreen husband Matthew Perry a few weeks after his sudden death.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5949787/advertisement

Israel's ambassador to the United Kingdom, Tzipi Hotovely, recently held a screening for journalists showcasing horrifying scenes from the Hamas massacre in southern Israel on October 7. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

As Halloween approaches, we are exploring America's history of racism through horror books and films. Mark H. Harris, one of the co-authors of The Black Guy Dies First: Black Horror Cinema from Fodder to Oscar, talks about different eras of Black horror cinema and the origins of the famous racist horror trope referenced in his book's title. Author and academic historian P. Djèlí Clark discusses his story “Hide & Seek,” which was recently included in the collection Out There Screaming, co-edited by Jordan Peele. He also explains how the idea of portraying the Ku Klux Klan as literal monsters in his book Ring Shout was based on his research into interviews with formerly enslaved people. And Professor Kali Simmons exposes stereotypes about Indigenous people that date back hundreds of years and appear in some of the most popular horror works. She also gives examples of positive representation and offers her thoughts on Killers of the Flower Moon. GUESTS: Mark H. Harris: entertainment journalist, co-author of The Black Guy Dies First: Black Horror Cinema from Fodder to Oscar P. Djèlí Clark: award-winning fantasy and horror author based in Connecticut. His works include Ring Shout and next year's The Dead Cat Tail Assassins. His short story “Hide & Seek,” was recently included in the collection Out There Screaming, co-edited by Jordan Peele and John Joseph Adams Kali Simmons: Assistant Professor of Indigenous Nations Studies at Portland State University Special thanks to our interns Lateshia Peters and Joey Morgan.See omnystudio.com/listener for privacy information.

In this episode, J.P. and Stan discuss worldview and life-view and why evaluating the contents of these thoughts deserves our attention and reflection. How do we go about that process? They discuss the ways we can notice what we attend to and examine how our attention can shape our worldview. This episode is for anyone who needs resources and strategies to help with developing and sustaining a Christian worldview. In this podcast, we discuss:What is a worldview?Why should we give serious thought to the idea of worldview?What kind of questions should we ask as we evaluate our worldview?What is the “worldview-as-glasses” metaphor and why is it unhelpful?How does a constructivist view fail to account for the different ways of knowing?What is the value of articulating our worldview?How does what we notice shape our worldview?What does it look like to train what we attend to and notice on purpose?What is the role of suffering in shaping our worldview?What are some clues that our worldview has veered into unchristian territory?How can we cultivate curiosity around worldview? Resources and citations:James W. Sire, The Universe Next Door: A Basic Worldview CatalogJ.P. Moreland, Why it is Harmful to Depict a Worldview as GlassesPaul C. Vitz, Faith of the Fatherless: The Psychology of AtheismWalter Brueggemann, The Prophetic ImaginationCollege Faith Podcast - Episode #23 - How to Watch a MovieRonald Nash, Worldviews in Conflict: Choosing Christianity in a World of IdeasJames W. Sire, Naming the Elephant: Worldview as a Concept

Today's episode features two novels with two very different protagonists, though their journeys might have more in common than appears at first glance. First, Stephen Buoro discusses The Five Sorrowful Mysteries of Andy Africa with NPR's Camila Domonoske, which follows a young Nigerian man's obsession with whiteness. Then, NPR's Scott Simon asks Max Porter about Shy, a short novel depicting a British teen's escape from his boarding school for troubled kids.

This week, Fr. Paul notes the grammatical interconnection between Exodus and Revelation, which highlights the iconoclastic function of the Tent of Meeting, in which the Tabernacle, covered by the Tent, covers the Tabernacle, a warning that you are to live in the open wilderness,  and not as the nations do, in temples of stone. (Episode 282) ★ Support this podcast on Patreon ★

Have you heard these student debt myths? Myth #1: Student debt is inevitable and cannot be avoided. Myth #2: Only high-income earners can successfully pay off their student loans. Myth #3: There are no effective solutions to alleviate the burden of student debt. Now, what if I told you that these myths are not true? That there are strategies out there that can help you overcome your student debt and find relief? Stay tuned as I reveal the truth and share a game-changing strategy for tackling your student debt burden. Get ready to take control of your financial future!In this episode, you will be able to:Depict the pros and cons of investing in a college education.Examine how programs designed to ease student debt and tuition fees are really affecting graduates.Delve into the Supreme Court's stance on the right to refuse service to certain groups.Evaluate the value of a degree versus other avenues for preparation in the professional world.The resources mentioned in this episode are:Visit the website to leave a review on Apple Podcasts and be shouted out in a future episode.Support the podcast by donating on the website or leaving a voice message.Stay updated on current events by listening to The Purple Political Breakdown podcast episode number 29, where we discuss the student debt relief program, college tuition, and college education.Visit the website for more information and to access additional content, including blogs and more episodes of The Purple Political Breakdown.Stay informed about what's happening in American society, including the recent ESPN layoffs, Supreme Court decisions, and the situation in France, by listening to the podcast episode.Supreme Court Ruling on Student Debt Relief The Supreme Courts influence on student debt relief is significant, given that its the ultimate deciding authority over federal laws. Understanding how changes in such regulations can impact a borrowers future is essential. This knowledge not only helps in better financial planning but also aids to foresee any sudden regulatory shifts that could affect loan repayment or forgiveness. In his conversation, Radell doesn't shy away from discussing contentious issues surrounding student debt relief. He voices his concerns about the potential consequences of judicial decisions on student loans, emphasizing the need for students to stay informed. By simplifying complex subjects like these, Radell serves up a reminder about how crucial it is to stay on top of current affairs that directly impact our financial wellbeing.Join Podpage: https://www.podpage.com/?via=radellJoin Podmatch: https://www.joinpodmatch.com/purplepoliticalbreakdownDiscord Link: https://discord.gg/9CkSzt77dg

