Podcast appearances and mentions of Edmund Spenser

Brian asks Nate what tips he'd give a teenage SASFer who wants to become a movie director. And, perhaps surprisingly, Nate's advice has nothing to do with movies. Because if you want to direct feature films when you grow up, you're the kid saying "I am gonna be an NFL quarterback." That kind of career wish has everything to do with whether you're the kind of person who could manage someone else's million-dollar investment. That doesn't just happen for wanting. Are you ready to convince the rich guys, direct the talent, soothe the producers, reject the bad network notes, talk to the cinematographers, and maintain total clarity on your artistic vision for the film through it all? And that assumes you know your stuff when it comes to story (watch Canon+ resources like "On Directing" and "Fantastical Wordcraft") and aren't hoping your elementary critical analysis will take the place of artistic talent. The best thing you can be doing is MAKING films with your (or your parents') iPhones. Also in this episode, the guys take some potshots at allegory, Reformed Facebook groups, Edmund Spenser, and more.

Step into the enchanting world of Edmund Spenser's The Faerie Queene through Mary Macleod's masterful retelling, crafted to captivate modern readers and listeners alike. This adaptation distills the grandeur of Spenser's epic into a series of vivid, spellbinding stories, rich with heroism, chivalry, and the timeless battle between good and evil. Follow the adventures of noble knights,...

Hear staff from Westminster Abbey as they reflect on the context and the meaning of popular Christian hymns and anthems that came from poetry.   In this episode, sub-organist of Westminster Abbey Matthew Jorysz talks through how poetic lines about heaven and angels were turned into a double-choir anthem in Faire is the heaven.   Listen to the full track, and the rest of the album recorded by the Choir of Westminster Abbey.   These episodes are part of the Voice and Verse season. Join us in October and November as we celebrate the power of words and stories penned by historic and emerging poets. 

On Monday, 7 October, Nicholas Canny MRIA delivered this lecture as part of the Dublin Festival of History in the Royal Irish Academy. Spenser's View has, for centuries, been treated variously as a trove of prejudiced antiquarian lore useful for disparaging Irish people at moments of crisis, and as a store house of evidence that the English government engaged upon an Irish genocide in Elizabethan times. This lecture by Nicolas Canny, MRIA, offers a radical re-appraisal of the manuscript copy that Spenser left to posterity in 1596, and asks what motivated Spenser to take time from poetic composition to write this prose dialogue, what circumstances influenced his composition of different passages, and what sources and methods he used to underpin the ideas advanced by his interlocutors?

Early modern poets - John Milton, Edmund Spenser, Aemilia Lawyer, Abraham Cowley - lived in a world where theological questions were as hotly contested as political struggles over issues like empire, gender, civil war, and poetic authority. In this episode, Jacke talks to Deni Kasa (The Politics of Grace in Early Modern Literature) about the ways poets used the theological concept of grace to reimagine their political communities. PLUS Mike Palindrome tells Jacke about his admiration for James Baldwin and his works. AND Carlos Allende (Coffee, Shopping, Murder, Love) tells Jacke about his choice for the last book he will ever read. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the Instant Trivia podcast episode 1229, where we ask the best trivia on the Internet. Round 1. Category: Raleigh 1: In 1603 Sir Walter Raleigh was tried and convicted of this for plotting to dethrone the king. treason. 2: Raleigh introduced this tuber into Ireland; seemed like a good idea at the time. the potato. 3: In 1569 Raleigh fought in France on the side of these French Protestants. the Huguenots. 4: A poet himself, Raleigh encouraged this man to publish "The Faerie Queene". Edmund Spenser. 5: In 1600 Raleigh was appointed governor of Jersey, part of this island group. the Channel Islands. Round 2. Category: The 3 1: The 3 Shakespeare plays whose titles are the names of famous couples. Romeo and Juliet, Troilus and Cressida and Antony and Cleopatra. 2: The 3 West Coast states between Canada and Mexico. California, Oregon and Washington. 3: The 3 U.S. manned capsule space flight programs before the Space Shuttle took over. Gemini, Mercury and Apollo. 4: The 3 people to play Batman in live-action films of the 1990s. Michael Keaton, Val Kilmer and George Clooney. 5: The 3 countries whose names in English begin with "J". Jamaica, Japan and Jordan. Round 3. Category: Double Z. With Z in quotes 1: In 2005 one of these people crashed his car into Lindsay Lohan's. the paparazzi. 2: This 2-word phrase for a large vehicle with poor fuel economy became popular in the 1970s. gas guzzler. 3: Meteorologically speaking, it's a very light rain in which the droplets are less than 1/50" in diameter. a drizzle. 4: This adjective refers to tightly kinked hair. frizzy. 5: It means "snout", or a device used to cover a snout to prevent biting. a muzzle. Round 4. Category: Another Shot At The Title 1: Serena Williams beat Angelique Kerber for the 2016 Ladies' Singles title at this event, but Angelique got her revenge in 2018. Wimbledon. 2: After losing to the Warriors in the 2015 NBA Finals, in 2016 LeBron and co. beat them to bring this city its first NBA title. Cleveland. 3: After 5 previous World Series losses to these crosstown rivals, in 1955 the Brooklyn Dodgers finally beat them for the title. the New York Yankees. 4: Stripped of his heavyweight title in 1967, Muhammad Ali won it back with a KO of this champ in 1974's Rumble in the Jungle. George Foreman. 5: After losing to Toronto in 1918, this team won its first NHL title the next year and has now won more than any other team. the Montreal Canadiens. Round 5. Category: Remember The Titans 1: Aeschylus wrote of this "bound" Titan who was a hero to humankind. Prometheus. 2: Mnemosyne, the Titan goddess of memory, was also the mother of these inspirational goddesses. the Muses. 3: Goddess of the Earth, was was the mother of the Titans. Gaia. 4: The youngest of the Titans, he found time to father the Olympians. Kronos. 5: A South American birdie told me this Titan was Zeus' mother and mother-in-law. Rhea. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

