Podcasts about yorks

PATREON BONUS EP PREVIEW: The lads start down the pathway of another interesting side journey, this time with the Doncaster/S. Yorks indie group, Shy Tots, featuring The Fall great, Yvonne Pawlett. Don't miss out on this very diverse taste from 1982.Are you searching for the (next episode) now? Are you looking for the real thing, yeah? You may be missing out on more great Fall-related explorations… but not if you join us on⁠WATF PATREON:  Full A & B-SIDE discussions (Now!), special (Patreon-only) bonus episodes, side excursions into Fall-member side projects, and early access to all episodes! ⁠⁠⁠⁠⁠⁠Join WATF Pod on PATREON and get them all! Including rare Fall content, merch, and exclusive chats with Gavin & Steve as they discuss everything Fall-related.⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow WATF Pod on: ⁠Instagram⁠  // YouTube  // ⁠Twitter⁠  // ⁠Facebook⁠For more Fall-related info, please visit our fellow Fall-heads' great work at: TheFall.org  // Annotating The FallTheme Song by Gavin Watts:⁠https://wearethefallpod.bandcamp.com/⁠Produced and presented by Watts Happening Records: ⁠www.TheWattsHappening.com⁠Advertising & Guest Inquiries - Contact:  wearethefallpod@gmail.com

Wir nehmen euch heute mit nach Midtown Manhattan. Auf einem Weihnachtsspaziergang reden wir über die Herkunft des Baums vorm Rockefeller Center, sprechen darüber, wie ein Deutscher den berühmtesten Spielwarenladen der Welt gegründet hat und wir stellen uns den Massen vor der Eislauf-Fläche an der Stadtbücherei im Bryant Park – und am Ende gibt es eine Premiere in der Geschichte der Sendung: Burger und Bier!   Aber auf jeden Fall noch das: Wir sagen danke fürs Zuhören in 2024 und blicken mit einigem Respekt auf die kommenden Monate und Jahre in unserer Wahlheimat – schön, dass ihr in diesen turbulenten Zeiten dabei seid.    Allen ein frohes Fest und einen guten Rutsch!

Nyheterna Radio 06.00

The World Series is set between the Dodgers and Yankees! Saquon gets his payback (sort of) and the Jets had a rough night! Plus the updated 6-Pack Standings and our Monday Night Football Double Header Preview. The boys also admit they missed on Texas Vs Georgia and much more!  This episode is presented By Righteous Felon, Seatgeek and Cannadips! Learn more about your ad choices. Visit megaphone.fm/adchoices

Kevin W. Tucker, the High Museum of Art's Chief Curator, discusses “Georgia O'Keeffe: My New Yorks,” which opens on Friday and runs through February 16. Plus, Katie Coleman of “Run Katie Run” takes the spotlight for our series, “Speaking of Music,” and we premiere “The Beverage Beat with Beth McKibben,” our new series that examines Atlanta's vibrant world of cocktails and zero-proof beverages.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nicole Malliotakis joins Len Berman and Michael Riedel to talk about New York City politics and the indictment of NYC Mayor Eric Adams. Nicole speaks about how true the claims made by Adam's lawyers are about other politicians.

Weinreich, Charlotte www.deutschlandfunk.de, Kultur heute

You would have to bring this show to us. In the Annie to Endgame Scale, this show is a theatre history lecture with pretty slides. World premiere adaptation By William Shakespeare Adapted and directed by Barry Edelstein A once-in-a-generation event comes to San Diego in 2024: The Old Globe becomes one of only a small handful of theatres in the country's history to complete Shakespeare's canon with Henry 6, the largest Shakespeare production the Globe has ever presented. Acclaimed Shakespeare director and the Globe's Erna Finci Viterbi Artistic Director Barry Edelstein turns the rarely produced Henry VI, Parts I, II, and III into a thrilling two-part event, running simultaneously through the summer in our beautiful outdoor theatre. Two ruling families of England, the Yorks and the Lancasters, fight each other in a high-stakes civil war for power known as the Wars of the Roses. These adaptations include everything people love about the Bard—ingenious language, vibrant characters, breathtaking battles, and sweeping crowd scenes—as they explore the impact of national politics on individual lives. And the action is framed by a design team working at the very top of their craft, and a sprawling cast of professional actors and local community members.

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Queens Podcast: Jaquetta of Luxembourg and the Wars of the Roses - Part 1 It's Wars of the Roses Week! Leading into our season 8 opener. Any guesses? Well, today we are looking back to our first Wars of the Roses Queen, or duchess- Jacquetta of Luxembourg. The episode also touches on the intricacies of medieval English and French nobility, Jaquetta's significant wealth, and the eventual shift in power dynamics that led to the Wars of the Roses. We'll elaborate on her prolific motherhood, her close relationship with Queen Margaret of Anjou, and the political turmoil involving King Henry VI. The episode combines historical facts with light-hearted commentary, setting the stage for the continued exploration of Jaquetta's fascinating life. 00:00 Introduction to Queens Podcast: Wars of the Roses Week 00:42 Revisiting Jaquetta of Luxembourg 01:54 Jaquetta's Early Life and Family Background 04:55 The Mythical Ancestry of Jaquetta's Family 06:58 The Hundred Years' War Context 11:35 Jaquetta's First Marriage to John, Duke of Bedford 20:34 Challenges in France and John's Death 23:37 A Forbidden Love Blossoms 28:06 Rise in Royal Favor 28:58 Endless Babies and War Duties 35:13 Henry VI's Mental Collapse 36:50 The Yorks vs. The Lancasters 46:09 A New Castle and Conclusion Queens podcast is part of Airwave Media podcast network. Please contact advertising@airwavemedia.com if you would like to advertise on our podcast.Want more Queens? Head to our Patreon, check out our merch store and follow us on Instagram! Learn more about your ad choices. Visit megaphone.fm/adchoices

If you think you know something about Georgia O'Keeffe, be prepared to be pleasantly surprised.  Her styles at this time seems to have generally drifted away from her previous more colorful works and amorphous forms, and instead varied from monochromatic abstracts to more realistic sepia toned cityscapes reminiscent of Stieglitz' photos.  Georgia O'Keeffe: “My New Yorks” is at the Art Institute of Chicago through September 22, 2024.  For details visit  The Art Institute of Chicago (artic.edu)Podcast review by Reno Lovison.

