Your Next Draft is the fiction writer's guide to developmental editing. What do you do after your first draft? How do you flesh out flat characters, fill in plot holes, and hook your readers from the first page to the last? What does editing a novel even mean? Developmental editor and book coach Alice Sudlow answers all these questions and more. Each week, she shares the editing strategies she's using with her one-on-one clients so you can put them to use in your own novel. Tune in for tips, tools, and step-by-step guides for the novel editing process.
The Your Next Draft podcast is a must-listen for any writer who has completed the first draft of their novel and is ready to dive into the editing process. Hosted by Alice, this podcast focuses specifically on developmental editing and offers a clear and easy-to-follow process for shaping a 300-page first draft into acts, scenes, and chapters. Alice's passion for editing shines through in each episode, as she provides advice that makes perfect sense with real-world examples. She clearly loves writers and the process of refining their work, making her an invaluable resource for any aspiring author.
One of the best aspects of this podcast is Alice's deep knowledge of developmental editing and her ability to break it down into manageable steps. She explains the process in a way that is easy to understand, offering practical exercises and examples to help writers implement her advice. Her segments are concise and to-the-point, providing actionable steps that can be easily applied to one's own writing. Additionally, Alice's enthusiasm and encouragement throughout the episodes make her feel like a personal cheerleader for writers, inspiring them to tackle their edits with confidence.
While there are many writing podcasts available, few focus specifically on the revision process. Your Next Draft fills this gap by diving into the intricacies of developmental editing, which can often be overwhelming for writers. Alice does an excellent job of making these methods accessible and easy to implement. However, some listeners may find her speaking speed a bit fast at times, which can make it challenging to fully absorb all the information she presents. Slowing down slightly would allow listeners to fully grasp the concepts being discussed.
In conclusion, The Your Next Draft podcast is an invaluable resource for writers who have completed their first draft and are ready to tackle the editing process head-on. Alice's expertise in developmental editing shines through in each episode as she offers clear guidance and practical exercises that can be implemented immediately. While some may find her speaking speed a bit fast, her enthusiasm and encouragement make up for it. Overall, this podcast is a must-listen for any writer looking to refine their work and take their manuscript to the next level.
You don't need more filler. You need better progressive complications.Your inciting incident hooks your readers and promises them a story they'll love.And then comes the middle.The messy middle. The quiet doldrums of your story, where plot momentum goes to die.Where your characters wander, your conflict blurs, and you start to wonder if any of it is working.So what do you do? Add some “stuff that happens” and hope it holds your readers' interest? Toss in a random subplot? Describe your character's breakfast in extreme detail?Nope. This is the space of the progressive complications.And in this episode, I'm showing you exactly how to revise them.Because the middle of your story isn't filler or unnecessary fluff. It's 60% of the story, and it has an essential job to do.What progressive complications really are (and what they're not)How they build momentum and escalate conflictThe 8 qualities I'm looking for when I edit progressive complicationsHow to know if your scenes are working—or just taking up spaceAnd more!And to make it even easier, I've created a cheat sheet to help you revise your progressive complications. Print it out, keep it handy, and use it every time you edit a scene.If you've ever gotten stuck in the middle of your manuscript wondering how to move forward—this episode is for you.Let's take your messy middle and make it unputdownable.Links mentioned in the episode:Get the Inciting Incident Revision Cheat Sheet: alicesudlow.com/87Work with me: alicesudlow.com/contactEp. 42: The 6 Essential Elements of Every Novel, Act, and SceneA clip from S1E4 of YoungerSend me a Text Message!Want my support in your revision?In Story Clarity, we'll work one-on-one to sharpen your story's structure and craft a revision plan that works. If you're ready for thoughtful, personalized feedback from an editor who gets what you're trying to do, I'd love to hear what you're working on.Get started by telling me about your story here. Support the showRate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here, scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »
Your first chapter has a monumental task: to make potential readers care about your book right away and hook them to keep reading.Every sentence is a chance to earn your reader's attention—or lose their fragile, baby-fresh interest before your story even begins.And that's assuming that your book makes it to the bookstore shelves. If you're traditionally publishing, the first chapter's burdened with even more responsibility. It's your first impression with agents and editors, who will judge whether to consider the full manuscript based on the first five or ten pages alone.The stakes are high.So high, in fact, that it's easy to get stuck—revising and refining your first chapter over and over while the rest of the manuscript gathers dust.So I asked Abigail K. Perry, a fellow editor and book coach, to come help us break out of that trap.“If we don't care about a character, we don't care about what happens to them. . . . Pull us into character and let us understand and get to know them so that when threats are posed against them, we care about what happens.”—Abigail K. PerryYou'll hear:What great first chapters must accomplishWhy mystery is a good thing in first chapters (and info dumps are not)How to make your readers care about your characters in a matter of pages, paragraphs, or even sentencesAnd moreIf you've ever found yourself stuck in a first chapter revision loop, this one's for you.Check out Abigail's “First Chapter Deep Dive” episodes on the books we discussed:The Hunger Games by Suzanne CollinsCatching Fire by Suzanne CollinsMockingjay by Suzanne CollinsRemarkably Bright Creatures by Shelby Van PeltFourth Wing by Rebecca YarrosHarry Potter and the Sorcerer's Stone by J. K. Rowling(Coming soon: Ender's Game by Orson Scott Card)Send me a Text Message!Support the showRate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here, scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »
Your inciting incident sets the stage for everything that follows. Here's what to revise so it can carry the story.A great inciting incident does a lot of heavy lifting.→ It hooks your readers, pulling them into the story.→ And it sets up everything to come, laying the foundation for a brilliant climax your readers will love.The beginning matters. Which means there's a lot of pressure to get it right.But what does right actually mean? How do you start a story well?That's what I'm tackling in this episode. I'm going beyond the definition of the inciting incident to share what I as an editor am looking for when I edit inciting incidents.In other words, if you've written an inciting incident and aren't sure how to tell if it works, this episode is your guide to edit it.You'll hear:How I define the inciting incidentWhere in the story the inciting incident appears (and how to tell if it's too early or too late)The 7 qualities I'm watching for when I edit an inciting incidentThe 4 common inciting incident traps I see writers fall into (including one that's really hard to spot, and yet it can tank the whole story)And morePlus, I've gathered it all into a one-page cheat sheet you can reference every time you edit an inciting incident. Print it out and keep it in your writing space for easy access.If you've ever found the advice to “make sure your story has an inciting incident” unsatisfactory, this episode is for you.Don't just make sure your story has an inciting incident. Use this episode to revise it until it's good. Great. Unputdownable, even.Links mentioned in the episode:Get the Inciting Incident Revision Cheat Sheet: alicesudlow.com/85Work with me: alicesudlow.com/contactEp. 27: Value Shifts: How to Craft Compelling Change in Every StorySend me a Text Message!Support the showRate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here, scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »
“It really broke my heart, actually. . . . For the rest of my life, it will break my heart.” A.S. King gets honest about what happened when the publishing industry failed her book.What happens after you edit your book?What happens after you've bared the story of your heart, crafted it into an excellent novel, and presented it to the world?What happens when you get traditionally published, when you receive awards and accolades, and when it looks like you've won the author career lottery?Last month, I brought author A.S. King on the podcast to share how she revises award-winning novels—complex, intense, surrealist, mind-bending stories meant to challenge her readers to think.But that wasn't the end of the conversation. In fact, it wasn't even the start.The conversation began months earlier, when I heard the story of her book launch for her latest novel.I won't spoil the ending here, but I will say: it did not go how she expected.So today, I'm bringing Amy back on the podcast to tell us her publishing story and give us a glimpse of what comes after all the writing and all the revising.You'll hear:What really happened during A.S. King's latest book launchHow a publisher's big promises fell through—and what that meant for the bookWhy even revising an excellent novel doesn't guarantee industry supportWhat it feels like when the book of your heart gets treated like just another productHow gender, genre, and power shape what gets promoted (and what doesn't)What it takes to keep going when publishing knocks you off courseAnd moreIt's a peek into traditional publishing—and a reality check on what the industry feels like from the inside, even for an award-winning author in her prime.And above all, it's a reminder of what really matters when it comes to measuring your book's success.Links Mentioned in the Episode:Share your thoughts about this conversation in the comments hereOrder a signed copy of Pick the Lock from Aaron's BooksHear more about A.S. King's book launch in this conversation on the #AmWriting podcastHear how A.S. King revised Pick the Lock in this conversation on Your Next DraftSend me a Text Message!Support the showRate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here, scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »
Do you need to hire a line editor? Or should you line edit your manuscript yourself?After all, you want to write an excellent novel. You know that great writing takes shape in revision, and you don't want to skimp on any layers of editing.Nor do you want to overestimate your writing skills and leave your book littered with clunky sentences that a wordsmithing line editor could polish into shining brilliance.On the other hand, you also don't want to mess up your editing process or your manuscript by getting the editing phases wrong.You don't want to hire the wrong people at the wrong time and reduce the efficiency of your edits by getting them out of order.You don't want to waste money you don't need to spend on professional editing you don't actually need.And you definitely don't want to make your manuscript worse by getting feedback that doesn't match your vision.So: do you need to hire a line editor?Well, maybe. Or maybe not.In this episode, I'm breaking down what line editing is, what line editors do, and what your book and your editing process truly need.You'll hear:What great line editors can doThe risk of working with a line editorThe key that makes great line editing possibleHow to find your best line editorAnd moreWhether you hire a line editor or line edit your novel yourself, the principles I share in today's episode will help you ensure every word you choose is the right one for your story and your voice.Links mentioned in the episode:See my sample developmental and line editing feedback: alicesudlow.com/83Discover Story Clarity and Story RefinerySend me a Text Message!Support the showRate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here, scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »
“Revising is about making sure that you're saying what you want to say in the way you want to say it. . . . To me, revision is the sport. It's the impact. It's the reason we're writers.”Have you ever read a book and thought, Holy cow, this is amazing. How did this author DO this?Or, maybe you've read a book and thought, Wow, I wish I could write (or in my case, edit) a book like this, but this is incredible and it might be beyond me?Well, that's how I feel when I read an A.S. King novel.She's an impressively decorated author of novels for middle grade, teens, and adults. She's the only author to win the Printz award for young adult literature twice—and that's just two of many, many accolades.She writes brilliant stories that are surrealist and puzzling and weird, and at the same time beautiful and heartfelt and honest and real.And when I heard that she loves revision, I knew I had to bring her to Your Next Draft and ask her: how does she do it?How does she manage to craft such intricately plotted, complex stories?How does she innovate so much on a technical level, and keep me hooked on a brilliant story all the way through?How does she turn her completely pantsed first drafts into award-winning novels—and then hit it out of the park again, and again, and again?So I was thrilled when A.S. King agreed to join me on the podcast and spill all the details of her revision process.In our conversation, she shares:Her five-draft revision processHow she cuts 20% from her first draft (she uses the word “chainsaw”
Ever wondered what an editor actually does all day?What it looks like to spend all day supporting writers in their stories?Or what your editor's doing in all that time when they're not sharing their feedback with you?If those questions pique your curiosity, you're in luck. I'm pulling back the curtain to share a week in my life as a developmental editor and book coach.You'll get a behind-the-scenes look at what I do with writers and what I'm working on when I'm not on calls giving feedback.Plus, I'll share all the best editing strategies, tips, and tricks that emerge as I dig into stories with writers this week. You'll hear:How I use what we know about a story to solve for what we don't knowWhether it's okay to “tell,” not just “show,” a character's emotionsHow your character's emotional intelligence impacts how your reader feelsA simple way to track the emotional tension in your storyHow I draw out every last drop of meaning and emotion to make scenes unputdownableWhat it means to be “done” editing your bookI love my job and can't imagine spending my days any other way. I hope you enjoy this peek at what it really looks like to be an editor and book coach!Links mentioned in the episode:Want to work with me in Story Clarity and Story Refinery? Tell me about your story »Get a boost of editing joy in your inbox every Tuesday. Join the newsletter »Further Listening:Ep. 32: How Spider-Man (And All Great Stories) Makes Us Laugh, Cry, and Feel the FeelsEp. 42: The 6 Essential Elements of Every Novel, Act, and SceneA week in the life of another editor and book coach: A Week in the Life: 5 Days Behind the Scenes with SavannahSend me a Text Message!Support the showRate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here, scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »
When to use frameworks to solve your story problems—and when to trust yourself and lean on your own story authority. You've heard of Save the Cat! Story Grid. Blueprint for a Book.These are all frameworks designed to help you edit a novel. If you don't know these names, I bet you know others—Hero's Journey, Freytag's Pyramid, 7 Point Story Structure, Dan Harmon's Story Circle, there are dozens more.Each one promises that if you use it, you'll be able to craft better stories. And because we want to write good books, the writers I know are constantly learning new frameworks and analyzing their stories through them.I use frameworks like these in the editing process, after the first draft is already written. But I've seen many writers use them earlier, even before they begin writing.It's a tempting thought, right? What if you could use these frameworks to solve your story problems and make writing your first draft so much easier? What if you could build a story from the ground up that already fulfills everything those frameworks require from the very first draft?Would that shortcut the creative process? Would it help you create a better story faster?Or would it get in the way of your storytelling? Are there moments in the creative process when frameworks like these might just do more harm than good?I'm a big fan of storytelling frameworks. But today, we're taking a hard look at them to see what they offer, what they can't do for us, and how to tap into your true authority as the writer of your own story.Links mentioned in the episode:Find B is for Book Coach on Substack »Further listening:Ep. 79: Ask This Question When You're Overwhelmed by Your StoryB is for Book Coach: How to Take the Drama Out of Cutting and Rewriting ContentB is for Book Coach: Comparison Isn't a ThiefSend me a Text Message!Support the showRate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here, scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »
Escape analysis paralysis with one powerful question. It's deceptively simple—and yet it unlocks everything.If you're like most of the writers I work with, you're pretty savvy about story structure. You know your Story Grid, your Save the Cat!, your Hero's Journey. You've probably analyzed your story six ways to Sunday, and you've got the spreadsheets and outlines and diagrams and graphs to prove it.And all that analysis has leveled up your story significantly. You've solved major structural problems by applying your extensive knowledge of story theory.But I also bet there are still some issues nagging at you. Issues that you still can't crack, no matter how many times you map every act and arc in your story on a spreadsheet.In fact, if you're still spreadsheeting your story by this point, you're probably starting to spin out a little. You've analyzed and analyzed and analyzed again, and now all that story structure that was supposed to make revising your story clear and straightforward has turned against you, leaving you overwhelmed and lost.What if you could break through all that overwhelm and find your footing in your story again?What if you could snap out of analysis paralysis and reconnect with your characters and the inspiration that compelled you to write in the first place?And what if you could do all of that by asking just one deceptively simple question?You can, I promise. And in this episode, I'll show you how.Links mentioned in the episode:Get the question that unlocks everything in a printable format: alicesudlow.com/79Go deeper in character development: How to Flesh Out Flat Characters With Just 4 QuestionsGo deeper in my favorite story structure: The 6 Essential Elements of Every Novel, Act, and SceneSend me a Text Message!Support the showRate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here, scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »
The best novels combine rock-solid story structure with scenes that are unputdownable on every page. Here's how one writer and two editors polished a story at every level.If you want to move your reader in every moment, keep them hooked on every page, you need to refine your scenes until each one is unputdownable.And that refinement? It's SUCH a joy. It's my favorite thing to do and it will transform your entire story.But in order to make every scene matter, you first need to make sure you have all the right scenes in all the right places.The big-picture story structure can't be kinda-sorta-maybe working. It needs to be locked in, watertight.Otherwise, all those beautiful scenes won't build to anything. They might be pretty on their own. But they won't create compelling narrative drive, an irresistible build to the cathartic payoff your readers can't get enough of.So how do you do it? How do you get your macro storytelling crystal clear and refine every scene into its most powerful form?In this episode, I want to share with you the story of how one writer did just that. You'll hear how Cathryn leveraged multiple revision passes to transform her manuscript from a massive pile of words that made her cringe to a story she's immeasurably proud of.It's also a tale of two editors—because Cathryn worked with both me and my colleague Kim to make her story shine on every level.Most of all, it's a story of mastering two storytelling skills—the micro and the macro—and all the story magic you can unlock when you do.Links mentioned in the episode:Read Cathryn's stories » Join Kim's Novel Hotline Live »Work with Kim and me together »Further listening:Ep. 76: Scene Workshop: Hook Your Readers in Chapter One with Cathryn deVriesEp. 42: The 6 Essential Elements of Every Novel, Act, and SceneEp. 60: The Most Joyful Editing Feedback I Ever GiveSend me a Text Message!Support the showRate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here, scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »
It's the most common developmental editing service you'll see. Know what to look for and when (or if) you need one.If you google “developmental editor” and start looking through editors' websites, you'll see a common service appear again and again:A manuscript evaluation.(Or assessment, or diagnostic, or critique. A rose by any other name, etc.)Typically, in a manuscript evaluation, an editor will offer to read your manuscript and tell you what's working and what to focus on next to make it even better.It sounds like the dream, right? Someone who will read the book you've spent months and months writing, tell you what they think of it, and give you a to-do list.And manuscript evaluations sell like hotcakes because what they're offering is exactly what writers want.Or at least—what writers think they want.But when you don't know what you really need, you risk wasting hundreds or thousands of dollars on a service that leaves you disappointed, stuck in the same spot, or even feeling false confidence that your story's problems have all been solved when they're not.What if you don't need someone else's to-do list for your story? What if you have access to all the evaluation you need right now, without paying a single cent?And if you don't need someone else's to-do list, what do you need instead?In this episode, I'm giving you a crash course on manuscript evaluations. You'll hear:What they are,When they work,Why they go wrong,And the rare occasion when I will agree to do one.Here's the thing: there are no regulations in the author services industry.That means it's up to YOU to vet every professional you work with.I'm equipping you with everything you need to know to make the most of manuscript evaluations—or find the service you need instead.Links mentioned in the episode:See what I do inside Story Clarity (instead of doing manuscript evaluations)Hear author John Green read from editor Julie Strauss-Gabel's editorial letter for The Fault in Our StarsSend me a Text Message!Support the showRate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here, scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »
You get one shot to grab their attention. Don't waste it with characters staring off into space.You've put all this work into uncovering your character's internal arc. You know them SO WELL.When you step into a scene, you're giving your absolute all to uncovering the deep meaning and purpose behind it, the profound arc of character transformation that's happening in even the smallest moments.Yet in doing all that . . . you've lost the plot. You've crafted complex inner worlds for your characters, but all they're literally doing is staring off into space.And you're worried that in the times when you most want to hook your readers—like your absolutely critical opening pages—you're boring them instead.Bored readers put books down.So what do you do? Throw in some discord and explosions to create external chaos? Cut the scene and start the story at a different point entirely?Or is there a way to use what you know of your character's internal arc to find the perfect external action that will hook your readers and keep them turning pages?This is exactly the challenge Cathryn deVries encountered in the first chapter of her novel. So we workshopped it together—and in this episode, you'll hear how we solved it, and how you can hook your readers, too.Links mentioned in the episode:Notes to Novel with Savannah GilboRead Cathryn's scene: alicesudlow.com/76Read When a Slave Falls, Cathryn's award-winning short storyRead Lightning Hunter, a story set in the same world as the scene we workshoppedFind Cathryn on her website, Facebook, Instagram, and LinkedInSend me a Text Message!Support the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
It's unpopular, but essential if you're aiming to craft your best work.Picture this: one year from now, you're holding your book in your hands. You see the gorgeous cover art, feel the slight resistance when you open the cover for the first time, run your hands over the soft, smooth paper, flip the pages and smell that delicious new book smell.Does that sound amazing? Holding your book in your hands just one year from now?Being done soon is so tempting. But just being done soon won't lead to a book you're proud of, a book you love, a book that accomplishes everything you know it can be.Does it sound amazing to imagine holding your book in your hands six months from now . . . and still not feel creatively fulfilled?To flip the pages and know that there's more you could still fix?To skim the lines and cringe just a little?To picture the glorious story vivid in your imagination and wonder what your readers will miss because you couldn't quite capture it on the page?No, that doesn't sound delightful? I didn't think so.The book world is filled with services promising to help you finish your book fast. If your dream is to hold your book in your hands this year, there are tons of people out there who can help you make that happen.But after years of helping writers who seek to craft their very best books, the ones they're truly proud of, I've found that speed is not what you need to get there.In this episode, I'll show you:What the true work of revising a novel really is,Why trying to speed through it will actually hold you back,And what to do instead—so that when you finish, the book you share with the world is one you're immeasurably proud of.It's not the popular path. But it's the only path I know to craft the books you're truly capable of writing.Links mentioned in the episode:Edit your novel with me: alicesudlow.com/contactSee if I'm the right editor for your book: alicesudlow.com/waitlistSend me a Text Message!Support the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Your book is important. But sometimes, worthy interruptions will delay it for a while.For the last few months, this podcast feed has been quiet. It went dark with no notice in mid-June.I didn't mean to disappear on you. In fact, I didn't plan to pause the podcast at all.But a family emergency struck, and all my best-laid plans for summer 2024 changed in a matter of hours.This summer, I learned what it takes to edit when your world is in crisis.Happily, for me and my family, the crisis is over. But emergencies are bound to happen to everyone at some point.And so in today's episode, I'm sharing my best advice for you and your editing should a crisis come to you.In it, you'll hear:What in the world happened to the podcast (and me) this summer,5 tips for editing when you're in crisis mode,And what you'll hear on Your Next Draft this fall.I hope you don't need these tips for a long time. But if you do find your world falling apart around you, I hope these tips help you find a way forward for your story and yourself.Links mentioned in the episode:When the crisis hit, I couldn't keep up with the podcast, but I did share updates with my email newsletter subscribers. Want to get all the episodes of Your Next Draft, plus editing tips that you won't hear on the podcast? Subscribe to my newsletter: alicesudlow.com/sceneworksheetSend me a Text Message!Get Your FREE Un-Put-Down-Able Scene Revision WorksheetMake every page of your novel un-put-down-able with the Scene Revision Worksheet.12 simple, but powerful questions will show you exactly where your scenes are working—and where they're going off the rails.Plus, a bonus 3-day email mini-course will show you how to use the worksheet to edit your scenes.Get the worksheet + mini-course »Support the Show.Want more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Your reader experiences your story one scene at a time. Make every scene un-put-down-able.Great stories are made of great scenes.Sure, your novel has a clever plot with twists and turns from the first page to the last. But the way your readers will experience that plot is . . .. . . one scene at a time.Which means if you want your readers to fall in love with your novel, you need to captivate them with scenes they can't put down.How do you do it?I'll show you in this episode. I'm analyzing a scene from The Seven Husbands of Evelyn Hugo to show you how and why it works——and how you can create the same magic with your own scenes.You'll learn:The timeless structure behind this modern sceneHow every single detail in the scene enhances that structureWhat Taylor Jenkins Reid shares through exposition—and what she leaves outHow to draw inspiration from this scene to craft an exceptional scene of your ownAnd more!This episode is a sneak peek inside my upcoming Scene Mastery Workshop. In fact, this is the first scene we'll study in the workshop. Then, we'll dig into seven more scenes from other great novels.So if you enjoy this episode, you'll love the workshop.Want to master editing scenes this summer? Click here to get all the details and apply »Links mentioned in the episode:Apply to join the Scene Mastery Workshop: alicesudlow.com/workshopEp. 27: Value Shifts: How to Craft Compelling Change in Every StoryEp. 