Podcast appearances and mentions of Cameron Crowe

Rewind. Sandy and Terry will discuss Billy Wilder's 10 tips for screenwriters. Few screenwriters are as pedigreed as Billy Wilder, who is renowned as one of the most creative filmmakers of American cinema's Golden Age. Wilder was nominated 21 times at the Academy Awards, 13 for screenwriting and 8 for direction. He won the Best Director award for his 1945 film "The Lost Weekend" and again 15 years later for "The Apartment." Thanks to the success of "The Apartment," Wilder became the first person to win an Academy Award as a producer, director, and screenwriter for the same movie. Cameron Crowe said, “There's no better film school than listening to what Billy Wilder says.”The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Cameron Crowe wrote for Rolling Stone as a teenager, rode alongside the biggest bands of the era, and somehow stayed human enough to turn those years into art. We use his memoir The Uncool as a springboard to talk about the real creative process: the awkward beginnings, the brutal winters, and the small daily choices that keep an artist moving when nobody is clapping yet.We pull quotes and stories that hit hard for working artists. What does “opportunity favors the prepared mind” look like in practice when you're sending work out, building taste, and stacking reps? How do you protect the “invincible summer” in you when the studio feels cold, the market feels loud, and your mind starts running worst-case scenarios? We also linger on the difference between being discovered and being ready, and why preparation beats panic every time.Then we get into confidence and evolution. “Act like you belong” isn't fake swagger, it's a quiet claim to your seat at the table if you're doing the work. And Joni Mitchell's advice cuts straight through the fear of changing your style: stay the same and get crucified, change and get crucified, so you might as well keep it interesting. We close with a challenge we all need: notice the work you're avoiding, because it might be the work that matters most.If this conversation lights a fire, subscribe, share it with an artist friend, and leave a review so more people can find the show. What's one piece of work you're going to start or finish this week?Send us a message - we would love to hear from you! Make sure to follow us on Instagram here:@justmakeartpodcast   @tynathanclark   @nathanterborgWatch the Video Episode on Youtube or Spotify,https://www.youtube.com/@JustMakeArtPodcast

Wes and Iris hoist their boomboxes to Cameron Crowe's heartfelt classic about one of cinema's all-time good guys, SAY ANYTHING. Lloyd Dobler, all right. Find out why this endlessly quotable coming-of-age romance still hits harder than a kickboxing match at orwhatevermovies.com. Contains spoilers. Thanks for listening!  @orwhatevermovies 818-835-0473 orwhatevermovies@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 145: Rob Arthur is a musician, filmmaker and watercolorist.  He's currently the bandleader for the Peter Frampton Band. His new (and first) foray into filmmaking has riled the new documentary "FRAMPTON". From the explosive heights of Frampton Comes Alive! to the quiet introspection of his final tour, "Frampton" is an intimate portrait of a rock icon who soared, stumbled, and rose again. This feature documentary traces Peter Frampton's extraordinary life and career — from his meteoric rise in the 1970s that made him a global sensation, through the turbulent years that tested his artistry, identity, and resilience. As the roar of stadium crowds faded, Frampton faced the daunting task of rebuilding — reinventing his sound and rediscovering his purpose across solo projects, collaborations, and relentless touring. Behind the stage lights, personal sacrifices and fractured family ties reveal the cost of fame that few ever see. Now, diagnosed with Inclusion Body Myositis, a degenerative muscle condition threatening his ability to play guitar, Frampton stands at a profound crossroads. framptonfilm.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

CAMERON CROWE MONTH kicks off with the Cameron Crowe-written, “based on his book,” high school classic, CLUELESS precursor, FAST TIMES AT RIDGEMONT HIGH. Cue the Nic Cage trivia. Contains spoilers. Thanks for listening!  www.orwhatevermovies.com. @orwhatevermovies 818-835-0473 orwhatevermovies@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this bonus tie-in podcast we are adding a little bit of class to our month-long journey through the sex comedies of the 1980's as we discuss the Amy Heckerling-directed Fast Times at Ridgemont High. Over the course of our conversation you will hear us talk about how this movie elevated teen comedy and became a staple hangout among the youth of the time, how it works well together with other classic hangouts like American Graffiti and Dazed and Confused and how it eschewed the desire to caricaturize teenagers in favour of portraying their lives and anxieties with requisite honesty. We also talk about Sean Penn's idea of eating in class, the infamous COVID reading of the script by attention-starved celebs, Cameron Crowe's earnest writing and much more!Tune in and enjoy! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Tony Larder⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)

LOCK THE GATES! The SUMMER OF JASON rolls on, as we welcome Jason's former co-worker, President Biden's US Ambassador to ASEAN (the Association of Southeast Asian Nations), Yohannes Abraham. We catch up on Trump's China Summit, his wholesale pillaging of the US Government with his new slush fund, and Jason's new project The Center for Shared AI Prosperity. Then we talk about Cameron Crowe's 2000 rock-and-roll memoir, Almost Famous.Chapters Introduction (00:00:00) Hatch News (00:19:56) Almost Famous Roundtable (00:25:46) Your Letters (01:26:04) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Jonny is joined by Steve, friends for the last 30 years, to geek out and reminisce about Cameron Crowe's 'Almost Famous'.fulcrumfilmclub@gmail.comIntro music: 'Young Americans' performed by Dwayne GretzkyMusic & video clips (in addition to short clips from the movie):'Luck of Lucien' by A Tribe Called QuestAlmost Famous 2000 Trailer'Mindbender' by StillwaterKate Hudson interview speaking about Kurt Russell (unable to find original source)'Cabin in the Air' by Nancy Wilson (unreleased version)'Fever Dog' by Nancy Wilson (demo version)Jason Lee in 'Video Days' (1991) by Spike Jonze'Love Comes and Goes' by "Stillwater"Eric Stonestreet interview speaking about Almost Famous (unable to find original source)'Tiny Dancer' by Elton John 'Feel Flows' by The Beach BoysExtracts from 'The Uncool' (Memoir) by Cameron CroweProduced by Jonny Hennigan & The Fulcrum Crew. Recorded at the Fulcrum Studios, the Shire. England.Mixed and edited by Jonny Hennigan at the Fulcrum Studios, the Shire. England. Hosted on Acast. See acast.com/privacy for more information.

