Podcast appearances and mentions of Paul Morley

Manchester City are considering a move for Nottingham Forest midfielder Morgan Gibbs-White as a replacement for the departing Kevin De Bruyne, according to The Athletic. Meanwhile, the Reds have been touted as a possible summer destination for Dominic Calvert-Lewin when his Everton contract expires. Matt Davies is joined by Paul Morley to discuss the news from a player and club point of view. #nffc #nottinghamforest

Nottingham Forest beat Manchester United 1-0 at the City Ground on Tuesday night thanks to Anthony Elanga's incredible goal and some equally incredible defending. Third placed Forest took another step closer towards the Champions League next season as they moved 10 points clear of sixth placed Newcastle United. Matt Davies will be joined by Chief from Barstool Sports and Paul Morley. #nffc #nottinghamforest

Extrait : « … Après avoir attiré l'attention des fondateurs de ZTT, Trevor Horn et Paul Morley, ils signent pour le label et sortent un premier album, A Secret Wish, en 1985, Le disque rencontre un succès critique et commercial modéré, mais il devient rapidement une référence dans le monde de la synthpop. Bien que Propaganda n'aie plus jamais retrouvé l'élan de ses débuts malgré plusieurs tentatives de reformation, A secret wish a acquis un statut d'album culte, et continue d'influencer de nombreux artistes à travers les décennies … »Pour commenter les épisodes, tu peux le faire sur ton appli de podcasts habituelle, c'est toujours bon pour l'audience. Mais également sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde.Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Nottingham Forest beat Ipswich Town 5-4 on penalties in the FA Cup fifth round on Monday night to secure a tie at Brighton in the quarter-finals. It finished 1-1 before Matz Sels was the shootout hero after all five Reds takers took top class penalties. Matt Davies is joined by Paul Morley and Chris Aylmer from Forest All Over to discuss the game in full. #nffc #nottinghamforest

Nottingham Forest host Ipswich Town in the FA Cup fifth round on Monday night as they look to push on in the competition. How strong should Reds manager Nuno go as Forest look to balance Cup commitments with their push for a Champions League place? Matt Davies is joined by Michael Temple, Paul Morley and Ian Finch to preview the game in full and test the panel's knowledge with a game of starting XI. #NFFC #nottinghamforest

Nottingham Forest drew 0-0 with Arsenal in the Premier League as the Reds with a hard working display as they looked to get their Champions League push back on track against the team one place above them. Matt Davies is joined by Mark Sutherns and Paul Morley from 9.45pm to discuss the game in full. #NFFC #nottinghamforest

Nottingham Forest return to Premier League action when they take on Fulham in the Premier League at Craven Cottage on Saturday afternoon. Matt Davies is joined by Greg Mitchell, Paul Morley and Pete Blackburn to preview the game in full. We discuss who will start with Callum Hudson-Odoi back in training and Ibrahim Sangare impressing at Exeter in the FA Cup. Will Nuno start with a back three or a back four? #nffc #nottinghamforest

Nottingham Forest secured their biggest ever Premier League win as they beat Brighton and Hove Albion 7-0 in the early kick-off at the City Ground. Chris Wood scored a hat-trick to go with further goals from Morgan Gibbs-White, Neco Williams, Jota Silva and a Lewis Dunk own goal. The game also saw the return of Danilo to the starting line-up and Ibrahim Sangare also stepped off the bench. Matt Davies will be joined by Paul Morley and Simon Fotheringham to discuss an unbelievable day in full. #NFFC #nottinghamforest

Nottingham Forest beat Luton Town 2-0 in the FA Cup third round at the City Ground with goals from Ryan Yates and Ramon Sosa as the game also saw the return of Danilo. Matt Davies is joined by Mark Sutherns, Paul Morley and Simon Fotheringham to discuss the game in full. #NFFC #nottinghamforest

Send us a text- FOLGE 80 -  Wir klären in dieser Folge ein für alle Mal:Hat Robert Smith wirklich Angst vor Spinnen?Wer von The Cure hat Billy Idol einmal auf den Schuh gepinkelt und welche Folgen hatte das?Wie lief das erste Date von Robert Smith und was hat das mit Lovesong zu tun?Was war die Meinung der amerikanischen Plattenfirma von The Cure zur Desintegration?Warum hatte der langjährige Schlagzeuger Lol Tolhurst die Band verklagt und zu welchem unerwarteten Ende kam es?  -       Fun facts, hard facts & Nerd FactsHier das großartige Video zu Close to me: https://www.youtube.com/watch?v=BjvfIJstWegUnd wer seiner Arachnophobie frönen will, hier das Video zu Lullaby: https://www.youtube.com/watch?v=ijxk-fgcg7cUnd hier Hot Hot Hot!!!: https://www.youtube.com/watch?v=p0E9urVs-2oEntgegen der Annahme von Thomas existierte 1981 schon Radio Dreyeckland, dessen Vorläufer Radio Fessenheim hatte 1977 die erste Sendung ausgestrahlt. Aber mit einem festen Studio in Freiburg war der Sender erst ab 1985, damals noch illegal, ab 1988 dann mit Sendelizenz. Wer mal in Deutschlands älteste freie Radio reinhören will, kann dies hier tun: https://rdl.deDen in den 80ern als legendär geltenden Konzertfilm The Cure in Orange findet ihr in ganzer Länge hier bei Youtube: https://www.youtube.com/watch?v=SXvEVl9MFB4&t=365sDie The Cure Cure Biographie von Lol Tolhurst: Two imaginery boys findet ihr hier (gibt es leider nur auf Englisch): https://bit.ly/4gzYnEb  -       LinksPodcast Disko 80: https://disko80.buzzsprout.comRSS-Feed: https://feeds.buzzsprout.com/1754816.rssDisko 80 bei Replay.fm: listen.replay.fm/tunein-aac-hdHomepage: http://www.purwienundkowa.comAktuelle CD von Purwien & Kowa: https://ffm.to/puk5Musik von Purwien & Kowa: https://purwienkowa.bandcamp.comBücher von Purwien & Kowa: https://amzn.to/2W9Ftj8Videos von Purwien & Kowa: https://bit.ly/3QVfTbRFollow us on Facebook: https://www.facebook.com/purwienundkowaSpotify Playlist Folge 80: https://bit.ly/4gTwsyN

