Podcasts about sound patterns

Episode 141 Chapter 03, How Electronic Music is Composed. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings.   Playlist   Time Track Time* Start Introduction –Thom Holmes 01:26 00:00 Pierre Henry, “Antiphonie” (1953). Early serial tape composition. 03:00 01:30 Edgard Varese, “Poème électronique ” (1958). Classic tape composition using montage. 08:08 04:30 Iannis Xenakis, “Concret PH” (1958). Modified and amplified small sounds. 02:41 12:32 Pauline Oliveros, “Sound Patterns” (1961. Electronically modified voices and electronics on tape. 04:00 15:12 İlhan Mimaroğlu, “White Cockatoo” (1966). Tape composition using abstract sounds applied to sonata form. 04:23 19:10 Karlheinz Stockhausen, “Telemusik” (1966). Tape composition using world music recordings; also a component for included for live performance. 17:38 23:30 Karlheinz Stockhausen, “Hymnen” (1966– 67). Classic tape composition. 29:53 41:08 David Tudor, “Rainforest IV” (1973). Sounding objects, transducers, and contact microphones. 25:12 01:11:12 Ruth Anderson, “Points” (1973– 74). Synthesis using sine tones. 05:33 01:36:22 Eliane Radigue, “Adnos I– III” (excerpt) (1973– 80). Minimalist drone music for synthesizer; the full length is over an hour. 33:52 01:41:46   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Dr. Susan Sophia Hegemeyer has always been interested in super learning, healing, transformation, consciousness and spirituality. She started working with particular drum rhythms that assist people with simultaneous transferring from waking consciousness into relaxed states at the same time she became a hypnotherapist. Hypnotherapy also uses the voice and sometimes specific sounds to help facilitate shifting from our hypervigilant state, the stress response, cortisol production and inflammation, excessive thoughts, elevated heart rate and shallow breathing. For over 25 years she used these sound and music patterns with cancer and immune compromised illness, recovery, addiction, mental health diagnosis and trauma, and with people with a myriad of spiritual awakening experiences from near-death, out of body, intense dreams, heightened awareness, and other intuitive experiences. All the groups had remarkable results, with some people saying she saved their lives. The 3Melete programs Susan created draw upon particular sound and music that diminish cortisol and inflammation, depression, and anxiety. The programs also promote and develop resilience, inner strength, and the ability to navigate challenging times, because there is an increase in dopamine, oxytocin, the feel-good chemicals that promote calm, memory, focus, cognitive function, healing, emotional and mental regulation, release of inflammation, and develop insight, problem solving, getting good sleep, creativity, and intuition.Programs - Transformational Sound Healing Programs (3melete.com)

Welcome back UMMPod Nation! Hope everyone had a wonderful Mother's Day yesterday! And keeping in the family theme, today's band features an exciting up-and-coming band of brothers and their father, Surrender Cobra.Surrender Cobra is comprised of  3 brothers, Benjo (age 12), Witt (16), and Jarratt (18), and their father (and Mayor of Greenwood) Brandon "Bee" Smith! Enjoy our fun-filled interview as well as their new track called "In my head" from the brand new album, 'Upstate Sound Patterns'!After our interview, we dive into a quick "This Day in Music", and wrap up this week's show!We love you UMMPod Nation! See you next week, as we are featuring Jack Ryan of The Marcus King Band!! Support the Show.

