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Ready for a story of love and devotion between a king and his queen? In this episode Chris Riley gives us a huge helping of romance in the telling of Plantagenet King Edward I and his lovely Queen, Eleanor of Castile..Courtly love is one thing, true love is quite another - and this couple was definitely in love. Listen as Chris tells Madi all the sweet (and sometimes sensual) details. No, sucking the poison from Edward's wound is NOT a euphemism!.Chris also spills the tea on Simon de Montfort, giving us the juicy details on why a Medeival English geezer has a bust in the U.S. House of Representatives..Follow the sweet romantic story up with a Fresh Cup, wherein Betsy calls out Chris for his opinion on the hypothetical relationship between Charlemagne and Sabrina Carpenter..
A delightful collection of lute music from the courts of Queen Elizabeth I and King James I, played by Italian lutenist Elisa La Marca. This was a time of incredible cultural richness in England brought forth composers such as John Dowland and writers such as William Shakespeare. Because the lute was one of the favoured instruments in court during this time, many of the best composers of the time either played the lute or wrote music for it.
A dispute between Abaye and Rava whether designating an item - in this case, a shroud - is sufficient to prohibit it from common use, or whether that designating is not enough to do so (Abaye prohibits; Rava permits). Plus, examples (pro and con), though in the end, the halakhah follows Rava. Also, with regard to a condemned person, the Gemara addresses the differences between a king's execution vs. when such an event is overseen by the court. With examples from the Bible - eg: King Achav and Navot, plus others.
My Christmas gift to you: round 2 of wild card Mormon/religious stories! This time, we're diving into a very weird LDS take on global warming, pregnancy complications turned Sunday School lesson, and the undeniable need for an “I have Mormon grandparents” support group. Happy Holidays!
We're reading and reacting to your wild card, off-the-wall Mormon stories, and I brought in Stacey Harkey to help me unpack the, well… chaos. And speaking of chaos, these stories deliver. From demonic possession (allegedly caused by questioning polygamy) to the “Three Nephites” saving a dog, to an evil hot chocolate maker—there's a little bit of everything in this one. References: Stacey Harkey on Mormon Stories Stacey Harkey on Black Menaces The “breast augmentation” reel Join the Girlscamp: After Dark Patreon account here. For more Girlscamp content follow along on Instagram, TikTok and YouTube. For ad inquiries please email girlscamp@58ember.com. All other emails to girlscamppodcast@gmail.com. Try BetterGreens and BetterHormones by BetterDays Co! Use code GIRLSCAMP at betterdaysco.com for 15% off your order, this includes subscriptions and locks you in at the discounted price! SpearmintLOVE has a fresh and modern take on the baby space. Check out their clothing and accessories and use code GIRLSCAMP for 25% off sitewide at spearmintlove.com, or browse on Instagram at @spearmintbaby. I have been loving Earlybird gummies! Use my single-use discount code GIRLSCAMP20 for 20% Off on EarlybirdCBD.com. These gummies are for those 21+ and ship to all 50 states! Courtly is the leader in online marriage, offering a variety of services that make it possible for couples to get a U.S. marriage certificate without leaving the comfort of their home. Visit www.courtly.com for $100 of wedding packages or use code GIRLSCAMP for a FREE name change kit. Please note this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode. Learn more about your ad choices. Visit megaphone.fm/adchoices
We're starting off December's campfire chat with a rant about my brand new breast implants, and then we've got a lot of ground to cover: Mormon criminals, confronting nihilism, being a twin mom, and why so many Dancing with the Stars pros are LDS! FREE TOYS OR GIFT CARDS FOR TOYS! Everyone who signs up to my giveaway with Bellesa wins something! bboutique.co/vibe/girlscamp Try BetterGreens and BetterHormones by BetterDays Co! Use code GIRLSCAMP at betterdaysco.com for 15% off your order, this includes subscriptions and locks you in at the discounted price! SpearmintLOVE has a fresh and modern take on the baby space. Check out their clothing and accessories and use code GIRLSCAMP for 25% off sitewide at spearmintlove.com, or browse on Instagram at @spearmintbaby. I have been loving Earlybird gummies! Use my single-use discount code GIRLSCAMP20 for 20% Off on EarlybirdCBD.com. These gummies are for those 21+ and ship to all 50 states! Courtly is the leader in online marriage, offering a variety of services that make it possible for couples to get a U.S. marriage certificate without leaving the comfort of their home. Visit www.courtly.com for $100 of wedding packages or use code GIRLSCAMP for a FREE name change kit. Please note this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode. Learn more about your ad choices. Visit megaphone.fm/adchoices