David invites Fr. Stephen Gregg on to talk about ⁠Edmund Spenser⁠, a sixteenth-century poet famous for his work ⁠"The Faerie Queene"⁠. ⁠[Show Notes]

David invites Fr. Stephen Gregg on to talk about Edmund Spenser, a sixteenth-century poet famous for his work "The Faerie Queene". [Show Notes]

Merriam-Webster's Word of the Day for March 29, 2024 is: braggadocio • brag-uh-DOH-see-oh • noun Braggadocio refers to brash and self-confident boasting—that is, the annoying or exaggerated talk of someone who is trying to sound very proud or brave. // His braggadocio hid the fact that he felt personally inadequate. See the entry > Examples: “In total, Lil Wayne has sold more than 120 million albums, making him one of the world's top-selling artists, and, his braggadocio aside, he's widely considered one of most influential hip-hop artists of his generation and one of the greatest rappers of all time.” — L. Kent Wolgamott, The Lincoln (Nebraska) Journal Star, 1 Feb. 2024 Did you know? Though Braggadocio is not as well-known as other fictional characters like Pollyanna, the Grinch, or Scrooge, in lexicography he holds a special place next to them as one of the many characters whose name has become an established word in English. The English poet Edmund Spenser originally created Braggadocio as a personification of boasting in his epic poem The Faerie Queene. As early as 1594, about four years after the poem was published, English speakers began using the name as a general term for any blustering blowhard. The now more common use of braggadocio, referring to the talk or behavior of such windy cockalorums, developed in the early 18th century.