Imagine having an underground system that can continuously collect data related to traffic, earthquakes, and other vibration-causing activities.One of the biggest advantages that such a system would present is its ability to work all day, and all night, uninterrupted. It would not require light or regular removal of obstructions. That's exactly what Terra Sound's acoustic system does for cities and organizations that have ground as well as underground assets. The fact that the data is collected consistently makes it easier to gain fast actionable insight from it.In this episode, the second part out of two, Ed Bernardon interviews two brothers, Brian Borkowski, founder of Terra Sound, and Craig Borkowski, a board member and former CEO of Terra Sound. They'll help us understand how and why they choose the products they are currently offering. They'll also share some details about the existing use cases of their technology as well as possible future use cases.Some Questions I Ask:What was your inspiration when you were young? (01:21)How did Terra Sound move from being in the military to being a start-up? (09:30)Which of your three products has the biggest potential for growth? (14:05)What do you think this technology could evolve into doing beyond what you're doing today? (22:53)What You'll Learn in this Episode:The most valuable lesson that Brian learned from being in the military (05:37)How Terra Sound chooses which products to develop (12:52)The progress their product has made in terms of smart city applicability (15:46)The future application of Terra Sound's technology according to Craig and Brian (24:56) Connect with Brian Borkowski: LinkedInTerra SoundConnect with Craig Borkowski: LinkedInConnect with Ed Bernardon:LinkedInFuture Car: Driving a Lifestyle RevolutionMotorsports is speeding the way to safer urban mobilitySiemens Digital Industries Software Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Technology has now gone underground. It's laying low!Organizations that help protect property, underground assets and provide data on the status of our urban infrastructure, have opened up a new technological frontier. Solutions in this frontier don't necessarily rely on vision, they can do quite a bit by sensing vibrations.A software-based services company, Terra Sound has developed a distributed acoustic sensing system that uses fiber optics to collect, transmit data for analysis by AI based methods. Imagine a system that's underground, detecting vibrations, making sense of those vibrations, and providing you with actionable insights on a range of things including if an intruder is present, the motion of pedestrians and vehicles from micromoblity to trains. That's exactly what their solution does!In this episode, the first part out of two, Ed Bernardon interviews two brothers, Brian Borkowski, founder of Terra Sound, and Craig Borkowski, a board member and former CEO of Terra Sound. They'll help us understand the company's vision as well as the origin of their technology. They'll also share more details about their products and the purpose they serve.Some Questions I Ask:What's Terra Sound's vision? (03:19)What are the advantages of using fiber optic cable underground to do acoustic sensing? (07:41)What can you provide to cities that would be helpful? (13:10)How can your system help EMTs get to the scene of an accident faster? (19:21)What You'll Learn in this Episode:How Terra Sound creates important patterns (04:08)How each of their three products works (05:16)How they sort the different vibrations picked by the cables (15:25)How Terra Sound's technology could impact the development of autonomous cars (23:22)Connect with Brian Borkowski: LinkedInTerra SoundConnect with Craig Borkowski: LinkedInConnect with Ed Bernardon:LinkedInFuture Car: Driving a Lifestyle RevolutionMotorsports is speeding the way to safer urban mobilitySiemens Digital Industries Software Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Tabakalerako eskialara nagusietatik jende askotarikoa igarotzen da, goruntz zein beheruntz. Ziur zu ere inoiz pasa zarela bertatik. Zorte apur batekin SCALA soinu instalazioak zeharkatuko zintuen. Musikara eta soinura hurbiltzeko hizkuntza eta moduak ikertzeko xedez sortu zen eta Pauline Oliverosen 'Sound Patterns' zein Niño de Elcheren 'La pena y el alivio' soinu instalazioak hartu ditu. Orain, aitzitik, eskilaretara gerturatuz gero Maialen Lujanbioren ahotsa entzungo duzu. 'Bizitza Happening' instalazioa egin du bertsolariak, Xabier Erkiziaren laguntzarekin. Atal honetan eskilaretako hots eta zurrumurruak ekarriko dizkizugu. Jantzi kaskoak eta adi!

Emily Crocker's music has been performed all over the world for decades, and she continues to be a powerful force in the world of music creation and education. In the past thirty-five years, Emily has taught in the public school system, became Vice President of Choral Publications at Hal Leonard, and, in 1994, founded the the Milwaukee Children's Choir. Her newest resource for choral classrooms, Sound Patterns, helps to break down the process of reading music in a way that is both accessible and fun for students. In this episode, Emily shares her journey of becoming a teacher and composer and offers incredible wisdom for new and seasoned teachers alike.