Madi is finally back—with a new last name and lots of life updates about hitting Mormon milestones in a very non-Mormon way. We discuss how sitting with uncertainty weaves through leaving Mormonism, navigating motherhood, and making sense of death. References: Aurora TikTok Drew Barrymore TikTok Glennon Doyle quote: Madi on Girlscamp (March 2023) Join the Girlscamp: After Dark Patreon account here. For more Girlscamp content follow along on Instagram, TikTok and YouTube. For ad inquiries please email girlscamp@58ember.com. All other emails to girlscamppodcast@gmail.com. FREE TOYS OR GIFT CARDS FOR TOYS! Everyone who signs up to my giveaway with Bellesa wins something! bboutique.co/vibe/girlscamp I have been loving Earlybird gummies and right now is their BIGGEST SALE of the year- the more you spend the more you save! Stock up or try Earlybird gummies at EarlybirdCBD.com. These gummies are for those 21+ and ship to all 50 states! PACKD's pre-paid, pre-labeled mailer bags give you an easy way to make room in your luggage for new purchases, or just to lighten your load for that return flight! Take advantage of Packd's only sale of the year - $15 off a single bag with code GIRLSCAMP at packdbags.com - the perfect way to give it a try! SpearmintLOVE has a fresh and modern take on the baby space. Check out their clothing and accessories and use code GIRLSCAMP for 25% off sitewide at spearmintlove.com, or browse on Instagram at @spearmintbaby. Courtly is the leader in online marriage, offering a variety of services that make it possible for couples to get a U.S. marriage certificate without leaving the comfort of their home. Visit www.courtly.com for $100 of wedding packages or use code GIRLSCAMP for a FREE name change kit. Please note this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode. Learn more about your ad choices. Visit megaphone.fm/adchoices
How lucky are we ex-Mormons to have Maddy Mitchell take an interest in our unique upbringing? She brings her own fascinating religious background to the conversation, and we dive into it in depth. Along the way, we discuss finding spirituality outside of religion, managing existential fears, and her fresh take on The Secret Lives of Mormon Wives. To top it all off, Maddy takes on a little Mormon trivia game I created—because why not have some fun with it? Join the Girlscamp: After Dark Patreon account here. For more Girlscamp content follow along on Instagram, TikTok and YouTube. For ad inquiries please email girlscamp@58ember.com. All other emails to girlscamppodcast@gmail.com. FREE TOYS OR GIFT CARDS FOR TOYS! Everyone who signs up to my giveaway with Bellesa wins something! bboutique.co/vibe/girlscamp PACKD's pre-paid, pre-labeled mailer bags give you an easy way to make room in your luggage for new purchases, or just to lighten your load for that return flight! Take advantage of Packd's only sale of the year - $15 off a single bag with code GIRLSCAMP at packdbags.com - the perfect way to give it a try! I have been loving Earlybird gummies! Use my single-use discount code GIRLSCAMP20 for 20% Off on EarlybirdCBD.com. These gummies are for those 21+ and ship to all 50 states! Courtly is the leader in online marriage, offering a variety of services that make it possible for couples to get a U.S. marriage certificate without leaving the comfort of their home. Visit www.courtly.com for $100 of wedding packages or use code GIRLSCAMP for a FREE name change kit. SpearmintLOVE has a fresh and modern take on the baby space. Check out their clothing and accessories and use code GIRLSCAMP for 25% off sitewide at spearmintlove.com, or browse on Instagram at @spearmintbaby. Please note this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode. Learn more about your ad choices. Visit megaphone.fm/adchoices
All this month, Matt and Eleanor are ranging across England, Scotland, Wales, and Ireland to discover the stories of our greatest castles.In this episode, Eleanor looks at one of the most iconic and strategically important fortresses. Over the centuries, Stirling Castle has reflected Scotland's changing political and cultural landscape. The early wooden structures gave way to stone fortifications, which, in turn, were transformed into a Renaissance palace with a flourishing court life, symbolizing royal power. Eleanor finds out more from Dr. William Hepburn, author of the recently published The Household and Court of James IV of Scotland, 1488 to 1513.Gone Medieval is presented by Dr.Eleanor Janega and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.Gone Medieval is a History Hit podcast.Enjoy unlimited access to award-winning original TV documentaries that are released weekly and AD-FREE podcasts. Sign up HERE for 50% off your first 3 months using code ‘MEDIEVAL' You can take part in our listener survey here >
Having finally reached the Court in Exile, the party must now contend with their most grueling task yet: polite conversation. Will they be able to obtain the Court's aid, or will their quest come to a screeching halt? . . . . . Join our Patreon! https://patreon.com/Untabletop Links to the podcast, socials, and merch can be found at: https://beacons.ai/unstabletop . . . . . #dnd #dungeonsanddragons #dndpodcast #ttrpg #rpg #podcast #dice #criticalrole #pathfinder #gamers #nerd #fantasy #dnd5e #dndmemes #dndart #dndhomebrew #rollinitiative #critfail #critsuccess
Wes & Erin continue their discussion of two of Marie de France's most famous lais—”Laustic” and “Guigemar”—and how their narratives marry the “flesh” of text, art, and symbology, to the “spirit” of the spoken word (via dialogue, oaths and covenants, and authorial commentary), in order, perhaps, to communicate something of the mysterious and dangerous union that is romantic love.
The lai, a short narrative poem from the Middle Ages that treats themes of courtly love, was originally accompanied by music and sung by minstrels. But in the 1170s, poet Marie de France translated a series of Breton lais into French and, in so doing, converted an oral tradition into text. It's no wonder, then, that her lais' narratives are so often preoccupied with methods of communication: both the spoken word, with its spiritual, incantatory, or even magical qualities, and the written word—physical, embodied, and analogous to the art object (particularly and, appropriately, the textile, a medium associated since antiquity with female artistry). Wes & Erin discuss two of the poet's most famous lais—”Laustic” and “Guigemar”—and how their narratives marry the “flesh” of text, art, and symbology, to the “spirit” of the spoken word (via dialogue, oaths and covenants, and authorial commentary), in order, perhaps, to communicate something of the mysterious and dangerous union that is romantic love.
