Podcasts about deviants

Ep32: abstract deviant disco by Jean Motell

On February 14, 2017, searchers make a discovery in the woods near Delphi, Indiana that changes the town forever. Abigail Williams and Liberty German are found. What investigators encounter in those first moments triggers an immediate and massive response, including the Indiana State Police and the Federal Bureau of Investigation. For years, almost nothing about this crime scene is made public. It becomes one of the most tightly guarded scenes in modern American law enforcement. Even experienced reporters with deep sourcing are left with little information. Why is so much held back? In Part Two of DEVIANT's extended Delphi series, host Dan Szematowicz moves into the earliest hours of the investigation. We look at what police see, what stands out to them, and what early questions begin shaping the direction of the case. What makes investigators describe the scene as odd and strange? What decisions are made in those first critical hours? What possibilities are considered? And how do those first impressions influence everything that follows? Before turning fully to the evidence, we also pause to remember Abby and Libby as they were in life. Friends. Daughters. Kids with plans. This episode focuses on context, process, and the foundation of the investigation. The timeline matters. The details matter. What was known, and what was not known, matters. We continue step by step. We're not yet drawing conclusions or taking sides...just telling the story as it unfolds. JOIN OUR PATREON TO SEE EVIDENCE IN THIS CASE: www.deviantpodcast.com FOLLOW US ON SOCIAL: TikTok/Instagram - @deviant.podcast Copyright 2026 Cold Open Media LLC Learn more about your ad choices. Visit megaphone.fm/adchoices

Patrick is out this week with an injury so Chris is tackling a heavy hitter solo this time around. Ed Gein, who fashioned strange handicrafts from the skin of his victims is one of the most bizarre and legendary tales from the history of true crime. In the wake of the Ryan Murphy series "Monster" that dramatizes the life of Ed Gein that came out in 2025, this is a summary look at the whole story. The source for this episode was "Deviant" by Harold Schechter.

On February 13, 2017, two girls went for a walk near Delphi, Indiana. They never came home. Abigail Williams, 13, and Liberty German, 14, vanished from a popular hiking trail near the Monon High Bridge. The next day, they were found murdered. What followed was not a clean investigation or a tidy path to justice, but a six-year saga that would fracture a town, divide the public, and raise uncomfortable questions about policing, media, and truth itself. This is the first chapter in DEVIANT's definitive series on the Delphi murders. In Part One, host Dan Szematowicz goes back to the beginning. The town. The trail. The timeline. The last known movements of Abby and Libby. The search. And the moment everything changes. This series does not pick sides or ask you to accept conclusions upfront. It lays out the facts, piece by piece, and lets the story speak for itself. Since Dan's original coverage from the podcast "Down The Hill: The Delphi Murders" ended in 2022, there has been an arrest, a trial, a conviction, and an explosion of new information and controversy. Some believe justice has been served. Others believe the truth is still out of reach, and that an innocent man sits behind bars. This series re-examines the entire case as it stands today, starting here, at the very beginning. If you think you know this story, you may want to listen anyway. If you don't, you'll soon understand why it refuses to let go. This is DEVIANT. We're all wired differently. Some of us step outside every boundary. These are those stories. SEE THE EVIDENCE AND SUPPORT THE SHOW: http://deviantpodcast.com INSTAGRAM AND SOCIAL: @deviant.podcast Copyright 2026 Cold Open Media LLC All rights reserved Learn more about your ad choices. Visit megaphone.fm/adchoices

Eternals is a noble misfire for the MCU. Directed by winner of the 2021 Best Director Oscar, Chloe Zhao, it attempts to elevate the superhero movie genre. One problem: It's super boring. Eternals, which rambles on for an excruciating 156 minutes, never finds its footing. Plagued by bland characters and a distinct lack of charm, it is never able to distinguish itself among the sea of Marvel movies. And bad news for the House of Mouse, Eternals tepid reviews were only half the problem. Those were trumped by its lack of box office bucks. The latter has more than likely doomed these immortal warriors to the catalogue of one and dones. Now, sit back, stare into the middle distance with a Nordic Jam Lager from Two Pitchers, and put Pip in the drunk tank! The Thunderous Wizard, Chumpzilla, and Bling Blake are riding Deviants across the monochrome sky! This Week's Segments: Introduction/Plot Breakdown – The end was just the beginning! Lingering Questions – Would we care to see these characters again? (49:21) The "Deviants" Trivia Challenge – Chumpzilla challenges the field to trivia about the movie. (1:10:17) Recommendations – We offer our picks for the week and next up: We conclude our Best Director Flops series with double the Will Smith in Gemini Man! (1:23:10) And, as always, hit us up on Threads, X, Facebook, Bluesky, or Instagram to check out all the interesting factoids from this week's episode!

What draws you to comics and what would stop you from picking them up? Thats what we at the ACP tackle this week, and joined by the legend behind ACP Recommends, Craig Shields. Its a drive into structure, storytelling, PR and so many more levels of the artwork that we call comics. Theres also talk about whether a particular kind of scene could work in comics, great indie recommendations and another trip to see the Wizard, this time from 1997! Great stuff to check out: Legacy: ACP Recommends, David Barros, Wizard Magazine, Clear Line, Cartoon County, Clear Run 3, Art Nine Two, Under the Floorboards Vol.2, Pantheon, For the Record, David Robertson, Fred Egg Comics, The Deviant,James Tynion IV, Joshua Hixon, Ocular Combustion, Minor Arcana, Boom! Comics, Jeff Lemire

Pour le mois de janvier, Eva Peel reçoit Saturnin, tête pensante des soirées Spacer au Palacio, le nouveau temple de nuit du 9ème arrondissement, mêlant disco intemporelle avec une house pointue sans jamais oublier ses classiques vintage. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Pour le mois de janvier, Eva Peel reçoit Saturnin, tête pensante des soirées Spacer au Palacio, le nouveau temple de nuit du 9ème arrondissement, mêlant disco intemporelle avec une house pointue sans jamais oublier ses classiques vintage.

In February 2017, Abigail Williams and Liberty German went for a walk near Delphi, Indiana and never came home. What followed became one of the most haunting and divisive murder cases in modern American crime. An unusual crime scene. A video of the killer captured on a victim's phone...the figure known as Bridge Guy. Years of speculation, accusations, and unanswered questions. In 2022, a local man, Richard Allen, was arrested. In 2024, he was convicted. And yet, for many, the case still feels unresolved. This February, DEVIANT host Dan Szematowicz takes a fresh, comprehensive look at the Delphi murders. Over the course of the month, this special event series will examine the case from the beginning, incorporating years of newly released information, evidence that was not previously public, and insights gathered during and after the making of Down The Hill, including stories and information that very few know. Each episode introduces a new piece of the story, examining the evidence carefully, methodically, and without an agenda. Did Richard Allen kill Abby and Libby? If so, did he act alone? If not, who did? Were mistakes made by investigators or the courts? And when everything is laid out, what actually makes sense? New episodes release Wednesdays and Fridays throughout February, beginning February 4. A short primer episode arrives first, outlining the key events and milestones for those new to the case or in need of a refresher. This is not a recap. It is a full re-examination. When it concludes, the goal is simple: to understand what the evidence truly shows and why this case continues to divide so many people. Be sure to join DEVIANT's Patreon for pictures, documents, audio and more as the story unfolds at deviantpodcast.com Copyright 2026 Cold Open Media LLC. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this Salcedo Storm Podcast:Michelle Evans has been a vocal advocate for the protection of women and girls' private spaces, as well as other conservative causes, for many years. She currently serves as the Chairman of the Williamson County Republican Party and in this role she has helped transform this Central Texas county from purple to bright red.

