Podcast appearances and mentions of Trevor Horn

March 3rd: Millie and Trevor Horn, and Janice Saunders Killed (1993) Some say that money is the root of all evil. And, when you hear stories like the one for today, it's hard to argue against that statement. On March 3rd 1993 three individuals were killed. Three lives taken for no other reason than greed and a financial payout. https://en.wikipedia.org/wiki/Lawrence_Horn, https://www.washingtonpost.com/archive/politics/1993/03/04/disabled-boy-2-women-found-slain/c2fee800-2c90-4122-b808-3c6905d213d9/, https://murderpedia.org/male.H/h/horn-lawrence.htm, https://www.nytimes.com/1996/05/17/us/man-gets-life-in-killing-of-3-for-insurance.html, https://www.westword.com/news/death-sentences-5056135, https://www.washingtonpost.com/archive/politics/1994/03/03/1-year-after-triple-homicide-nurses-brother-still-stunned/468d8252-8df9-42a6-b1be-f8f761ba42fe/, https://time.com/archive/6731900/murder-by-the-book/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Billy Sherwood discusses the upcoming YES UK tour featuring the complete Fragile album. He traces his path from drummer to bassist, learning the instrument by playing along to YES records, and development in groups Lodgic and World Trade. Sherwood details his first collaboration with Chris Squire in 1989, writing ‘The More We Live – Let Go,’ and his refusal to become YES’s lead singer during the Union era. The conversation centres on Squire’s final weeks, and Squire making Sherwood promise to stay with YES and keep the band moving forward. He also reflects on his extensive tribute album work, and YES’s current recording process for albums The Quest and Mirror to the Sky. Further information yesworld.com billysherwood.com Billy Sherwood podcast tracks Podcasts also available: Steve Howe (2025), Steve Howe (2023), Steve Howe (2019), Bill Bruford, Alan White, Trevor Horn, Geoff Downes, Tony Kaye, Rick Wakeman, Chester Thompson, Colin Moulding – part 2 This podcast is also available on Apple Podcasts, YouTube, Spotify, Google apps and all usual platforms If you like what I do please support me on Ko-fi The post Billy Sherwood – YES appeared first on The Strange Brew .

En el programa de hoy, tenemos a un grupo imprescindible del techno pop de los 80: PROPAGANDA. Se formaron en Alemania, pero desarrollaron su carrera en Inglaterra, bajo el padrinazgo del gran Trevor Horn. Una carrera tan errática como sobresaliente y la vamos a repasar a través de sus singles, caras b, maxisingles, remezclas, álbumes, proyectos paralelos y producciones para otros artistas.

Cette semaine, Margaux Lassalle explore les nombreuses relectures de "Personal Jesus", le classique de Depeche Mode sorti en 1989 sur l'album "Violator". Écrite par Martin Gore, la chanson s'inspire du livre "Elvis and Me" de Priscilla Presley et évoque cette figure rassurante vers laquelle on se tourne dans les moments difficiles. Au fil des années, le titre a été revisité dans des styles très variés. En 2002, Johnny Cash en propose une version dépouillée et grave, presque spirituelle. En 2004, Marilyn Manson signe une reprise industrielle devenue culte, tandis que Nina Hagen reste fidèle à son univers théâtral. En 2020, Tété transforme le morceau en une lecture folk et acoustique. Plus récemment, le producteur Trevor Horn réunit Iggy Pop et Lambrini Girls sur l'album "Echoes Ancient and Modern" pour une version brute et sans fioritures. Margaux Lassalle conclue sa chronique avec une interprétation live du duo nantais KO KO MO, captée dans le studio du #DriveRTL2 en 2022 : une reprise intense qui montre à quel point "Personal Jesus" continue d'inspirer des artistes de tous horizons. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The PM guys take on the mighty Frankie Goes To Hollywoods' debut album - Welcome to the Pleasuredome, ably assisted by Darren Moore and Neil McCrystal. In part one of a lengthy chat - background to the album and the initial Frankie phenomena, Trevor Horn, ZTT and a track by track review of the first disc of the 2 LP configuration of this groundbreaking album. Look out for part 2 next week.

Geoff Downes has lent his keyboard wizardry to many of the biggest and best bands of the last 50 years. He was a trendsetting new-waver with the Buggles popularizing synth pop alongside Trevor Horn. Then they were famously recruited to join Yes, changing that band's sound for a decade. And, while with Asia, he showed how good "corporate" AOR rock (not to mention supergroups) could be. There have been several other side-projects (DBA), one-offs (Trapeze), and production jobs (GTR, Thompson Twins) along the way as well that has kept him active and in demand. Yes's 2011 comeback album, Fly from Here, which reunited that 1980 version of the band that created the much-loved Drama album, has recently been reimagined and released on vinyl for the first time as Fly from Here: Return Trip. Geoff gives us the scoop on everything and more. Enjoy!  Official website for the progressive rock band YES The Hustle Podcast | creating podcasts | Patreon

Cette semaine, focus sur Frankie Goes To Hollywood, groupe britannique formé à Liverpool au début des années 80 autour du chanteur Holly Johnson. Derrière un nom qui évoque un artiste solo se cache un collectif à l'image provocante et assumée, mêlant synth-pop, new wave et rock, avec une forte dimension politique et sexuelle. Leur premier album "Welcome to the Pleasuredome" sorti en 1984 connaît un succès colossal, porté par le tube "Relax", mais aussi par la ballade "The Power of Love" et le titre engagé "Two Tribes", produit par Trevor Horn, figure majeure de la pop des années 80. Deux ans plus tard, le groupe publie "Liverpool", un deuxième disque plus rock qui ne rencontre pas le même accueil commercial. La séparation intervient peu après, ouvrant la voie à des carrières solo, notamment celle de Holly Johnson, marqué par le succès "Americanos" en 1989, avant son retrait de la scène musicale au début des années 90. Mais malgré une discographie courte, Frankie Goes To Hollywood ne se résume pas à un seul tube. Leur impact culturel et musical sur la pop des années 80 reste considérable, et "Relax", censuré à sa sortie avant de devenir un phénomène mondial, demeure l'un des titres les plus emblématiques de la décennie. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In the early hours of March 3, 1993, someone snuck into the Maryland home of Millie Horn, where she lived with her disabled eight-year-old son, Trevor, and his nurse, Janice Saunders. After shooting both women in the head multiple times, the intruder smothered Trevor Horn to death, then quietly left the house. Hours later, the bodies of all three were discovered by Millie's sister, who stepped by to check on them.Almost immediately, suspicion fell on Millie Horn's ex-husband, Lawrence, who lived thousands of miles away in California, but with whom she'd spoken just hours before the murders occurred. In time, investigators were able to establish a financial motive, linking Lawrence Horn to the murders, yet they were unable to place Horn in Maryland when the murders occurred. Ultimately, Lawrence Horn would be tried and convicted for all three murders, but by that time, he wasn't sole perpetrator of the crime. And when prosecutors were finally able to pin down the men responsible for the deaths, it turned out the killers received guidance from a very surprising source.Recommendations:Phantasma By Kaylie SmithHappy Place By Emily HenryReferencesAssociated Press. 1993. "Man says he wasn't involved in slaying of ex-wife and son." Star-Democrat (Easton, MD), March 10: 5.Baltimore Sun. 1993. "Murder suspect denies threatening former wife." Baltimore Sun, April 9: 27.Brooke, James. 1996. "Lawsuit tests lethal power of words." New York Times, February 14.Hermann, Peter. 1994. "Father arrested in 3 murders." Baltimore Sun, July 21: 21.James Edward Perry v. State of Maryland. 2002. 0667, Sept. Term, 2001 (Court of Special Appeals of Maryland, November 7).James Edward Perry v. State of Maryland. 1996. 119, Sept. Term, 1995 (Court of Appeals of Maryland, December 16).Smolla, Rodney. 1999. Deliberate Intent: A Lawyer Tells the True Story of Murder by the Book. New York, NY: Crown.Sullivan, Kevin. 1994. "Accused went from glamour of Motown to a life of modest means." Washington Post, July 20.Vick, Karl. 1996. "Horn convicted for three murders." Washingotn Post, May 4: 1. Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