And the king of Israel said, “Seize Micaiah, and take him back to Amon the governor of the city and to Joash the king's son, and say, ‘Thus says the king, “Put this fellow in prison and feed him meager rations of bread and water, until I come in peace.” ' ” And Micaiah said, “If you return in peace, Yahweh has not spoken by me.” And he said, “Hear, all you peoples!” - 1 Kings 22:26-28 This Episode's Links and Timestamps: 00:24 – 1 Kings 22 08:26 – Thoughts on the Reading 35:06 - Archeologists have uncovered a "massive lost ancient city in the Amazon rainforest" – NTB Staff 55:13 - The discovery of the Roman dodecahedron simply reminds us of how stupid we are – William Sitwell, The Telegraph 1:04:12 - Are We Focused On The Wrong Rome? – Jonathan Leaf, Law & Liberty 1:18:25 - Sir Gawain and the Green Knight, Pearl, and Sir Orfeo - Goodreads 1:28:28 - Sir Gawain and the Green Knight – Wikipedia 1:49:13 - The Culture of Knighthood in Medieval Romance – Larissa Tracy, The Great Courses, Audible 1:57:44 - Courtly love - Wikipedia --- Send in a voice message: https://podcasters.spotify.com/pod/show/garrett-ashley-mullet/message
How was music important to medieval society? In Medieval Sex Lives:The Sounds of Courtly Intimacy on the Francophone Borders (Cornell UP, 2023), Prof Elizabeth Eva Leach, a Professor of Music at the University of Oxford explores the history and content of the Douce 308 manuscript to tell the story of the cultural and sexual scripts that framed courtly life in the Medieval era. The book tells the long history of the idea of courtly love, as well as using contemporary theories and cultural practices to re-examine the songs and lyrics in the manuscript. A fascinating and absorbing read, the book will be of interest to humanities scholars and more widely to anyone interested in the history of music, sex, and sexuality. You can also find out more about the book here on Prof Leach's blog. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
How was music important to medieval society? In Medieval Sex Lives:The Sounds of Courtly Intimacy on the Francophone Borders (Cornell UP, 2023), Prof Elizabeth Eva Leach, a Professor of Music at the University of Oxford explores the history and content of the Douce 308 manuscript to tell the story of the cultural and sexual scripts that framed courtly life in the Medieval era. The book tells the long history of the idea of courtly love, as well as using contemporary theories and cultural practices to re-examine the songs and lyrics in the manuscript. A fascinating and absorbing read, the book will be of interest to humanities scholars and more widely to anyone interested in the history of music, sex, and sexuality. You can also find out more about the book here on Prof Leach's blog. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
How was music important to medieval society? In Medieval Sex Lives:The Sounds of Courtly Intimacy on the Francophone Borders (Cornell UP, 2023), Prof Elizabeth Eva Leach, a Professor of Music at the University of Oxford explores the history and content of the Douce 308 manuscript to tell the story of the cultural and sexual scripts that framed courtly life in the Medieval era. The book tells the long history of the idea of courtly love, as well as using contemporary theories and cultural practices to re-examine the songs and lyrics in the manuscript. A fascinating and absorbing read, the book will be of interest to humanities scholars and more widely to anyone interested in the history of music, sex, and sexuality. You can also find out more about the book here on Prof Leach's blog. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
How was music important to medieval society? In Medieval Sex Lives:The Sounds of Courtly Intimacy on the Francophone Borders (Cornell UP, 2023), Prof Elizabeth Eva Leach, a Professor of Music at the University of Oxford explores the history and content of the Douce 308 manuscript to tell the story of the cultural and sexual scripts that framed courtly life in the Medieval era. The book tells the long history of the idea of courtly love, as well as using contemporary theories and cultural practices to re-examine the songs and lyrics in the manuscript. A fascinating and absorbing read, the book will be of interest to humanities scholars and more widely to anyone interested in the history of music, sex, and sexuality. You can also find out more about the book here on Prof Leach's blog. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
How was music important to medieval society? In Medieval Sex Lives:The Sounds of Courtly Intimacy on the Francophone Borders (Cornell UP, 2023), Prof Elizabeth Eva Leach, a Professor of Music at the University of Oxford explores the history and content of the Douce 308 manuscript to tell the story of the cultural and sexual scripts that framed courtly life in the Medieval era. The book tells the long history of the idea of courtly love, as well as using contemporary theories and cultural practices to re-examine the songs and lyrics in the manuscript. A fascinating and absorbing read, the book will be of interest to humanities scholars and more widely to anyone interested in the history of music, sex, and sexuality. You can also find out more about the book here on Prof Leach's blog. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
How was music important to medieval society? In Medieval Sex Lives:The Sounds of Courtly Intimacy on the Francophone Borders (Cornell UP, 2023), Prof Elizabeth Eva Leach, a Professor of Music at the University of Oxford explores the history and content of the Douce 308 manuscript to tell the story of the cultural and sexual scripts that framed courtly life in the Medieval era. The book tells the long history of the idea of courtly love, as well as using contemporary theories and cultural practices to re-examine the songs and lyrics in the manuscript. A fascinating and absorbing read, the book will be of interest to humanities scholars and more widely to anyone interested in the history of music, sex, and sexuality. You can also find out more about the book here on Prof Leach's blog. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
How was music important to medieval society? In Medieval Sex Lives:The Sounds of Courtly Intimacy on the Francophone Borders (Cornell UP, 2023), Prof Elizabeth Eva Leach, a Professor of Music at the University of Oxford explores the history and content of the Douce 308 manuscript to tell the story of the cultural and sexual scripts that framed courtly life in the Medieval era. The book tells the long history of the idea of courtly love, as well as using contemporary theories and cultural practices to re-examine the songs and lyrics in the manuscript. A fascinating and absorbing read, the book will be of interest to humanities scholars and more widely to anyone interested in the history of music, sex, and sexuality. You can also find out more about the book here on Prof Leach's blog. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices
How was music important to medieval society? In Medieval Sex Lives:The Sounds of Courtly Intimacy on the Francophone Borders (Cornell UP, 2023), Prof Elizabeth Eva Leach, a Professor of Music at the University of Oxford explores the history and content of the Douce 308 manuscript to tell the story of the cultural and sexual scripts that framed courtly life in the Medieval era. The book tells the long history of the idea of courtly love, as well as using contemporary theories and cultural practices to re-examine the songs and lyrics in the manuscript. A fascinating and absorbing read, the book will be of interest to humanities scholars and more widely to anyone interested in the history of music, sex, and sexuality. You can also find out more about the book here on Prof Leach's blog. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices
How was music important to medieval society? In Medieval Sex Lives:The Sounds of Courtly Intimacy on the Francophone Borders (Cornell UP, 2023), Prof Elizabeth Eva Leach, a Professor of Music at the University of Oxford explores the history and content of the Douce 308 manuscript to tell the story of the cultural and sexual scripts that framed courtly life in the Medieval era. The book tells the long history of the idea of courtly love, as well as using contemporary theories and cultural practices to re-examine the songs and lyrics in the manuscript. A fascinating and absorbing read, the book will be of interest to humanities scholars and more widely to anyone interested in the history of music, sex, and sexuality. You can also find out more about the book here on Prof Leach's blog. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
This podcast shines a spotlight on three items of dress in the V&A collections with a courtly or royal theme. Susan North, Curator of Fashion 1550-1800 at the Victoria & Albert Museum, speaks about their style, materials, where and when they would have been worn, and caring for them.In this podcast, we discuss: A resplendently embroidered mantua, 1740-1745, A shimmering, spangled waistcoat, 1775-1780, A floral court suit, 1790-1800Susan is the Curator of Fashion before 1800 at the Victoria and Albert Museum and contributor of a chapter on flowers in the dress and jewellery of men and women in the upcoming book Floral Culture and the Tudor and Stuart Courts, edited by Susannah Lyon-Whaley (Amsterdam University Press, forthcoming). Her other publications include 18th-Century Fashion in Detail and Sweet and clean?: Bodies and Clothes in Early Modern England (Oxford University Press, 2020).
God says:Those that are getting free are coming back to Me! Because they are making room for the DIVINE by learning to move forth in time, getting free from demonic realities….where the enemy of their bloodlines wanted to confine them in time. Into a time behind what I had in store for thee…..Sunday I was seeking the Lord and this is what He revealed to me:That all the obedient in this hour are moving into spiritual/natural safety…those who have chosen to get free from the flesh from the mess, that so easily kept them earthbound. That those that have opposed/the DISOBEDIENT are now beginning to feel the TUMULTOUSNESS of their ways….where they have opened themselves up to the darkness in this hour that has caught up with them. I asked God about the nation: and the Lord said that ALL THINGS ARE ABOUT TO CHANGE- but that won't come without a fight. Because for the next 30 days you need to fight with all your might! As we are fighting WIZARDS/SORCERERS with high levels dark art anointings. So they are fighting to keep the enemies reality in place while we are fighting to bring God realities/kingdom forth! And it will be a fight to the finish but GOD WILL FINISH WHAT HE SPOKE/STARTED THROUGH HIS TRUE SAINTS! But what is a reality? Its what the devil in someone wants to come to pass- which can be against your health, relationships, politics, in all 7 mountains, whatever good you are praying in. Darkness never wants goodness, but Heaven does- which is why Heaven is beginning to invade earth through vessels who have gotten cleaned up! BUT! THIS IS also another portion of testing from the Lord. It's the place where we believe the best even when things don't look like they are heading that way. Because once the downpour of Heaven begins, its like HEAVY HONEY flowing that gets sticky/gooey, and the more fire power you add to prayer, the honey is poured out unaware. But every feels its joy- because it's the King- Hes coming to hold court….with the Saints- ON EARTH as it is in Heaven. This is why He has been teaching us about Courtly things. (IN prayer). THIS IS the next place of our faith where we see Gods grace begin to grow us up in this new place. Support the show
The Inquisitorial band has discovered their next target! Eli (Laura Hamstra, @elhamstring) is still recovering from withdrawal, Valentyne (Ryan LaPlante, @theryanlaplante) ordered the ship forward to pursue the Aeldari Trin Rakai, Morgan (Del Borovic, @deltastic) is preparing to impersonate her adopted mother, and Attikus (Tyler Hewitt, @Tyler_Hewitt) is starting to study high-society! Will these heroes be able to infiltrate Greybridge posing as a Rogue Trader's retinue?! Featuring our Game Master, Tom McGee (@mcgeetd). Enjoying The Valentyne Heresy? You can become a Patron of Dumb-Dumbs & Dice for as little as $1 a month at https://www.patreon.com/dumbdumbdice and gain access to a ton of extra BTS fun. Can't remember a discount code you wanted to use from one of our ads? Find it at https://fableandfolly.com/partners/ You can also get cool merchandise featuring your favourite Dumb-Dumbs & Dice characters and catchphrases at https://www.redbubble.com/people/dumbdumbdice The Valentyne Heresy's artwork was created by the brilliant Del Borovic. Website & Portfolio: http://delborovic.com Twitter: https://twitter.com/deltastic Want to play the 40K adaptation of Genesys yourself? You can find the rules at: https://genesys40k.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices
In Courtly and Queer: Deconstruction, Desire, and Medieval French Literature (Ohio State UP, 2022), Charlie Samuelson casts queerness in medieval French texts about courtly love in a new light by bringing together for the first time two exemplary genres: high medieval verse romance, associated with the towering figure of Chrétien de Troyes, and late medieval dits, primarily associated with Guillaume de Machaut. In close readings informed by deconstruction and queer theory, Samuelson argues that the genres' juxtaposition opens up radical new perspectives on the deviant poetics and gender and sexual politics of both. Contrary to a critical tradition that locates the queer Middle Ages at the margins of these courtly genres, Courtly and Queer emphasizes an unflagging queerness that is inseparable from poetic indeterminacy and that inhabits the core of a literary tradition usually assumed to be conservative and patriarchal. Ultimately, Courtly and Queer contends that one facet of texts commonly referred to as their “courtliness”—namely, their literary sophistication—powerfully overlaps with modern conceptions of queerness. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In Courtly and Queer: Deconstruction, Desire, and Medieval French Literature (Ohio State UP, 2022), Charlie Samuelson casts queerness in medieval French texts about courtly love in a new light by bringing together for the first time two exemplary genres: high medieval verse romance, associated with the towering figure of Chrétien de Troyes, and late medieval dits, primarily associated with Guillaume de Machaut. In close readings informed by deconstruction and queer theory, Samuelson argues that the genres' juxtaposition opens up radical new perspectives on the deviant poetics and gender and sexual politics of both. Contrary to a critical tradition that locates the queer Middle Ages at the margins of these courtly genres, Courtly and Queer emphasizes an unflagging queerness that is inseparable from poetic indeterminacy and that inhabits the core of a literary tradition usually assumed to be conservative and patriarchal. Ultimately, Courtly and Queer contends that one facet of texts commonly referred to as their “courtliness”—namely, their literary sophistication—powerfully overlaps with modern conceptions of queerness. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In Courtly and Queer: Deconstruction, Desire, and Medieval French Literature (Ohio State UP, 2022), Charlie Samuelson casts queerness in medieval French texts about courtly love in a new light by bringing together for the first time two exemplary genres: high medieval verse romance, associated with the towering figure of Chrétien de Troyes, and late medieval dits, primarily associated with Guillaume de Machaut. In close readings informed by deconstruction and queer theory, Samuelson argues that the genres' juxtaposition opens up radical new perspectives on the deviant poetics and gender and sexual politics of both. Contrary to a critical tradition that locates the queer Middle Ages at the margins of these courtly genres, Courtly and Queer emphasizes an unflagging queerness that is inseparable from poetic indeterminacy and that inhabits the core of a literary tradition usually assumed to be conservative and patriarchal. Ultimately, Courtly and Queer contends that one facet of texts commonly referred to as their “courtliness”—namely, their literary sophistication—powerfully overlaps with modern conceptions of queerness. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