"And now we welcome the new year, full of things that have never been." Rilke Word of the Year: "Affection" noun af·​fec·​tion ə-ˈfek-shən  Synonyms of affection 1: a feeling of liking and caring for someone or something : tender attachment : FONDNESS She had a deep affection for her parents. Middle English affeccioun "capacity for feeling, emotion, desire, love," borrowed from Anglo-French, "desire, love, inclination, partiality," borrowed from Latin affectiōn-, affectiō "frame of mind, feeling, feeling of attachment," from affec-(variant stem of afficere "to produce an effect on, exert an influence on") + -tiōn-, -tiō, suffix of action nouns Referench: https://www.merriam-webster.com/dictionary/affection philostorgos: tenderly loving Original Word:φιλόστοργος, ον Phonetic Spelling:(fil-os'-tor-gos) Definition:tenderly loving Usage:tenderly loving, kindly affectionate to Reference: https://biblehub.com/greek/5387.htm For the full text of the Jefferson Lecture 2012, by Wendell Barry, please visit: https://www.neh.gov/about/awards/jefferson-lecture/wendell-e-berry-biography Photo by Guy Mendes Quoted excerpts from the lecture: “Because a thing is going strong now, it need not go strong for ever,” [Margaret] said. “This craze for motion has only set in during the last hundred years. It may be followed by a civilization that won't be a movement, because it will rest upon the earth.E. M. Forster, Howards End (1910) p. "The term “imagination” in what I take to be its truest sense refers to a mental faculty that some people have used and thought about with the utmost seriousness. The sense of the verb “to imagine” contains the full richness of the verb “to see.” To imagine is to see most clearly, familiarly, and understandingly with the eyes, but also to see inwardly, with “the mind's eye.” It is to see, not passively, but with a force of vision and even with visionary force. To take it seriously we must give up at once any notion that imagination is disconnected from reality or truth or knowledge. It has nothing to do either with clever imitation of appearances or with “dreaming up.” It does not depend upon one's attitude or point of view, but grasps securely the qualities of things seen or envisioned. I will say, from my own belief and experience, that imagination thrives on contact, on tangible connection. For humans to have a responsible relationship to the world, they must imagine their places in it. To have a place, to live and belong in a place, to live from a place without destroying it, we must imagine it. By imagination we see it illuminated by its own unique character and by our love for it. By imagination we recognize with sympathy the fellow members, human and nonhuman, with whom we share our place. By that local experience we see the need to grant a sort of preemptive sympathy to all the fellow members, the neighbors, with whom we share the world. As imagination enables sympathy, sympathy enables affection. And it is in affection that we find the possibility of a neighborly, kind, and conserving economy." "But the risk, I think, is only that affection is personal. If it is not personal, it is nothing; we don't, at least, have to worry about governmental or corporate affection. And one of the endeavors of human cultures, from the beginning, has been to qualify and direct the influence of emotion. The word “affection” and the terms of value that cluster around it—love, care, sympathy, mercy, forbearance, respect, reverence—have histories and meanings that raise the issue of worth. We should, as our culture has warned us over and over again, give our affection to things that are true, just, and beautiful. It is by imagination that knowledge is “carried to the heart” (to borrow again from Allen Tate). The faculties of the mind—reason, memory, feeling, intuition, imagination, and the rest—are not distinct from one another. Though some may be favored over others and some ignored, none functions alone. But the human mind, even in its wholeness, even in instances of greatest genius, is irremediably limited. Its several faculties, when we try to use them separately or specialize them, are even more limited. The fact is that we humans are not much to be trusted with what I am calling statistical knowledge, and the larger the statistical quantities the less we are to be trusted. We don't learn much from big numbers. We don't understand them very well, and we aren't much affected by them." ((Who Owns America? edited by Herbert Agar and Allen Tate, ISI Books, Wilmington, DE, 1999,  pages 109–114. (First published by Houghton Mifflin Company, Boston, 1936.) [Nature] "As Albert Howard, Wes Jackson, and others have carefully understood, she can give us the right patterns and standards for agriculture. If we ignore or offend her, she enforces her will with punishment. She is always trying to tell us that we are not so superior or independent or alone or autonomous as we may think. She tells us in the voice of Edmund Spenser that she is of all creatures “the equall mother, / And knittest each to each, as brother unto brother.” (The Faerie Queene, VII, vii, stanza XIV.) "To hear of a thousand deaths in war is terrible, and we “know” that it is. But as it registers on our hearts, it is not more terrible than one death fully imagined. The economic hardship of one farm family, if they are our neighbors, affects us more painfully than pages of statistics on the decline of the farm population. I can be heartstruck by grief and a kind of compassion at the sight of one gulley (and by shame if I caused it myself), but, conservationist though I am, I am not nearly so upset by an accounting of the tons of plowland sediment borne by the Mississippi River. Wallace Stevens wrote that “Imagination applied to the whole world is vapid in comparison to imagination applied to a detail.” (Opus Posthumous, edited, with an Introduction by Samuel French Morse, Alfred A. Knopf, New York, 1957, page 176.) "But we need not wait, as we are doing, to be taught the absolute value of land and of land health by hunger and disease. Affection can teach us, and soon enough, if we grant appropriate standing to affection. For this we must look to the stickers, who “love the life they have made and the place they have made it in.” "E. M. Forster's novel, Howards End, published in 1910. By then, Forster was aware of the implications of “rural decay,” and in this novel he spoke, with some reason, of his fear that “the literature of the near future will probably ignore the country and seek inspiration from the town. . . . and those who care for the earth with sincerity may wait long ere the pendulum swings back to her again.” (Howards End, page 15, 112). Margaret's premise, as she puts it to Henry, is the balance point of the book:  “It all turns on affection now . . . Affection. Don't you see?” (Ibid., page 214). To have beautiful buildings, for example, people obviously must want them to be beautiful and know how to make them beautiful, but evidently they also must love the places where the buildings are to be built. For a long time, in city and countryside, architecture has disregarded the nature and influence of places. It is the vice of a vulgar mind to be thrilled by bigness, to think that a thousand square miles are a thousand times more wonderful than one square mile . . . That is not imagination. No, it kills it. . . . Your universities? Oh, yes, you have learned men who collect . . . facts, and facts, and empires of facts. But which of them will rekindle the light within? (Ibid., page 30)." “The light within,” I think, means affection, affection as motive and guide. Knowledge without affection leads us astray every time. Affection leads, by way of good work, to authentic hope. The factual knowledge, in which we seem more and more to be placing our trust, leads only to hope of the discovery, endlessly deferrable, of an ultimate fact or smallest particle that at last will explain everything. Margaret's premise, as she puts it to Henry, is the balance point of the book:  “It all turns on affection now . . . Affection. Don't you see?” The great reassurance of Forster's novel is the wholeheartedness of his language. It is to begin with a language not disturbed by mystery, by things unseen. But Forster's interest throughout is in soul-sustaining habitations: houses, households, earthly places where lives can be made and loved. In defense of such dwellings he uses, without irony or apology, the vocabulary that I have depended on in this talk:  truth, nature, imagination, affection, love, hope, beauty, joy. Those words are hard to keep still within definitions; they make the dictionary hum like a beehive. But in such words, in their resonance within their histories and in their associations with one another, we find our indispensable humanity, without which we are lost and in danger. Of the land-community much has been consumed, much has been wasted, almost nothing has flourished. But this has not been inevitable. We do not have to live as if we are alone.

In this episode of we delve into the remarkable life and enduring legacy of Edmund Spenser, a luminary in English literature. Discover the intricacies of "The Faerie Queene," his masterful epic that intricately weaves together allegory, politics, and poetic beauty.In this episode we are looking at Edmund Spenser and the Faerie Queen. Join the podcast community at https://www.patreon.com/englandcastRead the Faerie Queen online:https://www.gutenberg.org/files/15272/15272-h/15272-h.htm Hosted on Acast. See acast.com/privacy for more information.