As the Avengers Academy winds down, the writers decided to do something fun and interesting. A good old fashion, fun chill book. Not and AvX, more of a chillax book. Using sport to do some fun goofiness. Now, this could be a book about rivals beating each other up or continuing a tale of violence and revenge, but it is not. It is just some kids playing a game. But what about those real historical rivalries? What about the people that really hated each other? The English and the French hated each other on an epic scale. From 1100 to 1800 they were almost constantly at war with each other. I know that there was real reasons for the animosity, but I truly believe that it came down to cooking styles. I have heard that chefs hold grudges. If you are into hard rock, you might know this one. Kerry King vs. Robb Flynn. Machine Head got a career boost in the mid-'90s when they landed the opening slot on a few of Slayer's tours. But by 2001, Slayer frontman Kerry King had soured on Machine Head, calling them "sell-outs" who were "responsible for rap-metal.   Being a Pink Floyd Fan, I am well aware of this one. Artistic differences drove a wedge between Roger Waters and David Gilmour during the recording of their classic album “The Wall" in 1979. Waters, who viewed himself as the creative force behind the band's success, became increasingly disdainful of his fellow band members, whom he deemed musically inferior. There may be no American feud more famous than that of the Hatfields and McCoys. The feud is said to have begun during the Civil War. The Hatfields from West Virginia sided with the Confederacy while Kentucky's McCoy family remained pro-Union. Though a Hatfield may have killed a McCoy during the war, the feud really heated up in 1878. when an argument over the ownership of a pig ended with yet another death. Power is a fiery fuse when it comes to inciting a feud, especially the fascinating historical feud between the Medici and Pazzi families. In 15th-century Florence, no family was as powerful as the Medici family. While the Pazzis probably weren't the only other family to feel threatened by Medici power, they were the only ones to do anything about it. You think the Game of Thrones was something, what about the Yorks versus the Lancasters. Today, a monarch's line of inheritance is understood and accepted enough that a feud would be extremely unlikely. However, that wasn't the case in 15th century England. When King Henry VI, a Lancastrian, proved to be an unstable monarch, his York cousins launched a plot to overtake the throne. Feuds will occur, and we will see them in books. Just not in this one. We also have some merchandise over at Redbubble. We have a couple of nifty shirts for sale. https://www.redbubble.com/people/jeffrickpresent/?asc=u   Check out some of our pictures at this website:  https://jeffandrickpresent.wordpress.com/2024/06/14/avengers-academy-38-crosstown-rivals/   You can also subscribe and listen to us on YouTube!  Our show supports the Hero Initiative, Helping Comic Creators in Need.  http://www.heroinitiative.org/ Eighties Action by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3703-eighties-action License: http://creativecommons.org/licenses/by/4.0/ Journey Of The Brave by Sascha Ende Free download: https://filmmusic.io/song/12233-journey-of-the-brave License (CC BY 4.0): https://filmmusic.io/standard-license

In unserem 2. USA-Special werfen wir einen Blick auf die Marketingstrategien bei Basketball- und Baseballspielen. Was macht die Atmosphäre so besonders, dass Menschen bereit sind, hohe Preise zu zahlen? Entdecke, wie du aus deinem Produkt ein unvergessliches Erlebnis machst. Außerdem: Was wir von ikonischen Restaurants wie Katz's Deli über Markenpositionierung und langanhaltenden Erfolg lernen können. Hol dir wertvolle Tipps, um deine Marke erfolgreich zu positionieren und deine Kunden zu begeistern.

Willkommen zu unserem 1. Teil des USA-Specials! In dieser Episode entdecken wir, warum Starbucks und andere Ketten den Namen ihrer Kunden auf Becher schreiben. Welche psychologischen Effekte hat das und wie stärkt es die Kundenbindung? Lerne, wie du durch Personalisierung und gezielte Markenbotschaften dein eigenes Business auf das nächste Level heben kannst. Hol dir praktische Tipps für ein einzigartiges Kundenerlebnis und erfahre, warum Menschen stolz mit ihren Starbucks-Bechern herumlaufen.

In this episode of the Compendium, we are diving into part two of our female scammer series where I tell Adam all about Anna Delvey, New York's infamous fake heiress. Originally born Anna Sorokin in Russia, Anna set out to take what she wanted and nothing was going to stand in her way, not even being poor.   We recount Annas first initial appearance in the glittering social scene, her ambitions plans to secure funding for the “Anna Delvey Foundation: For Kids that Can't Read Good”, to her dramatic downfall and the media frenzy that was her trial! Anna's story blurs the lines between ambition and deception, is it okay to fake it until you make it? We give you the Compendium, but if you want more, then check out these great resources:1. "My Friend Anna" by Rachel DeLoach Williams2. "How Anna Delvey Tricked New York's Party People" by Jessica Pressler5. "Inventing Anna" Netflix mini seriesText us a suggestion or just say hi.Connect with Us:

The royal family were just getting back into the swing of visits with King Charles returning to public duty after cancer treatment and Prince William at work again as Kate continues her cancer treatment.  Then Prime Minister Rishi Sunak visited Buckingham Palace and then told the country he was calling a general election.  Pod Save the King host Ann Gripper is joined by Daily Mirror royal editor Russell Myers to discuss politics' impact on royal diaries, and the plans, including D-Day commemorations, which will be going ahead.  They also catch up on Russell's soggy visit to a Buckingham Palace garden party, where the Tindalls and Yorks kept Prince William company, the latest from the Princess of Wales's Early Childhood Foundation and an imminent society wedding. Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest Cindy LaFavre Yorks is on a mission to help people identify their emotions and press into the heart of God for both healing whenever needed and the ability to live in peace. Cindy will help you get to the root cause of various emotions such as anxiety, worry, fear, overwhelm right down to the root cause. Once identified, any lie based thinking will be challenged and rewritten with the truth of God's word. Doing this will deliver you into a place of freedom as you begin to interrupt thought patterns and belief systems that we've built on lies. This is where freedom is introduced into your life because dismantling lie based thinking will bring results that will be seen and felt in the quality of your life and your relationships not to mention the physical peace in your mind and body. Cindy showed me a colorful wheel that has 6 core emotions and from there the wheel fans out into other possible underlying emotions. It looked intimidating but as she talked me through it I can see where it's an effective tool that goes right to the heart of things. This pinpoints a starting place, an emotion to work with and begin your healing journey right away. As I talked with Cindy I realized how tangled our emotions can be and gained a better appreciation on how important it is to take the time to sort them out. Cindy's knowledge, the ability to ask the right questions, her tools, especially the emotion wheel partnered with the word of God, will give you the ability to take ownership of your emotions. Cindy equips you to actively move toward healthy emotions and healthy mental condition for the win. And the win is using God's truth to find freedom and peace. We talk about personalities like those who stuff feelings down, those who don't know what they really feel and would prefer to avoid having to confront them as well as those who explode saying exactly how they feel without a filter.  In the middle of looking at these types of reactions that people have Cindy said something that stood out to me (among other things), she was talking about being embarrassed by forgetting to pay a friend for their services and how Satan can get a foothold with emotions such as embarrassment. This caused Cindy to want to avoid other friends who might know she failed to pay their mutual friend Then Cindy begin to isolate, which of course is satan's playground of the mind. Cindy's experience reminded her of the power of our emotions to cause chaos and anxiety until she was able to get back to her friend and make that payment.  Just another reminder of why we need to pause and evaluate our emotions when they seem out of proportion to the situation, whenever they're over the top or even concerning when the result is unhealthy (as a pattern for responding) such as isolating or avoidance. Because ultimately satan's strategy is to separate us from our friends and especially separate us from God because He is the Fountain Head of truth. He's the God of relationship and therefore satan will delight and work overtime to rob us of knowing freedom and thriving at life especially in these specific areas of our life. I like that Cindy didn't side step the fact that the way we process our emotions is a life-long challenge but that the gift you give yourself when learning to identify them is that you do so quicker. Being more efficient at identifying unproductive thinking helps us to resolve our emotions faster which returns us to a healthy mental condition even sooner and that is a beautiful thing if you ask me.  This reminds me of being a Christian in the sense that It's not that we'll never sin again, it's that we recognize our patterns faster. We begin to take immediate responsibility, we repent which keeps an ongoing, open communication relationship with God. Because satan is betting, hoping that we'll hide ourselves form God (because of our sin). That way satan can work us over punishing us as he mentally beats us up about our sin. Cindy shared so much more but I've said enough so let's get into this most interesting topic that can pave the way for a whole new skill set by enabling you to maintain your peace and live in freedom from mental chaos and overwhelm. Live Loved and Thrive! @alifeofthrive.com Connect with Cindy: Website: https://cindyyorks.com/ Podcast: https://podcasts.apple.com/us/podcast/your-emotional-rescue/id1527487292 Instagram: @_cindy_lafavre_yorks Facebook: https://www.facebook.com/cindylafavre.yorks?mibextid=LQQJ4d YouTube: https://www.youtube.com/@CindyLaFavreYorks Published Trilogy: https://www.amazon.com/stores/Cindy-Yorks/author/B07L7GG8H3?ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=true Bio: Cindy LaFavre Yorks shares her gift of encouragement and passion for authenticity and emotional healing through a variety of artistic mediums. She is an award winning journalist, a speaker and the author of a devotion door trilogy available on Amazon (The Side Door: Welcoming God's Divine Detours (Book 1 of 3, Door Devotional Trilogy). Additionally, Cindy is a podcast host and her podcast “Your Emotional Rescue” debuted this spring (2024) and can be found on YouTube and a variety of other hosting sites.