Episode 010: This One Goes to Eleven (featuring guest set from Hymnal)The first set is dedicated to Rex Thompson AKA Tartarex who inspired me to collect psychedelic music.  01 The Petards - Tartarex (Germany 1969) This German pop band's finest moment and the tune that Rex took on as his moniker.  02 The Gods - Real Love Guaranteed (UK 1969) As heard on Episode 002, this 45 only scorcher by these UK heavies features future members of Uriah Heep.  03 Kippington Lodge - Turn Out the Light (UK 1968) Before evolving into their guitarist Brinsley Scwarz's namesake, this quartet released five singles that are fine examples of the genre.04 The Pretty Things - Talking About the Good Times (UK 1968 - US Promo 45 Mix) A rare mix from these UK legends sourced from a promo only US 45 that would have fit perfectly on their classic SF Sorrow LP.05 Shy Limbs - Reputation (UK 1969) Sublime UK pop-psych by this obscure outfit that featured Greg Lake of King Crimson and ELP fame.06 The End - Shades of Orange (UK 1968) Produced by the Stones' Bill Wyman and bearing a striking resemblance to their work of the time, these dashing lads would eventually greet the 70's as hard rock titans Tucky Buzzard.07 The Syn - Flowerman (UK 1967) UK flower power at it's finest, the Syn features a pre-Yes Chris Squire and Peter Banks.  08 Rob De Neys - Bye Bye Mrs. Turple (UK 1967) Dutch pop star who released this bizarre exploito single that actually quite works despite it's truly nonsensical lyrics.09 People - Glastonbury (UK 1971) A one off studio creation for a single on Deram that features haunting harmonies and a hard hitting percussive rhythm section.  10 Time Machine - Turn Back the Time (France 1971) Surprisingly common 45 by an obscure French combo that may be a studio creation.  The flip is a stunning backwards take of the A-Side.Hymnal Guest Set:01 Strange-Annihilation (US 1973). Florida Guitar Rock band fronted by Terry Brooks. Non LP single on Brook's private label Outer Galaxie (Narration by Edmond Goode). 02 Weasel-24th Goodwill Street (US 1971 promo) Sole release by this midwestern heavy rock outfit from El Dorado, Kansas. Recorded at Soundville Records in Houston, Texas, and released by Westpark Records. This is the rare DJ advance copy with the song writers' names mismatched. Fewer than 20 copies of this single are known to exist.  03 Bob Goodsite-Faze I (Phase One) (US 1972) The A side of this single, a cover of ‘Our House' by Graham Nash, cannot prepare you for the the compressed and phased-out slab of instrumental guitar-rock that is ‘Faze I.' Recorded at Sound Patterns in Farmington, Michigan. The explosive grip of this brief track will make you hunger for a larger project in this style.   04 Joe Rosanova & The Vineyard-Dreams of You (US 1971 single test pressing) Named after the drummer Joe Rosanova, this soft rock lounge band from Tennessee creates a psychedelic masterpiece worthy of The Cream. This version is a 1971 single test pressing from their 1968 LP & appears to be the  only way to get this song on a 45.   05 Cucumber-Under (US 1968) No details on this obscure band but for the composer, a Robert Esposito. Let the use of extreme fuzz as a compositional tool here be instructive to many a modern shoe-gaze producer. On the Cobblestone label. Thank you Mr. Esposito.   06 Medusa-Temptress (US 1976) Released on the Pepperhead label out of Oak Park Illinois, this Chicago band produced this drifting mid-tempo stoner-rock ballad laden with echoey vocals. This single is the groups only official output, however, 4-track tapes of a full LP have recently surfaced. 