or the Seed Bearer if you're nasty. This week Nando, DJ, and Diggins take what very well might be one last trip to everyone's favorite moon of Pandora to watch the bluest movie of 2025, Avatar: Fire and Ash. They nitpick the troops, the trees, and of course the drugs. DJ - Hollow Knight: Silksong (video game), Kirby Air Riders (video game), Kingdom Come: Deliverance (video game) Diggins - Sorry, Baby (movie), Marty Supreme (movie), Poirot novels (books) Nando - Stranger Things (series), Anaconda (movie), The Deviant (comic), Ultimate Endgame (comic), Todd in the Shadows - The Worst Hit Songs of 2025 (video)  

It's episode 224 and time for us to talk about History books! We discuss queer history, local history, spies, roads, colonialism, and more!  You can download the podcast directly, find it on Libsyn, or get it through Apple Podcasts or your favourite podcast delivery system. In this episode Anna Ferri | Meghan Whyte | Matthew Murray

(PART 2/2) The manhunt is on. In Part 2 of this DEVIANT series, host Dan Szematowicz picks up the story as Christopher Dorner disappears into the mountains of Southern California, triggering one of the largest and most intense police searches in state history. As authorities flood the Big Bear region, search hundreds of cabins, and warn residents to stay inside, Dorner resurfaces in a series of confrontations that prove he is still armed, mobile, and willing to engage law enforcement directly. What follows is a rapidly escalating chain of events that ends in a violence and fire. This episode examines the final hours of the manhunt, the shootout that leaves officers dead and wounded, and the decisions made by law enforcement as the situation spirals toward its conclusion. It also explores the aftermath, including the questions, controversies, and scrutiny that follow the end of the siege. Part 2 completes the story of the Christopher Dorner manhunt, focusing on what happened, how it unfolded, and the lasting impact it left behind. SUPPORT THE SHOW: http://www.deviantpodcast.com Visit DEVIANT's socials: http://www.instagram.com/deviant.podcast http://www.tiktok.com/@deviant.podcast Copyright 2025 Cold Open Media LLC Learn more about your ad choices. Visit megaphone.fm/adchoices

