Podcasts about j davis

Does the universe need observers to exist? Neil deGrasse Tyson and co-hosts Chuck Nice and Gary O'Reilly explore questions about entropy, spontaneous symmetry breaking, spectroscopy and more with astrophysicist Charles Liu.  NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here:  https://startalkmedia.com/show/cosmic-queries-spontaneous-symmetry-breaking-with-charles-liu/ Thanks to our Patrons Avery Ellis, Markus Riegler, Linda Tullberg, Gami Lannin, Arief Aziz, Ron Lawhon, Corie Prater, Patrick McNaught, FracturedEquality, Spengler, Peter Harbeson, Oddron86, Hudson Lowe, Drew Romaniak, V2022, Kyle Ferchen, Branko Denčić, Patrick Borgquist, DJ Sipe, Andy Blair, Alan Keizer, SR, Nihat Cubukcu, Greg Lance, Diwas Pandit, Anik Kasumi, Alexander Albert, Kodai, Dyonne Peters Lewoc AKA DPTaterTot, Adrian, Ben Goff, Jose Barreiro, Saurabh Chaudhari, Wimberley Children's House, Jean Arthur Deda, Jerrel Thomas, Serkan Ergenc, Douglas Kennedy, Lee Browner, Manuel Palmer, Dans Jansons, Russell Harvey, BladiX, Lars-Ove Torstensson, Norman Weizer, Arian Farkhoy, S. Madge, Pavel Seraphimov, Amanda Wolfe, Heisenberg, Mattchew Phillips, Caleb Berumen, Sretooh, Gary Tabbert, Oscar Abreu Lamas, Kevin Attebury, Volker Haberlandt, SeaGolly, B. Shoemaker, Ruben Ferrer, Steven Adams, Daniel Hintz, Nathaniel Richardson, Nick Griffiths, Adam Schmidt, Scott Plummer, Northernlight, JoMama, Beth, Frank Cottone, Yinj, Betty Anderson, Paul Smith, John Little, Emad Uddin, Brian O'Brien, Jayden Moffatt, Kevin Mace, Zara DeBresoc, Rain Bresee, Mara (Farmstrong), Rose, Stiven, Demethius Jackson, Alejandro Rodriguez, J Davis, Chris Buhler, Nathan Davieau, Sourav Prakash Patra, Wayne Rasmussen, John from Bavaria, Stephanie Phillips, Yohojones, Josh Farrell, John, Oo-De-Lally, Millie Richter, Montague Films, Lawrey Goodrick, and John Giovannettone for supporting us this week. Subscribe to SiriusXM Podcasts+ to listen to new episodes of StarTalk Radio ad-free and a whole week early.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A.J. continues with our Love is ____ series 