Episode 20 Sounds of Industry Industrial Noise Music Playlist: Throbbing Gristle, “Maggot Death Pt 1” studio recording from The Second Annual Report (1977 Industrial Records). Chris Carter and Cosey Fanni Tutti. Peter Bartok, Peter Paul Kellog, “Pump Drill” from Sound Patterns (1953 Folkways). Recording of a pump. Pierre Henry, “Spatiodynamisme II” (excerpt) from an exhibition catalog for work by Nicolas Schöffer (1963 Éditions Du Griffon). Henry used sound materials he recorded in 1954 from a kinetic sculpture by Schöffer. David Jackman, “Machine Gun 2” from Machine Gun (2000 Die Stadt). This was the first of a series of works Jackman created using the archive recordings of the "Imperial War Museum" in London. This was an edition of 600 copies on clear vinyl. Emory Cook, “Festival” (excerpt) from Mexican Firecrackers (1956 Cook). Church bells and Firecrackers before dawn, Ajijic, Mexico. Cabaret Voltaire, “4th Shot” from the album Mix-Up (1979 Rough). Stephen Mallinder, Chris Watson, Haydn Boyes-Weston, and Richard H. Kirk. David Jackman, “Flak” from the EP Flak (2003 Die Stadt). George Engler, “Metallurgy” from The Inside Of The Outside / Or The Outside Of The Inside - Who Are They? Where Do They Come From? Why Are They Here? (1965 Serenus). A set of tape works using instruments and natural sounds set to themes of industry and space travel. George Engler, “Destruction” from The Inside Of The Outside / Or The Outside Of The Inside - Who Are They? Where Do They Come From? Why Are They Here? (1965 Serenus). Merzbow, “Material Action Track 2” from the cassette Material Action (1984 ZSF Produkt). Masami Akita and Kiyoshi Mizutani. Throbbing Gristle, “Beachy Head” from 20 Jazz Funk Greats (1979 Industrial Records). Chris Carter and Cosey Fanni Tutti. “ Engine Running” from Motor Car Noises, a sound-effects record (1931 His Master's Voice). “Street Traffic Noises” Recorded at a London Street Junction,” a field recording. (1923 Columbia, UK). Leo Hurwitz, “City Edge: The Coves of Manhattan Island” (excerpt) from Here At The Waters' Edge 1 (1962 Folkways). Tape collage to accompany a documentary film. R. Murray Schafer, “Music of Horns and Whistles” from The Vancouver Soundscape (1973 Ensemble Productions). Bruce Davis, Colin Miles, Barry Truax, Howard Broomfield, Peter Huse, and R. Murray Schafer. All the sounds were recorded between September 1972 and August 1973. Part of the World Soundscape Project founded by Schafer. John Pfeiffer, “After Hours” from Electronomusic (1968 RCA Victrola). The sounds of office machines used in business, edited as a tape collage. Cabaret Voltaire, “Everything is True” from International Language (1993 Plastex). From the liner notes: “Abandon thinking. Everything you will hear in the next seventy-four minutes is true.” Stephen Mallinder, Chris Watson, Haydn Boyes-Weston, and Richard H. Kirk.   The Archive Mix in which I play two additional tracks at the same time to see what happens. Here are two more tracks of industrial music: David Jackman, “Flak” from the EP Flak (2003 Die Stadt). Same as earlier track but played at 33-1/3 speed. Lou Reed, Metal Machine Music, Side B, excerpt (1975 RCA).   For more information about the history of turntablism, read my book: Electronic and Experimental Music (sixth edition), by Thom Holmes (Routledge 2020).   Notes for this episode can be found on my blog: Noise and Notations.

featuring: natural sounds, location-based sounds, and man-made sounds. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/evan-fleischer/support

Sound is produced when something vibrates. The vibrating body causes the medium (water, air, etc.) around it to vibrate. These are some ways to develop patterns of Christ that release an unmistakable frequency.

Michael Campbell is an accomplished linguist, phonologist, Chinese dialectologist, polyglot and CEO of Glossika, a highly-respected name in language learning unlike anything else out there. Glossika helps you build muscle memory through exposure to sound patterns. Michael is extremely passionate about languages and language learning and has spent the better part of his life figuring out better and better ways to learn languages effectively. It’s difficult to put a finger on just how many languages he speaks, but he is quite familiar with and able to hold his own in dozens! In the beginning of the podcast, we get a brief history of Michael's passion for language and how, over the period of a decade, he personally helped thousands of people overcome their language learning hurdles. This process led to an analysis of what issues in language learning needed to be addressed while helping people overcome language learning hurdles, which in turn led to the formation of Glossika.