SUPPORT THIS PODCAST!Join PatreonGet some merch~~~~FEATURED SONGREC – “Almost Everything About You” (from KITE TO CAMDEN)~~~~Part 4 of my Great Producers series takes us to the 1980s. The synth & drum machine experiments of the 1970s went everywhere. Disco & punk permeated nearly every genre. And production went from midrange & mellow to bright and big. I go over all those changes, and discuss many of the top producers of the decade, including some you may have been missing from previous years. And I discuss how very different the production values of the first & second halves of the decade really were.How do you feel about 1980s production values? Can you hear a clear difference between the first & second halves of the decade? Who were your favorite producers? Which production developments do you feel most shaped the music in subsequent decades? Discuss dammit!BONUS MxTRA: The 1980s production divide – recommended listening Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On the Saturday January 31, 2026 edition of The Richard Crouse Show we meet Mark Critch. For twenty-three years he has starred on CBC’s popular political satire show “This Hour Has 22 Minutes.” He adapted his first book, “Son of a Critch,” into a hit TV series, co-staring movie legend Malcolm McDowell, and airing on the CBC in Canada and Netflix in the United States. Today we talk about his latest book, “Sorry, Not Sorry.” In the book, which is available now wherever fine books are sold, Mark delves into the heart of what it means to be Canadian at a time when national pride is on the rise. He examines everything from the historical decision of Newfoundland to join Canada, to the modern-day implications of the Freedom Convoy, the evolving symbolism of the Canadian flag, and of the many reasons Canada is worth fighting for. Then, we have a look at the incredible career of Simon Franglen. His credits include four of the list of top grossing films and six of the list of best-selling albums of all time. He began his career as a synthesizer programmer for Trevor Horn (working with acts like Frankie Goes to Hollywood), moved into composing famous jingles for big products, and became a top LA session musician/producer in the '90s, contributing to massive hits with artists like Michael Jackson, Whitney Houston, Celine Dion, Madonna, and more. He won a Grammy for Record of the Year as producer on Celine Dion's "My Heart Will Go On" from Titanic, directed by James Cameron. He worked with the late James Horner as an arranger/producer on films like “Avatar,” “The Amazing Spider-Man,” and others, before fully scoring “Avatar: The Way of Water” and “Avatar: Fire and Ash.” Today we talk about his work, from Frankie Goes to Hollywood’s dancefloor anthems to Avatar’s lush, habitable moon, Pandora.

On the Saturday January 31, 2026 edition of The Richard Crouse Show we meet Mark Critch. For twenty-three years he has starred on CBC's popular political satire show “This Hour Has 22 Minutes.” He adapted his first book, “Son of a Critch,” into a hit TV series, co-staring movie legend Malcolm McDowell, and airing on the CBC in Canada and Netflix in the United States. Today we talk about his latest book, “Sorry, Not Sorry.” In the book, which is available now wherever fine books are sold, Mark delves into the heart of what it means to be Canadian at a time when national pride is on the rise. He examines everything from the historical decision of Newfoundland to join Canada, to the modern-day implications of the Freedom Convoy, the evolving symbolism of the Canadian flag, and of the many reasons Canada is worth fighting for. Then, we have a look at the incredible career of Simon Franglen. His credits include four of the list of top grossing films and six of the list of best-selling albums of all time. He began his career as a synthesizer programmer for Trevor Horn (working with acts like Frankie Goes to Hollywood), moved into composing famous jingles for big products, and became a top LA session musician/producer in the '90s, contributing to massive hits with artists like Michael Jackson, Whitney Houston, Celine Dion, Madonna, and more. He won a Grammy for Record of the Year as producer on Celine Dion's "My Heart Will Go On" from Titanic, directed by James Cameron. He worked with the late James Horner as an arranger/producer on films like “Avatar,” “The Amazing Spider-Man,” and others, before fully scoring “Avatar: The Way of Water” and “Avatar: Fire and Ash.” Today we talk about his work, from Frankie Goes to Hollywood's dancefloor anthems to Avatar's lush, habitable moon, Pandora.

Time Arist Title Duration Album Year Composer Label Listeners 0:00:00 Karmakanic Gotta Lose this Ball and Chain 6:03 Transmutation 2025 36 0:06:02 1128 1:10 38 0:10:25 Joviac Level 1 4:34 Autofiction Pt. 1 - Shards 2025 35 0:14:59 ENIGMATIC SOUND MACHINES Red Forest 9:48 Imperfect Silence (24 Bit Hi Res) 2025 36 0:24:48 Jacob Roberge The Long Way Home 5:04 The Passing 2025 37 0:26:10 Jacob Roberge The Long Way Home 5:04 The Passing 2025 37 0:31:22 Art of Noise Close (to the Edit) (The Prince's Trust Produced by Trevor Horn  2004) 4:22 38 0:35:43 'Pure Reason Revolution' '5. Scream Sideways' 10:06 'Above Cirrus' 2022 38 0:50:09 Galahad Alive 8:13 The Last Great Adventurer 2022 40 0:58:22 Jacob Roberge Empty Traces, Pt.1 5:07 The Passing 2025 37 1:03:29 OSTURA Duality 12:02 The Room 34 1:19:58 Dave Bainbridge Fall Away 16:27 On The Edge (Of What Could Be) 2025 38 1:36:41 Scardust 05. Concrete Cages (feat. PATTY GURDY) - STRANG... 7:19 Strangers 2020 Orr Didi, Noa Gruman M-Theory Audio 39 1:45:42 Jacob Roberge Petrichor 10:11 The Passing 2025 33 1:56:00 Thomas Dolby Airhead 5:05 Aliens Ate My Buick 1988 Thomas Dolby EMI-Manhattan 36 2:04:34 Pendragon Afraid Of Everything 5:23 Love Over Fear (Acoustic) 2020 36 2:10:09 United Progressive Fraternity Don't Look Back - Turn Left 5:35 Fall In Love With The World 2014 Inside Out Music 41 2:15:44 Phideaux Out Of The Angry Planet 7:33 Phideaux & Mogon Promotional Issue 2012 36 2:30:15 Jacob Roberge The Passing 31:53:00 The Passing 2025 35

Time Arist Title Duration Album Year Composer Label Listeners 0:00:00 Karmakanic Gotta Lose this Ball and Chain 6:03 Transmutation 2025 36 0:06:02 1128 1:10 38 0:10:25 Joviac Level 1 4:34 Autofiction Pt. 1 – Shards 2025 35 0:14:59 ENIGMATIC SOUND MACHINES Red Forest 9:48 Imperfect Silence (24 Bit Hi Res) 2025 36 0:24:48 Jacob Roberge The Long Way Home 5:04 The Passing 2025 37 0:26:10 Jacob Roberge The Long Way Home 5:04 The Passing 2025 37 0:31:22 Art of Noise Close (to the Edit) (The Prince’s Trust Produced by Trevor Horn  2004) 4:22 38 0:35:43 ‘Pure Reason Revolution’ ‘5. Scream Sideways’ 10:06 ‘Above Cirrus’ 2022 38 0:50:09 Galahad Alive 8:13 The Last Great Adventurer 2022 40 0:58:22 Jacob Roberge Empty Traces, Pt.1 5:07 The Passing 2025 37 1:03:29 OSTURA Duality 12:02 The Room 34 1:19:58 Dave Bainbridge Fall Away 16:27 On The Edge (Of What Could Be) 2025 38 1:36:41 Scardust 05. Concrete Cages (feat. PATTY GURDY) – STRANG… 7:19 Strangers 2020 Orr Didi, Noa Gruman M-Theory Audio 39 1:45:42 Jacob Roberge Petrichor 10:11 The Passing 2025 33 1:56:00 Thomas Dolby Airhead 5:05 Aliens Ate My Buick 1988 Thomas Dolby EMI-Manhattan 36 2:04:34 Pendragon Afraid Of Everything 5:23 Love Over Fear (Acoustic) 2020 36 2:10:09 United Progressive Fraternity Don’t Look Back – Turn Left 5:35 Fall In Love With The World 2014 Inside Out Music 41 2:15:44 Phideaux Out Of The Angry Planet 7:33 Phideaux & Mogon Promotional Issue 2012 36 2:30:15 Jacob Roberge The Passing 31:53:00 The Passing 2025 35

NUMA is a singer, songwriter, producer, artistic director, and TV commentator, also known as the Singer of Self-Empowerment. She has released 22 singles — each with its own music video — translated into Italian, Spanish and English, fully representing her artistic style. Through her music and her message of positive thinking and personal growth, she shares her voice and vision around the world.NUMA has collaborated on numerous Italian and international music projects with artists such as Renato Zero, Adriano Celentano, Gianna Nannini, Pino Daniele, Trevor Horn, Alan Clark and Phil Palmer (Dire Straits). https://www.facebook.com/NUMApageofficialhttps://www.youtube.com/numavideochannelhttps://www.instagram.com/numa_palmerhttps://x.com/numapalmerhttps://www.tiktok.com/@numapalmerBetterHelp: Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://betterhelp.com/macolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for 10% off your first month of therapy with BetterHelp and get matched with a therapist who will listen and help #sponsoredYouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/JeffMacolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Me!!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/saintjmac⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/jeffmacolinopodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/saintjmac/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDB: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.imdb.com/title/tt17046562/?ref_=nm_knf_t1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@jeffmacolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Art Credit: Chase Henderson

450ème numéro en direct ! Pour notre voyage progressif , départ de Bristol ce soir, lieu de naissance de STACKRIDGE en 1969, ici pour un extrait de l'album "Extravaganza" en 1975; 4ème parution d'une formation déjà bien modifiée et pour la première fois sur le label d'un certain Elton John : "Rocket Records Company". La galette suivante sera la dernière avant qu'une partie de la bande ne forme un groupe phare des 80's : The Korgis, mais là c'est une toute autre histoire bien éloignée du rock progressif et Il faudra attendre notre 21ème siècle pour voir ressurgir la formation ! Toujours en Terre d'Albion, le guitariste talentueux mais pas assez connu en France PAUL LANDRY (par ailleurs multi-instrumentiste) vient de publier "The Progulator", une rétrospective de titres rock prog instrumentaux enregistrés entre 2016 et 2025. Je vous ai choisi l'excellent "Apocalypse Earth" enregistré en 2021. Juste en face, il y a la Bretagne, terre de magie et de légendes où se cache DAM KAT, connue dans l'excellente formation aujourd'hui dissoute : "Children Of Paradise". Autrice, compositrice, claviériste, chanteuse, illustratrice, poétesse...Ne serait-elle pas la fameuse Dame Blanche ? En tout cas, il semblerait que la musique soit pour un temps mise de côté, notre artiste se concentrant sur les arts visuels et la poésie. Je vous invite d'ailleurs à visiter son site pour vous rendre compte de l'étendu de ses talents. Mais pour ce qui concerne la magie des notes, retour dans ce numéro sur son album solo "Alawn" sorti en 2017 et en attentant une hypothétique suite musicale, après tout ne sommes nous-pas encore en période de vœux ?        En parlant de légendes, l'une des formations mythique du rock progressif anglais, YES, publiait en 1980 son album "Drama". Opus atypique car, outre un changement important de personnel (1er départ de Jon Anderson et 2ème pour Rick Wakeman) et même si les fans se sont vite habitués à l'instabilité constante de ses membres, ici la nouvelle mouture intègre le duo de New Wave les "Buggles" (Trevor Horn et Geoff Downes). Contre toute attente, la sauce prend parfaitement et si Drama a des accents pop, les racines prog ne sont pas oubliées, pour preuve l'excellent extrait diffusé ici. Une formule que Yes ressortira en 2011 avec "Fly From Here" et surtout sa version réenregistrée en 2018 par Trevor Horn derrière le micro !  Plus contemporains et une découverte toute récente pour ce qui me concerne, le groupe finlandais MOVING STATES. Pas grand chose à dire car peu d'infos sur cette formation, mais comme mes cages à miel ont particulièrement apprécié leur son, j'avais envie de vous en faire profiter, avec un extrait de leur EP "Affections & Illusions Pt. 1" paru il y a quelques mois.   Autre belle découverte de 2025, le projet de David Foster, DAIDRUM, pour son second album sous cette entité. "All At Sea" aurait du paraître un an plus tôt mais retardé par un évènement personnel et familial traumatisant pour David, la perte de sa fille ainée...Beaucoup d'émotions à l'écoute de cet opus pour celui qui a choisi de porter comme nom d'artiste sur ce travail, le surnom de ses jeunes années de musiciens (batteur) au seins de formations galloises. Jetez vous à l'eau, superbe album !  En 1970, sortait le tout premier opus d'une formation anglaise, CURVED AIR,  devenue culte, dont le son est immédiatement identifié par la voix de sa chanteuse Sonja Kristina (mais il ne fait pas oublier les talents de violoniste de Darryl Way ! ). "Air conditioning" peut-être qualifié d'un "best of" dans le musée du rock progressif, mais un musée vivant puisque nos amis britanniques ont eu la chance de voir Sonja & Co sur scène à Londres il y a deux mois ! A quand un studio SUN à en Angleterre pour vous y présenter Amarok  ?! Nos voisins outre-Rhin ne sont pas en reste quand il s'agit de rock progressif et l'un de ses dignes représentants contemporains s'appelle Philipp Nespital qui en 2010 fondait à Berlin SMALLTAPE et dont le 4ème album "Tangram" est sorti il y  a quelques mois. Si vous savez apprécier les sons  à la "Steven Wilson", alors vous ne serez pas insensible au talent de son collègue germanique !  Retour en France et après la Bretagne, la région centre et les rives de notre Loire bien aimée mais quelques années en arrière ! Orléans au début des années 70 voit émerger un groupe au nom remarquable : MONA LISA, aidé par un certain Jean-Michel Brézovar, regretté guitariste de "Ange" qui va le prendre sous son aile (angélique bien sur ! ) et produire son premier album. Mais c'est un extrait de la 5ème et ultime galette que je vous ai mise au four : "Vers Demain", titre malheureusement vain car déjà le chanteur a quitté  le navire (le rôle est alors tenu par le batteur Francis Poulet) et Mona Lisa n'aura pas le destin de son cousin Ange, les années 80 ne laissant pas beaucoup de place au rock progressif et particulièrement en France..    Enfin, pour terminer le voyage de ce jeudi, direction la Suède avec Abba...euh pardon ANEKDOTEN ! Et si l'émission se termine par un groupe contemporain (et ici l'album "From Within" de 1999), il laisse malgré tout un parfum d'age d'or des 70's, avec notamment l'usage de mellotron, instrument très usité dans cet excellent groupe.  Thierry Joigny Chaque jeudi, à 20h Suivez Amarok sur Facebook également sur instagram  

Eine Folge, oder der einfach mal DANKE gesagt werden muss und außerdem gibt es noch viele dankbare Themen: Silvester 25, Dernière Gags, Dankbarkeit 2025, der doppelte Windsor Knoten, der Untergang der Costa Concordia, Fischwitze, die Augenentzündung, Antibiotikum, Schlaf, Westbam, Darts WM und Trevor Horn. Wir danken dir, fürs Hören! HIER KANNST DU UNS ÜBERALL HÖREN: https://linktr.ee/komischegespraeche HIER KANNST DU UNS AUF KAFFEE EINLADEN: https://ko-fi.com/komischegespraechepodcast HIER GEHT ES ZUR KOMISCHE MUSIKE PLAYLIST AUF SPOTIFY: https://tinyurl.com/komischeMusike

Text the showAsh is a drummer based in Norfolk. His credits include artists like Adele, Trevor Horn, Tori Amos and Robbie Williams.Amongst many other things we discussed finding Jazz early on, having Pino Palladino as a neighbour, and using instagram as a professional tool.I hope you enjoy our conversation as much as I did.(Recorded 4th December 2025)Support the showFollow me on Instagram - @nategrooveSubscribe to support the show - https://www.buzzsprout.com/2058148/supportAny questions or guest suggestions, please email nwinsessionwith@gmail.com

In this episode of Sync Music Matters, I'm joined by composer and music producer Simon Franglen for a fascinating conversation spanning pop production and film score. Simon reflects on his early career writing jingles and programming the Synclavier for Trevor Horn, an experience that placed him at the intersection of music and emerging technology. That foundation led to high-level session gigs working on music for artists including Michael Jackson, Whitney Houston, and Celine Dion – culminating in his role producing “My Heart Will Go On” for Titanic. His transition into film scoring began with Dances With Wolves, working alongside John Barry and then Alan Sylvestri and James Horner. Experience that shaped his approach to melody and storytelling. We discuss how those lessons continue to inform his work today. The conversation then turns to Simon's latest project, Avatar: Fire and Ash, where he recorded new themes and created original musical instruments to help define the film's sonic world. With a piano in the room, Simon plays excerpts from the score, offering rare insight into his creative process. Simon talks about the film's songs including “Dream as One” by Miley Cyrus and “The Future and The Past” sung by Zoë Saldaña and how they support the narrative. We also explore the decline of strong thematic composition in modern cinema and why Hollywood has shifted away from it. Finally, Simon offers his perspective on AI and the music industry, addressing both the risks and the enduring importance of human creativity. Listen to the Avatar: Fire and Ash Score on Spotify

Text the showNick is a guitarist based in London.His credits include artists like Trevor Horn, Alex James and Will Young.Amongst many other things we discussed diversification, being an introvert, and the power of a good mentor.I hope you enjoy our conversation as much as I did.(Recorded 11th November 2025)Support the showFollow me on Instagram - @nategrooveSubscribe to support the show - https://www.buzzsprout.com/2058148/supportAny questions or guest suggestions, please email nwinsessionwith@gmail.com

Découvrez comment Yes a réinventé son style avec Owner of a Lonely Heart, un virage pop-rock audacieux dans les années 80. Grâce à l'intervention des producteurs Trevor Horn et Trevor Rabin, le groupe britannique a su adapter son son progressif à un format radio tout en conservant son identité. Cet épisode vous plonge dans les coulisses de la création du morceau, entre riffs, compromis artistiques et paroles énigmatiques.À retenir :Transformation du son de Yes par Trevor Horn et Trevor Rabin.Adaptation au format radio sans renier l'ADN du groupe.Interprétation des paroles comme un hymne paradoxal à la solitude.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In a special celebratory 30th episode, Graham and Chris countdown their favourite 30 Pet Shop Boys songs - each a new excuse to fall down the usual rabbit holes of stories and memories! Girls Aloud, Tom Watkins, Dame Anna Neagle, Zelda Fitzgerald, Trevor Horn, TS Eliot and Kermit the Frog each make an appearance, and there's also time to reappraise those negative reviews of Behaviour, the collapse of the music industry and - you know you really want it - the actual secrets of sexual attraction. But first - the real challenge: agreeing a joint list!   Want to show your love for the Pet Shop Boys In Depth podcast?  Visit our new Crowdfunder - anything appreciated! Get your name mentioned in a future episode: https://gofund.me/cf16f4bc3 Check out our T-shirt store - all profits from our exclusive designs go towards supporting the podcast: https://in-depth.teemill.com And there's additional In Depth content on our social media channels: Facebook: http://tiny.cc/3jhcvz Bluesky: http://tiny.cc/jc7h001 X: http://tiny.cc/lc7h001

Prog plutôt "soft" rock dans ce numéro a écouter dans son plaid...coupable

Guests Paulee Alex Bow - Magical Synth Adventurer and vintage digital specialist Rich Hilton - Producer, engineer and keyboards for Chic Steve Hillier - Songwriter, DJ and Dubstar Tom Tebby - Superstar For preshow and Ad free version and much more: Patreon.com/sonicstate IZotope Ozone 12 Go beyond the limits of mastering with Ozone 12. Unlock the impossible with this complete suite of 20 pro modules, including 3 brand-new, best-in-class additions. Plus, make Master Assistant your own with a new customizable flow. With intelligent tech that guides, not decides, you're always in control. Native Instruments Modular Icons vintage modular synth sounds from iconic artists and instruments. Made in collaboration with the Bob Moog Foundation, more than 60% of each sale goes to them. Part of the Play Series: Great-sounding presets and real-time control. 00:00:08 SHOW START 00:02:16 AD:Patreon 00:12:19 SynTesla Giorgio III 00:24:21 AD:iZotope Ozone12 00:25:55 Under rated Drum Machines 00:36:01 GForce Software MAP 00:44:03 AD: NI Modular Icons 00:47:27 Krafwerk Vocoder Schneider Collection 00:58:16 Trevor Horn's SSL Where to Watch/Listen - We now stream the live show to Youtube Live, Twitch,  Facebook Live as well as at  Sonicstate.com/live every Weds at 4pm UK time- please do join in. Preshow available on Twitch.