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

This is Episode 84 - Notorious Governors of Texas Edmund J. Davis and the first of our series of Notorious Governors of Texas. With all the politics in the news today, I've naturally been thinking about politics and politicians. One group that has always intrigued me are governors. Not presidents, or senators, or members of the house, but governors. They're the ones who really give a state its identity, well at least in a way, because they're most often the ‘face' of the state. Here in Texas, our current governor seems to love making pronouncements about how his administration is going to fight this or that evil that might be encroaching on Texan's freedoms. More often than not, it's usually just a bunch of fluff that his advisors know will make his hard-core supporters emotional and get him on the evening news. After all he's running for re-election and needs to make sure people don't forget about him. Naturally this got me to thinking about Texas governors in the past, so I started researching what I thought of the most notorious governors in the history of the state. These governors often gained notoriety due to the turbulent, defining political eras in which they served, such as the Civil War, Reconstruction, and the Progressive era scandals.  So, today I'm going to start a series on these leaders from the past. First is Edmund J. Davis: Union Army Officer and Reconstruction Governor of Texas. Davis was governor in the reconstruction period 1870 and 1874. He was a Republican, (not the type of Republican we have today, these were the anti-slavery, pro-union republicans). Since he was a Republican during Reconstruction, needless to say he was very unpopular with a large percentage of white Texans. They thought of him as a tyrant, because he believed in using the state police and he was adamant in enforcing what many considered to be radical Republican policies. Who was he, and how did he become governor? As were many Texans at the time, he wasn't originally from Texas. He was born at St. Augustine, Florida, on October 2, 1827, to William Godwin and Mary Ann (Channer) Davis. His lineage traced back to a Grandfather Godwin Davis, who had immigrated from England to Virginia and had fought and perished during the Revolutionary War. His father, who lived in South Carolina, was a land developer and attorney in St. Augustine. As a young man Davis was educated in Florida, and at age 19 moved, with the family to Galveston, Texas, in January 1848. In Galveston he started a career working in the post office while he undertook the study of law. In 1849 he relocated to Corpus Christi, where he worked in a store and continued to read and study law and in the fall of 1849, he was admitted to the bar. Between 1849 and 1853 he was an inspector and deputy collector of customs at Laredo. In 1853 he became district attorney of the Twelfth Judicial District at Brownsville. About 1856 Governor Elisha M. Pease named him judge of the same district, and Davis continued to serve as a state judge until 1861. As judge he accompanied the ranger unit of Capt. William G. Tobin, who was involved in the Cortina affair at Brownsville in 1859 On April 6, 1858, Davis married Elizabeth Anne Britton, daughter of Forbes Britton, a state senator and friend of Sam Houston. Now we have his personal story, but this is Texas and in Texas nothing is simple, particularly politics. Davis was a Whig until the mid-1850s. OK, who were the Whigs? They were a major political party that was very active from 1834 to 1854. They were originally formed in order to oppose President Andrew Jackson's policies and his desire to expand executive power. (see power hungry president's isn't exactly anything new in American history). They supported Henry Clay's "American System," and they believed in modernization, industrialization, protective tariffs, and a national bank. The fell apart by infighting over the expansion of slavery into new territories. This caused Northern "Conscience" Whigs to join the Republican Party and Southern "Cotton" Whigs to join other factions, such as the fledgling democratic party and some joined the “Know-Nothing” party.   In 1855 after the Whigs fell apart, Davis joined the Democratic party. In 1861 even though the Texas democratic party was a strong advocate for secession and were pro-slavery, Davis supported Sam Houston and opposed secession.  He ran unsuccessfully to become a delegate to the Secession Convention. Once Texas voted to leave and announced it was seceding from the union, Davis refused to take the oath of loyalty to the Confederacy, and the state vacated his judgeship on April 24. Unable to support the Confederacy in May of 1862 Davis fled Texas and travelled to New Orleans. From New Orleans along with John L. Haynes and William Alexander, he went to Washington. The men met with President Abraham Lincoln. Lincoln recommended that the three would be given help so they could provide weapons to troops that they wanted to raise.  On October 26, 1862, Davis received a colonel's commission and authorization to recruit the cavalry regiment that became the First Texas Cavalry (U.S.). The First Texas saw extensive service during the war. In January of 1863 they barely escaped capture when Galveston fell to Confederates. While in Matamoros in March of 1863 Davis was captured by Confederates. He had been there attempting to take his family out of Texas and also recruit men for his unit. Needless to say, his capture caused diplomatic trouble between the Confederacy and Mexico. Finally Confederate Gen. Hamilton P. Bee in order to appease the Mexican governor Albino López released Davis. Davis crossed back into Texas and from November to December 1863 he took part in Gen. Nathaniel P. Banks's unsuccessful Rio Grande campaign. in an effort to disrupt the border trade Davis's unit marched to Rio Grande City and seized cotton and slaves. On November 4, 1864, Davis was promoted to brigadier general and for the remainder of the war commanded Gen. Joseph J. Reynolds's cavalry in the Division of Western Mississippi. On June 2, 1865, he was among those who represented Gen. Edward R. S. Canby at Gen. Edmund Kirby Smith's surrender of Confederate forces in Texas. After the war Davis participated in state politics as a Unionist and Republican. He served in the Constitutional Convention of 1866 and ran in the 1866 general election he ran unsuccessfully for the state Senate from his old district. He represented the border district and served as president of the Constitutional Convention of 1868–69. During this time, he made enemies among the white population by consistently supporting political programs that would have restricted the political rights of secessionists, expanded rights for Blacks, and divided the state. He also favored the ab initio theory, which held that all laws passed since secession were null and void. He ran for governor in the election of 1869 against Andrew J. Hamilton, another Republican, and won in a closely disputed race. His administration was a controversial one. Its program called for law and order backed by a State Police and restored militia, public schools, internal improvements, bureaus of immigration and geology, and protection of the frontier. (Sounds vaguely familiar doesn't it) All of these were the subject of strong attacks from both Democratic and Republican opponents. They added to the controversy surrounding Reconstruction in Texas. Davis ran for reelection in December 1873 and was defeated by Richard Coke by a vote of two to one. Davis did not gracefully accept defeat, and he believed that the Republican national administration was partly responsible for his loss. He refused to vacate office after losing a what he considered a fraudulent-ridden 1873 election to Democrat Richard Coke. Here's what happened. Democrat Richard Coke defeated Republican incumbent Edmund J. Davis with 100,415 votes to 52,141, a margin of over two to one. Davis, a Republican, refused to leave, citing a Texas Supreme Court ruling (the "Semicolon Court" in Ex parte Rodriguez) that declared the election unconstitutional. Davis occupied the lower floor of the Capitol with state troops, while Democratic supporters of Coke took the second floor. He asked President Ulysses S. Grant to send in federal troops to help him stay in office. Grant refused and finally on January 19, 1874, Davis resigned, allowing Coke to take office and restoring Democratic control to Texas. This signaled the official end of Radical Reconstruction in Texas and initiated a long period of Democratic dominance. From 1875 until his death Davis, contemporarily described as a "tall, gaunt, cold-eyed, rather commanding figure," headed the Republican party in Texas as chairman of the state executive committee. In 1880 he ran again for governor but was badly defeated by Oran M. Roberts. In 1882 he ran for Congress in the Tenth District against John Hancock, again unsuccessfully. He was nominated as collector of customs at Galveston in 1880 but refused the job because of his opposition to the administration of President Rutherford B. Hayes. Supporters recommended him for a cabinet position under President Chester A. Arthur, but he received no appointment. Davis died in Austin on February 7, 1883, and is buried there in the State Cemetery. This has been the Hidden History of Texas and the first in our stories of “notorious” Texas governors, Edmund J. Davis – see you next time, thanks for listening