42: The 6 Essential Elements of Every Novel, Act, and SceneSend me a Text Message!Support the Show.Want more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Show and tell your readers why time matters to your characters.Time matters.When you look up and it's dark outside, time matters to you.When your characters look around and summer is turning into fall, time matters to them.When your readers are reading a novel and they can't figure out how time is passing? Well, time matters to them, too—mostly because they're confused.In this episode, I'm sharing two ways to make time matter to your readers the way it matters to your characters.That is, how to make time matter because it impacts your characters' lives. (And not because your readers can't get a grip on what's happening in your story.)You'll learn:How to blend showing and telling (it's a spectrum, not a binary)2 techniques to convey time passing using showing and tellingHow to choose which calendars to use in your storyAnd more!Your readers want to understand why time matters to your characters. Show and tell them, and they'll feel it passing just as your characters do.Links mentioned in this episode:Ep. 70: Why You Must Show Time Passing in Your NovelEp. 71: 3 “Telling” Ways to Convey Time Passing in Your NovelSend me a Text Message!Support the Show.Want more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Don't lose your readers. Just tell them what time it is.The passage of time seems intuitive. It just happens, right? (Like, whether you want it to or not. Time and tide wait for no man, etc.)Here's the thing, though. If you don't tell your readers that time is passing in your novel . . .. . . they won't know.It seems wild, I know. It feels like time passing should be obvious. But I promise you, it's not.Luckily, conveying the passage of time to your readers is simple (and it doesn't take a lot of words to do it!). And in this episode, I'll tell you exactly how it's done.You'll learn:Why you need to both show and tell time passing in your story2 ways your readers understand that time is passing3 techniques to “tell” your readers time is passingAnd more!This is one of those elements of storytelling that feels tiny, inconsequential, like your readers will catch on without you needing to think too hard about it.But trust me, it makes a big difference. I've read so many manuscripts that are missing any indicators of time passing. And they make me as a reader feel completely lost.Don't lose your readers. Just tell them what time it is.Links mentioned in the episode:Ep. 70: Why You Must Show Time Passing in Your NovelSend me a Text Message!Support the Show.Want more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Send me a Text Message.This is often overlooked, but it's essential for great stories.How do you make time pass?Well, when you're living your regular life in the real world, you don't have to do anything.Time is constantly passing, no matter what you do. And when a timer goes off, or you look outside and see the sun's gone down, or you feel your stomach growl with hunger, you notice time has passed.You hardly have to think about it. It's just happening, all around you, all the time.In your novel, though—well, there, you are responsible for charting the passage of time. You are the filter who determines how time passes.More than that, you are responsible for telling your readers how much time is going by.It's an essential part of storytelling, and yet it's often overlooked. So in this episode, we're talking about time.You'll learn:Why writers often forget to mention time passing3 ways you can use time passing to enhance your storyWhat happens when you don't show how time is passing in your story2 kinds of tension you can create using timeAnd more!I've read so many manuscripts where I lose track of time and have to ask the writer, “Wait, when does this happen?” Check out this episode and save yourself from this common oversight.Support the Show.Want more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Write your best stories—and know when to let go and publish them.In order to write great books, you first have to learn how to write great books.But when it comes to writing, there's always something more to learn.So how do you know when to practice your writing skills—and more importantly, when to publish the stories you're creating?That's what I'm talking about in this episode.In it, you'll learn:2 benefits and 1 danger of spending focused time learning new writing skillsThe joy—and risk!—of publishing using the skills you already haveHow to leverage the benefits of both learning and publishing in your writingA self-assessment quiz to see what you should focus on nextAnd more!So are you practicing or publishing? There's no right or wrong answer. It's just a question of which approach is best for you, right now.Check out the episode and find out!Links mentioned in the episode:Ep. 68: You Can't Skip Learning How to Write a Novel. Here's WhySupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Before you can master writing great stories, you have to learn to craft great stories. When I was fifteen, I got my learner's permit and began learning how to drive a car.This made me very unhappy.See, I wanted to know how to drive a car. I didn't want to learn to drive a car.Knowing how to drive a car was fun, freeing, and exciting. Learning to drive a car was dangerous, tedious, dangerous, difficult, and also dangerous.Writers, I find, feel the same way about writing great books.Writers want to write great books. They don't want to learn how to write great books.The stakes aren't life or death. But the sentiment is the same.And just like fifteen-year-old me, writers face an uncomfortable truth:You can't skip the learning stage of skill development. If you want to write great books, you have to spend time learning to write great books.In this episode, I'm digging into what it really takes to learn the skill of writing great books—and how to know when you've mastered it.You'll learn:The 2 stages of skill development I see in writersWhy you just can't skip the learning stage (no matter how much we all want to!)3 features of the learning stage (yes, features, not bugs!)And more!The amazing book you want to craft is on the other side of the learning stage.Check out the episode and build the skills that empower you to write it.Support the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Because working with an editor should be delightful, not scary.Let's be honest. When you start working with an editor for the first time, it can feel a little scary.You're sharing your manuscript, the project you've worked so hard on, with a stranger on the internet. You're inviting another person into a process that up until now has been entirely solo.And you're entering an industry of professionals that's probably entirely new to you. What should you expect? And what's expected of you?In this episode, I'm demystifying what it's like to work with an editor. I'm sharing four tips to help you make the most of your time with your editor—even (or especially!) if you've never worked with an editor before.You'll learn:What NOT to do while you wait for your editor's feedback10+ things you CAN (and maybe should!) do while you waitWhat to do AFTER you get your feedback to move forward with clarity and confidenceAnd more!Your work with your developmental editor can be one of the most rewarding creative partnerships you'll ever experience. That may sound hyperbolic, but it's 100% true.The first step is simply knowing what to expect. And that's what you'll learn in this episode.Links mentioned in the episode:Check out my manuscript wishlist: alicesudlow.com/wishlistWant me to edit your book? Tell me about your book here: alicesudlow.com/contactEp. 66: 4 Tips to Find the Right Editor for Your NovelSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
What you need to know BEFORE you start working with an editor—and how to tell if they're the right fit for your novel.Working with a developmental editor can be the most rewarding part of your editing process.But if you've never worked with an editor before, it can also be . . . intimidating. Confusing. Scary.After all, you've got to hand your manuscript that you've worked so hard on to a stranger on the internet and hope their feedback will be helpful and not soul-crushing.If you've ever wondered how to find the right editor for your book——or maybe you've worked with an editor before, and it wasn't a great experience——then this episode is for you. In it, I'm sharing my top tips to find the right editor for your novel.You'll learn:What you should know BEFORE you start looking for an editor6 criteria to vet editors to see whether they're the right fit for you5 questions to ask to make sure you and your editor are on the same pageAnd more!When you find the right editor for your book, the developmental editing process can be so incredibly rewarding. My coaching clients often tell me that the hour we spend together on calls is their favorite hour of the week.But if you don't know how any of this works, you might feel a little lost. So let's make it a little clearer and easier, shall we?And if you'd like to see if I'm the right editor for your novel, let's talk!Go here to check out my manuscript wishlist and see whether I'm a good fit for yourstory.And go here to reach out and tell me about your book!Links mentioned in the episode:Check out my manuscript wishlist: alicesudlow.com/wishlistWork with me: alicesudlow.com/contactSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