In Courtly and Queer: Deconstruction, Desire, and Medieval French Literature (Ohio State UP, 2022), Charlie Samuelson casts queerness in medieval French texts about courtly love in a new light by bringing together for the first time two exemplary genres: high medieval verse romance, associated with the towering figure of Chrétien de Troyes, and late medieval dits, primarily associated with Guillaume de Machaut. In close readings informed by deconstruction and queer theory, Samuelson argues that the genres' juxtaposition opens up radical new perspectives on the deviant poetics and gender and sexual politics of both. Contrary to a critical tradition that locates the queer Middle Ages at the margins of these courtly genres, Courtly and Queer emphasizes an unflagging queerness that is inseparable from poetic indeterminacy and that inhabits the core of a literary tradition usually assumed to be conservative and patriarchal. Ultimately, Courtly and Queer contends that one facet of texts commonly referred to as their “courtliness”—namely, their literary sophistication—powerfully overlaps with modern conceptions of queerness. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
In Courtly and Queer: Deconstruction, Desire, and Medieval French Literature (Ohio State UP, 2022), Charlie Samuelson casts queerness in medieval French texts about courtly love in a new light by bringing together for the first time two exemplary genres: high medieval verse romance, associated with the towering figure of Chrétien de Troyes, and late medieval dits, primarily associated with Guillaume de Machaut. In close readings informed by deconstruction and queer theory, Samuelson argues that the genres' juxtaposition opens up radical new perspectives on the deviant poetics and gender and sexual politics of both. Contrary to a critical tradition that locates the queer Middle Ages at the margins of these courtly genres, Courtly and Queer emphasizes an unflagging queerness that is inseparable from poetic indeterminacy and that inhabits the core of a literary tradition usually assumed to be conservative and patriarchal. Ultimately, Courtly and Queer contends that one facet of texts commonly referred to as their “courtliness”—namely, their literary sophistication—powerfully overlaps with modern conceptions of queerness. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
In Courtly and Queer: Deconstruction, Desire, and Medieval French Literature (Ohio State UP, 2022), Charlie Samuelson casts queerness in medieval French texts about courtly love in a new light by bringing together for the first time two exemplary genres: high medieval verse romance, associated with the towering figure of Chrétien de Troyes, and late medieval dits, primarily associated with Guillaume de Machaut. In close readings informed by deconstruction and queer theory, Samuelson argues that the genres' juxtaposition opens up radical new perspectives on the deviant poetics and gender and sexual politics of both. Contrary to a critical tradition that locates the queer Middle Ages at the margins of these courtly genres, Courtly and Queer emphasizes an unflagging queerness that is inseparable from poetic indeterminacy and that inhabits the core of a literary tradition usually assumed to be conservative and patriarchal. Ultimately, Courtly and Queer contends that one facet of texts commonly referred to as their “courtliness”—namely, their literary sophistication—powerfully overlaps with modern conceptions of queerness. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
In Courtly and Queer: Deconstruction, Desire, and Medieval French Literature (Ohio State UP, 2022), Charlie Samuelson casts queerness in medieval French texts about courtly love in a new light by bringing together for the first time two exemplary genres: high medieval verse romance, associated with the towering figure of Chrétien de Troyes, and late medieval dits, primarily associated with Guillaume de Machaut. In close readings informed by deconstruction and queer theory, Samuelson argues that the genres' juxtaposition opens up radical new perspectives on the deviant poetics and gender and sexual politics of both. Contrary to a critical tradition that locates the queer Middle Ages at the margins of these courtly genres, Courtly and Queer emphasizes an unflagging queerness that is inseparable from poetic indeterminacy and that inhabits the core of a literary tradition usually assumed to be conservative and patriarchal. Ultimately, Courtly and Queer contends that one facet of texts commonly referred to as their “courtliness”—namely, their literary sophistication—powerfully overlaps with modern conceptions of queerness. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
In Courtly and Queer: Deconstruction, Desire, and Medieval French Literature (Ohio State UP, 2022), Charlie Samuelson casts queerness in medieval French texts about courtly love in a new light by bringing together for the first time two exemplary genres: high medieval verse romance, associated with the towering figure of Chrétien de Troyes, and late medieval dits, primarily associated with Guillaume de Machaut. In close readings informed by deconstruction and queer theory, Samuelson argues that the genres' juxtaposition opens up radical new perspectives on the deviant poetics and gender and sexual politics of both. Contrary to a critical tradition that locates the queer Middle Ages at the margins of these courtly genres, Courtly and Queer emphasizes an unflagging queerness that is inseparable from poetic indeterminacy and that inhabits the core of a literary tradition usually assumed to be conservative and patriarchal. Ultimately, Courtly and Queer contends that one facet of texts commonly referred to as their “courtliness”—namely, their literary sophistication—powerfully overlaps with modern conceptions of queerness. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