We all hear a lot about the need to significantly scale up our forest adaptation and resilience work—that is, thinning, replanting, prescribed burning and other tasks that are essential in preparing for and recovering from wildfire.But what's often lost in this conversation is *who* is doing this work, and the future of that—at times, fraught—workforce in the face of increasing ecosystem needs in the West. It's one thing to say we need to get something done, but another thing entirely to know where that work is coming from, and the conditions those workers are facing. How can we ensure these folks are supported and being treated equitably in often unsafe, fast-paced and high-exposure jobs?In the Pacific Northwest, a not-insignificant portion of forestry sector workers are Latino, many on H2B visas, which are temporary, non-agricultural working visas. Today's guest Emily Jane (E.J) Davis—along with co-authors Carl Wilmse, Manuel Machado and Gianna Alessi—aimed to learn more about these workers in a paper published in 2023 called Multiple Stories, Multiple Marginalities: The Labor Intensive Forest and Fire Stewardship Workforce in Oregon. What they found is that this type of employment leaves workers vulnerable to exploitative labor practices and working conditions, a lack of training and resources that result in critical leadership and safety gaps on site, and a lack of power or ability to organize or unionize to improve conditions. Recent ramping up of immigration enforcement is also having an impact on this workforce, as evidenced by the DHS raid on a fire in Washington State this summer. Rigoberto Hernandez Hernandez, one of the two firefighters who were detained, was released four weeks later. The other—José Bertín Cruz-Estrada, who'd worked in fire since 2019 but was undocumented—was deported to Mexico after two months of detainment.  Both worked on Oregon-based contract fire crews. In this episode, EJ—who is an associate professor at Oregon State University and the fire program director for the OSU extension—and I dive more deeply into some of the key takeaways of her research, some of the practical applications of that research through her extension position, and what the future of this research looks like. We discussed labor issues more broadly in the forestry and fire workforces, and how these challenges are often amplified considerably for marginalized communities in these positions, and particularly for the Latino workforce. E.J.'s biggest takeaway? If we truly hope to increase forest treatments and recovery work to the scale needed to make a meaningful difference, we need to not only acknowledge the challenges of the folks who are actually doing that work, but do everything we can to address those challenges and develop a more sustainable forest sector workforce for the work that awaits us.

In this episode, Ryan Williams Sr. interviews Reginald J. Davis, a senior cloud solutions architect, podcaster, and mentor in the IT field. They discuss Reginald's journey in IT, the importance of mentorship, overcoming imposter syndrome, and the significance of data readiness and governance in AI implementation. Reginald shares insights on his experiences in the cybersecurity landscape, the Develop Every Mind podcast, and his passion for giving back to the community. The conversation also touches on personal interests, including cigar culture and family life, highlighting the balance between professional and personal commitments. Buy the guide: https://www.theothersideofthefirewall.com/ Please LISTEN

Dr. Douglas J. Davis, MD, PhD is MCW Office of Global Health Liaison, Department of Radiology, Medical College of Wisconsin----------Ukraine's Winter War Is the World's Test — and America Can't Afford to BlinkOPINION — Two weeks ago, my colleagues and I stood in Dnipro while warning sirens cut across the city and Shahed drones screamed overhead. We had come as a medical-humanitarian delegation to inspect [...] More----------LINKS: https://www.thecipherbrief.com/experts/dr-douglas-j-davis-md-phd https://www.linkedin.com/in/douglas-davis-md-phd-86a9bb3/ ----------DESCRIPTION:The Geopolitical and Strategic Impacts of Russia's War in Ukraine: An Expert AnalysisDr. Douglas Davis, a Ukrainian by marriage and a noted medical professional, delves deep into the geopolitical and strategic significance of Russia's war in Ukraine. With Jonathan as the host, Dr. Davis discusses his personal connection to Ukraine and the broad range of activities he is involved in to support the nation. The conversation spans several key topics including the criticality of defending Karska, the evolving dynamics of authoritarian regimes, the implications of an intensified war in Ukraine, and the potential geopolitical maneuvers by Russia. This episode also touches on the innovative cycles in military technology and the broader implications for global security. Dr. Davis provides an insightful analysis into both historical and contemporary strategies employed by Russia and its allies, laying bare the complexities of modern warfare and the political landscape.----------CHAPTERS:00:00 Introduction to Dr. Douglas Davis and His Connection to Ukraine00:51 Douglas Davis' Personal and Professional Background03:01 Historical Context and Geopolitical Insights04:48 The Ideological and Strategic Threat of Russia19:09 The Critical Battle for Kursk and Its Implications30:29 The Broader Geopolitical Landscape and Authoritarian Alliances42:42 Technological Warfare and Innovation Cycles50:40 Conclusion and Final Thoughts----------SUPPORT THE CHANNEL:https://www.buymeacoffee.com/siliconcurtainhttps://www.patreon.com/siliconcurtain----------TRUSTED CHARITIES ON THE GROUND:Save Ukrainehttps://www.saveukraineua.org/Superhumans - Hospital for war traumashttps://superhumans.com/en/UNBROKEN - Treatment. Prosthesis. Rehabilitation for Ukrainians in Ukrainehttps://unbroken.org.ua/Come Back Alivehttps://savelife.in.ua/en/Chefs For Ukraine - World Central Kitchenhttps://wck.org/relief/activation-chefs-for-ukraineUNITED24 - An initiative of President Zelenskyyhttps://u24.gov.ua/Serhiy Prytula Charity Foundationhttps://prytulafoundation.orgNGO “Herojam Slava”https://heroiamslava.org/kharpp - Reconstruction project supporting communities in Kharkiv and Przemyślhttps://kharpp.com/NOR DOG Animal Rescuehttps://www.nor-dog.org/home/----------