As 2024 comes to an end, we name our top five Nottingham Forest players of the calendar year. A tough list to compile! We also discuss the latest Reds news including transfer interest in Chris Wood and a ban for Wolves forward Matheus Cunha ahead of Monday's game. Matt Davies is joined by Michael Temple, Mark Sutherns and Paul Morley. #nffc #nottinghamforest

Matt Davies is joined by Greg Mitchell and Paul Morley to preview Nottingham Forest's trip to Brentford in the Premier League, discuss a year of Nuno Espirito Santo as manager and the latest on Chris Wood's future. #nffc #nottinghamforest

Nottingham Forest were 3-2 winners at Old Trafford against Manchester United in the Premier League this evening. We'll be live from 7.45pm to discuss a brilliant win in full as Matt Davies is joined by Mark Sutherns and Paul Morley #nffc #nottinghamforest

Nottingham Forest go to Old Trafford to take on Manchester United on Saturday as they look to bounce back from the 3-0 defeat to Manchester City. Should Nuno change formation after Forest were taken apart by Kevin De Bruyne? Matt Davies is joined by Paul Morley in a mini preview to round off a packed week. #NFFC #nottinghamforest

Nottingham Forest beat Ipswich Town 1-0 in the Premier League at the City Ground on Saturday thanks to Chris Wood's penalty early in the second half. Matt Davies is joined by Paul Morley and Simon Fotheringham to discuss the game in full.

Nottingham Forest were beaten 3-1 at home by Newcastle United in the Premier League on Sunday after Murillo gave the Reds the lead, only for the visitors to score three second half goals. Matt Davies is joined by Paul Morley and Ruby Naylor to discuss the game in full. #NFFC #nottinghamforest

You'll know Miranda Sawyer from the Observer and the radio and, possibly, from her days at Smash Hits and Select magazines that form the foundation of her new book, Uncommon People: Britpop and Beyond in 20 Songs, a time spent watching, interviewing and hanging out with the collection of misfits and outsiders fast becoming the last great musical movement this country ever saw. This pans in on the period between April 1993, Select's ‘Yanks Go Home' cover, and August 1997 when Oasis released Be Here Now. A ton of highlights, among them … … why bands hated the term Britpop – and who invented it. … when your life in your 20s becomes history and period drama. … are Oasis conservative or just “classically Northern”? … why Britpop was the last hurrah of the traditional media. … the long slow burn of Jarvis Cocker and the rise of the Beta Male. … the impact of Select's famous Union Jack ‘Yanks Go Home' cover. … why Edwyn Collins was the Godfather of Indie (and Britpop) and the song that never stopped selling. … Ric Blaxill at Top of the Pops, Matthew Bannister at Radio One and other unsung architects of Britpop. … lava lamps, swirly rugs, space hoppers and the charity shop tat that replaced the matt black shiny ‘80s. … Jarvis v Jackson, Blur v Oasis and other great engines of the tabloid press. … “Manchester had the bands and the mythmakers (Tony Wilson, Paul Morley) …” … why the weekly music press was the Twitter of its time. … comparing Blur in ‘90s clubs to Wembley Stadium in 2023.   … will Oasis be the last ‘household name' band? … could Britpop have happened without the press? Order Miranda's book here:https://www.amazon.co.uk/Uncommon-People-Britpop-Beyond-Songs/dp/1399816896Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

You'll know Miranda Sawyer from the Observer and the radio and, possibly, from her days at Smash Hits and Select magazines that form the foundation of her new book, Uncommon People: Britpop and Beyond in 20 Songs, a time spent watching, interviewing and hanging out with the collection of misfits and outsiders fast becoming the last great musical movement this country ever saw. This pans in on the period between April 1993, Select's ‘Yanks Go Home' cover, and August 1997 when Oasis released Be Here Now. A ton of highlights, among them … … why bands hated the term Britpop – and who invented it. … when your life in your 20s becomes history and period drama. … are Oasis conservative or just “classically Northern”? … why Britpop was the last hurrah of the traditional media. … the long slow burn of Jarvis Cocker and the rise of the Beta Male. … the impact of Select's famous Union Jack ‘Yanks Go Home' cover. … why Edwyn Collins was the Godfather of Indie (and Britpop) and the song that never stopped selling. … Ric Blaxill at Top of the Pops, Matthew Bannister at Radio One and other unsung architects of Britpop. … lava lamps, swirly rugs, space hoppers and the charity shop tat that replaced the matt black shiny ‘80s. … Jarvis v Jackson, Blur v Oasis and other great engines of the tabloid press. … “Manchester had the bands and the mythmakers (Tony Wilson, Paul Morley) …” … why the weekly music press was the Twitter of its time. … comparing Blur in ‘90s clubs to Wembley Stadium in 2023.   … will Oasis be the last ‘household name' band? … could Britpop have happened without the press? Order Miranda's book here:https://www.amazon.co.uk/Uncommon-People-Britpop-Beyond-Songs/dp/1399816896Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

You'll know Miranda Sawyer from the Observer and the radio and, possibly, from her days at Smash Hits and Select magazines that form the foundation of her new book, Uncommon People: Britpop and Beyond in 20 Songs, a time spent watching, interviewing and hanging out with the collection of misfits and outsiders fast becoming the last great musical movement this country ever saw. This pans in on the period between April 1993, Select's ‘Yanks Go Home' cover, and August 1997 when Oasis released Be Here Now. A ton of highlights, among them … … why bands hated the term Britpop – and who invented it. … when your life in your 20s becomes history and period drama. … are Oasis conservative or just “classically Northern”? … why Britpop was the last hurrah of the traditional media. … the long slow burn of Jarvis Cocker and the rise of the Beta Male. … the impact of Select's famous Union Jack ‘Yanks Go Home' cover. … why Edwyn Collins was the Godfather of Indie (and Britpop) and the song that never stopped selling. … Ric Blaxill at Top of the Pops, Matthew Bannister at Radio One and other unsung architects of Britpop. … lava lamps, swirly rugs, space hoppers and the charity shop tat that replaced the matt black shiny ‘80s. … Jarvis v Jackson, Blur v Oasis and other great engines of the tabloid press. … “Manchester had the bands and the mythmakers (Tony Wilson, Paul Morley) …” … why the weekly music press was the Twitter of its time. … comparing Blur in ‘90s clubs to Wembley Stadium in 2023.   … will Oasis be the last ‘household name' band? … could Britpop have happened without the press? Order Miranda's book here:https://www.amazon.co.uk/Uncommon-People-Britpop-Beyond-Songs/dp/1399816896Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Nottingham Forest produced a great performance at Stamford Bridge as they drew 1-1 with Chelsea in the Premier League on Sunday afternoon. Chris Wood gave Forest the lead before Noni Madueke equalised. James Ward-Prowse was sent off after 77 minutes but the Reds held on despite 13 minutes of added time and might have won it through Jota Silva or Neco Williams. At the other end, Matz Sels was outstanding. Matt Davies will be joined by Mark Sutherns, Paul Morley and Ruby Naylor to discuss the game in full. #nffc #nottinghamforest