Make Morality Mainstream Again The adultification of teen fiction has intentionally Frankensteined books for teens into cesspools of ideological normalization. A while ago, I met a mother and her daughter, the latter of whom I hadn't seen in several years. On the cusp of turning twelve, she'd obviously grown in the time since, and, her mother proudly informed me, had become quite the reader. Indeed, the girl held quite a thick book in her hand. Which was it? The girl showed me the cover. I turned to the mother. “Do you know what your daughter is reading?” She'd figured telling her eleven-year-old she could read whatever was marked 14+ was a safe enough guardrail for appropriate content. As reading is an experience between book and reader, the mother wouldn't have seen what her daughter was taking in. She couldn't either know that her daughter's book was familiar not because it was something I'd read but because it was something I wouldn't. Worse, she thought she could trust the institution. THE READING DILEMMA Parents want kids to read, but as most can't keep up with their reading habits, they don't fully realize what's being allowed, even promoted, in books for young readers. As with other once vaunted institutions, the publishing world has morphed in ways many aren't fully aware of. Over a decade ago, I signed my first contract for Young Adult (YA) fiction. Before and since, I've watched the genre boom through the stages of audience demographic to viable business. Throughout, YA has expanded from books for teens to a genre unto itself, attracting talented writers, lucrative contracts, and the golden goose of Hollywood adaptations. YA is officially for readers 14-18 years (and up). However, as it's after Middle Grade (8-12 years), tweens are frequent readers, plus many eleven-year-olds reading up. There is “lower” and “upper” YA, but they're unofficial categories for libraries or writers specific about their target audience. Most retailers and publishers categorize all teen books under the general YA umbrella. NA, New Adult, mainly written for college-aged readers into their early twenties, is often sheltered under the YA umbrella too. Alongside the wider publishing industry, YA has changed significantly over the years, reflecting broader shifts in society. What follows isn't an analysis on talent or quality but content, as something about words in a book makes what's written more real, valid, romantic, admirable, aspirational. Thus, the intent is to shed light on some of the many topic and imagery that are included in books for young readers. At risk that this won't earn me any friends in publishing (at best), here's some of what I've seen: DEVOLUTION OF YA FICTION Growth of the YA audience/genre is an objective benefit, logical as it is to increase methods for targeting potential customers. As YA has increased in business and position, its morphing into genre unto itself has attracted many adults readers. As a YA author, I read mainly within my market and see the appeal for adult readers considering how well the genre's developed. The migration of older readers to YA is certainly one of the many reasons it's been so adultified. Other factors include the poisonous stranglehold ideological tentacles have on many aspects of culture, entertainment, and education. The shifts adults have finally caught onto in adult fiction and film have infected literature for younger audiences, picture books through YA. A quick example, originally, romantic comedies centered on a man and woman who clashed at the outset, then eventually found their way to each other at the end. The story would build to some romantic declaration, then a kiss. Anyone who's been watching knows that there's now a whole lot of touching that happens before any romantic declaration occurs. Longer, more frequent kisses are only second to scenes of the pair sleeping together before deciding how they really feel about each other. All this is becoming commonplace in YA. What was once cutesy stories about a high school girl chasing a crush has now become stories featuring a whole lot of other firsts, even seconds, and then some. The devolution of YA is a result of purposeful normalization and reshaping of societal norms through manipulatively emotional appeals by writers, agents, and editors. On average, books from larger publishing houses take roughly eighteen months to two years to evolve from contract to product on the shelf. To say, story trends are set in motion well before their rise in popularity. Whatever the view on agents as gatekeepers to the larger houses, publishers only publish so many books in a year, an amount significantly less than all the people who want to be published. Hence, agents act as preliminary filters for editors, whittling down potential authors to relatively more manageable numbers. An agent must really believe in a writer and project to nab one of those few spots. Like most creative fields, writing is highly subjective, so in addition to general quality, each agent and editor has preferences for stories they want to work with. They're also usually pretty clear about what they're looking for, so part of the progression of change can be traced back to what's being requested. CHARACTER INCLUSION CHECKLISTS When I first entered the “querying trenches,” wish lists from agents mainly specified genres and their various offshoots. Although ideologies make a home in all genres, most were subtler, more akin to a light sprinkling than the deluge of today. Within a few short years, wish lists changed. Unofficial “checklists” appeared in the now familiar cancerous categories of equity, representation, marginalization, and other socialist pseudonyms. Nonfiction for teens is dominated by activism, coming out, and adaptations of left-wing figures' biographies. Rather than prioritize quality, potential, uniqueness, the new gatekeeping is often focused on the inclusion of certain ideologies. For the first while, emphasis was on strong female characters, an odd request considering the YA market is dominated by female writers and readers. Previous character portrayal thus had little to do with some imagined patriarchal oppression. Now, female characters are “fierce”, projections of feminist fantasies celebrating girl bosses who are objectively pushy, uncooperative, obnoxious, self-righteous, and/or highly unrealistic. Somehow, they capture the most desirable love interest, a magical combination of masculinity and emotional vulnerability, who is inexplicably un-neutered by support of her domineering principles. Frequently, the girl makes the first move. Worse than overbearing feminism is unrealistic portrayals of a girl's physical abilities accompanied by most unsavory rage and wrath and anger. Supposedly, these traits aren't anathema to the gorgeous guys (when it is a guy) these girls miraculously attract. Unless there's a moth to flame metaphor here, it's a lie to pretend wrath is a healthy attraction. This well reflects the move away from what's become so-last-century stories featuring underdogs who searched deep for courage and heart to overcome challenges, raising up others alongside themselves. A time when character development focused on, well, character. More wholesome stories have been replaced with a self-proclaimed oppressed burning with self-righteous rage and violence. Such characters have seeped into fantasy for adults as well, most notably in armies featuring female combat soldiers and warriors without special powers, who somehow go toe-to-toe if not best male counterparts. Often this sort of matchup is shown as some cunning of smallness, agility, and destruction of arrogant male condescension. Never mind that such fighting is highly unrealistic, and any male is rightly confident if paired against a woman in physical combat. No amount of small body darting or ingenuity will save a girl from the full force of one landed male punch. The unquestioned portrayal of women able to best men in physical combat is worrying considering the real possibility of a reader confusing fact with fiction. Besides, a country which sends its women to war will no longer exist, as it's a country with males but not men. The current not-so-secret of major houses is that a book doesn't have a high chance of getting published if it doesn't check certain markers, especially for midlist and debut authors, though A-listers are not immune. A Caucasian is hardly allowed to write a story featuring a so-called BIPOC, but a straight author must somehow include the ever-expanding gay-bcs, and it must be in a positive light. Some authors were always writing these characters, which at least reflects acting of their own volition. For the rest, many didn't start until required. Because of the careful wording around these ideologies, many don't speak out against these practices so as not to appear hateful and bigoted. The mandated appearance of so-called marginalized and under-represented in stories lest the author risk erasing…someone, somehow also operates along these lines. Although, apparently, only very specific groups are at risk of disappearing. These standards are ridiculous in their least damaging iterations. How many so-anointed BIPOC were consulted over their standard portrayals? How can every individual of every minority be consulted for approval, and who chooses which faction decides? How many Latinos, speakers of gendered language, agreed to Latinx and Latine? Christian characters in mainstream publishing are rarely portrayed as steadfast believers or even rebels rediscovering faith. Jewish stories usually feature a character who's “lived experience” is assimilation, so the character is of a religion but doesn't represent it. A real portrayal of the true beliefs these characters come from would not align with the world mainstream publishing wants to shape. Even more ludicrous is that “disabled” and “neurodivergent” are considered identities, as if a physical or medical condition is cause for new labeling. The approach used to be that you are still you, worthy of respect and consideration, despite these conditions. In the glorified world of the self-hyphenate, the world of we-are-our-self-declared-identity, it's the foremost feature mentioned, with accompanying expectation of praise and exaltation, regardless of an individual's character or behavior. Don't confuse the argument against the labeling with the individuals, because they are separable. Worse than the tokenism is the reduction of individuals to secondary characteristics. Is this really the first thing you have to say about yourself, the most essential thing to know? When did it become norm to turn skin color or medical condition or physical ability into a character trait, the very notion of which says that anyone in this group must be viewed primarily through this lens, as if each is exactly the same? How myopic. How belittling. Following the cue set by movies, books for teens also morphed from cutesy rom-coms to ideological showcases. Unsurprisingly, there's been the introduction of the stereotypical gay best friend. Then storylines focusing on coming out or discovering someone close was gay, with accompanying template for writing them. The one coming out is always the strong one, the resilient one, though much language must be banned lest they be offended or erased, so their strength is dependent upon a carefully constructed bubble. Not only is inclusion necessary but happiness is the only possible, deliberately portrayed reaction. Never mind if some or all of it runs counter to a writer's religious beliefs. Moreover, “I'm not sure how I feel about this, but I'll still treat you with respect” was never an acceptable response. And it is an acceptable response in all manner of situations, unless you exorcise it in efforts to forcibly shape a particular worldview. Additionally, the attitude is that since you can't tell me who to love, and loving this person makes me happy, you must not only ally but champion me. Why is it offensive to present different acceptable, respectful reactions to teens? Who exactly is erased if this character isn't presented at all? As before, don't confuse the argument against mandate with the individuals. The contention isn't about love, but about religion protecting the sanctity of romantic relationships and marriage, a religious practice since the dawn of time, as seen across centuries and civilizations. Marriage is described as sanctified and holy, because it's Divine in nature, and thereby under the domain of the religious. If it's just a contract, then of course any government can regulate it. It’s disingenuous to deny that such enforcement clashes with the very nature of what writing is about. It shuts down discussion, then subverts it entirely by pretending there's nothing to debate. That shouldn't be a source of pride for publishing, but deepest shame. In their efforts to supposedly widen the window of story matter, they've narrowed the frames and tinted the panes to exclude suddenly unacceptable voices entirely. PORNOGRAPHY AND CONSENT Compounded upon all this, most books are no longer relatively clean romances building to a single kiss, as every stage of the relationship has become more explicit. Some scenes are akin to manuals, containing the sort of imagery once the sole province of steamy romances. When efforts are rightly made to remove these books from shelves, screeches of censorship! erasure! representation! resound. We wouldn't, and shouldn't, tolerate any adult approaching a kid on the street and telling stories with such description, nor should we allow it from close friends or family. Authors do not hold special status in this, no matter what the screechers screech. Taking such books off shelves isn't an indication of bigotry, intolerance, hatred, or erasure, but moral obligation. The counterargument from writers, agents, and editors is that explicit detail is necessary because of something to do with “lived experiences” and consent. First, if kids are doing it anyway, then adults definitely needn't assist. Second, consent is not quite the magical word society would have us believe. Third, “everyone has different experiences” is not a reason for writing graphic content, and the replacement of “intimacy” with “experience” is largely responsible for why relationships are in the gutter and leaving people unfulfilled. Intimacy is something private between two individuals; experience is a vague euphemism to pass off what should matter as transitory, despite irrevocable effects. It's difficult to imagine in an age when phones, cameras, and microphones track a person everywhere, but there was once an ideal called privacy, and the intimate was part of it. Pushback also leads to defenses of “sexuality,” another way of saying adults want to teach kids all kinds of ways to pursue these “experiences”. Changing the wording doesn't alter the nature but does allow immoral actors to force celebration of their fantasies and fetishes. The wrongness is incontestable, though not surprising from those who promote polyamory for teens and romantic relationships between humans and demons or other ungodly creatures. The feeble argument for writing scenes of teens sleeping together is they must see what consent looks like. Again, authors do not hold special status or exemption. There is no strong enough argument for writing scenes for teens in which one character undresses another and verbally asks permission every step of the way. Especially because the new trend seems to be the girl not only “consenting”, but also a burning I want this. If she wants, this wording implies, then she must have, abandoning all reason and morality. Consent has become an excuse for all sorts of undesirable, immoral, even illegal behavior, but mutual agreement is supposed to make it okay. This isn't the behavior we should be promoting for teens; we should be giving them better things, bigger ideas to think about. Worst of all, why is any adult writing about two sixteen-year-olds sleeping together? A teenager, no matter how mature, is still developing and while smart and clever not really old enough to fully understand what she's “consenting” to, and is probably being taken advantage of. We treat eighteen with the same magical power as consent, as if any age should be sleeping around, even if legalese only extends so far. Teen pregnancy, abortion overall, would hardly be an issue if everyone stopped sleeping with people they shouldn't. Any adherent to morality knows this, though morality is just another thing scuttled from teen fiction. G-dless ideology is the new morality; immoral, manmade gods have replaced G-d; lust is the new love; sexuality excuse for pornography; perceived racism and misogyny validation for violence and rage. Many are we who did not consent to this. These scenes are in teen films as well, though how many parents know this in an age of individual devices? Adults pretending to be teens take each other's clothes off before a camera for real tweens, teens, and/or adults to watch. Please explain in clear and simple language why this is not a form of pornography. What absolutely vital role does this scene have in advancing the story? Consent is not enough. Wanting is not enough. We're encouraging teens to turn their bodies into used cars, dented, scraped, scarred, and baggage laden, for what? Why is this hollowing out of self and morality good? This serves no benefit for teens and the overall state of relationships. Consent has become an excuse for all sorts of undesirable, immoral, even illegal behavior, but we're supposed to think that everyone agreeing makes whatever they agree to okay. It's incredibly obvious that feminism and the sexual revolution didn't free women, but chain them in a prison of animalistic, unsatisfying desire, dooming them to jadedness, frustration, and loneliness. But they're so responsible! So mature! By such logic, a responsible sixteen-year-old should be able to buy guns, alcohol, and drugs. But identity! No, identity doesn't mandate a book with graphic imagery, nor is it “sexuality” or “feeling seen” or any other term you hide behind. Witness the tattered remains of social morality that writers do not balk at writing this for teens. They should balk at writing this for anyone. Once we recognized that betterment came through battling temptations. It is not difficult to see how the enforced normalization of all this was also an effective ridding of undesirable shame. Not only have we banished feeling bad, we've enforced celebration of what shame once kept in line. But they'll never be prepared! How did any of us get here if none of this existed for millennia? But look at the sales! Many people also bought rock pets. Deviants and defenders will attempt to claim that (a) this sort of stuff always existed, which isn't really a reason for its continuance, and (b) previous generations were undoubtedly stifled in their inability to express their true selves. Perhaps. And yet, previous generations built civilization, with significantly less medical prescriptions too. Previous generations were better at family and community, meaning and purpose. We have “experiences.” But this is what married people do! Some writers introduce a faux or rushed marriage into the plot, perhaps because their weakening moral compass prevents writing an explicit scene between unmarried characters. Marrying the characters and making them eighteen doesn't magically okay writing this for teens. Everyone does it—indeed there are many common bodily functions which shouldn't be demonstrated in public—isn't either reason enough. Pressures to include these scenes is evidenced by authors long regarded as “clean” storytellers, authors who won't swear or indulge in graphic or gratuitous content, authors who clearly express Christian beliefs in their acknowledgements, writing them too. Would they give this book to their priest? To a young church member? Would they read the scene aloud for family or friends or the very teens they write for? If even the professed religious authors do not have the fortitude to oppose this, if even they can be convinced of the supposed validity, then gone is the bulwark protecting children from the psychological and moral damage resulting from these scenes. But inclusivity! We must reflect the world around them! Considering what's in these books, all should pray teens aren't seeing this around them. Either way, that doesn't excuse writing about it. Moreover, cries for inclusivity from those shutting down differing opinions are inherently without substance. True inclusivity is achieved when stories focus on universal truths and laudatory values shared by all. The fundamental argument is that “could” is not “should”, and the only reliable arbiter between the two is Divinely-based morality. Current permissiveness is only possible in a society which worked for decades to expunge religion from its vital foundational position and influence. The demonization piled atop its degradation was simple insurance that the moral truths of religion wouldn't interfere with the newly established secular order. We can still be good people, they claimed. Witness the tattered remains. Allowing, championing, this sort of writing has not made us better, and instead of listening to concerns, activists and proponents double down. Need you any proof of the separation between ethics and morality and elitism and academia, scroll through an article or two in defense of these scenes. The more “educated” the individual, the twisted the pretzel of rationalization. Rational lies, all of them. These lies are prominently center of the new crusade against so-called “book banning,” although the books are still available at retailers and publishers. Fueled by self-righteous hysteria, activists take great pride in influencing state legislatures to enact decrees against book bans in protection of “lived experiences,” representation, and the like. If a teen doesn't see two boys or girls or more sleeping together, so the thinking goes, then they face imminent, unspecified harm, never mind that their sacred voice has been quashed. They claim BIPOC and queer authors are specifically targeted, failing to mention it's the content not the author rejected. Somehow the bigots are the ones who don't want kids reduced to “sexuality”, while the tolerant are the ones who do. Need anyone ask if these protections extend to writers who don't align or even disagree with their worldview? I'd say these books are better suited for adults, but adults are despairing of the unreadability of books in their categories too. And that aside from the targeted “decolonization” of books and authors that adults, especially men, enjoyed reading. From the myriad of books extant, no plot was ever turned, no story ever dependent upon an explicit scene, in the bedroom or elsewhere. Neither does such render the work art or literature, but rather indecent and abhorrent. Parents struggle to encourage their kids to read when such are the books available. ELIMINATING THE WEST For some time, agents have specifically requested non-western narratives, histories, and legends. Atop the deteriorating state of the current education system, teens aren't being presented with a fictionalized character in history, which may thereby spark interest and curiosity in real history. No wonder they know so little of the past when they're not offered history at all. What does make it in represents very select time periods. Other permitted historical fiction is alternative histories where the past is magicked or reimagined, almost always in some gender swapped way. While alternative histories can be creative, the lack of regular historical fiction seems to indicate the only permitted history is a remade one. Otherwise, most of western history isn't on shelves because no one wants to represent it. Which means no one's fighting for it to be published. Which means young readers aren't given glimpses into the past that made this present and will highly influence the future. And this from those who claim large swaths of the population don't properly teach history. The same who pushed the fabricated and widely debunked lie that slavery was unique to the west, the only culture who actively sought to end it. The same who have yet to consider the absolute necessity of mandating schools to teach the true horrors of communism done right. The same who have a monochrome view of colonization and chameleon approach to the faux oppressed-oppressor narrative. A rather high volume of Asian-based stories, histories, and mythologies fill the market instead. The proliferation of Asian and other eastern fiction isn't objectively concerning, but it's deliberate increase alongside western stories' deliberate decrease is. It's less an expansion of viewpoints and more a supplanting of anything west. I grew up reading historical fiction, but there's a dearth on shelves for teen readers, who must see where we come from through the eyes of characters resembling our ancestors. Instead of walking through time in their shoes and understanding their struggles in the context of when they lived, we project modern ideologies upon the one protagonist somehow vastly ahead of her time. It's deliberately false and disconnects readers from the world that created the one we live in. Whatever your opinion of our world, it was formed in those histories, and we cannot appreciate the present without understanding the world that made it. MENTAL HEALTH Another major trend in teen fiction is the focus on the broad category of mental health, its emergence unsurprising considering the uptick in modern society. Whatever the viewpoint on diagnoses, the truth is that the ones calling for greater awareness have much to do with having caused the issues. Teens living in the most prosperous, free society that ever was should not have such measures of mental health struggles, yet they do. Skim the messaging of the last several decades and it's no wonder why. Teens are raised on a bombardment of lies and damaging viewpoints resulting in a precarious Jenga structure at their foundation. For decades they've been told they can sleep around without lasting consequence, negating the need to build deep, lasting, exclusive relationships. Families, a fundamental source of meaning and grounding, have been shoved aside for the faux glory of sleeping with whomever, whenever, and the new solution of “found family”. Just because a pill supposedly prevents biological consequences doesn't mean a different sort of toll hasn't been exacted. And that follows the perpetual degradation of dress, reducing the entirety of an individual to a form as valued or devalued as any other physical object. Added to the disrespect of the body is the incessant, unfounded claim that “climate change” is going to destroy the planet by…well, soon. Never mind that we're doing better than before, and all predictions have been proven wrong. Imagine what continual doom and gloom does to the mental state of a teenager already grappling with ping-ponging hormones, who should be presented with optimism for the future they're about old enough to create. Well, we have a pill for that too. Teens have been told the American dream is gone by those who set out to destroy it, that American greatness isn't worth dreaming about by those who recolored it a nightmare. Hobbies and collected skills, the work of their own hands, have been shunted for social media trends and unfettered internet access. Phones are given to younger and younger kids, so they don't grow up in the tangible, real world but an algorithmic, digital one. Inevitably, the worst of that world affects them. They're told that they're hated, feared for the way they were born. They're told they're not even who they've been since birth, basic facts purposely turned into issues and doubts to shake the foundation of self. Those most adamant about the contrived need for teens to discover identity are the most diligent at axing their very roots. The response to the mental health crisis, the jadedness, the internal turmoil they've helped facilitate by destroying the enduring, reliable fabric of society is to encourage more of the same empty, hollowing behaviors. Atop all this is never-ending rage, rage, rage. At the base is the deliberate removal of religion. No matter an individual's choice of observance, religion undeniably provides what liberal society and decadence cannot; meaning. Eternal, enduring meaning. The knowing that you're more than a clump of cells passing through this timespan, because you are an integral link in a chain reaching back millennia. Your ancestors didn't endure hardships or fight to build civilization so you could be the end of the line, but so you could gratefully take your place in it. You and your actions matter. Not because you're a political vote or celebrated community, but because you were made in the image of G-d Who woke you today as there's something only you can do in His world. What effect would the proliferation of this messaging in literature have on the mental state of the youth? And for those pontificating about diversity and inclusion, who in truth only want different skin colors espousing the same beliefs, there is no greater unifier than religion. Belief in a higher power unites individuals of different backgrounds, colors, and, most valuably, opinions, in ways no mandate or ideology ever can. While lengthy, the above in no way encompasses all the changes, reasons, and effects pertaining to the devolution of teen fiction. And, as the focus is not on talent but content, it can be shifted as easily as it was before. You may disagree with everything I've written. You may accuse me of jealousy, hatred, bigotry, racism, misogyny, xenophobia, erasure, et al. I only encourage you to look for yourself. Peruse bookstore aisles; click through new releases; check who's getting awards. What do your eyes see?