In this episode of Taking Healthcare by Storm, Quality Insights Medical Director Dr. Jean Storm speaks with  Travis J. Davis, MHA, NHA, FACHE, HSE, Executive Director of Long Term Care for the Pennsylvania Department of Military and Veterans Affairs. Travis discusses his role overseeing Pennsylvania's state-run veterans homes, the unique aspects of these facilities, and the lessons learned from the COVID-19 pandemic. He emphasizes the importance of addressing staffing shortages, leveraging technology, and implementing person-centered care to improve the quality of life for residents.If you have any topics or guests you'd like to see on future episodes, reach out to us on our website.Publication number QI-110725-GK

This week we welcome writer/director J Davis and Star Andre Hyland on the show to talk about the making of I Hate Myself and I Want to Die which premiered at the Austin Film Festival last fall, just about a year ago! Our producer extraordinaire Eric Toms conducted this interview from the Omni Hotel in Austin so it's sure to be a good one. After that we play another round of THE GAME, enjoy! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952 Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

The devotion of the early church to God's word 

Adventure Within is a YouTube Channel and Online School of Intuitive Arts. We offer psychic readings, energy healing, workshops, meditation classes and a variety of psychic trainings.Website: https://www.adventurewithin.coSupport the Channel: https://www.patreon.com/c/AdventureWithinTikTok: https://www.tiktok.com/@adventurewithinInstagram: https://www.instagram.com/adventure_within_/John J. Davis was born and raised in San Jose, California, where his early life was shaped by strong family values and regular attendance at the local Catholic church—sometimes two to three times a week. His upbringing instilled in him a deep spiritual foundation, one that would later be transformed in a profound and unexpected way.At the age of 21, John's life took a dramatic turn following a serious moped accident. The crash resulted in torn tendons in his hand, requiring surgical repair. During the operation, John experienced a severe allergic reaction to the anesthesia and was clinically dead for seven minutes. It was during those seven minutes that John had an extraordinary and life-altering near-death experience (NDE).According to John, what he encountered was not just a fleeting vision or abstract sensation, but a vivid, detailed journey—a tour of the other side. He describes it as a place of indescribable peace, love, and clarity. During this experience, John was given what he now sees as a divine assignment: to return and share what he had seen, to tell others that there is no such thing as death. He came to understand that our physical bodies may perish, but our souls continue on eternally.John eventually moved to Colorado, where he continues to reflect on and speak about his experience. Though he still believes deeply in God's love and the teachings of Jesus, his faith has taken a more personal and spiritual path, one less bound by traditional Catholic doctrine. He honors the essence of Christ's message while stepping away from some of the dogma he once accepted without question.Today, John Davis lives with a sense of purpose rooted in his near-death experience. He shares his story to provide hope to others, offer reassurance about what lies beyond, and to spread the simple, powerful message he was given: There is no death.https://johnjdavisnde.com#neardeathexperience #jesus #spiritguides #podcast #spirituality #interview

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre ‘poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. The Endo/Exo Writers Project. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre ‘poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. The Endo/Exo Writers Project. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre ‘poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. The Endo/Exo Writers Project. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre ‘poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. The Endo/Exo Writers Project. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices

On this 'Best of' Episode, hear the incredibly detailed description of the afterlife from guest John J. Davis, during his near-death experience.  I did not want you to miss this conversation, as it reached #1 most listened to episode of all of my podcast episodes, heard over 2 million times! I know you will enjoy it if it is your first time listening or if you first heard it over 6 years ago. Thank you for listening!  Please, don't miss my #1 Afterlife Podcast on iHeart Radio: https://bit.ly/ShadesoftheAfterlife *Join our free Sunday Gathering Inspirational Service, with medium demonstration included, PLUS medium & afterlife classes and events at https://www.wedontdie.com **Join our Patreon Community for as little as $1 per episode and receive ad-free, early bird episodes, and a full clickable & searchable list off all Sandra's over 650 afterlife episodes https://www.patreon.com/wedontdieradio **Join the supportive and loving, We Don't Die Listeners Facebook group at https://www.facebook.com/groups/wedontdielisteners/