What we get wrong about creativity—and the truth that will make your writing and editing so much more effective.Do you know how great stories work?Scratch that. Let's start with an easier question. Do you know how your stories work?Not all writers do. Even published authors often struggle to articulate how they created the books their readers love. They rely on intuition, following gut feelings to shape their stories.But while your intuition can guide you to create a commercially successful novel . . .. . . I believe there's a better way. An easier way. A less confusing and chaotic, more reliable and repeatable way.And that's what this episode is all about.In it, you'll learn:What we get wrong about our own creativityThe truth about writing and art that exceptionally successful writers (probably) don't want you to knowWhat I find most amazing about traditional publishing (seriously, I think this is bonkers)And more!Your intuition is a powerful storytelling tool. But it's not your only tool.And in this episode, I'll show you why that's such wonderful news.Links mentioned in the episode:Ep. 36: Your Story Has Deep Meaning. Do You Know What It Is?Ep. 42: The 6 Essential Elements of Every Novel, Act, and SceneP.S. What do you get when an editor and a nuclear physicist walk into a swing dance? Powerful truths about jazz music and storytelling, it turns out. Check out the episode to see what I mean.Support the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Why group coaching might be the perfect way to get feedback on your writing.When I was first getting started, I pictured editing like this:A writer writes a manuscript and sends it to their editor. The editor writes feedback and sends it back. The writer takes that feedback and uses it to edit their manuscript.That's the classic form of editing. But it's far from the only form of editing.Editing doesn't even have to be one-on-one. In fact, sometimes group coaching can be exactly what you need!In this episode, I'm breaking down the pros and cons of group coaching for writers.You'll learn:How group coaching combines the best features of critique groups + one-on-one editingWhat you CAN'T learn one-on-one (but you can learn in a group!)One group coaching caveat to watch out forAnd more!Group coaching isn't better than one-on-one editing, or vice versa. It's just different—a different experience that can meet different needs in your writing in a different way.In fact, you might decide to try both group and one-on-one editing at different points in your writing career. So it's great to know what your options are!Links mentioned in the episode:Join the Scene Mastery Workshop waitlist: alicesudlow.com/workshopSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
The simple editing process to turn your messy first draft into a second draft you love.“I've written first drafts before, but I've never edited a second draft. How do you actually do it?”A writer asked me this a few days ago. And they're not alone—it's a question I hear a lot.How do you actually edit a novel? Is there a process? A system? A strategy? Something, anything, to guide you after you finish the first draft?Yes. Yes, there's a process to edit a novel.Better yet, it's a simple process. (That doesn't mean it's easy—don't get those confused. But it's not complicated.)And in this episode, I'll walk you through this process step by step.You'll learn:The 5-step editing process I use with all my one-on-one clientsHow to customize this process to make it work for YOUThe trap you risk falling into if you don't use this processWhere the REAL work of developmental editing happens (hint: it's not about changing the words in your manuscript!)Why this process will make your editing clearer, more effective, and more efficientAnd more!If you've ever felt lost, confused, daunted, or completely overwhelmed by the very idea of editing your novel——or if you've been editing, but you can't tell whether you're making progress or just spinning your wheels——then this episode is for you.Links mentioned in the episode:Work with me: alicesudlow.com/contactEp. 31: 3 Ways to Create a Scene List That Makes Your Editing Process (Almost) EasyStory Structure: The 6 Essential Elements of Every Novel, Act, and SceneCharacter Arcs: Three-Act or Four-Act Structure: Which Is Best for Your Novel?Theme: Your Story Has Deep Meaning. Do You Know What It Is?Point of View: The Most Important Principle When Choosing Your Point of ViewSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
It sounds scary, but it's actually MAJOR editing progress.What if the best way to make progress on your novel . . .. . . is to go back to the beginning?Sometimes, the most effective editing strategy is a page one rewrite.Yes, that means exactly what it sounds like. You open a blank document and begin writing an entirely fresh manuscript.It might feel like you're moving backwards. But you're not. And in this episode, I'm going to prove it to you.You'll learn:Why I CELEBRATE when a writer starts a page one rewrite (and why you should too!)Why going back to the beginning is an unavoidable part of the editing process2 tips to help you make the most of a page one rewriteWhy your previous draft isn't wasted (even if you're starting fresh with a blank page!)And more!If a page one rewrite is your best next step, consider this episode your pep talk.You've got this. And it's going to be so, so worth it.Links mentioned in the episode:Ep. 61: What It REALLY Means to Make Progress Editing Your NovelSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Editing progress doesn't always look like you'd expect. Here's how to recognize it.If your editing is going great, you'll enjoy this episode. Honestly, though, if editing feels like the worst thing in the world right now, you'll love this episode even more.Here's what's in store: How do you know whether you're really making progress editing your novel?In the episode, you'll learn:Why editing progress does NOT look like what you might expectWhat counts as editing progressThe two things that DON'T count as progressAnd more!If you're feeling stuck, stagnant, or overwhelmed, don't miss this episode.I hope it gives you just the boost you need to start this year of writing and editing strong.One more thing: This year, I'm moving Your Next Draft to a biweekly podcasting schedule. Rather than sharing a new episode every week, I'll have a new episode every other week.I'm making this shift to allow me to spend more time with my editing clients. You'll still get to hear from me on the podcast! I'll still be sharing the same actionable editing content designed to help you navigate your own novel editing process.It'll just be every other week rather than every week.To hear more about this shift, check out the episode.Links mentioned in the episode:Join my email list for weekly editing tips: alicesudlow.com/sceneworksheetJoin my waitlist and be the first to know about my openings for new editing clients: alicesudlow.com/waitlistSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Here's what happens when you absolutely NAIL IT in your story.Sometimes, you just nail it.The ideas click. The words flow. The revision works.Those days are my favorite days to give my clients feedback. When the pieces finally fall into place and the story is transformed for the better.On those days, I get to share my most joyful editing feedback.And in this episode, I'm sharing that feedback with you.You'll learn:Why objective and subjective feedback are essential for great storiesThe difference between your assessment of your story, your beta readers' assessment, and your editor's assessmentWhat happens when you and I both know your revision worksAnd more!Most of all, though, in this episode, I'm celebrating you. I'm celebrating all the hard work and incredible progress you've made in your editing this year.It's a short one, but a good one, and a great way to wrap up your year of writing.Happy editing, and I'll see you in 2024!Support the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Your editing process has more in common with building a business than you might think.Editing a novel and building a business . . . well, they're actually not all that different.That's something I've been thinking about all year. As I've coached writers through the editing process, I've been struck again and again by how similar novel editing and business building really are.After all, they're both large creative projects. The kind that demand a lot: grit, perseverance, continual learning. And the kind that lead to incredible rewards for those with the courage to pursue them.Which means the lessons I've learned in this year of building my business also apply to you in your writing. (And I've learned a lot of things!)In this episode, I'm sharing five of my business-building lessons that will apply to your novel, too.You'll learn:Why you might be closer to building your own business than you thinkMy #1 marketing tip for a business or a bookThe mistake I made at the beginning of my business and how I'm fixing it now (hint: frozen burritos may be delicious, but they are not entirely nutritious)And more!Your Next Draft is all about inviting you in to the editing tools and strategies I'm using in my own editing practice. And in this episode, I'm pulling back the curtain and getting a little more vulnerable than usual.I hope this inspires you to reflect on your year of writing and editing, too. What have you learned this year? What new editing wisdom are you taking into 2024?Links mentioned in the episode:For a podcast all about building an editing business, check out The Editing Podcast with Louise Harnby and Denise Cowle.Support the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
The year's most popular editing tip, plus four more strategies I don't want you to miss.What's the best editing tip you've learned this year?If you've been listening to Your Next Draft all year, there are quite a few to pick from—fifty, in fact.So in this episode, I'm taking a look back at this year on Your Next Draft. I've selected the top five editing tips from 2023, tips you can put to use in your writing right away.In it, you'll hear:The most popular editing tip from 2023The editing principle I use with every manuscript and every clientThe editing strategy a client pitched me (that has since become one of my favorite tools!)And more!It's been a great year on the podcast. I can't wait to share more editing strategies with you in 2024!Links mentioned in the episode:Get my Scene Analysis Worksheet: alicesudlow.com/sceneworksheetFind J.D. Edwin's books: jdedwin.comEp. 8: What Is a Scene? The Ultimate Guide to Write and Edit Amazing ScenesEp. 23: 3 Simple Steps to Edit Absolutely Anything in Your NovelEp. 20: Listen in on a Real-Life Scene Edit with Author and Editor Kim KesslerEp. 33: The 3-Step Formula to Evoke Emotion and Make Your Readers FeelEp. 35: How to Create an Editing Process That Works for You With Author JD EdwinEp. 50: Use This One Editing Tip for Everything You WriteSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
