Podcasts about Almeida Theatre

In the week director Rupert Goold announced his farewell programme at the influential Almeida Theatre, Sarah and Alex talk about why his choices reflect his bold approach - and outline the excitements in store. And as Patti Lupone stirs controversy, can the old-fashioned, no holds barred interview survive? Hosted on Acast. See acast.com/privacy for more information.

What happens when a performer refuses to compromise on their artistic integrity from day one? Tamara Lawrance's remarkable career journey offers a masterclass in building success through meaningful choices and unwavering self-belief.Tamara chats to Ali and Unique about their recent work in "The Comeuppance" at the Almeida Theatre and their groundbreaking role in Channel 4's "Get Millie Black" – a production they describe as "seminal" for its unprecedented representation of diverse Jamaican communities and centering of queer and trans stories. Filmed primarily in Kingston with local talent, the series reconnected Tamara with their heritage while showcasing Jamaica's rich creative ecosystem to international audiences.The conversation reveals Tamara's approach to career development, guided by a simple yet powerful principle: "If I only have a finite pool of energy, I want to give it to something that I care about." This intentionality has resulted in an impressive body of work spanning prestigious stages like the National Theatre alongside major screen productions for BBC, Netflix, and Channel 4.Most compelling is Tamara's vulnerability about their journey from a shy drama school student who experienced anxiety to the confident professional they are today. Whether you're a beginner actor, fellow artist or someone seeking inspiration for your own creative path, Tamara's story demonstrates how authenticity, preparation, and resilience can create a career that's not just successful, but deeply fulfilling. Listen now for insights that will transform how you approach your artistic journey. Hosts & Guests:Ali Godfrey (Host)Unique Spencer (Host)Tamara Lawrance (Guest)Send us a Text Message with your feedback, questions or requests for future episodesSend us a Text Message with your feedback, questions or requests for future episodesEmail: actingstrong@generationarts.org.ukwww.actingstrong.comSocial Media:@ActingStrongInstagram: @GEN_ARTS Facebook: @GenerationArts Produced & Edited by: Ali GodfreyActing Strong is brought to you by Generation Arts and this production is supported using public funding by Arts Council England. www.generationarts.org.uk

Sarah meets Anoushka Lucas, currently starring in Rhinoceros at the Almeida Theatre, to discuss the impact of theatre on her life. She's always called versatile but says she takes on new projects because she just wants to learn more. She reveals what it was like to work with Daniel Fish on the award-winning reimagining of Oklahoma!, why Rhinoceros is such a play for our times and how she wrote Elephant, her first play, in lockdown. Plus a bit about being a woman in the music industry and the lessons of the Stamford experiment. Hosted on Acast. See acast.com/privacy for more information.

Episode 161In today's guest episode I will be discussing Shakespeare's characterisations of the lower classes and looking at the role they play with Stephen Unwin, who's book ‘Poor Naked Wretches' explores the variety of working people in Shakespeare's plays as well as a vast range of cultural sources from which they were drawn and argues that the robust realism of these characters makes them so much more than mere Comic Relief. Stephen Unwin is an award-winning British theatre and opera director. He has directed almost 100 professional productions and worked with many well-established actors and singers, as well as developing the careers of many younger ones. He studied at the University of Cambridge.In the 1980s Stephen worked at the Almeida Theatre, London, the Traverse in Edinburgh, in repertoire theatre and at the National Theatre Studio. In 1993, he founded English Touring Theatre, for whom he directed more than 30 productions of classical and new plays, many of which transferred to London. In 2008, he became Artistic Director of the new Rose Theatre in Kingston, which he ran until January 2014. He has worked extensively at the Theatre Royal Bath and has directed more than 20 operas. Ten of his productions have been seen in the West End.Stephen has taught in conservatoires and universities in Britain and America and written 10 books on theatre and drama, including ‘Poor Naked Wretches'. He has also written five original plays: ‘All Our Children' was premiered at Jermyn Street Theatre in 2017 and staged in New York in 2019, and ‘Laughing Boy' opened at Jermyn Street in 2024 and also played at the Theatre Royal Bath. Stephen is a campaigner for the rights and dignities of learning-disabled people and ‘Beautiful Lives: How We Got Learning Disabilities So Wrong', is published by Wildfire Book in June 2025.This is only a shortened version of Stephen's achievements and I would encourage you to visit his website for much more information. You can find him at www.stephenunwin.uk https://reaktionbooks.co.uk/work/poor-naked-wretchesSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Faith is an actor and writer who trained at Central School of Speech and Drama and has already had an incredible career since graduating. She recently won the Alfred Fagon Award, which is a leading theatre prize for black playwrights for her play Kaleidoscopic. She was nominated for her show stealing performance in Standing at the Sky's Edge as Joy both in Sheffield and the National Theatre in London. She was called “the heart of the play” by WhatsOnStage and “outstanding” by The Telegraph. Her debut play My Father's Fable enjoyed a successful run at the Bush Theatre last summer receiving brilliant reviews. A play about a girl called Peace who's visited by her half-brother in Nigeria Bolu whom she didn't know existed. Despite her mother's protests she invites him into her home and a knot of truths begins to unravel. I was lucky enough to see it and it is without a doubt one of the best plays I've seen. In addition her work as an actor includes:Theatre:King Lear, Almeida Theatre, 2024, dir. Yaël FarberStanding at the Sky's EdgeRichard IITwelfth Night, Royal ExchangeTV:We Are Lady Parts, Series 1 and 2EndeavourRadio:157 Years with AfonicaFaith discusses her work in Standing at the Sky's Edge, King Lear and writing My Father's Fable. From creating characters as an actor to creating them for the stage she shares her journey of creating worlds from both professions, the rewards as well as the challenges. If you ever get the chance to see some of Faith's work get yourself a ticket, she is a master at what she does!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @goweroliverFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️

Episode 091: Cat on a Hot Tin Roof by Tennessee Williams Host: Douglas Schatz Guest: Arifa Akbar Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Tennessee Williams's third great play Cat on a Hot Tin Roof is a blistering drama of family conflict and repressed sexuality. The play opened on Broadway in 1955 to rapturous reviews, and the film that followed with Elizabeth Taylor and Paul Newman was a box-office hit, despite its egregious watering down of the play's sexual trauma and family strife. As we record this episode a stunning new production of the play is on at the Almeida Theatre in London, and I am delighted to talk about this classic with Arifa Akbar, the Guardian newspaper's chief theatre critic.