In this episode we chat with Johnny Davis and Ken Lewis of J. Davis Digital about ways to make your work shine in video and photography. Watch on YouTube: https://bit.ly/InsideDesignYouTube KEY TAKEAWAYS:1. How building a culture of creativity and collaboration leads to success. 2. How storytelling allows you to connect emotionally with your audience, whether through still images or video content. 3. Success is not about settling into your comfort zone, but constantly evolving, dreaming bigger and embracing new challenges. FUNNY QUOTE: “You've got to find someone you are thermostatically compatible with. A 74 can't marry a 62.” SERIOUS QUOTE: “Videos aren't about perfection—they're about connection." – Unknown SPONSORAtlanta Market is the only wholesale product discovery experience that gives designers more. We will be kicking off the year visiting all the fun events and networking opportunities that the Atlanta Market offers. It's a great way for our design business to discover new resources, trends, and product introductions for our clients, plus it's the best way to connect in-person with thousands of manufacturers and our beloved sales reps. This January, we're most excited to see the new HIGH DESIGN temporaries and the massive outdoor furnishings category so we can get some fun ideas for the Spring and Summer months. To learn more and pre-register for Winter Market happening January 14-20, 2025, visit www.AtlantaMarket.com. We hope to see you there! A special thank you to our team – Russ Riba with Podcast Studio Network (www.podcaststudionetwork.com) who handles our production and engineering services and to Gayle Mahoney of Gayle Mahoney Branding & Design (www.gaylemahoney.net)for handling the production, marketing and social media associated with our podcast. Don't miss a heartwarming new Christmas movie called Festival of Trees. Fun fact: Parts of this movie were filmed right in our office in Kennesaw, Georgia. You'll hear our name mentioned within the first few minutes and catch glimpses of our conference room, work room and Joann's office. You can watch it on Apple, Google, Amazon and more! KANDRAC & KOLE BIOVoted one of “Atlanta's Top 20 Residential Interior Designers” by the Atlanta Business Chronicle, Kandrac & Kole Interior Designs is an acclaimed design firm with two decades of experience serving residential and commercial clients. Their work has been featured in leading publications across the US.   Since 2005, Joann and Kelly have built a respected partnership. They are renowned for their dynamic personalities, distinctive use of color, and unique custom designs. Frequently invited to share their insights at industry events and on design panels, they are recognized as diligent business operators who remain approachable and genuine, radiating constant positive energy. In 2018, they used their infectious energy to launch their podcast, “Inside Design with Kandrac & Kole.” This lively, weekly conversation, where Joann and Kelly share design and industry insights, became so popular that they introduced a series of bonus episodes, “The Inside Scoop with Joann and Kelly,” in 2024. Their dedication to the power of interior design also extends to their charity work throughout the U.S. and Guatemala.  SOCIAL MEDIA HANDLES https://www.facebook.com/kandracandkole/ https://www.instagram.com/kandrackole/ https://twitter.com/KandracKole/ https://www.pinterest.com/kandrackole/ www.kandrac-kole.com

Neosho County women's basketball head coach J.J. Davis talks about his 21st-ranked Panthers, as well as the successes of the school's men's soccer program. 

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions.  In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

After a week off, Tyler Hansbrough shares his thoughts about the return of R.J. Davis and Seth Tremble. Brandon Staton, a lifelong Washington R******s/Football Team/Commanders fan, laments the decision to pass on Drake Maye. The NBA Playoffs are underway and Anthony Edwards might be the best player in the NBA by the time they're over. Guys we are in the doldrums of summer, so this episode was a reach, but we think we pulled through!All that and more on our best episode yet!Brought to you by Jimmy's Famous Seafood.Brought to you by Jimmy's Famous Seafood.

Please enjoy my interview with John J Davis about his detailed near death experience and tour of the afterlife!WHERE TO FIND MELISSAWEBSITE: https://lovecoveredlife.com/VIDEO PODCAST: https://www.youtube.com/@lovecoveredlifepodcastINSTAGRAM: https://www.instagram.com/lovecoveredlife/ TIKTOK: https://www.tiktok.com/@lovecoveredlife BE A GUEST: https://www.lovecoveredlife.com/beaguestEMAIL FOR OTHER BUSINESS INQUIRIES: Melissa@lovecoveredlife.com

In this edition of the podcast, Josh takes a look at the roster decisions that face the UNC program, headlined by R.J Davis and Harrison Ingram's future in Chapel Hill, he talks about Carolina's inactivity in the transfer portal & more See omnystudio.com/listener for privacy information.

North Carolina Basketball star R.J. Davis joins Adam Schein to talk about his career high 42-point game against Miami, the growth of his game at UNC, the tournament game against Baylor, the rivalry with Duke, his Mother's impact on his life on and off the court, and growing up in New York. Adam and Bob Stew talk about the Bears debate between Justin Fields & Caleb Williams, the Vikings future with Kirk Cousins & Justin Jefferson, and the Broncos QB situation. 