Voss, Charlotte www.deutschlandfunk.de, Corso

The UK Property Market for the week ending Sunday, 14th April 2024 (Week 15) saw the expected bounce back in listings and sales after the the normal Easter slowdown In this week's UK Property Market Stats Show on YouTube with Steph Walker from TAUK, the headlines are as follows .. · House Prices on the 62k Sale Agreed homes in April stands at £344/sq.ft (March '24 & Feb '24 both at £339/sq.ft & Jan '24 to £331/sq.ft) · Listings for last week (Week 15) bounced back 24.3% from last week's figure (because of Easter) · Total Gross Sales YTD are 10.5% higher than 2023 YTD levels and 6.7% higher than 2017/18/19 levels. The best week for sales in the Uk since May 2023 · Net Sales last week 33.1% higher than Week 15 2023, and 13.4% higher the 2024 weekly average · Sale fall-throughs still at just over 1 in 5 sales.

New Yorks Straßen sind eine beliebte Kulisse für Film- und Videodrehs – vor allem, weil die Straßen der Stadt regelmäßig aus Gullideckeln und Zylindern dampfen. Dieser Dampf kommt aus dem 170 Kilometer langen Rohrsystem, das Gebäude und Haushalte mit Wasserdampf heizt.

Today, we're venturing into Staten Island, often referred to as the forgotten borough of New York City. This episode will unveil the charm of Staten Island, from its rich history and lush green spaces to its unique cultural attractions. Join us as we begin our journey with a scenic ferry ride and discover why Staten Island is a must-visit for those seeking a different side of New York City."