Quando uscì, nel 1971, "Tiny Dancer" non sembrava destinata a diventare uno dei brani più amati di Elton John. Ma nel 2000, con l'uscita del film "Almost Famous" di Cameron Crowe, lascena leggendaria di una band in tour, che viaggia di notte su un autobus e inizia a cantare la canzone, fa del brano un grande successo.

Awww yeah baby. We're back again. Late to the Table. Tom Cruise. 2001. Bad Boy for life! Cameron Crowe! Does Vanilla Sky hold up in 2026? Get. Into. It!

On his final night in New Orleans, Brian Wise files a slightly frayed dispatch that captures Jazz Fest's defining tension: a festival big enough to feel infinite, and a schedule brutal enough to make you choose your regrets in advance. Episode 22 becomes a story about how festivals actually unfold—less like neat recaps and more like a sequence of weather calls, crowd-panics, and last-minute pivots. With the festival reckoning done, the conversation swings to another kind of canon-building: Joni Mitchell. Sparked by a Mojo “top 50 songs” feature, the hosts trade favourites (Wise namechecks “Don Juan's Reckless Daughter” and multiple Court and Spark staples, plus “Magdalene Laundries,” “Amelia,” and “River”), and Wise recalls seeing Mitchell at Jazz Fest in 1995, performing with her VG-8 guitar setup. They also discuss an attention-grabbing industry development: a Joni Mitchell biopic being directed by Cameron Crowe, with Meryl Streep cast as the older Mitchell and Anya Taylor-Joy as the younger. The enthusiasm is tempered by a journalist's instinctive question: can a close friend make an objective film? Show Notes Fred Wesley & The New J.B.'s | Live at Moods  Isaiah Collier & The Chosen Few - Full Performance (Live on KEXP)   Wilco - Impossible Germany with full solo recorded live at the Saenger Theatre May 2026 Mavis Staples Chicago May 3 2026 New Orleans Jazz Fest  Herbie Hancock - Chameleon (Official Audio)  Joni Mitchell's 50 Greatest Songs In The New MOJO!  Little Feat - Spanish Moon (Official Music Video) 

This week, Shat The Movies dives into Jerry Maguire, Cameron Crowe's 1996 romantic dramedy that gave us mission statements, sports agents, and more endlessly quoted lines than almost any movie of the decade. Tom Cruise stars as Jerry, a high-powered agent whose sudden moral awakening costs him everything except one loyal client, one overwhelmed single mom, and one very intense kid obsessed with the human head. Gene and Big D revisit Cuba Gooding Jr.'s explosive Oscar-winning performance, debate whether Jerry is genuinely changing or just professionally spiraling, and unpack why this movie somehow works as a sports film, romance, workplace drama, and midlife crisis all at once. Along the way, the guys discuss Cruise's impossible charisma, Renée Zellweger's emotional heavy lifting, and whether "You complete me" is one of cinema's most romantic lines—or one of its biggest emotional red flags. Full movie info below After a crisis of conscience gets him fired from a major sports agency, Jerry Maguire starts his own firm with only one client and one coworker, forcing him to rebuild his career, relationships, and sense of purpose from the ground up. Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

Does anybody remember laughter? Marty and Scott do, as they watch FOUR MORE real movies about the fake rises and faux falls of bunk bands! It's all happening!More specifically, here's when it's all happening:That Thing You Do (1996, Dir. Tom Hanks) at 2:27Almost Famous (2000, Dir. Cameron Crowe) at 16:34Walk Hard: The Dewey Cox Story (2007, Dir. Jake Kasdan) at 33:33Popstar: Never Stop Never Stopping (2016, Dir. Akiva Shaffer and Jorma Taccone) at 46:56Continuity Boulevard kicks in at 57:56Wait till 1:05:19 and you'll hear that sweet sweet Lightning RoundFollow us on Spotify, Apple Podcasts, Google Podcasts, or Amazon Music.Visit us at slackandslashpod.comEmail us at slackandslash@gmail.com

Paul and Amy say “show me the money” with Jerry Maguire, Cameron Crowe's romantic drama that turns a mission statement into a midlife crisis. They trace the film's long development, Tom Cruise's defining performance, and the breakout turns from Renée Zellweger and Cuba Gooding Jr., while unpacking its mix of sports, romance, and soul-searching ambition. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Say Anything is a classic romance movie with the famous boombox scene. But we never knew anything else about the movie. We thought it could end up being another one of those poorly aged John Hughes movies, but Cameron Crowe actually pulled off something significantly less problematic. In fact there's a massive subplot about the protagonist's dad ripping off old people? How many kisses does it deserve tho?Don't forget to join our Discord for movie nights and additional podcast discussions!Support this podcast at — https://redcircle.com/the-other-half/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