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Today we'll look at the most famous tale from Spenser's epic The Faerie Queene: Book I "The Legend of the Redcrosse Knight."  We'll discuss its allegorical and neoplatonic dimensions while doing a quick drive-by of a passage from Mutabilitie Cantos.  Support the showPlease like, subscribe, and rate the podcast on Apple, Spotify, Google, or wherever you listen. Thank you!Email: classicenglishliterature@gmail.comFollow me on Instagram, Facebook, Twitter, Tik Tok, and YouTube.If you enjoy the show, please consider supporting it with a small donation. Click the "Support the Show" button. So grateful!Podcast Theme Music: "Rejoice" by G.F. Handel, perf. The Advent Chamber OrchestraSubcast Theme Music: "Sons of the Brave" by Thomas Bidgood, perf. The Band of the Irish GuardsSound effects and incidental music: Freesounds.org

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Some say he is the first real poet of the English Renaissance.  Whatever that may mean, Edmund Spenser certainly looms large in 16th century English literature.  In this first of two episodes, we will look at his paradoxically traditional and innovative lyric poetry, especially The Shepheardes Calendar, Amoretti, and "Epithalamion."Support the showPlease like, subscribe, and rate the podcast on Apple, Spotify, Google, or wherever you listen. Thank you!Email: classicenglishliterature@gmail.comFollow me on Instagram, Facebook, Twitter, Tik Tok, and YouTube.If you enjoy the show, please consider supporting it with a small donation. Click the "Support the Show" button. So grateful!Podcast Theme Music: "Rejoice" by G.F. Handel, perf. The Advent Chamber OrchestraSubcast Theme Music: "Sons of the Brave" by Thomas Bidgood, perf. The Band of the Irish GuardsSound effects and incidental music: Freesounds.org

Astrophil and Stella by Sir Philip Sidney audiobook. Astrophil and Stella is a sonnet sequence written by Philip Sidney, an Elizabethan poet and courtier. It details the frustrated love of Astrophil (whose name means 'star-lover') for his beloved Stella (whose name means 'star'). It is likely that Sidney based his poems on his own unrequited passion for a married woman. The sequence inspired other sonnet writers of the period, such as Edmund Spenser, William Shakespeare, and Lady Mary Wroth. Learn more about your ad choices. Visit megaphone.fm/adchoices

Steven Swarbrick talks about poetic engagement with nature in the work of early modern poets ​​Edmund Spenser, Walter Ralegh, Andrew Marvell, and John Milton. Here language is influenced not by the manifest and the conscious, but the unconscious or void, as understood in Freudian and Lacanian psychoanalytic theory. This work is the basis for his hope for a reorganization of thought in contemporary ecocriticism around a politics of degrowth instead of additive policies that serve to greenwash capitalist economies. Steven Swarbrick is an assistant professor of English at Baruch College, City University of New York. His research interests include early modern literature, contemporary continental philosophy, psychoanalysis, the environmental humanities, and sexuality and film studies. He is the author of The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and co-author, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, under contract). He is currently working on two books: Unknowing Sex: Shakespeare against the Historicists and Destituent Ecology: Libidinal Politics for the Environmental Left. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

Steven Swarbrick talks about poetic engagement with nature in the work of early modern poets ​​Edmund Spenser, Walter Ralegh, Andrew Marvell, and John Milton. Here language is influenced not by the manifest and the conscious, but the unconscious or void, as understood in Freudian and Lacanian psychoanalytic theory. This work is the basis for his hope for a reorganization of thought in contemporary ecocriticism around a politics of degrowth instead of additive policies that serve to greenwash capitalist economies. Steven Swarbrick is an assistant professor of English at Baruch College, City University of New York. His research interests include early modern literature, contemporary continental philosophy, psychoanalysis, the environmental humanities, and sexuality and film studies. He is the author of The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and co-author, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, under contract). He is currently working on two books: Unknowing Sex: Shakespeare against the Historicists and Destituent Ecology: Libidinal Politics for the Environmental Left. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Steven Swarbrick talks about poetic engagement with nature in the work of early modern poets ​​Edmund Spenser, Walter Ralegh, Andrew Marvell, and John Milton. Here language is influenced not by the manifest and the conscious, but the unconscious or void, as understood in Freudian and Lacanian psychoanalytic theory. This work is the basis for his hope for a reorganization of thought in contemporary ecocriticism around a politics of degrowth instead of additive policies that serve to greenwash capitalist economies. Steven Swarbrick is an assistant professor of English at Baruch College, City University of New York. His research interests include early modern literature, contemporary continental philosophy, psychoanalysis, the environmental humanities, and sexuality and film studies. He is the author of The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and co-author, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, under contract). He is currently working on two books: Unknowing Sex: Shakespeare against the Historicists and Destituent Ecology: Libidinal Politics for the Environmental Left. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