On October 28th, I hosted a webinar called "How To Write A Great Story," where I talked about how to come up with interesting and unique story ideas, as well as how tapping into your everyday life interactions with people can help with this. This episode addresses questions you asked in our Q&A session that we didn't have time to answer. There's lots of great info here, make sure you watch.Show NotesFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptMichael Jamin:Yeah, you better figure that out because your story needs to be about one thing everyone wants to throw in the kitchen sink. And it's about this, but it's also about this, but it also has elements of this. It's like, no, no, you don't know what your story is. You got a hot mess. You can't kitchen sink it. Your story's about one thing. And if you think it's about two things, congratulations. Now you have a sequel or you have another episode, but your story's about one thing. And if you think I'm making it up, read stories that you've enjoyed and ask yourself the same question. What is this about you're listening to? What the hell is Michael Jamin talking about? I'll tell you what I'm talking about. I'm talking about creativity, I'm talking about writing, and I'm talking about reinventing yourself through the arts. Hey everyone, welcome back to What the Hell is Michael Jamin talking about? And today I am answering your questions and I'm back here with Phil. Welcome back, Phil,Phil Hudson:Good to be here. Thank you forMichael Jamin:Having me. We had a delay because I borrowed some of Phil's mic equipment for a few weeks and then I gave it back to him with the wrong card. And then Phil, you learned a lesson. The lesson is no good deed goes unpunished.Phil Hudson:Oh man, I feel like's. I'mMichael Jamin:Happy to have taught you that lesson. ThankPhil Hudson:You for teaching me that lesson. I feel like the theme of every story I've ever written is that you get screwed either way. Just so everyone knows. Sometimes high tech is low tech and we have these awesome zoom recorders and they only allow you to have a 32 megabyte SD card. And then the American way of gluttony. We bought massive SD cards for the podcast, missed an SD card somewhere. SoMichael Jamin:Here we're won't run, but we're back and we made it work. We had a little delay. And so today I have these webinars every three weeks or so where I talk to people about writing. And anyone's welcome to join. It's free, go to michaeljamn.com/webinar for the next one. And we have a rotating list of topics that I cover and they're all writing related. And so these are some of the questions I didn't have time to answer during these webinars.Phil Hudson:And you are often testing new subjects too, so if you've attended them in the past, make sure you come sign up so you can get into those.Michael Jamin:Yeah.Phil Hudson:Alright, well, we've got several topics and as we do, I tend to group these together based on subject matter, and these are raw questions just ask during the podcast. So I apologize in advance for ruining people's names and mispronouncing everything, but let's start with craft. I think that's the thing people care a lot about is how do they get better at writing? And s sl junk indie author asks, how does the story structure fluctuate depending on genre, I should say too, this is from your podcast, how to Write a Great Story, which is one of your MyMichael Jamin:Webinar. My webinar. YourPhil Hudson:Webinar, yeah, yeah. Excuse me. Your webinar, how to Write a Great Story, which is one of your most popular webinars that we have. So if you haven't signed up for that, go do that the next time it's up. So how does the story structure fluctuate? Depending on genre, if I'm writing a horror, but I'm used to fantasy, what are some things I need to consider when structuring my story?Michael Jamin:I really don't think there's that much of a difference, to be honest. I think if you're writing a mystery that's different, and I think writing mysteries, people do it wrong all the time. Rich are a little harder to do, but you're just telling the story structure is very similar. You're telling a scary story. A horror story is just a scary story. A fantasy is just, it is a fantastical story, but they're just stories. I mean, everyone gets hung up on these genres. You get to decide the tone and the tone of your story is scary or fantastical, but it's still a story.Phil Hudson:Yeah. Something that you told me privately that I think is interesting for everybody listening, you were approached by a publisher who said, we want to make you the next Save the Cat. We want you to publish this book series, and you've never read any of those things. But for those of us who have, this is commonly taught, what are the tropes of your genre? What are the things in your genre? What is the story structure of your genre? And it's like you read between the lines and it's like what you've said many times. You're taking something apart and reassembling that and it's not the right way. You need to start with structure and then move forward. It's the same reason you do a foundation and then a frame, and then you do the rest of the house.Michael Jamin:You can paint the house any color you want, and that's whether it's scary or funny or dramatic or whatever. That's just color of paint. But the house still looks the same for the framing, still looks the same regardless of what paint you want to put on it.Phil Hudson:Awesome. Just Mason May. How does someone overcome the concern that our work won't live up to its potential?Michael Jamin:Oh, it never does. To get over it, you'll never be happy. You'll never be, oh, I should have done it. This. When you're done, you're always going to look at it and go, I wonder if this could have been better. I think any artist is going to feel that way, but if the question is how do I make sure it's good enough to even share, well, then you can just give it to your friend or your mother or whoever and have them look at it and read it. Take your name off the cover and ask them, did you enjoy reading this? When you got to the bottom of the page, did you want to turn the page or not? And if you wanted to turn the page, you did a good job. And if you didn't, something's wrong.Phil Hudson:Right. Aside from that, what would you recommend people do to overcome the fear of rejection or the fear of someone hating their work?Michael Jamin:I get over it. I mean, that's the job you're signing up for this. Hopefully no one's going to be too mean to you, but just know that when I was starting off, I was no good. No one's good when they start off. I mean, no one starts every single artist you admire, musician, actor, writer, whatever, performer, they were not good when they started. Listen to them in interviews. They'll say as much, so you get better. The more you do, the better you get.Phil Hudson:Yeah. We watch these kids shows now that I've got small children, and one of our favorite shows is Bluey, which I've talked about before. And they just dropped a bunch of new episodes yesterday, and one of the episodes is about drawing. And the daughter bluey is not good at drawing, but the dad's not good at drawing, but the mom's really good at drawing, and then the little sister doesn't care at all. She's just a kid and she's just drawing whatever she wants. And so the dad's super conscientious, self-conscious of what he's drawing. And so bluey the protagonist becomes a little self-conscious of her drawing, and they tell the story that the dad made fun of when he was a kid. So he stopped and the mom, just, her mom incentivized her, encouraged her, you're doing great for a 7-year-old. And she was like, oh, and that was enough. And then she became a wonderful artist. So at the end, bluey and the dad are both freed up to draw the things that they got made fun of or were worried about. And it's this beautiful allegory of just, Hey, just let it go. Who cares? That person's just being a jerk and it's because they envy what you do. That'sMichael Jamin:A good lesson. That's a good lesson from that show.Phil Hudson:Yeah, it's a great show. I bet we should watch it with your kids, Michael.Michael Jamin:My kids are too old to watch TV with me now.Phil Hudson:Yeah, that's scary. It's so sad to hear that. Rachel Zoo, I would like to get my motivation for riding back and for everybody. You have this other webinar you just put out, which is about how professional writers overcome writer's block. And I think that kind of addresses this, but this was before that. But what general thoughts do you have about getting motivation back to write?Michael Jamin:Yeah, I mean, well, first of all, I can't motivate anyone. I mean, if you don't have the motivation in you, then it's not going to get done. So you have to be self-driven. But probably what you're experiencing is the fact that you just don't know how to do it. And so when you don't know how to do something or you think you're bad at it, it's not fun. Why would you want to do anything when you feel like you're horrible at it? But once you learn how to do it and story structure can be taught and it doesn't make writing easier, it makes it easier. It doesn't make it easy, but it makes it easier. So I think the problem that you're facing is you just dunno how to do it yet. So come to some of my webinars and that'll help you a lot just to learn. You're flailing. I don't blame you. It's no fun. When you're flailingPhil Hudson:For everybody who is unaware, you also give away the first lesson of your online course for free @michaeljamin.com/free. And you teach this beautiful lesson about what is story. That alone is worth its weight in gold because it's just something we all miss or forget. And you've even said you forget sometimes.Michael Jamin:Yeah. I mean, I was watching a movie that I got a screener the other, and I'm getting halfway through, I go, there's no story here. I'm bored. And now my wife was bored