Meet the Composer continues its investigation of the odd, wrong-side-of-the-tv-set role of The Performer with a deep dive into the Sonic Meditations of pioneering American composer Pauline Oliveros. Oliveros manages to smudge at the distinction between composer, performer and audience with these simple, text-based pieces, which somehow pack an emotional wallop far larger than their few lines might suggest. Heard a piece of music that you loved? Discover it here! 0:49—Pauline Oliveros: Lear | Listen | Buy 4:15—Henry Francis Lyte: Abide with me | Listen | Buy4:37—Pauline Oliveros: Nike | Listen | Buy 5:10—Ludwig van Beethoven: Sonata No. 31 in A flat, op. 110 | Listen | Buy 7:20—Pauline Oliveros: Continuing Variations8:05—Pauline Oliveros: Nike | Listen | Buy 8:16—Pauline Oliveros: Sound Patterns8:47—Pauline Oliveros: The Well and the Gentle | Listen 10:37—Pauline Oliveros: Who Said What12:11—Pauline Oliveros: Ione | Listen | Buy 14:50—Pauline Oliveros: Bye Bye Butterfly | Listen | Buy 15:27—Pauline Oliveros: I of IV | Listen | Buy15:33—Pauline Oliveros: Something Else | Listen | Buy15:38—Pauline Oliveros: Tara's Room | Listen | Buy15:41—Pauline Oliveros: Silence15:43—Pauline Oliveros: River of Folk Dance | Listen | Buy15:46—Pauline Oliveros: Lear | Listen | Buy 16:37—Pauline Oliveros: Ione| Listen | Buy 18:55—Pauline Oliveros: Sonic Meditation XII: One Word25:14—Pauline Oliveros: Tuning Meditation

Don’t touch that dial! Firehouse Radio Players are back “on the air” and onstage at Firehouse Theatre! In tonight's broadcast: No clue is too small and no fee is too big to escape the attention of Cliff Hanger, Private Eye. Then: egos and actors clash when the curtain rises on Hello from Hollywood, a radio recreation of a big screen movie classic. Finally: just when you thought it was safe to go back into space, the galaxy’s greatest space ranger returns in The Thrilling Adventures of Captain Fremulon. Featuring: Cat Bagby; Harry Caufield; Molly Greenspan; Austin Lewis; James Nygren; Don Polaski; Hannah Polaski Directed by James Nygren; Music by Kim Fox; Sound Patterns by David Hightower; Written by Jack Mooney

Firehouse Radio Players are on the air! In tonight's broadcast: Cliff Hanger, Private Eye stars in "The Seductive Suspect;" Nurse Trudy Fairlight longs for love in "Paging Dr. Destiny;" and space ranger Captain Fremulon and his crew find "Peril on the Lost Planet." (Recorded live at Firehouse Theatre in Richmond, Virginia on September 22, 2015). Featuring: Joey Bishop; Harry Caufield; Rachel Dilliplane; Jana Frances-Fischer; Matt Ferguson; Jessie Kraemer; Don Polaski; Hannah Polaski; Lesie Pumphrey Music by Logan Byam; Sound Patterns by Erinn Perry; Written by Jack Mooney; Directed by James Nygren

Battleship 3D: The Movie Trailer Written by Richard Frohlich and recorded in front of a studio audience during our STUDY IN SCARLET audio play: Oct 16th 2011 Produced by the Texas Radio Theatre Company in cooperation with the Arlington Museum of ArtExecutive Producer:  Shannan Frohlich    Director:  Richard Frohlich Production Manager:  Ken Raney  Featuring the Voice Talents of:Ric Spiegel, Bryan Douglas, Andrew Kasten, Bryan Lockett and Reg PlattLive Sound Effects by Ken RaneyEngineering, Music and Sound Patterns by Richard Frohlich

Titanic II: The Revenge "This time you won't know how it ends!" Written by Richard Frohlich and recorded in front of a studio audience during our REVENGE of the HALKMEN audio play: July 18th, 2003 Produced by the Texas Radio Theatre Company in cooperation with the Arlington Museum of ArtExecutive Producer:  Shannan Frohlich    Director:  Richard Frohlich Production Manager:  Ken Raney  Featuring the Voice Talents of:Tim Wardell, Dona Safran, Bill Flynn, Rich Baker, Spencer Prokop, Mitch Carr, Gary Layton, Ken Raney and Larry Groebe Live Sound Effects by Jennifer Parson and Ken RaneyEngineering and Sound Patterns by Richard Frohlich

