Podcasts about crucifixus

Prelude at 0:00; service begins at 21:08One of the most moving choral services of the year, this meditation employs lessons & carols, spirituals, anthems, motets, and congregational hymns to illuminate the Passion of Christ, which is retold using biblical narratives from Mark, Matthew, and John, sung to some of the most ancient plainchant known to the Church.The officiant is the Rev. Salmoon Bashir. Choral repertoire includes:“Ah, holy Jesus, how hast thou offended” Herzliebster JesuJohn Jacob Niles (1892-1980), arr. Andrew Carter (b. 1939), I wonder as I wanderDavid Hurd (b. 1950), “A stable lamp is lighted” AndújarKim André Arnesen (b. 1980), Even when He is silent“To mock your reign, O dearest Lord” Tallis' Third TuneTrond Kverno (b. 1945), Corpus Christi CarolDaniel Gawthrop (b. 1949), Mary speaksKenneth Miller, “Alas! and did my Savior bleed” Morgan's SteepSpiritual, Were you there when they crucified my LordAntonio Lotti (1667-1740), Crucifixus à 8

One of the most moving choral services of the year, this meditation employs lessons & carols, spirituals, anthems, motets, and congregational hymns to illuminate the Passion of Christ, which is retold using biblical narratives from Mark, Matthew, and John, sung to some of the most ancient plainchant known to the Church.The service is sung by the Cathedral Schola, and the officiant is the Rev. Canon Cathy Zappa. Choral repertoire includes:“Ah, holy Jesus, how hast thou offended” Herzliebster JesuJohn Jacob Niles (1892-1980), arr. John Rutter (b. 1945), I wonder as I wander“A stable lamp is lighted” AndújarTrond Kverno (b. 1945), Corpus Christi CarolSpiritual, arr. Dale Adelmann, Sometimes I feel like a motherless child & Nobody knows the trouble I've seen“To mock your reign, O dearest Lord” Tallis' Third TuneFrancis Poulenc (1899-1963), Vinea mea electaRichard Lloyd (1933-2021), The Ballad of the Judas TreeKenneth Miller, “Beneath the cross of Jesus” Sewanee ScholaSpiritual, Were you there when they crucified my LordAntonio Lotti (1667-1740), Crucifixus à 8

This Meditation on the Passion of Christ is sung by the Cathedral Schola. The officiant is the Rev. Canon Lauren Holder. One of the most profound choral services of the year, this meditation employs lessons & carols, spirituals, anthems, motets, and congregational hymns to illuminate the Passion of Christ, which is retold using biblical narratives from Mark, Matthew, and John, sung to some of the most ancient plainchant known to the Church.Choral repertoire includes:“Ah, holy Jesus, how hast thou offended” Herzliebster JesuFolksong collected by Lucy E. Broadwood (1858-1929), Sussex Mummers' Carol, O mortal one, remember well“A stable lamp is lighted” AndújarRichard Runciman Terry (1865-1938), Richard de Castre's Prayer to JesusKim André Arnesen (b.1980), Even when He is silent“To mock your reign, O dearest Lord” Tallis' Third TunePeter Illyich Tchaikovsky (1840-1893), The Crown of RosesCharles Snider (b.1955), Was ever grief like mine?Kenneth Miller, “Alas! and did my Savior bleed” Morgan's SteepSpiritual, Were you there when they crucified my Lord?Antonio Lotti (c.1667-1740), Crucifixus à 8

El 2022 ha sido un año que no olvidaremos por diferentes motivos. En este podcast a modo de resumen hemos procurado aglutinar los principales momentos que lo han hecho inolvidable. De la mano de Juanjo Dorado, Alex Patón, Iván Núñez, Neno Sánchez y Dionisio Buñuel, damos las 12 campanadas que representan los 12 momentos más destacados de 2022: - ¡Victoria! (3:15) - Crucifixus (10:58) - La Cuaresma (20:19) - Semana Santa - Primera parte (29:22) - Semana Santa - Segunda Parte (56:05) - El Romerito (1:24:11) - Corpus Christi (1:31:04) - Bienvenido Puelles (1:44:44) - Las extraordinarias (1:56:34) - Madre Cigarrera (2:08:56) - Aniversario en Sagrada Columna y Azotes (2:21:50) - 40 años de Dionisio Buñuel (2:30:59) Esperamos que disfrutéis de este podcast y que compartáis con nosotros vuestro momento #SuenaCigarreras 2022. ¡Feliz 2023 a todos!