by it too, but she didn't know why. I knew why because I'm a writer. I'm like, what's the story you're telling? No one knew. And yet the movie got made. I dunno, I got to tell you.Phil Hudson:Yeah. The other thing that comes to mind is many people have heard this guy, and you've heard me talk about him before, this guy, Jocko Willink, former Navy Seal leadership consultant, multiple New York Times bestsellers, a huge podcast, and he has this motto that says, discipline equals freedom. And he's like, it's a little bit counterintuitive because you think if you're disciplined, then you don't have choice and you can't do things. And his point is, if you are disciplined, you don't have to rely on motivation. And that's what I hear from you and I've heard from other professional writers is being a professional is doing it When you don't feel like it, motivation doesn't matter.Michael Jamin:You know what? I'll tell you as well, I post every day on TikTok or at least five or six days a week. I find, and I've talked to other creators who feel the same way. If I take too many days off, it gets harder to get back on. So two is the max, and you got to, because I know people think it's easy to, it's not easy posting on social media. It's like I got to think about what I'm going to say. I got to rehearse it, I got to shoot it, then I got to tag it, upload it, make all the meta tags. I don't do it in two seconds. And yeah, it's like brushing your teeth. You have to do it,Phil Hudson:And that's like any habit they say you can mess up once, don't mess up twice. It's like dieting, don't make two bad choices. If you made one, that's okay. Now continue to get back on track, but it's discipline, discipline, discipline. You just need to sit down and do the work because that is what is required. And if you're not willing to do that, this is not the career for you. It might be fun for you to do on your own, but even then I imagine that's going to be pretty brutal if you don't have the discipline and the habit of just sitting down and doingMichael Jamin:It. Oh, even if it's a hobby, it'll still be more fun if you know how to do it. I mean, golf is a hobby for most people. The better you get, the more fun it is to play.Phil Hudson:Yeah, I don't like being bad at things. That's very true. Great. Stephanie Anthony, what are daily writing exercise exercises that are invaluable to helping to build stronger storytelling muscles?Michael Jamin:Well, I don't do exercises, but would certainly have. Keeping a journal or a diary and writing it, knowing that no one will read it is very freeing. When I was in high school, I wrote, I had a creative writing class and our assignment was to write daily entries in this journal and we gave it to him at the end of every class and then he would read it and he was always so kind. He always said such nice things about what I wrote. He was looking forward to reading it. I thought that was really nice of him to do. I'm sure it wasn't very good, but I was trying to entertain him and he appreciated it. Yeah, just write and read how those are your exercises. Write and read.Phil Hudson:I've talked before about some of my experiences translating for the Sundance Labs and some of the things I got to do with the scholarship I had through Robert Redford and this woman Joan, who runs these workshops at the labs for whether you're a writer, a director, whether you're doing editing, whatever it is, everyone goes through this basic storytelling lab with her, these workshops almost every day. And it's about taking, basically it's what you talk about in your course, mining your life for stories. And I remember that one time I went and she saw me and she recognized me from doing this Redford scholarship stuff, and she was like, it's so good to see you here. And I told her what I was doing and she was introducing everybody in the room and I introduced myself and she was kind enough to say, and Phil is a very talented writer, and I made the mistake of saying, well, that's why I'm here translating. And I've been thinking about that literally today as doing the work and practicing and getting better and then getting acknowledgement from other people is important. The practice of doing it every single day is the exercise. And then I think the other exercise is accepting people's praise when it's earned and deserved.Michael Jamin:Take the compliment because you know why it's insulting not to. It insults the person, not if you shit on it, then they gave you a giftPhil Hudson:And I did.Michael Jamin:I see people do it all the time. You're not the only one. It's normal. You also feel like, well, I'm not good enough.Phil Hudson:My thought was like, well, I'm not in the labs, so I'm here translating, but I did it in front of people and I did apologize to her after, and she was very kind and we had a good chat about it, but that was ringing in my head today.Michael Jamin:It's hard to take a compliment for a lot, a lot of time I feel the same way. I feel the same way,Phil Hudson:But if you say no or you shoot it down, then it's all going to be harder because you're reinforcing unconsciously that you are not good or it isn't good enoughMichael Jamin:AndPhil Hudson:You got to take the wins. Take the wins.Michael Jamin:Yeah, right.Phil Hudson:Awesome. A couple of questions related to the topic, and you're online screenwriting course, so they're kind of bundled together, Joel Riedel regarding execution of an idea in a script. How do you know when you've taken a script far enough? In other words, how do you know if it's ready?Michael Jamin:Well, kind of the same. I kind of touched on this earlier, but basically give it to someone and take the title sheet off. If so, they don't know you wrote it and then give 'em a week or so to read it. And if they get to page 20 and they ask, they're going to say, what do I know? I'm not a Hollywood director. How do I know if your script is any good? You say, well, no. When you get to 20, do you want to read more? Does it feel like I gave you a gift or a homework assignment? That's it. You don't even, because your reader is your audience, they don't have to be a Hollywood insider to know whether they like something or not. Do they want to turn the page or not? And if they do, it's good. If it's not, if they don't, that's a problem.Phil Hudson:Yeah, there's levels of that too, because I've written things that I've given to friends and they said this was great and then given 'em to you and you've given me good praise, but solid feedback and things that I could improve, and it's the quality of the feedback is also important, but what I'm hearing you say is regardless of that, if you have a show on tv, whoever's going to sit down and invest their time to watch your story, they need to all understand there's a story here and it's worth the hour of my time, the 27 minutes of my time, whatever it is that they're doing.Michael Jamin:Yeah, because no one's obligated to watch your show. They'll turn the channel now. So that's how you judge things.Phil Hudson:Yeah. Are you ever at a point when you write things where you feel you've done enough, I'm happy with that one, that one's good to go, or is it always like, I can make that better. I just got to turn it in?Michael Jamin:Yeah, I always feel that way. Even with my book coming out, I always feel like I could have done that a little differently, but it's like, no, you got to let it go. You got to let, but I saw an interview with Frank Geary and he was looking at, I think it was 60 minutes, and he was staring at the Disney Concert Hall, which he designed, and he's a fantastic architect. I think he was with Leslie Stall, and they're admiring his work and she goes, when you see this building and it is one of the most beautiful buildings in la, yeah, it'sPhil Hudson:Great. It's gorgeous. If you guys have seen Iron Man, I want to say Iron Man one, they go to it,Michael Jamin:They do. It's very sculptural. It looks like a piece of sculpture, and she said, when you look at this building, what do you see? He goes, I see all the things I would do differently now, and he's a master, so you just never get past that stage,Phil Hudson:But that's not the job of a pro, which is what you teach. The job of a professional is you do the work, you turn it in, you move on.Michael Jamin:Yeah, you move on to something else and make the next one better if you can.Phil Hudson:Well, you always do the best you can with the time you have. Is that accurate to say?Michael Jamin:Yeah. Yeah, for sure. That's definitely what with tv, we got to turn on an episode of TV and at the end of the week, so we do the best we can.Phil Hudson:Yeah. Awesome. Camika Hartford in creating a story with structure in mind first, is it ever useful to organically write or figure it out, then go back and pick out the pieces you want to create a solid narrative, or is that just wasted time? This is in regards to Greta Gerwig process. That's a little bit different than most people. That'sMichael Jamin:A great question, and if you were writing a movie on your own time, sure, you can write it. You don't have time to schedule. You could take four years to write your movie, and if you want to discover it organically and if you understand how to do that, if you understand what that means, it means you have to write and write and then you figure out what the story is. Then once you finally find the story, you can go back and rewrite all the other stuff that's not the story and then fix it. But you still have to understand what story structure is to know what you're fixing. If you were to on a TV show though, you don't have that luxury. You're on staff with a bunch of other writers in a room, and before one word is written, you break the story on the whiteboard and then you outline it. Just don't discovering the story. Everyone agrees on what the story is in the writer's room, so it's a very different process. One is more organic, the