What dozens of manuscripts and dozens of writers all have in common.This weekend, I celebrated the one year anniversary of launching my editing business.And since the one year mark is a pretty major milestone, and we're nearing the end of 2023, I've been looking back.I've edited dozens of novels and coached dozens of writers this year. And while the stories vary widely, there's one theme I've encountered in them all—and it applies to your story, too.In this episode, I'm sharing what I've learned from a year of coaching writers and editing novels.You'll hear:What new and experienced writers both have in commonWhy it's helpful to you and me when I share everything I know about editing here on the podcastWhy all the writing craft resources in the world can't put editors out of businessAnd more!It's been a wonderful year of editing, full of amazing stories and equally amazing writers. And I can't wait to see what 2024 has in store!Links mentioned in the episode:Want me to edit your novel? Reach out and tell me about your story: alicesudlow.com/contactSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Four questions to make every scene of your novel un-put-down-able.Some of your scenes are really exciting. They're the big ones, the reasons why your readers picked up your book: the first kiss, the epic battle, the discovery of the body.And some of your scenes . . . well, they're the stuff that happens in between the exciting scenes.In those scenes, the story slows down. Sometimes it slows down a lot. To glacial pace. To “eh, maybe I'll finish reading this later” pace.How do you keep your readers hooked? How do you keep them turning pages even during the scenes that are action-light and exposition-heavy?In this episode, I'll walk you through four questions to make sure even your “slow” scenes are un-put-down-able.You'll learn:How to evaluate whether a “slow” scene is even necessary—or if you can cut it entirelyThe 4-step process to edit your “slow” scenes to keep your readers hooked2 things every “slow” scene needsAnd more!Your story is worth reading from cover to cover. Here's how to make sure you don't lose your readers during a dull moment midway through.Links mentioned in the episode:Get the Scene Analysis Worksheet: alicesudlow.com/sceneworksheetSee whether I'm the right editor for you: alicesudlow.com/contactEp. 27: Value Shifts: How to Craft Compelling Change in Every StoryEp. 11: How to Edit a Scene of a Novel, Part 1Ep. 42: The 6 Essential Elements of Every Novel, Act, and SceneSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Make your readers care about your story by getting specific about what your protagonist wants—and why.What does your protagonist want?I bet you have an answer for that question. I also bet that your answer is a little . . . generic.See, the thing your protagonist wants is good. They might want to save a victim from a villain, or fall in love, or get a promotion, or solve a mystery. We all agree those are good things to want.But that doesn't move us, doesn't make us care about your protagonist and their goal, unless we know why they want it.So in this episode, we're digging in deep to find out not only what your character wants, but why they want it.You'll learn:The one question I love to ask to figure out what your character really wantsWhy generic wants won't move your readersHow to make your story stand out from the crowd by getting specificAnd more!You might just discover new layers to your character you didn't even know were there.Links mentioned in the episode:Get the Character Arc Worksheet: alicesudlow.com/characterworksheetEp. 21: How to Identify Your Protagonist's Want and Need (And Why Those Matter to Your Plot)Support the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
The 7 layers of analysis I use to edit a fourth draft of a novel.I don't know about you, but right now, my schedule is full. My days are packed with editing. I have several manuscripts I'm absolutely loving on my desk right now, so many pages to read, and so many notes to share with writers.With all this editing, I didn't have time to put together a typical episode of Your Next Draft for you. So . . . I'm doing something a little different today.I've decided to pull back the curtain on the editing I'm doing right now, this week, on the manuscript I'm currently reading.In this episode, you'll get a glimpse of how I think about a manuscript as I edit it. You'll see:The 7 (yes, 7!) levels of analysis I'm applying as I readThe stage of the editing process this manuscript is inHow I know what levels of editing are right for this manuscript at this stageThe things I'm not editing in this manuscript right nowThat I really, really, really love editing (so much that I peaked on the mic a few times as I recorded. Sorry!)And more!If you've ever wondered what a developmental editor is thinking when they're editing a novel . . .. . . well, this is it. These are my thoughts, almost in-the-moment, as I edit a manuscript I'm loving.Huge shoutout to author J. D. Edwin, whose manuscript this episode is about, and who gave me the all clear to share a glimpse at our process together. She'll be delighted if you check out her books at jdedwin.com. They're really good books. (Yes, I'm a bit biased, because I edited them. But still. They're really good.)Links mentioned in the episode:Check out J. D. Edwin's books: jdedwin.comListen to J. D. talk about her editing process: How to Create an Editing Process That Works for You With Author JD EdwinSee whether I'm the right editor for your novel: alicesudlow.com/wishlistReach out and let's talk editing your novel: alicesudlow.com/contactSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
The minimum viable character questionnaire to develop all your side characters.How do you flesh out a flat character? Create a cast your readers will fall in love with? Make each character realistic, well-developed, and believable?There are tons of character development questionnaires and personality tests and character sketch templates out there.They'll ask you everything from “What's your character's deepest fear?” to “What's their hair color?” to “What toppings do they most hate on pizza?”But you don't need all those questions in order to create a richly-developed character. Truly, you don't.In this episode, I'm sharing the shortest possible character development exercise.I call it the Minimum Viable Character Development Questionnaire. (There are more words in that title than questions in the questionnaire.)You'll learn:The 4 essential questions you need to answer to flesh out any characterThe most important element of characterizationHow to give a flat, unremarkable cast of side characters unique and memorable personalitiesAnd more!Links mentioned in the episode:Get the Character Arc Worksheet: alicesudlow.com/characterworksheetEp. 18: 2 Essential Questions to Craft a Compelling Character ArcEp. 21: How to Identify Your Protagonist's Want and Need (And Why Those Matter to Your Plot)Support the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Use the limitations of your POV to enhance your story.Your story's point of view impacts everything. It shapes how your readers get access to information about your story. And it shapes what information they have access to.And since at its core, storytelling is just telling your reader information about a story, this is huge.In this episode, I'm tackling a common POV problem I've seen in many, many manuscripts.You'll learn:3 reasons why POV is so tricky to masterThe “easy out” POV writers choose when other points of view feel challenging to useWhy limits are actually good for your writingAnd more!Support the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
How to make the most of your editor's feedback—even if you disagree with it.If you want to make the most of your editor's feedback, there's one phrase not to say.It's natural. It's normal. It's something I've definitely said in other areas of my life.But when you're collaborating with an editor to make your novel the best it can be, this phrase won't help you.And in this episode, I'm sharing what this pesky phrase is and why it's so dangerous.You'll learn:One thing not to say to your editor—and what to say instead3 reasons why we want to say the wrong thingThe qualities my best editing clients all share (hint: it's not about their story or their skill!)And more!If you've ever wondered how to make the most of working with an editor, this episode is for you. I hope it makes it a little easier—and more exciting!—to get an editor's feedback.Links mentioned in this episode:Find out more about my editing: alicesudlow.comSee my editing services: alicesudlow.com/servicesSee whether I'm a good fit for your novel: alicesudlow.com/wishlistReach out and let's chat about whether your novel is a good fit for me: alicesudlow.com/contactSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
How to developmentally edit absolutely ANY piece of writing.There's an editing tip that applies to literally every kind of writing.Bold statement, I know. But I stand by it.Actually, “tip” is understating the matter. This “tip” is actually a mission-critical principle. It's essential to every writing project.Also, it's my current favorite writing and editing tool. Lately, I've been using this every single time I sit down to write something new, and every time I open up a draft to edit.What is this writing tip, you ask? Well, that's the topic of this episode.In the episode, you'll learn:4 problems you'll face when you don't use this tip3 ways this tip will make your writing better (and easier!)Why this tip might be so darn hard to actually apply (hint: it's fear)How I used this exact tip to write this podcast episodeAnd more! (Like, you know, what the tip is!)This episode is extra-special—and not just because I love this editing tip.Today, Your Next Draft hits a major milestone: fifty episodes!Would you celebrate with me by leaving a rating and review?Here's how:If you're using an Apple device, tap right here to open the podcast.Scroll down nearly to the bottom.Tap the number of stars you'd like to give.Write a quick review. Even one sentence means a lot!If you're not using an Apple device, feel free to send me an email at alice@alicesudlow.com and tell me what you love about the podcast. We'll have a party in my email inbox!Here's to fifty more!