Hi, everybody. Happy Holidays! Eric from https://longboxreview.com joins George for their annual conversation about holiday-themed comics. This is the same version of Christmas Gab Bag 2025 that can be found in the Longbox Review podcast feed except for opening and closing comments and bumpers. Enjoy! Thanksgiving Marvel Team-Up v1 #1 The Deviant v1 Christmas in Disneyland Archibald Saves Christmas Christmas with Archie Happy New Year! Subscribe to Longbox Review on your favorite podcast app. Please send your comments to longboxreview@gmail.com and chat with Eric @longboxreview on Bluesky Social. Thank you for listening. Connect with Meanwhile At The Podcast on social media. Don't forget to #livetweet (we're still calling it that)! Share the show, subscribe so you don't miss an episode, and rate us on your podcast apps. Those much coveted five stars are always appreciated. Stay safe out there. NOW ON BLUESKY @MeanwhileATP https://x.com/meanwhileatp https://www.meanwhileatthepodcast.libsyn.com Rodney (AKA Art Nerrd): https://x.com/artnerrd https://www.instagram.com/theartnerrd/ https://facebook.com/artnerrd https://shop.spreadshirt.com/artnerrd Kristin: https://www.facebook.com/kristing616 https://www.instagram.com/kristing616 Rich: https://x.com/doctorstaypuft