other is definitely more efficient.Phil Hudson:You said everyone agrees, and I've been in the room, or I've seen people not agree with the showrunner.Michael Jamin:When I say everyone agrees, I mean the showrunner agrees. Yeah,Phil Hudson:So just for a point of clarification for people, it is not your job to approve every decision in a writer's room, but like you said, when you're writing something for yourself, you have the luxury of doing that. So yeah, fascinating question and answer. Thank you, cam. Gleb, Lin, how can I bring my vision to life through a screenplay?Michael Jamin:How can I bring my vision to life? I'm not really sure. Are they asking how do I sell it orPhil Hudson:How do I think? What I'm hearing from this question based on the topic is, alright, so I've got this vision for what I want my story to be, and I've chosen screenplay as my medium. How do I get what's in my head on the pageMichael Jamin:And justice?Phil Hudson:You knowMichael Jamin:What? I saw this short by Wes Anderson last night, God, I can't remember what it was called, damnit, I don't remember what it was called. It was with Ray Fines and Ben Kingsley. It was a half hour long and it was typical Wes Anderson only, it wasn't shot like a movie, it was shot like a stage play, and so the character would talk and behind the character, the sets would move and would fly in this different set. Then he'd pretend to walk and then he'd be in a different set, and it was wonderful to watch. It was so creative, but on paper, it's the most boring thing in the world. There's no magic on paper. You have to see it. So if that's what you want to do, you're going to have to just build that yourself. You're going to have to got a phone, you got a camera, you got friends, make it yourself and don't spend a lot of money. Whatever you think it's going to cost, I guarantee you I can shoot it for much less because it's not about the money. It's always about the words and the more creative you are. I did a bunch of commercials that I wrote for,Phil Hudson:It's just about to talk about, wereMichael Jamin:You going to say that?Phil Hudson:I was, yeah.Michael Jamin:For Twirly Girl, my wife had a company called Twirly Girl, and we shot all these commercials and I wrote and produced them and I hired a bunch of high school kids to shoot it as my crew and the sets, I built the sets out of cardboard, literally I got cardboard boxes and I built everything. And the fact that it was made out of a cardboard made it funnier. It made it silly,Phil Hudson:But tonally on point too because it's a children's clothing line, right? Yeah.Michael Jamin:But it was magical, but it had the same, Wes Anderson has that same kind of magical thing about him. It doesn't exist so cool about it.Phil Hudson:For those of you who haven't seen them, are those published anywhere? Are they on Twirly Girl YouTube? I know we have in your Vimeo account. I've seen them.Michael Jamin:I know there, I mean, I think you could see some of them. If you go to twirly girl shop.com,Phil Hudson:Would you ever want those published on your site just as examples?Michael Jamin:We can do that. Do you think someone is interested? We should put some there.Phil Hudson:Why don't you guys, if you guys are listening to this, just go comment on Instagram and just put hashtag twirly girl in the comments, and so we know if you guys want to see 'em, we can load 'em up on your side. Yeah,Michael Jamin:We can make a page for that, but it's probably a good idea, Phil. I think it should be inspiring. Each of those commercials, they're about three to five minutes long, whatever. Maybe they're five minutes, but I cut 'em down to three and each one costs, the first one I think was 1200 bucks. You can do it cheap. You can do it cheap.Phil Hudson:My business partner Rich, he was one of my professors in film school, actually he's teaching at Grand Canyon University in Arizona. He's teaching film right now. And so for the final project last semester, he had them shoot a video, basically that kind of commercial for pickleball brand. And the thing looks incredible. There's amazing camera, there's crane movement, there's drones, it looks good, and $128.Michael Jamin:Yeah. Oh, that's great. That's great.Phil Hudson:Yeah, it looks like it was 10 grand. Now there's, it got to perform as an ad. I dunno, but the quality was definitely there and what I'm getting to is when you talk about getting your vision to life, it is the job of the writer. It is the job of the writer to get the vision on the page so that anyone who reads it can see that vision. But it is the director's job to take that and work with the art department and everyone else to expand it. Or in tv, the writer is typically the showrunner. That showrunner has that same capacity to get the vision made beyond doing it yourself. I think the other piece of advice that I might give would be you need to understand your craft. You need to understand what a screenplay looks like, and your formatting and your own style and tone are going to influence your ability to do that on the page. If you're not going to produce your own stuff, and I don't mean that to counter what or contrast with what you're saying, it's just the person who's not going to go shoot those things. If you're just talking about it from a writer's perspective, you got to have your story there. The structure has to be sound, and then you need to be able to use the words and the style and format of screenwriting to get the job done to convey that vision.Michael Jamin:And as you were talking, I forgot to tell you this morning on TikTok, someone tagged me and they said they're in law school and that they're taking an entertainment law class and their professor assigned them to watch my channel.Phil Hudson:That's awesome. Why?Michael Jamin:I don't know why. What a weird homework assignment.Phil Hudson:Love it. Love it. Maybe he's going to just call out all the things that you could be sued for. Yeah, maybe. That's wild, man. The world's shifted in the Michael Jamin sphere over here. You got Michael's got his own Wikipedia page too. Yeah,Michael Jamin:I'm on Kpia. Yeah,Phil Hudson:A couple of years ago you would've never wanted any of this attention, right?Michael Jamin:No, I still struggle with it a little bit. I still strugglePhil Hudson:Just highlighting that for everybody here who's struggling to put their stuff out there, what a lot of these questions are about, you wanted to do something, just publish this book and you said, what do I need to make that happen? It's been over two years in that process. And your book will be coming out pretty soon.Michael Jamin:Yeah, we'll do a special episode on that. But yeah, when I'm yelling at you guys to build the damn mountain to build it yourself, I just want you to know everything I recommend, either I have done or I'm currently doing, so I'm not talking out of my ass. SoPhil Hudson:Zero hypocrisy here with the recommendations and I will defend you on that because I see it happening. Yeah. Alright. Sucks to suck has a question. Great. Great. Username story build finding, planning the path of the characters. This is a statement, it's not a question, but when you're story building, how do you find or plan the path for your characters? What are their arcs?Michael Jamin:Yeah, I mean, that's something I teach in my course, my screenwriting course. Come sign up michael jammin.com/course, but that's not a 32nd answer. That's a 14 hour course. So yeah, come to my webinars. I did a webinar a couple weeks ago where I literally gave away part of the course. Not a lot of it, just a small part of it.Phil Hudson:I was surprised. It's a lot though. It's a lot of nuggets in there of,Michael Jamin:Yeah, there's a lot of good stuff in that. I was like, I kind of felt like, guys, if you don't hit the whole thing, you're missing out because this is pretty good stuff.Phil Hudson:What was that? How professional writers create great characters? Is thatMichael Jamin:What it meant? No, it was, I don't know. It was not. It might've been getting past writer's block or what was the onePhil Hudson:After that? Both of those are pretty good, and I think you've given a lot of new context and a lot of context in there for that. I think it was a great characters was one specifically on this subject, and you talk about this, I don't want to spoil it for people who are going to miss it, but you talk about the principle of how to put the right character in a story and it is worth watching. I don't want to steal the opportunity for you to learn that lesson by listening to Michael.Michael Jamin:Come to my talk on characters that it'll help you a lot and it's free.Phil Hudson:Awesome. Sammy Cisneros, how strict should we follow conventional story structure?Michael Jamin:I would say don't break the rules until you understand them. So I would say very strict, and just so you know, I don't break the rules and I've been doing it for a long time. If it ain't broke, why fix it? Honestly, once you're in that story structure, there's still so much creative freedom that you can have once you understand, it's not like I don't feel handcuffed when I'm writing a story that way. I feel liberated. I understand how to do it. There's the roadmap that'll help.Phil Hudson:You discussed this principle of Picasso in your free lesson, which I think everyone should go pick up or rewatch if you've signed up for it in the past, but you talk about what it means to become a master and it's visually apparent when you look at the way you display that in that lesson.Michael Jamin:Yeah, go watch. Yeah, that was in the free lesson,Phil Hudson:Michael jamon.com/free.Michael Jamin:Yeah, go watch that. That'll help.Phil Hudson:Great. Leoni Bennett, when breaking a story, do you keep track of both plot and story?Michael Jamin:Yeah, it's all yes, all yes. And if you don't know what that means, there's a difference between plot and story, and I talk about this