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In Episode Three, Andy and Rob talk about harmony. Harmony is the mysterious element in music, developed in the Middle Ages to make beautiful music more divine. Since then, it has taken the most incredible journey becoming more and more complex. This episode's treat is Mocha Cake. See the recipe on https://www.coffeecakeandculture.com.au/MUSIC FOR THE HARMONY PODCAST1. Gloria - Felix Reibl2. Fire and Rain -James Taylor3. Francis Poulenc - O Magnum Mysterium4. Gregorian chant - Deum verum5. Hildegard Von Bingen - Ave Maria, O Auctrix Vite6. Danse (Manuscrit du Roi) - Raúl Lacilla, musa (medieval bagpipes)7. Graduel d'Aliénor de Bretagne / Gradual of Eleanor of Brittany - Kyrie tropé "orbis factor"8. John Dunstable - Veni Creator Spiritus9. Jerry Lee Lewis -Great Balls of fire10. Fauré: Pavane / Rattle · Berliner Philharmoniker11. Yo-Yo Ma - Bach: Cello Suite No. 1 in G Major, Prélude (Official Video)12. Beethoven: Symphony No. 5, 1st movement | Paavo Järvi and the Deutsche Kammerphilharmonie Bremen13. 4 Chords - The Axis Of Awesome14. Bach: Jesu, meine Freude, BWV 227 (Mvt. I, II, III)15. Antonio Lotti, Crucifixus, The Sixteen16. SOL TI RE FA Dominant 7 Song17. Stephen Fry - Tristan Chord18. Richard Wagner "Tristan und Isolde" – Prelude19. W.C. Handy - Memphis Blues20. Schoenberg: Suite for Piano, Op.25 (Boffard) Hosted on Acast. See acast.com/privacy for more information.

Here is the Nicene Creed (Symbolum Nicaenum) in Latin & English. CREDO in unum Deum, Patrem omnipotentem, factorem caeli et terrae, visibilium omnium et invisibilium.    I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible.   Et in unum Dominum Iesum Christum, Filium Dei **unigenitum,  ex Patre natum ante omnia saecula. Deum de Deo, Lumen de Lumine, Deum verum de Deo vero, genitum non factum, consubstantialem Patri; per quem omnia facta sunt.    And in one Lord, Jesus Christ, the only begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, one in being with the Father; through Whom all things were  made.   Qui propter nos homines et propter nostram salutem descendit de caelis. Et incarnatus est de Spiritu Sancto ex Maria Virgine, et homo factus est.    Who for us men and for our salvation came down from heaven.  And he was made flesh by the Holy Spirit from the Virgin Mary, and was made man.  Crucifixus etiam pro nobis sub Pontio Pilato, passus et sepultus est, et resurrexit tertia die, secundum Scripturas, et ascendit in caelum, sedet ad dexteram Patris.   He was crucified for us under Pontius Pilate; suffered, and was buried. On the third day He rose again according to the Scriptures; He ascended into heaven and sits at the right hand of the Father.   Et iterum venturus est cum gloria, iudicare vivos et mortuos, cuius regni non erit finis.   And He will come again in glory to judge the living and the dead, and of His kingdom there shall be no end.   Et in Spiritum Sanctum, Dominum et vivificantem, qui ex Patre Filioque procedit.   And in the Holy Spirit, the Lord and giver of Life, Who proceeds from the Father and the Son.   Qui cum Patre et Filio adoratur et conglorificatur: qui locutus est per prophetas.   Who, with the Father and the Son, is adored and glorified: Who has spoken through the Prophets.   Et unam, sanctam, catholicam et apostolicam Ecclesiam.    And (I believe in) one holy, catholic and apostolic Church.   Confiteor unum baptisma in remissionem peccatorum. Et expecto resurrectionem mortuorum, et vitam venturi saeculi. Amen.   I confess one baptism for the remission of sins. And I look for the resurrection of the dead, and the life of the age to come. Amen.  Please check out our Resources, Gift Ideas & Affiliate Links page: https://dylandrego.podbean.com/p/resources-gift-ideas-affiliate-links Join me and others in praying the Holy Rosary every day; here are the Spotify quick links to the Rosary: Joyful Mysteries https://open.spotify.com/episode/1yhnGJNSl67psg94j3si3s?si=7IjqIg2wQQaZTJTiDm-Dhw Sorrowful Mysteries https://open.spotify.com/episode/3P0nIdaLuEjesHRMklwfoj?si=6qF7JBYpRiG0ylwuOohFwA Glorious Mysteries https://open.spotify.com/episode/3t7lCF7nFQDR3py1jjTAE1?si=hBb_5Ne5Rwu-993nUUqHqg Luminous Mysteries https://open.spotify.com/episode/6vlAjEGgWPCI79K7Eylh31?si=Hue9USzkTf-L3wrXrK79MQ 15 Decade Rosary https://open.spotify.com/episode/2q33PXMrinZi6fkaV6X7vn?si=Jy_d2xLlTVihD5qa4fSH9g The Latin Prayer Podcast Patreon is finally up and running - for those of you who are able to financially support the podcast please Click Here (https://www.patreon.com/thelatinprayerpodcast). A huge thank you to my patrons! To follow me on other platforms Click on my LinkTree below. linktr.ee/dylandrego If you have any prayers you'd like to request, or comments and/or suggestions - please email me at latinprayerpodcast@gmail.com. Know that if you are listening to this, I am praying for you. Please continue to pray with me and for me and my family. May everything you do be Ad Majorem Dei Gloriam. God Love You! Valete (Goodbye)    