A simple decision-making framework to help you find YOUR best writing path.Yesterday, I shared a framework to help you make any decision about your writing career.Well—yesterday, I shared part one of that framework.And today, I'm back on the podcast with part two!In yesterday's episode, I coached you through how to identify your values in your writing. What's truly important to you?And in today's episode, I'll coach you through identifying your needs. What do you need most in your writing, editing, and publishing process right now?When you know what you value and what you need, making decisions about your writing journey becomes almost easy.You'll know what courses you need. What book professionals you want to hire. What specific areas of learning and development you want to focus on.Ready for complete clarity about your writing journey? Check out the episode.Links mentioned in the episode:Join Notes to Novel: alicesudlow.com/notestonovelEp. 48: How to Choose the Right Writing Resources for YOU Right Now, Part 1Support the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
How to answer the question, “When should I work with an editor?”Hire an editor. Join a writing course. Work with a book coach. Gather beta readers. Join a writing group.There are so many resources to help you write and edit an amazing novel.This is great news when you know exactly what resource you need. If you need a very specific type of support, I can almost guarantee that it exists.But it's terrible news when you don't know what you need. When you don't know what to look for, all the options are just overwhelming.So what's the solution? How do you cut through the overwhelm and find the perfect writing resource for you, right now, at this very moment in your writing career?Well, that's what I'm covering in this episode.I'm going to walk you through my favorite decision-making framework. It's the answer I give anytime someone asks, “How do I know when to hire an editor?”And it will help you make any decision in your entire writing career (and maybe in life, too!).Plus, I'll show you exactly how to use this framework in a real-life example, a decision you get to make right now:Should you join Notes to Novel before the doors close this Thursday?I won't tell you whether you should join or not. That's up to you.What I will do is help you discover what's most important to you. Then, I'll show you whether Notes to Novel is a good fit for that.Think of this episode as a one-on-one coaching session with me where I'll help you figure out whether the Notes to Novel course is right for you.There's no one right answer here. Just a process of discernment you can use for this decision—and every decision you make about your writing journey.Links mentioned in the episode:Join Notes to Novel: alicesudlow.com/notestonovelSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
See the masterful story structure that undergirds the opening scene of How to Train Your Dragon.Great stories are built on great story structure. And my favorite story structure framework is one that you can apply on every level of story.It's called the six elements of story, and it's an editing tool you can use on every layer of your story.To prove it, I'm doing a deep dive into the structure of How to Train Your Dragon. First, I broke down the six elements of the movie as a whole. Then, I took a closer look at the first act of the movie.And in this episode, I'm breaking down the opening scene.You'll learn:The essential value shifts that change from the start of the scene to the endThe critical, life-or-death choice Hiccup must make in the very first scene of the movieHow that choice sets up everything to comeAnd more!Want more? You can see my full analysis of How to Train Your Dragon all on one spreadsheet. Go to alicesudlow.com/dragon to get the spreadsheet.Then, go find the six elements of story in your scenes!Links mentioned in the episode:Watch the opening scene of How to Train Your DragonWatch the resolution of the opening sceneGet the full How to Train Your Dragon analysis: alicesudlow.com/dragonEp. 27: Value Shifts: How to Craft Compelling Change in Every StoryEp. 42: The 6 Essential Elements of Every Novel, Act, and SceneEp. 43: Why the 6 Elements of Story Are the Key to All Great StoriesEp. 45: How the 6 Elements of Story Work in How to Train Your DragonEp. 46: How the 6 Elements of Story Work in Act 1 of How to Train Your DragonSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
The story structure that makes the first act of How to Train Your Dragon work.One of my favorite things about the six elements of story structure is the fact that they work everywhere.You can use them to structure your entire novel. You can use them to structure each act. And you can use them to structure each scene.And to prove it, I'm breaking down the first act of How to Train Your Dragon to show you the six elements at work.You'll learn:What values shift in the first act (and why those changes are good and bad)The crisis choice Hiccup must make, and the many risks at stakeHow the inciting incident and resolution make the value shifts crystal clearAnd more!Plus, you can get my full spreadsheet analyzing How to Train Your Dragon at alicesudlow.com/dragon.Links mentioned in the episode:Get the full How to Train Your Dragon analysis: alicesudlow.com/dragonWatch the opening scene of How to Train Your DragonEp. 45: How the 6 Elements of Story Work in How to Train Your DragonEp. 27: Value Shifts: How to Craft Compelling Change in Every StorySupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
See the story structure that makes this brilliant movie work.The six elements of story are the essentials of great story structure. And in the last few episodes of Your Next Draft, I've shared a lot of theory about them: what they are, how they work, and where to use them.But theory only gets you so far. Story structure makes a lot more sense when you can see it at work.So in this episode, I'm breaking down the movie How to Train Your Dragon so you can see the six elements in practice.You'll learn:How the inciting incident sets up the conflict of the entire storyThe difficult question Hiccup faces in the crisis—and why both his options have consequencesWhy the climax delivers so well that it gives me chills every time I see itAnd more!See story structure at work in this masterful example. Then, put it to work in your own stories and craft your own masterpieces!Links mentioned in the episode:Get the Scene Analysis Worksheet: alicesudlow.com/sceneworksheetEp. 27: Value Shifts: How to Craft Compelling Change in Every StoryEp. 42: The 6 Essential Elements of Every Novel, Act, and SceneEp. 43: Why the 6 Elements of Story Are the Key to All Great StoriesEp. 44: 3 Ways to Apply the 6 Elements of Story Structure to Your NovelSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
How to use one story structure tool to edit every part of your story.The best story structure is the one you can apply to your story.For the last couple of weeks, I've been discussing a lot of story theory on the podcast. Today, I'm getting back to application.In this episode, I'll show you three ways to apply the six elements of story to your novel.You'll learn:How to apply one story structure to your story in three waysHow I edit even the smallest moments of a story to make them punchy and excitingTwo bonus ways to use this story structureAnd more!One of my favorite things about this story structure framework? It works at every level of story.That means that once you learn it, you're prepared to edit your entire manuscript, your scenes, and more.In today's episode, I'll show you how.Links mentioned in the episode:Get the Scene Analysis Worksheet: alicesudlow.com/sceneworksheetEp. 8: What Is a Scene? The Ultimate Guide to Write and Edit Amazing ScenesEp. 25: 4-Act Structure: The Simple Structure to Edit Your Novel (And Why 3 Acts Aren't Enough)Ep. 42: The 6 Essential Elements of Every Novel, Act, and SceneEp. 43: Why the 6 Elements of Story Are the Key to All Great StoriesSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
The story structure framework I use in every story I edit.What do fractals and nesting dolls have to do with story structure? More than you might think.Last week on the podcast, I shared my favorite story structure framework. It's the same structure I use with all my one-on-one clients and in every novel I edit.But I didn't tell you why.Why is it so powerful? Why do I use it in every story? Why do I love it so much that I'm still talking about it on the podcast?In this episode, you'll find out.You'll learn:Why mastering this one story structure will level up your editing on every level of storyHow this structure works for stories from romance to horror and everything in betweenWhat this structure has in common with fractals—and why that's fantastic news for your editingAnd more!If your story's structure is feeling a little shaky, give these six elements a try. I think they'll reveal powerful insights about your story.Links mentioned in the episode:Get the Scene Analysis Worksheet: alicesudlow.com/sceneworksheetEp. 27: Value Shifts: How to Craft Compelling Change in Every StoryEp. 34: Extended Edition: How Spider-Man's Leap of Faith Makes Us Feel TriumphantEp. 42: The 6 Essential Elements of Every Novel, Act, and SceneSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