Today's episode features two novels with two very different protagonists, though their journeys might have more in common than appears at first glance. First, Stephen Buoro discusses The Five Sorrowful Mysteries of Andy Africa with NPR's Camila Domonoske, which follows a young Nigerian man's obsession with whiteness. Then, NPR's Scott Simon asks Max Porter about Shy, a short novel depicting a British teen's escape from his boarding school for troubled kids.

In this episode, we are highlighting the wonderful Jennifer Scully-Thurston, also known as Rogue Dancer.  Frameform listeners may already know this friend of the podcast and fellow panelist at last year's Screendance Symposium. Enjoy this conversation with Scully and Jen Ray including experiences producing  festivals online and in person, creative approaches to curation and the pursuit of solutions instead of obstacles.  Jennifer Scully-Thurston (Scully) is a choreographer, dance filmmaker, curator, journalist, and video installation artist. She is founder and director of FilmFest by Rogue Dancer, a monthly thematic on-line event devoted to dance. She has curated and adjudicated for EnCore: Dance on Film, James River Film Festival, and Screen Dance International.Her dance films have been featured in Core Dance presents… REEL ART (commission), ADF Movies by Movers, Golden Earth Film Award (Best Female Director 2021), Direct Monthly Online Film Festival (Best Female Director 2019), DepicT! (Special Mention), and numerous other prestigious international festivals. She has been an administrator with Grasshorse (character animation studio), HOU & ATL Core Dance (performance company), and NC Arts in Action (in-school public dance program) and is currently Manager of Studio Programs and Community Engagement at the American Dance Festival.More about Rogue Dancer: We believe dance exists outside the walls of a proscenium stage.  It can exist in the wild with mischievous playfulness.  A person or organization can create work anywhere that wanders and behaves in unusual ways.  The creation and presentation of Dance Film is a great representation of these ideas.  We are dancers who have gone off grid to create work in our own way, with our own rules.–Thank you to Scully for being our first ever Frameform Fan and all of the wonderful support and engagement over the years. We are thrilled to share about your dynamic body of work and we're looking forward to having Frameform be part of ADF's Movies by Movers this season!–Listen to Season 3 Screendance Symposium Panel EpisodeWatch and Submit to FilmFest By Rogue DancerBecome a Rogue Dancer Patreon SupporterAmerican Dance Festival's Movies By Movers Follow on IG @roguedance @amerdancefest –Got a question? Email us at frameformpodcast@gmail.com–Follow us @frameformpod

Do you have any questions about screenwriting? Hit reply or comment and I'll do my best to answer them in future episodes. :-)Thanks for sharing, subscribing, and following Get Reel With Richard Walter, available for free on Substack, Spotify, and Apple Podcasts. Get full access to Get Reel with Richard Walter at richardwalter.substack.com/subscribe

Hey girls! Reminder that your mindset is everything!! What you focus on becomes your reality and today's episode is going to help us adjust to believing these two ideas. I would be honored if you sent this episode to a friend (or a college gal!) who you think would find this helpful! At the moment: I am reading Nicole Spindlers book Beyond Life's Moments (buy now) and Life's too Short, it's a cute romance book about a lawyer and a travel you-tuber! I'd love if you read it with me :) Check out all things Kate Stone and Heartspeak School Give Kate a follow and connect with us on Instagram and Tiktok :)

In this episode, Christofer talks to Oliver Edholm about the road to becoming CEO of Depict, an AI start-up, and his experiences with meditation. Oliver, who is a Thiel Fellow and is recognized by Forbes in their 30 Under 30 list, walks us through his beginnings in Minecraft, dropping out of school, joining Y-Combinator, and now running a company that has received 20m USD in funding. Later in the conversation, Oliver gives us his take as a meditator on dzogchen (a school of Buddhism) and his personal experience with the jhanas (particular meditative states). Timestamps:(0:00) Preamble and intro (4:28) Oliver's origin story as an AI Entrepreneur(16:26) Emerging from a teenage existential crisis(25:30) Recommendation engines (29:40) Expanding into e-commerce(34:03) Dealing with the human aspect of business / Overcoming interpersonal barriers(42:46) Differentiating from the tech giants (50:45) Where does meditation fit into all of this? (54:48) Thoughts on Dzogchen(1:03:55) Instructions and teachings on jhanas(1:08:51) Breakdown of all the jhanas(1:23:22) Comparisons of jhanas with other experiences (1:28:25) Oliver reveals the Dzogchen ‘pointing out' instructionWebsite: https://depict.ai/LinkedIn: https://www.linkedin.com/in/oliver-edholm-ai/?originalSubdomain=seSupport the podcast at:https://www.patreon.com/doexplain (monthly)https://ko-fi.com/doexplain (one-time)Find Christofer on Twitter:https://twitter.com/ReachChristofer

Tim & Co join author, speaker, and critical theory scholar James Lindsay for a spicy bonus segment usually only available on Timcast.com. Learn more about your ad choices. Visit megaphone.fm/adchoices