Steven Swarbrick talks about poetic engagement with nature in the work of early modern poets ​​Edmund Spenser, Walter Ralegh, Andrew Marvell, and John Milton. Here language is influenced not by the manifest and the conscious, but the unconscious or void, as understood in Freudian and Lacanian psychoanalytic theory. This work is the basis for his hope for a reorganization of thought in contemporary ecocriticism around a politics of degrowth instead of additive policies that serve to greenwash capitalist economies. Steven Swarbrick is an assistant professor of English at Baruch College, City University of New York. His research interests include early modern literature, contemporary continental philosophy, psychoanalysis, the environmental humanities, and sexuality and film studies. He is the author of The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and co-author, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, under contract). He is currently working on two books: Unknowing Sex: Shakespeare against the Historicists and Destituent Ecology: Libidinal Politics for the Environmental Left. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Steven Swarbrick talks about poetic engagement with nature in the work of early modern poets ​​Edmund Spenser, Walter Ralegh, Andrew Marvell, and John Milton. Here language is influenced not by the manifest and the conscious, but the unconscious or void, as understood in Freudian and Lacanian psychoanalytic theory. This work is the basis for his hope for a reorganization of thought in contemporary ecocriticism around a politics of degrowth instead of additive policies that serve to greenwash capitalist economies. Steven Swarbrick is an assistant professor of English at Baruch College, City University of New York. His research interests include early modern literature, contemporary continental philosophy, psychoanalysis, the environmental humanities, and sexuality and film studies. He is the author of The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and co-author, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, under contract). He is currently working on two books: Unknowing Sex: Shakespeare against the Historicists and Destituent Ecology: Libidinal Politics for the Environmental Left. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Steven Swarbrick talks about poetic engagement with nature in the work of early modern poets ​​Edmund Spenser, Walter Ralegh, Andrew Marvell, and John Milton. Here language is influenced not by the manifest and the conscious, but the unconscious or void, as understood in Freudian and Lacanian psychoanalytic theory. This work is the basis for his hope for a reorganization of thought in contemporary ecocriticism around a politics of degrowth instead of additive policies that serve to greenwash capitalist economies. Steven Swarbrick is an assistant professor of English at Baruch College, City University of New York. His research interests include early modern literature, contemporary continental philosophy, psychoanalysis, the environmental humanities, and sexuality and film studies. He is the author of The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and co-author, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, under contract). He is currently working on two books: Unknowing Sex: Shakespeare against the Historicists and Destituent Ecology: Libidinal Politics for the Environmental Left. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Steven Swarbrick talks about poetic engagement with nature in the work of early modern poets ​​Edmund Spenser, Walter Ralegh, Andrew Marvell, and John Milton. Here language is influenced not by the manifest and the conscious, but the unconscious or void, as understood in Freudian and Lacanian psychoanalytic theory. This work is the basis for his hope for a reorganization of thought in contemporary ecocriticism around a politics of degrowth instead of additive policies that serve to greenwash capitalist economies. Steven Swarbrick is an assistant professor of English at Baruch College, City University of New York. His research interests include early modern literature, contemporary continental philosophy, psychoanalysis, the environmental humanities, and sexuality and film studies. He is the author of The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and co-author, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, under contract). He is currently working on two books: Unknowing Sex: Shakespeare against the Historicists and Destituent Ecology: Libidinal Politics for the Environmental Left. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

We begin to look at Elizabethan literature, as Sidney argues that poetry is superior to philosophy, and philosophy is put to use in Spenser's "Fairie Queene".

Cursed by a witch, a talking tree laments his failure to uphold virtue to a chivalric knight in Edmund Spenser's The Faerie Queene, one of the longest poems written in the English language.Warlock Vorobok Reads is a monthly storytime for grownups.

Hosts: Fr. Steve & Rich Budd In today's episode we talk about Mary, Jesus' mother. We hear a reflection on overcoming spiritual discouragement. And we hear a poem by Edmund Spenser, “Easter,” read by Richard Imgrund.

