Podcasts about Revision

Most writers start revision by re-reading their manuscript from page one — but that's the least effective way to improve a book. In this episode, Jenny explains a clearer, more strategic way to revise using the Blueprint and the 3D Revision Process. You'll learn how to step back, see your book with fresh eyes, and create a plan that actually moves your manuscript from good to great. We also invite you to join the upcoming Blueprint Sprint.In this episode you'll learn:* Why a full-manuscript read is often the wrong first step in revision* The mindset shift every writer needs before diving into revisions* How to use the Blueprint to create a clear, confident revision plan before touching your pagesJoin the Blueprint SprintStarting January 12 and rolling though February, KJ Dell'Antonia and Jennie Nash will lead you through the 14 foundational questions that every writer should ask of themselves and their book, whether you're just getting started, are mid-draft or starting on on the whatever-number revision with weekly assignments, live events, workbooks and updated access to all the Blueprint resources. All you need to do is be a paid subscriber and stay tuned—we'll let you know how to get signed up.I NEED a January Blueprint!What if you want even MORE? Then you could be one of a very few #AmWriting subscribers who join our first ever Blueprint Sprint cohort. 6 weeks of working together and write-alongs, 5 group-only live sessions, which will be recorded for anyone who can't attend and a members-only community dedicated to helping you create a Blueprint that leads you to the book you want to write, ending with direct feedback from me and from Jennie on your flap copy and 3 page Inside-Outline.We're keeping this small on purpose—we max out at 10 and we might drop that down—so applications to join this group open today and will be evaluated on a first-come, first serve basis. Once we have 10 people, we will close down the application, so get yours in early! Early-bird pricing is $1000 until December 22, after that the price goes up to $1200 (if there are spaces left by then).What are we looking for? 10 writers who are prepared to commit to the process and to the cohort, who do what they set out to do when they set out to do it, who welcome constructive feedback and are willing to do what it takes to build a blueprint for the book they want to create. Writers who know that sometimes you must look a hard truth in the face and cut your losses, that what goes in the scrap heap is rarely resurrected but that the scrap heap is a necessary part of the work. Writers who won't take no for an answer, but can hear “not this” and feel both disappointment and a burning determination that the next effort will be the one that gets there.Also: no a******s.What will you need to apply? We want to hear about your professional and publishing backgrounds, but no publishing experience is necessary. We want to know where you are with this current project, but “still noodling” is a fine answer. The primary requirements are first, a readiness to do the work and second and more ephemerally, our sense of what makes a cohesive cohort.If that sounds like you, here you go—the time to apply is now.Links & Resources* Learn more about the Blueprint tools* Substack about how each genre has a different primary goal in the Blueprint * #amwriting Episode about the Blueprint origin story and why it's such a powerful tool: Transcript Below!#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.“Revision means stepping back, thinking big picture, and being brave enough to rebuild.”SPONSORSHIP MESSAGEHi writers, the Winter Blueprint Challenge 2026 is on, and I can't wait to do it, and I can't wait to tell you about it. Okay, so this time around, we're going to have two ways to play. First, we'll run the Blueprint for supporters, 10 weeks of Blueprint assignments, live events, and encouragement starting January 12, 2026—or, and this is the big news, apply to join our very first Blueprint cohort—10 of you will become a small group that receives direct feedback from me and from Jennie on flap copy and the three page Inside-Outline, and joins five group only live sessions and becomes a part of a members-only community dedicated to helping you create a blueprint that leads you to the book you want to start and finish. Applications to join this group open December 15, 2025 and will be evaluated on a first come, first-serve basis. Once we have 10 people, we're going to close down the application. So get yours in early. Early-bird pricing for the small cohort is $1,000 until December 22 after that, the price goes up to $1200 (if there are even spaces left by then). I am so excited about this. So get your application in early. The regular Blueprint will run for supporters at the usual supporter pricing, but this other cohort is going to be really special details on how and where to apply are in the show notes, or they're going to be pretty prominently displayed at AmWriting podcast.comEPISODE TRANSCRIPTMultiple SpeakersIs it recording? Now it's recording. Yay! Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay. Now, one, two, three.Jennie NashHey everyone, it's Jennie Nash, and this is the Hashtag AmWriting Podcast the place where we help you play big in your writing life, love the process, and finish what matters. Today, I want to talk about why most writers approach revision the wrong way, and how to use the Blueprint to do it right. Most people think revision starts with reading the whole manuscript, but the truth is I think that's the last thing you should do. Before we dive into why I think that, and what I think you should do instead, I want to talk a little bit about what I call the “revision mindset.”When you finish a manuscript, it's really tempting to think, okay, I've got it, I did it, I'll just polish it up a little and be done. But real revision requires openness—being open to seeing the strengths and the weaknesses and the changes that you need to make in the manuscript to take it from good to great. This can feel really vulnerable. I know for me, at this point, I worry that changing one thing is going to break everything else. You feel so close to the finish line that you don't want to touch anything. But holding that tightly—that kind of clenching—is exactly what stops the revision process from working. It's important to remember that revising is big-picture work. It's not line editing. Revising is stepping back, seeing what's really on the page, and being willing to reshape it. So a “revision mindset” is that openness and that willingness to look at it, to be real about what's there and what you want it to be, and to be willing to do what it takes to get it there. So a good revision is going to start with that mindset. And if we start there, you can begin to see why doing a full manuscript read-through from page one, marching straight through all the way to the end, is going to lead to trouble. There are two particular things that happen if you approach revision in that way.The first problem is when you go to read the book from page one chronologically all the way through—maybe you wrote it that way, maybe you didn't—but in any case, if that's how you approach revision, what tends to happen is that you fall into line editing instead of big-picture thinking. You begin to think, oh, this line is really great, or maybe I should fix that line, or maybe the flow here is a little off from this line to the other. You stay in the weeds, and you lose sight of structure and purpose and the big arc of your story or argument. The second problem with starting revision with a full manuscript read is when you ask somebody else to do that reading for you. Basically, what you're doing is handing over your power to somebody else. You're saying you look at this, tell me what you think, tell me how to fix it, tell me what's wrong. And the problem with that is the tendency to get feedback and then just do everything they ask without thinking strategically through what you want to do or what you want your revision to accomplish. And a corollary of that problem is that usually when people are doing that full manuscript read for you, they're just dumping all this stuff on you. They're giving you this long litany of things that they see in the manuscript, or things that they think you should fix, and that list might include small things and big things and important things and not important things. It's so easy to just get overwhelmed with the process.As a book coach, that's what I see all the time. People get into revision, they get overwhelmed, they freeze up, they don't know what to do first. It's so easy to feel defeated. And that's the moment when so many writers stall out and shelve the project. They put it in a folder on their desktop—the proverbial drawer—and it's just away, and they're done, and they can't face it. And then the idea of going back to that huge amount of work and trying to figure it out becomes too daunting, and they just don't. So I don't recommend starting your revision with the full manuscript read.I have a different approach that I teach book coaches at Author Accelerator, and it's called the “3D revision process.” It has three parts. The first is a process of inquiry. We use the Blueprint to ask key questions about the project. The second step is mapping everything out using the outline at the end of the Blueprint in a specific way. And the third step is strategizing. We look at that outline and we prioritize what changes need to be made using the stoplight strategy. I'm going to explain all these things in a minute, but the point is that this process gives you clarity, confidence, and a specific, actionable plan for approaching your revision—which is the dream.Okay, so let's walk through it. Step one is this process of inquiry, and using the Blueprint to walk us through that. In an earlier episode, which I'll link to in the show notes, I talked about why I created the Blueprint and why I refer to it as a process of inquiry, rather than a story structure method. The process of inquiry allows the writer to look at the foundational aspects of what they're writing and to look at the work from this big-picture angle that usually they skip. There are 14 questions no matter which genre you're working on, but they all start with these really basic questions, like, why are you writing this book? What's your point? Who's your reader, and what do they want? And are you giving it to them?Using the Blueprint to start a project, and answering these questions before you begin, is a really powerful way to think about what you want to do in the book, and a powerful way to get your vision clear. But when you have a finished manuscript and you go back to these questions, it's a whole different ball game. It's almost like a test. Can you answer these questions clearly and confidently based on what you know is there? Have you, in other words, put on the page the vision that you had in your head? So you go through the 14 questions honestly, answering them based on what you actually have, and it becomes this kind of assessment or challenge or test, like, did I do what I wanted to accomplish? And it's really easy in those 14 questions to see if you didn't. If you can't confidently answer one of the questions, you know that that's pointing toward a potential weakness in the book.If I give the 14 Blueprint questions to somebody who has written a manuscript that they love and that is close to the vision that they had for it, they're able to knock those questions out and answer them with such authority and power, and it's just an amazing thing to see. And when they can't, and they're coming to the questions with that openness I talked about before, then it's like, okay, look, we still don't have this piece nailed down. We still have to figure out this part of the story or the argument that you're making, so it becomes a first pass at what is really there and what strengths and weaknesses are on the page.The second step in the “3D revision process” is to map out what you have, and we do this with the outline that is at the end of each of the Blueprints. If you've gone through the previous questions in the Blueprint, you're looking at those foundational aspects, the structural elements of the story, all the things that hold up what you've written, and then the outline is, okay, here's what I've actually written. If you're at the start of a project, you want that outline to be no more than three pages. I'm very strict about this, and there's a reason for that. It's because we need to contain or constrain the creative process so that we can see what it is you're wanting to make or to build. If someone goes on and on at that stage of the writing process, they're not making good decisions and they're not thinking about the big picture. But when you keep it to three pages, you're forced to do that, and it's a really awesome process.With revision, I loosen those rules, and the reason is that for revision, I want this outline to be what I call an “as-is outline.” So this is not what you intend to write, or what you hope to write, or what you plan to write, which is what it is at the beginning of a project. Now it's what is actually there. So the as-is outline is capturing what you actually wrote, not what you intended to write. So you use the manuscript, obviously, to get this information and to pin down an outline of what is actually there. And there's still a constraint. I suggest that you keep this as-is outline to about 10 pages, and you absolutely need to follow the rules of the genre that I outline in the Blueprint. Each of the genres has a specific outline and a specific thing that we're looking for in that outline, and I designed that to solve for the things that people most often get wrong in that genre.I wrote a Substack post, which I'll link to in the show notes, which explains what each of those things are, and I'll link to that in the show notes. But you want to follow the rules of the outline, so that you make sure you're not making the foundational problems of that genre. But then you have these 10 pages to capture what you've actually done on the page, and this as-is outline is where the big insights happen. When you step back and you look at this as-is outline, you can see where the momentum drops, where scenes or chapters repeat themselves, where your structure might be broken, where a subplot might take over, or, in nonfiction, where you veer off in some other direction. You can see where two memoir scenes are doing the same emotional work, or where a nonfiction chapter doesn't drive towards the outcome that you're leading your reader to. You can see so much in this outline, and that's why this process is so powerful. The outline becomes a kind of X-ray of what you've actually written on the page.And that leads us to step three of the “3D revision process” which is you're going to analyze that outline. You're going to bring some strategic thinking to what you have there. Each of the Blueprints has a checklist for their particular outline, and you want to go through those checklists and really ask yourself, have I done this? Have I done that? Have I done the other? The kinds of questions that checklist asks are things like, am I giving the reader what they want and expect? Does my outline include the essential elements of my genre or category? What's missing, what's out of order, what's unclear, what's unnecessary? So it's strategic thinking about the material that you have created.One of my favorite books about the creative process is Creativity, Inc., by Ed Catmull. It's the story of the creation of Pixar, the company, and in that book, he talks about the Brain Trust, which is a very small group of writers who help each other to create the best possible stories. And they have this process in the Brain Trust that's called giving good notes. And good notes are clear, they're factual, they're strategic, and that's what you're doing here for yourself. You're giving yourself good notes. And if at this point you want to bring in a trusted partner to help you brainstorm and to help you look at your material and look at your notes and help you brainstorm solutions, this is a great time to bring in somebody to help you brainstorm and to look at your as-is outline and look at the notes that you've made for yourself, because instead of just handing the job over to somebody else, you're saying, I have done this work of looking at my work in a strategic way. I know what I've done well, I know what my weaknesses are, and now I'm ready to solve those problems.So a great critique partner or a trusted beta reader or a book coach…obviously, are great people to bring in at this stage of the process. And what's awesome is you're not asking them to sit down and spend 15 or 20 hours reading a whole manuscript and trying to figure out what you want or what you were trying to do, or how it all lands for them, and giving you this info dump of information. You're asking them to look at your Blueprint, to look at your answers to the 14 questions, and your as-is outline, and your analysis of that outline. And what you'll be doing, either on your own or in partnership, is prioritizing what needs to happen in the revision.The tool that I teach coaches to do this is called the “stoplight strategy.” And what we're doing is we're trying to categorize the problems that we see in a manuscript by their severity. So red light problems are major structural issues, yellow light problems are medium-level issues, and green light problems are line-level edits. I designed the stoplight strategy because so many writers think that revision is about green light issues. So many of them start with line-level edits. And as I spoke about before, the tendency if you're doing a full manuscript read is to fall into that rhythm of just seeing the green light things, or maybe a few yellow light things. But it's very hard to see the red light things, which are the things that are going to bring your book down. They're the fatal flaws, and most writers never find the time to actually look at those things.So they might be things like, I've got to start this novel in a totally different place, or I have to chop off five chapters of my memoir, or I have to restructure my entire nonfiction argument in a different way to make it land. But if you've approached the process that I'm explaining with that openness, that revision mindset, and that curiosity about how can I make this better, and if you've gone through it in this systematic way, and you found some red light issues, they tend not to sting quite so much. They tend to feel manageable. Okay, I can fix this one big thing. And if I fix this one big thing, the next thing that I need to fix is probably going to be obvious, and then the next one is going to be obvious. So you're leading yourself to a prioritization of what needs to happen in the revision, rather than looking at everything in the same way, meaning every little green light issue has the same weight as the yellow light issues and the same weight as the red light issues.When we step out of doing the work chronologically, and we approach it in this more strategic way, we tend to focus on the red light issues. And again, they just tend not to feel quite so awful.So the next step in the process is you take that as-is outline, and you turn it into a “what's-next outline,” a map of what the book is going to become in revision. On that outline, you mark what gets cut, what gets moved, what needs to be added, what shifts are you going to make because of the big changes, and you actually make them in the outline, so that the outline reflects where you're going with your revision.And that's how we close the gap between what you've written and what you want to write. That's where you get closer to your vision of what you want this book to be. And that's why this process is so powerful, because now you have a clear map of what you need to do in revision. You have a clear plan for how you're going to go execute those things, so you're not guessing and you're not lost in overwhelm. You have this what's-next outline that you're going to go in and follow. And if you want to start at the beginning and make all the revisions in chronological order, you can. Or if you want to go in and fix the big red light issues first, you can. And you can use this what's-next outline as a kind of external hard drive to hold all the changes that you want to make in your revision, so that you're not holding them all in your head.Doing the revision in this way might actually mean going in and working on, let's say, chapter 10, 11, and 12, and not touching anything else. It might mean going in and working on chapters 13 and 27 and not touching anything else. It's not necessarily a chronological process. You're going to follow the what's-next outline and do what needs to be done in the manuscript.And once you do that, now is the time when a full manuscript read can make a lot of sense. Now you can go through from beginning to end knowing that you don't have any big structural issues. There are no red light issues in this manuscript anymore. There are no yellow light issues. You don't have to think about those or worry about those. You can go through and do the thing that most people do at the beginning of their revision process, which is polishing the prose and making everything sing and working on the line-by-line writing. You've already done the heavy lifting.If you're excited about using the Blueprint in your revision and you want to work through it with a community of other writers who are doing it too, we'd love to have you join our upcoming Blueprint Challenge. You're going to go through the Blueprint step by step along with people who are revising their books or people who are starting from scratch. It's the same 14 questions, and people will be working on fiction, they'll be working on memoir, and they'll be working on nonfiction. KJ is going to be leading the charge of this Blueprint, and she's going to be doing some write-alongs and AMAs and different things to support people while you work through those Blueprint questions. And I'm going to be in there a few times as well.This is the fourth time we've done the Blueprint Challenge at the Hashtag AmWriting Podcast, and it gets better and better every time as more and more people do it. And you can find critique partners in there to help you with your Blueprint questions, maybe to look at your as-is outline, because they understand the process. They understand what's going on. They understand what this is all about. And it's just a really fun and powerful way to approach either a new book or the revision of a book that you want to work on.You can check the show notes for details on how to sign up for the Blueprint Challenge. This challenge works if you have a new idea that you want to work through, or a new-ish idea. You can be a little bit into it, and the Blueprint process is still really effective. And it also, of course, works really well if you're revising something, or maybe you're stuck revising something, or overwhelmed by the revision process that you're in.You can start at the beginning of the Blueprint process and go through what I've just described here, and at the end of the challenge, be in a really great place to move forward with your project. We'd love to have you join us. So again, check the show notes for details.We give everyone who joins the Blueprint Challenge a downloadable copy of the Blueprint book and a workbook to work through. But if you're not able to do the challenge at this time and you want to go through this process yourself, you can just grab a copy of my Blueprint book at any bookstore and work through those 14 questions and your outline at the end. However you do it, we're excited to support you on your way.So until next time, keep your butt in the chair and your head in the game.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

This week, we talk to Kathleen Corbet, chair of the recently appointed Charter Revision Commission.

Hi my girls

Actualmain èn bleras vischnancas en il Grischun vi da reveder lur planisaziun locala. Quai ha da far cun la lescha federala che pretenda da construir a moda pli concentrada. La finamira: betg duvrar memia bler terren. Per ils «Cuntrasts» avain nus accumpagnà la vischnanca da Mustér tras quest process intensiv ed emoziunal. Tuttina sco bleras autras vischnancas en il Grischun ha era Mustér bler memia bler terren da bajegiar. Tut en tut correspundan quellas reservas a 15 plazzas da ballape. Sulom per sulom vegn sut la lupa e passa set hectaras ston vegnir reducidas cun midar zonas u cun prender il terren or da la zona da construcziun. Quai tutga ils possessurs da terren. Els perdan d'in mument a l'auter blers daners. Ils «Cuntrasts» accumpognan inscunters cun possessurs da terren e las persunas responsablas per la revisiun e mussan lur via tras questa procedura intensiva e cumplexa. -------------------------------------------------------------------------------------------- Aktuell sind viele Gemeinden in Graubünden dabei, ihre Ortsplanung zu revidieren. Grund dafür ist das Bundesgesetz, das ein konzentriertes Bauen verlangt. Ziel ist es, nicht zu viel Land zu verbrauchen. Für die Sendung «Cuntrasts» haben wir die Gemeinde Disentis durch diesen intensiven und emotionalen Prozess begleitet. Wie viele andere Gemeinden in Graubünden hat auch Disentis viel zu viel Bauland. Insgesamt entsprechen diese Reserven 15 Fussballfeldern. Baugrundstück für Baugrundstück wird unter die Lupe genommen und über sieben Hektare müssen durch einen Zonenwechsel reduziert oder aus der Bauzone herausgenommen werden. Das trifft die Grundbesitzer. Sie verlieren von einem Moment auf den anderen viel Geld. Die Sendung «Cuntrasts» begleitet Treffen der Grundbesitzer und der Verantwortlichen für die Revision und zeigt ihren Weg durch dieses intensive und komplexe Verfahren.

In diesem Interview erzählen Arndt Hackenholt und Marius Klee von der Atruvia, wie sie gemeinsam das Konzept des Shared Leadership praktizieren. Unser Gespräch behandelt: - die Interne Revision der Atruvia - das Konzept des Shared Leadership - die Umsetzung in der Revisionspraxis - Erfahrungen mit Shared Leadership in der Internen Revision und - mögliche Herausforderungen Ich wünsche Ihnen viel Spaß beim Zuhören und erfolgreiche Prüfungsprozesse!

The Election Commission of India has extended the Special Intensive Revision of electoral rolls in six states and Union Territories after receiving requests from their chief electoral officers. So, what exactly has changed in the schedule — and how does it affect voters?See omnystudio.com/listener for privacy information.

In this episode, Cheri Hotman sits down with CMMC expert and strategist Linda Rust for a direct, unscripted conversation about what CMMC really means for defense contractors, why so many organizations get it wrong, and how leaders can approach compliance with clarity instead of chaos.Linda brings more than 25 years of engineering and mission-critical technology leadership to the table. She breaks down why CMMC is fundamentally a business issue rather than an IT project, why third-party accountability is often the only thing that finally moves organizations to action, and why “cheap” approaches end up being the most expensive mistakes companies make.Cheri and Linda dig into:• What CMMC is (and isn't)• Why scoping and understanding your data matters more than any technical control• Why leadership, not IT, must own the strategy• The real cost drivers behind CMMC and why labor—not tools—is the biggest factor• How small companies get themselves into false-claims trouble without realizing it• What's coming next with FAR CUI and NIST 800-171 Revision 3• How organizations can right-size their efforts instead of chasing shortcutsIf you want a frank, practical explanation of CMMC from two people who have lived it for years, this episode will help you understand the landscape, avoid costly pitfalls, and build a program that leaders can actually sustain.

Myself and Neil Oliver go deep into the machinery of global power—banking networks, engineered division, psychological manipulation, identity politics, financial resets, the BRICS shift, Bitcoin vs gold...and what the younger generation is now facing!IMPORTANT: Secure yourself and your family against this Reset - by talking to the best experts who cater for clients in USA, Europe and many other regions: https://thepuregoldcompany.co.uk/ivor-cummins/FULL INDEX:00:00 – My Intro: Setting the Stage00:38 – Neil Oliver Opens the Conversation02:08 – Globalist Banking Networks & Elite Coordination05:29 – Were Past Generations Harder to Manipulate?06:11 – MK-Ultra, Post-War Manipulation & Generational Amnesia09:38 – Tragedy & Hope: Inside The Network13:49 – Have We Reached the Outrage Ceiling?15:18 – Divide, Confuse, Conquer: Psychological Warfare 10119:57 – Identity as a Trap: Why People Cling to Opinions22:01 – Psychology of Identity, Virtue Signaling & Control24:26 – Sponsor Segment (Pure Gold)25:15 – Identity Collapse, Evolutionary Psychology & Leadership Worship28:08 – External Validation & Documentary Project Preview34:49 – Cultural Continuity Under Attack37:03 – Erasing History: The Collectivist Playbook22338:57 – Banking, War & the Need for Collateral40:53 – Bitcoin Flip-Flops & Signs of Financial Panic42:16 – Bitcoin as a Possible On-Ramp to CBDCs?42:53 – The Elites Have Lost Control of Something44:05 – The Dollar's Decline, BRICS Rising, and Gold Accumulation46:21 – The Cringe of Sudden Bitcoin Evangelism46:53 – Gold vs Bitcoin, Market Cycles & Media Propaganda49:17 – Bitcoin Store-of-Value Narrative Under Scrutiny50:28 – CBDC: Bitcoin's “Revision 2”?52:08 – Warning Signs: When the Wrong People Endorse Bitcoin52:41 – Regulation Risks & the Limits of Resistance54:35 – Population Reduction, Eugenics & Academic Shock Talk57:18 – Emotional Sovereignty & Keeping Your Humour

In dieser Revision sprechen wir mit unserem Gast Manuel Matuzović über moderne HTML-Praktiken, alte Muster, die sich hartnäckig halten, und darüber, warum manche Links eigentlich Buttons sein sollten.…

Info on Group Book Coaching with Write It ScaredWorking on a rom-com? This conversation with bestselling author Kate Archer is packed with craft insights and the best mindset support!We get into what makes humor land, how to keep your characters authentic, and how to keep conflict fresh in a genre built on familiar beats.Kate also shares how she built her writing life, the routines that keep her grounded, and the strategies she uses to push past fear, resistance, and the inner critic. It's an honest, encouraging look at the realities of writing comedy, staying consistent, and showing up for your creativity.Timestamps: 01:23 Meet Kate Archer 03:58 Kate's writing journey 07:32 Why Regency romcoms resonate 12:27 Crafting humor that feels true 22:23 Writing from the servant's perspective 22:43 Revision + learning through mistakes 25:04 The power of a writing schedule 27:43 Overcoming psychological blocks 33:46 The struggle + joy of writing 36:14 Advice for aspiring writers 41:14 Final thoughts + where to find KateLinks:Visit Kate at: https://www.facebook.com/ and https://katearcher.weebly.com/ or get in touch at katearcherauthor@yahoo.com. Check out Kate's books here Draft It Scared Small Group Book Coaching Have a comment or idea about the show? Send me a direct text! Love to hear from you.Support the show To become a supporter of the show, click here!To get in touch with Stacy: Email: Stacy@writeitscared.co https://www.writeitscared.co/wis https://www.instagram.com/writeitscared/ Take advantage of these Free Resources From Write It Scared: Download Your Free Novel Planning and Drafting Quick Start Guide Download Your Free Guide to Remove Creative Blocks and Work Through Fears

In dieser Episode tauche ich tief in die Kunst des Fragens ein. Inspiriert von dem Buch "Fragen können wie Küsse schmecken" von Carmen Kindl-Beilfuß, zeige ich, wie Interne Revisorinnen und Interne Revisoren ihre Interviews in kooperative, lösungsorientierte Gespräche verwandeln können. Das systemische Fragen aus Therapie und Coaching sind die Geheimwaffe für alle, die in Prüfungen und Beratungen echte Veränderungen bewirken wollen.

After weeks of speculation, back and forth over bad theories on inflation and what seemed to be a steady stream of hawk-sounding Fed policymakers, the market has spoken. We know right now what the FOMC is going to do next Wednesday. But what comes after that is still somewhat up in the air, though not nearly as much as you might think given all the noise recently.  Eurodollar University's Money & Macro Analysis---------------------------------------------------------------------------------EDU's Webinar SeriesThursday December 17, 6pm ETA Trillion-Dollar Eurodollar Bomb is going Off on Wall StreetThe most important funding system in the world is flashing warning signals, and almost no one is paying attention.https://event.webinarjam.com/m9wym/register/n0rnxu7n---------------------------------------------------------------------------------https://www.eurodollar.universityTwitter: https://twitter.com/JeffSnider_EDU

After a cross-Canada book tour that’s been getting national and international attention, Dr. Susan Reid is back in Montreal. Her new release, Re-Visioning Retirement: A Workbook, is resonating with Canadians who want to rethink what life after full-time work can look like. She spoke to Andrew Carter.

Join us for a timely webinar examining the United States Patent and Trademark Office’s Notice of Proposed Rulemaking (NPRM) titled “Revision to Rules of Practice Before the Patent Trial and Appeal Board,” which proposes significant changes to how inter partes review (IPR) petitions are instituted. This session will present arguments from both sides while covering how the proposed rules aim to curb serial and duplicative challenges, shift institution discretion, and bolster patent­holder certainty, while also covering concerns about limiting access to review and adverse impacts on operating companies. With the official public comment deadline extended to December 2, 2025, this webinar aims to provide informative insight before the comment window closes. Don’t miss this chance to hear competing views on one of the most consequential patent-policy debates of the year. Featuring: Hon. Andrei Iancu, Partner, Sullivan & Cromwell LLPDavid Jones, Executive Director, High Tech Inventors AllianceJoseph Matal, Principal, Clear IP, LLCBrian O'Shaughnessy, Partner, Dinsmore & Shohl LLP(Moderator) Robert Rando, Partner, Patrick Doerr

Toronto-based Bruce Mau Design is known for tackling environmental, social, and economic problems with design. Kar Yan Cheung, Director of Design Strategy at Bruce Mau, and Laura Stein, Bruce Mau's Chief Creative Officer, joined us to talk about optimism, the realistic potential for design to influence behavior, and our Re:Vision project with the agency. Also joining us are Monotype's Terrance Weinzierl and Phil Garnham, and Phil's puppy, Otto. You can find blog posts for this and all our past episodes at monotype.com/podcast.

Nebst Bern, Biel und Thun erhalten künftig auch Burgdorf und Langenthal eine pauschale Abgeltung für ihre Zentrumslasten. Das hat der bernische Grosse Rat am Mittwoch im Rahmen der Revision des Finanz- und Lastenausgleichs beschlossen. Weiter in der Sendung: · Seit Mitte November leben zwei junge Moschusochsen in der nordischen Anlage des Berner Tierparks Dählhölzli. · Zermatt ringt um seine Weihnachtsbäume an der Bahnhofstrasse.

In dieser Revision sprechen wir mit Dr. Torsten Beyer, Chemiker und Experte für digitale Nachhaltigkeit, über seinen Weg vom Labor zum grünen Web, die oft übersehenen Umweltkosten des Internets und da…

Thinking about a BBL revision or a BBL redo? In this episode, Dr. Stan breaks down the real first steps you need to take — from choosing the right surgeon to managing expectations for asymmetry, goals, and realistic outcomes.A BBL revision isn't a simple surgery — it requires expertise, strategy, and honesty. If you're considering a second round, a reduction, or you feel like your original results didn't turn out how you expected… this conversation is for you.

«Es kann nicht sein, dass einige wenige in diesem Land sehr viel Vermögen haben, und andere Leute wissen nicht, wie sie ihre Krankenkassen­prämien und ihre Miete bezahlen sollen.» - das ist kein Zitat von Cédric, sondern stammt von einem Interview mit dem Milliardär Alfred Ganter im Tagesanzeiger (30.11.25). Hat die JUSO mit ihrer Initiative und der Debatte um Ungleichheit entgegen der Berichterstattung nun doch einen Nerv getroffen? Wieso hat es am Ende nicht geklappt? Über was haben wir sonst noch gestern abgestimmt? All das sowie die Revision des Kriegsmaterialgesetzes und den bundesrätlichen Vorschlag zur AHV ab 2030 besprechen wir in der heutigen Folge Marti:Wermuth. [Und bis auf weiteres wünscht das Produktionsteam Mattea von ganzem Herzen viel Kraft und Ruhe für die kommende Zeit.]((00:53)) Abstimmungssonntag: Unser Fazit((11:24)) Kriegsmaterialgesetz: In Zeiten von Krieg macht die Schweiz damit Geschäfte((17:11)) AHV: Mittelfristige AHV-Finanzierungsvorstellungen des Bundesrates((25:12)) Kurze Antworten auf komplexe Fragen (Umweltrating, Wintersession-Schwerpunkte, JUSO-Distanzierung, Jungparteien-Initiativen)--> Der letzte Stopp unserer Podcast Live Tour von kommenden Mittwoch, 3. Dezember 2025 in der Dampfzentrale in Bern findet weiterhin statt. Unsere Berner Nationalrätin Tamara Funiciello springt spontan für Mattea ein. Hier gelangst du zu den Tickets:03.12.25 - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dampfzentrale, Bern

Why Revision reveals your divine nature...It's all in the creation story....It's all within you! Join us in https://ManifestingMasteryDeluxe.com

In unserer bereits bekannten und besonders „stiftungsversierten Runde“ besprechen wir mit Tim Maciejewski und Ruben Rehr die neuesten Entwicklungen aus Rechtsprechung und Gesetzgebung zu ausländischen Familienstiftungen. Dabei starten wir mit Aspekten der grenzüberschreitenden Mobilität von Stiftungen und den daraus resultierenden Folgen. So ging es im BFH-Urteil II R 30/22 zunächst um die Frage, ob eine Schweizer Stiftung, die ihren Ort der Geschäftsleitung (und damit Verwaltungssitz) in Deutschland hat, der Erbersatzsteuer nach § 1 Abs. 1 Nr. 4 ErbStG unterliegt – was wesentlich damit zusammenhängt, ob die Stiftung beim „Zuzug“ ihre Rechtsfähigkeit einbüßt oder nicht. Einen vergleichbaren Fall, Urteil vom 13.8.2025 – 4 K 2055/23 (Revision anhängig unter II R 41/25), hatte das FG München zu entscheiden. Allerdings nun mit EWR-Bezug. Dabei galt es zu klären, ob eine Zuwendung an eine Liechtensteiner Stiftung mit Verwaltungssitz in Deutschland letztlich als Zuwendung an ihren Stifter zu bewerten ist – was erneut an ihrer Rechtsfähigkeit hängt. Vor dem Hintergrund dieser „Zuzugsfälle“ diskutieren wir auch den umgekehrten Fall: Den Wegzug und auch die körperschaftsteuerliche Relevanz der hier erbschaftsteuerlich diskutierten Rechtsfragen. Sodann beschäftigen wir uns mit der Zurechnungsbesteuerung. Hier ist nach dem von uns bereits besprochene BFH-Urteil IX R 32/22 vom 3.12.2024 ein neuer Gesetzesentwurf in die Verbändeanhörung gebracht worden, mit dem die Zurechnungsbesteuerung des § 15 AStG grundlegend verändert werden soll. Insbesondere soll der Escape des § 15 Abs. 6 AStG entfallen und stattdessen in § 15 Abs. 3 (Entwurfsfassung) ein Entlastungsbeweis möglich sein, wenn keine künstliche Gestaltung vorliegt. Wir diskutieren, was dies praktisch bedeuten kann. Viel Spaß beim Hören! Folge direkt herunterladen

Holistic admissions in nursing education consider a range of criteria. In this podcast and article, Stephanie Wood and Andrea Smith discuss the implementation, evaluation, and revision of the holistic admissions process in their nursing program, which led to an increase in the number of underrepresented students admitted to the program.

Welcome to Season 2 of the Orthobullets Podcast.In this episode, we review the high-yield topic of⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠TKA Revision ⁠⁠⁠⁠⁠⁠⁠⁠⁠from the ⁠Recon section.⁠Follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Orthobullets⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Social Media:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube

34th Ward alderman Bill Conway joins Bob Sirott to discuss the teen takeover after the tree lighting ceremony in Millennium Park and if he believes an earlier curfew could’ve prevented it. He also talks about why he believes Supt. Snelling should have more authority and when the council will vote for a new curfew ordinance.

Title: Episode 81: What Is Next in FSC Chain of Custody? A Glimpse Into the Revision Process (Episode 1 of 2) Author(s): Worm, Loa Dalgaard Description: In this episode of Forest for the Future, we explore one of the most significant ongoing developments in the FSC system: the full revision of the FSC Chain of Custody standard. This framework ensures that materials carrying the FSC label are tracked responsibly through every step of the supply chain, and the current revision may introduce some of the most meaningful updates in more than a decade. Host Loa Worm is joined by César Gonçalves, Programme Manager for Controlled Wood and Chain of Custody at FSC and lead on the revision process, and Emily White, Policy Manager for the same area focusing especially on social requirements. Together they unpack why FSC is revising the standard now, how topics for revision are selected, and which of the proposed changes may have the biggest impact on companies, auditors and the system as a whole. The conversation explores topics including simplification of the system, increased use of risk-based approaches, the potential merging of several standards into one, expanded flexibility for multi-site and group certification, updates to the treatment of pre-consumer materials, and a strengthened approach to workers' rights. Emily provides a deep dive into the evolution of the social requirements, why further alignment with global labour expectations is needed, and how FSC aims to balance ambition with practicality for companies. The episode also guides listeners through the current public consultation: how to participate, what to expect from the process, and how stakeholder input directly shapes the next iteration of the standard. If you would like to participate in the consultation, find out more here: https://connect.fsc.org/chain-custody-certification/revision-chain-custody-standards This is the first of two episodes on the Chain of Custody revision. In the next episode, we turn to reclaimed materials and FSC's work to support circular business models with high innovation potential.

Hans und Schepp sprechen darüber, wie weit „Vibe-Coding“ im Vergleich zu AI-Assist in der IDE wirklich trägt. Hans bringt sein Experiment mit, dokumentiert im Blogpost, und wir ordnen ein, wo AI uns T…

Um ein für allemal zu klären, ob React die beste oder die schlimmste Erfindung seit geschnitten Brot ist, luden sich Stefan und Peter den bekennenden React-Ultra Hans-Christian Otto ein! SCHAUNOTIZE…

The headlines of the day by The Indian Express

Wsanga Mehana speaks to Galeboe Modisapodi, Employment Relations & Employee Benefits Consultant to explore whether a Board Resolution or company policy revision can unilaterally alter existing terms and conditions of employment. Tags: 702, Aubrey Masango show, Aubrey Masango, Bra Aubrey, Galeboe Modisapodi, Labour law, Fixed-term contract, Labour Appeal Court, Employment contract, Verbal agreement The Aubrey Masango Show is presented by late night radio broadcaster Aubrey Masango. Aubrey hosts in-depth interviews on controversial political issues and chats to experts offering life advice and guidance in areas of psychology, personal finance and more. All Aubrey’s interviews are podcasted for you to catch-up and listen. Thank you for listening to this podcast from The Aubrey Masango Show. Listen live on weekdays between 20:00 and 24:00 (SA Time) to The Aubrey Masango Show broadcast on 702 https://buff.ly/gk3y0Kj and on CapeTalk between 20:00 and 21:00 (SA Time) https://buff.ly/NnFM3Nk Find out more about the show here https://buff.ly/lzyKCv0 and get all the catch-up podcasts https://buff.ly/rT6znsn Subscribe to the 702 and CapeTalk Daily and Weekly Newsletters https://buff.ly/v5mfet Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Dr Adam Koontz and Col Willie Grills talk about why Japan attacked Pearl Harbor, Communist influence in America, and understanding history without the filter of modern consensus. Visit our website - A Brief History of Power Sign up for Memento, a Lutheran devotional for men. Thanks to our sponsor, Gnesio Health Dr Adam Koontz - Redeemer Lutheran Church Pr. Willie Grills - Zion Lutheran Church Music thanks to Verny

Colorado has some of the highest car insurance rates in the country. Governor Polis has promised to address the issue by installing more cameras at intersections and increasing sobriety checkpoints — but the biggest contributing factor to high premiums? The weather. Then, the Colorado Business Committee For the Arts released a study exploring the economic impacts of the state's cultural sector. But what does a $3.1 billion dollar impact say about the state of Denver's working artists? Host Bree Davies and producer Olivia Jewell Love are joined by artist and educator R. Alan Brooks to dig into the high costs of car ownership, the economics of art, a potential win for Lauren Boebert, DougCo's last attempt at a trans student athlete ban, and more wins and fails of the week.  There are still a few seats left to catch R. Alan Brooks' film premiere, “Always, Most of the Time,” at the Lighthouse Writers Workshop tonight!  Bree talked about her Uncle Ed's art show tonight at CORE Art Space and Re:Vision firing unionized promotoras. Olivia mentioned the Douglas County School Board's final attempts at banning trans student athletes and Representative Lauren Boebert's demands to release the Epstein files. Alan discussed the ongoing Colfax BRT road construction woes.  What do you think? Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: 720-500-5418 For even more news from around the city, subscribe to our morning newsletter Hey Denver at denver.citycast.fm. Watch clips from the show on YouTube: youtube.com/@citycastdenver or Instagram @citycastdenver Chat with other listeners on reddit: r/CityCastDenver Support City Cast Denver by becoming a member: membership.citycast.fm/Denver Learn more about the sponsors of this November 13th episode: Babbel - Get up to 55% off at Babbel.com/CITYCAST Denver Botanic Gardens Curious Theatre Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise

In this episode, Managing Editor for Europe, Leigh Stringer, discusses what we know about the REACH revision and how a negative opinion on the proposal from the European Commission's Regulatory Scrutiny Board has thrown a wrench into the timing of its release. We also walk through the basics of the EU's simplification agenda and how it is impacting the REACH revision and other EU chemicals legislation.

Welcome to Season 2 of the Orthobullets Podcast.In this episode, we review the high-yield topic of⁠ TKA Revision⁠ ⁠⁠⁠⁠⁠from the ⁠Recon section.⁠Follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Orthobullets⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Social Media:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube

Let's dive in.You need techniques.Anyone who tells you that you don't has no clue what a technique even is.A technique teaches you principles. That's it.A technique is a doorway. And Neville shared 3 main doorways.Congratulatory Conversations.We teach those because they train you to imagine something personal that implies a wish fulfilled.Remembering When.We teach it so you can feel something now as if it's already in the past.So you get to play with time.And Revision.Revision rewrites reality.Most people hate it at first. I sure did.I was doing it wrong.I was trying to fix things with it.To use Revision as a fix it tool, you have to believe something is broken.And when it doesn't go the way you want, you start imagining you're broken too.Or the tool is broken.Or something is wrong.And the truth is simple.You've never been broken.You've only been blind to who you truly are.That's all.So yeah, we need techniques.I still teach them.I still use them.But behind every technique is one thing.Being touched.People try to solve everything by making up movies.They make mind movies and call that manifesting.It's a massive mistake.Movies have plot, structure, beginning, middle, end.Movies require drama.Movies create delay.Neville said you move in the twinkle of an eye.That's how fast you change states.Stories are slow. Scripts are slow. Editing is slow.Everyone out there is yelling flip the script.Tell a new story.Rewrite your narrative.Your state determines the stories you accept or reject.Not the other way around.You can put an apple in front of three people.One could care less.One gets upset.One gets inspired.Same apple.Different states.Second big mistake.The echo editing mistake.Trying to edit what you see and hear out in the world.Trying to edit the echo.You're not an editor.You're not here to tweak the 3D world.I'm nuts right now about the Four Mighty Ones.Producer.Author.Director.Actor.And here's the thing.The actor doesn't pretend.The actor is presence.The director doesn't command.The director is drawn to what lives behind the eyes.The author doesn't write a whole movie.The author just picks the final scene.One sip simple.And the producer begins with wouldn't it be cool.There's no room for problems in that lineup.No room for movies.No reason to edit anything.Neville didn't teach that nonsense.Neville didn't do that nonsense.One sip simple.This whole rant started because Bettina sent me an email.She told me she loved the site.Said it was informative and complete.And she's right.But you have to complete the loops with the Power of Personal.That's the secret sauce.So for fun, let's imagine up something yummy as we slide into the silence.Right in the middle of ManifestingMasteryDeluxe.comYou'll find an entire week on the Pearl of Great Price.And wild thing is, so many people who think they're doing Neville have no clue what the Pearl even is.The Pearl of Great Price is this.Give up every belief in every secondary cause.Sell it all.Buy the Pearl.There is one cause.And it only takes ten seconds on someone's Facebook profile to see if they actually have.If you believe affirmations help.If you believe brainwave tracks help.If you believe scripting helps.You haven't sold anything.Neville said you can do nothing to aid in the realization of your wish fulfilled.Nothing.But you can follow the Sacred Order.You can learn to feel it real.You can stop solving problems.You can stop making mind movies.You can open to divine possibilities.Neville said your faith in God is measured by your confidence in you.Neville said your desires are divine in origin.God gives you the hungers.And every hunger has its own plan and power.Desire.Not problems.Desire.My name is Mr. 2020.I invite you to dive deeper and soar higher.Join us.ManifestingMasteryDeluxe.comDone.

We are back after another hiatus! And this time we invite you to join us in a magical episode of Shakespearean trivia and artistic nerdgasms. We are joined by performing artist, storyteller and The Great Bard Afficionado Extraordinaire – Debs Newbold (UK/IR)!Debs has worked extensively with retelling Shakespeare's plays as storytelling shows, having reached international acclaim with her versions of King Lear, Macbeth and Romeo and Juliet. Lately, she has been wrangling the beast that is "The Tempest“ which is slowly entering its final form. With that play as a jumping off point we discuss what it means to be faithful in a process of artistic adaptation, and how revision can feel like a glorious act of rebellion that is yet somehow able to be encompassed and even welcomed by a canonical work of art.DEBS NEWBOLD LINKShttps://www.debsnewboldplays.com/https://www.instagram.com/debsnewboldplays/https://x.com/debsnewboldSXIP SHIREY LINKShttps://www.sxipshireymusic.com/https://www.instagram.com/sxipshireyofficial/PODCAST LINKS https://www.intheborderlands.com/ https://www.patreon.com/IntheBorderlands https://www.facebook.com/intheborderlands https://www.instagram.com/intheborderlands_podcast/ EMAIL contact@intheborderlands.com TORGRIM'S LINKS https://www.brittle.one/ https://www.facebook.com/kloverknekten https://www.instagram.com/kloverknekten/ MIKAEL'S LINKS https://smarturl.it/inanna https://www.facebook.com/mikael.oberg.performance.storyteller https://www.instagram.com/mikaelobergstoryteller/REFERENCESWords Festival (discontinued 2023)https://www.facebook.com/wordsfestivalShakespeare's Globe Theatrehttps://www.shakespearesglobe.com/Geoffrey of Monmouthhttps://en.wikipedia.org/wiki/Geoffrey_of_MonmouthOvidhttps://en.wikipedia.org/wiki/OvidGrace O'Malleyhttps://en.wikipedia.org/wiki/Grace_O%27MalleyHag-Seed by Margaret Atwoodhttps://margaretatwood.ca/books/hag-seed/Arden Shakespearehttps://en.wikipedia.org/wiki/Arden_ShakespeareLewis Theobaldhttps://en.wikipedia.org/wiki/Lewis_TheobaldPandorahttps://en.wikipedia.org/wiki/PandoraAlbionhttps://en.wikipedia.org/wiki/Albion

Diese Revision greifen wir eine Hörerfrage zu Browser-Engine-Diversity auf und ordnen sie gemeinsam ein: Wie steht es um Vielfalt, Governance und Einfluss großer Konzerne auf Blink, WebKit und Gecko? …

In dieser Revision haben wir Webentwickler, Engineering-Manager und Autor Jens Oliver Meiert (Mastodon / Bluesky / LinkedIn) zu Gast und besprechen, weshalb HTML-Konformität die Basis professioneller …

Once upon a midday talkshow, 'fore we hear Sean Carlson read Poe — Halloween tradition, you know, if you have tuned in before — hear about the works enduring, of bleak Edgar, dark and churning; how he set the tone for wording tales that chill us to the core. Dr. Amy Branam Armiento, former president of the Poe Studies Association for the USA and editor of the essay collection Poe and Women: Recognition and Revision, shares her scholarly insights on Edgar Allan Poe.

Hey friends, and welcome back to the College Essay Guy podcast. Today's episode is part two of our series called Inside the Personal Statement Process. If you're just tuning in, this series takes you behind the scenes as I work one-on-one with Alisha, a current high school senior applying for the Fall 2026 term. In the first episode, we got to know Alisha through her brainstorming and outline. In this episode, we pick up right where we left off — Alisha's second draft. We get into: How did the new outline work for Alisha? How to approach trimming—not just words, but how Alisha can focus on a particular idea or value in the session to help her find her focus and what to trim How to align the insights that you have in your paragraphs with the examples And more Whether you're a student working on your own essays right now, a parent supporting from the sidelines, or a counselor guiding students through this process, I hope you'll find something useful here. Alisha is a current high school senior going through the application process who loves science, movies, and discovering new places. When she's not studying the brain, she's mentoring younger students through her program Running Start or planning her next adventure. Hope you enjoy our session. Play-by-Play: 1:24 – How is Alisha's writing coming along? 4:10 – Alisha shares her goals for feedback 5:50 – Alisha reads through her second draft 11:13 – Alisha shares her thoughts on the draft 15:10 – Ethan makes suggestions for trimming by focusing on values that Alisha wants to communicate to the reader 16:40 – Paragraph one: Curiosity 23:10 – Paragraph two: Empathy and nurturing 32:50 – Paragraph three: Creativity. 39:50 – Paragraph four: Pakistan. 46:40 – Ethan and Alisha map next steps for Draft 3 49:22 – Alisha shares new revision ideas and closing thoughts Resources: Inside the Personal Statement Process (Part 1): The Sand Essay with Alisha, HS Senior How to Cut Down Words in Your College Essay How to Write the Columbia University Supplemental Essays: Examples + Guide 2025/2026 College Essay Guy's Personal Statement Resources College Essay Guy's College Application Hub

Transportation of this fall's harvest faces some new challenges with market reconfiguration. Ben Jarboe talks with Dean Beaver, grain merchandiser in southern Wisconsin, who says the international market glitches have changed the prices available to farmers. That means that some are opting to store on farm, or in off-farm storage. Beaver sales available capacity is going to be tight. He also says monitoring water levels on the Mississippi is important, and watching basis price opportunities also plays a role.A little rain in this week's forecast, but temperatures will stay above average. Stu Muck spells out what he thinks we'll be working with.Approximately 40 million people could be facing food insecurity by the end of the week if Supplemental Nutrition Assistance Program benefits go away. In Wisconsin that program's called FoodShare. It too will end on 10/31. The Wisconsin Farmers Union, in cooperation with National Farmers Union and Farmers Union Enterprises, donated 35,000 pounds of pork to the Eastern Wisconsin Food Pantry in Appleton last week. Darren VonRuden, WFU President, tells Kiley Allan why they want to focus attention on the precarious situation many households face without this program.With USDA Farm Service Agency offices open, dairy producers might want to consider signing up for the relatively new Dairy Beef Risk Insurance program. Katie Burgess, dairy analyst with EverAg explains why that component of overall farm revenue is so key right now.With the threat of some big increases on fees levied against the states livestock marketing system, WI Assembly Representative, Travis Tranel, is trying to do what he can to head off the adjustments. He visits with Stephanie Hoff about the feedback he's gotten from the industry and farmers that will be impacted. He said although his hands may be tied as far as regulatory oversight, he can still implore DATCP to reconsider and deploy whatever legislative tools he's got to adjust the process.See omnystudio.com/listener for privacy information.

Alle paar Monate setzen sich Peter und Schepp für eine neue Runde „Neues in den Browsern“ zusammen: Was hat Chrome gepusht, wo hat Safari nachgezogen, was ist frisch in Firefox – und vor allem: Was da…

Ever looked in the mirror after your nose job and thought, “This isn't what I expected”?You're not alone — revision rhinoplasty, or secondary nose surgery, is one of the most complex and emotionally charged procedures in plastic surgery. In this week's episode of Plastic Surgery Uncensored, Dr. Rady Rahban breaks down why so many rhinoplasties require revision, what truly makes them difficult, and what you must know before going under the knife again. From scar tissue and missing cartilage to breathing problems, asymmetry, and collapsed nasal valves, Dr. Rahban walks you through the anatomy, decision-making, and step-by-step realities of redoing a nose that's already been operated on.Learn:Why revision rhinoplasty recovery can take 18–24 monthsWhen to wait (and when not to) after your first surgeryThe truth about structural grafting using septal, ear, or rib cartilageHow to know if you're a candidate — and when filler camouflage might be better than another surgeryThe biggest red flags when choosing a surgeon for your revisionIf you've ever wondered why fixing a “bad nose job” is so hard — or if you're considering it yourself — this episode is essential listening.

In this episode, Antonia and Andrew discuss the October 15, 2025 issue of JBJS, along with an added dose of entertainment and pop culture. Listen at the gym, on your commute, or whenever your case is on hold!   Link: JBJS website: https://jbjs.org/issue.php   Sponsor: This episode is brought to you by JBJS Clinical Classroom.   Subspecialties: Trauma, Orthopaedic Essentials, Knee, Infection, Foot & Ankle, Spine, Shoulder, Elbow, Hip, Education & Training, Ethics Chapters (00:00:03) - Your Cases on Hold(00:01:28) - Top of the pile(00:02:35) - Pediatric Spine Frailty Index(00:04:03) - Pediatric Spine Frailty Index(00:11:54) - Symptoms of pediatric frailty(00:14:03) - Heart disease after total knee arthroplasty in Korea(00:21:16) - Total Knee Replacement, Revision for Infection (PGI)(00:26:24) - Knee arthroplasties 15 year mortality risk study(00:28:38) - Honorary Mention

In recent years, anterior cruciate ligament (ACL) injuries in children and adolescents (age ≤18 years) have been increasing, and the quadriceps tendon (QT) autograft has been gaining popularity for ACL reconstruction. However, there is no consensus regarding the graft choice for ACL reconstruction in these young patients. There has been a paucity of literature comparing the functional outcomes of hamstring tendon (HT) and QT autografts for ACL reconstruction in patients aged ≤18 years.   In conclusion, a QT autograft for ACL reconstruction led to similar clinical outcomes, revision rates, and sports participation compared with an HT autograft in pediatric and adolescent patients.   Click here to read the article.

In July 2023, the ACOG released a Practice Advisory stating, “Based on data on the benefit of adjunct HPV vaccination, ACOG recommends adherence to the current Centers for Disease Control and Prevention (CDC) recommendations for vaccinations of individuals aged 9–26 years, and to consider adjuvant HPV vaccination for immunocompetent previously unvaccinated people aged 27–45 years who are undergoing treatment for CIN 2+”. The possible beneficial effect of peri-treatment HPV vaccination goes back to the early 2010s. But science is always changing, and MEDICINE MOVES FAST. In September 2025, the Lancet's Obstetrics, Gynecology, and Women's Health journal published the VACCIN trial to test that guidance. These authors found that, “Although previous studies, including meta-analyses and observational studies, have shown that adjuvant HPV vaccination reduces the recurrence of cervical dysplasia after surgical treatment, our trial suggests that adjuvant HPV vaccination is not effective in reducing the recurrence of CIN 2–3 lesions, contradicting the conclusions of previous works”. They have also called for a REVISION to prior guidance. This is FASCINATING. Listen in for details. 1. ACOG PA July 2023, “Adjuvant Human Papillomavirus Vaccination for Patients Undergoing Treatment for Cervical Intraepithelial Neoplasia 2+”2. Adjuvant prophylactic human papillomavirus vaccination for prevention of recurrent high-grade cervical intraepithelial neoplasia lesions in women undergoing lesion surgical treatment (VACCIN): a multicentre, phase 4 randomised placebo-controlled trial in the Netherlands: https://www.sciencedirect.com/science/article/pii/S305050382500007X#:~:text=To%20our%20knowledge%2C%20this%20is,the%20conclusions%20of%20previous%20works.STRONG COFFEE PROMO: 20% Off Strong Coffee Company https://strongcoffeecompany.com/discount/CHAPANOSPINOBG

In this powerful episode of Plastic Surgery Uncensored, Dr. Rady Rahban sits down with Lucy, a remarkable patient who faced one of the most difficult reconstructive journeys imaginable. At just nine years old, Lucy was diagnosed with autoimmune hepatitis and later primary sclerosing cholangitis (PSC), conditions that ultimately led her to undergo a life-saving liver transplant at the age of 26. Her brother became her living donor, giving her not only a second chance at life, but also a new battle: living with the aftermath of a massive Mercedes incision scar, abdominal wall weakness, and multiple failed hernia repairs. Dr. Rahban walks listeners through Lucy's story of resilience, exploring the intersection between reconstructive surgery and cosmetic outcomes. He explains why scar tissue, abdominal wall hernias, and post-transplant deformities are not just functional issues but deeply impact body image and confidence. Lucy's journey highlights how revision surgery is about more than “fixing” a scar — it's about restoring strength, balance, and aesthetic harmony to the abdomen. From failed liposuction recommendations to the dangers of blind fat transfers over hernias, Dr. Rahban exposes the pitfalls of one-size-fits-all surgical solutions. Instead, he reveals the meticulous, individualized approach required in cases like Lucy's — blending the principles of a tummy tuck (abdominoplasty), abdominal wall reconstruction, and functional hernia repair into a procedure that is both life-changing and aesthetically transformative. Seven months post-surgery, Lucy shares how she's back to horseback riding, jumping, and training multiple horses daily — a true testament to the power of plastic surgery done right. Together, Dr. Rahban and Lucy shed light on key lessons for anyone considering revision surgery, scar revision, or reconstructive procedures after major abdominal operations: Why transparency and patient education are non-negotiable.The red flags of overconfident surgeons.How to evaluate surgical recommendations that actually make sense.The importance of marrying form and function in every operation.This episode is not just about one patient's story — it's about a universal message: whether it's breast reconstruction, hernia repair, or abdominal scar revision, every patient deserves results that look as good as they feel.

Episode: 2488 Revision: An Essential Component of the Creative Process.  Today, creator vs. revisor.

Federal prosecutors file a murder charge against the repeat offender accused of stabbing 23-year-old Iryna Zarutska to death on a Charlotte light-rail train. Mayoral front-runner Zohran Mamdani doubles down on his support for abolishing New York City's gang database, a move law enforcement says would undercut crime-fighting tools. The Bureau of Labor Statistics issues the largest annual jobs revision in history, showing the truth about Biden's economy last year. New filings reveal Alexandria Ocasio-Cortez's campaign spent thousands of small-dollar donations on luxury hotels during her “Fighting Oligarchy” tour. Cozy Earth: Luxury shouldn't be out of reach. Go to https://cozyearth.com/MEGYNfor up to 40% off. Lean: Visit https://TakeLean.com & use code MK for 20% off

Israel hits Hamas in Qatar, the Bureau of Labor Statistics slashes job numbers, and Congress hears testimony on Unidentified Anomalous Phenomena. Get the facts first with Morning Wire. Thumbnail Image: Anadolu via Getty Images. - - - Wake up with new Morning Wire merch: https://bit.ly/4lIubt3 - - - Today's Sponsor: SelectQuote - Save more than 50% on term life insurance at https://SelectQuote.com/morning - - - Privacy Policy: https://www.dailywire.com/privacy morning wire,morning wire podcast,the morning wire podcast,Georgia Howe,John Bickley,daily wire podcast,podcast,news podcast Learn more about your ad choices. Visit megaphone.fm/adchoices