Nottingham Forest drew 1-1 with Wolverhampton Wanderers in the Premier League on Saturday with Chris Wood getting the Reds' goal. Wolves soon hit back before Forest forced Sam Johnstone into three good saves and Wood had a goal ruled out for offside. There were also two penalty appeals for handball rejected by VAR. We discuss the Premier League game in full as Matt Davies is joined by Paul Morley and Ruby Naylor Get your tickets for live show on Thursday September 5 now: https://tinyurl.com/2ehz5zzt Do like and subscribe to our channel. You can also become a member here: https://www.youtube.com/channel/UCi8cKKOXuEiopR3A11TDtgQ/join We're grateful for the support of our main sponsors, the Trent Navigation Inn. For more on their menu, events and to book a table go to: https://www.trentnavigation.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nottingham Forest played well but lost on penalties to Newcastle United after a 1-1 draw in the Carabao Cup second round at the City Ground. We discuss the game in full as well as the latest transfer news ahead of the window closing on Friday night. Matt Davies is joined by Paul Morley and Simon Fotheringham. Get your tickets for live show on Thursday September 5 now: https://tinyurl.com/2ehz5zzt Do like and subscribe to our channel. You can also become a member here: https://www.youtube.com/channel/UCi8cKKOXuEiopR3A11TDtgQ/join We're grateful for the support of our main sponsors, the Trent Navigation Inn. For more on their menu, events and to book a table go to: https://www.trentnavigation.com/ Get 20% off your Heavy Metal Football order with the code REDUNDANT at heavymetalfootball.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

We discuss Nottingham Forest's interest in Feyenoord striker Santiago Gimenez and Brest left-back Bradley Locko before holding our version of a phone in. Matt Davies is joined by Paul Morley and (later in the show) Mark Sutherns as we had live listeners to have their say on all things Forest related. Do like and subscribe to our channel. You can also become a member here: https://www.youtube.com/channel/UCi8cKKOXuEiopR3A11TDtgQ/join We're grateful for the support of our main sponsors, the Trent Navigation Inn. For more on their menu, events and to book a table go to: https://www.trentnavigation.com/ Thank you to today's second sponsors, Home Move Estate Agents. For more information go to: https://www.homemoveea.co.uk/ben-sales/ Join our FPL mini league using the code e6oyv1 or go to https://t.co/Hvgsy73pUN To vote for us in the Football Content Awards (best Premier League podcast) go to: https://footballcontentawards.com/2024/05/17/nominations-open/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nottingham Forest drew 0-0 at the City Ground with La Liga side Villarreal on Friday night. We discuss who stood out and who has work to do as Matt Davies is joined by Pete Blackburn and Paul Morley. We'll also talk about reported interested from Evangelos Marinakis in Arsenal's Edu to join both Forest and Olympiacos as CEO. Do like and subscribe to our channel. You can also become a member here: https://www.youtube.com/channel/UCi8cKKOXuEiopR3A11TDtgQ/join We're grateful for the support of our main sponsors, the Trent Navigation Inn. For more on their menu, events and to book a table go to: https://www.trentnavigation.com/ Join our FPL mini league using the code e6oyv1 or go to https://t.co/Hvgsy73pUN To vote for us in the Football Content Awards (best Premier League podcast) go to: https://footballcontentawards.com/2024/05/17/nominations-open/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nottingham Forest look poised to sign Brazilian goalkeeper Carlos Miguel in a deal that was widely reported. A second deal has come as much more of a surprise with the Reds reportedly poised to sign Marko Stamenic from Red Star Belgrade before loaning him to Olympiacos. #nffc We'll discuss the implications of that deal when it comes to PSR, as well as the newly released Premier League fixtures as Matt Davies is joined by Pete Blackburn and Paul Morley. Do like and subscribe to our channel. You can also become a member here: https://www.youtube.com/channel/UCi8cKKOXuEiopR3A11TDtgQ/join We're grateful for the support of our main sponsors, the Trent Navigation Inn. For more on their menu, events and to book a table go to: https://www.trentnavigation.com/ Thank you to today's second sponsors, Home Move Estate Agents. For more information go to: https://www.homemoveea.co.uk/ben-sales/ To vote for us in the Football Content Awards (best Premier League podcast) go to: https://footballcontentawards.com/2024/05/17/nominations-open/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nottingham Forest beat Burnley 2-1 in the Premier League. We discuss the game at Turf Moor as Chris Wood got both goals, early thoughts on the season and a few names we'd like Forest to sign. Matt Davies is joined by Mark Sutherns (who arrives a little late), Chris Aylmer and Paul Morley. #nffc Do like and subscribe to our channel. You can also become a member here: https://www.youtube.com/channel/UCi8cKKOXuEiopR3A11TDtgQ/join We're grateful for the support of our main sponsors, the Trent Navigation Inn. For more on their menu, events and to book a table go to: https://www.trentnavigation.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nottingham Forest have been seen their appeal against a four point deduction rejected by an independent panel. It means the Reds will have to earn the points to stay in the Premier League on the pitch with two games to go. Matt Davies is joined by Pete Blackburn and Paul Morley to discuss the news and look ahead to the weekend as Luton and Burnley are given encouragement in their bid to beat the drop. #nffc We're grateful for the support of our main sponsors, the Trent Navigation Inn. For more on their menu, events and to book a table go to: https://www.trentnavigation.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week I am talking about the fascinating subject of Lucid Dreaming   This is a great book Lucid Dreaming Plain and Simple : Tips and Techniques for Insight, Creativity, and Personal Growth, by Robert Waggoner, Caroline McCready https://amzn.to/3PTjMge *   Lucid Dreaming Newsletter https://assets-global.website-files.com/60e44197d3987537e2ec1460/65ea785922515f8fc32ea0ce_2024%20MARCH%20LDE.pdf   Some of Paul Morley's Research https://www.gestalttheory.net/uploads/pdf/archive/Overview_Development_Lucid_Dream_paul_tholey.pdf   Marie-Jean-Léon Lecoq Sun Scorpio conj Uranus, Moon Aries Neptune and Pluto conj in Gemini Frederik van Eeden Sun Aries, Moon Virgo, Neptune Pisces   Paul Thorley Sun Pisces conj Saturn Moon Aries, Neptune retro in Virgo opposition Sun Date of death: Neptune enters Aqua, trans Jupiter conj Sun   *All amazon links are affliate and i may earn a small commission if you click on the link