In this episode of Puny Pod, Ryan and David take on one of the MCU's most ambitious—and divisive—films: Eternals. From ancient Mesopotamia to modern-day Marvel, the conversation dives deep into cosmic lore, Jack Kirby's massive ideas, and what happens when Marvel trades quips for existential dread. The hosts break down the film's sprawling ensemble cast, Chloé Zhao's distinct directorial style, and the complicated mythology of Eternals, Deviants, and Celestials. Along the way, they explore why this movie looks incredible, why it confused so many viewers on first watch, and how its themes of free will, duty, and humanity set it apart from traditional MCU entries. Expect thoughtful analysis, comic-book history, first-watch vs. rewatch perspectives, and plenty of Puny Pod banter as Ryan and David wrestle with a movie that asks big questions—and isn't afraid to slow things down to do it. Love it or hate it, Eternals is a swing for the fences, and this episode gives it the full deep-dive treatment. Themes by J.R. Trimpe: https://trimpe.org/ ---------------- Support the show! Check out our super secret spoiler show on the EarzUp! Patreon Visit us on Etsy for the official Puny Pod Merch Come say hi on Discord! Subscribe on iTunes Start your own podcast with Zencastr Learn more about your ad choices. Visit megaphone.fm/adchoices

Today: new years goals in marriage, christmas cock blocks (and lows in general), a woman whose husband frowns upon her solo pleasure time (omg i know), a husband who cant access his wife mentally emotionally or physically, a womans husband who watches porn whilst doing the deed…and MORE in todays EP. ASK ANON @ www.thehornyhousewifepodcast.com popstar: get 20% off your purchase at https://www.popstarlabs.com/hornyhousewife bluechew: get 10% off your first month subscription to bluechew GOLD using code HOUSEWIFE at https://www.bluechew.com beducated: visit https://beducate.me/pd2550-jordyn to get 60% off the yearly pass!!

In February 2013, a double murder in an Irvine parking garage sets off a chain of events that quickly spreads far beyond the city. What begins as a quiet, baffling crime soon escalates into a statewide emergency. In Part 1 of this two-part DEVIANT episode, host Dan Szematowicz tracks the story from the killings of Monica Quan and Keith Lawrence through the critical discoveries that identify Christopher Dorner as the suspect. As the investigation unfolds, law enforcement agencies across Southern California move into high alert, protective details are deployed, and Dorner resurfaces violently. This episode covers the first confirmed attacks on police, the widening manhunt, and the moment authorities realize they are dealing with a trained, mobile shooter who is actively engaging officers. Part 1 ends with Dorner vanishing again, leaving behind burned evidence in the mountains and forcing law enforcement into a massive, uncertain search. Part 2 continues with the Big Bear manhunt, Dorner's reappearance, and the final confrontation. SUPPORT THE SHOW: http://www.deviantpodcast.com Visit DEVIANT's socials: http://www.instagram.com/deviant.podcast http://www.tiktok.com/@deviant.podcast Copyright 2025 Cold Open Media LLC Learn more about your ad choices. Visit megaphone.fm/adchoices

This encore presentation revisits one of the most unsettling stories ever featured on DEVIANT. It is a firsthand account of the execution of Gainesville Ripper Danny Rolling, as witnessed by veteran South Florida journalist Michael Mayo. Mayo covered two Florida executions in his 31-year career. What he saw, and what he did not expect to feel, stayed with him. In this conversation with DEVIANT host Dan Szematowicz, Mayo walks us through the days leading up to Rolling's death: meeting the families of the victims, entering Florida's death chamber, hearing the condemned man sing a self-written hymn moments before the chemicals flowed, and grappling with what executions mean for justice, closure, and the people left behind. It is a stark and unvarnished look at an experience few ever witness. It also raises hard questions about punishment, memory, and the weight of what the state asks us to carry. This is a rerelease of a previous DEVIANT episode. New episodes return next week. SUPPORT THE SHOW: http://www.deviantpodcast.com Visit DEVIANT's socials: http://www.instagram.com/deviant.podcast http://www.tiktok.com/@deviant.podcast Copyright 2025 Cold Open Media LLC Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes we forget how much trust we place in the little things around us like a lock on a door or a badge on someone's shirt. We see those symbols and assume everything behind them is safe, but it doesn't always work that way. A person with enough confidence, or the right story, can slip through places we think are locked down tight, and most of us never notice it's happening. My guest today is Deviant Ollam, and he's one of the rare people who gets invited to break into buildings on purpose. He talks about how he fell into this unusual line of work, the odd moments that shaped his career, and why understanding human behavior matters just as much as understanding locks or alarms. Listening to him describe these situations, where he's walking through offices, popping doors, or blending in with repair crews, makes you realize how blind we can be to our own surroundings. We also get into the practical side of things: the mistakes companies make, the small fixes that go a long way, and why teaching employees to slow down and ask a few extra questions can make all the difference. It's an eye-opening conversation, especially if you've ever assumed your workplace is more secure than it really is. Show Notes: [03:24] Deviant shares how early adventures, abandoned buildings, and curiosity about locks pulled him toward physical security. [06:20] A story about a law firm reveals how an office "secure" door was bypassed instantly, exposing major hardware flaws. [09:16] Discussion shifts to how the locksmith and safe technician community reacted to his public teaching and how that's changed over time. [13:28] The topic turns to security theater and the gap between feeling safe and actually being protected. [16:18] An explanation of symbolic locks versus real security products highlights how easily people mix up the two. [19:11] Conversation moves into the lack of clear U.S. lock standards and why European systems make things easier for consumers. [21:51] Layered security comes into focus, emphasizing that the goal is to delay and deter rather than stop every possible attack. [24:35] Monitoring tools, overlooked windows, and forgotten blind spots show how attackers often choose the easiest entry point. [27:38] We look at the politics of penetration tests and why coordinating with building management is essential. [31:28] Escalation testing illustrates how long suspicious behavior can go unnoticed inside an organization. [34:34] The need for simple, obvious reporting channels becomes clear when employees aren't sure who to alert. [37:00] A breakdown of common cover stories shows why attackers lean on confidence and industry jargon. [39:50] Urgency and pressure tactics surface as key components of social engineering and why "polite paranoia" helps. [41:14] A viral prank underscores how easily an unverified person can be escorted into restricted areas. Thanks for joining us on Easy Prey. Be sure to subscribe to our podcast on iTunes and leave a nice review.  Links and Resources: Podcast Web Page Facebook Page whatismyipaddress.com Easy Prey on Instagram Easy Prey on Twitter Easy Prey on LinkedIn Easy Prey on YouTube Easy Prey on Pinterest Deviant Ollam Deviant Ollam - You Tube Deviant Ollam - Instagram Practical Lock Picking: A Physical Penetration Tester's Training Guide