We’re digging into /t/ and /d/ on Glossonomia this week. Hosts Phil Thompson and Eric Armstrong discuss how we make this cognate pair of consonants, voiceless and voiced alveolar stop/plosives. Today’s Topics include: • the concept of Lenition (softening), in particular, the terms Fortis vs. Lenis. • Voice Onset Time (VOT): when does the voicing begin? Normally, /t/ in English is aspirated at the beginning of stressed syllables. In English, initial /d/ in stressed syllables is, essentially voiceless but unaspirated, whereas intervocalic (between two vowels). • In Phonecian, the word for the letter D was, in fact “door”—daleth. • T comes from Greek Tau, and Semitic Tav, which resembled a simple cross. • Spellings: t (Ted, atop, get), th (Thames, Thomas, thyme), pt- (ptarmigan, pterodactyl, pterigoid) • Wikipedia has a paragraph on the origins of the name Thames, and its Greek influenced Th- spelling • IPA [th] for aspiration, [t=] for unaspirated; [d] • There is no perfect phonetic way to notate things; there are many ways to heaven in the phonetic realm • Apart from English, there are many languages where /t/ is not aspirated • “Cool” words of the week—prevocalic: before a vowel; postvocalic: after a vowel; intervocalic: between 2 vowels. • No audible release of final /t/ “but, not, that” IPA [ bʌt ̚ nɒt ̚ ðæt ̚ ] • devoicing of consonant clusters tr-, -tl, tw-, • preceding /s/, as in steam, “deaspirates” the /t/, and may reduce the devoicing in stream. • past-participles: -ed endings following a voiceless consonant are /t/ e.g. hoped is pronounced [ hoʊpt ], following a voiced consonant or vowel are pronounced /d/ • Orthoepy: the “correct” pronunciation of a language, or a tradition of pronouncing words as they are spelled; e.g. often with a /t/ or not • Intervocalic /t/: In North America typically a voiced tap [ɾ] or [ t̬ ] • Sound Patterns of Spoken English by Lynda Shockey • Glottaling, using the glottal stop, as it “Hit me, baby, one more time” • Assimilation, where the sound is moved to the place of the following consonant • Glottal reinforcement: /t/ supported by closure in the glottis • Ejectives: non-pulmonic is “not from the lungs” IPA [ t’ ]: the glottis is closed and the larynx rises to pressurize the [ t’ ] behind the closure at the gum ridge • geminate or twinned consonants, e.g. hit Ted, either the first is unreleased, or we may use “double tapping” (to release both /t/ sounds) • Raymond Hickey Irish English Resource Centre slit /t/ and in Newfoundland, Australia, New Zealand; Kath & Kim’s grayshsh; JIPA: The acoustic character of fricated /t/ in Australian English: A comparison with /s/ and /ʃ/ by Mark J. Jones and Kirsty McDougall • Palatal versions of /t/ and /d/ (IPA [c] and [ɟ] ) • Back of tongue sloppiness vs. Front of tongue agility; greater phonetic variation with tongue tip • /t/ epenthesis, e.g. Prince vs. prints; tense vs. tents; sense vs. cents • Prescriptions: watch out for [ts] in initial settings “splashy /t/”; skills to be able to do unaspirated /t/ or to have an early voice onset on /d/ (I’d probaby notate that as [d̬]“Some of the things we’re talking about are questions of precision. ‘Inappropriate Precision’ is what robots do. What dancers do is ‘appropriate precision,’ we hope. And so, dancers of the mouth ought to be equivalently curious about, and in love with, the possibility of precision but only as it achieves the gracefulness, or expressiveness, or wildness that’s required of the artistic endeavour in front of them.”Next week we’re on to the vowel sound happY. Email us at glossonomia@gmail.com!Write a review about our show at the comments on iTunes here.

The Texas Radio Theatre Company in cooperation with the Arlington Museum of Art present: The Charado written by Richard Frohlich The Charado, a strange super powered visitor from another world. Unable to speak American, but willing to use is inhuman powers to fight for truth - justice and freedom. Today's adventure - "The Gorilla Next Door" sponsored by Tart Pops, the only candy that looks like Brittany Spears. Recorded in front of a studio audience in January 2005 Produced by the Texas Radio Theatre Company in cooperation with the Arlington Museum of Art TRTC Executive Producer: Shannan Frohlich Director: Richard Frohlich Production Manager: Ken Raney Featuring the Voice Talents of: Joe Berryman, Jerry Hall, Chris Messersmith, Christopher Nash, Ken Raney, Dona Safran and Bob White. Live Sound Effects were performed by Hina Padihar and Angie Payne. Sound Patterns and Engineering: Richard Frohlich Length 7:00 min Size 5.4 MB http://www.texasradiotheatre.com/ http://txradiotc.blogspot.com/