In celebration of Easter, we complete the pair of parts including last week's "Crucifixus." In one of the most stunning reversals in all of music, Christ is laid into the dark grave in the lowest of lows, when suddenly "And he rose again on the third day..." bursts forth with triumphant celebration.  Bach was a master of text. Without rushing past the dramatic parts of the story told in the Nicene Creed, he separates movements like these two for maximum contrast at those iconic first few seconds of "Et resurrexit." His personality as a composer (or, really, lack thereof) is different and less flashy from the way we see modern musicians and their fame. It is almost as though he represents a collective soul of his culture; he so neatly synthesized all of the forms that came before him and used them in complete service of this religious text. Bach is a terminal point of music like none other.  Performance of "Et resurrexit" as part of the performance of the Mass in B minor by the Netherlands Bach Society: https://www.youtube.com/watch?v=3FLbiDrn8IE&t=4138s

Some of the most evocative and emotional music ever written, the "Crucifixus" movement from the Mass in B minor depicts Christ's suffering and death -- you can hear the striking lashes, the plodding steps of His painful walk to Golgotha, the twisting of the crown of thorns, the nailing and the crying, the sighing and the dying.  Bach's use of the passacaglia form here leads to the possibility of extreme dissonances, all within the creative framework of a repeated bass line, which sounds as if it is endlessly marching down, down, down...  Full of remarkable moments, the "Crucifixus" movement -- this masterwork within a masterwork -- will never cease to amaze us. Performance of "Crucifixus" by four soloists and orchestra, as part of the performance of the Mass in B minor by the Netherlands Bach Society: https://www.youtube.com/watch?v=3FLbiDrn8IE&t=3952s

Francis Jackson (1917-2022), Meditation: Love Unknown (based on Hymn 458)Maurice Duruflé (1902-1986), “Prelude” from Suite pour orgue, Op. 5Hymn 158, “Ah, holy Jesus, how hast thou offended” Herzliebster Jesuarr. Andrew Carter (b.1939), I wonder as I wanderHymn 104, “A stable lamp is lighted” AndújarRichard Lloyd (1933-2021), The Ballad of the Judas TreeSpiritual, arr. Dale Adelmann, Sometimes I feel like a motherless child/Nobody knows the trouble I've seenHymn 170, “To mock your reign, O dearest Lord” The Third TuneTrond Kverno (b. 1945), Corpus Christi CarolDaniel Gawthrop (b.1949), Mary speaksKen Miller (hymn), “Alas! and did my Savior bleed” Morgan's SteepSpiritual “Were you there when they crucified my Lord?” Were You ThereAntonio Lotti (c. 1667-1740), Crucifixus à 8