A simple, flexible story structure framework that works for every kind of story.Great stories are built on great story structure.And while there are a lot of story structure systems out there . . .. . . I do have a favorite. It's one that I use every single day in my editing. I apply it to every story I edit. And it works every time.In this episode, I'm breaking it all down for you.You'll learn:The 6 moments every great story includesHow to apply my most popular worksheet to more than just scenesWhy a piece of story we talk about the least is actually one of my favoritesThe story structure tools that will empower you to tell absolutely any story you wantAnd more!When I learned this framework, it transformed my entire approach to editing. That's not a hyperbole—learning this made all the difference for me.I practice it every time I pick up a story. And I'm always discovering new insights it offers into what makes story work.And who knows? Maybe this will become your favorite approach to story structure, too!Links mentioned in the episode:Get the Scene Analysis Worksheet (and use it for more than just scenes!): alicesudlow.com/sceneworksheetEp. 15: How Long Should it Take for Your Character to Make a Decision?Ep. 27: Value Shifts: How to Craft Compelling Change in Every StorySupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Story theory doesn't sap creativity—it helps us reflect truths about the human experience in our art.When you edit a novel, much of your job is to use story theory to evaluate what's working and what's not.But often, I find that this makes writers uncomfortable. They're afraid that applying story theory will suck the life, creativity, and originality out of storytelling.Have you ever felt that way? Ever wondered whether the storytelling principles you use (even the ones I share here on this podcast!) might make your story too predictable, formulaic, and—gasp—boring?If so, then you'll love today's episode of Your Next Draft.In it, you'll learn:Where story theory actually comes fromWhy story theory works so darn wellHow to test story theory and see how it works—in the real worldWhy using story theory doesn't have to make your story boringAnd more!Full confession: this episode was inspired by a moment when I was confronted with story theory in my own life. In fact, my therapist told me something I've said to you many times here on this podcast!So this episode is a little more personal than I typically get here on the podcast. But that moment was such a perfect illustration of why story theory works that I just have to share it with you.Enjoy this glimpse into how my editor brain works. And see if you can spot story theory around you in your own life!Links mentioned in the episode:Ep. 8: What Is a Scene? The Ultimate Guide to Write and Edit Amazing ScenesEp. 27: Value Shifts: How to Craft Compelling Change in Every StoryEp. 32: How Spider-Man (And All Great Stories) Makes Us Laugh, Cry, and Feel the FeelsEp. 33: The 3-Step Formula to Evoke Emotion and Make Your Readers FeelEp. 34: Extended Edition: How Spider-Man's Leap of Faith Makes Us Feel TriumphantSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Build a reading habit that helps you edit amazing novels.“If you don't have time to read, you don't have the time (or the tools) to write. Simple as that.”This quote from Stephen King gets shared a lot in writer circles.But I have a confession: when I became an editor, I fell into a reading slump. Worse, I stayed in the slump for several years. (After all, Stephen King was talking about writers, not editors, right?)Last year, I read 58 books, nearly three times the books I read the year before. And this year, I'm on track to surpass that again.So in this episode, I'm sharing all about how to read in a way that benefits your writing and editing.How did I get out of the reading slump? And how has reading more impacted my editing? It's all in the episode.You'll learn:5 strategies to use your reading to improve your editingThe mindset shift that transformed how I readThe 4 types of books I recommend you readHow to gamify your reading (and why I'm so fun to watch movies with)How complicated it used to be to listen to audiobooks (I felt ancient describing this, but it was not that long ago)Plus, a few years ago, I created a robust reading tracker spreadsheet so I can quickly reference books when I'm editing. Want to steal my reading tracker? Download my "Read Like an Editor" Reading Tracker here.Let's be honest: you and I are in the book industry because we love stories.I hope this episode gives you strategies to leverage your reading in your editing process.But more than that, I hope it inspires you and helps you reinvigorate your own reading habit.Happy reading!Links mentioned in the episode:Download my “Read Like an Editor” Reading Tracker: alicesudlow.com/reading-trackerSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Does your story's climax solve a problem that's different from the one you have?The last thing you want is for the ending of your novel to disappoint your readers.Yet as an editor, I've seen my fair share of disappointing endings.And in this episode, I'm sharing one of the most common problems I see with endings that just don't work.You'll learn:What happens when your story pays off something you didn't set up4 questions to ask to spot this problem in your storyHow to choose what your story is really aboutHow getting clear on your story's subplot will help you fix a disappointing endingAnd more!When I'm working with writers, I often say something like this:“It feels like this story is solving a problem that's different from the one we have.”In this episode, I'm breaking down exactly what that means—and how you can spot this issue and fix it in your story.Links mentioned in the episode:Ep. 8: What Is a Scene? The Ultimate Guide to Write and Edit Amazing ScenesSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Your characters MUST take action in every scene. Look out for scenes where they don't.I've edited hundreds of scenes. (In fact, editing scenes is one of my favorite things to do!)In all that editing, I've picked up on some patterns. Things that work really well in scene after scene—and common pitfalls that many scenes fall into.And in this episode, I'm sharing one common scene mistake I often see.If your scenes get this wrong, they'll be . . . boring. And no one wants to read a boring scene!But not to worry—in today's episode, I'll show you how to spot this common error and fix it.You'll learn:The very first question I ask when I'm editing a sceneWhy your characters must DO something in every sceneOne critical mistake I see in scenes (is this happening in your scenes?)5 prompts you can use to fix that problem anywhere you find itAnd more!Plus, in the episode, I'll tell you how you can download my most popular editing resource, the Scene Analysis Worksheet.It includes all the questions I ask when I'm editing a scene so you can polish your scenes like a pro.Listen to the episode, grab the worksheet, and go master editing scenes!Links mentioned in the episode:Get my feedback on your scene: alicesudlow.com/scene-critiqueGet the Scene Analysis Worksheet: alicesudlow.com/sceneworksheetEp. 23: 3 Simple Steps to Edit Absolutely Anything in Your NovelSupport the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
Gotten feedback from an editor? Use this process to turn developmental feedback into actionable edits.One of the most exciting moments in your book writing journey is the day that you get feedback from an editor.But just getting feedback isn't enough. Once you get it, you have to apply it.And the challenge of applying your editor's feedback can feel . . . intimidating. Scary. Overwhelming.How do you do it? How do you cut through the overwhelm and apply your feedback with confidence?That's what this episode is all about.In it, I'm sharing the three-step process I recommend to my one-on-one clients. You'll learn:What NOT to do right after you get feedbackWhere the REAL work of editing happensWhen to use my favorite editing tool, the trusty scene listThe bonus fourth step you can add to this processAnd more!If you've ever received developmental feedback on your novel, this is how I recommend you put it to use.I hope that this takes a little bit of the overwhelm out of the process and helps you create an editing plan that works for you.Links mentioned in the episode:Get the FREE 10-step guide to edit a novel: alicesudlow.com/10stepsHow to Create an Editing Process That Works for You With Author JD Edwin3 Simple Steps to Edit Absolutely Anything in Your NovelThe scene list series:4 Ways to Use a Scene List, Your Indispensable Editing Tool2 Simple Strategies to Format Your Scene List3 Ways to Create a Scene List That Makes Your Editing Process (Almost) EasyThe scene editing series:What Is a Scene? The Ultimate Guide to Write and Edit Amazing Scenes5 Essential Questions to Fix Boring ScenesHow to Edit a Scene of a Novel, Part 1How to Edit a Scene of a Novel, Part 2Support the showWant more editing tips and resources? Follow me on Instagram and Facebook.And if you're enjoying the podcast, would you mind leaving a rating and review on Apple Podcasts? That helps more writers find these editing resources. And it helps me know what's helpful to you so I can create more episodes you'll love!Loving the show? Show your support with a monthly contribution »
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