Here's your Daily dose of Human Events with @JackPosobiecGo to https://www.BlackoutCoffee.com/POSO and use promo code POSO for 20% OFF your first order.Right now, they have two options to choose from, both at https://www.SteakNShake.com (that's SteaknShake with the letter “n”): There's their Grass-Fed Beef Tallow — only $9 a jar. And there's also their American Wagyu Beef Tallow — just $12 a jar, with a rich, buttery taste. Or bundle both for $19.99 and revolutionize your cooking. Fry the crispiest fries. Sear the perfect steak. Roast vegetables bursting with real flavor. This is how food should taste.Go to https://hometitlelock.com/poso and use promo code POSO to get a FREE title history report so you can find out if you're already a victim AND 14 days of protection for FREE! And make sure to check out the Million Dollar TripleLock protection details when you get there! Exclusions apply. For details visit https://hometitlelock.com/warrantySupport the show

Eva Peel reçoit Alex Rossi pour un Deviant Mix spécial avec Alex Rossi. Né Alexandre Rossi le 3 janvier 1969, est un chanteur et parolier français d'origine italienne. Il a été défini comme « le plus italien des chanteurs français ». Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Happy holidays! It's time again for George (from Meanwhile at the Podcast) to join me to discuss the following Christmas-related comic books: Thanksgiving Marvel Team-Up v1 #1 The Deviant v1 Christmas in Disneyland Archibald Saves Christmas Christmas with Archie Feedback! Email = longboxreview@gmail.com Text/voicemail = 208-953-1841 Social = Bluesky Mastodon Facebook Web =  longboxreview.com Links: Meanwhile at the Podcast episode 344 My conversation with Sean Ross Listen to previous Christmas Gab Bag episodes: https://longboxreview.com/tag/gab-bag/. Thanks for listening! episode 269

In this episode, JoLi breaks down a chance encounter with a "deviant thinker" who thought he was alone, and delivers the truth about why feeling different isn't isolation, it's recognition. From past lives to the illusion of aging, this conversation goes deep into the nature of reality, purpose, and why some of us are wired to question everything.If you've ever felt like you don't belong, like something's fundamentally off about this world, or like you're the only one who sees through the simulation, this episode is your confirmation that you're not broken. You're a flower among spikes.

(PART 2/2) ENCORE PRESENTATION In April of 2018, Alek Minassian sits in a Toronto police station after using a van to kill eleven people. Now, investigators are trying to figure out who he is, and why he did this. Minassian is happy to talk about it all. What he spins is a tale years in the making, winding himself into the very fabric of what he calls the beta uprising...the incel revolution. Who are the incels? What do they want? How much of a threat are they today? DEVIANT host Dan Szematowicz explores all these questions, and concludes the story of the the 2018 Toronto Van Attack. JOIN OUR PATREON: http://www.deviantpodcast.com Visit DEVIANT's socials: http://www.instagram.com/deviant.podcast http://www.tiktok.com/@deviant.podcast Copyright 2025 Cold Open Media LLC Learn more about your ad choices. Visit megaphone.fm/adchoices

(Part 1/2 ) ENCORE PRESENTATION In the spring of 2018, a beautiful Toronto day is broken by a man in a white rental van. He picks a busy part of town...a place where many people will be out and about. He pulls onto the sidewalk, and hits the accelerator. Ten minutes later, he's murdered 11 people. Police immediately arrest 25-year-old Alec Manassian. He claims to have a cause: the "incel revolution." In this multipart story from DEVIANT, host Dan Szematowicz explores this dark day, and the killer who claims allegiance to a bizarre online community. JOIN OUR PATREON: http://www.deviantpodcast.com Visit DEVIANT's socials: http://www.instagram.com/deviant.podcast http://www.tiktok.com/@deviant.podcast Copyright 2025 Cold Open Media LLC Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us for a discussion of all things horror we've been watching, reading, and listening to for the past month outside of our journey to watch Every Horror Movie on Netflix. We discuss the series IT: WELCOME TO DERRY and STRANGER THINGS; the movies FRANKENSTEIN, I SAW THE DEVIL, YOUR MONSTER, and MORBIUS; the books EXQUISITE CORPSES, BENEATH THE TREES WHERE NOBODY SEES, THE DEVIANT, and SISTERS OF THE LOST NATION; and Allyson's meet-cute with Hamish Linklater. Please note: a recording catastrophe happened in the making of this episode, mostly with regards to Allyson's mic. It sounds bad and we feel bad.  Join the conversation on Discord: https://discord.gg/PptTvM3mCd Follow us on Facebook: https://www.facebook.com/EHMONcast/ Follow us on Instagram: https://www.instagram.com/ehmoncast Follow us on TikTok: https://www.tiktok.com/@ehmonpodcast Follow us on Bluesky: https://web-cdn.bsky.app/profile/ehmoncast.bsky.social Follow us on YouTube: https://www.youtube.com/@ehmoncast And check out our merch at https://www.teepublic.com/user/ehmoncast 

I talk about some of the 147 comic books I read in Sept/Oct 2025. September's comic books: Groupies 5 Cheetah and Cheshire Rob the Justice League 1 Ultimate Spider-Man 7-17 The Wild Choir: She Used to be Me Strange 6-10 Gideon Falls 7-11 Titans Annual 2025 The Deviant 1-4 Superman: The Kryptonite Spectrum 1 In Mourning Shooters ogn Deadpool/Batman 1 Ghostbox 1-5 Fantastic Four 33 Hello Sunshine ogn October's comic books: Batman 1 Resurrection Man: Quantum Karma 6 DC K.O. 1 Krypto: The Last Dog of Krypton 4 Superman Unlimited 5 Supergirl: Universe End Assorted Crisis Events 1-5 Fine Print ogn Love Everlasting 11-15 Rain 1-5 Fantastic Four 1 Imperial 2 Postal: Deliverance 5-8, Postal 9-12, Postal 5-8 Feedback! Email = longboxreview@gmail.com Text/voicemail = 208-953-1841 Social = Bluesky Mastodon Facebook Web =  longboxreview.com Links: Promo: The Iron Age of Comics Greg Rucka's newsletter: Front Towards Enemy LBR episode featuring Sean Ross Mike's Comic Shop Roadshow Campus Comics Cast Thanks for listening! episode 268

On June 7th, 1992, Sherrill Levitt, her daughter Suzie Streeter, and Suzie's friend Stacy McCall disappear from a quiet home in Springfield, MO without leaving a trace. Their cars, keys, purses, and personal belongings stay behind. The women don't. In this episode, DEVIANT host Dan Szematowicz walks through the final hours before they're last seen… the empty house that made no sense… the contaminated crime scene… the massive grid searches… the false leads… and the men whose names rose to the top of the suspect list. And we follow the most enduring person of interest whose past, alibis, and statements have kept him in the center of the case for more than thirty years, even as investigators have never been able to tie him to the crime. Decades later, the mystery remains one of the most haunting unsolved cases in America. Three women. One house. No answers. If you have information about the disappearance of Sherrill Levitt, Suzie Streeter, or Stacy McCall, contact the Springfield Police Department or your local law enforcement agency. Follow @deviant.podcast on Instagram, TikTok, and YouTube for true-crime storytelling every week. SOURCES Springfield News-Leader — “Three Missing Women: Ten Years Later” (Robert Keyes) Springfield Police Department public statements and case summaries America's Most Wanted (1992 broadcast coverage) The Charley Project — Case files for Levitt, Streeter & McCall Associated Press reporting on the investigation and Robert Craig Cox Copyright 2025 Cold Open Media LLC Learn more about your ad choices. Visit megaphone.fm/adchoices

