Podcast appearances and mentions of Trevor Horn

On the 147th of The Keep Grinding Podcast, I am joined by sports journalist Trevor Horn. We're talking about his first Wrestlemania experience and everything that happened in Vegas during his voyage. Wrestling fans this is a must watch and listen! SUBSCRIBE TODAY! Follow on Instagram: instagram.com/keepgrindingpodcastApple Podcasts: https://podcasts.apple.com/us/podcast/keep-grinding-the-podcast/id1454842213Spotify: https://open.spotify.com/show/1oEJKJbSSRpbo7XQhyOF9X?si=d6PNHQLBRNSMyYNWZWy96QWebsite: https://www.bookec3.com/keepgrindingthepodcast

Episode 169 Chapter 28, Moog Analog Synthesizers, Part 2. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 28, Moog Analog Synthesizers, Part 2 from my book Electronic and Experimental music.   Playlist: CLASSIC SYNTHESIZER ROCK— FROM TAPE COMPOSITION TO SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     The Beatles, “Tomorrow Never Knows” (1966). Tape loops and Lennon's voice fed through the rotating Leslie speaker of a Hammond organ. 02:57 01:42 2.     Spooky Tooth and Pierre Henry, “Have Mercy” (1969). Featured tape composition by the French composer of musique concrète as part of a collaborative rock opera. 07:55 04:40 3.     Emerson, Lake, & Palmer, “Lucky Man” (1971). Featured the Moog Modular played by Keith Emerson; one of the first rock hits in which a Moog was the featured solo instrument. 04:39 12:34 4.     Yes, “Roundabout” (1971). Featured the Minimoog, Mellotron, Hammond Organ and other electronic keyboards played by Rick Wakeman. 08:33 17:10 5.     Elton John, “Funeral for a Friend/Love Lies Bleeding” (1973). Featured the ARP 2600 played by Dave Henschel. 11:10 25:42 6.     David Bowie, “Speed of Light” (1977). Produced by Brian Eno. Used an EMS AKS synthesizer and Eventide H910 harmonizer for the electronic effects and sounds. 02:47 36:46 7.     Gary Wright, “Touch and Gone” (1977).  Used Polymoog, Clavinet, Oberheim, and Fender-Rhodes electronic keyboards. 03:58 39:32 8.     Gary Numan, “Cars” (1979).  Early synth-rock success using electronic keyboards without guitar. Multiple Polymoog synthesizers. 03:52 43:28 9.     The Art of Noise, “(Who's Afraid Of?) The Art of Noise” (1984). Art rock devised by Anne Dudley and Trevor Horn exploring the sampling capabilities of the Fairlight CMI. 04:23 47:20 10.   Grace Jones, “Slave to the Rhythm” (1985). Featured the Synclavier programmed and played by Trevor Horn. 09:39 51:43   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

En el programa de hoy, repasamos la trayectoria de uno de los grupos clave dentro de la electrónica de los 80: ART OF NOISE. Creados por el gran productor Trevor Horn, lograron tener un sonido tan adelantado a su tiempo como característico, elevando el sampling a la categoría de arte. Vamos a repasar su fascinante discografía a través de sus singles, maxisingles, Ep´s, remezclas, álbumes, bandas sonoras y colaboraciones con otros artistas.

Dive into the world of film scoring and production with Simon Franglen, acclaimed composer known for his work on Titanic and Avatar, in this milestone 100th episode!

The CAT Club presents a classic vinyl album:GRACE JONES – SLAVE TO THE RHYTHMwith special guestBRUCE WOOLLEYBruce Woolley co-wrote all the songs on Grace Jones' classic album from 1985, 'Slave To The Rhythm' and he plays guitar, bass and keyboards on the album, as well as singing background vocals.His band, Bruce Woolley & The Camera Club, recorded 'Video Killed The Radio Star' first, a song Woolley co-wrote with Trevor Horn and Geoff Downes.Woolley's songs have been recorded by Cher, Erasure, Tori Amos, John Farnham, Donna Summer, Tom Jones, Shirley Bassey and Dusty Springfield.He is also the co-founder of The Radio Science Orchestra that composes for major films, television and radio. Bruce Woolley has worked with Brian Eno, Sly & Robbie, Nile Rodgers, Thomas Dolby and many others.With JASON BARNARD was in the interviewer's chair opposite the delightful Mr Bruce Woolley and a splendid time was had by all.This event took place on 27th February 2025 in the Pigeon Loft at The Robin Hood, Pontefract, West Yorkshire.To find out more about the CAT Club please visit: www.thecatclub.co.ukThis podcast has been edited for content and for copyright reasons.Happy Trails.

Extrait : « … Après avoir attiré l'attention des fondateurs de ZTT, Trevor Horn et Paul Morley, ils signent pour le label et sortent un premier album, A Secret Wish, en 1985, Le disque rencontre un succès critique et commercial modéré, mais il devient rapidement une référence dans le monde de la synthpop. Bien que Propaganda n'aie plus jamais retrouvé l'élan de ses débuts malgré plusieurs tentatives de reformation, A secret wish a acquis un statut d'album culte, et continue d'influencer de nombreux artistes à travers les décennies … »Pour commenter les épisodes, tu peux le faire sur ton appli de podcasts habituelle, c'est toujours bon pour l'audience. Mais également sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde.Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Secondo appuntamento dedicato ad alcuni dei produttori del cuore di Manuel, da George Martin a Trevor Horn passando per Nile Rodgers e Danger Mouse.Playlist:The Beatles - "A Day In The Life"David Bowie - "China Girl"PJ Harvey - "Rid Of Me"The Good, The Bad And The Queen - "The Good, The Bad And The Queen"Grace Jones - "Slave To The Rhythm"

This Yesshift News Desk Edition begins with an acknowledgement of Oliver Wakeman's Birthday, new work he's alluded to, and an article about his time with Yes. There's also a unique project Adam Wakeman has taken part in, press interviews with Bill Bruford and Steve Howe (separately) containing interesting info, an upcoming Trevor Horn conversation tour, and more.

