POPULARITY
2 episodes with children play
2 episodes with children play
2 episodes with children play
5 episodes with children play
3 episodes with children play
2 episodes with children play
2 episodes with children play
3 episodes with children play
2 episodes with children play
Episode 98 - Dominick Fedele, CEO of Mastermind Cognitive Training enhancing brain optimisation joins me along with returning Joel Franco, Creator and Producer of our upcoming documentary ‘Where our Children Play'. Disclaimer: Please note that all information and content on the UK Health Radio Network, all its radio broadcasts and podcasts are provided by the authors, producers, presenters and companies themselves and is only intended as additional information to your general knowledge. As a service to our listeners/readers our programs/content are for general information and entertainment only. The UK Health Radio Network does not recommend, endorse, or object to the views, products or topics expressed or discussed by show hosts or their guests, authors and interviewees. We suggest you always consult with your own professional – personal, medical, financial or legal advisor. So please do not delay or disregard any professional – personal, medical, financial or legal advice received due to something you have heard or read on the UK Health Radio Network.
Waleed Ahmed says that at the age of seven, a deadly disease like cancer changed his life, he endured all the hardships and defeated the cancer. Waleed Ahmed's father Qamar Ahmed said that to get rid of cancer, it is necessary to be mentally strong, along with prayer, medicine is also necessary. Listen to Waleed Ahmed and Qamar Ahmed's conversation in this podcast - ولید احمد کہتے ہے کہ سات سال کی عمر میں کینسر جیسے موضی مرض نے زندگی بدل کر رکھ دی، تمام تکالیف برداشت کرکے کینسر کو ہرایا،ولید احمد کے والد قمر احمد نے کہا کہ کینسر سے نجات حاصل کرنے کے لیے اعصابی طور پہ مظبوط ہونا ضروری ہے، دُعا کے ساتھ ساتھ دوا بھی ضروری ہیں, بروقت ڈاکٹر سے رجوع کرنے سے اس بیماری سے بچنا ممکن ہے۔ ولید احمد اور قمر احمد کی گفتگو سنئیے اس پوڈ کاسٹ میں
The Crossing No.69 from RaidersBroadcast.com as aired in November 2024, featuring the tremendous 2009 album “Arc Light” from Scottish folk trio LAU. TRACK LISTING: Where to the Children Play? - Cat Stevens; The Hills of Longdendale - Jack Rutter; You Come Through - PJ Harvey; Time After Time (Annelise), for Kyle DeMartino in Athens,GA - R.E.M.; The Burrian - LAU; Banks of Marble, voc. Kris Drever - LAU; Tennessee Stud [live] - Johnny Cash; There is a Stone - John Smith; My Man On Love - Judee Sill; Long Way Back - Dave Ellis & Boo Howard; Salty Boys - LAU; Stephen's - LAU; Hi Ho Ro Tha Mi Duillich - Breabach; Last Chance Lost - Joni Mitchell.
Let's Get on TrackFanaticism is redoubling your efforts when you have forgotten your goals G. SantayanaSupport the Show.
This episode of Connecting the Dots is on Parenting - something we are all winging. We go to colleges, trainings and leadership development programmes for all sorts of capabilities, but there is none for parenting. In this episode, we learn from Roger Federer's parents, Nandan, Nilekani‘s parents and many other successful leaders who reflect on their childhood. We also learn from some of the researchers on how we can be mindful as parents. If you have a child 10 years or above, the chances are, you will find this of value. We also realise you are short on time. So I have handpicked 10 nuggets from across the various episodes on parenting that I have found of value. Members can access it at https://www.playtopotential.com/playlist/DeepakJ/djs-playlist-on-parenting. You can stay connected with the podcast by subscribing to the Email newsletter or to the Whatsapp distribution group. Details below. Email Newsletter (~1 or 2 a month): Join ~8500 + growth-minded individuals who take a baby step towards playing to their potential with the emails from the podcast. https://lnkd.in/d6TfFch4 Whatsapp (~1 or 2 a week): We share snippets from the podcast. With the Connecting the dots series, we will share nuggets around related topics as we move forward. Just add +91 85914 52129 (https://wa.me/8591452129) to your Phone Address book and send a message stating “Interested”. Other Info on the podcast: Podcast Archives (102 guests, 1000+ nuggets) - www.playtopotential.com Key guests and Stats ( as of July 2023) - https://bit.ly/3NCDIlM About the Host Deepak Jayaraman - https://www.playtopotential.com/aboutdeepak
Should children play in different positions at a grassroots level? In the latest episode of the Football Fun Factory podcast, Luke and Jonny debate whether children should be playing in different positions each week, or whether they should just stick to one! With plenty of playing experience around the table (mainly through Luke) this episode gives a great insight into both sides of this debate.
Michele Dinneen-White was working in an early education outreach program when she realized something. The program wasn't actually reaching out to the families who needed it most. Those families were still required to find the time and the means to get their child to the center in order to receive services. And for many, that barrier was just too much to overcome. So Michele decided to create something new. The program is called Play Smart Literacy and it serves families in the Chicago area. It's a fully mobile outreach program, one that actually reaches OUT and INTO the most vulnerable communities. And what is their mission? To build language and relationships through play. Michele and her parent play leaders go to where the families are – parks, shelters, mobile markets, Head Start and early care programs, laundromats, gas stations – and they build real relationships with the families they meet, while at the same time building the families' understanding of the connections between play, talk, and child development …AND building their confidence as parents as well. Their message is clear: EVERY parent has the ability to have a strong positive influence on their child's future.
Episode 63 - Joel Franco, Chesapeake film's producer, creator of documentary ‘Where our Children Play - the Challenge of Youth Sports' joins with Dr. R Hughes Rodriguez, NY Pediatric Hematology Oncology Fellow. Disclaimer: Please note that all information and content on the UK Health Radio Network, all its radio broadcasts and podcasts are provided by the authors, producers, presenters and companies themselves and is only intended as additional information to your general knowledge. As a service to our listeners/readers our programs/content are for general information and entertainment only. The UK Health Radio Network does not recommend, endorse, or object to the views, products or topics expressed or discussed by show hosts or their guests, authors and interviewees. We suggest you always consult with your own professional – personal, medical, financial or legal advisor. So please do not delay or disregard any professional – personal, medical, financial or legal advice received due to something you have heard or read on the UK Health Radio Network.
I Got Lost In A Town Where Children Play Death Games In The Rain | Creepypasta Reddit
Should a child play up or down an age group? Is it a key part of their development as a player or will it harm them in the long run? The guys talk through the benefits and drawbacks of playing children up and down age groups within youth football. With plenty of experience from all 3 of the guys in being the player as well as the coach in these situations all sides of this fascinating debate are covered.
This week on The Hamilton Review Podcast, we are honored to welcome two esteemed guests to the show, Pasi Sahlberg and William Doyle! Pasi and William are authors of the book, "Let the Children Play." Pasi lives in Melbourne, Australia and William lives in Helsinki Finland and in this conversation they discuss their important book. The subtitle of the book and the direction of this great episode is: How More Play will Save our Schools and Help Children Thrive. A must listen discussion for every parent and educator! Pasi Sahlberg is professor of Educational Leadership at the University of Melbourne, Australia. His working experience includes teaching and teacher education at the University of Helsinki and serving as director at the Ministry of Education and Culture in Finland, senior education specialist at the World Bank in Washington DC, lead education specialist of the European Commission in Torino and visiting professor at Harvard University. Sahlberg's latest books include ‘Hard Questions on Educational Change' (2016), ‘FinnishEd Leadership: Four Big, Inexpensive Ideas to Transform Education' (2018), ‘Let the Children Play: How More Play Will Save Our Schools and Help Children Thrive' with William Doyle (2019), and ‘Finnish Lessons 3.0: What Can the World Learn from Educational Change in Finland' (2021). He is a recipient of the 2012 Education Award in Finland, the 2013 Grawemeyer Award in the U.S., the 2014 Robert Owen Award in Scotland, the 2016 Lego Prize in Denmark, and the 2021 Dr. Paul Brock Memorial Medal in Australia. Sahlberg lives with his family in Melbourne. William Doyle is a New York Times bestselling author and TV producer for networks including HBO, The History Channel, and PBS. Since 2015 he has served as Fulbright Scholar, Scholar in Residence and Lecturer on Media and Education at University of Eastern Finland, a Rockefeller Foundation Resident Fellow, and advisor to the Ministry of Education and Culture of Finland. He lives in Helsinki with his family. How to contact Pasi Sahlberg: Pasi Sahlberg website How to contact Dr. Bob Hamilton: Dr. Bob on YouTube: https://www.youtube.com/channel/UChztMVtPCLJkiXvv7H5tpDQ Dr. Bob on Instagram: https://www.instagram.com/drroberthamilton/ Dr. Bob on Facebook: https://www.facebook.com/bob.hamilton
Michael Nelms is the enigmatic vocalist and visionary founder of "Where the Children Play," a band that has boldly traversed the diverse realms of metal. Emerging from its blackened death metal roots, the group, under Michael's guidance, has evolved into a force within the atmospheric death metal soundscape.Amidst the fiery depths of the extreme metal's crucible, Michael, also known as Mike, stands as the haunting voice that commands attention. Alongside Luminal and Louis, the sonic architects behind the instruments and programming, he has shaped the band's sonic identity into an immersive experience.In the pivotal year of 2022, "Where the Children Play" unveiled "The Church of Satan," an audacious release that marked a transformative turning point for the band. This album, coupled with the hauntingly captivating "One for the Darkness," laid the foundation for their sonic journey. However, it was in 2023 that the band truly embraced new thematic dimensions with "Poems from the Solemn Black," delving into the profound themes of nature, death, winter, night, and solitude.Under Michael's guidance, the band underwent a metamorphosis with the introduction of a new producer in late 2023. Their latest single, "Part 6: Amber Wood," a sneak peek of the upcoming fourth full-length album, serves as a testament to Michael Nelms and the band's unwavering commitment to pushing the boundaries of their musical expression. As the vocalist and driving force behind "Where the Children Play," Michael Nelms continues to lead the band into uncharted territories, crafting a unique and captivating musical narrative that transcends the conventional boundaries of metal. Hosted on Acast. See acast.com/privacy for more information.
Episode 41 - Joel Franco, Producer of upcoming documentary ‘Where our Children Play- the Challenge of Youth Sports' returns with Tosha Hayes, Textile Technologist, Inventor and Co-Founder of Hurdle Apparel Socks. Disclaimer: Please note that all information and content on the UK Health Radio Network, all its radio broadcasts and podcasts are provided by the authors, producers, presenters and companies themselves and is only intended as additional information to your general knowledge. As a service to our listeners/readers our programs/content are for general information and entertainment only. The UK Health Radio Network does not recommend, endorse, or object to the views, products or topics expressed or discussed by show hosts or their guests, authors and interviewees. We suggest you always consult with your own professional – personal, medical, financial or legal advisor. So please do not delay or disregard any professional – personal, medical, financial or legal advice received due to something you have heard or read on the UK Health Radio Network.
According to some estimates, only 5% of people in the West get the recommended amount of daily physical activity. Is the solution getting a fitness tracker, developing more discipline, or buying a piece of cardio equipment for your basement?My guest would say none of the above, and would have you think about kids playing at recess instead.Darryl Edwards is the founder of the Primal Play Method. Today on the show, we discuss the epidemic of sedentariness which besets both adults and children and why technology and willpower isn't the cure for it. Darryl then explains why a better solution to getting more movement and physical activity in our lives is rediscovering the intrinsically motivating pleasure of play. He offers suggestions on how to do that, including compiling a play history for your life, embracing “primal movements” that will get you moving like an animal and a child, and getting over the fear of looking goofy while doing so. We discuss the joys and health benefits of exploring your capabilities and environment and how to incorporate more movement into your busy adult life by making even regular activities more playful.Resources Related to the PodcastDarryl's books:Animal Moves: How to Move Like an Animal to Get You Leaner, Fitter, Stronger and Healthier for LifeMy First Animal Moves: A Children's Book to Encourage Kids and Their Parents to Move More, Sit Less and Decrease Screen TimeAoM Article: Get Fit Like a Wild Man — A Primer on MovNatAoM Article: The 10 Physical Skills Every Man Should MasterAoM Article: The Importance of Having a Physical IdentityAoM Article: 30 Days to a Better Man Day 24 — Play!AoM Podcast #508: Break Out of Your Cage and Stop Being a Human Zoo AnimalAoM Podcast #245: The Workout the World ForgotAoM Podcast #749: Let the Children Play!Connect With Darryl EdwardsPrimal Play websiteDarryl on FBDarryl on IG
If you haven't read the 2019 book Let the Children Play: How More Play will Save Our Schools and Help Children Thrive, you're missing out! The book's authors, William Doyle and Pasi Sahlberg, join Heather for a conversation about play, schools, 21st century skills....and George Costanza?
Shane Hannon joins us to discuss whether it is safe to let children play rugby?
“The basic principle in defense analysis is that one approaches what is going on right now - it's an experience-near technique. You don't make conjectures about what would be called experience-distant phenomenon until you have a lot of material, a lot of knowledge about the patient. As the treatment goes on you really stick with what the patient is doing right now.” Episode Description: Leon shares with us what he sees as the fundamental method of analytic treatment, which "regardless of the manifest theoretical orientation of the therapist ... are effectively utilizing the technique of interpreting defenses against unwelcome affects." He emphasizes the importance of being interested in the patient's defenses and less so the warded-off content. We consider the term 'protection' in place of 'defense'; how these interventions are an amalgam of clarification and interpretation; and the source of the bad reputation that attaches to the concept of 'defense interpretation'. He shares with us how this approach links with the neurosciences and the concept of implicit emotion regulation. We discuss the work of Berta Bornstein, who introduced the importance of defending against unpleasant affects. He discusses two cases of disruptive children and their use of aggression in an effort to avoid sadness and loneliness. We close with his sharing his view of our field and his conclusion that "analysis will survive - it's too powerful a tool." Our Guest: Leon Hoffman, MD, is a psychiatrist and child and adolescent psychiatrist. He is a Training and Supervising Analyst at the New York Psychoanalytic Society and Institute. He is the Co-Director of the Pacella Research Center of NYSI. Among many publications, he is co-author with Timothy Rice and Tracy Prout of Regulation Focused Psychotherapy for Children (RFP-C): A Psychodynamic Approach and with Timothy Rice Defense Mechanisms and Implicit Emotion Regulation: A Comparison of a Psychodynamic Construct with One from Contemporary Neuroscience. In 2022, he presented the Norbert and Charlotte Rieger Psychodynamic Psychotherapy lecture at the American Academy of Child and Adolescent Psychiatry on “Helping Parents Spare the Rod: Addressing Their Unbearable Emotions” based on a paper he authored with Tracy Prout. He presented the Paulina Kernberg Memorial Lecture at Weill Cornell Medicine Child & Adolescent Psychiatry Grand Rounds. On Regulation Focused Psychotherapy: An evidence-based psychodynamic treatment for children with disruptive behaviors. And The Bruce A. Gibbard Lectureship in Psychiatry, University of Vermont, Department of Psychiatry. Linked Episode: Episode 38: A Psychoanalyst Studies ‘Why is it easier to get mad than it is to feel sad?' with Leon Hoffman Recommended Readings: 1. Hoffman, L. (2007) Do Children Get Better When We Interpret Their Defenses Against Painful Feelings? Psychoanalytic Study of the Child 62:291-313. 2. Hoffman, L. (2014). Berta Bornstein's Frankie: The Contemporary Relevance of a Classic to the Treatment of Children with Disruptive Symptoms. The Psychoanalytic Study of the Child 68:152-176 3. Rice, T. R., & Hoffman, L. (2014). Defense mechanisms and implicit emotion regulation: a comparison of a psychodynamic construct with one from contemporary neuroscience. Journal of the American Psychoanalytic Association, 62(4), 693-708. 4. Prout, T. A., Rice, T., Chung, H., Gorokhovsky, Y., Murphy, S., & Hoffman, L. (2021) Randomized controlled trial of Regulation Focused Psychotherapy for Children: A manualized psychodynamic treatment for externalizing behaviors. Psychotherapy Research, 32(5), 555-570. 5. Hoffman, L. (2020). How can I help you? Dimensional versus categorical distinctions in the assessment for child analysis and child psychotherapy. Journal of Infant, Child, and Adolescent Psychotherapy, 19(1), 1-15. 6. Leon Hoffman, Tracy A. Prout, Timothy Rice & Margo Bernstein (2023): Addressing Emotion Regulation with Children: Play, Verbalization of Feelings, and Reappraisal, Journal of Infant, Child, and Adolescent Psychotherapy, DOI: 10.1080/15289168.2023.2165874 7. Prout, T. A., Malone, A., Rice, T., & Hoffman, L. (2019). Resilience, defenses, and implicit emotion regulation in psychodynamic child psychotherapy. Journal of Contemporary Psychotherapy, 49(4). 235-244. 8. Hoffman, L., & Prout, T. A. (2020). Helping parents spare the rod: Addressing their unbearable emotions. Psychoanalytic Study of the Child, 73(1), 46-61.
PJ talks to Jessica who calls for people to be more tolerant of kids being kids when playing out and about. Hosted on Acast. See acast.com/privacy for more information.
Join Heather Welch, Edx Education chatting about play, learning and mindfulness. In this episode, we're going to discuss the benefits of mindfulness with children and understanding their emotions.Being aware of our emotions and understanding that they manifest in our body isn't something that comes naturally to all of us, especially our children.Here are the highlights:(03:08) How to teach children to be mindful(05:06) Ask your child to stretch their toes(06:58) Yoga and mindfulness with children(08:20) Mindfulness in your everyday life(10:29) How to practise gratitude#edxeducation #childrenmentalhealth #playearlyyears
“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. The instinct of U2 was seeing their determination, the fact that the music itself initially wasn't close to what most of my music was because most of my music was bass and drum. And most of their music was vocal, so it wasn't a certain kind of music that I like all the time. I like music from all different kinds of levels…I absolutely felt for Bob Marley to really make it worldwide as it were, he needed to change something a little bit. I didn't want him to change what he was doing, not his lyrics and everything else like that. It was more the instrumentation of it. I felt for Bob to be able to reach a wider audience that he needed to move away a little bit from that and focus more and more on his lyrics.When I finally met Cat Stevens, and we just sort of sat down and then when he played the song ‘Father and Son,' then suddenly the lyrics of the song and what it meant and everything, I suddenly felt this guy is fantastic. You know, the I person I'd seen on television had nothing to do with this person sitting in front of me. And so that's really when I said to him, I opened up to him and I said, ‘Honestly, I wasn't really interested to meet, but this song that you've just sung for me is such an incredible song.' I felt that I could definitely connect with him. ‘Where Do the Children Play', that was the one that, just the fact that he was somebody who was thinking like that.There was one time when Mick Jagger asked me to come and meet with him because I think he'd heard the records that were coming up from me, mainly Jamaican records and things, and that's why he wanted me to come and meet with him. He was leaving Decca, and wanted to go to another level. And I said, ‘It makes absolutely no sense for you to come to my label because you already are huge.'Grace Jones, she's a stunning-looking lady. They put on the record and there was a drum machine, and all it played was a drum machine. There was no vocal, there were no instruments, nothing for about two and a half to three minutes before I heard a voice. I thought, Oh my gosh, this is a disaster. This is going to end in tears. And then suddenly I heard the voice, and the voice sounded great.”Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. The instinct of U2 was seeing their determination, the fact that the music itself initially wasn't close to what most of my music was because most of my music was bass and drum. And most of their music was vocal, so it wasn't a certain kind of music that I like all the time. I like music from all different kinds of levels…I absolutely felt for Bob Marley to really make it worldwide as it were, he needed to change something a little bit. I didn't want him to change what he was doing, not his lyrics and everything else like that. It was more the instrumentation of it. I felt for Bob to be able to reach a wider audience that he needed to move away a little bit from that and focus more and more on his lyrics.When I finally met Cat Stevens, and we just sort of sat down and then when he played the song ‘Father and Son,' then suddenly the lyrics of the song and what it meant and everything, I suddenly felt this guy is fantastic. You know, the I person I'd seen on television had nothing to do with this person sitting in front of me. And so that's really when I said to him, I opened up to him and I said, ‘Honestly, I wasn't really interested to meet, but this song that you've just sung for me is such an incredible song.' I felt that I could definitely connect with him. ‘Where Do the Children Play', that was the one that, just the fact that he was somebody who was thinking like that.There was one time when Mick Jagger asked me to come and meet with him because I think he'd heard the records that were coming up from me, mainly Jamaican records and things, and that's why he wanted me to come and meet with him. He was leaving Decca, and wanted to go to another level. And I said, ‘It makes absolutely no sense for you to come to my label because you already are huge.'Grace Jones, she's a stunning-looking lady. They put on the record and there was a drum machine, and all it played was a drum machine. There was no vocal, there were no instruments, nothing for about two and a half to three minutes before I heard a voice. I thought, Oh my gosh, this is a disaster. This is going to end in tears. And then suddenly I heard the voice, and the voice sounded great.”www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. The instinct of U2 was seeing their determination, the fact that the music itself initially wasn't close to what most of my music was because most of my music was bass and drum. And most of their music was vocal, so it wasn't a certain kind of music that I like all the time. I like music from all different kinds of levels…I absolutely felt for Bob Marley to really make it worldwide as it were, he needed to change something a little bit. I didn't want him to change what he was doing, not his lyrics and everything else like that. It was more the instrumentation of it. I felt for Bob to be able to reach a wider audience that he needed to move away a little bit from that and focus more and more on his lyrics.When I finally met Cat Stevens, and we just sort of sat down and then when he played the song ‘Father and Son,' then suddenly the lyrics of the song and what it meant and everything, I suddenly felt this guy is fantastic. You know, the I person I'd seen on television had nothing to do with this person sitting in front of me. And so that's really when I said to him, I opened up to him and I said, ‘Honestly, I wasn't really interested to meet, but this song that you've just sung for me is such an incredible song.' I felt that I could definitely connect with him. ‘Where Do the Children Play', that was the one that, just the fact that he was somebody who was thinking like that.There was one time when Mick Jagger asked me to come and meet with him because I think he'd heard the records that were coming up from me, mainly Jamaican records and things, and that's why he wanted me to come and meet with him. He was leaving Decca, and wanted to go to another level. And I said, ‘It makes absolutely no sense for you to come to my label because you already are huge.'Grace Jones, she's a stunning-looking lady. They put on the record and there was a drum machine, and all it played was a drum machine. There was no vocal, there were no instruments, nothing for about two and a half to three minutes before I heard a voice. I thought, Oh my gosh, this is a disaster. This is going to end in tears. And then suddenly I heard the voice, and the voice sounded great.”www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. The instinct of U2 was seeing their determination, the fact that the music itself initially wasn't close to what most of my music was because most of my music was bass and drum. And most of their music was vocal, so it wasn't a certain kind of music that I like all the time. I like music from all different kinds of levels…I absolutely felt for Bob Marley to really make it worldwide as it were, he needed to change something a little bit. I didn't want him to change what he was doing, not his lyrics and everything else like that. It was more the instrumentation of it. I felt for Bob to be able to reach a wider audience that he needed to move away a little bit from that and focus more and more on his lyrics.When I finally met Cat Stevens, and we just sort of sat down and then when he played the song ‘Father and Son,' then suddenly the lyrics of the song and what it meant and everything, I suddenly felt this guy is fantastic. You know, the I person I'd seen on television had nothing to do with this person sitting in front of me. And so that's really when I said to him, I opened up to him and I said, ‘Honestly, I wasn't really interested to meet, but this song that you've just sung for me is such an incredible song.' I felt that I could definitely connect with him. ‘Where Do the Children Play', that was the one that, just the fact that he was somebody who was thinking like that.There was one time when Mick Jagger asked me to come and meet with him because I think he'd heard the records that were coming up from me, mainly Jamaican records and things, and that's why he wanted me to come and meet with him. He was leaving Decca, and wanted to go to another level. And I said, ‘It makes absolutely no sense for you to come to my label because you already are huge.'Grace Jones, she's a stunning-looking lady. They put on the record and there was a drum machine, and all it played was a drum machine. There was no vocal, there were no instruments, nothing for about two and a half to three minutes before I heard a voice. I thought, Oh my gosh, this is a disaster. This is going to end in tears. And then suddenly I heard the voice, and the voice sounded great.”Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. The instinct of U2 was seeing their determination, the fact that the music itself initially wasn't close to what most of my music was because most of my music was bass and drum. And most of their music was vocal, so it wasn't a certain kind of music that I like all the time. I like music from all different kinds of levels…I absolutely felt for Bob Marley to really make it worldwide as it were, he needed to change something a little bit. I didn't want him to change what he was doing, not his lyrics and everything else like that. It was more the instrumentation of it. I felt for Bob to be able to reach a wider audience that he needed to move away a little bit from that and focus more and more on his lyrics.When I finally met Cat Stevens, and we just sort of sat down and then when he played the song ‘Father and Son,' then suddenly the lyrics of the song and what it meant and everything, I suddenly felt this guy is fantastic. You know, the I person I'd seen on television had nothing to do with this person sitting in front of me. And so that's really when I said to him, I opened up to him and I said, ‘Honestly, I wasn't really interested to meet, but this song that you've just sung for me is such an incredible song.' I felt that I could definitely connect with him. ‘Where Do the Children Play', that was the one that, just the fact that he was somebody who was thinking like that.There was one time when Mick Jagger asked me to come and meet with him because I think he'd heard the records that were coming up from me, mainly Jamaican records and things, and that's why he wanted me to come and meet with him. He was leaving Decca, and wanted to go to another level. And I said, ‘It makes absolutely no sense for you to come to my label because you already are huge.'Grace Jones, she's a stunning-looking lady. They put on the record and there was a drum machine, and all it played was a drum machine. There was no vocal, there were no instruments, nothing for about two and a half to three minutes before I heard a voice. I thought, Oh my gosh, this is a disaster. This is going to end in tears. And then suddenly I heard the voice, and the voice sounded great.”Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. The instinct of U2 was seeing their determination, the fact that the music itself initially wasn't close to what most of my music was because most of my music was bass and drum. And most of their music was vocal, so it wasn't a certain kind of music that I like all the time. I like music from all different kinds of levels…I absolutely felt for Bob Marley to really make it worldwide as it were, he needed to change something a little bit. I didn't want him to change what he was doing, not his lyrics and everything else like that. It was more the instrumentation of it. I felt for Bob to be able to reach a wider audience that he needed to move away a little bit from that and focus more and more on his lyrics.When I finally met Cat Stevens, and we just sort of sat down and then when he played the song ‘Father and Son,' then suddenly the lyrics of the song and what it meant and everything, I suddenly felt this guy is fantastic. You know, the I person I'd seen on television had nothing to do with this person sitting in front of me. And so that's really when I said to him, I opened up to him and I said, ‘Honestly, I wasn't really interested to meet, but this song that you've just sung for me is such an incredible song.' I felt that I could definitely connect with him. ‘Where Do the Children Play', that was the one that, just the fact that he was somebody who was thinking like that.There was one time when Mick Jagger asked me to come and meet with him because I think he'd heard the records that were coming up from me, mainly Jamaican records and things, and that's why he wanted me to come and meet with him. He was leaving Decca, and wanted to go to another level. And I said, ‘It makes absolutely no sense for you to come to my label because you already are huge.'Grace Jones, she's a stunning-looking lady. They put on the record and there was a drum machine, and all it played was a drum machine. There was no vocal, there were no instruments, nothing for about two and a half to three minutes before I heard a voice. I thought, Oh my gosh, this is a disaster. This is going to end in tears. And then suddenly I heard the voice, and the voice sounded great.”www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. The instinct of U2 was seeing their determination, the fact that the music itself initially wasn't close to what most of my music was because most of my music was bass and drum. And most of their music was vocal, so it wasn't a certain kind of music that I like all the time. I like music from all different kinds of levels…I absolutely felt for Bob Marley to really make it worldwide as it were, he needed to change something a little bit. I didn't want him to change what he was doing, not his lyrics and everything else like that. It was more the instrumentation of it. I felt for Bob to be able to reach a wider audience that he needed to move away a little bit from that and focus more and more on his lyrics.When I finally met Cat Stevens, and we just sort of sat down and then when he played the song ‘Father and Son,' then suddenly the lyrics of the song and what it meant and everything, I suddenly felt this guy is fantastic. You know, the I person I'd seen on television had nothing to do with this person sitting in front of me. And so that's really when I said to him, I opened up to him and I said, ‘Honestly, I wasn't really interested to meet, but this song that you've just sung for me is such an incredible song.' I felt that I could definitely connect with him. ‘Where Do the Children Play', that was the one that, just the fact that he was somebody who was thinking like that.There was one time when Mick Jagger asked me to come and meet with him because I think he'd heard the records that were coming up from me, mainly Jamaican records and things, and that's why he wanted me to come and meet with him. He was leaving Decca, and wanted to go to another level. And I said, ‘It makes absolutely no sense for you to come to my label because you already are huge.'Grace Jones, she's a stunning-looking lady. They put on the record and there was a drum machine, and all it played was a drum machine. There was no vocal, there were no instruments, nothing for about two and a half to three minutes before I heard a voice. I thought, Oh my gosh, this is a disaster. This is going to end in tears. And then suddenly I heard the voice, and the voice sounded great.”Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley's Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.www.islandoutpost.com www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701 www.islandrecords.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
ETL Echo Audiobooks - Enemies to Lovers podfic oneshots and short MCs
In which Scorpius gets up to some mischief and Draco demands Harry's help. --- Send in a voice message: https://anchor.fm/etl-echo/message
On today's episode of Pinot and Parenting we are chatting with Olya Valenta, marketing director of the toy company Magna-Tiles. Olya discusses the history of Magna-Tiles. We also speak about the role of play in children's development, and how play can be facilitated. Finally, Olya discusses what it is like to be a parent and to work at a toy company. You can learn more about Olya Valenta and Magna-Tiles at https://www.magnatiles.com/ and by visiting their Instagram page @magnatiles We also want to point out that many of us have been going through tough, difficult, and stressful times. If you are ever in need of help, we encourage you to seek assistance. A good resource to start to find a local therapist is at https://www.therapyden.com/ For more information on the Toddler Life Skills course, please visit https://www.thrivingtoddler.com/toddler-life-skills Thank you and Happy Holidays to all of you and your loved ones! We will be back again at the start of next year with brand new episodes.
Message by Rev. Dr. Sterling Boykin (1 Timothy 6:6-19)
Hello Ladies in this episode we will be talking about the importance of our children being able to play and learn in natural light. You for listening. I love you all Peace If you would like to support the podcast Cash app $keynasmc
Message by Rev. Kristen Curtis Wright (I Timothy 2:1-7)
Message by Rev. Dr. Sterling Boykin (1 Timothy 1:12-17)
CEO of Worthy Retail U Steve Worthy, at one point in life, did not see the need in accepting the call to lead until one fateful day early in his Air Force days. Leadership always found him despite his attempts at avoiding it. This episode is not limited to only discussing leadership and developing that skill set. Steve is a retail leader, and executive coach, who shares with us memorable moments from his childhood into the present and how they have inspired him to create multiple podcasts. Oh, talking about podcasting, Steve is not only one of the most experienced in this space as he has been podcasting since 2007, he also has one of the best voices in the industry. Steve also loves to live stream his broadcast and I can't recommend him enough to anyone looking to get into podcasting. Steve is one of my biggest inspirations as I have learned much from him. Don't forget to support our work by donating or buying us a cup of ko-fi at our website www.whitelabelamerican.com You can also take your support even further by becoming a Patron and access loads of bonus content that aren't available to the public https://www.patreon.com/whitelabelamericanpod Buy our merch https://vetclothing.com/collections/sponser-merch Connect with Steve Worthy on LinkedIn https://www.linkedin.com/in/steve-worthy Website: www.worthyretailu.com Podcast: https://worthyretailu.com/podcast/ Instagram: https://www.instagram.com/worthyretailu/ Facebook: https://www.facebook.com/worthylg Infrared_Krypto's music https://linktr.ee/ahmad_infraredkrypto Timestamp: Shout-out 00:00 - 02:51 Intro 2:53 - 3:51 Beautiful Names 05:00 - 06:47, Place of Birth &Childhood 06:58 - 07:30, Favorite Childhood Memory 07:53 - 09:17, Children & Play 09:30 - 20:33, 1st Memorable Story 23:08 - 26:22, Leadership 41:55- 42:10, Retail 44:18 - 46:38, Golf + Air Force 46:57 - 48:04, Customer Service + Air Force 48:35 - 55:11, Embracing Storytelling Via Podcasting 55:35 - 59:45, Substance In Content 01:00:32 - 01:04:43, Livestream 01:05:00 - 01:09:23, Cuisine 01:10:52 - 01:12:45, Music 01:14:12 - 01:17:29, Final Q 01:17:58 - 01:20:00, Plugins 01:20:12
Mike and Cari finish the book, "Let the Children Play" by discussing each of the remaining chapters for about 10 minutes each. Starting with the next book, the hosts will introduce a new format for Chapter Chat that will allow them to review more books per year.
"The world is in a war against play." This is the first sentence of Chapter 4. Join Mike and Cari for an overview of how play is being decreased, devalued, eliminated, and forgotten.
Mike and Cari are back to discuss Chapter 3 of their current book, "Let the Children Play."
Do your kids want to be a part of your farm? How can you best integrate them into the farming lifestyle? In today's episode we're hosting Jordan Green, lifelong farmer, owner of FarmBuilder LLC, and co-owner of J & L Green Farm, located in Edinburg, Virginia. FarmBuilder LLC is a consultancy that works with property owners and aspiring farmers to develop farms that sustain communities. J & L Green Farm is a pasture-based, direct-to-retail farm. Managing 500 acres of beautiful farmland, Jordan and his wife, Laura, started the farm in 2009 and have been steadily growing since then. They raise animals ethically with regenerative/sustainable practices and in harmony with nature. They currently offer grass-fed and grass-finished beef, pasture-raised poultry, and forest-raised pork products. They also collaborate with local farms with the same philosophy to provide farm-fresh eggs, raw milk cheeses, honey, organically grown vegetables, and other farm foods. In addition to selling through various retail outlets in the greater Virginia area, J & L Green Farm offers nationwide shipping, home delivery, and delivery to drop-sites all over the Northern Virginia area. Tune in to hear all about how Jordan and his wife manage this thriving farm enterprise! You'll hear: What J&L Farm is all about 1:40 How Covid impacted the farm's operations 2:29 What prompted Jordan's viral Facebook post about kids on the farm 8:54 The family business Jordan grew up with 13:32 What farmers should do to get their kids involved in the farm but not end up hating it 20:49 How farmers can show their kids a good work/life balance 29:41 How you can teach kids a good work ethic without scaring them off 36:54 How Jordan teaches his kids about what success is 40:17 Jordan's thoughts on microenterprises for kids surrounding the farm 44:02 What Jordan does to ensure he enjoys life on the farm with the kids 45:26 About the Guest: Jordan Green is the founder of FarmBuilder (2017 – current), co-owner of J & L Green Farm in Edinburg, Virginia (2009 – current), a United States Marine Corps veteran (2004-2009), and graduate of the apprentice program at Polyface Inc. (2001-2002). Prior to that, he grew up on his family's homestead in Virginia and had several successful small farm enterprises. Resources: Website: www.jlgreenfarm.com Facebook: https://www.facebook.com/jlgreenfarm/ Instagram: https://bit.ly/jlgreenfarm The Thriving Farmer Podcast Team would like to thank our amazing sponsor! At AgriGro®, we know that in today's modern agriculture, our efforts can deplete life or add life. When you look for ways to add life, it's sustainable and makes everything work better. The result is enhanced plant and soil health for crops, gardens, and turf, as well as improved animal health and environment for livestock and wildlife. Our products are all-natural, easy to use, and friendly to the soil, the plant, as well as the grower. AgriGro's® formulations deliver essential plant nutrition along with an advanced prebiotic concentrate, which significantly increases the multitude of beneficial native microbial species already residing in the production environment. Through these environmentally sound technologies, we're adding life to crop production, livestock, home, turf, and wildlife markets. You don't have to be dependent on crop production efforts that deplete life…Just Add Life with AgriGro®.
Was musste man sich früher als Kind alles ausdenken, um einen langen Ferientag rumzukriegen? Da war Kreativität gefragt. WDR 2 Kolumnistin Barbara Ruscher beobachtet heute immer mehr Eltern, die ihren Kindern sowas gar nicht mehr zutrauen. Bevor da jemand auf den Baum klettert, gibt's lieber das Tablet in die Hand. Von Barbara Ruscher.
Our Host, Lori La Bey will be talking with Magdalena Turek who is the manager of care homes Zapiecek in Poland. She is an international author, songwriter, psychologist, and therapist from Cracow. Due to Magdalena's personal experience, she puts her whole heart and passion into her work, and you will hear that passion in her voice as we talk today. Contact Magdalena Turek Book Care Homes Therapy Email Organisation FaceBook Instagram LinkedIn YouTube Contact Lori La Bey or www.AlzheimersSpeaks.com Alzheimer's Speaks Radio - Shifting dementia care from crisis to comfort around the world one episode at a time since 2011.
Mike and Cari have a passionate discussion about Chapter 2 of their current book, "Let the Children Play."
Mike and Cari are back with a new Chapter Chat book selection: "Let the Children Play" by Pasi Sahlberg and William Doyle, 2019. This episodes contains a lively discussion of Chapter 1.
Ben Fordham has called out bizarre images that have emerged from the Australian Museum. See omnystudio.com/listener for privacy information.
Directors Sam Aidan Johnson and Jakari Thompson discuss their short film, Children Play With Fire, with NFFTY Senior Programmer, Robert Speewack. Children Play With Fire screened in the Centerpiece screening during NFFTY 2020. Keep up with Sam Aidan Johnson: Website: https://samaidanjohnson.com Vimeo: https://vimeo.com/user78462552 Instagram: https://instagram.com/samaidanjohnson Keep up with Jakari Thompson: Website: https://nombrekari.com Instagram: https://instagram.com/nombrekari More from Partyfish Media: https://instagram.com/partyfishmedia "NFFTY Podcast Theme" composed by Kurtis Skinner
Pasi Sahlberg is a Finnish educator, scholar, thought-leader and author. He has worked as a mathematics and science teacher, teacher-educator, researcher, and policy-maker in Finland, and studied education systems and advised education system reforms around the world. His international career includes senior specialist at the World Bank in Washington DC (2002-2007), lead education specialist at the European Training Foundation in Torino, Italy (2007-2009), and visiting professor at Harvard University (2014-2016). He also has extensive experience as an education policy expert to the OECD, European Commission, and the Finnish Government's Foreign Ministry.Pasi has written widely about pedagogy, teacher and teaching, and education system change. He has published over 170 academic and professional articles and 22 books. He is a member of several editorial boards, and has supervised or examined 15 doctoral dissertations in Finland, England, Italy and the U.S. His most recent books include Finnish Lessons 2.0: What can the world learn from educational change in Finland (2015), Hard Questions on Global Educational Change (with Jonathan Hasak and Vanessa Rodriguez, 2016), Empowered Educators in Finland (with Karen Hammerness and Raisa Ahtiainen, 2017), FinnishED Leadership: Four big, inexpensive ideas to transform education (2018), and Let the Children Play! How more play will save our schools and help children thrive (with William Doyle, 2019).https://pasisahlberg.com/
Season 9 begins with a good friend: Paula Mierzejewski! I have enjoyed meeting up with her for a great cup of coffee (thank you Red Whale) and an even greater conversation. We're both interested in exploring "what is life?", "how can I improve?", and generally sharing our experiences of being alive. Some of it uplifting, some of it challenging, all enlightening. I think we both share that general approach to life. As a licensed Marriage & Family Therapist, I believe Paula has expressed to me her more inclined to work with children and elders. (I think I qualify for both — which isn't necessarily a compliment.) This is taken from her website, https://paulamierzejewski.com: I am a licensed Marriage and Family Therapist (LMFT) who provides therapy for children, teens and adults. I received my Master of Science degree in Counseling Psychology from Dominican University in San Rafael, CA in 2014, and have a B.A. degree in English from the University of New Haven in West Haven, CT. This is my second career after having worked 25 years in the legal field. My life's experience enables me to be a better therapist for my clients. After working several years as an elementary school counselor for the Waugh School District in Petaluma I moved into private practice. My primary goal is to help others find happiness and success within themselves, within their family and within their peer relationships. I think this is a wonderful start to a new season; and I am looking forward to our next cup o' joe! #D11 #livewithgreg
#70-68Intro/Outro: Afterglow 61 by Son Volt70. Tea For the Tillerman by Cat Stevens (Wild World & Miles From Nowhere & Where Do the Children Play? & Into White & Father and Son)69. OK Computer by Radiohead (Paranoid Android & Let Down & Karma Police)68. The Story of the Ghost by Phish (Ghost & Brian and Robert & Wading in the Velvet Sea)Vote on Today's Album ArtVote on Week 12 Round 2 Album Art (Episodes 356-360)Championship Round (so far)Show note: I announced "El Dorado" as an Album Art winner, but I meant to say "El Camino"
My guest is Paul Stout. We discuss Urban Planning, Urban design, and architecture. The title is a reference to the song Where Do The Children Play? by Cat Stevens
Dan McCleary (Founder and the Nancy R. Copp Producing Artistic Director at Tennessee Shakespeare Company) is passionate about theatre...specifically Shakespearean theatre. But when he found himself directing and performing primarily to frequent flyers, he gave himself a challenge -- how and where could he produce Shakespeare for patrons experiencing the works for the first time? The result? Tennessee Shakespeare Company was born. From there, the intentionality to diverse, educational productions followed suit. Then, came his "radical, non-political solution to literacy." Let children play. He stops by the studio to share more about his story, and debrief his 2020 TEDxMemphis talk, "Shakespeare in Kindergarten, or Let Rome Fall."
© 2020-2025 Ivy Podcast Discovery LLC