In small towns, fear doesn't always hide in the shadows. Sometimes it writes letters. Sometimes it carries a shotgun. In this episode of DEVIANT, host Dan Szematowicz takes you inside two real American nightmares. In Circleville, Ohio, thousands of anonymous letters turn a quiet town inside out, exposing secrets, destroying lives and leaving behind a mystery that's never solved. In Skidmore, Missouri, a man named Ken Rex McElroy terrorizes his neighbors for years while the law looks away. And then, one July afternoon, the town decides to take justice into its own hands. Two towns. Two reckonings. One truth: when fear becomes unbearable, silence breaks. Follow on Instagram and TikTok @deviant.podcast. SOURCES: State of Ohio v. Paul Freshour (1983); Columbus Dispatch archives; Circleville Herald archives; Unsolved Mysteries (NBC, 1993); CBS 48 Hours (2021); In Broad Daylight by Harry N. MacLean; Kansas City Star and Washington Post archives; FBI and Missouri State Highway Patrol case summaries. Copyright 2025, Cold Open Media LLC Learn more about your ad choices. Visit megaphone.fm/adchoices

(RE_AIR)) He brags about his crimes for years, but nobody takes him seriously until 1992 ,when he's caught in the act. Now everyone is listening as police attempt to untangle the full mystery of Joseph Daniel Miller, and the private graveyard he creates outside of Harrisburg, Pennsylvania. DEVIANT host Dan Szematowicz takes introduces you to the serial killer you probably don't know about.  JOIN OUR PATREON: http://www.deviantpodcast.com Visit DEVIANT's socials: http://www.instagram.com/deviant.podcast http://www.tiktok.com/@deviant.podcast Copyright 2025 Cold Open Media LLC Learn more about your ad choices. Visit megaphone.fm/adchoices

Tom Bailey's been based in New Zealand for the last 30 years, making records, DJing and avoiding British winters. He tours the UK in 2026 playing the Thompson Twins' greatest hits and looks back here from Auckland at the first shows he ever saw and played, all this high in the mix … ... dance music and the British Invasion of America … the inspiring delights of Some Kind Of Mushroom, his local record shop in Chesterfield … seeing Blodwyn Pig, Edgar Broughton and Principal Edwards Magic Theatre when he was 15 … “bass players go to bed last” … when his folk-rock band the Witching Hour supported Mick Farren & the Deviants - and promptly split up … living in Clapham squats with members of the Pop Group and the Slits … the Thompson Twins - from “the young angry white-boy funk” to the MTV trio with a policy statement .. their manifesto and division of labour – “Tom Bailey music, Alannah Currie lyrics, Joe Leeway the live show” … Live Aid with Madonna when the David Letterman house band became the Thompson Twins … “a miraculous palette of sound”: how affordable technology changed his life … and the extravagant talent of his all-female band. Tickets for Thompson Twins' Tom Bailey & Blancmange 2026 Tour here: https://www.alttickets.com/thompson-twins-tom-bailey-ticketsHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Tom Bailey's been based in New Zealand for the last 30 years, making records, DJing and avoiding British winters. He tours the UK in 2026 playing the Thompson Twins' greatest hits and looks back here from Auckland at the first shows he ever saw and played, all this high in the mix … ... dance music and the British Invasion of America … the inspiring delights of Some Kind Of Mushroom, his local record shop in Chesterfield … seeing Blodwyn Pig, Edgar Broughton and Principal Edwards Magic Theatre when he was 15 … “bass players go to bed last” … when his folk-rock band the Witching Hour supported Mick Farren & the Deviants - and promptly split up … living in Clapham squats with members of the Pop Group and the Slits … the Thompson Twins - from “the young angry white-boy funk” to the MTV trio with a policy statement .. their manifesto and division of labour – “Tom Bailey music, Alannah Currie lyrics, Joe Leeway the live show” … Live Aid with Madonna when the David Letterman house band became the Thompson Twins … “a miraculous palette of sound”: how affordable technology changed his life … and the extravagant talent of his all-female band. Tickets for Thompson Twins' Tom Bailey & Blancmange 2026 Tour here: https://www.alttickets.com/thompson-twins-tom-bailey-ticketsHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Tom Bailey's been based in New Zealand for the last 30 years, making records, DJing and avoiding British winters. He tours the UK in 2026 playing the Thompson Twins' greatest hits and looks back here from Auckland at the first shows he ever saw and played, all this high in the mix … ... dance music and the British Invasion of America … the inspiring delights of Some Kind Of Mushroom, his local record shop in Chesterfield … seeing Blodwyn Pig, Edgar Broughton and Principal Edwards Magic Theatre when he was 15 … “bass players go to bed last” … when his folk-rock band the Witching Hour supported Mick Farren & the Deviants - and promptly split up … living in Clapham squats with members of the Pop Group and the Slits … the Thompson Twins - from “the young angry white-boy funk” to the MTV trio with a policy statement .. their manifesto and division of labour – “Tom Bailey music, Alannah Currie lyrics, Joe Leeway the live show” … Live Aid with Madonna when the David Letterman house band became the Thompson Twins … “a miraculous palette of sound”: how affordable technology changed his life … and the extravagant talent of his all-female band. Tickets for Thompson Twins' Tom Bailey & Blancmange 2026 Tour here: https://www.alttickets.com/thompson-twins-tom-bailey-ticketsHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Adam and Pooka discuss The Crow (1994). Is this the most World of Darkness movie ever?  Does that offer anything to your games?  Join the discussion get the full story on the 90s movie that goths are still talking about.Read the comicSee the movieMage the Podcast social media linksWebsitehttp://magethepodcast.comPatreonhttps://bit.ly/MagePatreonBlueskyhttps://bsky.app/profile/magethepodcast.bsky.socialMastodonhttps://dice.camp/@magethepodcastThreadshttps://www.threads.net/@magethepodcastDiscordhttps://discord.gg/7rsy59Zz

There are major changes afoot here at DEVIANT, and the show is evolving in a big way. Dan Szematowicz and Andrew Iden update you on what's happening, and what you can expect from the show moving forward. Buckle up! Learn more about your ad choices. Visit megaphone.fm/adchoices

(ENCORE PRESENTATION) It's Halloween, and DEVIANT is do something unusual. Hosts Dan Szematowicz and Andrew Iden tell three ghost stories, all of which are based in the real. Turn on your spookie light...it's story time!