in I think the free lesson, but yeah, you have to keep both in mind. You don't do one without the other. It's the same time. You can have a plot if you have a good plot, but no story. You got nothing. If you've got a good story but no plot, you also have nothing. So you need both.Phil Hudson:Yeah, I think lesson two in the course is heavily dedicated to this, and you do touch on it on the free one, but second year in the course and you get to lesson two, it's like, oh, okay, this makes a lot more sense. And I've always said this since we started the podcast and doing this stuff together. You're the only writer I know online who talks about story and not plot everyone else's. What are your plot points? What is this plot? What is this beat? How does this beat build to this? What is your inciting incident to this thing? To crossing the threshold to the Boone? And they're mixing all this jargon from all of it's youngian, it's Joseph Campbell. It's like all this stuff. It's very hard to even wrap your head around. And I'm egotistically. I consider myself to be a pretty intelligent person who's capable of learning. And very often when I started studying screenwriting, I was just beating my head against the wall because it's like I don't even understand what subtext is, and you're telling me to use it, but no one's teaching how to use subtext, which you talk about, but it's that. Yeah, it's the story. It's story, story, story. And then the plot is, to me, it is the painting of the story. It's what makes the story matter.Michael Jamin:Well, I watched a movie the other day and there was plenty of plot. Things were moving along, things were clipping, things were happening, but the whole time I'm like, so what? Who cares? Why do I, this is so who cares? And so the story is really the who cares part. Why shouldPhil Hudson:Write that down? WriteMichael Jamin:That down. Yeah, write that down. It's the who cares. It's what to me as the viewer or the listener or the reader, it's all the same. Why do I care what happens to the main character? And if you don't, I won't say it on camera, I won't say which one it was, but it was a big movie, big budget, big director who's done some great stuff. You shouldPhil Hudson:Just text me so I know what itMichael Jamin:Is. I'll tell you later, but I was like, who cares? Why do I care about any of this?Phil Hudson:Yeah. Dave Crossman, who is pretty active in the course we've talked about before. He has said that I have a coined phrase now when I read someone's script. It's a lot of things happen, a lot of people doing things and nothing's happening.Michael Jamin:Okay, yeah,Phil Hudson:That's good. Lots of stuff. JustMichael Jamin:Plot is so boring.Phil Hudson:Cool. Yeah. Alright. David Campbell, how do we determine which contestants, which content to reveal in what order?Michael Jamin:Oh yeah. I have a whole analogy that I go through in one of my free webinars about the order in which you unpack the details of your story is really important, and that's what I teach in the course. But for sure, yeah, a lot of times you'll read new writers and they just do a dump. They just dump everything out. But that's not how you tell a story. The story is like you as the author, you get to decide when your reader learns this, and that's how you keep people turning the page.Phil Hudson:Yeah. I have bought a lot of self-published books from friends and people I went to film school with and some are good and some are like, wow, what you just put in a chapter could have been a whole book and you ended this chapter in a place that makes zero sense. And it's because of the way they're laying out the story. They have so much they want to say they're just rushing through it or they have so little they want to say it's dragging on. And to me, I think that's what we're talking about, story structure. If you understand structure, then the artistic way you unfold that sort of unravel that story is your craft and your voice and that the person who comes to mind for me is Guy Richie. I think Guy Richie does that masterfully in his stories.Michael Jamin:Yeah, I'm working on a story right now, which I'm writing, and there's one of two ways I want to write it. And so I'm not sure which way I'm supposed to do it, but I'll choose one and I'll go down that path and if I find it halfway through, it doesn't work, I'll go back and do the other way.Phil Hudson:So you're saying you're not married to the words you wrote. They're not precious written in stone and can never be changed.Michael Jamin:No. It's all about, yeah, exactly. I've tossed out so many stories that weren't working, but I am always thinking about what's the best way to compel the reader to turn the page.Phil Hudson:High level note there, guys, write that one down too. WriteMichael Jamin:It down.Phil Hudson:Paul Gomez, seven 90 Should a story center around subject or a character, is there a different approach for each? What I'm hearing with this question is should I focus on theme or character when I write my story?Michael Jamin:Honestly, I think you focus on a character and then theme comes a little bit later, but I've seen some movies, the very interesting setting, very interesting subject matter, very interesting. But because I don't care about what the character wants and I'm not invested in the character, I was very unsatisfied with the movie, even though the subject matter was really interesting.Phil Hudson:Yeah. Previous podcast episode we've done, we talked about basically picking a word. There's a word that's going to color my story then to me is theme. What is the theme of this that might help shape the character that I'm telling to convey that theme, but the character has to matter or it doesn't matter what the theme is.Michael Jamin:Yeah. When my partner and I are writing, often we pretend there's a drinking game. That theme will keep on appearing, and often you'll see a word recurring over and over in a script, and we always will drink, drink, and then when we're done, we go back and change those words. So it's not so obvious we disguise it. But if you're doing it right, that theme will reappear many times and throughout your script, but you just have to hide it a little better.Phil Hudson:Yeah. Yeah. Good stuff. Good stuff. Guys. I know some of you are advanced enough to know how much gold Michael's just dumping his pockets right now. Just gold nuggets. For those of you who are newer, this is worth re-listening to so that you can pick up that gold. This is stuff that will shape you, and I would come back and listen to this one six months from now because you're going to be a different place as a writer at different things. I've definitely seen that even just listening to our podcast with questions I've asked you. The answer is that I got two years ago apply very differently to me. Now. I'm a father of two kids now I am dealing with all these other different life issues than I was two years ago, and that affects the way I tell my stories and what things I want to talk about.Michael Jamin:And I'm still learning, guys, just, I mean, you're never done learning when you're writing, so I don't know everything. I just pretend toPhil Hudson:More than he gives himself credit for, but he's going to take credit like we talked about, right?Michael Jamin:Yeah. Right. Yeah. Hey, it's Michael Jamin. If you like my content and I know you do because you're listening to me, I will email it to you for free. Just join my watch list. Every Friday I send out my top three videos of the week. These are for writers, actors, creative types, people like you can unsubscribe whenever you want. I'm not going to spam you and the price is free. You got no excuse to join. Go to michael jamon.com/and now back to what the hell is Michael Jamin talking about?Phil Hudson:Alright, is that my voice asks the beats? Is that what we are referencing here when we talk about story structure are the beats?Michael Jamin:The question is what? What'sPhil Hudson:The question? Yeah, so the context of this is from the webinar, how to write a great story. And when you're asking the question, what is a story or what is story structure? They're asking, are you referencing beats? Is that what you mean when you say story structure? They'reMichael Jamin:Beats, so they're about seven or eight beats in every story, and it doesn't matter whether you're writing a half hour, an hour and a half feature, whatever that you must hit, in my opinion, in order for a story to feel fulfilling. And so those are the beats I talk about. And one is at the bottom of act one, bottom of act two, these are all important beats and I teach that. But yeah, and there's still some creativity you can have. Well, a lot of creativity you can have once those beats.Phil Hudson:I want to highlight something because I know you don't read any of the other advice that people are giving. And again, a lot of these people are not riders. In my intro to storytelling class, which is writing 1 0 1 in college, my professor asked this question, how many beats, beats are in this thing? And he'd have us watch a movie and count the number of beats. And then he put up this image on the board and it was 40 beats. And he says that every feature should have about 40 beats. Now, that's the difference between sequences and beats, and you already can tell this is again very confusing, right? But this is the formulaic approach that is very confusing and shackling to people who are starting out and what you're saying, I don't want people to misconstrue what you're saying by saying there should only be eight moments in a script or eight scenes, but he was describing scenes as beats and how you progress through things. And that comes from a book, and I can't remember which book, but it lays that out.Michael Jamin:That's just too many. How are you going to keep all that in your head? I feel like eight is manageable. Eight not eight scenes, but eight moments that you have