The second episode of ParaPower Mapping continues our investigation of The Secret History of MasSUSchusetts and kicks off a mini-series within the series, throughout which we will map the New England node of a transatlantic alchemical & Rosicrucian brotherhood that set the English colonization of America in motion, founded plantations & settlements patterned after alchemical "utopian" visions, and pushed for the colonies to institute slavery in the service of "economic development". Episode II includes: Protestant eschatological schemes of world domination; accompanying philosophies such as millenarianism and pansophism; the life of Jan Comenius; some basic Christian alchemical terminology; the archwizard John Dee, his plans for a Protestant British global empire, his Arthurian justifications for colonizing the New World, his influence on American alchemists like John Winthrop Jr., & his belief that his work was inspired by angels (perhaps he was wrong… and he was conversing with demons instead); the relationship between Francis Bacon & John Dee and their influence on Rosicrucianism; a discussion of the Rosicrucian manifestos Fama Fraternitatis, Confessio, & The Chymical Wedding; the Invisible College/ Royal Society; a ton of Rosicrucian Enlightenment figures, such as Isaac Newton, Elias Ashmole, Michael Maier, Samuel Hartlib & the Hartlib Circle, Sir Walter Raleigh, Edmund Spenser, Robert Boyle, Robert Fludd; the introduction of American alchemists like John Winthrop the Younger & George Starkey; the odyssey of Scottish alchemist Alexander Seton, who toured Europe performing the transmutation of metals into gold; the Rosicrucian royals Frederick & Elizabeth of Bohemia and their brief reign prior to the Thirty Years War; connections between Rosicrucianism and speculative Scottish Freemasonry; the Ancient & Mystical Order Rosæ Crucis (AMORC); a possible voyage to Massachusetts by the Scottish Sinclair family (who are connected to the Templars, Rosicrucianism, & Freemasonry) and a Venetian prince named Zeno; Puritan and Protestant practitioners of Cabala, alchemy, and magic; the prevalence of the occult in colonial New England and Puritan interpretations of Biblical magic; various judges of the Court of Oyer & Terminer from the Salem Trials & their connections to alchemy & witches; Col. Israel Stoughton, father-in-law of alchemist George Starkey, and his involvement in the Pequot War and the enslavement of Native Americans and connections to the slave-trading Endecott family; Cotton Mather's interests in astrology, bibliomancy, and Cabala; the Harvard alchemical curriculum and various Ivy League practitioners of alchemy; the Pequot War; John Winthrop Jr.'s alchemical plantation in Connecticut; a psychogeographic history of King's Chapel and the King's Chapel Burying Ground; the podcaster's uncanny experience photographing the tombstone of the Winthrop family tomb in the King's Chapel Burying Ground and a blue orb appearing; evidence from Levenda for a Massachusetts curse; the beginnings of a thesis of the alchemical transmutation of America into a land of unbridled profits for the capitalist ruling elite; etc.  Some of the texts cited in this episode:  | Dame Frances Yates - The Rosicrucian Enlightenment & The Occult in the Elizabethan Age | | Peter Levenda - Sinister Forces: A Grimoire of American Political Witchcraft | | Jason Louv - John Dee and the Empire of Angels | | Steven Sora - Rosicrucian America | | D. Michael Quinn - Early Mormonism and the Magic World View | | Lewis Putnam Turco - Satan's Scourge: A Narrative of the Age of Witchcraft in England & New England | | Walter H. Woodward - Prospero's America: John Winthrop Jr., Alchemy, and the Creation of New England Culture | Songs: | XTC - Human Alchemy | | Wheel of Fortune (Australia) - Theme from 1981 - 1985 | | Boldy James (Prod. Alchemist) - Pinto | | The Sugarcubes - Dear Plastic | | Cathedral - Alchemist of Sorrow |

Feeling severed from the world? Trapped inside your own hundred acre wood? Tie your shoes. On this tour, we go in circles around a city where nothing is lost that can't be found, where nothing is erased without imprint. We wander story-laden streets, peek down literary alleys, poke our heads into sing-song pubs. We navigate inconvenient sympathies. We recognize a tune. To signal traffic in the narrative chaos, we trust the time-honored cues of the theater. We discuss a movie about a real place that doesn't exist. We go bump bump bump, and begin to construct a fresh map of reality, out of tea leaves long unread...   With Yeerk, host of Bistro Californium   For the SECRET CHAPTER from this adventure and a spiritually relevant SIDE QUEST episode, plus over 30 other exclusive episodes, subscribe to us at Patreon.com/filthyarmenian for only $5 a month.   Follow us on twitter/instagram @filthyarmenian Please rate, review, and spread the word.   Sightings: Beowolf, Edmund Spenser, Shakespeare, Alexander Pope, Jane Austen, Charlotte Bronte, George Eliot, Arthur Conan Doyle, Max Beerbohm, D.H. Lawrence, Ian Fleming, Evelyn Waugh, Charles Dickens, The League of Extraordinary Gentlemen, Rabindranath Tagore, Somerset Maugham, Agatha Christie, David Suchet, Philip Larkin, H.L. Mencken, London, Orbitals, The Perfume Nationalist, I'm So Popular, Ambrose Bierce, Noel Coward, P.G. Wodehouse, Michael Morecock, Captain Beefheart, Katherine Mansfield, William Blake, Invisible Republic, The Armenians

One British poet's 1590s allegorical fantasy adventure is getting a new text-faithful prose adaptation.

Edmund Spenser's 1590 epic poem, The Faerie Queene, is one of the monumental works of English literature. But it doesn't get read much any more. Rebecca Reynolds is doing something about it. She has rendered Spenser's 36,000 lines of very difficult poetry into much more accessible prose. Artist Justin Gerard has painted beautiful illustrations. The books start coming out later this year, but you can get involved now by contributing to the  Kickstarter campaign.Support the show: https://therabbitroom.givingfuel.com/memberSee omnystudio.com/listener for privacy information.

In this episode of the advent calendar, Ben and Steve talk about Pixie Queen as well as Edmund Spenser!