If you've ever wondered whether AI will take over motion design or replace motion designers, you're not alone. Generative AI tools can transform the industry, but perhaps not as you expect.In today's episode, we sit down with motion designer and Creative Director Billy Woodward to cut through the noise. We discuss the tools, and bigger questions around creativity, authorship, and originality, as well as what this evolving technology really means for creatives.This conversation could easily become its own series—we barely scratched the surface. But whether you're excited, concerned, or somewhere in between, Billy shares thoughtful insights from someone actively experimenting at the intersection of art and AI, and we hope you enjoy his perspective.Our podcast celebrates Motion Ideation—the raw brainstorming, early-stage thinking and lightbulb moments that shape everything before a single design or keyframe exists. Because we believe great motion design starts with one Favorite Frame™ and the fresh ideas behind it.TIMESTAMPS:0:00 – Intro1:15 – Billy Woodward's Background2:54 – Billy's Favorite Frame™7:24 – Debriefing the Creative Brief9:36 – The Billy Woodward Preproduction Ritual13:32 – Traditional vs. AI Workflow33:46 – What Makes Something Art?37:25 – The Contentions Surrounding the Use of AI40:00 – Jurassic Park: A Case Study in Technological Advancement50:30 – A Call to Arms: Make All the Stories52:15 – Billy's Advice: Pay Attention to Stories54:52 – Biggest Challenges & Rewards from This Project56:50 – Favorite Frame™ Because…CONNECT & FOLLOW:Instagram → https://www.instagram.com/styleframesat/Twitter → https://twitter.com/styleframesatFacebook → https://www.facebook.com/styleframesatLinkedIn → https://www.linkedin.com/showcase/styleframe-saturdays-podcastTODAY'S GUESTS & RESOURCESBackslider Brand, https://www.backsliderbrand.com/Rolling Stone, https://www.rollingstone.com/ESPN, https://www.rollingstone.com/Cameron Crowe, https://www.imdb.com/name/nm0001081/Generative AI, https://en.wikipedia.org/wiki/Generative_AIAND Studio, https://www.andstudio.nyc/myPrize, https://myprize.us/James Harden, https://www.nba.com/player/201935/james-hardenDisney, https://www.disney.com/Pixar, https://www.pixar.com/Tom & Jerry, https://en.wikipedia.org/wiki/Tom_and_JerryInvisible Ink by Brian McDonald, https://www.goodreads.com/book/show/216987401-invisible-inkRunway, https://runwayml.com/Ricky Powell, https://www.rickypowell.com/The Individualist, https://www.imdb.com/title/tt11905612/Pinterest, https://www.pinterest.com/Nano Banana 2, https://gemini.google/ca/overview/image-generation/?hl=en-CAMidjourney, https://www.midjourney.com/homeChatGPT, https://chatgpt.com/Claude, https://claude.ai/loginFreepik Tools, https://www.freepik.com/Bob Ross, https://www.bobross.com/Museum of Modern Art DC, https://americanart.si.edu/institution/museum-modern-art-6231Jurassic Park, https://www.imdb.com/title/tt0107290/The Last Star Fighter, https://www.imdb.com/title/tt0087597/Mandalorian, https://www.imdb.com/title/tt8111088/Stranger Things, https://www.imdb.com/title/tt4574334One Last Adventure: The Making of Stranger Things 5, https://www.netflix.com/title/81684720Hardcore History by Dan Carlin, https://www.dancarlin.com/hardcore-history-series/Common Sense by Dan Carlin, https://www.dancarlin.com/common-sense/*Riverside: https://riverside.fm/?utm_campaign=campaign_1&utm_medium=affiliate&utm_source=rewardful&via=styleframesatLofi Cassette by Harrison Amer (theme music licensed by Premiumbeat.com, https://www.premiumbeat.com/home)Permissions granted by the artist(s).Styleframe Saturdays is a Formerle-branded podcast, and part of the Formerle brand family.*By making a purchase through one of our affiliate links we will get a small commission at no additional cost to you. Rest assured that we would recommend these products regardless of their commission-based opportunities.

This week, we're taking a look at Almost Famous, the semi-autobiographical story from Cameron Crowe of an up and coming 1970's rock band struggling with the harsh realities of fame... or are we??? April, for us, is April Fool's Month where we say we're looking at one film but, we actually look at something completely different!   Listen in and find out what we're really talking about.