Spin Docs is our new segment where we scrutinize true crime docuseries and documentaries. Today, we will speak about Netflix's Monster: The Ed Gein Story. This is the third season of Monster, a crime docudrama anthology series from Ryan Murphy and Ian Brennan. We are joined by a very special guest: Harold Schechter. Schechter wrote a definitive book on Gein: Deviant: The Shocking True Story of the Original "Psycho." He told us about some of the blatant inaccuracies in this season of Monster. Learn more about the true story of Ed Gein and get Schechter's book Deviant: The Shocking True Story of the Original "Psycho": https://bookshop.org/p/books/deviant-harold-schechter/89ed8968332485b8?ean=9781668048177&next=tCheck out Schechter's other terrific crime nonfiction books here or wherever you get your books: https://bookshop.org/beta-search?keywords=Harold+SchechterFind discounts for Murder Sheet listeners here: https://murdersheetpodcast.com/discountsCheck out our upcoming book events and get links to buy tickets here: https://murdersheetpodcast.com/eventsOrder our book on Delphi here: https://bookshop.org/p/books/shadow-of-the-bridge-the-delphi-murders-and-the-dark-side-of-the-american-heartland-aine-cain/21866881?ean=9781639369232Or here: https://www.simonandschuster.com/books/Shadow-of-the-Bridge/Aine-Cain/9781639369232Or here: https://www.amazon.com/Shadow-Bridge-Murders-American-Heartland/dp/1639369236Join our Patreon here! https://www.patreon.com/c/murdersheetSupport The Murder Sheet by buying a t-shirt here: https://www.murdersheetshop.com/Check out more inclusive sizing and t-shirt and merchandising options here: https://themurdersheet.dashery.com/Send tips to murdersheet@gmail.com.The Murder Sheet is a production of Mystery Sheet LLC.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this NBN episode, host Hollay Ghadery speaks with poet Patrick Grace about his stunning poetry collection, Deviant (U Alberta Press, 2024). Deviant traces a trajectory of queer self-discovery from childhood to adulthood, examining love, fear, grief, and the violence that men are capable of in intimate same-sex relationships. Richly engaged with the tangible and experiential, Patrick Grace's confessional poetry captures profound, sharp emotions, tracking a journey impacted equally by beauty and by brutality. Coming-of-age identity struggles are recalled with wry wit, and dreamlike poems embrace adolescent queer love and connections as a way to cope with the fear and cruelty that can occur in gay relationships. Later poems in the collection recall vivid moments of psychological trauma and stalking and explore the bias of the justice system toward gay men. Collecting memories, dreams, and fears about sexual identity, Deviant makes important contributions to queer coming-of-age and intimate partner violence narratives. Patrick Grace is an author and teacher who divides his time between Vancouver and Victoria, BC. His poems have been published widely in Canadian literary magazines, including Arc Poetry Magazine, Best Canadian Poetry, Columba, EVENT, The Ex-Puritan, The Fiddlehead, The Malahat Review, Prairie Fire, and more. His work has been a finalist for literary contests with CV2 and PRISM international, and in 2020, his poem "A Violence" won The Malahat Review's Open Season Award for poetry. He has published two chapbooks: a blurred wind swirls back for you (2023), and Dastardly (2021), both of which explore aspects of love, fear, and trauma that represent a personal queer identity. Deviant, his first full-length poetry collection, continues to explore these themes. Follow him on IG: @thepoetpatrick. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

(Part 4/5) Tyler DiPeppe was once part of Atomwaffen Division, a violent neo-Nazi group born online. Now he's ready to explain how it happened. In this conversation, host Andrew Iden speaks with Tyler about the abuse, isolation, and search for identity that left him vulnerable to radicalization. They discuss how online propaganda and community manipulation draw people in, how loneliness becomes a weapon, and what it takes to break free. This is the most personal episode yet—a conversation about responsibility, empathy, and the human cost of hate. New episodes weekly. Subscribe on Apple Podcasts, Spotify, or wherever you listen.

(Part 3/4) Six years after he murdered his two roommates, Devon Arthurs stands before a judge in Tampa and says he's ready to change. But as psychiatrists describe hallucinations, self-choking episodes, and conflicting diagnoses—from schizophrenia to schizoaffective disorder—one question dominates the courtroom: Is Arthurs genuinely ill… or performing for leniency? Host Andrew Iden examines how the case twisted through years of mental-competency hearings, how experts view the psychology of radicalization, and what drives young men toward hate. Featuring analysis from Luke Baumgartner (George Washington University's Program on Extremism), Hannah Gais (Southern Poverty Law Center), and journalist Ali Winston, this episode unpacks the intersection of ideology, identity, and illness in one of America's most disturbing true-crime stories.

We had a great time with the Rockstar of Retail - our friend Tim! We were listening to the Cubbies win, so the recording fades in and out a bit, but oh well (they won!). In this episode, we chat about Tim's bands and run through the top scary movie quotes. Stick around until the end to hear a song titled Deviant!All The Clopen Links: https://linktr.ee/theclopeneffect$2/month keeps us recording and bringing you all the laughs! https://the-clopen-effect.captivate.fm/supportBuy Our Cool Merch:https://www.zazzle.com/the_clopen_effect_t_shirt-256038010043042814

(Part 2/4) Two days after the Tampa double murder committed by Devon Arthurs, police in Key Largo, FL arrest Brandon Russell, a Florida National Guard member, nuclear physics student and the co-founder of the extremist Atomwaffen Division. Also, he's Devon Arthurs's only surviving roommate. What they discover in his car and apartment reveal the terrifying reach of a violent, accelerationist neo-Nazi network. In this episode, host Andrew Iden investigates how Russell built Atomwaffen from an online forum into an international terror collective, his obsession with extremism even after serving time in federal prison, and the sinister plans he and his followers carried into the 2020s, including a failed plot to take down Baltimore's power grid. From bomb-making manuals to propaganda networks, this is the story of how hate mutates, survives, and spreads. New episodes weekly. Subscribe on Apple Podcasts, Spotify, or wherever you listen.

--{ "September Patchwork Quilt"}-- CTTM book club on Telegram, Fiona asks 'How did you discover Alan Watt's work?' - A patchwork quilt of Alan Watt's talks in the month of September; remembering Hamish - Bridging emotion and reason - Making connections about Charlie Kirk and Nick Fuentes with Joe on the latest Real History episode: As Alan always said, 'Your leaders are supplied.' - Seasons change - PM Keir Starmer says a digital ID will be mandatory to work in the UK - Christian Nationalism; the 1930s scenario - Alan Watt on Sweet Liberty, Sept. 28, 2006: This earth plane is where spirit and matter meet; our personal choices matter. Alan Watt on The Grassy Knoll, Sept. 28, 2006: Think tanks - Deviant priesthood - Alan Watt on World Review Commentary, Sept. 2, 2007: RE-written history, a new FICTION for your generation; removal of "discordant" parts of history - Pacification of public - Club of Rome - A global system. - Alan Watt on RBN, Sept. 28, 2007: October in high occult - the New Age, MI5, MI6, Aleister Crowley, OTO - Psychedelic drugs, LSD, resulting in death, schizophrenia, brain damage - Drug promotion is done from the top. - Alan Watt on RBN, Sept. 28, 2009: The new priesthood (Experts) of science and greening - Reality creation, television images; "Most-Trusted" newscasters - New feudal society for New Age - Malthus - Symbiosis of elite masters and masses of slaves - The Dead - Survival instincts, wild vs. domesticated animals - Alan Watt blurb Sept. 18, 2016: Hamish.

Send us a textWe know it looks like we're a month late to the party, but we would like you all to know that we did record this a month ago!

(Part 1/4) On a Friday afternoon in Tampa, 18-year-old Devon Arthurs walks into an apartment leasing office and says “I just killed two people.” Those two: his roommates...young men caught in the grip of online radicalization. What follows is a hostage standoff, a web of neo-Nazi ideology,and the unraveling of a case that exposes the violent underbelly of American extremism. Hosted by Andrew Iden, this episode of DEVIANT examines how ordinary lives spiral into hate, how the internet fuels extremist communities and how one murder case reveals the very real dangers lurking in plain sight.

In this transmission of the Tens and Aces Podcast, we present a Stand 17 deviations audio tutorial. Listen up, because we're about to give you some T&A!

Being punished for crimes you haven't committed yet sounds like Minority Report. But in 15 states—including California—it's the law. Under the Sexually Violent Predator Act (SVP), offenders who've already served their time can be held indefinitely if experts believe they're likely to reoffend. In this episode of DEVIANT: Off Script, host Dan Szematowicz sits down with Dr. Samantha Stein, forensic psychologist and author of Evil at Our Table: Inside the Minds of the Monsters Who Live Among Us. Dr. Stein is one of the few evaluators trusted to decide whether violent sexual offenders should be involuntarily hospitalized after release. We dive into: How the SVP program actually works—and why it's so controversial. The cases of “Joe” and “Luke Miller,” two offenders whose outcomes highlight the tension between public safety and civil liberties. The emotional toll of sitting across from serial predators—and why treating them can sometimes feel like prevention work. The broader questions society faces when deciding how to deal with people who've committed unthinkable crimes. It's a rare, unflinching look inside a system that blurs the line between justice and prediction. Samantha Stein's book, Evil at Our Table, is available wherever books are sold, including here: https://a.co/d/c7huoJB