But not that kind of western romance… Pop quiz: Which of the following reasons is a good reason to get married to someone? Because your family or social circle wants you to Because you sexually desire that person (or are already sexually involved) Because you want children (or have them already) Because you need financial stability Because you're “in love” with that person Because you're “in love” with someone else Some of these answers might seem ridiculous, but a hundred or a thousand years ago, people concluded very different things about marriage and romance, depending on the age they live in. We in the West can bundle together a lot of expectations for romantic partners—they should be your best friend, have romantic attraction, maybe build a family together, share finances, support you emotionally, and on and on. Sometimes we separate out just one or two items—attraction, best-friendship—and focus on that alone. But it hasn't always been this way. In the scale of human history, our current assumptions about romance and marriage are actually quite young. In part 2 of this series, we continue our conversation with friend and scholar Kathryn Mogk Wagner, to look through the lens of Western literature at changing perspectives on romance, (Christian) marriage, love, and intimacy through the ages. This episode is part 2 of 3. For anyone who has had to work through their expectations for romantic relationships (or other people's expectations for your relationships!), this episode is for you. __________ Timestamps 1:45 - The biology of attraction 8:05 - The ancient world: Marriage as economic arrangement 10:35 - The early Christian church: equality in adultery 12:15 - Courtly love and longing in the 11th century 20:05 - Example: King Arthur, Lancelot, and Guinevere 23:30 - Arranged marriages and consent in the Christian church 30:05- Example: Dante and Beatrice 39:30 - Contemporary Christian emphasis on marriage—does it deserve it? 45:05 - Companionate marriage: Edmund Spenser's poetry 49:00 - Holiness as celibacy (Catholics) or married life (Protestants) 53:45 - Song of Songs in the church's imagination 58:05 - The development of the “pure relationship” __________ Links and References Kathryn Mogk Wagner: kathryn.mogkwagner.net The Allegory of Love by C.S. Lewis The Symposium by Plato (wiki) The Divine Comedy and La Vita Nuova by Dante Alighieri; about Beatrice (wiki) The story of King Arthur, Guinevere, and Lancelot is told many places; one is Le Morte d'Arthur (wiki) Edmund Spenser, poet (wiki) Anthony Giddens on the “pure relationship” __________ Please share feedback or questions on our website podpage.com/communion-shalom or emailing us at communionandshalom@gmail.com. Find us on Instagram: @communionandshalom If you like this podcast, please consider supporting us on Patreon: patreon.com/communionandshalom