One of this month's hottest tickets in London is a new production of the Tennessee Williams play CAT ON A HOT TIN ROOF at the Almeida Theatre. This new staging of the classic American play, directed by Rebecca Frecknall (Cabaret at the Kit Kat Club, A Streetcar Named Desire) stars Daisy Edgar-Jones as Maggie and Kingsley Ben-Adir as Brick. Check out this full review to find out what Mickey-Jo thought of the new production, and whether we might see it transfer to the West End... • 00:00 | introduction 01:43 | the play 10:01 | the production 19:20 | the performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Episode 087: Look Back in Anger by John Osborne Host: Douglas Schatz Guests: Dan Rebellato and Atri Banerjee Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. John Osborne's Look Back in Anger is one of the landmark plays of twentieth century British theatre. It's raging protagonist, Jimmy Porter, represented a generation of disaffected youth, and its proletarian setting heralded a new style of ‘kitchen sink drama'. But how well has Jimmy's abusive anger aged? I'm delighted to welcome two experts to help us address this question, and many more: Dan Rebellato, the author of 1956 and All That: The Making of Modern British Drama, and, Atri Banerjee, the director of the first revival of the play in London for 25 years, currently running at the Almeida Theatre.

One of a handful of new musicals to open on Broadway this month is TAMMY FAYE, the musical story of the life of the controversial evangelist Tammy Faye Bakker. Having seen the show's world premiere production at the Almeida Theatre in London in 2022, Mickey-Jo was eager to catch the show's New York transfer at the recently refurbished Palace Theatre. This new production, directed by Rupert Goold stars Olivier Award winner Katie Brayben alongside Tony Award winners Christian Borle and Michael Cerveris, with a score by Sir Elton John and Jake Shears and a book from James Graham. Check out this full review for Mcikey-Jo's thoughts on the show's Broadway evolution, and why it fails to practice what it preaches. • 00:00 | introduction 02:51 | overview 10:13 | material 17:10 | production 23:36 | performances • get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club: https://phoenixartsclub.com/events/mickeyjotheatre-live/ • get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club: https://phoenixartsclub.com/events/mickeyjotheatre-live/ • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

American Psycho is a 2000 satirical horror film directed by Mary Harron, who co-wrote the screenplay with Guinevere Turner. Based on the 1991 novel by Bret Easton Ellis, it stars Christian Bale as Patrick Bateman, a New York City investment banker who apparently leads a double life as a serial killer. Willem Dafoe, Jared Leto, Josh Lucas, Chloë Sevigny, Samantha Mathis, Cara Seymour, Justin Theroux, and Reese Witherspoon appear in supporting roles. The film blends horror and black comedy to satirize 1980s yuppie culture and consumerism, exemplified by Bateman. FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Send us a textAfter recently winning an Olivier for his chilling performance as Putin in 'Patriots', Will Keen is returning to the RSC in Stratford-Upon-Avon for the first time since 'Prince of Homburg' in 2002. In Tim Carroll's exciting new production of 'Othello', Will Keen will star as Iago opposite John Douglas Thompson, Juliet Rylance and Anastasia Hille. Having worked with Tim on a various productions over the years, Will is also reuniting with Anastasia Hille following their acclaimed performances as the eponymous characters in 'Macbeth' at the Barbican. In recent years, Will has established himself as one of the most distinguished actors in the theatre industry, regularly performing on some of the most prestigious stages including the Almeida Theatre, National Theatre and the Royal Court Theatre.In our new interview, Will Keen sits down with us to share his excitement around getting to play one of Shakespeare's most demanding roles. We talk about the timelessness of Shakespeare's work and why we need to keep his work at the heart of the curriculum. As he continues preparing to play Iago, we hear him discuss his process of familiarising himself with a character and immersing himself into the world of the play. He shares his praise for his fellow actors as well as his hopes for what this new production will provide audiences. Later on in our conversation, we also talk about his experience working with his daughter, Dafne Keen and how it's been watching her flourish into one of the industry's fastest rising stars. It's a fascinating conversation overall and we look forward to seeing Will Keen's Iago in the RSC's new production of the show.'Othello' runs at the Royal Shakespeare Theatre in Stratford-Upon-Avon from 11 October - 23rd November.Support the show

John Leonard produced his first sound design in September 1972 for a production of A Streetcar Named Desire at the Bristol Old Vic Theatre Company's Little Theatre. Since then, he has: produced countless soundtracks for theatres around the world; spent eleven years with the Royal Shakespeare Company; worked regularly as a freelancer for the Almeida Theatre, Hampstead Theatre and Donmar Warehouse; written articles and a book about theatre sound and developed a sideline in recording sound effects. He is a Fellow at the Guildhall School of Music and Drama, an Honorary Fellow of the Hong Kong Academy of Performing Arts and a Companion of the Liverpool Institute of Performing Arts.

Grabbed a cuppa with the talented Ra'eesah to discuss her writing process for "38%" an audio story for the series Symphonies of Beaded Threads. We also discussed her unique voice as an artist, organisational make up of the theatre industry and of course poetry.  Also, with this I conclude the series of discussing BTS stuff and more with the writers behind Symphonies of Beaded Threads. I hope you enjoyed it and more to come!  About Ra'eesah:  Ra'eesah is a multifaceted creative using the mediums of theatre, film, music and spoken word to tell stories, bring people together and effect positive change. She has performed on stage as an actor and singer at the Bush Theatre as well as with The Old Vic/Neon Arts.  She has produced projects such as The Self-Expression Sessions, a series of spoken word poetry workshops open to people of all ages and abilities, to increase accessibility to the arts and build community through creativity and culture. Further projects Ra'eesah has produced on include Licence to DV8 at the Royal Albert Hall and arts festivals at Almeida Theatre and London Bubble, focusing on outreach. She is a trustee of the Roundhouse and WEST Youth Zone and has contributed to several other organisations including Old Vic Theatre and A New Direction through youth advisory. To Listen to Ra'eesah's story CLICK HERE.  To subscribe to Patreon and become a Patron/ supporter of Chai with Rai.  Social: Myself: https://www.instagram.com/chaiwithrai_/ & https://twitter.com/chaiwithrai_ & https://www.tiktok.com/@chaiwithrai Guest: https://www.instagram.com/ra.eesahh/ , https://twitter.com/Ra_eesahh & https://app.spotlight.com/3812-7862-7993 Links: Myself: https://www.raimuitfum.com/chaiwithraihomepage & https://linktr.ee/chaiwithrai_  Hope you all enjoyed it and Thank you for tuning in. To Subscribe, share, follow my work and everything else is listed above.    

As the new season at Chichester continues to get underway, Jack Riddiford sat down with us to talk about the eagerly anticipated revival of Harold Pinter's The Caretaker. Often regarded as one of the greatest plays of the 20th Century, we talk about how the show has managed to stand the test of time, as well as about what it's like getting to approach the character of Mick. The Caretaker also marks Jack's Chichester debut as well as Artistic Director Justin Audibert's directing debut in Chichester too. In the latest revival of Pinter's seminal play, Jack will also star opposite Ian McDiarmid and Adam Gillen. In this new interview with Jack Riddiford, we talk about his approach to tackling complex roles like Mick and what makes Harold Pinter still such a towering figure in the theatre industry. In our interview, he also shares his excitement at getting to work in Chichester and  his love for intimate theatres like the Minerva Theatre where the show will be playing. Most recently, Jack starred as Mercutio in Rebecca Frecknall's production of Romeo and Juliet at the Almeida Theatre following their collaboration on The Duchess of Malfi, also at the Almeida in 2019 where he played Ferdinand. Jack has also starred in the West End runs of The Inheritance and Jerusalem, working alongside the likes of Vanessa Redgrave and Mark Rylance. Now as he starts his run in The Caretaker, he shares with us what he's learned over the years about being a good company member and the importance of being egoless in a rehearsal roomThe Caretaker runs at Minverva Theatre from 8 June - 13 July

In a decades spanning career, Danny Sapani has become one of the most revered actors of his generation. After recently starring in the titular role of King Lear at the Almeida Theatre, he is currently playing Walter "Pops" Washington in the UK premiere of Between Riverside and Crazy at the Hampstead Theatre. Having previously worked on the Hampstead stage in Anderson's English, Danny tells us about the full circle moment of getting work opposite his drama school: Central School of Speech and Drama. Having gained considerable success on screen in dramas such as Killing Eve, Harlots and The Crown, we also get to hear him talk about his love for theatre and the excitement around getting to work during a particularly exciting time for the industry.In our interview, Danny Sapani talks to us about the parallels between Lear and Pops, and his love for the intellectual challenge of getting to play unlikeable characters. Between Riverside and Crazy sees him playing a retired policeman struggling to maintain control of his home, estranged from his son and dealing with demons from his past. The Pulitzer Prize winning play was first performed in 2014 in the United States and we hear Danny reflect on how the themes of the play are just as relevant now in a British context as they are in America. We also hear him talk about how the themes in the play speak to him in his current stage of life and share his gratitude to Stephen Adly Guirgis and Michael Longhurst for developing such a relevant piece of drama.Between Riverside and Crazy runs at Hampstead Theatre until 15 June.

On the podcast: Scotland's new hate crime law; the man who could be France's next PM; and why do directors meddle with Shakespeare? First up: Scotland is smothering free speech. Scotland is getting a new, modern blasphemy code in the form of the Hate Crime and Public Order (Scotland) Act, which takes effect from 1 April. The offence of ‘stirring up racial hatred' will be extended to disability, religion, sexual orientation, age, transgender identity and variations in sex characteristics. The new law gives few assurances for protecting freedom of speech writes Lucy Hunter Blackburn, former senior Scottish civil servant. Lucy joins the podcast, alongside Baroness Claire Fox, unaffiliated peer and founder of the Academy of Ideas think tank. (03:18) Then: William and Gus discuss some of their favourite pieces from the magazine this week, including Sam McPhail's history of ‘Total Football' and Richard Madeley's diary. Next: Journalist Gavin Mortimer writes about Jordan Bardella for The Spectator. He is Marine Le Pen's number two in the National Rally party and the man Gavin says could be France's next PM. Gavin is joined by Telegraph contributor Anne-Elisabeth Moutet to ask: who is Jordan Bardella? (28:22) And finally: why do directors feel the need to ‘correct' Shakespeare? That's the question that Lloyd Evans asks in the magazine this week. He says that directors should go back to basics when it comes to adapting the bard and leave the gimmicks to one side. Yael Farber – who is currently directing King Lear at the Almeida Theatre and has previously adapted Macbeth and Julius Caesar – joins the podcast to discuss. (41:25) Hosted by William Moore and Gus Carter. Produced by Oscar Edmondson. We are always looking to improve the podcast, please send any feedback to: podcast@spectator.co.uk

On the podcast: Scotland's new hate crime law; the man who could be France's next PM; and why do directors meddle with Shakespeare?  First up: Scotland is smothering free speech. Scotland is getting a new, modern blasphemy code in the form of the Hate Crime and Public Order (Scotland) Act, which takes effect from 1 April. The offence of ‘stirring up racial hatred' will be extended to disability, religion, sexual orientation, age, transgender identity and variations in sex characteristics. The new law gives few assurances for protecting freedom of speech writes Lucy Hunter Blackburn, former senior Scottish civil servant. Lucy joins the podcast, alongside Baroness Claire Fox, unaffiliated peer and founder of the Academy of Ideas think tank. (03:18) Then: William and Gus discuss some of their favourite pieces from the magazine this week, including Sam McPhail's history of ‘Total Football' and Richard Madeley's diary.  Next: Journalist Gavin Mortimer writes about Jordan Bardella for The Spectator. He is Marine Le Pen's number two in the National Rally party and the man Gavin says could be France's next PM. Gavin is joined by Telegraph contributor Anne-Elisabeth Moutet to ask: who is Jordan Bardella? (28:22) And finally: why do directors feel the need to ‘correct' Shakespeare? That's the question that Lloyd Evans asks in the magazine this week. He says that directors should go back to basics when it comes to adapting the bard and leave the gimmicks to one side. Yael Farber – who is currently directing King Lear at the Almeida Theatre and has previously adapted Macbeth and Julius Caesar – joins the podcast to discuss. (41:25) Hosted by William Moore and Gus Carter.  Produced by Oscar Edmondson.  We are always looking to improve the podcast, please send any feedback to: podcast@spectator.co.uk

James Marino, Michael Portantiere, and Jan Simpson talk about Oh, Mary! @ The Lucille Lortel Theater, The Connector @ MCC, The Seven Year Disappear @ New Group / Signature Center, The Almeida Theatre’s production of The Hunt @ St. Ann's Warehouse, and Sunset Baby @ Signature Center “This Week on read more The post This Week on Broadway for March 3, 2024: Oh, Mary! @ The Lucille Lortel appeared first on BroadwayRadio.

In episode 101 we review King Lear at The Almeida Theatre, and ABBA Voyage!-Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License Hosted on Acast. See acast.com/privacy for more information.

Welcome to a dazzling showcase of theatrical delights in the heart of London! First up, we've got the fourth edition of the Bitesize Festival at Riverside Studios, running from January 29 to February 25, 2024. This festival is a golden opportunity for emerging artists to shine. Riverside Studios is opening its doors, offering a platform for creatives to not just perform but to experience the full spectrum of producing a show, from rehearsal to marketing, all within the iconic venue of West London. Next, join the wedding celebration of Leyla and Joel in the extraordinary and mesmeric play, A Mirror. Starring the award-winning actors Jonny Lee Miller and Tanya Reynolds, this West End production, following a sell-out run at the Almeida Theatre, promises a thought-provoking journey. With the talented duo of writer Sam Holcroft and director Jeremy Herrin, be prepared for a captivating exploration of the intersections of creativity and corruption. Prepare yourself for a trip to the wild side of the West End with Bronco Billy The Musical at Charing Cross Theatre. Set in 1979, this Wild West musical introduces you to a group of romantic, fast-drawing, trick-riding, and disco-dancing Wild West enthusiasts led by Bronco Billy. When Bronco Billy crosses paths with Antoinette Lilly, a determined Manhattan heiress on the run, get ready for a thrilling, zany ride filled with love, reinvention, and the pursuit of dreams. Starring the talented Victoria Hamilton-Barritt and Tarinn Callender, this musical is set to be a rollicking good time! And stay tuned for an exclusive interview with James Hillier and Neil D'Souza, who will be sharing insights into their new play, Out of Season, opening at Hampstead Theatre Downstairs on February 16. This promises to be a compelling addition to London's theatre scene.Join us for an episode brimming with theatrical wonders, where creativity knows no bounds, and the stage is set for unforgettable performances!

Nancy and Sarah talk to their special guest Kate Waters, aka Kombat Kate, one of a handful of female fight directors working in the UK today. She's worked on more than 300 productions on stage - and is the fight director for Coronation Street and Emmerdale. Her recent shows include Macbeth with Ralph Fiennes and Indira Varma and King Lear, which is about to open at the Almeida Theatre. In this fascinating interview she reveals the tricks of her trade, and how she began her career. And she explains how she staged one of the most famous fights on the London stage. Hosted on Acast. See acast.com/privacy for more information.

Andrew Scott won a BAFTA as the evil Moriarty in Sherlock, but is equally loved for a divine television role as the hot priest in Fleabag. A prolific and versatile stage actor, he has starred in many plays by contemporary dramatists, including Port and Birdland by Simon Stevens. He played Hamlet to great critical acclaim and won an Olivier award for his starring role in Noel Coward's Present Laughter. His latest film role is All Of Us Strangers, in which he plays a single gay man haunted by the death of his parents. Andrew Scott talks to John Wilson about his suburban Dublin childhood and the early creative influence of his mother, an art teacher. After landing a debut role in an independent Irish film called Korea, Andrew gave up a university place studying drama to pursue an acting career. He remembers small parts playing American soldiers in Steven Spielberg's Saving Private Ryan and the television series Band Of Brothers. He discusses his love of Shakespeare and his approach to playing the role of Hamlet at the Almeida Theatre in London in 2017, and reveals how the music of Pet Shop Boys, and in particular their 1987 album Actually, are a reminder of a formative time of his life.Producer: Edwina Pitman

Embark on a journey through the realms of love, passion, and reclusive mystery in the latest episode of our podcast. Kristin Scott Thomas and Lily James lead the cast in Penelope Skinner's searingly funny and passionate new play, Lyonesse, directed by Ian Rickson. Join Elaine, a talented but reclusive actress, as she summons Kate, a young film executive, to her remote Cornish home, unravelling a story that remained hidden for 30 years. Experience the magic of Matthew Bourne's dance production of Edward Scissorhands, a tale that has captured hearts worldwide since its premiere in 2005. Based on Tim Burton's classic movie, this production, featuring the enchanting music of Danny Elfman and Terry Davies, weaves a bittersweet story of an incomplete boy navigating a strange new world. Journey back to communist-controlled Poland in Cold War at Almeida Theatre, a tender and tragic love story brilliantly translated to the stage by Conor McPherson. Adapted from Paweł Pawlikowski's Academy Award-nominated film, the play spans decades and the divided breadth of Europe. With traditional Polish songs, stirring choral arrangements, and music from Grammy Award-winner Elvis Costello, witness a doomed love story brilliantly told, featuring lead performances to die for from Anya Chalotra and Luke Thallon. Explore the intense and oppressive world of House of Bernarda Alba at the National Theatre, where disobedience is no longer tolerated. Harriet Walter plays the formidable matriarch, navigating the consequences of oppressing women in this pitch-black drama. Directed by Rebecca Frecknall, this radical adaptation by Alice Birch of Federico García Lorca's modern masterpiece promises a gripping exploration of family, desire, and the boundaries of societal expectations. Tune in for an episode filled with theatrical brilliance, featuring stellar performances, poignant stories, and the transformative power of stagecraft. It's a journey through time, emotions, and the human experience you won't want to miss.

We two new shows to review as well as one that has been running in London for many many years, but it's a first time seeing it for one of us! First up we have the National Theatre's new musical of Roald Dahl's The Witches, directed by Lyndsey Turner with book and lyrics by Lucy Kirkwood, music and lyrics by Dave Malloy. Next is our review of Cold War, a new play with music at The Almeida Theatre, directed by Rupert Goold, with book by Conor McPherson and music by Elvis Costello. Lastly we review the West End's second longest running musical, Andrew Llyod Webber's The Phantom of the Opera.-Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License Hosted on Acast. See acast.com/privacy for more information.

Alex Young is currently appearing in Cold War at the Almeida Theatre.Based on Paweł Pawlikowski's film, Cold War is described as an epic love story spanning the decades and breadth of Europe at its most divided. The show features traditional Polish songs alongside music from Elvis Costello and is adapted by Conor McPherson with direction from Rupert Goold.Most recently Alex was part of the original cast of Standing at the Sky's Edge (Sheffield Theatres / National Theatre), receiving huge acclaim for her performance. Some of Alex's other theatre credits include Into the Woods (Theatre Royal Bath), Anyone Can Whistle and Promises Promises (Southwark Playhouse), South Pacific and Me & My Girl (Chichester Festival Theatre), Follies (National Theatre), Show Boat and I Can't Sing (West End), Coriolanus, She Loves Me, Guys & Dolls and Anything Goes (Sheffield Theatres) and Carousel (ENO).Cold War runs at the Almeida Theatre until Saturday 27th January 2024. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Actor Luke Thallon joins Evening Standard chief theatre critic Nick Curtis to discuss his role in Cold War at the Almeida Theatre, his fourth play at the north London venue.Nancy and the Nicks review Roald Dahl's The Witches at the National Theatre, and Two Strangers (Carry A Cake Across New York) at the Kiln Theatre.They sprinkle in more of the goss from The 67th ES Theatre Awards – two words: Elton John – and offer their top picks of the Christmas shows to see this year.Visit standard.co.uk/cultureGet in touch theatrepod@standard.co.ukMusic featured on this episode:New York - Sam Tutty, Dujonna Gift - Two Strangers (Carry A Cake Across New York)Music & Lyrics by Kit Buchan & Jim Barne Orchestration by Lux Pyramid-Get Up - The WitchesTony Award-nominee Dave Malloy Hosted on Acast. See acast.com/privacy for more information.

Actress Tanya Reynolds talks about why being an introvert is a superpower, her final Sex Education scenes and when books come into your life and act like medicine.  Tanya is perhaps known best for her scene-stealing role as Lily Iglehart in the Emmy award-winning Netflix show Sex Education, but has been gracing our screens with roles in Outlander, Death in Paradise and more recently 2020's film adaptation of Jane Austen's Emma, alongside Anya Taylor-Joy and Bill Nighy. Tanya was named  as one of Screen International's Stars of Tomorrow in 2020, and has recently been treading the boards at London's Almeida Theatre in critically acclaimed play A Mirror. Tanya's book choices are: ** Angus, Thongs and Full Frontal Snogging by Louise Rennison ** Wuthering Heights by Emily Brontë **  My Brilliant Friend by Elena Ferante  ** Quiet by Susan Cain ** Everyone in this room will someday be dead by Emily Austen  Vick Hope, multi-award winning TV and BBC Radio 1 presenter, author and journalist, is the host of season six of the Women's Prize for Fiction Podcast. Every week, Vick will be joined by another inspirational woman to discuss the work of incredible female authors. The Women's Prize is one of the most prestigious literary awards in the world, and they continue to champion the very best books written by women. Don't want to miss the rest of season six? Listen and subscribe now! This podcast is sponsored by Baileys and produced by Bird Lime Media.

This week, Conversations with Friends star Alison Oliver joins Nick Curtis to talk about playing the title role in Portia Coughlan which opens soon at the Almeida Theatre.We review Stephen Sondheim's Old Friends at the Gielgud Theatre, which stars Lea Salonga, Bonnie Langford, and sees Broadway legend Bernadette Peters make her West End debut.Also, our verdict on Close Up: The Twiggy Musical, directed and written by Ben Elton. A musical about the life of Lesley Hornby - later dubbed 'Twiggy' as her modelling career took off.Plus, everything you need to know about the 67th Evening Standard Theatre Awards.For more news head to standard.co.uk/culture. Hosted on Acast. See acast.com/privacy for more information.

Sarah and Nancy went to see A Mirror at the Almeida Theatre, London, starring Jonny Lee Miller, Micheal Ward, Tanya Reynolds and Geoffrey Streatfeild. This thought-provoking new play by Sam Holcroft, directed by Jeremy Herrin, got us talking about how to write reviews, about the difficulties of star ratings - and about Nancy's teenage encounter with Jonny Lee Miller. Hosted on Acast. See acast.com/privacy for more information.

Riceo, Riceo, wherefore art thou Riceo? Kicking off series 10 is ‘Ted Lasso' star Toheeb Jimoh. Toheeb's currently starring in ‘Romeo and Juliet' at the Almeida Theatre until 29 July. Buy tickets here. Follow Toheeb on Twitter @Toheeb_Jimoh and Instagram @toheeb.j Recorded and edited by Ben Williams for Plosive.Artwork by Paul Gilbey (photography and design) and Amy Browne (illustrations).Follow Off Menu on Twitter and Instagram: @offmenuofficial.And go to our website www.offmenupodcast.co.uk for a list of restaurants recommended on the show.Watch Ed and James's YouTube series 'Just Puddings'. Watch here. Hosted on Acast. See acast.com/privacy for more information.

This week we're at the Duke of York's theatre on St Martin's Lane. We review Secret Life of Bees, at the Almeida Theatre, directed by Whitney White and with music by Spring Awakening's Duncan Sheik and lyrics by Susan Birkenhead.Over at the Bush Theatre's rehearsal space we chat with Sir Lenny Henry and Artistic Director Lynette Linton about their forthcoming show August in England.Plus why we weren't so keen of this take on Noël Coward's play Private Lives at the Donmar Warehouse, directed by Michael Longhurst. The show stars Downton Abbey's Laura Carmichael and Green Wing's Stephen Mangan. Hosted on Acast. See acast.com/privacy for more information.

Published in 2001, ‘The Secret Life of Bees' was a New York Times bestseller for more than 125 weeks and was made into an award-winning film starring Dakota Fanning, Queen Latifah, Jennifer Hudson and Alicia Keys in 2008. Now the book has been adapted by Lynn Nottage, a playwright and screenwriter, for the stage. It is on at the Almeida Theatre in London and Anita Rani talks to Lynn Nottage, the only woman to have won the Pulitzer prize for drama twice, about her adaptation. New research by the pensions and investment company, Royal London, shows that women are being hit harder by the rising cost of living than men and are facing higher monthly costs on a lower average income. Women are more likely to have made cutbacks in day-to-day spending to cope and around one in three say they could only afford an unexpected bill of up to £500 from either their income or savings. Anita Rani is joined by Clare Moffat, a Finance Expert, to go through the figures and Amber Proctor, youth and community worker at Hexham Youth Initative in Northumberland. A rise in popularity of gel nail products is leading to increasing numbers of people developing allergies that can affect their future healthcare options, according to dermatologists. Some imported products are thought to contain high levels of chemicals known as acrylates, which can be harmful in liquid form. The allergies can prevent people having medical procedures such as joint replacement and cataract surgeries. Dr. Emma Wedgeworth, Consultant Dermatologist and Lucy Tucker, a nail technician working in the film industry discuss the issues. Author, Liv Little, founder and former editor of gal-dem, the award-winning online and print magazine for women of colour, publishes her debut novel today. Called Rosewater it introduces us to Elsie; a sexy, funny and fiercely independent 28-year old poet living in South London. Liv joins Anita in the Woman's Hour studio. Presenter: Anita Rani Producer: Rebecca Myatt Studio manager: Bob Nettles

Anita and Annie are joined by Kalpona Akter, an ambassador for The Circle who worked in a garment factory when she was just 12 years old. The government's first Menopause Employment Champion Helen Tomlinson joins the programme to discuss how she will advise employers on improving workplace support for women experiencing menopause symptoms. And we hear about a revival of Tennessee Williams's 1947 drama of passion, delusion and mental illness – A Streetcar Named Desire. Following a run at the Almeida Theatre in January it has transferred to the West End and opens at the Phoenix Theatre in London on Monday. The play dramatizes the experiences of Blanche DuBois, a former Southern belle who, after encountering a series of personal losses, leaves her once-prosperous situation to move into a shabby apartment in New Orleans rented by her younger sister Stella and brother-in-law, Stanley. Patsy Ferran and Anjana Vasan, who play Blanche and Stella respectively, join Anita Rani to discuss their characters and the sisters' relationship. Presenter: Anita Rani Producer: Lisa Jenkinson Studio Manager: Tim Heffer

We chat with Jenna Coleman and director Josie Rourke backstage at the Harold Pinter Theatre a couple of hours before an evening's performance of Lemons Lemons Lemons Lemons Lemons. Also, Nick Curtis and Nancy Durrant review Shirley Valentine at the Duke of York's Theatre, starring Sheridan Smith. Plus, Nick Clark and Nick Curtis review Lulu Raczka and Rupert Goold's “ferociously bold” Women, Beware the Devil at the Almeida Theatre.Bonus content: The Standard's culture team discuss this year's Olivier Awards nominations.In this episode:Part one: Shirley Valentine starring Sheridan SmithPlus, Olivier Awards nominations (6'31 mins)Park two: Interview with Jenna Coleman and Josie Rourke (12'36 mins)Recorded at the Harold Pinter Theatre for Lemons Lemons Lemons Lemons Lemons Part three: Women, Beware the Devil (23'07 mins)Find us on Twitter #ESTheatrePodcastWhat to see in the West End right now www.standard.co.uk/theatre Hosted on Acast. See acast.com/privacy for more information.

We review the hottest ticket in town, Rebecca Frecknall's A Streetcar Named Desire staring Paul Mescal, Patsy Ferran and Anjana Vasan at The Almeida Theatre. We also review Spice Girl Mel C's London dance debut in Julie Cunningham & Company how did we get here? at Sadlers Wells. -Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License Hosted on Acast. See acast.com/privacy for more information.

Our 'London Entertainment Correspondent' (!) Elizabeth Dennehy reviews the transformative Almeida Theatre production of Tennessee Williams' A Streetcar Named Desire, directed by Rebecca Frecknall and starring Paul Mescal and Patsy Ferran (above). Elizabeth discusses how the direction and performances made it feel as if she was hearing Streetcar for the very first time, and how they scrape off the barnacles of affectation from previous productions; redefine the tragedy of Blanche DuBois; how her feelings are perfectly expressed in David Benedict's review in Variety; how the magic of theatre is not an illusion and more effective when it doesn't try to be; and the fundamental importance of trusting the words, trusting the actors, and most of all, trusting the audience. (Length 20:54)

This week, Charlotte Collins is joined by Polly Sayer, Georgina Blaskey and Sherri Andrew. The four talk couple compatibility between zodiac signs, the controversial World Cup in Qatar and easy ways to add some cheer to your life as winter looms…Sign Up to The FREE SheerLuxe Daily Email: https://sheerluxe.com/signupFollow Us On Instagram: https://www.instagram.com/sheerluxe/?hl=enAD De Beers Lotus Collection | http://bit.ly/3XvZcFeDr Jart Cermide Spray | https://tidd.ly/3F8WKgNGeorgina's White Zara Boots | https://tidd.ly/3H0h8lBPolly's Skirt, Weekday | http://bit.ly/3gpWssfPodcast, Cocktails & Takeaways | http://bit.ly/3AHi5eCFilm, Daisy Jones and The Six | Coming SoonFilm, The Wonder | NetflixTammy Faye, Almeida Theatre | https://bit.ly/3EAOnsPFilm, Falling For Christmas | NetflixSkirts:& Other Stories | http://bit.ly/2v2GGaXThe Frankie Shop | http://bit.ly/3EYIC9yWeekday | http://bit.ly/3H0jGAbRealisation Par | http://bit.ly/3U2Q3kfShampoo, Davines | http://bit.ly/3tVtG5FConditioner, Davines | http://bit.ly/3EYClKXIvy Chelsea Garden | http://bit.ly/3gwAXG2SheerLuxe Community | http://bit.ly/3VmDX6P Hosted on Acast. See acast.com/privacy for more information.

Coming to you from the stage of the Shaftesbury Theatre, currently home to musical & Juliet, we kick off our brand-new theatre show.Every Sunday we review two of the most interesting shows onstage in London.This week, Nick Curtis, the Evening Standard's Chief Theatre Critic, and Nancy Durrant, Culture Editor, review Tammy Faye, the Almeida Theatre's new musical, and Marvellous at @SohoPlace.For all the latest news visit standard.co.uk/cultureYou can find us on Twitter #TheLeaderPodcast @esculture Hosted on Acast. See acast.com/privacy for more information.

Earlier this week Mickey-Jo was so excited to be invited to the Almeida Theatre in London to see the opening night of TAMMY FAYE, a new musical based on the notorious televangelist Tammy-Faye Bakker. The show is written by Elton John, Jake Shears and James Graham and stars Katie Brayben and Andrew Rannells. Check out the new review for Mickey-Jo's full thoughts on this intriguing new musical. • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Join Amanda Wakeley as she is joined by a different celebrity guest each week as she uncovers their very own Style DNA. This week's guest is Adjoa Andoh - HonFRSL The British Actor. On stage, she has played lead roles with the Royal Shakespeare Company, the National Theatre, the Royal Court Theatre and the Almeida Theatre. On television, she has appeared in Doctor Who, Casualty, and BBC's EastEnders. Andoh made her Hollywood debut in autumn 2009, starring as Nelson Mandela's Chief of Staff Brenda Mazibuko alongside Morgan Freeman as Mandela in Clint Eastwood's drama film Invictus. Since 2020, she portrays Lady Danbury in the Netflix Regency romance series Bridgerton. In July 2022, Andoh became an honorary fellow of the Royal Society of Literature…Adjoa shares stories of her own personal style evolution, the challenges of dressing for the red carpet as well as the transformative power of costumes for the parts she plays…

Reviewers Karen Krizanovich and David Benedict give their verdicts on Tammy Faye, A New Musical at the Almeida Theatre in London, starring Katie Brayben, and from the combined creative forces of Elton John, Jake Shears, James Graham, and Rupert Goold. Plus they review Paul Newman, The Extraordinary Life Of An Ordinary Man - a memoir of the film star created from recently rediscovered transcripts of conversations Newman had in the 1980s. The Poet Laureate, Simon Armitage, reads his poem to mark 100 years of the BBC. And the American artist Daniel Arsham is known for sculptures which look like archaeological remains or as he describes them “future relics.” As an outdoor exhibition of his work opens at the Yorkshire Sculpture Park, Luke Jones finds out what inspires his work. Photo credit: Marc Brenner Presenter: Tom Sutcliffe Producer: Emma Wallace

'Give me your children' is one of the most harrowing and disturbing speeches in history, It was delivered by Chief Elder and Nazi appointed representative of the Jews in the Lodź ghetto, Chaim Rumkowski. In the speech, Rumkowski announces that children under ten, the elderly, and the sick and infirm will be handed over to the Nazis to fulfill deportation demands, in order to save the rest of the ghetto. Holocaust survivor Abram Goldberg was in the ghetto's main square on that terrible day, and heard the speech and the screams of the crowd. In this episode he talks about Rumkowski, the leader's controversial and tarnished reputation, as well as Abram's own incredible story of survival, including a heart breaking promise to his mother at the train station at Auschwitz. Assisting 97 year old Abram in our interview is Fiona Harris, the co-author of his recent memoir, 'The Strength of Hope' (Affirm Press, 2022). Fiona has written children's books and co-produced and starred in the hit series, 'The Drop Off'. The reenactment of Rumkowski's speech is voiced by Tobias Menzies (The Crown, Outlander, Game of Thrones for Almeida Theatre's 'Figure of Speech' series. It is on YouTube Speakola is made entirely by Tony and supported by listeners. There is a Patreon page which you can join If you want to offer Tony regular support. Also welcome credit card donations,  which can be monthly or one off. Subscribe to our newsletter if you want a fortnightly email setting out great speeches by theme. Speakola is sponsored by DocPlay. Sign up here for 45 days free on the world's best documentary streaming site, then if you choose to continue, $7.99/m. The documentary 'A Film Unfinished' about a Nazi propaganda film in the Warsaw ghetto is excellent. Tony will share photos and write about his day with Abram and Fiona for his writer blog, Good one, Wilson. Email comments or ideas to tony@speakola.com See omnystudio.com/listener for privacy information.

We discuss the very exciting new season at The Almeida Theatre which includes a new production of A Street Car Named Desire directed by Rebecca Frecknell and starring Paul Mescal, and a new musical written by Elton John! We also review the Chichester Festival Theatre production of South Pacific, and the new song cycle Millennials at The Other Palace.-Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License

Anne W. Smith, the Commonwealth Club's Arts Member-led Forum chair, will moderate a discussion relative to restorative performing arts ideas and values, lingering pandemic issues and new implications for artist and audiences.  Sean Fenton, the “new kid on the block”, is executive director for the arts community service organization Theatre Bay Area. He will spotlight new approaches and thinking ideologies of large and small companies, including why  passion is central to leveraging  pathways through equity, diversity and inclusion as theatre's strongest future. Phillippa Cole, senior director of artistic planning at San Francisco Symphony, will share the emerging impact of Music Director Esa-Pekka Salonen's sparks of innovation underneath his galvanizing leadership model of collaborating artist partners. Is this how the symphony will—as Partner Julia Bullock so aptly wrote—“unpick the institutional tangle?" Why will Davies Hall's collaborative space message prevail? And Carma Zisman, executive director of ODC/Dance, which was founded 50 years ago by Artistic Director Brenda Way, will talk about how ODC committed to 52-week full-time contracts for their dancers. It's a very radical move in the contemporary dance world that grounds ODC's 50th anniversary the impact of EDI issues, and the professional dance world's positioning right now. Join us for an enlightening conversation. We must try! About the Speakers Phillippa Cole is the senior director of artistic planning at San Francisco Symphony. She was previously the associate director of artistic planning for the Los Angeles Philharmonic, producing at London's Almeida Theatre, casting administrator of the English National Opera, and agent with Askonas Holt artist management company focusing on conductors, singers, and stage directors, including Michael Tilson Thomas , Magdalena Kozena and Sir Simon Rattle. She served as the Center's Performance panel chair at the Royal Academy of Music in London. Sean Fenton has been active in the professional Bay Area theatre community for more than two decades. He has worked as an actor, musician, director and administrator. He as performed at TheatreWorks Silicon Valley, San Francisco Playhouse, Crowded Fire Theater, 42nd Street Moon, and Ferocious Lotus Theatre Company, among others. Backstage, he's been a leader at Bay Area Children's Theatre and Kaiser Permanente Educational Theatre, and he has developed audience research services at Wolf Brown's Intrinsic Impact program. Before taking the helm at ODC/Dance five years ago, Carma Zisman served as director of institutional advancement at The Walt Disney Family Museum. Previously she was the vice president of development at the World Affairs Council of Northern California, and development director of the College of Liberal & Creative Arts at San Francisco State University. SPEAKERS Phillippa Cole Senior Director of Artistic Planning, San Francisco Symphony Sean Fenton Executive Director, Theatre Bay Area Carma Zisman Executive Director, ODC/Dance Dr. Anne W. Smith Co-chair, Commonwealth Club Arts Member-led Forum In response to the COVID-19 pandemic, we are currently hosting all of our live programming via YouTube live stream. This program was recorded via video conference on June 21st, 2022 by the Commonwealth Club of California. Learn more about your ad choices. Visit megaphone.fm/adchoices

American playwright Jeremy O.Harris discusses his play Daddy, at London's Almeida Theatre, which explores the romantic relationship between Franklin, a young black artist, and Andre, a wealthy white collector. Front Row reviews works that are poles apart today; the exhibition Inspiring Walt Disney, which reveals how Disney's fascination with France, especially Rococo design, animates films such as Cinderella and Beauty and the Beast, and the film Navalny, about the Russian opposition leader who was poisoned with Novichok, recovered in Berlin and returned – to be immediately incarcerated. It is as much a crime thriller, a whodunnit, as a documentary. Film critic Leila Latif and John Kampfner, who began his career as a Reuters Moscow correspondent, but is also Chair of the House of Illustration, discuss these with Tom Sutcliffe. To mark the BBC's Art That Made Us season, Front Row invites artists from across the nations of the UK to choose the piece of art that made them by shaping their artistic and cultural identity. Today we hear from the Welsh-Bajan musician Kizzy Crawford on Robert Williams Parry's poem The Fox. Presenter: Tom Sutcliffe Producer: Harry Parker Photo: Terique Jarrett and Sharlene Whyte in Daddy at the Almeida Credit: Marc Brenner

Director Rupert Goold, Choreographer Lynne Page, and actors Carly-Sophia Davies, Laurie Kynaston, Amara Okereke, and Stuart Thompson join host Joe Bunker to discuss their acclaimed revival of Spring Awakening at London's Almeida Theatre. Part Two also features an interview with Nathan Armarkwei-Laryea (Hanchen in the Almeida production).

Paradox House presents… Episode 10 and the season finale of Scripted hosted by Daisy Lewis. For our final episode in season 1, we are treated with the presence of Lolita Chakrabarti OBE. Lolita carved some time out of her busy schedule to chat to Daisy about all things scripted - The process of writing, multi-hyphenates and representation in the stories she creates. Lolita Chakrabarti OBE is an award-winning actress and writer. She trained at RADA and has been working as an actor on stage and screen for over thirty years. Her writing work includes – Theatre HYMN, live-streamed and performed live at the Almeida Theatre, London 2021 Also shown on Sky Arts Adaptation of LIFE OF PI by Yann Martel World premiere at Crucible Theatre, Sheffield, July 2019. Transferred to Wyndhams, London in 2021. Awards: WhatsonStage Best New Play 2019, UK Theatre Award for Best New Play, Cameo Book to Stage 2020 Adaptation of INVISIBLE CITIES by Italo Calvino World premiere at Mayfields, Manchester International Festival and Brisbane Festival 2019 A collaboration with digital projectionist 59Productions, choreographer Sidi Larbi Cherkaoui and twenty two dancers from Rambert. RED VELVET Tricycle Theatre, London 2012 and 2004 St Anne's Warehouse, New York 2014 Garrick Theatre, London 2016 To date there have been over 30 productions worldwide. Awards: Charles Wintour Evening Standard Award Most Promising Playwright Award 2012; Critics Circle Award in 2013 for Most Promising Playwright; AWA Award 2013 for Arts and Culture; Nominations for Whatsonstage Awards 2013 for London Newcomer of the Year & Best New Play; Nomination for an Olivier Award 2013 for Best Play in an Affiliate Theatre. THE GREATEST WEALTH – 2018 Old Vic Theatre, London Curated by Lolita. A series of 8 monologues celebrating the NHS' 70th birthday including SPEEDY GONZALEZ by Lolita Chakrabarti LAST SEEN – JOY – 2009 Almeida Theatre/Slung Low Dramaturg on MESSAGE IN A BOTTLE directed and choreographed by Kate Prince for ZooNation and Sadlers Wells Other Adrian Lester and Lolita Chakrabarti : A Working Diary published by Bloomsbury in 2020 Radio: PUT MY NAME IN LIGHTS – 2020 a monologue for BBC Radio 4 RED VELVET – 2014 Saturday drama BBC Radio 4 THE GODDESS – 2006 Woman's Hour serial BBC Radio 4 Film: Lolita produced OF MARY, a short film, directed by Adrian Lester Awards: Best Short Film at PAFF, Los Angeles 2012, nomination for Best Producers at Underwire 2012

Joanna got her first job while still at drama school, Martina Cole's 'The Runaway' alongside Jack O'Connel, since then she has been apart of some incredible productions, on stage, tv and film. 'What Maisie Knew' alongside Julianne Moore and Alexander Skarsgard, Richard III at the Almeida Theatre along side Ralph Fiennes, but you may know her best for her villainous turn in 'Legends of tomorrow' or 'Warrior' based on the writings of Bruce Lee. Today she is here to talk about her new show, Irvine Welsh's 'Crime' alongside Dougray Scott, premiering on the 18th November on Brit Box. Host - Elliot James Langridge

Paradox House presents... Episode 1 of Scripted, hosted by Daisy Lewis. In our first week, launching us off in stellar fashion is Rupert Goold CBE. Rupert is the Artistic Director of the Almeida Theatre and prior to that, he was Artistic Director of Headlong Theatre and Associate Director at the Royal Shakespeare Company. He has twice been the recipient of the Olivier, Critics' Circle and Evening Standard awards for Best Director. Rupert's first feature film, True Story, starring James Franco and Jonah Hill for Plan B and Fox Searchlight in New York, was released. Most recently he directed Judy, written by Tom Edge; a biopic of Judy Garland, with Renée Zellweger playing the title role, for Pathe, Calamity Films and BBC. The film premiered at the Telluride Film Festival, receiving critical praise and multiple award nominations with Renee Zellweger sweeping the 2019-20 awards season, winning the Golden Globe, BAFTA, SAG and Academy Award for Best Actress. Daisy sits down to discuss all things film and television, his process as a director and the state of play of the industry as a whole. Enjoy!

Actress Nathalie Armin (speaking at a digital distance) has been a Dylan fan since the age of six, when an unknown voice “showed her the colours in her mind” as she lay in the back seat of her father's car. She graduated to playing Bob games on stage at the Royal Shakespeare Company (“we'd whisper Dylan song titles to each other. I always won”) and watching him perform at the Royal Albert Hall (“he was 72. I don't know any 20 year-olds who have that much swagger”).The Bootleg Series Volumes 1 -3 is given a serious going over (“what must it be like to be Bob Dylan's drawer? Blind Willie McTell – it was almost too private to put on an album”), as is the instant classic Murder Most Foul (only just released at the time of this recording). If you crave freewheelin' discussions of Moonshiner, Talkin' Bear Mountain Picnic Massacre Blues, House Carpenter, Catfish, Need A Woman and Foot of Pride, please zoom on down and join us.Nathalie Armin is an Anglo-Iranian actress. She has appeared in many acclaimed stage shows including THE MOTHERFUCKER WITH THE HAT at the National Theatre, LIMEHOUSE at the Donmar Warehouse and Robert Icke's award-winning production of THE DOCTOR at the Almeida Theatre. Her film and television work includes FINAL SCORE, DENIAL, GROW YOUR OWN, Philip K. Dick's ELECTRIC DREAMS, the award-wining THE LOST HONOUR OF CHRISTOPHER JEFFERIES, UNFORGOTTEN, MARCELLA and MAIGRET'S DEAD MAN. Nathalie can currently be seen as Yasmine in Channel 4's hit comedy HOME.IMDbTrailerTwitterSpotify playlistListeners: please subscribe and/or leave a review and a rating.Twitter @isitrollingpodRecorded 30th March 2020This show is part of Pantheon Podcasts.