In Courtly and Queer: Deconstruction, Desire, and Medieval French Literature (Ohio State UP, 2022), Charlie Samuelson casts queerness in medieval French texts about courtly love in a new light by bringing together for the first time two exemplary genres: high medieval verse romance, associated with the towering figure of Chrétien de Troyes, and late medieval dits, primarily associated with Guillaume de Machaut. In close readings informed by deconstruction and queer theory, Samuelson argues that the genres' juxtaposition opens up radical new perspectives on the deviant poetics and gender and sexual politics of both. Contrary to a critical tradition that locates the queer Middle Ages at the margins of these courtly genres, Courtly and Queer emphasizes an unflagging queerness that is inseparable from poetic indeterminacy and that inhabits the core of a literary tradition usually assumed to be conservative and patriarchal. Ultimately, Courtly and Queer contends that one facet of texts commonly referred to as their “courtliness”—namely, their literary sophistication—powerfully overlaps with modern conceptions of queerness. Learn more about your ad choices. Visit megaphone.fm/adchoices
But not that kind of western romance… Pop quiz: Which of the following reasons is a good reason to get married to someone? Because your family or social circle wants you to Because you sexually desire that person (or are already sexually involved) Because you want children (or have them already) Because you need financial stability Because you're “in love” with that person Because you're “in love” with someone else Some of these answers might seem ridiculous, but a hundred or a thousand years ago, people concluded very different things about marriage and romance, depending on the age they live in. We in the West can bundle together a lot of expectations for romantic partners—they should be your best friend, have romantic attraction, maybe build a family together, share finances, support you emotionally, and on and on. Sometimes we separate out just one or two items—attraction, best-friendship—and focus on that alone. But it hasn't always been this way. In the scale of human history, our current assumptions about romance and marriage are actually quite young. In part 2 of this series, we continue our conversation with friend and scholar Kathryn Mogk Wagner, to look through the lens of Western literature at changing perspectives on romance, (Christian) marriage, love, and intimacy through the ages. This episode is part 2 of 3. For anyone who has had to work through their expectations for romantic relationships (or other people's expectations for your relationships!), this episode is for you. __________ Timestamps 1:45 - The biology of attraction 8:05 - The ancient world: Marriage as economic arrangement 10:35 - The early Christian church: equality in adultery 12:15 - Courtly love and longing in the 11th century 20:05 - Example: King Arthur, Lancelot, and Guinevere 23:30 - Arranged marriages and consent in the Christian church 30:05- Example: Dante and Beatrice 39:30 - Contemporary Christian emphasis on marriage—does it deserve it? 45:05 - Companionate marriage: Edmund Spenser's poetry 49:00 - Holiness as celibacy (Catholics) or married life (Protestants) 53:45 - Song of Songs in the church's imagination 58:05 - The development of the “pure relationship” __________ Links and References Kathryn Mogk Wagner: kathryn.mogkwagner.net The Allegory of Love by C.S. Lewis The Symposium by Plato (wiki) The Divine Comedy and La Vita Nuova by Dante Alighieri; about Beatrice (wiki) The story of King Arthur, Guinevere, and Lancelot is told many places; one is Le Morte d'Arthur (wiki) Edmund Spenser, poet (wiki) Anthony Giddens on the “pure relationship” __________ Please share feedback or questions on our website podpage.com/communion-shalom or emailing us at communionandshalom@gmail.com. Find us on Instagram: @communionandshalom If you like this podcast, please consider supporting us on Patreon: patreon.com/communionandshalom
Italian court culture of the fifteenth century was a golden age, gleaming with dazzling princes, splendid surfaces, and luminous images that separated the lords from the (literally) lackluster masses. In Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy (Pennsylvania State University Press, 2022), Timothy McCall describes and interprets the Renaissance glitterati―gorgeously dressed and adorned men―to reveal how charismatic bodies, in the palazzo and the piazza, seduced audiences and materialized power. Fifteenth-century Italian courts put men on display. Here, men were peacocks, attracting attention with scintillating brocades, shining armor, sparkling jewels, and glistening swords, spurs, and sequins. McCall's investigation of these spectacular masculinities challenges widely held assumptions about appropriate male display and adornment. Interpreting surviving objects, visual representations in a wide range of media, and a diverse array of primary textual sources, McCall argues that Renaissance masculine dress was a political phenomenon that fashioned power and patriarchal authority. Brilliant Bodies describes and recontextualizes the technical construction and cultural meanings of attire, casts a critical eye toward the complex and entangled relations between bodies and clothing, and explores the negotiations among makers, wearers, and materials. This groundbreaking study of masculinity makes an important intervention in the history of male ornamentation and fashion by examining a period when the public display of splendid men not only supported but also constituted authority. It will appeal to specialists in art history and fashion history as well as scholars working at the intersections of gender and politics in quattrocento Italy. Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Italian court culture of the fifteenth century was a golden age, gleaming with dazzling princes, splendid surfaces, and luminous images that separated the lords from the (literally) lackluster masses. In Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy (Pennsylvania State University Press, 2022), Timothy McCall describes and interprets the Renaissance glitterati―gorgeously dressed and adorned men―to reveal how charismatic bodies, in the palazzo and the piazza, seduced audiences and materialized power. Fifteenth-century Italian courts put men on display. Here, men were peacocks, attracting attention with scintillating brocades, shining armor, sparkling jewels, and glistening swords, spurs, and sequins. McCall's investigation of these spectacular masculinities challenges widely held assumptions about appropriate male display and adornment. Interpreting surviving objects, visual representations in a wide range of media, and a diverse array of primary textual sources, McCall argues that Renaissance masculine dress was a political phenomenon that fashioned power and patriarchal authority. Brilliant Bodies describes and recontextualizes the technical construction and cultural meanings of attire, casts a critical eye toward the complex and entangled relations between bodies and clothing, and explores the negotiations among makers, wearers, and materials. This groundbreaking study of masculinity makes an important intervention in the history of male ornamentation and fashion by examining a period when the public display of splendid men not only supported but also constituted authority. It will appeal to specialists in art history and fashion history as well as scholars working at the intersections of gender and politics in quattrocento Italy. Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Italian court culture of the fifteenth century was a golden age, gleaming with dazzling princes, splendid surfaces, and luminous images that separated the lords from the (literally) lackluster masses. In Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy (Pennsylvania State University Press, 2022), Timothy McCall describes and interprets the Renaissance glitterati―gorgeously dressed and adorned men―to reveal how charismatic bodies, in the palazzo and the piazza, seduced audiences and materialized power. Fifteenth-century Italian courts put men on display. Here, men were peacocks, attracting attention with scintillating brocades, shining armor, sparkling jewels, and glistening swords, spurs, and sequins. McCall's investigation of these spectacular masculinities challenges widely held assumptions about appropriate male display and adornment. Interpreting surviving objects, visual representations in a wide range of media, and a diverse array of primary textual sources, McCall argues that Renaissance masculine dress was a political phenomenon that fashioned power and patriarchal authority. Brilliant Bodies describes and recontextualizes the technical construction and cultural meanings of attire, casts a critical eye toward the complex and entangled relations between bodies and clothing, and explores the negotiations among makers, wearers, and materials. This groundbreaking study of masculinity makes an important intervention in the history of male ornamentation and fashion by examining a period when the public display of splendid men not only supported but also constituted authority. It will appeal to specialists in art history and fashion history as well as scholars working at the intersections of gender and politics in quattrocento Italy. Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Italian court culture of the fifteenth century was a golden age, gleaming with dazzling princes, splendid surfaces, and luminous images that separated the lords from the (literally) lackluster masses. In Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy (Pennsylvania State University Press, 2022), Timothy McCall describes and interprets the Renaissance glitterati―gorgeously dressed and adorned men―to reveal how charismatic bodies, in the palazzo and the piazza, seduced audiences and materialized power. Fifteenth-century Italian courts put men on display. Here, men were peacocks, attracting attention with scintillating brocades, shining armor, sparkling jewels, and glistening swords, spurs, and sequins. McCall's investigation of these spectacular masculinities challenges widely held assumptions about appropriate male display and adornment. Interpreting surviving objects, visual representations in a wide range of media, and a diverse array of primary textual sources, McCall argues that Renaissance masculine dress was a political phenomenon that fashioned power and patriarchal authority. Brilliant Bodies describes and recontextualizes the technical construction and cultural meanings of attire, casts a critical eye toward the complex and entangled relations between bodies and clothing, and explores the negotiations among makers, wearers, and materials. This groundbreaking study of masculinity makes an important intervention in the history of male ornamentation and fashion by examining a period when the public display of splendid men not only supported but also constituted authority. It will appeal to specialists in art history and fashion history as well as scholars working at the intersections of gender and politics in quattrocento Italy. Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoices
Italian court culture of the fifteenth century was a golden age, gleaming with dazzling princes, splendid surfaces, and luminous images that separated the lords from the (literally) lackluster masses. In Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy (Pennsylvania State University Press, 2022), Timothy McCall describes and interprets the Renaissance glitterati―gorgeously dressed and adorned men―to reveal how charismatic bodies, in the palazzo and the piazza, seduced audiences and materialized power. Fifteenth-century Italian courts put men on display. Here, men were peacocks, attracting attention with scintillating brocades, shining armor, sparkling jewels, and glistening swords, spurs, and sequins. McCall's investigation of these spectacular masculinities challenges widely held assumptions about appropriate male display and adornment. Interpreting surviving objects, visual representations in a wide range of media, and a diverse array of primary textual sources, McCall argues that Renaissance masculine dress was a political phenomenon that fashioned power and patriarchal authority. Brilliant Bodies describes and recontextualizes the technical construction and cultural meanings of attire, casts a critical eye toward the complex and entangled relations between bodies and clothing, and explores the negotiations among makers, wearers, and materials. This groundbreaking study of masculinity makes an important intervention in the history of male ornamentation and fashion by examining a period when the public display of splendid men not only supported but also constituted authority. It will appeal to specialists in art history and fashion history as well as scholars working at the intersections of gender and politics in quattrocento Italy. Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Italian court culture of the fifteenth century was a golden age, gleaming with dazzling princes, splendid surfaces, and luminous images that separated the lords from the (literally) lackluster masses. In Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy (Pennsylvania State University Press, 2022), Timothy McCall describes and interprets the Renaissance glitterati―gorgeously dressed and adorned men―to reveal how charismatic bodies, in the palazzo and the piazza, seduced audiences and materialized power. Fifteenth-century Italian courts put men on display. Here, men were peacocks, attracting attention with scintillating brocades, shining armor, sparkling jewels, and glistening swords, spurs, and sequins. McCall's investigation of these spectacular masculinities challenges widely held assumptions about appropriate male display and adornment. Interpreting surviving objects, visual representations in a wide range of media, and a diverse array of primary textual sources, McCall argues that Renaissance masculine dress was a political phenomenon that fashioned power and patriarchal authority. Brilliant Bodies describes and recontextualizes the technical construction and cultural meanings of attire, casts a critical eye toward the complex and entangled relations between bodies and clothing, and explores the negotiations among makers, wearers, and materials. This groundbreaking study of masculinity makes an important intervention in the history of male ornamentation and fashion by examining a period when the public display of splendid men not only supported but also constituted authority. It will appeal to specialists in art history and fashion history as well as scholars working at the intersections of gender and politics in quattrocento Italy. Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Italian court culture of the fifteenth century was a golden age, gleaming with dazzling princes, splendid surfaces, and luminous images that separated the lords from the (literally) lackluster masses. In Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy (Pennsylvania State University Press, 2022), Timothy McCall describes and interprets the Renaissance glitterati―gorgeously dressed and adorned men―to reveal how charismatic bodies, in the palazzo and the piazza, seduced audiences and materialized power. Fifteenth-century Italian courts put men on display. Here, men were peacocks, attracting attention with scintillating brocades, shining armor, sparkling jewels, and glistening swords, spurs, and sequins. McCall's investigation of these spectacular masculinities challenges widely held assumptions about appropriate male display and adornment. Interpreting surviving objects, visual representations in a wide range of media, and a diverse array of primary textual sources, McCall argues that Renaissance masculine dress was a political phenomenon that fashioned power and patriarchal authority. Brilliant Bodies describes and recontextualizes the technical construction and cultural meanings of attire, casts a critical eye toward the complex and entangled relations between bodies and clothing, and explores the negotiations among makers, wearers, and materials. This groundbreaking study of masculinity makes an important intervention in the history of male ornamentation and fashion by examining a period when the public display of splendid men not only supported but also constituted authority. It will appeal to specialists in art history and fashion history as well as scholars working at the intersections of gender and politics in quattrocento Italy. Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoices
To My Esteemed Undersea Colleague – Beneath the ice of Europa, isolated Mecha Pilots on long patrols stay in touch by writing letters back & forth Aquapastoral – Flooding can be expected after a storm, but nobody expected the water to be 30 feet above the farmhouse roof, and they certainly didn't expect the water […]
Courtly love was sensual love for an unattainable, idealised lady, but it was essentially pure, which prohibited physical consummation – imagine all of the angst, desire, and jealousy that could incite passion if there was no physical release. That was the theory, at least. This episode is also available as a blog post: http://martinifisher.com/2022/05/09/the-service-of-ladies-the-story-of-ulrich-von-liechtenstein/
Today we discuss the Papacy and that one time a Pope was tried, posthumously, by another Pope! Its not a long episode, so this is a short description. --- Send in a voice message: https://anchor.fm/strange-history/message Support this podcast: https://anchor.fm/strange-history/support
In this interview Antonin Kalous talks about his recent book ‘The Legation of Angelo Pecchinoli at the Court of King of Hungary, 1488- 1490'. This wonderful book includes documents and personal letters to Pope Innocent VIII from his nuncio Angelo Pecchinoli, detailing daily life and even personal conversations at the court of King Matthias Corvinus. Antonin also discusses his new research into the religious reformation in fifteenth century Bohemia, looking at individuals and institutions, and their impact on wider society.This podcast is part of a series for the Medieval Central European Research Network (MECERN) which was established by the CEU Department of Medieval Studies. Antonin Kalous is an alumna of CEU Department of Medieval Studies and Associate Professor of Medieval History of Palacký University, Olomouc in the Czech Republic.
Rev. Scott Wright “Remember: who that was innocent ever perished? Or where were the upright cut off? As I have seen, those who plow iniquity and sow trouble reap the same. (Job 4:7–8 ESV)
Another week of exciting news and gossip bombshells about the Royal Family, with all the non-stop drama about The Queen, Prince Charles and Duchess Camilla, Prince William and Duchess Kate, Prince Harry and Duchess Meghan, and the whole Royal family. This week, the Queen's cancelling events still and all the excitement of the Meghan vs Daily Mail law proceedings
If Christ is the only mediator between God and Creation, then why are there angels?
Welcome to Fan Mail Friday #39! No jibber-jabber, just a short show where we answer Art of Charm listener mail and give out mini-lessons for the weekend!In this episode:When you don't feel like you have enough time or energy for dating, take a cue from Charlie Hoehn and just remember to save room in your life for fun, first and foremost.What do you do when you want to see your talented and passionate friend prosper, but they can't seem to break out of a perpetual cycle of despair and procrastination?Giving up a steady job with benefits can be a hard decision to make, but you also have to weigh it against your personal sanity and happiness.Does she really want to spend time apart in hopes of rekindling the romance that's been lacking, or should you face the painful possibility that the marriage is over?Are you always the friend, never the boyfriend? How do you become more of a "closer" when it comes to women?Where do you begin making the transformation from creepy to courtly?Do you ever feel especially lonely after catching up on your social media feeds? If so, you're not alone.Have any questions, comments, or stories you'd like to share with us? Drop us a line at friday@theartofcharm.com!Show notes at http://theartofcharm.com/podcast-episodes/fan-mail-friday-39-from-creepy-to-courtly/HELP US SPREAD THE WORD!If you dig the show, please subscribe in iTunes and write us a review! This is what helps us stand out from the crowd and help people find the credible advice they need.Review the show in iTunes! We rely on it! http://www.theartofcharm.com/mobilereviewStay Charming!