Flash Gordon and the Terror of the Hawkmen part 3 of 3 Adapted by Richard Frohlich and Bruce Humphries The Conclusion of Texas Radio Theatre's Flash Gordon experiment - After escaping the Radium furnaces, rescuing Dale and fighting King Vultan, Zarkov repairs the city's levitation beams earning the friendship of King Vultan.  While everyone celebrates their new friendship, they are shocked to see Emperor Ming's airship closing in on the cloud city.  With no escape Flash, Dale and Zarkov come face to face with their destiny in this adventure based on the original radio series! Produced by the Texas Radio Theatre Company in cooperation with the Arlington Museum of Art Executive Producer:  Shannan Frohlich     Director:  Richard Frohlich Production Manager:  Ken Raney   Featuring the Voice Talents of: Tim Wardell...........Flash Gordon Dona Safran...........Dale Arden Bill Flynn............Dr. Zarkov Rich Baker............Prince Barin Spencer Prokop........Ming the Merciless Mitch Carr............King Vultan the Mighty Mary Ann McCarty......Princes Aura Gary Layton...........Prince Thun Ken Raney.............Announcer 1 Larry Groebe..........Announcer 2 Live Sound Effects by Jennifer Parson and Ken Raney Engineering and Sound Patterns by Richard Frohlich Length:  22:55 min, Size: 10.8 MB The Texas Radio Theatre Company is dedicated to preserving the art of audio theatre where audience members are invited to create the story's imagery within their own mind. visit us on line at texasradiotheatre.com and Our Weblog

Flash Gordon and the Terror of the Hawkmen part 2 of 3 Adapted by Richard Frohlich and Bruce Humphries After their escape from Ming the Merciless, our friends are captured by Vultan, King of the Hawkmen.  Flash, Barin and Zarkov are sent to work in the mysterious cloud city's radium furnaces, while Dale is the object of the head hawkman's heart.  Can Flash escape his imprisonment and rescue Dale?  Find out in this adventure based on the original radio series! Produced by the Texas Radio Theatre Company in cooperation with the Arlington Museum of Art Executive Producer:  Shannan Frohlich     Director:  Richard Frohlich Production Manager:  Ken Raney   Featuring the Voice Talents of: Tim Wardell...........Flash Gordon Dona Safran...........Dale Arden Bill Flynn............Dr. Zarkov Rich Baker............Prince Barin Spencer Prokop........Ming the Merciless Mitch Carr............King Vultan the Mighty Mary Ann McCarty......Princes Aura Gary Layton...........Prince Thun Ken Raney.............Announcer 1 Larry Groebe..........Announcer 2 Live Sound Effects by Jennifer Parson and Ken Raney Engineering and Sound Patterns by Richard Frohlich Length:  20:47 min, Size: 9.7 MB The Texas Radio Theatre Company is dedicated to preserving the art of audio theatre where audience members are invited to create the story's imagery within their own mind. visit us on line at texasradiotheatre.com and Our Weblog

Flash Gordon and the Terror of the HawkmenAdapted by Richard Frohlich and Bruce HumphriesStranded on planet Mongo, Flash, Dale and Doctor Zarkov escape from Ming's grasp only to find themselves taken prisoner by someone even more dangerous: Vultan, King of the Hawkmen. Join Flash and his alies as they battle strange aliens and thwart the evil plans of Ming the Merciless in this adventure based on the original radio series! Produced by the Texas Radio Theatre Company in cooperation with the Arlington Museum of ArtExecutive Producer:  Shannan Frohlich    Director:  Richard Frohlich Production Manager:  Ken Raney  Featuring the Voice Talents of:Tim Wardell...........Flash GordonDona Safran...........Dale ArdenBill Flynn............Dr. ZarkovRich Baker............Prince BarinSpencer Prokop........Ming the MercilessMitch Carr............King Vultan the MightyMary Ann McCarty......Princes AuraGary Layton...........Prince ThunKen Raney.............Announcer 1Larry Groebe..........Announcer 2Live Sound Effects by Jennifer Parson and Ken RaneyEngineering and Sound Patterns by Richard FrohlichLength:  23:46 min, Size: 11.16 MBThe Texas Radio Theatre Company is dedicated to preserving the art of audio theatre where audience members are invited to create the story's imagery within their own mind. visit us on line at texasradiotheatre.com and Our Weblog