The director reveals how she transformed Cameron Crowe's undercover reporting into a defining portrait of messy, horny, sun-bleached youth. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rolling Stone's first decade was truly rock and roll: chaotic, wild, and unpredictable. Brand New Beat: The Wild Rise of Rolling Stone Magazine (U California Press, 2026) by Peter Richardson charts the origins and evolution of the magazine during its formative early years in San Francisco. Founded in 1967 by a 21-year-old college dropout, Rolling Stone and its editors were steeped in the Bay Area's counterculture and viewed rock and roll as the animating spirit of a social revolution. Reaching beyond music, the magazine delved into the tempestuous culture and politics of the time.Acclaimed author Peter Richardson takes readers inside the iconic magazine during an era of legendary events, major cultural figures, and unforgettable music. Showing how Rolling Stone became a journalistic juggernaut—nurturing music-focused writers like Cameron Crowe, Lester Bangs, and Greil Marcus as well as New Journalism giants Hunter S. Thompson and Tom Wolfe—this book reveals how Rolling Stone both exemplified and critiqued the counterculture. Always more than the definitive rock magazine, Rolling Stone leveraged the power of popular music to deliver groundbreaking coverage of historic events, setting a new standard for the next generation of American journalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rolling Stone's first decade was truly rock and roll: chaotic, wild, and unpredictable. Brand New Beat: The Wild Rise of Rolling Stone Magazine (U California Press, 2026) by Peter Richardson charts the origins and evolution of the magazine during its formative early years in San Francisco. Founded in 1967 by a 21-year-old college dropout, Rolling Stone and its editors were steeped in the Bay Area's counterculture and viewed rock and roll as the animating spirit of a social revolution. Reaching beyond music, the magazine delved into the tempestuous culture and politics of the time.Acclaimed author Peter Richardson takes readers inside the iconic magazine during an era of legendary events, major cultural figures, and unforgettable music. Showing how Rolling Stone became a journalistic juggernaut—nurturing music-focused writers like Cameron Crowe, Lester Bangs, and Greil Marcus as well as New Journalism giants Hunter S. Thompson and Tom Wolfe—this book reveals how Rolling Stone both exemplified and critiqued the counterculture. Always more than the definitive rock magazine, Rolling Stone leveraged the power of popular music to deliver groundbreaking coverage of historic events, setting a new standard for the next generation of American journalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Rolling Stone's first decade was truly rock and roll: chaotic, wild, and unpredictable. Brand New Beat: The Wild Rise of Rolling Stone Magazine (U California Press, 2026) by Peter Richardson charts the origins and evolution of the magazine during its formative early years in San Francisco. Founded in 1967 by a 21-year-old college dropout, Rolling Stone and its editors were steeped in the Bay Area's counterculture and viewed rock and roll as the animating spirit of a social revolution. Reaching beyond music, the magazine delved into the tempestuous culture and politics of the time.Acclaimed author Peter Richardson takes readers inside the iconic magazine during an era of legendary events, major cultural figures, and unforgettable music. Showing how Rolling Stone became a journalistic juggernaut—nurturing music-focused writers like Cameron Crowe, Lester Bangs, and Greil Marcus as well as New Journalism giants Hunter S. Thompson and Tom Wolfe—this book reveals how Rolling Stone both exemplified and critiqued the counterculture. Always more than the definitive rock magazine, Rolling Stone leveraged the power of popular music to deliver groundbreaking coverage of historic events, setting a new standard for the next generation of American journalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Rolling Stone's first decade was truly rock and roll: chaotic, wild, and unpredictable. Brand New Beat: The Wild Rise of Rolling Stone Magazine (U California Press, 2026) by Peter Richardson charts the origins and evolution of the magazine during its formative early years in San Francisco. Founded in 1967 by a 21-year-old college dropout, Rolling Stone and its editors were steeped in the Bay Area's counterculture and viewed rock and roll as the animating spirit of a social revolution. Reaching beyond music, the magazine delved into the tempestuous culture and politics of the time.Acclaimed author Peter Richardson takes readers inside the iconic magazine during an era of legendary events, major cultural figures, and unforgettable music. Showing how Rolling Stone became a journalistic juggernaut—nurturing music-focused writers like Cameron Crowe, Lester Bangs, and Greil Marcus as well as New Journalism giants Hunter S. Thompson and Tom Wolfe—this book reveals how Rolling Stone both exemplified and critiqued the counterculture. Always more than the definitive rock magazine, Rolling Stone leveraged the power of popular music to deliver groundbreaking coverage of historic events, setting a new standard for the next generation of American journalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In this episode of "Light Camera Author," host Jim Junot interviewed historian and author Peter Richardson about his new book, "Brand New Beat: The Wild Rise of Rolling Stone Magazine." Richardson discussed the origins and early years of Rolling Stone, from its founding in 1967 by Jan Wenner and Ralph Gleason, to its evolution over the first decade. They explored the magazine's influence on culture and music, its groundbreaking journalism, and the roles of notable writers like Hunter S. Thompson and Cameron Crowe. The conversation also touched on Rolling Stone's approach to covering controversial topics and its impact on the media landscape, drawing parallels to today's digital media environment.

It's Vivvy's Birthday so she gets to choose a film for Pod so she went with one of her all time favourites, Cameron Crowe's 2000 filmIt's Vivvy's Birthday so she gets to choose a film for Pod so she went with one of her all time favourites, Cameron Crowe's 2000 film, ‘Almost Famous' starring Kate Hudson and Phillip Seymour Hoffman. Teenage journalist William tours with the band Still Water whilst he reports for Rolling Stone magazine. Tune in and enjoy the ride!

It's time for a new edition of The Stack with Garth Jones. On this week's podcast Garth and Hammo discuss the novels, memoirs, and graphic novels they've consumed in the last month. The work of Cameron Crowe, Melissa Auf der Maur, Brendan Colley, Michael Winkler, John Tottenham, James Tynion and more all get discussed, and hopefully there's something that will appeal to you. Hosted on Acast. See acast.com/privacy for more information.

James Lee Hernandez and Brian Lazarte, co-directors of Born to Bowl, a five-part HBO Original documentary series on HBO and Max. The series chronicles five PBA Tour stars—Kyle Troup, Anthony Simonsen, EJ Tackett, Cameron Crowe, and Jason Belmonte—as they battle for titles, prize money, and respect on professional bowling's biggest stage. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dopeywood Tickets: https://www.showclix.com/event/dopeywood-2026 FULL EP Patreon: www.patreon.com/dopeypodcast  This week on Dopey I'm joined by the one and only Stephen Raymond Douglas Brown, aka Ray, and we get into everything from Cameron Crowe's Allman Brothers stories to Jeffrey Dahmer glasses and the weird evolution of the name “Stephen.” We read an email from a listener asking how to make friends at AA meetings and what the rules of sharing are. Ray tells the incredible story of meeting a gay porn star in recovery, we talk about sharing for laughs at meetings, anti-Semitism in AA, and whether Ben Croxton stole Ray's high school yearbook. LISTEN TO THE FULL EP ON PATREON! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week I wanted to stick with movies that came out with soundtracks that felt current when the films were released. Not older songs brought in to set a mood, and not a random collection pulled together afterward, but albums that felt tied to the moment the studio was trying to sell.Fast Times at Ridgemont High, from 1982, is a good example. The soundtrack album came out that July, and Jackson Browne's “Somebody's Baby” reached number 7 on the Billboard Hot 100, so the movie clearly had a connection to what people were hearing at the time. There was also some push and pull behind the scenes. Amy Heckerling later said some of the music choices reflected producer pressure as much as her own sense of the characters, which only makes the film feel more like a real snapshot of the early 1980s.Purple Rain, from 1984, is an even stronger case, because the movie and soundtrack are almost impossible to separate. The album came out on June 25, 1984. “When Doves Cry” was released in May, and “Let's Go Crazy” followed in July, so the film reached theaters with Prince already dominating the culture around it. I also like that “When Doves Cry” came out of a specific request from director Albert Magnoli. It was not just a Prince song sitting around waiting to be used. It was part of the movie as it was taking shape.Less Than Zero, works a little differently. People do not usually talk about its soundtrack with the same reverence, but it was still very plugged into late 1987. The Bangles recorded “Hazy Shade of Winter” for the film, and it went to number 2 on the Billboard Hot 100, which gave the soundtrack real chart power. The rest of the album also feels very rooted in its time, with Rick Rubin producing and artists like LL Cool J and Public Enemy sharing space with a sharper, louder Simon and Garfunkel cover. It really feels like a late 1987 attempt to pull different parts of current music into one package.Then there is Singles, from 1992, which may be the best example here of a soundtrack capturing a scene while it was still happening. The album came out on June 30, 1992, a few months before the movie opened, and it included Pearl Jam, Soundgarden, and Alice in Chains, along with Paul Westerberg, who also worked on the score. Cameron Crowe later called it more of an anti soundtrack, basically a souvenir of that scene instead of a tidy album built to sum up the movie. That feels right to me. It was not trying to seem current. It actually was current. Even the gap between the album release and the film helped give it that feeling.So that is the set this week. Four movies, four different kinds of soundtrack success, and four reminders that music can tie a film to its moment just as much as clothes, locations, or dialogue can. One caught the early 1980s world of radio and mall record stores. One became a hit album right alongside the movie. One used a major single to help define its identity. One caught a local scene before it had even settled into history. Those are the kinds of rentals I always like talking about, movies that bring back not just the film, but the moment when it first showed up.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

It's an honor for Phil & David just to be nominated to bring you this special episode featuring their great "Lunch" conversations with Oscar-winners -- Billy Bob Thornton, Jane Fonda, Jeff Bridges, Michelle  Yeoh, Ke Huy Quan, Cameron Crowe (with a cool question from Kate Hudson, nominated this year for "Song Sung Blue"), Allison Janney, Brie Larson and Elaine May. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Boston was once declared the most congested metropolitan region in the country. So, yes, the traffic here is terrible — but what can we do about it? How can we change the structural incentives that keep people in their cars? Hint: the answer is not bigger roads. To traverse the conversational terrain of transit, congestion pricing, gas taxes, and bike lanes, we're joined by Chris Dempsey and Jeff Speck, the men behind the urban design firm Speck Dempsey. These guys really know what they're talking about, even if they've never seen the Cameron Crowe classic Singles. This conversation took place in April 2024 Have feedback on this episode or ideas for upcoming topics? DM me on Instagram, email me, or send a voice memo. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"Anyone can have sex." For Episode 393, David and Brandon start off CineNation's Sex Comedy series with one of the quintessential high school movies of the 1980s, FAST TIMES AT RIDGEMONT HIGH. Listen as they discuss Cameron Crowe going undercover at a high school, which director was originally up for the film, the massive casting sessions for the film, Sean Penn's wild method acting techniques on-set, how Amy Heckerling made changes to Crowe's original story, the process of getting the popular music for the film, why Universal executives were so against the project, and so much more! Use the code cinenation15 on thecinevault.com to get 15% off your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Opening - Neon and A24 (00:00:10) Intro to the Sex Comedy Genre (00:06:45) Intro to Fast Times at the Ridgemont High (00:13:34) How Fast Times at the Ridgemont High Got to Production (00:24:23) Favorite Scenes (00:51:14) On Set Life - (01:27:52) Aftermath: Release and Legacy (01:35:46) What Worked and What Didn't (01:46:55) Film Facts (01:51:41) Awards (01:54:23) Final Questions on the Movie (02:00:37) Wrapping Up the Episode (02:05:14) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

When we say Aloha to all you listeners, we mean "Hello" and not "Goodbye" for you to listen to us. Get ready for the hit Cameron Crowe rom-com about the military and space and billionaires and war and mute husbands and love triangles and unknown daughters and white washing. What alternate titles did this movie have? Why are we speaking in a Mexican accent so much? And how big is Lukas' hat? Tune in this week to find out all this and more, but only on "The Good, The Bad, & The Movies"!P.S. Check out these links to stay connected with TGTBTMDiscord: https://discord.gg/rKuMYcKvYoutube: https://youtu.be/Cnw1pKWrpOQ

Jon is joined by former guest Jackie Clary and our great friend Ryan Rauzon to discuss the recently released memoir by Cameron Crowe, The Uncool. We get into our history of fandom with Cameron, our thoughts on the book, on his career, the meaning of his "happysad" theory, rock journalism, and how he and the book have affected our lives. This was recorded live with no edits. If you've read the book, tell us what you think. Enjoy!  The Hustle Podcast | creating podcasts | Patreon

"I gave her my heart, and she gave me a pen."Cameron Crowe's directorial debut is a film solidified in pop culture history thanks to the singular image of John Cusack holding a boom box above his head, but SAY ANYTHING... has a lot more than a Peter Gabriel song to say. This week, The Wives Colangelo are joined by the incomparable Alex Steed to talk about one of the greatest teenage romance flicks ever made, and allow ourselves to believe in love. --------Become a Patron! https://www.patreon.com/thisendsatprom--------MONTHLY SPOTLIGHTThe Springfield Unity Fund: https://givebutter.com/SpringfieldUnityFund--------Follow our guest!@AlexSteed @YouAreGood--------Social Media Plugs@ThisEndsAtProm@BJColangelo@HarmonyColangelo----------Logo Design: Haley Doodles @HaleyDoodleDoTheme Song: The Sonder Bombs 'Title': https://thesonderbombs.bandcamp.com/

The Problem: We were slender then. (Recorded on Monday, February 16, 2026.) Links “Against the Wind” — Bob Seger (1980) — “What to leave in? What to leave out?” Dave Nanian — Mastodon post about his original '81 copy — the friend who sparked the dB's conversation The dBs — “Black and White” (Repercussion, 1982) Don Dixon — “Girls L.T.D.” — solo track from the guy who co-produced early R.E.M. Sneakers (band, ~1975) — early NC power pop band featuring Dixon, Easter, and Stamey before they were famous Movies with Mikey — “But, did you knowwww?” Richard Hugo — “Degrees of Grey in Philipsburg” Candide — Voltaire (1759) — third episode running where Merlin has mentioned Cunegonde Claudine Longet — French singer who shot Olympic skier Spider Sabich; married to Andy Williams “Spicks and Specks” — Bee Gees (1966) — Merlin: “one of the purest pop songs ever written” “You Give a Little Love” — These crazy kids and their pies. From Bugsy Malone (1976) Marshall Brodien's TV Magic Cards — Merlin bought his trick cards at Walgreens Fast Times at Ridgemont High (1982) — Roderick cites Cameron Crowe on the film's tragic subtext about being pressured to lose virginity Groundhog Day (1993) — “what a fucking great movie”; Ned Ryerson as “one of the all time great character actor appearances” Nut Tree (Vacaville, CA) — roadside attraction with amusement park and small airport; Roderick and his dad flew there in a small plane

We're joined by the host of the podcast Channels, Peter Kafka, as we go back to 1982's Los Angeles, with Cameron Crowe and Amy Heckerling's teenage masterpiece starring Sean Penn, Jennifer Jason Leigh, and Phoebe Cates, Fast Times at Ridgemont High. We cover how The Pool Scene changed a generation, the first time Haitch got blue balls (after making out all night at a church lock in), why the Super Bowl sucked so hard, and just how sweet all those conservative tears taste right about now.Chapters Introduction (00:00:00) Hatch News (00:25:11) Fast Times at Ridgemont High Roundtable (00:34:28) Your Letters (01:16:39) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

For this episode we're joined — all the way from Laurel Canyon — by the husband-and-wife tag team that is Jeff Walker and Kim Gottlieb(-Walker). Married for 53 years, Jeff and Kim have worked in diverse capacities in the music business and talk about their experiences over those five-plus decades. We start with the couple's work together on monthly freesheet Music World, focusing on their 1973 encounters with Tom Waits and Gram Parsons (plus a 15-year-old Cameron Crowe tagging along). After audio clips of both Waits and Parsons, we hear a 1987 clip of Gram's great singing partner Emmylou Harris talking to Adam Sweeting about... Gram Parsons. Interweaving tales of Jeff's life as a publicity director and Kim's career as a photographer, we hear about Island Records, Jamaica and the couple's close relationship with Bob Marley, concluding with Jeff's account of being with Bob after the chief Wailer was shot by gunmen in 1976. After Jasper offers his thoughts on Bad Bunny's ICE-breaking half-time show at the Super Bowl, Kim channels her late '60s protesting self and eloquently summarises her feelings about staying sane in Trump's dystopian America. Finally, Mark quotes from newly-added library interviews with Captain Beefheart (1979) and David Thomas (1985), while Jasper hails Joe Muggs' 2021 piece about Joel Culpepper. Many thanks to special guests Kim Gottlieb-Walker and Jeff Walker. Visit Kim's website at lenswoman.com and read Jeff's writing on Rock's Backpages. Pieces discussed: Tom Waits: Thursday Afternoon, Sober as a Judge, Jackson Browne, Techno-Rock: Six Teutons And What Do You Get — A Programmed Sequencer And The Doppler Effect, Emmylou Harris audio, Captain Beefheart Pulls A Hat Out of His Rabbit, David Thomas: Unscrambling the egg man and Joel Culpepper: Almost Famous.

Description: This month in the Jen Hatmaker Book Club, Jen is joined by novelist Eliana Ramage to talk about her stunning debut, To the Moon and Back—a book that is as page-turny as it is tender, and as expansive as it is rooted. Jen and Eliana trace the actual arc of this book—how it began with an unforgettable spark of an idea at Dartmouth (about an “astronaut girl” who shows us that our stories aren't static, and neither are our people) and how, over more than a decade, that idea became a novel about ambition, belonging, identity, and the complicated, beautiful gravity of connection. In this conversation, Jen and Eliana explore a story centered on a young woman unraveling in the aftermath of loss, navigating complicated relationships, spiritual longing, and the quiet ache of wanting more than the life she's been handed. They dig into the women at the center of the novel—the ones you'll root for, the ones who will frustrate you (hi, ambition), and the ones who will linger long after you close the cover—and they unpack why the ending matters: not because it ties everything into neat bows, but because it honors what's true. Because in real life, healing doesn't land with fireworks. It lands with honesty. With restraint. With the choice to keep loving, even when certainty has slipped through our fingers. This is a conversation about grieving honestly, questioning inherited beliefs, and staying awake to your own life. It's about learning that connection matters more than performance—and trusting that the long arc of love and healing is still unfolding. Whether you're reading along with the book club or simply craving a thoughtful, soulful conversation to start the new year, this episode invites you to slow down, feel deeply, and remember: even in loss, even in doubt, we are still reaching—toward connection, toward each other, and back to ourselves. Thought-provoking Quotes: “This is a story about women who are trying to understand who they are and move forward together after making some mistakes. That's where I definitely am right now. And if I could just finish this one thing that has been so hard for so many years, then it would be the first time I had done something that I could be really proud of.” – Eliana Ramage “I think in real life, you don't need to know that everything is all gonna be figured out at once. You need to land the plane on what matters. I don't think any of us, for our own lives, feel like we have that written out. And so there's some wiggle room on where we could go next, I think.”– Eliana Ramage “It's become kind of a ritual to ask myself,  can you believe that you're doing this job because your wildest dreams came true?”– Eliana Ramage Resources Mentioned in This Episode: Avid Reader Press - https://avidreaderpress.com/ Fancy Lunch - https://tinyurl.com/3uyuxryf Joyride: A Memoir by Susan Orlean - https://amzn.to/49vTrhC The Uncool: A Memoir by Cameron Crowe - https://amzn.to/3LFmd7n Lily King - https://lilykingbooks.com/ Reese Witherspoon book club pick - September 2025 - https://reesesbookclub.com/book/to-the-moon-and-back/ Mid-America All Indian Center, Wichita, KS - https://www.theindianmuseum.org/ Awake: A Memoir by Jen Hatmaker - https://amzn.to/4swRPg9 Parnassus Books - https://parnassusbooks.net/ Ring of Salt: A Memoir of Finding Home and Hope on the Wild Coast of Ireland by Betsy Cornwell - https://amzn.to/3Z9qtPu I'll Tell You When I'm Home by Hala Alyan - https://amzn.to/4bof7yr Guest's Links: Website - https://www.elianaramage.com/ Instagram - https://www.instagram.com/elianaramage/ Connect with Jen!Jen's Website - https://jenhatmaker.com/ Jen's Instagram - https://instagram.com/jenhatmakerJen's Twitter - https://twitter.com/jenHatmaker/ Jen's Facebook - https://facebook.com/jenhatmakerJen's YouTube - https://www.youtube.com/user/JenHatmaker The For the Love Podcast is presented by Audacy.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

TALKING SUPER BOWL, NIL, BASEBALL RUMORED LOCKOUT & MORE. An American sports agent, philanthropist, and author. During his 41-year career, Steinberg has represented over 300 professional athletes in football, baseball, basketball, boxing, and Olympic sports. He has represented the No. 1 overall pick in the NFLdraft a record eight times. Steinberg is often credited as the real-life inspiration for the sports agent in Cameron Crowe's film Jerry Maguire in 1996.Steinberg has successfully negotiated over $3 billion in contracts for players including Troy Aikman, Steve Young, and Patrick Mahomes. He has represented the No. 1 pick overall in the NFL draft a record eight times, in addition to representing over 60 other first round draft picks in the NFL.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we celebrate Canadian greatness. We celebrate Rachel McAdams! Our B-Sides include The Lucky Ones, The Time Traveller's Wife, Passion, and Every Thing Will Be Fine. We also spend some time on The Hot Chick, and do a couple of Rachel McAdams-inspired quizzes at the top of the episode. It's fun! We talk about her new Sam Raimi movie Send Help. We reflect on McAdams' stratospheric rise to stardom within the first few years (and films) of her career, that time she dated Ryan Gosling, and her many accents over the years. We also shout-out the sheer amount of great filmmakers she's worked with over the years: Wes Craven, Ira Sachs, Woody Allen, Terrence Malick, Brian De Palma, Cameron Crowe, Antoine Fuqua, Tom McCarthy, Wim Wenders, Mark Osborne (animated), Sam Raimi, and Kelly Fremon Craig. That's incredible! There's the limited amount of press she has done over the years (though this podcast episode is lovely, about her and her dear friend) and the fact that the hit movies she's starred in throughout her career are mostly not made for movie theaters anymore. We speak to her comedy chops and her constant alignment with the directors she works with. She's a pro! And finally, we show some appropriate respect to the Michael Sucsy-directed romance The Vow. The woman loves a movie wherein time is manipulated!

(00:00-8:20) Everybody was sleeping with everybody, kinda like this show. Audio of Josh Schertz's pre-game speech to the boys before the game against the Bonnies. Great gamblers parlay and tease and then talk about it on social media. Auctioning us off like cattle. Why does Jackson look like Eminem in prison?(8:28-22:14) Does this make you think of Almost Famous or Elton John? Mt. Rushmore of Cameron Crowe films. E-Mail of the Day(22:24-36:32) Feels like this could be the Cardinals' year. TV on a tripod. Three games at one is too many. Need to get that Rammer on the show. The Top 100 MLB Prospects. How many Cardinals on there? Doug's anti-Irish is showing. Great catching is the secret. Just bad memory on Jackson's part. Bader to the Giants. The guy that climbed the skyscraper on Netflix. Zuggalos.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Selena Fragassi publishes more books before 9am than most people do all day. Just last year, the always hustling music writer and journalist wrote and published books about Alanis Morissette, Sabrina Carpenter, Greta Gerwig AND her latest:  PEARL JAM LIVE — a hefty and thorough tome covering the band's 35 year history as one of the world's best live acts (it also features a forward written by Scott, but we digress). In between all the manic book writing, Selena somehow finds time for her regular gigs writing for the Chicago Sun Times, monthly appearances on WFLD 32 and contributing to every publication and outlet from SPIN to Loudwire. This week we talk to Selena about life moments with Cameron Crowe, fan letters to Donnie Wahlberg, looking Chrissie Hynde in the eye, what to do when Jim DeRogatis trashes all your favorite bands, the ineffable awesomeness of Bonnie Raitt, the sue-happy UN-awesomeness of Gene Simmons, and getting mammogram advice from Debbie Harry. Pretty awesome. PLUS: Ben gets gonged and our buddy John Oakes calls in with a report from the front lines in Minneapolis.

Regular episodes of Film Stories with Simon Brew resume for 2026, with two very different films in the spotlight. First up there's Cameron Crowe's superb Almost Famous, a film he got the greenlight to make in the aftermath of Jerry Maguire's success. A hugely personal story, here's how it stumbled at the box office, but found new life. Then, from the same brain that gave us Phone Booth comes Collateral. There aren't many film you could bill Chris Evans, Oscar-winner Kim Basinger and Jason Statham in, all from the director of Snakes On A Plane. How, then, did this one end up a treat? Learn more about your ad choices. Visit megaphone.fm/adchoices

The Ringer's Bill Simmons and Sean Fennessey are joined by writer-director Cameron Crowe to discuss one of his favorite movies, ‘Shampoo,' starring Warren Beatty, Julie Christie, Jack Warden, and Goldie Hawn. Producers: Craig Horlbeck, Chia Hao Tat, and Eduardo Ocampo A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.® Learn more about your ad choices. Visit podcastchoices.com/adchoices

Stephen and Becca discuss Thanksgiving plans and traditions before launching into a very special interview with Oscar-winning filmmaker and journalist Cameron Crowe, who saw Bob Dylan perform at a school gym in 1964 and interviewed the world's biggest bands as a teenager, and brings our host a personalized message from the one and only Joni Mitchell. Crowe's new memoir, "The Uncool," is available now. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The great filmmaker Guillermo Del Toro has a new adaptation of Frankenstein. He saw the 1931 film when he was 7. “I realized I understood my faith better through Frankenstein than through Sunday Mass,” he tells Terry Gross. “And I decided at age seven that the creature of Frankenstein was gonna be my personal avatar and my personal messiah.” His other films include Pan's Labyrinth and The Shape of Water. Also, we hear from Cameron Crowe, who wrote and directed Jerry Maguire, Say Anything and the semi-autobiographical film Almost Famous, about writing for Rolling Stone starting at age 15. His new memoir is about being a naive teen, exposed to the excesses of rock musicians.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In the second installment of John's conversation with Cameron Crowe about his new memoir, “The Uncool,” the Oscar-winning writer-director explores his relationship with legendary rock critic Lester Bangs (and casting Philip Seymour Hoffman to play him in “Almost Famous”); the previously unacknowledged teenage suicide of his elder sister and how it fed into the complex family dynamics that compelled him to spend much of his adolescence on the road with rock stars; the end of his career as a music journalist at age 21; how writing “Fast Times at Ridgemont High” helped Crowe reclaim his lost youth and opened the door to Hollywood; and how Tom Cruise convinced him not to cut the most famous line in "Jerry Maguire." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The filmmaker's new memoir, 'The Uncool,' is about his teen years in the '70s as a rock journalist for 'Rolling Stone.' His unconventional story was dramatized in the 2000 movie 'Almost Famous.' Crowe spoke with Terry Gross about getting access to rockstars before he could drink, being mentored by Lester Bangs, and his interviews with David Bowie. |Also, David Bianculli reviews the new season of 'The Diplomat.' Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

John sits down for an epic conversation with Oscar-winning writer-director Cameron Crowe about his new memoir, “The Uncool,” which covers his years as a teenaged rock music writer for Rolling Stone in the 1970s — years that served as the inspiration for his classic movie, “Almost Famous.” In the first installment of this special two-part episode, Crowe details his seminal experiences on the road with The Eagles, The Allman Brothers, Led Zeppelin, and other defining bands of the era, which shaped his unusual adolescence and turned him into a magazine journalism wunderkind, as well as the unique relationship he forged with Bob Dylan, which ultimately paid dividends for another of his hit films, “Jerry Maguire.” To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The writer-director made hit after hit movie, until he didn't. But he doesn't let it get him down.Thoughts? Email us at theinterview@nytimes.comWatch our show on YouTube: youtube.com/@TheInterviewPodcastFor transcripts and more, visit: nytimes.com/theinterview Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.