John Martin, Rob Dauster, and Kevin Sweeney react to R.J. Davis's historic night and Baylor's big win at TCU! Plus, Overreaction Monday! The Field of 68 is presented by BetMGM Start earning points for listening to this podcast. Download the Autograph app here and use referral code: F68 Download the VLTED app here Download Rithmm here The Field of 68 merch store is now LIVE SUBSCRIBE to the Field of 68 Youtube Channel SUBSCRIBE to the Field of 68 Daily FOLLOW: Twitter Instagram Youtube https://thefieldof68.com Gambling problem? Call 1-800-GAMBLER CO, DC, IL, IN, KS, KY, LA, MD, MS, NJ, OH, PA, TN, VA, WV, WY Call 877-8-HOPENY or text HOPENY (467369) (NY) Call 1-800-327-5050 (MA) 21+ to wager. Please Gamble Responsibly. Call 1-800-NEXT-STEP (AZ), 1-800-522-4700 (NV), 1-800-BETS-OFF (IA), 1-800-270-7117 for confidential help (MI), 1-800-981-0023 (PR). In partnership with Kansas Crossing Casino and Hotel. Visit BetMGM.com for Terms & Conditions. US promotional offers not available in DC, Nevada, New York or Ontario. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hello, Hello!    A few corrections from episode 364: Charlton Heston was in Ben Hur - but not as a primary actor. He was in a scene in which he rode a horse.  Our social media handle on Instagram and X are @_makeitpodcast (not @themakeitpodcast). However, you can find us at www.themakeitpodcast.com   In this episode, Chris and Nick discuss blockchain technology and its potential applications in the film industry with Chris J. Davis, Co-Founder and CTO of Film.io.   We also talk about…    Chris J. Davis explains his vision for using blockchain to democratize film financing and distribution by bringing fans, creators, and investors together on one platform. The conversation explores the history of blockchain in film, including the first movie released and purchased with cryptocurrency. Potential future applications of NFTs and smart contracts for additional content, rewards programs, and independent verification of project support are discussed. Challenges of regaining public trust after past blockchain hype and issues are addressed. Possibilities that major studios like Disney may adopt blockchain-based models to enhance fan engagement and monetization of ancillary content are considered.  And, an all-new Things We Should Know from Producer Papa Bear.   Enjoy!      *How you can continue to enjoy MAKE IT content:*   Subscribe to the MAKE IT YouTube channel. Subscribe to the MAKE IT Podcast wherever you listen to podcasts. Subscribe to our newsletter at https://www.bonsai.film/subscribe.   The MAKE IT podcast amplifies the voice of the filmmaker by exploring the filmmaking journeys of actors, writers, directors, producers, and a host of other creatives from across the film industry.

Hello, Hello!    A few corrections from episode 364: Charlton Heston was in Ben Hur - but not as a primary actor. He was in a scene in which he rode a horse.  Our social media handle on Instagram and X are @_makeitpodcast (not @themakeitpodcast). However, you can find us at www.themakeitpodcast.com   In this episode, Chris and Nick discuss blockchain technology and its potential applications in the film industry with Chris J. Davis, Co-Founder and CTO of Film.io.   We also talk about…    Chris J. Davis explains his vision for using blockchain to democratize film financing and distribution by bringing fans, creators, and investors together on one platform. The conversation explores the history of blockchain in film, including the first movie released and purchased with cryptocurrency. Potential future applications of NFTs and smart contracts for additional content, rewards programs, and independent verification of project support are discussed. Challenges of regaining public trust after past blockchain hype and issues are addressed. Possibilities that major studios like Disney may adopt blockchain-based models to enhance fan engagement and monetization of ancillary content are considered.  And, an all-new Things We Should Know from Producer Papa Bear.   Enjoy!      *How you can continue to enjoy MAKE IT content:*   Subscribe to the MAKE IT YouTube channel. Subscribe to the MAKE IT Podcast wherever you listen to podcasts. Subscribe to our newsletter at https://www.bonsai.film/subscribe.   The MAKE IT podcast amplifies the voice of the filmmaker by exploring the filmmaking journeys of actors, writers, directors, producers, and a host of other creatives from across the film industry.

Coach J.J. Davis talks about how the Neosho County Panthers women's basketball program has become one of the most dominant statistical wonders in NJCAA basketball and how the Panthers have emerged as a contender in the KJCCC. 

Unlock the potential of Black culture and education as I, Dr. Steve Perry, take you on an enlightening journey through the heart of Livingstone College. Joined by Dr. Davis, Brother X, and Brother Muhammad, this episode traverses the resurgence of interest in HBCUs, the NAACP's mission, and the awakening consciousness within the African-American community. Discover the power of education, the transformative impact of music on Black identity, and the importance of supporting Black businesses in a conversation that promises to challenge and inspire.The tapestry of discussions weaves stories of resilience, such as the journey from foster care to college presidency, and the mobilization of efforts to provide job opportunities to the formerly incarcerated. Learn about the operational hurdles HBCUs face and the incredible strides made to overcome them. We also spotlight the influence of community support in our successes—whether it's the NAACP's job creation initiative or the cultural pride imbued in our students, this episode is a testament to the power of collective action and mentorship in shaping a brighter future.As we celebrate the steps taken and the progress yet to be made, our guests illuminate the journey ahead with personal insights, historical context, and strategic calls to action. From the boardroom of John Hopkins Hospital to the classrooms of Livingstone College, this dialogue is a rallying cry for justice, identity, and cultural integrity. Tune in for an exchange that not only honors our ancestors but also paves the way for the next generation of Black excellence.