Nottingham Forest's accounts for the 2022/23 season have been published with some eye watering headline figures. Although revenue was £155m, Forest lost £62m with £147m spent on wages and £170m spent on signings. We'll discuss those figures in full, as we hear from football finance expert Kieran Maguire. We also discuss the decision (not taken by Forest) to move the Spurs game forward to next Sunday evening. We'll also answer submitted questions as Matt Davies is joined by Mikey Clarke and debutant Paul Morley. #NFFC Get your tickets now for our live show on April 11: https://www.gigantic.com/forest-focus-tickets/nottingham-the-trent-navigation/2024-04-11-18-00 We're grateful for the support of our main sponsors, the Trent Navigation Inn. For more on their menu, events and to book a table go to: https://www.trentnavigation.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. The instinct of U2 was seeing their determination, the fact that the music itself initially wasn't close to what most of my music was because most of my music was bass and drum. And most of their music was vocal, so it wasn't a certain kind of music that I like all the time. I like music from all different kinds of levels…I absolutely felt for Bob Marley to really make it worldwide as it were, he needed to change something a little bit. I didn't want him to change what he was doing, not his lyrics and everything else like that. It was more the instrumentation of it. I felt for Bob to be able to reach a wider audience that he needed to move away a little bit from that and focus more and more on his lyrics.When I finally met Cat Stevens, and we just sort of sat down and then when he played the song ‘Father and Son,' then suddenly the lyrics of the song and what it meant and everything, I suddenly felt this guy is fantastic. You know, the I person I'd seen on television had nothing to do with this person sitting in front of me. And so that's really when I said to him, I opened up to him and I said, ‘Honestly, I wasn't really interested to meet, but this song that you've just sung for me is such an incredible song.' I felt that I could definitely connect with him. ‘Where Do the Children Play', that was the one that, just the fact that he was somebody who was thinking like that.There was one time when Mick Jagger asked me to come and meet with him because I think he'd heard the records that were coming up from me, mainly Jamaican records and things, and that's why he wanted me to come and meet with him. He was leaving Decca, and wanted to go to another level. And I said, ‘It makes absolutely no sense for you to come to my label because you already are huge.'Grace Jones, she's a stunning-looking lady. They put on the record and there was a drum machine, and all it played was a drum machine. There was no vocal, there were no instruments, nothing for about two and a half to three minutes before I heard a voice. I thought, Oh my gosh, this is a disaster. This is going to end in tears. And then suddenly I heard the voice, and the voice sounded great.”Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. The instinct of U2 was seeing their determination, the fact that the music itself initially wasn't close to what most of my music was because most of my music was bass and drum. And most of their music was vocal, so it wasn't a certain kind of music that I like all the time. I like music from all different kinds of levels…I absolutely felt for Bob Marley to really make it worldwide as it were, he needed to change something a little bit. I didn't want him to change what he was doing, not his lyrics and everything else like that. It was more the instrumentation of it. I felt for Bob to be able to reach a wider audience that he needed to move away a little bit from that and focus more and more on his lyrics.When I finally met Cat Stevens, and we just sort of sat down and then when he played the song ‘Father and Son,' then suddenly the lyrics of the song and what it meant and everything, I suddenly felt this guy is fantastic. You know, the I person I'd seen on television had nothing to do with this person sitting in front of me. And so that's really when I said to him, I opened up to him and I said, ‘Honestly, I wasn't really interested to meet, but this song that you've just sung for me is such an incredible song.' I felt that I could definitely connect with him. ‘Where Do the Children Play', that was the one that, just the fact that he was somebody who was thinking like that.There was one time when Mick Jagger asked me to come and meet with him because I think he'd heard the records that were coming up from me, mainly Jamaican records and things, and that's why he wanted me to come and meet with him. He was leaving Decca, and wanted to go to another level. And I said, ‘It makes absolutely no sense for you to come to my label because you already are huge.'Grace Jones, she's a stunning-looking lady. They put on the record and there was a drum machine, and all it played was a drum machine. There was no vocal, there were no instruments, nothing for about two and a half to three minutes before I heard a voice. I thought, Oh my gosh, this is a disaster. This is going to end in tears. And then suddenly I heard the voice, and the voice sounded great.”www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. The instinct of U2 was seeing their determination, the fact that the music itself initially wasn't close to what most of my music was because most of my music was bass and drum. And most of their music was vocal, so it wasn't a certain kind of music that I like all the time. I like music from all different kinds of levels…I absolutely felt for Bob Marley to really make it worldwide as it were, he needed to change something a little bit. I didn't want him to change what he was doing, not his lyrics and everything else like that. It was more the instrumentation of it. I felt for Bob to be able to reach a wider audience that he needed to move away a little bit from that and focus more and more on his lyrics.When I finally met Cat Stevens, and we just sort of sat down and then when he played the song ‘Father and Son,' then suddenly the lyrics of the song and what it meant and everything, I suddenly felt this guy is fantastic. You know, the I person I'd seen on television had nothing to do with this person sitting in front of me. And so that's really when I said to him, I opened up to him and I said, ‘Honestly, I wasn't really interested to meet, but this song that you've just sung for me is such an incredible song.' I felt that I could definitely connect with him. ‘Where Do the Children Play', that was the one that, just the fact that he was somebody who was thinking like that.There was one time when Mick Jagger asked me to come and meet with him because I think he'd heard the records that were coming up from me, mainly Jamaican records and things, and that's why he wanted me to come and meet with him. He was leaving Decca, and wanted to go to another level. And I said, ‘It makes absolutely no sense for you to come to my label because you already are huge.'Grace Jones, she's a stunning-looking lady. They put on the record and there was a drum machine, and all it played was a drum machine. There was no vocal, there were no instruments, nothing for about two and a half to three minutes before I heard a voice. I thought, Oh my gosh, this is a disaster. This is going to end in tears. And then suddenly I heard the voice, and the voice sounded great.”Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. The instinct of U2 was seeing their determination, the fact that the music itself initially wasn't close to what most of my music was because most of my music was bass and drum. And most of their music was vocal, so it wasn't a certain kind of music that I like all the time. I like music from all different kinds of levels…I absolutely felt for Bob Marley to really make it worldwide as it were, he needed to change something a little bit. I didn't want him to change what he was doing, not his lyrics and everything else like that. It was more the instrumentation of it. I felt for Bob to be able to reach a wider audience that he needed to move away a little bit from that and focus more and more on his lyrics.When I finally met Cat Stevens, and we just sort of sat down and then when he played the song ‘Father and Son,' then suddenly the lyrics of the song and what it meant and everything, I suddenly felt this guy is fantastic. You know, the I person I'd seen on television had nothing to do with this person sitting in front of me. And so that's really when I said to him, I opened up to him and I said, ‘Honestly, I wasn't really interested to meet, but this song that you've just sung for me is such an incredible song.' I felt that I could definitely connect with him. ‘Where Do the Children Play', that was the one that, just the fact that he was somebody who was thinking like that.There was one time when Mick Jagger asked me to come and meet with him because I think he'd heard the records that were coming up from me, mainly Jamaican records and things, and that's why he wanted me to come and meet with him. He was leaving Decca, and wanted to go to another level. And I said, ‘It makes absolutely no sense for you to come to my label because you already are huge.'Grace Jones, she's a stunning-looking lady. They put on the record and there was a drum machine, and all it played was a drum machine. There was no vocal, there were no instruments, nothing for about two and a half to three minutes before I heard a voice. I thought, Oh my gosh, this is a disaster. This is going to end in tears. And then suddenly I heard the voice, and the voice sounded great.”www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“The Harder They Come, that film was made by a very close friend of mine. And it was at a period where Jamaican music had started to really catch fire a bit. It was certainly selling in England. It was starting to grow, and there was interest in England and Europe. Not really in America. America wasn't interested in it at that period in time at all. But it was really decided to try and get this across. To do a film so you could get a feel for where this music was coming from. And a man called Perry Henzell, who was a very good friend of mine, he wanted to do a film. He called me one time and said there was an album cover of Jimmy Cliff, who was one of the other artists that I was working with from early on. And he said he's the guy I really want to be the leader of the film. And so I said, ‘Okay, that's great. Go ahead.' And so Jimmy Cliff really became the leader of that film. And that film really sort of expanded the whole image and point of view of Jamaican music and Jamaican life. That film was very, very important for getting Jamaican music known in the world.”Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He produced Kiss of the Spider Woman and Stop Making Sense, and other films. He was location scout and production assistant for the Bond film Dr. No before deciding to devote himself to the music. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He produced Kiss of the Spider Woman and Stop Making Sense, and other films. He was location scout and production assistant for the Bond film Dr. No before deciding to devote himself to the music. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.“The Harder They Come, that film was made by a very close friend of mine. And it was at a period where Jamaican music had started to really catch fire a bit. It was certainly selling in England. It was starting to grow, and there was interest in England and Europe. Not really in America. America wasn't interested in it at that period in time at all. But it was really decided to try and get this across. To do a film so you could get a feel for where this music was coming from. And a man called Perry Henzell, who was a very good friend of mine, he wanted to do a film. He called me one time and said there was an album cover of Jimmy Cliff, who was one of the other artists that I was working with from early on. And he said he's the guy I really want to be the leader of the film. And so I said, ‘Okay, that's great. Go ahead.' And so Jimmy Cliff really became the leader of that film. And that film really sort of expanded the whole image and point of view of Jamaican music and Jamaican life. That film was very, very important for getting Jamaican music known in the world.”www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct, I guess. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts.Miles Davis was the best teacher, always amused when I asked him questions. I was pretty cocky at the time, and I once asked him why he played so many bad notes, unlike Bix Beiderbecke and Louis Armstrong, who always played clean. He didn't blink. He didn't bite my head off. ‘Because I try and play what I hear in my head, he said, “not what I know I can already play.” That, to me, was the essence of jazz, trying to get somewhere new and not worrying if you made mistakes as long as you got there in the end. On a tightrope, and wobbling a little, but eventually gliding across that tightrope.Well, it's really great if you can be involved in doing something which brings something to people and lifts things. You know, if you can find a way to…when I say find a way, you just get an instinct of something, Oh, this is going to be fun. That can be great. I'm always looking…I don't know that I'm deliberately looking at things. I think things have happened, and I've seen something or got a feel for something or feel for the person or… I think I've been given a lot of luck.”Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct, I guess. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts.Miles Davis was the best teacher, always amused when I asked him questions. I was pretty cocky at the time, and I once asked him why he played so many bad notes, unlike Bix Beiderbecke and Louis Armstrong, who always played clean. He didn't blink. He didn't bite my head off. ‘Because I try and play what I hear in my head, he said, “not what I know I can already play.” That, to me, was the essence of jazz, trying to get somewhere new and not worrying if you made mistakes as long as you got there in the end. On a tightrope, and wobbling a little, but eventually gliding across that tightrope.Well, it's really great if you can be involved in doing something which brings something to people and lifts things. You know, if you can find a way to…when I say find a way, you just get an instinct of something, Oh, this is going to be fun. That can be great. I'm always looking…I don't know that I'm deliberately looking at things. I think things have happened, and I've seen something or got a feel for something or feel for the person or… I think I've been given a lot of luck.”www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. The instinct of U2 was seeing their determination, the fact that the music itself initially wasn't close to what most of my music was because most of my music was bass and drum. And most of their music was vocal, so it wasn't a certain kind of music that I like all the time. I like music from all different kinds of levels…I absolutely felt for Bob Marley to really make it worldwide as it were, he needed to change something a little bit. I didn't want him to change what he was doing, not his lyrics and everything else like that. It was more the instrumentation of it. I felt for Bob to be able to reach a wider audience that he needed to move away a little bit from that and focus more and more on his lyrics.When I finally met Cat Stevens, and we just sort of sat down and then when he played the song ‘Father and Son,' then suddenly the lyrics of the song and what it meant and everything, I suddenly felt this guy is fantastic. You know, the I person I'd seen on television had nothing to do with this person sitting in front of me. And so that's really when I said to him, I opened up to him and I said, ‘Honestly, I wasn't really interested to meet, but this song that you've just sung for me is such an incredible song.' I felt that I could definitely connect with him. ‘Where Do the Children Play', that was the one that, just the fact that he was somebody who was thinking like that.There was one time when Mick Jagger asked me to come and meet with him because I think he'd heard the records that were coming up from me, mainly Jamaican records and things, and that's why he wanted me to come and meet with him. He was leaving Decca, and wanted to go to another level. And I said, ‘It makes absolutely no sense for you to come to my label because you already are huge.'Grace Jones, she's a stunning-looking lady. They put on the record and there was a drum machine, and all it played was a drum machine. There was no vocal, there were no instruments, nothing for about two and a half to three minutes before I heard a voice. I thought, Oh my gosh, this is a disaster. This is going to end in tears. And then suddenly I heard the voice, and the voice sounded great.”Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. The instinct of U2 was seeing their determination, the fact that the music itself initially wasn't close to what most of my music was because most of my music was bass and drum. And most of their music was vocal, so it wasn't a certain kind of music that I like all the time. I like music from all different kinds of levels…I absolutely felt for Bob Marley to really make it worldwide as it were, he needed to change something a little bit. I didn't want him to change what he was doing, not his lyrics and everything else like that. It was more the instrumentation of it. I felt for Bob to be able to reach a wider audience that he needed to move away a little bit from that and focus more and more on his lyrics.When I finally met Cat Stevens, and we just sort of sat down and then when he played the song ‘Father and Son,' then suddenly the lyrics of the song and what it meant and everything, I suddenly felt this guy is fantastic. You know, the I person I'd seen on television had nothing to do with this person sitting in front of me. And so that's really when I said to him, I opened up to him and I said, ‘Honestly, I wasn't really interested to meet, but this song that you've just sung for me is such an incredible song.' I felt that I could definitely connect with him. ‘Where Do the Children Play', that was the one that, just the fact that he was somebody who was thinking like that.There was one time when Mick Jagger asked me to come and meet with him because I think he'd heard the records that were coming up from me, mainly Jamaican records and things, and that's why he wanted me to come and meet with him. He was leaving Decca, and wanted to go to another level. And I said, ‘It makes absolutely no sense for you to come to my label because you already are huge.'Grace Jones, she's a stunning-looking lady. They put on the record and there was a drum machine, and all it played was a drum machine. There was no vocal, there were no instruments, nothing for about two and a half to three minutes before I heard a voice. I thought, Oh my gosh, this is a disaster. This is going to end in tears. And then suddenly I heard the voice, and the voice sounded great.”www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. The instinct of U2 was seeing their determination, the fact that the music itself initially wasn't close to what most of my music was because most of my music was bass and drum. And most of their music was vocal, so it wasn't a certain kind of music that I like all the time. I like music from all different kinds of levels…I absolutely felt for Bob Marley to really make it worldwide as it were, he needed to change something a little bit. I didn't want him to change what he was doing, not his lyrics and everything else like that. It was more the instrumentation of it. I felt for Bob to be able to reach a wider audience that he needed to move away a little bit from that and focus more and more on his lyrics.When I finally met Cat Stevens, and we just sort of sat down and then when he played the song ‘Father and Son,' then suddenly the lyrics of the song and what it meant and everything, I suddenly felt this guy is fantastic. You know, the I person I'd seen on television had nothing to do with this person sitting in front of me. And so that's really when I said to him, I opened up to him and I said, ‘Honestly, I wasn't really interested to meet, but this song that you've just sung for me is such an incredible song.' I felt that I could definitely connect with him. ‘Where Do the Children Play', that was the one that, just the fact that he was somebody who was thinking like that.There was one time when Mick Jagger asked me to come and meet with him because I think he'd heard the records that were coming up from me, mainly Jamaican records and things, and that's why he wanted me to come and meet with him. He was leaving Decca, and wanted to go to another level. And I said, ‘It makes absolutely no sense for you to come to my label because you already are huge.'Grace Jones, she's a stunning-looking lady. They put on the record and there was a drum machine, and all it played was a drum machine. There was no vocal, there were no instruments, nothing for about two and a half to three minutes before I heard a voice. I thought, Oh my gosh, this is a disaster. This is going to end in tears. And then suddenly I heard the voice, and the voice sounded great.”Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct, I guess. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts.Miles Davis was the best teacher, always amused when I asked him questions. I was pretty cocky at the time, and I once asked him why he played so many bad notes, unlike Bix Beiderbecke and Louis Armstrong, who always played clean. He didn't blink. He didn't bite my head off. ‘Because I try and play what I hear in my head, he said, “not what I know I can already play.” That, to me, was the essence of jazz, trying to get somewhere new and not worrying if you made mistakes as long as you got there in the end. On a tightrope, and wobbling a little, but eventually gliding across that tightrope.Well, it's really great if you can be involved in doing something which brings something to people and lifts things. You know, if you can find a way to…when I say find a way, you just get an instinct of something, Oh, this is going to be fun. That can be great. I'm always looking…I don't know that I'm deliberately looking at things. I think things have happened, and I've seen something or got a feel for something or feel for the person or… I think I've been given a lot of luck.”Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct, I guess. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts.Miles Davis was the best teacher, always amused when I asked him questions. I was pretty cocky at the time, and I once asked him why he played so many bad notes, unlike Bix Beiderbecke and Louis Armstrong, who always played clean. He didn't blink. He didn't bite my head off. ‘Because I try and play what I hear in my head, he said, “not what I know I can already play.” That, to me, was the essence of jazz, trying to get somewhere new and not worrying if you made mistakes as long as you got there in the end. On a tightrope, and wobbling a little, but eventually gliding across that tightrope.Well, it's really great if you can be involved in doing something which brings something to people and lifts things. You know, if you can find a way to…when I say find a way, you just get an instinct of something, Oh, this is going to be fun. That can be great. I'm always looking…I don't know that I'm deliberately looking at things. I think things have happened, and I've seen something or got a feel for something or feel for the person or… I think I've been given a lot of luck.”www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

And how it was that….Lol didn't revere HIM until Low.How HE was L'Homme Existential with the Hennaed hair .Budgie remembers HIM making the duffel coat cool. HIS music and lyrics.HIS harmonica on Low returns on Blackstar.‘What In The World'…Briny Eggs Wrapped in Offal downed with Halves of Beer down the pub!(To be said very fast after drinking a yard of ale)‘Sound'…the Glam drummer from the Spiders and Woody Woodmansey's U-Boat Panic in Detroit and Rebel Rebel, Sowing the Seeds of Punk.  Glam rock it wasn't just the Visuals ‘and Vision'…Budgie is reading Paul Morley's Bible - The Age of Bowie.1977 Bowie appears on Marc Bolan's TV show. Bolan is still in Glam rags - HE has moved onHE had reinvented himself - a pivotal point - Lol could understand HIM nowBowie was accepted by the Punks and the New Romantics - HE synthesises Society and Culture ‘Always Crashing in The Same Car'…Budgies deems Nick Lowe's spoof of Low - Unfunny!Tony Visconti on The Secret Setting of the Eventide Harmonizer and the LOW snare drum sound, “it fucks with the fabric of time!”Bowie's drum sticks handed over from Dennis Davis to Sterling Campbell LOW arrives as Lol and Budgie begin. Influenced by its tangents. WE never tire of listening to LOW. LOW gave us permission – LOW stated there are no rules!CONNECT WITH US:Curious Creatures:Website: https://curiouscreaturespodcast.comFacebook: @CuriousCreaturesOfficialTwitter: @curecreaturesInstagram: @CuriousCreaturesOfficialLol Tolhurst: Website: https://loltolhurst.comFacebook: @officialloltolhurst Twitter: @LolTolhurst Instagram: @lol.tolhurst Budgie: Facebook: @budgieofficial Twitter: @TuWhit2whooInstagram: @budgie646Curious Creatures is a partner of the Double Elvis podcast network. For more of the best music storytelling follow @DoubleElvis on Instagram or search Double Elvis in your podcast app.

36 years after the original, Tom Cruise returns for Top Gun: Maverick, plus we don our parkas as we listen to the new album from Liam Gallagher, Come On You Know. Legendary music writer and broadcaster Paul Morley, joins us to talk Island Records, Factory Records, and ALL records, and we get comfy in our nests, to watch the latest major Sky adaptation of The Midwich Cuckoos. And Jelena heads out to the Southbank Centre to speak to International Booker Prize shortlister, Mieko Kawakami.  Hear all the music on our rolling playlists. Spotify: https://bit.ly/CultBunk Tidal: https://tidal.com/browse/playlist/1aea7525-7891-4a88-8474-a08c45ea064b Presented and produced by Siân Pattenden and Alex Andreou. Audio production by Jade Bailey. Theme music: ‘Bunker Theme (Juntos Mix)' by Kenny Dickinson. Co-produced by Jelena Sofronijevic and Elina Ganatra. Group Editor: Andrew Harrison. The Culture Bunker is a Podmasters production.  https://www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172695  Learn more about your ad choices. Visit megaphone.fm/adchoices

He was a broadcaster, music mogul, social activist, local celebrity, publicity seeker, loud mouth, surreal politician, showman and, according to Paul Morley, "a great resourceful man of the north." Now Terry Christian provides a passionate account of why he was also a great life. This was certainly an extraordinary life, and by the end even presenter Matthew Parris is won round. Produced by Miles Warde

In this episode we mark the 40th anniversary of the death of arguably the greatest — and certainly the most "almost famous" — writer in the history of music journalism. Two of Lester Bangs's closest Creem colleagues (both wonderful writers in their own right) join us from California to reminisce about the man and his work. Jaan Uhelszki, who started in the Creem office the same day as Lester, gets the ball rolling by putting Detroit's "anti-Rolling Stone" in context. Robert Duncan, who arrived two years later in 1974, adds his recollections of "America's only rock'n'roll magazine" [sic] before paying tribute to Lester. Respect, laughter and sadness ensue as Robert & Jaan discuss their friend's gonzoid genius, his exasperating foibles and the addiction that killed him at 33, six years after Robert persuaded him to move to New York. Seminal New York duo Suicide — beloved of Bangs — are the subjects of the week's new audio interview, clips from which feature pioneering electropunks Alan Vega & Martin Rev talking in 1998 about their "confrontational" live act, their introduction of the word "punk" into NYC's music scene in 1971… and Vega's love of British comedy The Full Monty! Finally, Mark talks us through his highlights among the articles recently added to the RBP library, including pieces about the Righteous Brothers, Laura Nyro, Jeff Beck at the Fillmore East, Pharoah Saunders and England's miserable Bickershaw festival. Barney notes a 1988 Paul Morley rumination on, yes, music journalism… and Jasper quotes from a John Doran "review" of Aphex Twin's Collapse. Many thanks to special guests Robert Duncan and Jaan Uhelszki; you can visit Robert's website at duncanwrites.com and find more of Jaan's writing on her RBP writer's page. Pieces discussed: Lester on RBP, Lester Bangs and Almost Famous, Richard Riegel on Lester, Robert Duncan, Lester on the MC5, Lester on how to be a rock critic, Lester on Astral Weeks, Lester on punk/jazz, Suicide audio, Righteous Brothers, Laura Nyro, Pharaoh Sanders, George Jones, Grateful Dead & Jeff Beck Group, Bickershaw festival, KISS, Divine, Paul Morley on the rock press and Aphex Twin's Collapse. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we mark the 40th anniversary of the death of arguably the greatest — and certainly the most "almost famous" — writer in the history of music journalism.Two of Lester Bangs's closest Creem colleagues (both wonderful writers in their own right) join us from California to reminisce about the man and his work. Jaan Uhelszki, who started in the Creem office the same day as Lester, gets the ball rolling by putting Detroit's "anti-Rolling Stone" in context. Robert Duncan, who arrived two years later in 1974, adds his recollections of "America's only rock'n'roll magazine" [sic] before paying tribute to Lester. Respect, laughter and sadness ensue as Robert & Jaan discuss their friend's gonzoid genius, his exasperating foibles and the addiction that killed him at 33, six years after Robert persuaded him to move to New York.Seminal New York duo Suicide — beloved of Bangs — are the subjects of the week's new audio interview, clips from which feature pioneering electropunks Alan Vega & Martin Rev talking in 1998 about their "confrontational" live act, their introduction of the word "punk" into NYC's music scene in 1971… and Vega's love of British comedy The Full Monty!Finally, Mark talks us through his highlights among the articles recently added to the RBP library, including pieces about the Righteous Brothers, Laura Nyro, Jeff Beck at the Fillmore East, Pharoah Saunders and England's miserable Bickershaw festival. Barney notes a 1988 Paul Morley rumination on, yes, music journalism… and Jasper quotes from a John Doran "review" of Aphex Twin's Collapse.Many thanks to special guests Robert Duncan and Jaan Uhelszki; you can visit Robert's website at duncanwrites.com and find more of Jaan's writing on her RBP writer's page.Pieces discussed: Lester on RBP, Lester Bangs and Almost Famous, Richard Riegel on Lester, Robert Duncan, Lester on the MC5, Lester on how to be a rock critic, Lester on Astral Weeks, Lester on punk/jazz, Suicide audio, Righteous Brothers, Laura Nyro, Pharaoh Sanders, George Jones, Grateful Dead & Jeff Beck Group, Bickershaw festival, KISS, Divine, Paul Morley on the rock press and Aphex Twin's Collapse.

In this episode we mark the 40th anniversary of the death of arguably the greatest — and certainly the most "almost famous" — writer in the history of music journalism.Two of Lester Bangs's closest Creem colleagues (both wonderful writers in their own right) join us from California to reminisce about the man and his work. Jaan Uhelszki, who started in the Creem office the same day as Lester, gets the ball rolling by putting Detroit's "anti-Rolling Stone" in context. Robert Duncan, who arrived two years later in 1974, adds his recollections of "America's only rock'n'roll magazine" [sic] before paying tribute to Lester. Respect, laughter and sadness ensue as Robert & Jaan discuss their friend's gonzoid genius, his exasperating foibles and the addiction that killed him at 33, six years after Robert persuaded him to move to New York.Seminal New York duo Suicide — beloved of Bangs — are the subjects of the week's new audio interview, clips from which feature pioneering electropunks Alan Vega & Martin Rev talking in 1998 about their "confrontational" live act, their introduction of the word "punk" into NYC's music scene in 1971… and Vega's love of British comedy The Full Monty!Finally, Mark talks us through his highlights among the articles recently added to the RBP library, including pieces about the Righteous Brothers, Laura Nyro, Jeff Beck at the Fillmore East, Pharoah Saunders and England's miserable Bickershaw festival. Barney notes a 1988 Paul Morley rumination on, yes, music journalism… and Jasper quotes from a John Doran "review" of Aphex Twin's Collapse.Many thanks to special guests Robert Duncan and Jaan Uhelszki; you can visit Robert's website at duncanwrites.com and find more of Jaan's writing on her RBP writer's page.Pieces discussed: Lester on RBP, Lester Bangs and Almost Famous, Richard Riegel on Lester, Robert Duncan, Lester on the MC5, Lester on how to be a rock critic, Lester on Astral Weeks, Lester on punk/jazz, Suicide audio, Righteous Brothers, Laura Nyro, Pharaoh Sanders, George Jones, Grateful Dead & Jeff Beck Group, Bickershaw festival, KISS, Divine, Paul Morley on the rock press and Aphex Twin's Collapse.

OH MOTHER DEAR WE SADLY FEAR THAT WE HAVE SOILED OUR MITTENSAnother week, another blurb. People often ask, "Hey! How do you keep your blurbs so fresh and new, week in, week out? It's amazing! You're amazing! How can I be like you?". Well, we here at SILENCE! Blurb Inc. are tired of this question. So tired in fact that we're now offering our SILENCE! Blurb Writing Masterclass. Learn from the best to realise your potential in the lucrative field of Blubcraft. Packed with high profile contributions from Todd Carty on how to find inspiration, Danny Dyer on the impact of brevity and Neil Gaiman on the power of blurbs. Send your £500 to the usual address.The tired dads return and Gary's been selling off parts of his collection! Both Gary Lactus and The Beast Must Die have been guesting on Shelf Dust Presents The War Effort.  The Beast has been enjoying Paul Morley's biography of Tony Wilson and the surprisingly heavy inclusion of Kieron Gillen therein.  There's a non-review of The Eternals and chitter-chatter regarding the SILENCE! Juniors' emergent relationship with super heroes and Gary's quest for space.  Sadmin.  The tragic loss of Steve Walsh and Garry Leach.The chaps pick themselves up with the exciting birth of Dark and Golden and the peculiar pleasure of comics speculation.Off, down and away into The Reviewniverse with Mek Memoirs, Kamen Rider, The X-Cellent, Orphan and the Five Beasts, Step By Bloody Step, a comic called Uncanny X-Men and The Sharkfighters of course.Then with a yawn we learn that Fraser Geesin will be at the Brighton Illustration Fair on Sunday 1st May, The Beast went to the London Comic Mart and that finding your own comics for sale secondhand really makes you feel like you've made it.

Actor Brian Cox chooses his one-time mentor and fellow Scot, Lindsay Anderson. "His effect is still on me to this day, and I can't throw him off. He taught me how to think. He triggered something off in me that nobody else had previously done." A critic, an outsider, a provocateur, Anderson founded the Free Cinema movement in the 1950s with fellow documentary makers Tony Richardson, Karel Reisz and Lorenza Mazzetti. His films include This Sporting Life and If… which won the Palm d'or in 1969 and helped launch the career of Malcolm MacDowell. Lindsay Anderson's international reputation surpassed his fame in Britain, where his uncompromisingly anti-establishment stance failed to win him mainstream admirers, but he made several more provocative films and is remembered fondly by his friends and collaborators as an extremely funny, loyal and principled man. Brian Cox, star of Rushmore, The Bourne Identity and Succession, is joined by Karl Magee from the Lindsay Anderson Archive at the University of Stirling. Presented by Matthew Parris and produced for BBC Audio in Bristol by Ellie Richold. Future programmes in this series include journalist Donald McIntyre on the editor of Picture Post, Tom Hopkinson; Janet Ellis on the founder of the Puffin Club, Kaye Webb; and Terry Christian on Mr Manchester, Tony Wilson, along with author Paul Morley who wrote From Manchester With Love.