Concierto de la Banda de Las Cigarreras en la plaza de toros de Úbeda, celebrado el domingo 13 de marzo de 2022. La última composición la interpretamos junto a los amigos de la Banda del Amor de esta localidad, y dirigidos por nuestro querido Cristóbal López Gándara. El programa del concierto es el siguiente: - Réquiem (0:00), de Bienvenido Puelles Oliver. - Luz de Misericordia (3:40), de Rafael Vázquez Mateo. - Y fue azotado (7:15), de Francisco Ortiz Morón y Sergio Larrinaga Soler. - Ave María (10:57), de Vladimir Fyodorovich Vavilov. - En mis recuerdos (13:35), de Pedro M. Pacheco. - Prendido (18:30), de Francisco Javier Torres Simón. - Lux Aeterna (22:30), de Francisco Javier Torres Simón. - Crucifixus (26:43), de Cristóbal López Gándara. - Ante Anás... El Hijo de Dios (30:54), de Cristóbal López Gándara. - Silencio, ante Herodes... El Hijo de Dios (34:26), de Cristóbal López Gándara. - Ante Pilatos... El Hijo de Dios (38:19), de Cristóbal López Gándara. - Ante Caifás... El Hijo de Dios (42:02), de Cristóbal López Gándara. - Marcha Real (46:32). Este audio ha sido posible gracias a Juan Rodríguez, Juanjo Dorado y ANSA Sound. Crónica del concierto: https://lascigarreras.net/concierto-ubeda-2022/

Concierto de la Banda de Las Cigarreras en el Hospital de la Caridad, celebrado el viernes 11 de marzo de 2022. Un concierto que formó parte del IX Ciclo Manolo Pardo... In memoriam, y donde se estrenó la marcha Crucifixus, de Cristóbal López Gándara. El programa del concierto es el siguiente: - Réquiem (0:00), de Bienvenido Puelles Oliver. - Al pie de tu Santa Cruz (3:44), de Francisco Javier González Ríos. - La Carretería (7:24), de Pedro M. Pacheco. - Luz de Misericordia (11:21), de Rafael Vázquez Mateo. - Crucifixus (15:02), de Cristóbal López Gándara. - Soledad de San Pablo (19:30), de Pascual Zueco Ramos. - Ave María (23:22), de Vladimir Fyodorovich Vavilov. - Refúgiame (26:14), de Francisco Javier González Ríos. - En tu Buena Muerte (30:18), de Pedro M. Pacheco. - Maestro (35:10), de Dionisio Buñuel Gutiérrez. - Crucifixus (38:54), de Cristóbal López Gándara. - Marcha Real (43:21). Este audio ha sido posible gracias a ANSA Sound y Juanjo Dorado. Crónica del concierto: https://lascigarreras.net/concierto-hospital-de-la-caridad-2022-manolo-pardo/

Con motivo del estreno de la marcha Crucifixus, entrevistamos al autor de la misma: Cristóbal López Gándara. De la mano de Manuel Lamprea, hablamos no solo de esta marcha dedicada a nuestra Hermandad de La Carretería, sino de la relación del compositor ubetense con Las Cigarreras, así como de sus últimas composiciones para otros géneros. ¡Esperamos vuestros comentarios!

Fragmento del programa Saeta de Cadena Cope, emitido el día 7 de marzo de 2022, y donde participa el director de la Banda de Las Cigarreras, Dionisio Buñuel. En él se repasan los detalles del segundo concierto del IX Ciclo de Conciertos «Manolo Pardo… In Memoriam», que tendrá lugar el viernes 11 de marzo a las 21:30 horas a la Iglesia del Hospital de la Caridad, bajo el título de Crucifixus. ¡Gracias a Paco Robles y al equipo de Saeta por abrirnos siempre las puertas (micrófonos) de su casa!

Nicht alle Variationen sind "Weltumrundungen": Franz Liszts Variationen über "Weinen, Klagen, Sorgen, Zagen" sind sehr persönliche Ausdrucksmusik. Musik der Trauer: Zwei junge Menschen, die er liebte, waren verstorben. Schon der zugrundeliegende Chorsatz in Bachs gleichnamiger Kantate ist ein großer Klagegesang. Passenderweise hat bereits Bach selbst dieses Stück auch als "Crucifixus" in seiner H-moll-Messe verwendet. Liszt drückt dem Thema seinen ganz persönlichen Stempel auf: raumgreifend virtuos - und doch sehr innig und berührend. Für Igor Levit eines der wichtigsten Klavierwerke von Franz Liszt.

De Bach van de Dag is tijdelijk terug! In het kader van de Bachweek van NPO Radio 4 maakt Frank de Munnik tien nieuwe afleveringen, waarin hij ingaat op 'Bach en Nederland'. Vandaag: op 18 december 1891 dirigeerde Julius Röntgen, zelf een leerling van Thomascantor Hauptmann, de Hohe Messe in het Amsterdamse Concertgebouw. Voor de allereerste keer klonk dit werk in Nederland. Je moest er wel moeite voor doen, en ‘in de vereischte stemming verkeren’, maar dan wachtte je ook een ‘zeldzaam kunstgenot’, volgens een recensie. In deze aflevering ook de oudste opname van de Hohe Messe. J.S. Bach, Mis, BWV.232 (“Hohe Messe”); Christe eleison, Nederlandse Bachvereniging olv Jos van Veldhoven, (Mass in b minor), Channel CCS SA 25007, 5’01’’ J.S. Bach, Mis, BWV.232 (“Hohe Messe”); Christe eleison, London Symphony Orchestra olv Albert Coates (opn. 1929), (Schumann, The Complete Bach Recordings, 1927-1939), Pearl GEMM CDS 9900, 5’54’’ J.S. Bach, Mis, BWV.232 (“Hohe Messe”); Et incarnates est - Crucifixus, London Symphony Orchestra olv Albert Coates (opn. 1929), (Schumann, The Complete Bach Recordings, 1927-1939), Pearl GEMM CDS 9900, 7’40’’

This week, we start out with a rousing round of Match the Interpreter and then we move on to our three topics:SF SYMPHONY RE-ORG AND RE-BRANDSFS Collaborative PartnersCan Branding Help Save Classical Music? (Fast Company)Play with the new SFS dynamic font!MBC'S VIOLIN METHOD BOOKMusic by Black ComposersYale Student Creates Project to Integrate Violin RepertoireNATHALIE STUTZMANN ON “CONTRALTO”Listen on SpotifyWatch the recording sessionCLASSICAL MIXTAPEThe full playlistNathalieBoccherini, Concerto No. 9, mvmt 2TiffanyVictor Herbert, Cello Concerto No. 2 in E minorKenshoKevin Puts, If I Were a SwanWillLotti, Crucifixus a 8THINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram

The gang steps upon the precipice of the final trial.  ---   Credits:  Sarah Fox: Jimmy Excalibur  Carmin Carotenuto:  Percy  Toren Atkinson: Malachi   Taylor Ramone: Polly Crackers  Matt Klassen:  The Dungeon Mattster ---  Magic Sword - In the Face Of Evil  Papalin - Bartók Romanian Folk Dances, Sz. 56  Stefano Ligoratti - Piano Concerto No.3, Op.37 - I. Allegro con brio  J.S Bach - Mass in B minor - Crucifixus  ---  Connect with Us!  Website: http://adventure-exe.com/ Facebook: https://www.facebook.com/adventureEXE/Twitter: https://twitter.com/AdventureEXE Instagram: https://www.instagram.com/adventure.exe.podcast/ Discord: https://discordapp.com/invite/u9QyB7rPatreon: https://www.patreon.com/adventureEXE 

The Hastings College Choir performs Crucifixus.

28 juli 1750, even na kwart over acht ‘s avonds, overlijdt Bach. Tot de allerlaatste gecomponeerde noten behoort het Et incarnatus est uit de Hohe Messe. Voeg het Crucifixus toe en het Et resurrexit en je hebt volgens mij ‘de kern van de zaak’. Hier was het Bach om te doen; zowel muzikaal als religieus. Johann Sebastian Bach Mis BWV.232, “Hohe Messe”, Credo – koren, “Et incarnatus est + Crucifixus + Et resurrexit”. Collegium Vocale Gent olv Philippe Herreweghe Virgin Classics 5451632 10’11’’

Psalm 22, Lotti's Crucifixus a 10, and Wood's Setting in Eb frame Evensong for the Wednesday in Holy Week from St Bartholomew the Great with the Choir of Royal Holloway University of London.Support the show (https://www.paypal.me/greatstbarts)

Music recommendations from St Paul's Cathedral for a simple order of service for Good Friday 2020 to worship at home. There is a green hill far away St Paul's Cathedral Choir, Christopher Dearnley (organ), John Scott (director) From Praise to the Lord Hyperion Records CDH55036 Crucifixus [a 8] - Antonio Lotti St Paul's Cathedral Choir, John Scott (director) From Passiontide at St Paul's Hyperion Records CDH55436 Drop, drop, slow tears - Orlando Gibbons St Paul's Cathedral Choir, John Scott (director) From Passiontide at St Paul's Hyperion Records CDH55436 The Reproaches - John Sanders St Paul's Cathedral Choir, John Scott (director) From Passiontide at St Paul's Hyperion Records CDH55436 St Paul's Cathedral would like to thank Hyperion Records for their permission and support in using these tracks For more information please visit www.hyperion-records.co.uk

“Ah, holy Jesus, how hast thou offended” (Herzliebster Jesu)arr. Andrew Carter, I wonder as I wander“A stable lamp is lighted” (Andújar)Richard Lloyd, The Ballad of the Judas TreeSpiritual, arr. Dale Adelmann, Sometimes I feel like a motherless child/Nobody knows the trouble I've seen“To mock your reign, O dearest Lord” (Tallis' Third Tune)Trond Kverno, Corpus Christi CarolDaniel Gawthrop, Mary SpeaksKenneth Miller, “Nature with open volume stands” (Green's View)Spiritual, Were you there when they crucified my LordAntonio Lotti, Crucifixus à 8

A service modelled on the Christmas Carol Service, but for Holy Week, taking us through the events of the week from Jesus' triumphal entry into Jerusalem to his death on the Cross using word and music with recordings from the choirs of St Bartholomew the Great and Royal Holloway University of LondonWeelkes, Hosanna to the son of David (SBG) Parry, There is an old belief (RHUL) Bruckner, Christus factus est (RHUL)Psalm 22:1-21 (Anglican chant) (SBG) Lotti, Crucifixus a 10 (RHUL) Stainer, God so loved the world (SBG)Click here for the order of serviceSupport the show (https://www.paypal.me/greatstbarts)

http://media.trinityconcord.org/Anthems/Crucifixus14Apr2019.mp3http://media.trinityconcord.org/Anthems/Crucifixus14Apr2019.mp300:02:22noTrinity Episcopal Church, Concord, MASu

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "The Divine Presence and St. John of the Cross". The Marsh Chapel Choir sings “Also hat Gott die Welt geliebt, SWV 380" by Heinrich Schütz and "Crucifixus a 8" by Antonio Lotti along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "The Divine Presence and St. John of the Cross". The Marsh Chapel Choir sings “Also hat Gott die Welt geliebt, SWV 380" by Heinrich Schütz and "Crucifixus a 8" by Antonio Lotti along with service music and hymns.

Pastor Brian continues our verse-by-verse study through John's Gospel with John 19:16b–42, where we follow Christ the King to his cross.

Pastor Brian continues our verse-by-verse study through John's Gospel with John 19:16b–42, where we follow Christ the King to his cross.

“Ah, holy Jesus, how hast thou offended” (Herzliebster Jesu)arr. Martin Shaw, The Merchant's Carol “A stable lamp is lighted” (Andújar)Richard Lloyd, The Ballad of the Judas TreePeter Illyich Tchaikovsky, The Crown of Roses“To mock your reign, O dearest Lord” (Tallis' Third Tune)Benjamin Britten, Corpus Christi CarolCharles Snider, Was ever grief like mine?“Beneath the cross of Jesus” (Sewanee Schola)Spiritual, Were you there when they crucified my Lord?Antonio Lotti, Crucifixus à 8

It was composer pitted against composer: uptown vs. downtown, tonal vs. atonal, left brain vs right brain, and these musicians were NOT pulling any punches. Composers were antagonizing each other, questioning each other's validity, and bad-mouthing one another; it was like the second half of the 20th century was when Western Music went through middle school, and it was brutal! “If you weren't being a constructivist composer, if the music wasn't indeed about its own structure, and its own structure wasn't complicated, then you were a pariah, you were rejected. You didn’t get tenure. You didn’t get a job.” That’s Robert Sirota - Nadia’s Dad - one of many composers who came of age in the midst of this feud and struggled - for years - to find a voice. On this episode of Meet the Composer, we unravel one of the most contentious periods in classical music’s history. How did this fight begin? How did it play out? Who were the contenders?  We hear from composers on both sides of this battle, and discover how, on all ends of the aesthetic spectrum, we can find value in differences.   Heard a piece of music you loved? Discover it here! 0:00—The Yorks: Love Without Reason, written by Barry Flicker2:14—Robert Sirota: Pange Lingua Sonata | Buy 3:30—Robert Sirota: Pange Lingua Sonata | Buy 5:23—Philip Glass: Music in Twelve Parts | Listen 6:31—Ruth Crawford Seeger: Study in Mixed Accents | Listen 7:08—David Lang: orpheus over and under | Listen 8:53—Richard Wagner: Overture from Tristan und Isolde | Listen 9:36—Julia Ward Howe: Battle Hymn of the Republic | Watch 11:27—Arnold Schoenberg: Klavierstüke, Op. 33 | Listen12:04—Pierre Boulez: Piano Sonata No. 2 | Listen  13:05—Pierre Boulez: Sur Incises | Listen 13:47—Lewis Nielsen: Oerknal! "...the crisis of conscience..." | Listen 14:50—Charles Wuorinen: Two Part Symphony | Listen 15:57—David Lang: the so-called laws of nature: part III | Listen 17:59—Jr. Walker and the All-Stars: Shotgun | Listen 18:47—Bob Dylan: Maggie's Farm | Buy 19:09—Elliott Carter: String Quartet No. 2 | Listen 19:45—Steve Reich: Violin Phase | Listen 21:05—Elliott Carter: String Quartet No. 2 | Listen 21:16—Charles Wuorinen: Second Piano Quintet | Listen 22:10—John Adams: Phrygian Gates | Listen 23:31—John Adams: Death of Klinghoffer | Listen 24:08—David Lang: child, II. sweet air | Listen 25:21—David Lang: almost all the time | Listen 28:53—Brian Ferneyhough: La chute d'Icare | Listen 30:58—Brian Ferneyhough: no time (at all) | Listen 32:09—Brian Ferneyhough: Superscriptio | Listen 33:36—J.S. Bach: Invention No. 15 in B minor | Listen 34:26—J.S. Bach: Mass in B minor, "Crucifixus" | Listen 38:49—David Lang: breathless | Listen 

"Ah, holy Jesus, how hast thou offended" Herzliebster Jesuarr. Andrew Carter, I wonder as I wander"A stable lamp is lighted" AndújarGerald Near, A Carol of the PassionSpiritual, arr. Dale Adelmann, Sometimes I feel like a motherless child/Nobody knows the trouble I've seen"To mock your reign, O dearest Lord" Tallis' Third TuneTrond Kverno, Corpus Christi CarolDaniel Gawthrop, Mary speaks"Beneath the cross of Jesus" Sewanee Schola (new hymn tune by Kenneth Miller)Spiritual, Were you there when they crucified my LordAntonio Lotti, Crucifixus à 8

The Rev. Dr. Robert Allan Hill, Dean, preaches a sermon entitled "In Conversation with Nouwen: The Wounded Healer". The Marsh Chapel Choir sings "Christus factus es" by Bruckner and "Crucifixus a 8" arr. by Lotti along with service music and hymns.

The Rev. Dr. Robert Allan Hill, Dean, preaches a sermon entitled "In Conversation with Nouwen: The Wounded Healer". The Marsh Chapel Choir sings "Christus factus es" by Bruckner and "Crucifixus a 8" arr. by Lotti along with service music and hymns.

Crucifixus, one of my choral compositions for Lent

The Rev. Dr. Robert Allan Hill, Dean, preaches a sermon entitled "Filled with Fragrance". The Marsh Chapel Choir sings "Jesus, I adore thee" by Stephen Caracciolo and "Crucifixus a 8" by Antonio Lotti along with service music and hymns.

The Rev. Dr. Robert Allan Hill, Dean, preaches a sermon entitled "Filled with Fragrance". The Marsh Chapel Choir sings "Jesus, I adore thee" by Stephen Caracciolo and "Crucifixus a 8" by Antonio Lotti along with service music and hymns.

Le BACHotron Crucifixus (Messe) - BWV232