En 1984, le Townhouse, studio londonien créé par Richard Branson, le patron de Virgin, a transformé le quartier de Shepherd's Bush en endroit branché tant on croise tous ceux qui hantent le Top 40. Pas étonnant que parmi les Simple Minds, Elton John ou Bryan Ferry, Phil Collins y ait pris ses quartiers pour enregistrer ce qui sera déjà son troisième album solo. Le téléphone sonne. Qui le demande ? Bob Geldof. Le chanteur des Boomtown Rats, un groupe new wave de la première heure mais dont l'heure de gloire semble déjà passée. Que lui veut-il ? Encore un qui veut se faire produire par Phil Collins ? Passe-le moi !Vous l'avez compris, les deux hommes ne se connaissent pas et pourtant, Geldof va direct au but : Tu as vu les infos à la BBC ?Non, là, je suis dans les bois. Une expression de Quincy Jones pour dire que quand on est en studio, on est hors du monde. Et là, Geldof de lui raconter le reportage qu'il a vu la veille à la BBC avec ces gens qui meurent de faim en Ethiopie et ce médecin obligé de décider qui va vivre ou pas, car ils n'a pas reçu assez de nourriture des associations.J'ai décidé avec ma femme, une animatrice télé très populaire, de faire quelque chose. On ne peut pas attendre. J'ai besoin d'un batteur très connu alors j'ai pensé immédiatement à toi.Pour faire quoi ?Quelques jours plus tard, le 25 novembre, Phil se retrouve un dimanche au Sarm Studios, qu'il ne connaît que trop bien, y ayant enregistré trois albums avec Genesis du temps de Peter Gabriel. Un autre studio de Richard Branson mais racheté par Trevor Horn, le leader des Buggles, il est devenu le repère de la scène pop des années 80. On le devine, entouré des jeunes Spandau Ballet, Culture Club et autres Bananarama, Phil Collins a l'impression d'être dans les pages d'un magazine teenager comme le Smash Hits. D'autant plus qu'il les voit défiler, chanter toute la journée en attendant que ce soit son tour de jouer. Et quand vient le moment, ils sont tous là à le regarder, derrière sa batterie, quand Midge Ure d'Ultravox, le producteur, lui dit, tu commences ici et tu fais ce que tu veux ! Ah bon ? Top, vas-y !Et Phil, le casque sur les oreilles, improvise sa piste de batterie. Il n'en mène pas large, évidemment. Mais quand le morceau s'arrête, il entend Midge crier un grand Impeccable ! Tout le monde l'applaudit. T'es sûr ? J'ai envie de la refaire. Non, pas besoin, il est tard. Et voilà, one take comme Frank Sinatra. Phil Collins fait alors la connaissance de Bono et parle un peu avec Sting à qui il propose de venir faire les chœurs sur son prochain album No jacket Required. Ainsi Sting lui proposera-t-il de faire un duo au Live Aid qui deviendra mythique : Genesis et The Police, deux univers si lointains et pourtant. La boucle est bouclée, Phil Collins est vraiment l'incarnation de ces années de renouvellement que furent les années 80, il est, comme dans le clip de cette chanson, le roi du monde. Avec humour, bien sûr, regardez-le jusqu'à la fin.

Trevor Horn

Tomorrow's episode features singer, songwriter, and record producer Bruce Woolley. He wrote songs with artists such as the Buggles and Grace Jones, including "Video Killed the Radio Star" and "Slave to the Rhythm", and co-founded the Radio Science Orchestra. His original band project was Bruce Woolley and the Camera Club, and the famous album ‘An English Garden' has recently been reissued as a boxed set. Over the years he has worked regularly with Trevor Horn and Thomas Dolby and later formed a band called The Radio Science Orchestra. Amongst many other collaborations, he has spent time with Andy Warhol, Timothy Leary and Keith Haring Ladies and gentlemen, meet Bruce Woolley... If you can, please support the Electronically Yours podcast via my Patron: patreon.com/electronicallyours

Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller Mark was back this week and we welcomed YMP listener and Patron Jon Pickles onto the show to talk about the time he was a 'tea boy' at Trident Studios in London. You'll need to listen to the interview to hear all about it but Trident was the world-renowned studio where, amongst unnumbered highlights of rock music, Yes recorded overdubs for their first album, Queen recorded their first two albums and The Beatles recorded Let It Be and other seminal songs. Listen out for stories about Rick Wakeman, Bill Bruford, Trevor Horn and many more! A screenshot from the video below showing Trident Studios - note the control room above and the Bechstein Grand piano used by Rick Wakeman, Paul McCartney etc. What did Jon have to do as a 'tea boy'? Who did he meet and work with? What was it like being in Soho in those days? Let us know if you agree with us! Yes fans outside Trident Studios during Dave Watkinson's Yes 50th Anniversary Convention in 2018 https://youtu.be/c3OHmZ-5HQM?si=HcYFzRfl0b-wynRr https://youtu.be/rBX2n5HqQeg?si=YgquYin7Bvr22HRH I MADE IT TO ANTHEM 52! MY Other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts.

Kaum ein Produzent hat die Musik der 80er so geprägt wie Multi-Instrumentalist Trevor Horn. Sein Markenzeichen: innovative Popsounds, detailverliebt und in höchster Qualität. Zahlreiche Bands hat er damit auf Erfolgskurs gebracht: Frankie Goes To Hollywood, Simple Minds, Pet Shop Boys, Grace Jones, Propaganda, Yes... Lutz und Carsten sprechen über seinen einzigartigen Sound und wie er Bands wie Frankie Goes To Hollywood erstmal richtig groß gemacht hat. Außerdem geht's darum, welchen enormen Einfluss Trevor Horns Ehefrau hatte, warum U2 sich vor ihm fürchteten und warum er mal mit dem großen Filmkomponist Hans Zimmer in einer Band gelandet ist. ++++++++++Song-Tipps zur Folge++++++++++ Tina Charles – Dance Little Lady, Dance (mit Trevor Horn am Bass) / The Buggles – Video Killed The Radio Star / Dollar – Mirror, Mirror / Yes – Tempus Fugit (mit Trevor Horn als Sänger) / Yes – Owner Of A Lonley Heart / ABC – The Look Of Love / ABC – Poison Arrow / Frankie Goes To Hollywood – Relax / Frankie Goes To Hollywood – Two Tribes / Frankie Goes To Hollywood – The Power Of Love / The Art Of Noise – Close (To The Edit) / The Art Of Noise & Tom Jones – Kiss / Propaganda – Dr. Mabuse / Grace Jones – Slave To The Rhythm / Band Aid – Do They Know It's Christmas? / Pet Shop Boys – Left To My Own Devices / Simple Minds – Belfast Child / Seal – Crazy / Tina Turner & Barry White – In Your Wildest Dreams / t.A.T.u. – All The Things She Said / LeeAnn Rimes – Can't Fight The Moonlight

Netmiðilin Popdose.com lýsti stílin sum: 'Village People hittir Pink Floyd', meðani bólkalimirnir sjálvir søgdu 'Kiss hittir Donnu Summer'. Tað var sambært framleiðaranum, Trevor Horn, og hann skilti hvat teir hugsaðu um. Donna Summer var dansur og Kiss var uppá fleiri mátar eitt sindur ov nógv av tí góða. Serliga 'Relax' varð spælt nógv í Føroyum, tó næstu tvær a-síðurnar frá albuminum eisini vóru javnan at hoyra. Tónleikurin á Temaplátuni er pumpandi synthpoppur/-rokkur við fleiri synthezisarum sum grund, meðani vanligi ljóðførini eru har onkustaðni aftanfyri. Itunes hjá Apple kallar stílin 'Dance'(diskotek)', hvat hann eisini er, tó hetta sjálvandi ikki kann sigast um róligu løgini, harav 'The Power of Love' framvegis er ein væl dámdur 'sjelari'. Bólkalimirnir, Holly Johnson og Paul Rutherford, vóru millum teir fyrstu mannligu popptónleikararnar, sum ærligani og opið lótu okkum vita, at teir eru samkyndir. Tað var samstundis sum teir nýttu rættindastríðið fyri samkynd og tann sexualitetin sum evni í tónleikinum og framførslunum á palli. Og teir fóru langt, næstan alt var loyvt, ja, nógv vóru sokallaðu frávikini hjá Frankie Goes To Hollywood, men okkum dámdi tónleikin. Plátubarrin 18.1.25  

We talk about recent Christmas releases (Trevor Horn's 40th anniversary mix of Band Aid's "Do They Know It's Christmas" available at https://bandaid.lnk.to/BA40 Steve Howe's "12 Guitars of Christmas" available with lyrics at https://yesworld.com/ and John Lodge's Christmas single "Love Will Conquer All.") Then we'll do a 2024 year in review, recapping Yes and Yes member-related events and releases of the past year, and then look over the horizon to what we have to look forward to in 2025. --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

Uur 1 1.         Immer wenn die Tür aufgeht – Lonny Kellner 2.         Desperado – The Eagles 3.         Het mooiste is ertussenin – Esther Groenenberg 4.         Calling all angels – Jane Siberry 5.         Caravan of love – The Housemartins 6.         Les battements du coeur – Louis Chedid 7.         I still cry – Ane Brun 8.         Steppin' out – Trevor Horn & Seal 9.         Als de zon schijnt – Toon Hermans 10.       Engel Gabriel – Reniet Vrieze 11.       Ever with me – The Oak Ridge Boys 12.       De cara a la pared – Lhasa 13.       I know him so well – Elaine Paige & Barbara Dickson   Uur 2 1.         Outward bound – Tom Paxton 2.         Uma casa Portuguesa – Amalia Rodrigues 3.         Ja en amen – Clean Pete & Stephanie Struijk 4.         The empty chair – Sting 5.         In a lifetime – Clannad & Bono 6.         Strongest storm – Zen Link 7.         Étrange – Dobacaracol 8.         Zonder naam – Spinvis 9.         I can't stop loving you – Count Basie & His Orchestra 10.       Velas – Quincy Jones & Toots Thielemans 11.       Young lion – Sade 12.       In de armen van de stad – Ramses Shaffy & Liesbeth List 13.       Jasmina – Saban Bajramovic 14.       Oliver's army – Elvis Costello

Ce n'est pas parce que c'est le milieu d'une décennie dont on parle beaucoup mais je peux vous dire qu'on a particulièrement aimé vivre les années 1984, 85. Pourquoi ? Parce qu'après le plaisir de la découverte de nouveaux artistiques au début des années 80, toutes ces chanteuses, chanteurs et groupes qui jouent des musiques nouvelles et dont entre parenthèses aucune ne ressemble aux autres, en 1984, au rythme de leurs sorties, beaucoup d'entre eux sont devenus des stars.Et donc les images de la BBC réalisées ce dimanche 25 novembre au matin sont réjouissantes. Même si nous sommes en plein Londres, à Notting Hill, il faut rappeler que dans les années 80, le dimanche, tout est fermé, y compris les pubs. Et donc l'attroupement énorme devant le Sarm Studios ne passe pas inaperçu dans le quartier. Des journalistes, photographes, cameramen, assistent et immortalisent, en effet, l'arrivée de la plus grande concentration de pop stars.Alors bien sûr, on n'est pas à Hollywood où comme on le verra avec We are the world, les stars arrivent en limousine fringuées, coiffées et maquillées façon show bizness. Non, ils ont beau vendre des millions de disques, ces Britanniques sont chez eux, alors Sting arrive à pied, avec son journal sous le bras, les trois chanteuses de Bananarama débarquent d'une Volkswagen, et le reste est à l'avenant. Bien sûr qu'ils sont au courant qu'ils vont être photographiés et filmés pour la presse mais it's sunday morning et on est entre copains. Paul Weller, l'ex-leader de The Jam, aujourd'hui Style Council, est là depuis très tôt. Comme Phil Collins, et pourtant il ne jouera pas de sa batterie avant la soirée. Paul Young discute avec Gary Kemp et Tony Hadley de Spandau Ballet dans un couloir, les Status Quo boivent un café dans la salle de prise de son qui est particulièrement spacieuse. Il faut dire que c'est une ancienne nef d'église qui offre donc toute la place pour les grands ensembles de musiciens et aussi une réverbération naturelle unique. C'est ici qu'ont été enregistré des classiques comme Stairway to Heaven de Led Zeppelin ou We will rock you de Queen. Ah ben oui, la fameuse scène du film Bohemian Rhapsody, et ben c'est là.Le studio a alors changé de main, il appartient désormais à Trevor Horn, l'ex-chanteur des Buggles, devenu un des plus grand producteurs du monde, il vient d'y produire Frankie Goes to Hollywood, Yes, ABC ou encore Grace Jones. Raison pour laquelle, Geldof lui demande d'accueillir gratuitement toutes ces stars du Band Aid pour enregistrer Do they know it's christmas ? Pas de problème mais Trevor n'a rien de libre avant six semaines. Enfin si, un seul jour, le dimanche 25 novembre. Banco ! Geldof accepte le challenge et fait venir tout le monde le jour dit, et vous savez quoi ? Ils ont remis ça plusieurs fois pour les vingt, trente et quarante ans de cette incroyable aventure. La nouvelle version de 2024 est un mashup de toutes les époques, toutes les générations. Même si les temps ont bien changé, l'esprit Band Aid est toujours là, qui aurait cru ça, il y a 40 ans exactement.

J'en ai suffisamment entendu parler, beaucoup d'entre vous ont regardé le documentaire Netflix, We are the world, et c'est vrai qu'ils ont fait fort. D'abord, le casting, toutes les plus grandes stars américaines de la chanson, un titre initié par Michael Jackson et Lionel Ritchie alors au sommet de leur gloire, la ville de Los Angeles pour décor au milieu des années 80 et bien sûr, un sens inné de la mise en scène. Même dans la précipitation, vous le savez, puisqu'il s'agit d'une réponse à l'incroyable succès du titre Do they know it's Christmas ? On est loin des Britanniques qui ont fait ça spontanément, en quelques jours dont un seul pour l'enregistrement. Oui, ce matin dominical de la fin novembre 84, des policiers veillent à ce que tout se passe bien pour accueillir des membres de U2, Duran Duran, Spandau Ballet, Status Quo, Culture Club, Heaven 17, Bananarama, Boomtown Rats, Ultravox et Kool & the Gang. Auxquels s'ajoutent des stars solos comme Paul Young, Paul Weller, George Michael, Sting et Phil Collins. C'est d'autant plus hallucinant que tout le monde est là, un dimanche matin, gratuitement, même les photographes de presse, car tout doit aller à la fondation pour ne pas perdre une livre. Avec une livre on donne à manger à quelqu'un en Ethiopie, on sauve une vie, alors tout le monde y va de son temps et même de sa poche. Beaucoup ont fait un chèque avant de venir, et pas un petit.A l'intérieur du studio, ça ressemble très vite à une ambiance fête de Wallonie avec dans la foule qui se presse pour se saluer, tasse de café en main, que des têtes couronnées de la pop music. Vous êtes au boulot un dimanche, demande un journaliste aux patrons des lieux gracieusement offerts, Trevor Horn des Buggles et sa femme : non, on est plus anxieux, vous savez des rockstars, ça ne se lave pas, ca picole et ça prend de la drogue, alors j'espère qu'ils vont laisser les lieux en bon état.Vient le moment d'enregistrer les voix, la longue succession d'intervenants mais personne ne souhaite être le premier : allez Bono, vas-y, non vas-y, toi ! Je vous l'ai dit, c'est la foire. Tout le monde se retrouve avec femmes, enfants, parfois chien. Ça rentre, ça sort, les toilettes, c'est où? Une interview pour la télé, radio, presse écrite, boum, et on revient, où est ma tasse, qui a pris ma tasse ? Et donc, comme personne ne se décide, c'est finalement Paul Young qui se dévoue pour ouvrir le bal. Puis vient le défilé d'interprètes, le chœur qui a répété dans les couloirs, plutôt bien d'ailleurs malgré la précipitation, le peu de temps disponible, seul ce dimanche était libre dans le fameux studio de Trevor Horn d'où sortent tous les grands tubes depuis deux ans. On n'entendra pas la voix de Bob Geldof et Midge Ure qui non seulement ont renoncé à leurs droits d'auteurs en composant cette belle chanson mais de plus, refusent de se mettre en avant. Phil Collins, qui est arrivé très tôt, va devoir attendre tard avant de placer sa batterie car si Spandau Ballet et Duran Duran sont rentrés pour l'occasion d'Allemagne ou de France où ils étaient en tournée, Culture Club est aux Etats-Unis. Et c'est l'horreur, Boy George a loupé son avion. Il prend donc le Concorde à ses frais et arrive in extremis à 18 heures avant que Collins ne puisse enfin jouer. Un Collins qui est au sommet de sa gloire, certainement, la plus grande star de ce Band Aid et pourtant la plus discrète sur la chanson. Vous me direz, fin 1984, on l'entendait assez comme ça.

Il était une fois les années 80. Un début de décennie qui vaut une fois de plus aux Britanniques de dominer le monde de la musique avec un nouveau courant musical. Du jour au lendemain en effet, des dizaines de groupes et d'artistes sortent de leur chambre, grenier, cave, portés par des voix et des sons particuliers. Pas un ne ressemble à l'autre, et pourtant on appelle ça, la New Wave. Quatre ans plus tard, on a arrêté de les compter de Duran Duran à Simple Minds, en passant par U2, Depeche Mode, Stranglers et autres Yazoo. Et je ne vous parle pas de ceux restés dans l'ombre des charts mais qui ont un public fidèle comme Echo and the Bunnymen, Siouxsie and the Banshees ou encore les Boomtown Rats.Les Boomtown Rats en sont déjà à leur sixième album, ce sont des punks glam irlandais de la première heure ; à leur tête, un certain Bob Geldof qui s'est fait un nom en 1982 en interprétant le premier rôle dans le film d'Alan Parker, The Wall, d'après le disque de Pink Floyd. Emu par un terrible reportage sur la famine en Ethiopie, Bob appelle un autre ténor de la New Wave, Midge Ure, leader du groupe Ultravox, pour lui demander s'ils ne pourraient pas faire quelque chose pour l'Ethiopie, mais quoi ? Un disque ? C'est ce qu'on sait faire de mieux, non ? Quelques coups de fil suffisent à rallier Sting de Police, Simon le Bon de Duran Duran, Gary et Martin Kemp des Spandau Ballet et Bono de U2. Un dernier appel à Trevor Horn, l'ex-Buggles qui prête son fameux studio d'où sortent ses dernières productions de FGTH à ABC. Et donc le 25 novembre 1984, une trentaine de stars dont des anciens entre guillemets, Phil Collins et les guitaristes de Status Quo, se retrouvent en studio. Peut-on imaginer aujourd'hui pareille réunion quand on sait le succès démesuré et la longévité qu'ils ont connus ? Ils n'ont qu'une journée, Phil Collins devra patiemment attendre jusqu'au soir que tout le monde ait chanté, du moins que le dernier n'arrive in extremis, à 18 heures. En effet, Bob Geldof a tout fait pour obtenir la participation d'un Boy George de Culture Club, ramené le jour même de New York. Bob Geldof et Midge Ure qui ont écrit la chanson sur laquelle ils ont cédé leurs droits d'auteurs, ont décidé de ne pas chanter pour ne pas se mettre en avant. Ils espèrent récupérer 70.000 livres sterling pour lutter contre la famine ; ils vont en récolter 8 millions car la chanson sera le plus grand hit de l'année en Grande-Bretagne avant de donner naissance au légendaire Live Aid. C'était il y a quarante ans exactement, un Noël 1984 sous la bannière de la charité envers ceux qui n'ont rien.

Stuart Bruce in conversation with David Eastaugh Stuart Robert Bruce is an English recording engineer. He was the engineer for the recording of the Band Aid's charity single "Do They Know It's Christmas?" on 25 November 1984. Bruce started his career at Trevor Horn's Sarm West Studios. When Horn offered Bob Geldof and Midge Ure the studio free of charge for 24 hours to record the charity single, but was unavailable to produce it, Bruce was approached to engineer and mix what became one of the biggest selling singles ever. With many of the most famous artists of the time participating, and seven film crews in attendance, he worked straight through that day and night. The reputation Bruce gained of being able to get a track down in difficult circumstances later led to him being chosen to engineer the Guitar Trio album by Al Di Meola, Paco de Lucía and John McLaughlin.

Today's episode of Electronically Yours features two of Martyn's oldest friends – Michael Mertens and Ralf Dorper from Propaganda, famous for a string of '80s hits that include “Dr. Mabuse,” “Duel,” and “p:Machinery.” And their alliance with producer Trevor Horn. The classic lineup split in 1987 amid legal disputes with their label ZTT.   At last they have some excellent new material, featuring a new lead singer, Thunder Bae!   Ladies and gentlemen, meet the enduring talent of Propaganda. If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours

We talk about the 2004 Prince's Trust Concert, known as Produced by Trevor Horn, which included performers from throughout Trevor Horn's production career, including a one-off Yes lineup featuring Geoff Downes, Steve Howe, Trevor Rabin, Chris Squire, and Alan White. --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

A great guy, a wonderful chat and a borderline genius of the keyboard, Andy Richards played on seven number ones of the 80s and loads more hits besides (as I attempt to define throughout the conversation). 1. THE EARLY YEARS (PRE-1980-83)Andy's background in music culminating in him reaching the studio,And how working on jingles set him up for 80s chart success (cf Relax).2. FRANKIE GOES TO HOLLYWOOD (1983-86)Andy sprinkles his magic synth-dust all over Relax for Trevor Horn as well as working on Two Tribes and the Welcome to the Pleasure Dome LP.Also discussed is the contrast with working on the follow-up, Liverpool.Rage Hard!3. TREVOR HORN (1983-86)As well as Frankie, Andy worked on other Trevor Horn projects such asDuck Rock, the massively influential Propaganda LP, A Secret Wish plusthe trifecta of 1985 pop perfection singles; Duel, Cry and Slave To The Rhythm.4. PETER COLLINS (1983-89)Another producer Andy cultivated a long working relationship with in the 80s wasthe late Peter Collins. From the pop of Nik Kershaw to the rawk of Rush andGary Moore.EITHER/ORNew feature (any excuse for another QFR). Andy's 80s choices. Duran or Wham was a bit of a no brainer (unless he secretly worked on The Reflex as well)more on Andy at andyrichards.comTo help support the pod, donations gratefully received via PayPal at80sography@gmail.comSend us a text

Mit ihrem Debütalbum "Welcome To The Pleasuredome" knüpften Frankie Goes To Hollywood nahtlos an ihren Erfolg der vorherigen Singles "Relax" und "Two Tribes" an. Bereits vor dem Erscheinen des Albums am 29. Oktober 1984 soll es 1,5 Millionen Vorbestellungen im Vereinigten Königreich gegeben haben. Produktion von "Welcome To The Pleasuredome" Die Produktion zum Album hat von Juli 1983 bis 1984 in zwei unterschiedlichen Studios stattgefunden. In den Manor Studios im Norden von Oxford und in den Sam Studios im Londoner Stadtteil Notting Hill. "Relax" ist ein Jahr vor Albumveröffentlichung, im Oktober 1983, bereits als Single erschienen – und wurde direkt ein Riesenhit in Großbrittanien. Und auch mit den folgenden zwei Singles "Two Tribes" und "The Power Of Love" stürmten sie die Charts: Dreimal hintereinander Nummer 1 in UK, das hatten zuvor nur Gary and The Pacemakers im Jahr 1963 geschafft. Skandale als Marketingkonzept Interessant ist, dass diese Produktion einherging mit dem festen Plan Skandale auslösen zu wollen. Trevor Horn hat eng mit Musikjournalist Paul Morley zusammengearbeitet, der es verstand wie man ein Marketingkonzept für eine Band gestaltet, um möglichst viel Aufmerksamkeit zu erregen. Die Band sollte schnell Bekanntheit erlangen und dabei aus der Masse hervorstechen. __________ Über diese Songs vom Album "Welcome To The Pleasuredome" wird im Podcast gesprochen (13:48) – "The World Is My Oyster"(17:17) – "Welcome To The Pleasuredome"(29:28) – "Relax"(41:49) – "Two Tribes"(48:07) – "Tag"(49:15) – "Born To Run"(55:45) – "The Power Of Love"__________ Über diese Songs wird außerdem im Podcast gesprochen (02:38) – "Moonlight Shadow" von Maggie Reilly(04:30) – "Self Control" von Laura Branigan(21:04) – "Welcome To The Pleasuredome" von Holly Johnson (44:56) – "Russians" von Sting(45:11) – "Leningrad" von Billy Joel(59:59) – "The Power Of Love" von Jennifer Rush(01:00:20) – "The Power Of Love" von Huey Lewis And The News__________ Alle Shownotes und weiterführenden Links zur Folge "Reggatta De Blanc" findet ihr hier: https://www.swr.de/swr1/rp/meilensteine/swr1-meilensteine-frankie-goes-to-hollywood-welcome-to-the-pleasuredome-100.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Welcome to Live From Progzilla Towers Edition 534. In this edition we heard music by Billy Joel, XTC, Deposed King, Big Big Train, Be-Bop Deluxe, Adrian Belew, Elbicho, Nine Inch Nails, Trevor Horn, Genesis, Tony Levin, Marillion, Emily Francis Trio, Nataraja, Cathedral, Public Service Broadcasting, Enfant, Spirits Burning, Tim Bowness, Landmarq & Ebony Buckle.

Producer/Engineer/Mixer Danton Supple has been at the forefront of big music by big artists since he first broke into the business in the 80s. U2, Coldplay, Pet Shop Boys, Morrissey and more are prominently on his CV. In this conversation we cover all of those as well as Elbow, Doves, Starsailor (which included Phil Spector's last project), Spandau Ballet and his work with past guests Clive Langer, Steve Lillywhite, Trevor Horn, Julian Mendelsohn and tons more. His stories are gold and almost as great as his talents. Enjoy!  www.dantonsupple.com  www.patreon.com/thehustlepod

I'm stoked and honoured to interview my friend and formative musical hero, Archer David Birch of Squeal. Born in the UK and cutting his teeth in punk bands like The Vibrators, he gleaned deep songwriting and production knowledge from the likes of Trevor Horn before emigrating to South Africa. There, he formed beloved hard rock trio Squeal.One of Durban's and SA's best ever bands, Squeal played heavy rock in a tasteful, intelligent way no one else could touch. Tight as a very tight thing, they were always on point live and Dave's fascinating background in the UK informed their songwriting and approach.Squeal went on to dominate the country's live scene and airwaves with epic, heartfelt songwriting, angular guitar riffs and sophisticated arrangements showcasing Dave's mastery of tension and release.As Squeal quietened down in the early 2000s, Dave focused on the iconic Tropical Sweat Studios, which became a national recording destination and provided a place for emerging bands to commit their art to tape in the best-sounding way possible.Nowadays Dave is focused on soundtrack production and scoring, although he still records bands when the chance arises.Please, do enjoy my chat with the one and only Dave Birch. Hosted on Acast. See acast.com/privacy for more information.

Welcome to Synthdisco, a special tribute to the electronic sound of disco, with inspiration from the keyboard, programming and production kings Giorgio Moroder, Cerrone, Trevor Horn, Didier Marouani's Space, and Thomas Bangalter and Guy-Manuel de Homem-Christo's Daft Punk.  Un tributo especial al sonido electrónico de la música disco, con inspiración de los reyes del teclado, la programación y la producción Giorgio Moroder, Cerrone, Trevor Horn, Space de Didier Marouani y Daft Punk de Thomas Bangalter y Guy-Manuel de Homem-Christo.  Mixed with love in London. XXHere's the full track list: 1 | Donna Summer | I feel love (f*monday edit featuring Fracassi and Wender) 2 | Cerrone | Supernature (f*monday edit featuring Dax Riders and Pete Le Freq)3 | The Human League | Don't you want me (Purple Disco Machine and J P Club Disco Remix Edit) 4 | Pet Shop Boys | Always on my mind (DJ Misa Remix '11) 5 | M | Pop muzik (Partner Music Edit) 6 | Space | Magic fly (Alon Halperin Remix) 7 | Daft Punk | Around the world 8 | Three Degrees | Giving up, giving in (Disco Socks Edit) 9 | Space | Prison (Oliver Boogie Edit) 10 | Frankie Goes To Hollywood | Relax (f*monday edit featuring Sergio T & Stagia and Disco Innovations) 11 | Giorgio Moroder | Chase (Destructo Re Edit) 12 | Space | Carry on, turn me on (AN2 Remix) 13 | Depeche Mode | Just can't get enough (Les Bisous Remix) 14 | ABC | The look of love (DJ Nobody Re Edit/Ultimix).  Make your own mix on SPOTIFY 

Responsible for so much of the great music we heard in the 80s, 90s and more recent, Trevor Horn is turning 75, and is so so worthy of another Cover Story. So let’s hear some more covers of and by Trevor Horn! (74 minutes)

Responsible for so much of the great music we heard in the 80s, 90s and more recent, Trevor Horn is turning 75, and is so so worthy of another Cover Story. So let’s hear some more covers of and by Trevor Horn! (74 minutes)

Steven reviews a few concerts he watched online and in-person. On July 13, he watched the Total Mass Retain concert streamed by ProgStock via Stageit from the Williams Center in Rutherford, New Jersey. Afterward, he went to the Forever '80s concert at Pershing Square in Los Angeles, managing to catch When in Rome UK and Asia Featuring John Payne. And just this morning, with today being Trevor Horn's birthday, The Buggles concert from Las Vegas last year available for a limited time on Horn's YouTube channel! --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

For this interview special, it's with a bonafide music legend: Bill Sharpe.Bill Sharpe is a classically trained pianist and jazz rock musician, who once worked alongside John Peel at the BBC and Trevor Horn in an early band. In 1980, he co-founded the band Shakatak, who scored many big hits around the world with their brand of post-disco jazz-funk.In 1985, he teamed up with Gary Numan on what was meant to be a one-off single, but later turned into several songs, and a whole album - with 1989's Automatic. He is a prolific songwriter and musician, who has collaborated with many other stars over the years, and is still performing with Shakatak today.In the episode, Bill discusses:How he came to work with Gary Numan and their writing processesThe unreleased demos he made with Gary after Automatic - could they ever be released?How Shakatak came aboutHis friendship with John PeelClips used:Shakatak - Steppin'Shakatak - Easier Said than Done (TOTP)Sharpe & Numan - Change Your MindSharpe & Numan - New Thing from London TownSharpe & Numan - No More LiesShakatak - Nightbirds (TOTP)Please get in touch on YouTube, X, Facebook, TikTok and Instagram, or email at numanpodcast@gmail.com.

Celebrating the third anniversary of Yesshift with a few topics! An icebreaker topic Dan came up with is the question of what one ABWH song we'd each have liked played on the Union Tour. Then we'll touch on July birthdays by talking about what Peter Banks era Yes songs we'd like to see on a new tour as a nod to him, notable Igor Khoroshev keyboard moments on The Ladder, and Trevor Horn's somewhat recent release Echoes: Ancient & Modern (a covers album follow-up to his earlier Reimagines the Eighties). And we'll collectively give our overall review of the Talk 30th anniversary release. (Steven definitely has a couple critiques that can pertain to Yes re-releases in general.) Tune in, celebrate with us, and chime in! --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

My guest today is the incomparable, the beautiful and the divine Tessa Niles who has featured as a backing singer on countless hits and has performed on stages with the the most iconic artists in the world including David Bowie, Robbie Williams, , The Police , Trevor Horn, Pet Shop Boys, Tina Turner Kylie and at one of her first ever shows, Live Aid. She recently published her autobiography “Backtrack” to incredible critical acclaim and with huge success. I've been blessed to know her professionally and personally for more years than either of us care to remember and it was so lovely to have this catch up in London's glittering West End. Hope you enjoy! All previous episodes available to stream now. Thanks for listening.

Gary Kemp and Guy Pratt continue their UK tour this week with Nick Mason's Saucerful of Secrets – but found time to spend even more time together to record a special episode where they chat about working with some of the best producers in the industry. It's a fascinating insight into the behind-the-scenes recording process for bands like Pink Floyd and Spandau Ballet and the most amazing story about Michael Jackson that you have to hear to believe!Plus, we dive into the Rockonteurs archive to listen to some of those producers whose names are as big as the artists they work with. We hear from Steve Lillywhite, Bob Ezrin, Hugh Padgham and Trevor Horn in a ‘Best of the Producers' episode. Instagram: @rockonteurs @guyprattofficial @garyjkemp @saucerfulofsecretsofficial @trevorhornmusic @sillywhite @bobezrin @hughpadghamofficial @gimmesugarproductions YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursProduced by @thisBenJones for Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

Gary Kemp and Guy Pratt continue their UK tour this week with Nick Mason's Saucerful of Secrets – but found time to spend even more time together to record a special episode where they chat about working with some of the best producers in the industry. It's a fascinating insight into the behind-the-scenes recording process for bands like Pink Floyd and Spandau Ballet and the most amazing story about Michael Jackson that you have to hear to believe!Plus, we dive into the Rockonteurs archive to listen to some of those producers whose names are as big as the artists they work with. We hear from Steve Lillywhite, Bob Ezrin, Hugh Padgham and Trevor Horn in a ‘Best of the Producers' episode. Instagram: @rockonteurs @guyprattofficial @garyjkemp @saucerfulofsecretsofficial @trevorhornmusic @sillywhite @bobezrin @hughpadghamofficial @gimmesugarproductions YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursProduced by @thisBenJones for Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

In 1985 the German group Propaganda managed their one perfect album, A Secret Wish. Released on Trevor Horn's ZTT label (he was also the Executive Producer), this synth pop classic featured hits like "Duel" and "Dr. Mabuse" which haven't aged a day. Though it was an achievement, it created friction within the group (as well as financial and interpersonal issues), causing the frontwomen, Susanne and Claudia, to leave the band before the follow up was recorded. Other bands were created and solo careers were attempted until 2022 when the two paired up with producer Stephen Lipson as xPropaganda and released the incredible comeback album, The Heart is Strange. This week Susanne and Claudia join us to discuss the entire ride and what they're up to now. It's rare we get to hear from one of them, let alone both!  www.xpropaganda.co.uk www.patreon.com/thehustlepod

Produced by Joseph Cottrell, Jeffrey Crecelius and Ken Fuller ANderson, Trevor Horn and Trevor Rabin. It's an area we seldom look at so it was very enjoyable to examine a different aspect of the music of Yes and I definitely learned a lot from what Mark said about his choices. I'm sure you will as well. As always, we'd love to see what your suggestions are for great 80s Yes lyrics so do leave your choices on the show notes for this episode. Are there differences between lyrics by different Yes frontmen? Do the other writers try to sound like Jon Anderson? What makes a good Yes lyric? Let us know if you agree with us! https://youtu.be/pZ6xV72oxo0?si=LIhaZI0SPvMnxS3D https://youtu.be/vzxZzIiO84Y?si=5aA0TK-UBc0VRkEM https://youtu.be/kOr0ipW4jvY?si=p9WfamMqNQwHSnn1 https://youtu.be/hGdohNm5ASE?si=myQMaSJgbxbSEkvI https://youtu.be/eh1dVptApmc?si=fcet1h-bIDfYhZ8Z https://youtu.be/8W_VC_BgMjo?si=_NeMjqT_2Kldrznx https://youtu.be/hwFEQnVxfRk?si=cGATUlSvYaxGISOI https://youtu.be/SgA8oTEyDrw?si=xD93rm48Xn3CnDR6 https://youtu.be/9vSAZTX8gvs?si=cunN6niLxyggQhOE NO BARRIERS 2024 There are only 100 of these packs available, so buy yours now! (Opens in a new window) Check out the progress on my other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! TormatoBook.com In Production: Sign up to the e-newsletter updates! TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Aaron SteelmanMichael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind  Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir  Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø PettersenGuy DeRome Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org

Harvey Keitel stars in The Tattooist of Auschwitz - a six-part Sky Atlantic series based on the best-selling novel by Heather Morris, inspired by the real-life story of Holocaust prisoners Lali and Gita Sokolov. Marc Quinn's exhibition Light into Life is at Kew Gardens from Saturday (4th May) until Sunday 29 September 2024.The Fall Guy, directed by David Leitch, stars Ryan Gosling as a stuntman and Emily Blunt as his film director ex who entices him out of retirement.All three are reviewed by Naomi Alderman and Jason Solomons.And producer Trevor Horn assesses the legacy of guitarist Duane Eddy whose death was announced yesterday. Presenter: Tom Sutcliffe Producer: Torquil MacLeod

TRACKLIST Jeremih - 773 Love (Cashmere Cat Remix) Vampire Weekend - Gen-X Cops Khruangbin - May Ninth Saya Gray - AA BOUQUET FOR YOUR 180 FACE Mike Mareen - Dancing in the Dark (Galactica Re-Mix) t.A.T.u - All The Things She Said t.A.T.u - Ya Soshla S Uma Grace Jones - Don't Cry-It's Only The Rhythm Bee Gees - How Deep Is Your Love Al Green - Tired of Being Alone Dionne Warwick - Heartbreaker Yaya Bey - chasing the bus Mary J.Blige - All That I Can Say Nicole - Make It Hot (ft. Missy Elliott & Mocha) Maze - We Are One (ft. Frankie Beverly) Pharoah Sanders - Love Is Everywhere GloRilla - Yeah Glo ! Yaya Bey - the evidence

Produced by Joseph Cottrell, Jeffrey Crecelius and Ken Fuller This week, Mark and I talked about the situation in Yes at the time Geoff Downes rejoined for Fly From Here - around 2010-11. It's a contentious time - but then again when isn't with Yes? Oliver Wakeman had to make way for the return of Downes who had worked very closely with Steve Howe in Asia for many years and, when Trevor Horn was brought in to produce the new album, perhaps the writing was on the wall for a Downes redux. All was not well between certain other members of the band either... Why did Geoff return (trip)? Whose idea was it? Why was Oliver Wakeman 'let go'? Let us know if you agree with us! https://youtu.be/8mfLQxwtwy8?si=_6Cm6fHMkoYFz5ir Check out the progress on my other podcast - https://anthem52.com/ Support the Fundraiser! Yes - The Tormato Story Available now! TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Alan Begg Michael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind  Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir  Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø PettersenGuy DeRomeAaron Steelman Become a Patron! Our (not really) new Facebook YMP Discussion Group is open to anyone to join but I'll be adding rules and joining requirements when I have time (one day…). One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org

Interview with internationally-known guitar maker and musician Paul Reed Smith. 2024   Paul Reed Smith - Eightlock is a band of high-level musicians who are friends and have “locked” together recording and performing a new kind of groove with its roots in Baltimore funk, DC go-go and New Orleans swing. The band's sound is a heady brew of blues, soul, rock, funk and other roots sounds, all stirred-up into a groove-alicious gumbo. The line-up is three drummers, a bass player, a female singer and three guitar players, and the excitement around their three drummer groove is infectious. The band's three drummers are: Dennis Chambers (John Scofield, George Duke, Brecker Brothers, Santana, Parliament/Funkadelic, John McLaughlin) who was inducted into the Modern Drummer Hall of Fame in 2001; Gregory Grainger (Whitney Houston, Acoustic Alchemy); and Ju Ju House the legendary DC Go-Go drummer (Roberta Flack, Trevor Horn and The Chuck Brown Band). Bassist Gary Grainger has performed with John Scofield, Nancy Wilson, George Duke and Bill Evans. Vocalist Mia Samone Davis has a beautiful multifaceted voice that got its start in gospel music at a very young age. Guitarist Mike Ault regularly performs with high caliber artists including Rachelle Ferrell David Grissom, and Davy Knowles. Guitarist Bill Nelson is the Director of the Johns Hopkins Kimmel Cancer Center where he was introduced and invited to join the band in their efforts to raise money for cancer patients and families. “This group of highly respected and world-renowned musicians have a lot to say musically and spiritually,” Paul Reed Smith says. “It's been an absolute joy to be the catalyst for their gifts resulting in the music found in Lions Roaring in Quicksand.” Added guitarist/vocalist Dr. Bill Nelson: “The musicianship in Eightlock is extraordinary, but what amazes me most is that the music - both the recordings and live performances - just keep getting better and better. Locking into an Eightlock groove is a dream." And dynamic lead singer Mia Samone summed it up by saying, "Creating this CD reminded me that, ‘Peace is the price when the mind is at war'......inner peace is priceless."   In addition to performing and recording with his own band, Paul Reed Smith has played with artists such as Santana, Alter Bridge and the Doobie Brothers. He was honored by Vintage Guitar Magazine as a Hall of Fame inductee in 2011. Paul has countless industry connections through all of the artists that endorse his guitars, plus invaluable marketing opportunities through his guitar company and all of the music stores around the world that sell his guitars. Grammy-award winning Mexican rock band Manaì had him open their residency at the LA Forum this year, John Mayer and Santana have taken him on tour. In addition to 10 powerful original songs on Lions Roaring in Quicksand, the new album features a cover of a Manaì song in English, “Ay, Doctor,” that the band has agreed to share on their social media to their millions of fans, as well as scintillating versions of the Al Green soul classic, “Love and Happiness,” the legendary Edwin Starr song, “War,” and “99,” a chart hit for the original version in France.   Paul Reed Smith Eightlock Social Media Links: https://eightlockband.com/ https://www.facebook.com/profile.php?id=100063641798882 https://twitter.com/PEightlock https://www.instagram.com/eightlockband_official/ https://www.youtube.com/channel/UCv-7c7kNFEo0nfpvsim2Gsg  

We had the pleasure of hosting Professor Art Markman on the Spirit of EQ podcast. We had an insightful conversation on psychology, decision-making, and the importance of mental wellness. Here are three key takeaways from our episode:1️⃣ "It depends" is the answer to many complex questions in psychology. Our decision-making process is heavily influenced by our motivational system, and whether it's beneficial or not depends on whether our current motivation is aligned with making the best choice.2️⃣ Emotions play a crucial role in decision-making, especially when it involves understanding people and complex situations. However, when reliable data and projections are available, relying on emotions may not be necessary.3️⃣ Mental health should be prioritized alongside physical health. We need to promote routine practices that support mental well-being, just like we do for maintaining physical health. Exercise, reframing perspectives, and building strong personal relationships are essential in achieving overall wellness.Art is the Annabelle Iron Worsham Centennial Professor of Psychology, Marketing, and Human Dimensions of Organization and Vice Provost for Academic Affairs at the University of Texas at Austin. He's written over 150 research papers on topics including reasoning, decision-making, and motivation. Art brings insights from a cognitive science perspective to a broader audience through his blogs at Psychology Today and Fast Company. He has a podcast, 2 Guys on Your Head. He's also the author of several books, including Smart Thinking, and Bring Your Brain to Work.Trevor Horn's remake of Joe Jackson's Steppin' Out with SealIn each episode, Jeff and Eric will talk about what emotional intelligence, or understanding your emotions, can do for you in your daily and work life. For more information, contact Eric or Jeff at info@spiritofeq.com, or go to their website, Spirit of EQ.You can follow The Spirit of EQ Podcast on Apple Podcasts, Android, or on your favorite podcast player.New episodes are available on the 2nd and 4th Wednesdays every month!Please review our podcast on iTunes. Click on the link for an easy, step-by-step tutorial.Music from Uppbeathttps://uppbeat.io/t/roo-walker/deeperLicense code: PEYKDJHQNGSZXDUEWe hope you enjoy the podcast. Hopefully, you're tuning in on a regular basis. We'd love it if you would give us a great review on whatever platform you're listening to the podcast. It's so appreciative and helps us as we try to get more exposure for the work we do and the episodes that we publish. We're grateful to you as a listener. Secondly, our content is for educational purposes only. It's not intended by any stretch to diagnose or treat anything that may be occurring in your life or anyone else's life that you may be connected to through the podcast. And as always, we look forward to the next time that we're together. Take care.Spirit of EQ Mentioned in this episode:Thanks for listening to Spirit of EQThis podcast was created to be a tool to primarily...

Season 4, Episode 77We're recording this episode on New Years Eve because Steve and T-Bone want to make sure you have something to listen to as 2024 begins.  We have a couple of new album reviews. First up is from Peter Gabriel, an artist that we don't hear enough from.  After two decades, he's back with his new album, i/o. In addition, we take a listen to Trevor Horn's Echos: Ancient And Modern.  This is a covers album of songs you'll recognize, sung by a variety of artists. Finally, music news will have to wait.  It's the end of 2023 and we have our annual top 10 albums list. Enjoy the podcast? How about buying us a cup of coffee? https://www.buymeacoffee.com/newwavemusicOffside Apparel http://offsideapparel.comUse NEWWAVE at checkout for 10% off your order!  Exp. 5/31/24Support the show

Topics include:Kiss says goodbye, hello to KISS avatarsSir Anthony's Xmas songNic Cage says he's done with moviesMBU: Shane MacGowan, Mica ErtegunSLAPS: Busta Rhymes, Trevor Horn ft. Tori Amos, BeyonceTan.gent on Spotify, BandcampFollow The Rumble TrioFollow NOBS BRASS BandDoes It Slap Playlist The Hustle Season on Patreon Our Linktree:::::ADVERTISE ON THE HUSTLE SEASON PODCAST:::::Have a business/event you want to get out to listeners?Are you an out of town band coming to Richmond and want to promote your gig ?? Buy a spot on the Hustle Season Podcast, starts at $25. So easy!!

Welcome Home ~ 1. Julie Byrne and Laugh Cry Laugh - '22 2. Yard Act - Petroleum 3. Weakened Friends - Awkward 4. The Snuts - Deep Diving 5. Nadine Shah - Twenty Things 6. Nouvelle Vague - Only You (feat. Melanie Pain) 7. Jane Weaver - Love in Constant Spectacle 8. James Smith - Like A Record 9. Declan McKenna - Elevator Hum 10. Delilah Montagu - Coffee 11. Mathias Gundhus - Late December 12. Mei Semones - Wakare No Kotoba 13. Smile High and the Main Squeeze - Love Lost 14. Teen Daze -Quiet City 15. Empress Of - Femenine 16. Judith - It's Murder 17. Lana Del Rey - Take Me Home, Country Roads 18. Trevor Horn feat Tori Amos - Swimming Pools (Drank)

This week, it's a special episode of the podcast, ‘Cambridge Audio presents Rockonteurs Live'. We are delighted to welcome Brit Award, Grammy Award and Ivor Novello Award winning artist and producer Trevor Horn back to the show. Join Gary Kemp and Guy Pratt as they grill Trevor about Buggles, Yes, Frankie, Seal and much more. Trevor has produced some of the best songs of all time and has some incredible and funny stories to share about a life creating the music we all love. His new album Echoes: Ancient and Modern is out on December 1st and features new covers from Iggy Pop, Seal, Tori Amos, Rick Astley, and Marc Almond to name a few. Thanks to our friends at Cambridge Audio for hosting us. Rockonteurs is produced by Ben Jones for Gimme Sugar Productions. Hosted on Acast. See acast.com/privacy for more information.

Today's absorbing episode of Electronically Yours features a famous production team primarily responsible (together with Anne Dudley) for creating the band Art Of Noise, Gary Langan and JJ Jeczalik. Gary started as assistant engineer on the most famous Queen albums, he then went on to work with  Trevor Horn at Sarm on various projects, he produced Beauty Stab for ABC and Through The Barricades for Spandau Ballet. He co-founded ZTT in 1983, and produced Happy? For PIL. Gary went on to work with Malcolm McClaren, Scritti Pollitti and constellations of major stars and some of the most epic albums of the last 30 years. JJ Jeczalik  is a British electronic musician/record producer, Fairlight expert and co-founder of Art Of Noise. He was also behind the success of controversial Liverpool band, Frankie Goes to Hollywood and their number one hit singles "Relax" and "Two Tribes" also on ZTT.[9] Other work for ZTT involved further work for FGTH on the Welcome to the Pleasuredome album and for another two signings, Propaganda and Andrew Poppy. Ladies and Gentlemen – meet the men behind the noise, Gary Langan and JJ Jeczalik... If you can, please support the Electronically Yours podcast via my Patreon: https://www.patreon.com/electronicallyours

On this Tony Phillips Interview: Tony talks about growing up in working class East London without indoor toilets and later on, moving to LA to work with Joni Mitchell. Working w/ David Gilmour, Pete Townshend, Gary Moore, Robin Trower, The Damned & Captain Sensible (Great Story), Jeff Beck, Malcolm McLaren, Van Morrison, Elvis Costello, Nick Lowe & others… beating cancer, failing his way to success, shepherd's pie, Mexican food, and being a dad. REALLY cool call with a genuine guy: Discover Where the Money's Hiding in the Music Business in 2023: https://MusicReboot.com Support this show: https://www.everyonelovesguitar.com/support London born Tony Phillips was originally the lead vocalist, singer and songwriter for A&M recording artist Horizontal Brian. But fate intervened and he wound up getting involved in mixing, and what a career he's had. Recording Nik Kershaw… becoming the house engineer at Pete Townshend's Eel Pie studios, working with The Clash, Depeche Mode, Duran Duran, A-ha, Naked Eye… then as a freelance mix engineer working with Trevor Horn and acts like Seal, Pet Shop Boys, Frankie Goes To Hollywood, David Baerwald, Celine Dion, and a number of Tier 1 movies and TV soundtracks  Subscribe & Website:  https://www.everyonelovesguitar.com/subscribe Cool Guitar & Music T-Shirts, ELG Merch!: https://www.GuitarMerch.com  

Seal is a multi-Grammy-winning singer and songwriter from England. His song “Kiss from a Rose” was first released in 1994, on his second album. It was a huge hit, thanks in part to being featured in the movie Batman Forever. It landed on the top ten charts in multiple countries, and eventually went quadruple platinum in the US. At the 1996 Grammys, it won Song of the Year, Record of the Year, and Best Male Pop Vocal Performance. But "Kiss from a Rose" becoming a hit was not a foregone conclusion. Seal almost didn't record it. And when it was first released, it didn't make much of a splash. But for this episode, the 250th episode of Song Exploder, Seal and his longtime collaborator, producer Trevor Horn, told me the story of what it took to bring "Kiss from a Rose" to life. For more, visit songexploder.net/seal.