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius After the emergence online of another Drama Tour video - with sound - by James Ferrani on YouTube, Mark and I took a careful look at his 2 videos from consecutive days on the 1980 Drama Tour that featured Buggles men Trevor Horn and Geoff Downes. There are at least 2 revelations contained in the videos that I don't believe any Yes fans except those who attended the concerts in North America have experienced in the intervening 45 years. I knew they had happened but seeing them is quite remarkable. Stay tuned for our discussion, watch the videos below and leave us a comment while you are here. What are the unique aspects of these videos? Was Chris Squire a bit 'under the weather'? Who looked more comfortable - Downes or Horn? See if you agree with us and then leave a comment below. https://youtu.be/SgWu1NIJjss?si=8MuF1WPc9GkhjqTr https://youtu.be/uIbcQTITKOc?si=qwByx3z5-La8Xt0F Steve Howe Press Release Fans will be happy to know that to follow up the release of ‘Portraits Of Bob Dylan' on 12th September, Steve Howe will issue ‘Signals Crossed', an E.P including three previously unreleased interpretations of Bob Dylan songs. It will feature ‘I Want You', ‘One Too Many Mornings' and ‘Mama, You`ve Been On My Mind'. It will include appearances by Geoff Downes, Dylan Howe, Stephanie Sounds and Paul K Joyce. The EP will be available as a white vinyl 10” – one sided and mirror backed – limited to 500 copies worldwide.   It will also be available as a download.   It will be released on 5th December 2025.   You can pre-order the vinyl here:  https://lnk.to/joLdy9 Steve Howe: “I recorded 'I Want You' before starting the released ‘Portraits Of Bob Dylan' tracks, then I recorded two alternative versions of songs from the album in different styles. This version of 'One Too Many Mornings' wasn't in the right key for Phoebe Snow, who sang beautifully to an acoustic version on the released album. This version gives it an electric setting, taking a little from Bob's 'Hard Rain' version. I sang ‘Mama, You've Been On My Mind' on the original release, slow and a little mournful but here has a more upbeat and optimistic flavour.  With the vocal harmonies and Dylan's drumming, these tracks retain the mood of what I wanted to explore in 2000, songs about getting your Signals Crossed”  Track Listing: 1.    I Want You 2.    One Too Many Mornings 3.    Mama, You've Been On My Mind. Steve Howe: “What I loved about it was having the chance to arrange them as I wasn't going to copy what Dylan had done; I wanted to bring a little bit more to it.”  Steve Howe:  “The ‘Portraits' idea was always a sort of pipe dream, and I originally
recorded one song to start the project, and I thought, this will be good, I'll do lots of Bob” Preorder the Barry Plummer 2026 Calendar! EXECUTIVE PRODUCER VERSION SOLD OUT STANDARD VERSION For illustration only - final cover will vary Yes - The Tormato Story & Tales from Topographic Oceans - Yes Album Listening Guide Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyThomas DeVriesJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie ...

Don't sleep on 'Drama' from 1980 by Yes! Author Preston Frazier shares why this album, featuring Trevor Horn on vocals, is his favorite despite Jon Anderson's absence. Give it a listen and discover a hidden gem in the Yes discography. Listen to Episode 324: The Other Side Of Yes: Exploring The Music Without Jon Anderson15% OFF Any Purchase At Old Glory For Booked On Rock Listeners! — Over 300,000 officially licensed items. Featuring legendary music artists like Bob Marley, The Beatles,Grateful Dead, and more. Use the code "BOOKEDONROCK" or hit this link:https://oldglory.com/discount/BOOKEDONROCK---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked O

Si hi ha un productor que exemplifica com cap altre la sonoritat ampul

Janvier – DeBarge : Rhythm Of the NightIssus d'une véritable saga familiale, les DeBarge passent du funk/soul de Switch à une pop FM plus large voulue par Motown. Composée par Diane Warren, cette chanson caribéenne devient leur plus gros hit, accompagnée d'un clip marquant et une présencce dans la B.O. du film The Last Dragon.Février – Jesse Johnson : Be Your ManAncien guitariste de The Time, proche de Prince mais souvent éclipsé par lui, Jesse Johnson lance sa carrière solo chez A&M. Son premier album révèle un guitariste brillant, héritier assumé de Hendrix et acteur clé du Minneapolis Sound.Mars – Steve Arrington : Feel So RealEx-membre de Slave, Arrington brille en solo avec ce tube soulful et jazzy où apparaît Freddie Hubbard à la trompette. Gros succès international, il sera son chant du cygne avant son virage spirituel et son retrait de la scène musicale.Avril – Freddie Jackson : Rock Me Tonight (For Old Times Sake)Dès son premier album, Freddie Jackson détrône Luther Vandross au sommet du R&B. Avec ce slow jam produit par Paul Lawrence et Barry Eastmond, il s'impose comme l'un des crooners emblématiques de l'ère quiet storm.Mai – Rick James : GlowDernier grand éclat de Rick James, ce single funky et théâtral met en scène son auto-dérision dans un clip culte. Entre grooves puissants et ballades samplées par le hip-hop, il reste un jalon marquant de sa carrière chez Motown.Juin – Aretha Franklin : Freeway Of LoveRelancée par Narada Michael Walden, Aretha Franklin signe un triomphe pop avec ce tube énergique, porté par le sax de Clarence Clemons. L'album Who's Zoomin' Who? lui offre un disque de platine et plusieurs hits mondiaux.Juillet – Ready For The World : Oh SheilaOriginaire du Michigan, RFTW connaît un succès fulgurant avec ce premier album inspiré par Prince et le son de Minneapolis. Leur tube Oh Sheila atteint la première place des classements R&B, dance et pop US, un sommet qu'ils ne retrouveront jamais.Août – Colonel Abrams : TrappedChanteur de Detroit installé à New York, Colonel Abrams marque la transition entre funk/disco et house music. Son titre Trapped devient un classique dance, annonciateur de la vague House à venir.Septembre – Full Force : Alice, I Want You Just For Me !Véritables pionniers du son new jack swing avant Teddy Riley, Full Force combinent funk, hip-hop et soul avec audace. Ce single, extrait de leur premier album, illustre leur créativité explosive, aussi bien en tant qu'artistes que producteurs.Octobre – Grace Jones : Slave To The RhythmProduit par Trevor Horn, ce titre conceptuel mêlant funk, new wave et orchestration luxuriante devient un hit international. Le clip, monté à partir des pubs de Jean-Paul Goude, contribue à renforcer l'aura iconique de Grace Jones.Novembre – Sheila E. : A Love BizarreExtrait de son deuxième album Romance 1600, ce single co-écrit avec Prince s'impose comme un classique Minneapolis Sound. Le clip, lié au film Krush Groove, immortalise l'énergie de Sheila E. et son rôle central dans l'univers des productions Paisley Park.Décembre – James Brown : Living in AmericaRevenu en force grâce à la BO de Rocky IV, James Brown livre un hymne patriotique produit par Dan Hartman. Avec ce tube où l'on trouve Stevie Ray Vaughan à la guitare, il décroche un Grammy et un ultime succès international.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Although only a minor hit in the U.S., "Video Killed the Radio Star" topped the charts in a number of countries, and Buggles' 1979 The Age of Plastic became a hit in many countries. It was popular enough that Trevor Horn and Geoff Downes, the two main members of the band, were asked to join Yes for their Drama album in 1980. When Yes broke up the plan was to make another Buggles album, only Downes got recruited into Asia. Horn went ahead anyway, using demos and new songs, to create the second, and last album by the band.  Donate to the podcast through Patreon... https://www.patreon.com/ericwincentsen728 Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Send us a text In this episode, we dive into Drama (1980), one of the most surprising and divisive albums in the Yes catalog. With Jon Anderson and Rick Wakeman gone, the band recruited Trevor Horn and Geoff Downes of The Buggles, reshaping the group's sound for a new decade. We explore the bold risks Yes took during this turbulent lineup shift, the mix of progressive rock tradition with fresh new wave energy, and the album's long-lasting legacy among fans. From the thunderous opener “Machine Messiah” to the radio-friendly “Into the Lens,” we break down what makes Drama a fascinating turning point in Yes's history. Support the showBrowse the 33/24 Archives: Check out the backroom! Follow us: Instagram Facebook Watch us on YouTube!

W/C 4th August 2025I had no idea that Trevor Horn had so much to do with this song. I have always really liked it, but it was only when the TH band played it last night at the Cropredy gig did I put two and two together. TBH even then he had to kind of say it out loud for the penny to drop.Anyway I think it's a banger and worthy of a break in the day to have a listen...the kids were really getting into, I wonder if it has had a second life on TikTok.In other news apols for this being a bit late, I had recorded it in time but my host has been distracting me with stories of village life and clips of Rollie Birkin.Stay safe.All The Things She Said - t.A.T.uTherapy For Me (or TFM as I now refer to it) is a bit of an audio curiosity. It started out as a mechanism for me to clear my head, with the hope that by saying stuff out loud it would act as a little bit of self-help. It's remains loose in style, fluid in terms of content and raw - it's a one take, press record and see what happens, affair.If you want to keep in touch with TFM and the other stuff I do then please follow me on Facebook, Insta, Twitter or Patreon. Thanks for getting this far.

Most casual Yes fans aren't familiar with their 1980 release Drama. After 8 years of gold and platinum releases, Drama failed to sell as well as its 70s prog counterparts like Close To The Edge or Fragile. When they went to the south of France to record in late 1979, it was the most celebrated Yes lineup of Jon Anderson (vocals), Chris Squire (Bass), Steve Howe (guitars), Rick Wakeman (keyboards) and Alan White (drums), Coming off two solid efforts in Going For The One and Tormato, there was strong interest in the band, especially in America where they'd prebooked a tour including 3 sold out shows at Madison Square Garden. However, factions took over and cracks were exposed in the harmony of the band. Howe, White and Squire would come later and bring producer Roy Thomas Baker with them. Those four would dismiss the airy and ethereal efforts of Wakeman and Anderson in favor of their own heavy and proggy riffs. After Alan White injured himself roller skating with Richard Branson (as one does), the retreated back to England but Anderson and Wakeman had had enough and they left the band. Under the same management of Brian Lane and using the same studios were The Buggles, Geoff Downes (Keyboards) and Trevor Horn (vocals) vehicle for their worldwide hit Video Killed The Radio Star. Chris Squire invited them in to help write some songs but really, he wanted them in the band. Though Trevor Horn was reluctant to try to replicate Jon Anderson's high pitched vocals, they eventually joined and recorded Drama. Critics said it sounded remarkably like Yes, maybe more than they expected. But while Trevor's vocals aren't an exact match of Anderson's, they do hit that high register and the work by the musicians of Yes is off the charts strong. Tempus Fugit is a quintessential Yes song and Run Through The Light gives Trevor something closer to his own range while Geoff modernizes Yes' sound. Many Yes fans decided that no Anderson and No Wakeman meant No Thanks. But Drama has aged well and even the Roger Dean cover, which was never a big favorite of The Wolf compared to most all he did with Yes and Asia, is something that grows on you. This is a hidden gem in the Yes catalog, one that The Wolf includes among his favorite Yes albums. Give it a chance, see if you agree. * And if you can get the 2004 remaster do so - it sounds great and has lots of bonus tracks including some from the Anderson/Wakeman sessions. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Poor old Johnnie Ray.Actually, I wonder what the heart wrenching vocal superstar of the fifties made of his starring role in the biggest selling single of 1982, thirty years after his own chart topping run? Did anyone ever ask how he felt watching the footage of his younger self in the video for Come On Eileen intertwined with Kevin's dungaree festooned Emerald Express on a London street corner. Perhaps, as he was famous for doing, he cried. I hope Mr Rowland at least sent him a thank you note.So, welcome back to 1982!Were you there in those now gone days of pop perfection? Did you dance in the ra-ra skirt to Duran Duran at the school disco? Did you shed a tear as The Jam called it a day on the new Channel Four pop weekly The Tube, even though Paul knew well(er) what the next chapter held for his newly formed council. Or perhaps the Smash Hits of over forty years ago exist for you in playlists and radio schedules discovered since. Either way, the NOW Yearbook (and Extra volume) welcomes you with a neon smile to bring together over 140 hits, memories, misses and otherwise that sum up a stellar twelve months of pop. And as 1981's steely electronic winter defrosted, a new pop was emerging. Duran, Spandau, Culture, Club, Wham!, Haircut 100 and a dazzling cast of many more were turning the colour back up on their (three channel) TV sets. Whilst the technology that gloriously gave us the new romantic sounds of 1981 was still driving the decade forward, suddenly we were taking ourselves, well, a bit less seriously. Pop was fun again as seen in the ever evolving, cheerleading extravaganza that was Top of The Pops. The charts were indeed alive to the possibilities of much more. Trevor Horn's hit production machine was digitising our delights with the sounds of ABC, Dollar and even the Appalachian hip-hop of Malcolm McLaren's Buffalo Gals. Seventies survivors such as Hot Chocolate, Roxy Music, ABBA, Marvin Gaye and others were upping their game and embracing - gasp - synthesisers! And you know what, it was sounding and looking (thanks to glossy videos) AMAZING.And across the pond in the US of A? Well, we were importing them our own brand of fabulous pop and they were sending us ROCK in the form of Steve Miller, Survivor and J Geils - but even that was, well, shiny and new. What was indeed going on?To quote Smash Hits (snip!) editor David Hepworth, there were, he said, “no patterns” to pop in 1982. Join chief editor of electrictyclub.co.uk Chi Ming Lai and author of 1984: The Year Pop Went Queer Ian Wade as we dive back into a fascinating twelve months of pop as chronicled in the NOW Yearbook 1982. Amongst many other things, discover which star(s) were upsetting the Musician's Union, find out more about the language of Smash Hits and how we need it more than ever, why old was the new New, learn about the NEXT BIG genre that you need in your life (Elegant Futurism!), why Germany was giving us EVERYTHING, and discover what Haysi Fantaysee were really up to on TOTP (if you dare!).The 1982 Yearbook - Hi Fidelity indeed! Hosted on Acast. See acast.com/privacy for more information.

Most casual Yes fans aren't familiar with their 1980 release Drama. After 8 years of gold and platinum releases, Drama failed to sell as well as its 70s prog counterparts like Close To The Edge or Fragile. When they went to the south of France to record in late 1979, it was the most celebrated Yes lineup of Jon Anderson (vocals), Chris Squire (Bass), Steve Howe (guitars), Rick Wakeman (keyboards) and Alan White (drums), Coming off two solid efforts in Going For The One and Tormato, there was strong interest in the band, especially in America where they'd prebooked a tour including 3 sold out shows at Madison Square Garden. However, factions took over and cracks were exposed in the harmony of the band. Howe, White and Squire would come later and bring producer Roy Thomas Baker with them. Those four would dismiss the airy and ethereal efforts of Wakeman and Anderson in favor of their own heavy and proggy riffs. After Alan White injured himself roller skating with Richard Branson (as one does), the retreated back to England but Anderson and Wakeman had had enough and they left the band. Under the same management of Brian Lane and using the same studios were The Buggles, Geoff Downes (Keyboards) and Trevor Horn (vocals) vehicle for their worldwide hit Video Killed The Radio Star. Chris Squire invited them in to help write some songs but really, he wanted them in the band. Though Trevor Horn was reluctant to try to replicate Jon Anderson's high pitched vocals, they eventually joined and recorded Drama. Critics said it sounded remarkably like Yes, maybe more than they expected. But while Trevor's vocals aren't an exact match of Anderson's, they do hit that high register and the work by the musicians of Yes is off the charts strong. Tempus Fugit is a quintessential Yes song and Run Through The Light gives Trevor something closer to his own range while Geoff modernizes Yes' sound. Many Yes fans decided that no Anderson and No Wakeman meant No Thanks. But Drama has aged well and even the Roger Dean cover, which was never a big favorite of The Wolf compared to most all he did with Yes and Asia, is something that grows on you. This is a hidden gem in the Yes catalog, one that The Wolf includes among his favorite Yes albums. Give it a chance, see if you agree. * And if you can get the 2004 remaster do so - it sounds great and has lots of bonus tracks including some from the Anderson/Wakeman sessions. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius This week, Mark and I returned to the show to talk about the Yes classic album, 90125 from 1983. It is clearly, we believe, a great album but what makes it a great Yes album? It wasn't originally going to be a Yes album at all and only became one at the last possible moment when Jon Anderson arrived on the scene. The band Cinema, consisting of Tony Kaye, Alan White, Trevor Rabin and Chris Squire had basically finished the record with Trevor Horn but, as you can read in full detail in Stephen Lambe's excellent book about the album, there were several reasons that band was ultimately replaced by the name and the aura of Yes. What do you think Mark and I came up with for our 6 reasons and would you have chosen the same features? Let us know in the show notes for this week's episode. Is this a real Yes album? What makes it great? Who makes it great? My 90125 and 9012Live collection 90125 Singles https://youtube.com/playlist?list=OLAK5uy_nW0C1j_RpvQypX6RHJzN_zSxeDZ7ilOQA&si=UD2mb8Bxeqq6bHl4 Yes - The Tormato Story & Tales from Topographic Oceans - Yes Album Listening Guide Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron!

We celebrate four years of Yesshift! You'll hear them zoom through multiple topics: reminiscing about the podcast, giving a nod to the late percussionist Luis Jardim (who worked with Trevor Horn), our copies of Prog Magazine 160 (the one honoring Chris Squire), Yes' 2000 Masterworks Tour, the CD and DVD contents of Yes - The Early Broadcasts, Rick Wakeman's comments on the Rock & Roll Hall of Fame Induction back in 2017, a little bit about Ozzy Osbourne's farewell concert where Adam Wakeman performed, clarification on reports of new King Crimson material, and what reviews and interviews you can expect next from this podcast!

On the 147th of The Keep Grinding Podcast, I am joined by sports journalist Trevor Horn. We're talking about his first Wrestlemania experience and everything that happened in Vegas during his voyage. Wrestling fans this is a must watch and listen! SUBSCRIBE TODAY! Follow on Instagram: instagram.com/keepgrindingpodcastApple Podcasts: https://podcasts.apple.com/us/podcast/keep-grinding-the-podcast/id1454842213Spotify: https://open.spotify.com/show/1oEJKJbSSRpbo7XQhyOF9X?si=d6PNHQLBRNSMyYNWZWy96QWebsite: https://www.bookec3.com/keepgrindingthepodcast

Episode 169 Chapter 28, Moog Analog Synthesizers, Part 2. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 28, Moog Analog Synthesizers, Part 2 from my book Electronic and Experimental music.   Playlist: CLASSIC SYNTHESIZER ROCK— FROM TAPE COMPOSITION TO SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     The Beatles, “Tomorrow Never Knows” (1966). Tape loops and Lennon's voice fed through the rotating Leslie speaker of a Hammond organ. 02:57 01:42 2.     Spooky Tooth and Pierre Henry, “Have Mercy” (1969). Featured tape composition by the French composer of musique concrète as part of a collaborative rock opera. 07:55 04:40 3.     Emerson, Lake, & Palmer, “Lucky Man” (1971). Featured the Moog Modular played by Keith Emerson; one of the first rock hits in which a Moog was the featured solo instrument. 04:39 12:34 4.     Yes, “Roundabout” (1971). Featured the Minimoog, Mellotron, Hammond Organ and other electronic keyboards played by Rick Wakeman. 08:33 17:10 5.     Elton John, “Funeral for a Friend/Love Lies Bleeding” (1973). Featured the ARP 2600 played by Dave Henschel. 11:10 25:42 6.     David Bowie, “Speed of Light” (1977). Produced by Brian Eno. Used an EMS AKS synthesizer and Eventide H910 harmonizer for the electronic effects and sounds. 02:47 36:46 7.     Gary Wright, “Touch and Gone” (1977).  Used Polymoog, Clavinet, Oberheim, and Fender-Rhodes electronic keyboards. 03:58 39:32 8.     Gary Numan, “Cars” (1979).  Early synth-rock success using electronic keyboards without guitar. Multiple Polymoog synthesizers. 03:52 43:28 9.     The Art of Noise, “(Who's Afraid Of?) The Art of Noise” (1984). Art rock devised by Anne Dudley and Trevor Horn exploring the sampling capabilities of the Fairlight CMI. 04:23 47:20 10.   Grace Jones, “Slave to the Rhythm” (1985). Featured the Synclavier programmed and played by Trevor Horn. 09:39 51:43   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Dive into the world of film scoring and production with Simon Franglen, acclaimed composer known for his work on Titanic and Avatar, in this milestone 100th episode!

This Yesshift News Desk Edition begins with an acknowledgement of Oliver Wakeman's Birthday, new work he's alluded to, and an article about his time with Yes. There's also a unique project Adam Wakeman has taken part in, press interviews with Bill Bruford and Steve Howe (separately) containing interesting info, an upcoming Trevor Horn conversation tour, and more.

Tomorrow's episode features singer, songwriter, and record producer Bruce Woolley. He wrote songs with artists such as the Buggles and Grace Jones, including "Video Killed the Radio Star" and "Slave to the Rhythm", and co-founded the Radio Science Orchestra. His original band project was Bruce Woolley and the Camera Club, and the famous album ‘An English Garden' has recently been reissued as a boxed set. Over the years he has worked regularly with Trevor Horn and Thomas Dolby and later formed a band called The Radio Science Orchestra. Amongst many other collaborations, he has spent time with Andy Warhol, Timothy Leary and Keith Haring Ladies and gentlemen, meet Bruce Woolley... If you can, please support the Electronically Yours podcast via my Patron: patreon.com/electronicallyours

Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller Mark was back this week and we welcomed YMP listener and Patron Jon Pickles onto the show to talk about the time he was a 'tea boy' at Trident Studios in London. You'll need to listen to the interview to hear all about it but Trident was the world-renowned studio where, amongst unnumbered highlights of rock music, Yes recorded overdubs for their first album, Queen recorded their first two albums and The Beatles recorded Let It Be and other seminal songs. Listen out for stories about Rick Wakeman, Bill Bruford, Trevor Horn and many more! A screenshot from the video below showing Trident Studios - note the control room above and the Bechstein Grand piano used by Rick Wakeman, Paul McCartney etc. What did Jon have to do as a 'tea boy'? Who did he meet and work with? What was it like being in Soho in those days? Let us know if you agree with us! Yes fans outside Trident Studios during Dave Watkinson's Yes 50th Anniversary Convention in 2018 https://youtu.be/c3OHmZ-5HQM?si=HcYFzRfl0b-wynRr https://youtu.be/rBX2n5HqQeg?si=YgquYin7Bvr22HRH I MADE IT TO ANTHEM 52! MY Other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts.

We talk about recent Christmas releases (Trevor Horn's 40th anniversary mix of Band Aid's "Do They Know It's Christmas" available at https://bandaid.lnk.to/BA40 Steve Howe's "12 Guitars of Christmas" available with lyrics at https://yesworld.com/ and John Lodge's Christmas single "Love Will Conquer All.") Then we'll do a 2024 year in review, recapping Yes and Yes member-related events and releases of the past year, and then look over the horizon to what we have to look forward to in 2025. --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

Stuart Bruce in conversation with David Eastaugh Stuart Robert Bruce is an English recording engineer. He was the engineer for the recording of the Band Aid's charity single "Do They Know It's Christmas?" on 25 November 1984. Bruce started his career at Trevor Horn's Sarm West Studios. When Horn offered Bob Geldof and Midge Ure the studio free of charge for 24 hours to record the charity single, but was unavailable to produce it, Bruce was approached to engineer and mix what became one of the biggest selling singles ever. With many of the most famous artists of the time participating, and seven film crews in attendance, he worked straight through that day and night. The reputation Bruce gained of being able to get a track down in difficult circumstances later led to him being chosen to engineer the Guitar Trio album by Al Di Meola, Paco de Lucía and John McLaughlin.

Today's episode of Electronically Yours features two of Martyn's oldest friends – Michael Mertens and Ralf Dorper from Propaganda, famous for a string of '80s hits that include “Dr. Mabuse,” “Duel,” and “p:Machinery.” And their alliance with producer Trevor Horn. The classic lineup split in 1987 amid legal disputes with their label ZTT.   At last they have some excellent new material, featuring a new lead singer, Thunder Bae!   Ladies and gentlemen, meet the enduring talent of Propaganda. If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours

A great guy, a wonderful chat and a borderline genius of the keyboard, Andy Richards played on seven number ones of the 80s and loads more hits besides (as I attempt to define throughout the conversation). 1. THE EARLY YEARS (PRE-1980-83)Andy's background in music culminating in him reaching the studio,And how working on jingles set him up for 80s chart success (cf Relax).2. FRANKIE GOES TO HOLLYWOOD (1983-86)Andy sprinkles his magic synth-dust all over Relax for Trevor Horn as well as working on Two Tribes and the Welcome to the Pleasure Dome LP.Also discussed is the contrast with working on the follow-up, Liverpool.Rage Hard!3. TREVOR HORN (1983-86)As well as Frankie, Andy worked on other Trevor Horn projects such asDuck Rock, the massively influential Propaganda LP, A Secret Wish plusthe trifecta of 1985 pop perfection singles; Duel, Cry and Slave To The Rhythm.4. PETER COLLINS (1983-89)Another producer Andy cultivated a long working relationship with in the 80s wasthe late Peter Collins. From the pop of Nik Kershaw to the rawk of Rush andGary Moore.EITHER/ORNew feature (any excuse for another QFR). Andy's 80s choices. Duran or Wham was a bit of a no brainer (unless he secretly worked on The Reflex as well)more on Andy at andyrichards.comTo help support the pod, donations gratefully received via PayPal at80sography@gmail.comSend us a text

Welcome to Live From Progzilla Towers Edition 534. In this edition we heard music by Billy Joel, XTC, Deposed King, Big Big Train, Be-Bop Deluxe, Adrian Belew, Elbicho, Nine Inch Nails, Trevor Horn, Genesis, Tony Levin, Marillion, Emily Francis Trio, Nataraja, Cathedral, Public Service Broadcasting, Enfant, Spirits Burning, Tim Bowness, Landmarq & Ebony Buckle.

Producer/Engineer/Mixer Danton Supple has been at the forefront of big music by big artists since he first broke into the business in the 80s. U2, Coldplay, Pet Shop Boys, Morrissey and more are prominently on his CV. In this conversation we cover all of those as well as Elbow, Doves, Starsailor (which included Phil Spector's last project), Spandau Ballet and his work with past guests Clive Langer, Steve Lillywhite, Trevor Horn, Julian Mendelsohn and tons more. His stories are gold and almost as great as his talents. Enjoy!  www.dantonsupple.com  www.patreon.com/thehustlepod

Responsible for so much of the great music we heard in the 80s, 90s and more recent, Trevor Horn is turning 75, and is so so worthy of another Cover Story. So let’s hear some more covers of and by Trevor Horn! (74 minutes)

Gary Kemp and Guy Pratt continue their UK tour this week with Nick Mason's Saucerful of Secrets – but found time to spend even more time together to record a special episode where they chat about working with some of the best producers in the industry. It's a fascinating insight into the behind-the-scenes recording process for bands like Pink Floyd and Spandau Ballet and the most amazing story about Michael Jackson that you have to hear to believe!Plus, we dive into the Rockonteurs archive to listen to some of those producers whose names are as big as the artists they work with. We hear from Steve Lillywhite, Bob Ezrin, Hugh Padgham and Trevor Horn in a ‘Best of the Producers' episode. Instagram: @rockonteurs @guyprattofficial @garyjkemp @saucerfulofsecretsofficial @trevorhornmusic @sillywhite @bobezrin @hughpadghamofficial @gimmesugarproductions YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursProduced by @thisBenJones for Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

In 1985 the German group Propaganda managed their one perfect album, A Secret Wish. Released on Trevor Horn's ZTT label (he was also the Executive Producer), this synth pop classic featured hits like "Duel" and "Dr. Mabuse" which haven't aged a day. Though it was an achievement, it created friction within the group (as well as financial and interpersonal issues), causing the frontwomen, Susanne and Claudia, to leave the band before the follow up was recorded. Other bands were created and solo careers were attempted until 2022 when the two paired up with producer Stephen Lipson as xPropaganda and released the incredible comeback album, The Heart is Strange. This week Susanne and Claudia join us to discuss the entire ride and what they're up to now. It's rare we get to hear from one of them, let alone both!  www.xpropaganda.co.uk www.patreon.com/thehustlepod