We are on a summer break & will come back at some point in the fall with an actual season of the show! But in the meantime,  We are over the moon today to bring you Tortoise Drama, Diary Comics, Unsolicited Vegan Vacation Food Reviews, Big news, where to find AJLT recaps and MORE.  You can find Nicole's new book here: https://www.phasesevencomics.com/phase8/dogs-breakfast/ Get her 2024 calendar here: nicolejgeorges.com/shop Find an unlocked And Just Like That finale recap bonus episode with Bran Taylor at patreon.com/nicolejgeorges And find Nicole live in person at SPX Small Press Expo, Cartoon Crossroads in Columbus, and Short Run Comics Fest in Seattle.  Featured on today's show,  Roving reporters Dawn, Luca, Morgan & Torrence bring us unsolicited vegan food reviews from Spain, Tucson, & Denver.  Dawn Riddle is a multidisciplinary artist from Portland, Oregon. She is a brilliant painter, weaver, photographer, musician, playwright, videographer and so much more.  Luca J. Davis is a writer, web designer and long distance hiker. You will notice their review is in two parts, because it was  originally sent to me as a video text, which you can see on our instagram page, but  after hearing just the names of BEAUTIFUL tahini drink & breakfast items from Houlden's Rise Above, I demanded more details. Which Luca sent. Via memo.  Morgan is a baker and seed lover, and Torrence is a cat lover who was once my  very excellent roommate.  Alec Longstreth is an award winning cartoonist. He also works as a freelance illustrator, animator, digital colorist, and comics educator. He works at the Center for Cartoon Studies, just did all the images and some animations for Weezer's summer tour, and is the author of Basewood  And the all ages comic Isle of Elsi. He runs Phase 8 publishing, and you can get my NEW BOOK by going to his website.  Phasesevencomics.com. You'll see the phase 8 logo in the top right, click on it, and be taken to a print AND digital download link that directly benefits me! Find Alec's comics at phasesevencomics.com. The audio portion of this episode with Alec was originally recorded and edited by Alec for his Patreon page! Find him here:  https://www.patreon.com/longstreth/posts

Jesse and Brittany discuss a recent tragic event in DC that we narrowly avoided, listener emails and voicemails related to praise for the show and our recent trip to Boston, the conservative response to Trump's fourth indictment, including Alina Habba, Ben Shapiro, and Mike Davis, as well as voters on the ground at the Iowa State Fair, A$$hole of Today feat. former police officer Kyle J. Davis, and Takin' Care of Biz feat. Jessica Spencer and Sophia Dencel in Phoenix. SUPPORT THE SHOW ON PATREON: http://www.TeamDollemore.comNEW MERCH AVAILABLE AT: http://www.dollemore.infoJoin the private Facebook listener group: https://www.facebook.com/groups/1770575259637583Send a text or voicemail of fewer than three minutes to (657) 464-7609.Show Facebook: http://www.facebook.com/IDoubtPodcastShow Twitter: http://www.twitter.com/IDoubtItPodcastJesse on Twitter: https://www.twitter.com/dollemoreBrittany on Twitter: https://www.twitter.com/brittanyepageBuy a T-Shirt, Hoodie, Mug, or Tote: https://www.dollemore.infoPatreon: http://www.dollemore.com/patreonPayPal: http://www.dollemore.com/paypalAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The following conversation discusses: The rise of Bernie sanders and Donald trump, potential campaign message for the Biden campaign, and the 2016, 2020, & 2024 Democratic Primaries This episode features Ryan J. Davis. Ryan is a seasoned creative executive with over two decades of experience advising and executing for brands, agencies, startups, nonprofits, and political campaigns. Currently, Ryan is the Chief Operating Officer and Co-Founder of People First, a precision creator marketing agency. He also serves as a Senior Advisor for Calyx, a cutting-edge sensor technology company, and sits on the Board of Advisors for Caucus, an innovative platform that monetizes social media engagement. Ryan's career highlights include founding the social media department at Blue State Digital, which is widely recognized for its work on the Obama campaign. Rate and subscribe if you enjoy the content and follow 'overcoming_the_divide'  on Instagram & Twitter!Time Stamps:00:30 Intro 2:45 Political satire & Rudy Giuliani 5:30 Howard Dean & Barrack Obama's digital strategy8:00 Building the Obama brand12:15 Gifted political communicators13:45 Rise of Bernie Sanders & Donald Trump18:30 The 2020 Democratic Primaries 21:45 The 2024 Democratic Primaries 24:00 The Russo-Ukrainian War40:15 Messaging and branding for the Biden Campaign55:40 Trump vs DeSantis 58:00 People First: micro-influencers 1:05:15 Mending Political FracturesMusic: Coma-Media (intro)                 WinkingFoxMusic (outro)Recorded: 6/21/23

EVERYDAY PHONE CONVERSATION!! WE BACK SEASON 4! This week's episode we had a special guest Nelson J. Davis aka Mr. Tubi. We discussed him getting into the movie industry, writing & producing & directing, sex scenes too and more. Enjoy or Fuk Outta Here! YALL OPINIONS ON THE TOPIC? Comment, Email or Dm Us…we'll definitely talk about it! Get Ya Merch — https://foh-merch.creator-spring.com (https://foh-merch.creator-spring.com) Visit our website www.fohbrand.com Sponsors of the podcast: Guerilla Land Clothing @guerillalandmerch Smiley's Crafts & Thangs @smileycraft.thangs        IF YOU WANT TO GET SOMEBODY OR SOMETHING THE FUK OUTTA HERE SEND US AN EMAIL AT FOH337@GMAIL.COM Follow us on Instagram:      Podcast page @fohpodcast337      Sayso @saysographics      DJ Truth @therealdjtruth --- Send in a voice message: https://podcasters.spotify.com/pod/show/fohpod337/message

In this episode, I speak to D.J about working with disabilities, his experience in the legal cannabis industry (specifically at Sunnyside in Wrigleyville), and much more. Watch the video version of the episode now: http://chillinois.net/2023/06/03/293-d-j-davis/

This week I'm joined by the incredible Brianna J. Davis, founder and CEO of nonprofit Esperanza de Tejas, to discuss her transition from a troubled teen to earning a Master's degree in Social Work, gaining a different perspective on mental health and people's basic needs after working on the West Coast, establishing Esperanza de Tejas in Corpus Christi in 2020, the community initiatives the nonprofit prioritizes, including the Children's Free Store, scholarships and the Garden of Hope, and what she would say to her younger self if given the opportunity in episode 190

What does writer, long distance hiker, web designer and rug maker Muffy J Davis listen to? It may surprise you as they share a bit of their life's soundtrack with host and storyteller JB Snyder. These songs have lead them through escaping a difficult home life, falling in love with someone new, motivating through long hikes and more. Through lots of giggly discussions their writer's mind shines through with profound thoughts on shaking up the status quo, processing loss and trying to live as your true self. Muffy's Links Writing / Newsletter: muffyjdavis.substack.com Website: muffyjdavis.com Personal IG: instagram.com/muffyjdavis Rugs IG: instagram.com/mufftufts Follow the podcast & host JB on Instagram instagram.com/lifeontrackpodcast instagram.com/juiceboxsays SONGS FEATURED New: Boofiness by 1010benja Old: Undone (The Sweater Song) by Weezer Borrowed: Moonlight by XXXTENTACION Blue: Take Care by Beach House Wild Card #1: Sandstorm by Darude Wild Card #2: Love In This Club by Usher Playlist of All Songs Featured: https://open.spotify.com/playlist/73oEX6BD4QgKPtKLtrwvZg?si=3881964a7fc14ed8 JB's Rotating Personal Playlist: https://open.spotify.com/playlist/5YmyayAx04cpNIjefGsjmy?si=1e9610e1bb534d80 Podcast Theme Song: Encouragement Pit by Deaf Dog This podcast was formerly known as "Isolation Reflections" and was exploring the songs getting people through the 2020 lockdown. These previous episodes still available to listen under Life On Track. Mental Health Resources - Crisis Text Line / Text HOME to 741741 - Trans Lifeline call 877-565-8860 - Suicide Prevention Lifeline call 988 - Help A Friend at suicidepreventionlifeline.org/help-someone-else - Learn about Mental Wellness at nami.org - Find a local therapist at therapyden.com

Between 1863 and 1871, Harriet M. Buss of Sterling, Massachusetts, taught former slaves in three different regions of the South, in coastal South Carolina, Norfolk, Virginia, and Raleigh, North Carolina. A white, educated Baptist woman, she initially saw herself as on a mission to the freedpeople of the Confederacy but over time developed a shared mission with her students and devoted herself to training the next generation of Black teachers. The geographical and chronological reach of her letters is uncommon for a woman in the Civil War era. In each place she worked, she taught in a different type of school and engaged with different types of students, so the subjects she explored in her letters illuminate a remarkably broad history of race and religion in America. Her experiences also offer an inside perspective of the founding of Shaw University, an important historically Black university. Now available to specialists and general readers alike for the first time in My Work Among the Freedmen: The Civil War and Reconstruction Letters of Harriet M. Buss (U Virginia Press, 2021), her correspondence offers an extensive view of the Civil War and Reconstruction era rarely captured in a single collection. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Between 1863 and 1871, Harriet M. Buss of Sterling, Massachusetts, taught former slaves in three different regions of the South, in coastal South Carolina, Norfolk, Virginia, and Raleigh, North Carolina. A white, educated Baptist woman, she initially saw herself as on a mission to the freedpeople of the Confederacy but over time developed a shared mission with her students and devoted herself to training the next generation of Black teachers. The geographical and chronological reach of her letters is uncommon for a woman in the Civil War era. In each place she worked, she taught in a different type of school and engaged with different types of students, so the subjects she explored in her letters illuminate a remarkably broad history of race and religion in America. Her experiences also offer an inside perspective of the founding of Shaw University, an important historically Black university. Now available to specialists and general readers alike for the first time in My Work Among the Freedmen: The Civil War and Reconstruction Letters of Harriet M. Buss (U Virginia Press, 2021), her correspondence offers an extensive view of the Civil War and Reconstruction era rarely captured in a single collection. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Between 1863 and 1871, Harriet M. Buss of Sterling, Massachusetts, taught former slaves in three different regions of the South, in coastal South Carolina, Norfolk, Virginia, and Raleigh, North Carolina. A white, educated Baptist woman, she initially saw herself as on a mission to the freedpeople of the Confederacy but over time developed a shared mission with her students and devoted herself to training the next generation of Black teachers. The geographical and chronological reach of her letters is uncommon for a woman in the Civil War era. In each place she worked, she taught in a different type of school and engaged with different types of students, so the subjects she explored in her letters illuminate a remarkably broad history of race and religion in America. Her experiences also offer an inside perspective of the founding of Shaw University, an important historically Black university. Now available to specialists and general readers alike for the first time in My Work Among the Freedmen: The Civil War and Reconstruction Letters of Harriet M. Buss (U Virginia Press, 2021), her correspondence offers an extensive view of the Civil War and Reconstruction era rarely captured in a single collection. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

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