Andrew Hadfield is Professor of English at the University of Sussex. Andrew has written widely on topics ranging from class struggle in the Forsyte chronicles, Hamlet and Poland, and early modern political theory. He is the author of an authoritative biography of Edmund Spenser and the co-editor of Amazons, Savages, and Machiavels: Travel and Colonial Writing in English, 1550-1630: An Anthology. His new book is Literature and Class: From the Peasants' Revolt to the French Revolution, published through Manchester University Press. This new book explores the intimate relationship between literature and class in England (and later Britain) from the Peasants' Revolt at the end of the fourteenth century to the impact of the French Revolution at the end of the eighteenth century and beginning of the nineteenth. The book argues throughout that class cannot be seen as a modern phenomenon that occurred after the Industrial revolution but that class divisions and relations have always structured societies and that it makes sense to assume a historical continuity. The book explores a number of themes relating to class: class consciousness; class conflict; commercialisation; servitude; rebellion; gender relations; and colonisation. After outlining the history of class relations, five chapters explore the ways in which social class consciously and unconsciously influenced a series of writers: Chaucer, Shakespeare, Behn, Rochester, Defoe, Duck, Richardson, Burney, Blake and Wordsworth. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Andrew Hadfield is Professor of English at the University of Sussex. Andrew has written widely on topics ranging from class struggle in the Forsyte chronicles, Hamlet and Poland, and early modern political theory. He is the author of an authoritative biography of Edmund Spenser and the co-editor of Amazons, Savages, and Machiavels: Travel and Colonial Writing in English, 1550-1630: An Anthology. His new book is Literature and Class: From the Peasants' Revolt to the French Revolution, published through Manchester University Press. This new book explores the intimate relationship between literature and class in England (and later Britain) from the Peasants' Revolt at the end of the fourteenth century to the impact of the French Revolution at the end of the eighteenth century and beginning of the nineteenth. The book argues throughout that class cannot be seen as a modern phenomenon that occurred after the Industrial revolution but that class divisions and relations have always structured societies and that it makes sense to assume a historical continuity. The book explores a number of themes relating to class: class consciousness; class conflict; commercialisation; servitude; rebellion; gender relations; and colonisation. After outlining the history of class relations, five chapters explore the ways in which social class consciously and unconsciously influenced a series of writers: Chaucer, Shakespeare, Behn, Rochester, Defoe, Duck, Richardson, Burney, Blake and Wordsworth. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Andrew Hadfield is Professor of English at the University of Sussex. Andrew has written widely on topics ranging from class struggle in the Forsyte chronicles, Hamlet and Poland, and early modern political theory. He is the author of an authoritative biography of Edmund Spenser and the co-editor of Amazons, Savages, and Machiavels: Travel and Colonial Writing in English, 1550-1630: An Anthology. His new book is Literature and Class: From the Peasants' Revolt to the French Revolution, published through Manchester University Press. This new book explores the intimate relationship between literature and class in England (and later Britain) from the Peasants' Revolt at the end of the fourteenth century to the impact of the French Revolution at the end of the eighteenth century and beginning of the nineteenth. The book argues throughout that class cannot be seen as a modern phenomenon that occurred after the Industrial revolution but that class divisions and relations have always structured societies and that it makes sense to assume a historical continuity. The book explores a number of themes relating to class: class consciousness; class conflict; commercialisation; servitude; rebellion; gender relations; and colonisation. After outlining the history of class relations, five chapters explore the ways in which social class consciously and unconsciously influenced a series of writers: Chaucer, Shakespeare, Behn, Rochester, Defoe, Duck, Richardson, Burney, Blake and Wordsworth. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kimberly Anne Coles is Professor of English at the University of Maryland; her first book, Religion, Reform and Women's Writing in Early Modern England, was published with Cambridge University Press in 2008. Her work has been supported by the John W. Kluge Center, the Warburg Institute, and the Folger Shakespeare Library. Today, we are discussing Bad Humor: Race and Religious Essentialism in Early Modern England, which was published by the University of Pennsylvania Press in 2022. In Bad Humor, Professor Coles charts how concerns around lineage, religion and nation converged around a pseudoscientific system that confirmed the absolute difference between Protestants and Catholics, guaranteed the noble quality of English blood, and justified English colonial domination. Professor Coles delineates the process whereby religious error, first resident in the body, becomes marked on the skin. Early modern medical theory bound together psyche and soma in mutual influence. By the end of the sixteenth century, there is a general acceptance that the soul's condition, as a consequence of religious belief or its absence, could be manifest in the humoral disposition of the physical body. The history that this book unfolds describes developments in natural philosophy in the early part of the sixteenth century that force a subsequent reconsideration of the interactions of body and soul and that bring medical theory and theological discourse into close, even inextricable, contact. With particular consideration to how these ideas are reflected in texts by Elizabeth Cary, John Donne, Ben Jonson, William Shakespeare, Edmund Spenser, Mary Wroth, and others, Professor Coles reveals how science and religion meet nascent capitalism and colonial endeavor to create a taxonomy of Christians in Black and White. John Yargo recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Kimberly Anne Coles is Professor of English at the University of Maryland; her first book, Religion, Reform and Women's Writing in Early Modern England, was published with Cambridge University Press in 2008. Her work has been supported by the John W. Kluge Center, the Warburg Institute, and the Folger Shakespeare Library. Today, we are discussing Bad Humor: Race and Religious Essentialism in Early Modern England, which was published by the University of Pennsylvania Press in 2022. In Bad Humor, Professor Coles charts how concerns around lineage, religion and nation converged around a pseudoscientific system that confirmed the absolute difference between Protestants and Catholics, guaranteed the noble quality of English blood, and justified English colonial domination. Professor Coles delineates the process whereby religious error, first resident in the body, becomes marked on the skin. Early modern medical theory bound together psyche and soma in mutual influence. By the end of the sixteenth century, there is a general acceptance that the soul's condition, as a consequence of religious belief or its absence, could be manifest in the humoral disposition of the physical body. The history that this book unfolds describes developments in natural philosophy in the early part of the sixteenth century that force a subsequent reconsideration of the interactions of body and soul and that bring medical theory and theological discourse into close, even inextricable, contact. With particular consideration to how these ideas are reflected in texts by Elizabeth Cary, John Donne, Ben Jonson, William Shakespeare, Edmund Spenser, Mary Wroth, and others, Professor Coles reveals how science and religion meet nascent capitalism and colonial endeavor to create a taxonomy of Christians in Black and White. John Yargo recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Kimberly Anne Coles is Professor of English at the University of Maryland; her first book, Religion, Reform and Women's Writing in Early Modern England, was published with Cambridge University Press in 2008. Her work has been supported by the John W. Kluge Center, the Warburg Institute, and the Folger Shakespeare Library. Today, we are discussing Bad Humor: Race and Religious Essentialism in Early Modern England, which was published by the University of Pennsylvania Press in 2022. In Bad Humor, Professor Coles charts how concerns around lineage, religion and nation converged around a pseudoscientific system that confirmed the absolute difference between Protestants and Catholics, guaranteed the noble quality of English blood, and justified English colonial domination. Professor Coles delineates the process whereby religious error, first resident in the body, becomes marked on the skin. Early modern medical theory bound together psyche and soma in mutual influence. By the end of the sixteenth century, there is a general acceptance that the soul's condition, as a consequence of religious belief or its absence, could be manifest in the humoral disposition of the physical body. The history that this book unfolds describes developments in natural philosophy in the early part of the sixteenth century that force a subsequent reconsideration of the interactions of body and soul and that bring medical theory and theological discourse into close, even inextricable, contact. With particular consideration to how these ideas are reflected in texts by Elizabeth Cary, John Donne, Ben Jonson, William Shakespeare, Edmund Spenser, Mary Wroth, and others, Professor Coles reveals how science and religion meet nascent capitalism and colonial endeavor to create a taxonomy of Christians in Black and White. John Yargo recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies