Podcasts about whdh

In Episode 175, Dave starts the shows discussing the death or Morgan Spurlock of ‘Super Size Me' fame couple with extreme price hikes and restaurant closures since the human rumba took office. From there, he discusses the crap show that is the Seattle Public School District and Harvard University. And what kind of show would I have if I didn't spent some time discussing the Idiot-in-Chief for a few minutes. But we got some good news from the House when they officially barred the Treasury from creating CBDC surveillance. The topic of Trump makes an appearance as well so rest assured. Dave closes the show by discussing Dominion voting machines and Canadian politics. Article discussed: Morgan Spurlock, 'Super Size Me' director, dead at 53 by Caroline Thayer from Fox News US said offering intel on Hamas leaders' whereabouts if Israel drops major Rafah op by TOI Staff from The Times of Israel The House Bans The Fed From Building A CBDC Like The Digital Yuan by Roger Huang from Forbes.com Trump vows to 'save' deep-blue New York City in massive, historic Bronx rally by Brandon Gillespie, Paul Steinhauser, & Michael Ruiz from Fox News Pro-Trump attorney arrested after court hearing about leaked Dominion emails by CNN republished on WHDH 7 Boston News 2,000 pages of 'confidential' Dominion emails dumped on social media by Craig Mauger from The Detroit News republished on AcraMax Don't Bet on an Election in 2024 by Don Newman from Policy Magazine Canada Support Dave by visiting his Etsy shop at DesignsbyDandTStore Available for Purchase - Fiction: When Rome Stumbles | Hannibal is at the Gates | By the Dawn's Early Light | Colder Weather | A Time for Reckoning (paperback versions) | Fiction Series (paperback) | Fiction Series (audio) Available for Purchase - Non-Fiction: Preparing to Prepare (electronic/paperback) | Home Remedies (electronic/paperback) | Just a Small Gathering (paperback) | Just a Small Gathering (electronic)

A Monday finish, a disappointing debut, new sticks, a Boston sportscaster, and a rising LPGA star on this week's podcast, hosted by Alex Lauzon and Michael Russell. The Cognizant Classic at PGA National had a Monday finish, and Michael wonders what these weather issues mean for the PGA TOUR this year (1:44). The LPGA's Asian Swing continued with the HSBC Women's World Championship and a birdie-birdie-birdie walk-off winner (4:25). LIV Jeddah included the disappointing return of Anthony Kim to professional golf and another winning weekend for a Master's invitee (5:45). Michael's been playing with 25 year old irons for his entire adult life, and finally got himself a new set this weekend (10:01). Alex's Florida vacation is in the books, and included a fun round of night golf under the lights (13:58). On our YouTube channel you can find Alex's 16 for 16 Challenge at TPC Scottsdale (via a simulator) and more coming every week (16:11). This weekend's Arnold Palmer Invitational at Bay Hill includes the usual loaded field, and always reminds Alex of his Arnie story (16:57). Michael shares his review of Dune: Part Two after experiencing it on the tallest IMAX screen in the world this weekend (18:12). Our first guest is fellow Quinnipiac alumnus Morey Hershgordon, who shares how he went from calling games for his blind grandfather to sports anchor at Boston's WHDH TV (19:37). Malia Nam is our second guest, a rising LPGA Star from Hawaii who shares with Alex what it was like playing golf at USC and battling through the Q-school marathon (47:26). Basketball had a few moments this past week as Caitlin Clark and LeBron James made massive scoring records (1:06:58). As we #ALwaysEndWithFood, Alex can't get enough of a cannoli cruffin he had in Florida, and Michael is so shocked at the new WhiteClaw 0% Seltzer (1:11:04). Support our friends! Save 10% on a Phone Caddy, Swing Aide Tumbler, and everything else with promo code COURSEOFLIFE at DesertFoxGolf.com Use our special link - https://zen.ai/thecourseoflife - to save 30% off your first month of any Zencastr paid plan.   Listen + Love + Subscribe: https://podfollow.com/1437411449 Support the First Tee - Greater Austin: https://bit.ly/3n09U4I  Join us on Facebook: http://bit.ly/2NpEIKJ  Follow us on Instagram: https://bit.ly/2QJhZLQ  Watch us on YouTube: http://bit.ly/3qvq4Dt 

What are Climate Change Disclosure Labels?Highlighting the link between a product's consumption and its carbon footprint could potentially alter harmful consumer behavior that contributes to climate change. Similar to how warning labels on cigarettes changed the smoking habits of some users, placing climate change disclosure labels on gas pumps could introduce discomfort that serves as an effective intervention that connects consumers to the dangerous reality of fossil fuels and illuminates the hidden costs of climate change. Labels for Increasing Public AwarenessAware of the profound disconnect regarding fossil fuels, where they come from and their impact on climate change, Toronto-based lawyer Robert Shirkey founded Our Horizon, a nonprofit working towards requiring climate change disclosures on gas pumps.According to Our Horizon, the first step to addressing a problem is facing it: Putting climate change disclosure labels on gas pumps would force consumers to face the carbon impact of their fossil fuel consumption. Increasing customer awareness might encourage them to reduce their carbon footprint by choosing public transit or being inspired to purchase an electric vehicle. Further, this increased awareness could affect other behaviors like how people choose to vote, or how local representatives voice support for sustainable policy measures such as public transit or climate legislation.  The disclosure labels could vary depending on the climate change impacts or concerns facing each individual jurisdiction. Coastal communities may prefer labels that directly pertain to sea level rise, whereas arid regions may find warnings related to drought to be more effective in altering consumer behavior. Either way, these labels are a low-cost, globally-scalable solution that both municipalities and community members can advocate for: municipalities can use licensing powers to require climate change labels on gas pumps; community members can voice their support to local representatives; and climate-focused policies in one region can inspire legislatures and citizens around the world. Applying the LabelsSome local governments have gone ahead with climate change disclosure labels. In 2020, the Cambridge City Council began requiring the labels on all gas pumps in the Massachusetts city, according to WHDH, a Boston area news station. Sweden has a similar rule in place.While many politicians support the idea, large fossil fuel companies have fought these labels nearly every step of the way. Opposed to disclosing the risks of fuel consumption, the industry instead preferred labels that specified gas-saving tips in Canada during Shirkey's lobbying efforts. About the guestRob Shirkey is a recognized authority on the subject of climate change risk disclosures for gas pumps, which are being implemented in some North American communities. He is a lawyer from Toronto, Canada, and has given lectures across North America, been featured in media all over the world, and received many awards for his work on climate change. You can learn more about Our Horizon and the campaign to place climate change labels on gas pumps here.  Further ReadingBrooks & Ebi, Climate Change Warning Labels on Gas Pumps: The Role of Public Opinion Formation in Climate Change Mitigation Policies, Global Challenges (2021).Where Are All the Climate Warning Labels on Gas Pumps?, Bloomberg (2022).

Today’s episode in a NNS from September 1st and possibly the 10th, 1994. I have titled it: ‘Radio Hopscotch’ because there’s a lot of skipping from call to call. It appears to be the last hour of the 9/1 broadcast and then we jump ahead to some other September nights and conclude with what is labelled as 9/10. Brian McKinley was producing. I found this whole cassette to be endlessly entertaining. There’s a lot here for me to whet your appetite with. It all begins with a call from Fred in Medford about WHDH. Skip to Norm talking about a pianist who seemed to know how to play every song. 36 musicians in some orchestra with I believe Dave McKenna? Norm sat two tables away from Frank Sinatra! Skip to talking to Robert from Everett! Now we are in for a treat as this is the first of TWO calls from Robert in this episode! Norm was going to be participating in a charity comedy show at the Comedy Connection. Skips to a different caller from Maryland (maybe named Irv?) talking about WBZ history and a question for Norm, “Who were the talent known as ‘The Live Five?’” You’ll have to stay tuned for the answers. Norm had recently spoken to Jess Cain. Norm cites Jess as an inspiration to because of all the wild stuff he would do on WHDH and Norm felt he had to keep up and be wild too. We hear from Charlie in Abington with some broadcasting advice for Norm Then Larry who started listening about a year ago when he began a third shift job as a security guard and loves the show. Norm teases the guest for tomorrow night (kind of) then the kids in the Teen Canteen whoop it up one more time and he sends it to the morning news. Now on to a Jack traffic report and spot for Store 24 Lovell Dyett makes an appearance! Norm talks to Lovell about Sophia Loren and the temptations that are flaunted at big time radio folks. Norm enlightens us on his most recent one. Moving on, here’s Norm introducing Rob Floyd in Traffic but no report because we skip to a caller, Kathy. Fred from NJ talking about a lady who sends him apple pies. The worst he’s ever tasted. He also tells a story about being at a BBQ and overhearing a conversation. The woman, when she was younger, couldn’t go to sleep at night until she checked under the bed. Sparked a conversation where many people there had done the same thing. That prompts Norm to mention a play called ‘Small Wonder’ A very interesting plot that I’m certain you’ll ‘see the point too.’ Norm worries more about walking down a dark city street than living in the woods. Norm has never seen a UFO. Let’s Jump to Norm talking with Jim Morley or Morlia, a toll taker on the Tobin Bridge for 20+ years. We get some insight into the big-time broadcasting dollars he was paid when he began his radio career. Next caller, Tom, says a bad word and apologizes. Tom also said how sorry he was to hear about Norm’s wife Norma passing. She had been gone for nearly three years. Norm tells a great story about Fr. Dick Schmaruk who gave the eulogy at Norma’s services. Next caller, Mike, who believes he met Linda Chase and tells the Howard Stern fans to be nice. Norm teases a guest for the next show and he signs off from another September day. Here’s the next night with Norm talking to traffic reporter Rob Floyd who needs to call Norm’s brother in-law to fix some stuff. Norm takes the blame for Adam and Eve being banished from the Garden of Eden. Suddenly there’s a Jack traffic spot for Exxon and then Jack reports on every work crew in and around Boston. All I’ll say next is Jack, gawkers and cockpit. Norm says he’s the ‘throw-away act&rsquo

The summertime is heating up with Episode 93 of Norm Nathan’s VoS. The number may just match today’s temp here in some parts of MA. It’s a scorchah! We have a DBG from July 2nd, 1995 which is titled: ‘Raiders of the Lost Birthday Book’ because we begin with Norm not being able to find said book and a quest may be needed! Was it just misplaced by Norm? Was it stolen by Sid Whittaker and WCCM? (a reference to some scandal back in Ep 91) Will Netflix buy the rights to this astonishing whodunnit? Stay tuned! Onward to the game: Our 1st player is Stan Roberts, calling in from Buffalo. He worked with Norm back on WHDH from 1970-72. They chat quite a bit before the game begins. Some WHDH history, station breaks, technology of the time, and how Norm got his overnight gig. Stan notes that “In an age when machinery is replacing man, you replaced a machine.” Wait until you hear Stan recall the great ad campaign for his show that was on a billboard along the SE Expressway. And there’s talk of Stan’s career when he returned to Buffalo. And now the other players: Michael from PA Tom in Cleveland Robert in Framingham Hope Schauer producing and playing in studio And the wild, different and crazy Ken Newman in traffic. Bdays: Polly Holiday John Sununu Lucy Baines Johnson Turpin Cheryl Ladd Jimmy McNichol And then it’s event time. And we get three! What year did Amelia Earhart and navigator Fred Noonan disappear over the Pacific Ocean while attempting to make the first round the world flight at the equator? What year did the Lawrence Welk Show premiere on ABC television? And in what year was The U.S. Army Air Corp created? The game is so exciting that it reminds Norm that just when he feels that he’s been in radio longer than he should be, nope. Not yet. This prompts a possible lead in the DBG Book theft! We get the details on an old survey that Lawrence welk had taken where one of the questions was, “Larry, what do you think of violence? It is revealed that Norm hosted a polka program which featured the one and only, Johnny Wilfahrt. And post-game we get a few more minutes of conversation with Norm and Stan which takes us through to the end. Ep 93, ‘Raiders of the Lost Birthday Book’ is comin’ atcha in 3, 2 and 1.

On this episode of The Takin A Walk Podcast Series join host Buzz Knight and retired American Television Executive Jimmy Coppersmith.  He is a member of The Massachusetts Broadcasters Hall of Fame for his career leading WCVB and WHDH in Boston.

Nopixafterdark EP 180: Aaron interviews Julie Donaldson the Senior Vice President of The Washington Commanders. We discuss her journey from University of Florida to Washington DC. Julie talks about working hard, learning as much as possible and taking any job that came her way in the beginning of her career.  That hard work ethic has prepared her for her job with the Washington Commanders.The first female to be a regular on-air member of an NFL radio broadcast booth. Take a listen to her amazing journey.   Julie Donaldson is the Senior Vice President of Media and Content for the Washington Commanders. A member of Washington's executive leadership team, Julie oversees the entire broadcast and editorial operation in the organization along with being a permanent member of the gameday radio broadcast. The first female to be a regular on-air member of an NFL radio broadcast booth, Julie also adds her input and vision towards all of the club's in-house creative content. During a decade-long tenure as a reporter, anchor, and host for NBC Sports Washington (NCBSW), Julie has covered nearly every team, athlete and major sports story in the Washington, D.C., and Baltimore region, as well as across national and international sporting events. Julie most recently served as host of NBCSW's Emmy Award-winning NFL pregame and postgame shows and contributed regularly to its other football programs and coverage. In addition to her work with NBCSW, Julie has also frequently held on-air roles for NBC Sports and NBC Olympics. She has held three Olympic assignments as a News Desk Host during the 2018 (PyeongChang) 2016 (Rio) and 2014 (Sochi) Olympic Games, and often serves as a weekend Sports Desk host for NBC Sports. Before that, Julie hosted NBCSW's live NBA gameday shows, and was an anchor and reporter for several NBCSW news, analysis, and entertainment shows, including SportsNet Central, Training Camp Daily and Football Central. Julie joined NBCSW in August 2010 after stops in some of the nation's top markets, including Boston, New York, and Miami. Donaldson served as a sports anchor and reporter for Boston's WHDH-TV (NBC). Prior to WHDH, she was as a reporter for SportsNet New York (SNY) for two years, including the network's inaugural season. Bio From the Commanders website

Bob Elliott and Ray Goulding were an American comedy duo whose career spanned five decades. Using satire and deadpan delivery, their routine was typically to conduct radio or television interviews presented as though it were a serious broadcast, but using off-the-wall dialogue. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was "This is Ray Goulding reminding you to write if you get work"; "Bob Elliott reminding you to hang by your thumbs."

Demetra Ganias is a public speaking coach and media trainer based in Greenwich, CT. She brings a dozen years of experience in bustling newsroom to Ganias Media Lab. From local markets to cable news, the most impactful lesson she learned is that our words form our reputation. After earning her journalism degree from Boston University's College of Communication, she launched her career as a news writer in Boston at WHDH, the NBC affiliate. Soon, she made the leap to New York City, accepting a coveted position as an NBC Page. She worked stints as a production assistant at the New York Stock Exchange for CNBC's Business Center, and Saturday Night Live during Will Ferrell's final season on the show. Yet, Demetra was drawn back into news, this time writing for a national audience as Associate Producer at cable news outlet MSNBC. Realizing her passion for broadcasting, she stepped out in front of the camera. Her first on-air break came as morning anchor for the joint ABC/NBC affiliates WIVT/WBGH in Binghamton, New York, where she was quickly promoted to main anchor. Demetra later jumped to Albany, reporting and anchoring for ABC affiliate WTEN. She covered politics extensively, spending most of her time at the State Capitol, interviewing lawmakers and breaking down complicated issues for viewers at home. This stellar foundation launched Demetra back to New York City, reporting in the nation's top market for CBS affiliate WCBS, connecting her with the incomparable people and places of the five boroughs. Now, this mom of three is sharing her expertise in powerful public speaking with individual, corporate, and academic clients. Contact her to learn how she can help you with her “3 P's Approach” – Presentations, Pitches and Persona.

The first of a two part conversation with Andras Corban Arthen, the founder and spiritual director of the EarthSpirit Community. At the break, an excerpt of a radio interview from 1985 of Andras on the Paul Benzaquin show on WHDH. Music by Sam Arthen-Long Recorded and Produced at Singing Land Studio www.singinglandstudio.com Learn more about the EarthSpirit Community www.earthspirit.com www.earthspiritvoices.wordpress.com www.facebook.com/earthspiritcommunity

I learned to be a great storyteller on TV and when I'm selling a house, I'm telling you the story of that house. Buyers want that emotion, that's what sells. -Teri Adler This is a story about reinvention. Meet Teri Adler, Principal of The Teri Adler Group and a Boston area residential real estate superstar. For the past twelve years, she has been a top broker for Pinnacle Residential Properties, including Broker of the Year, but her career path began with a very successful run as a reporter and news anchor on stations from the Cape to New Hampshire, to Hartford and finally, in Boston at WHDH and WBZ. Turns out, Teri has used her well-honed storytelling skills to sell houses and this interview reveals what it took to make the transition from one profession to the other. The mother of three daughters, including a special needs child, Teri speaks candidly about a decision she and her husband made regarding how they were going to raise their firstborn child: “Jeff and I decided we were not going to let Alexandra's disability define her, our our family.” Her advice about multiple careers and what really matters in life are insightful and well worth your download. Says Teri: “Life is going to take you to places you never imagined and you have to bend and grow with it. There is no blueprint.” #reinvention #storybehindhersuccess #womeninmedia #realestate

Lord, you don't have to move my mountains, just give me the strength to climb. -Carmen Fields She may have grown up in a segregated community outside Tulsa, Oklahoma, but Carmen Fields was surrounded by love and encouragement. The daughter of a teacher and a very well-known big band leader, she knew she wanted to write. That love of writing led to a 40 year career as a print and broadcast journalist, a media relations pro and a college professor. In this interview, Carmen and I settled in for a look back at a career that continues to inspire to this day. It was her mother who encouraged Carmen to come to Boston from Oklahoma saying: “You've never been East before, why don't you go ahead to Boston, and just remember, you can always come home if it doesn't work out.” Well, it did work out and Carmen has both passion and perseverance to thank for her success. As a black female reporter on the City Desk at the Boston Globe, there were neighborhoods she was afraid to go into during the Boston busing crisis. Yet, as Carmen says: “those old men in the newsroom with their cigars and off color jokes took me under their wing” and she continued to grow as a print journalist. Her career story includes her experience as a TV anchor, her stint as a press secretary to the Suffolk County District Attorney, her public relations roles at the United Way and National Grid her love of teaching at Boston University and her long running public affairs program on WHDH called Higher Ground. When it comes to the responsibilities of a journalist, Carmen Fields is clear: “I still look at journalism as the first draft of history. And I still look at journalist's role as a responsibility to give the facts and some of the context and background and yes, even get both sides of the story.” For a look at a career worth emulating, hit that download button. #womeninmedia #storybehindhersuccess #journalism