to hit. And then it just like when you go from A to B2C to D, you can take a little side trip from A to B, but you still got to get to B.Phil Hudson:Yeah. And I think that USC and UCLA, I think they use what they call eight beat story structure, which mirrors pretty close to what you teach, but you'd expect that because they're proper film schools taught by professional writers, directors, producers, editors who are just doing that now because they've moved out of their first career. So yeah, I just want to make sure people are not misconstruing the two or conflating 'em. NRS creates How can a series pilot with more than eight main characters work without story overload?Michael Jamin:You wouldn't want to have that many go back and watch some of these old pilots or any pilot even towards whatever season five or eight. They may introduce a lot of new characters, but in the pilot, how many characters were in the pilot? And if it's a sitcom, you're talking probably five or six. It's if an hour long, you're going to have a few more. You might be eight, but you should be able to service eight characters in an hour long story. So it shouldn't be a problem. It's when you start growing the cast, it gets more complicated.Phil Hudson:Yeah, I think lost is a great example of this. Tons of people, plane crash, there's mayhem happening all around you, and we're looking at four or five people. And then as the series goes along, they introduce more people and the stories become more complex and there's side things happening. But in the pilot, which is two hours, I think JJ Abrams and Damon Lindelof did that masterfully.Michael Jamin:Yeah, great pilot.Phil Hudson:Richard Monroy, life, death Rebirth. These themes are found in art. How can this be applied to screenwriting?Michael Jamin:Well, I mean, what else are you going to write about when you're going to write about all events that happen to you in life? Jealousy, anger, love, betrayal, vengeance, whatever. That's what you're going to write about. So you're going to you life mirrors art and art mirrors life.Phil Hudson:Yeah. I think that ties back to our theme as well, right? You pick your theme and then that's the thing you're deciding to talk about, and then your characters and the story and the plot all play to paint that picture. Yeah. David Campbell, another question here. Do you have to write a log line for every episode or story?Michael Jamin:Yes. One of the things, when my partner and I run a TV show, what we make all the writers do, including ourselves, is we write after the story is broken on the whiteboard and one writer is chosen or a team is chosen to write that script, the first thing they got to do is write what we call a book report, which is a one page summary of what we just discussed in the writer's room for past week. And this is not as easy as it looks. We need to make sure everyone's on the, were you paying attention? Did you understand what we finally agreed to? And at the top of that book report, we make them write a log line. What is it about? What is this episode about? And it's amazing how that one simple thing can really, really be beneficial. I never assume anyone understands what it's about.And sometimes I tell a story that a couple of years ago, I think it was on Tacoma, my partner and I were writing an episode, we're writing the outline and we're figuring out these scenes. We start arguing over what the scene should be. And I was like, I'm right. And he's like, he's right. And I'm like, wait a minute, what do you think the story's about? And we didn't agree on what the story was about. We literally didn't agree. So we stopped and went back to the whiteboard to figure out what the story was about. Even though we had spent a week working on it, we couldn't agree.Phil Hudson:Yeah, that's how much it matters. I don't know that there's anything to add to that. That's great. Henry Wind, as an audience member, I'm really trying to catch the details and the dialogue so I can understand what is happening in this scene between two actors. How do you deepen subtext?Michael Jamin:Well, characters often don't say what they're actually thinking. And so that's the difference between writing directly and writing indirectly. And again, I talk about this in the course to greater detail, but writing directly is, I'm really mad at you. You hurt my feelings. The other day when you said this about that's writing directly, writing indirectly might be just me ignoring you or me telling you that your hat is stupid. So you know what I'm saying? Who cares about your hat? I'm really mad about you for what you did. And so that's the difference. And the more indirect you can write your writing, the better the smarter it seems.Phil Hudson:Yeah, it's amazing how this is human nature though. Just last night, my daughter, she just turned three, and so she's throwing a little bit of the terrible three tantrums. I've heard terrible twos, but it's really the threes is what every parent says. And she wanted to do something and we said, no, it's time for bed. And so her lovey, her stuffy Is Cob the Cow? And she's like, I don't want cob in my bed. And my wife who's wonderful, says, just because you're mad at us doesn't mean you should take it out on other people. And she said, okay. And then she cuddled her little stuffed animal, but it's human nature to do this. She didn't say, I'm mad at you. She's like, I don't want COB in here. I don't want to sing songs. I don't want to read a book. She's mad atMichael Jamin:Me. She's writing indirectly. She's a writer.Phil Hudson:Yep. She's human nature. The beautiful things you learn from kids, man. All right. Moving on to breaking in the Broken Breaking Seas. That's an apt name. Can you talk about working with a writing partner a bit? I'm very curious what that process is like.Michael Jamin:Well, it's sort of a marriage and you get to decide who you want to marry. I've been working with my partner Seaver for close to 30 years. And at this point there's a lot of trust and there's a lot of, we try to argue as little as possible. The truth is I don't really care if it's his idea or my idea. I really don't. If it's his idea, great. That's one less idea I have to come up with. It's not about my ego and it's really about what's best for the work. And then great. I mean, it helps to have one, it helps have one bounce idea. We can bounce ideas off each other and often he'll shoot down my idea, say whatever. I don't really care. It's really about getting the work done.Phil Hudson:We did a whole episode about writing with partners on the podcast, so go check that out as well.Michael Jamin:Yeah.Phil Hudson:Alright, moving on to miscellaneous questions. We got about 10 left, Michael, does that sound good? Sure. We hit those in the next 17 minutes and wrap this up in an hour. Sounds great. Lisa J. Robinson, for a beginning writer, what program do you recommend to write a script that is very user-friendly? Imagine thatMichael Jamin:RightPhil Hudson:In my mouth. Didn't even know, didn't even know Michael. This question in October would serving today. SoMichael Jamin:Every single television show, movie, everything I've sold, every single one of them have been written in a program called Final Draft. And that is considered to be the industry standard now. So it's the best as far as I'm concerned. Now. They offered me a brand deal a couple months ago, and so I've since done some spots for them and I had no problem doing it because it's not like it's a product that I have. I use the product, so Sure.Phil Hudson:And you've turned down so many deals from people with different writing software. Even when we first started doing this, people were reaching out. It's like, Hey, we'd love to pay you to talk about our screenwriting software, and you turn them all down.Michael Jamin:No. So thisPhil Hudson:Is a bigMichael Jamin:Deal, but if you want to use Final Draft, we do have, they gave me a brand deal, so if get on my newsletter, we said, well, there'll be a link on my newsletter and you can click on that link and you can get a discount 25% off on finalPhil Hudson:Draft. Do you want to give them the code? Do you want toMichael Jamin:Give the I think so we could do the code. Yeah.Phil Hudson:It's M jamming 25 I think, right?Michael Jamin:24 I think.Phil Hudson:Correct. For it's 24 M jamming 24, but it gives you 25% off your purchase. And I used it and it worked on my upgrade from vinyl draft 12. So you saved me 25 bucks on something I was going to buy anyway.Michael Jamin:Yeah, you can upgrade. You can upgrade at some point you have to continue, you got to upgrade your, so it doesn't fall out of surface andPhil Hudson:And there's new stuff that come in. There's all kinds of stuff that comesMichael Jamin:That, yeah, there's bells and whistles, but honestly I've been using Final draft since final draft five. They don't update it every day, every couple of years they improve it.Phil Hudson:We used a final draft for the collaboration mode in the writer's room.Michael Jamin:The collaboration is a good feature.Phil Hudson:And while I was doing this yesterday, this is totally unprompted, I was looking for this. You sent me a bunch of stuff and in 2016, just as I was going to move out here, you were asking me for my resume, like, Hey, there's somebody out here who was interested in getting your resume. And I sent it over and you told me in here, and I'm trying to find the exact words, but it was basically study final draft and know it like the back of your hand. And that was 2016, so that you've been preaching this for a long time.Michael Jamin:Yeah, it helps to know that program. Yeah.Phil Hudson:Great. Alright, Mimi, how to find the main idea from a lot of ideas you have in your book. So I'm assuming she's writing a book and she wants to know what the main idea. Yeah,Michael Jamin:You better figure that out because your story needs to be about one thing everyone wants to throw in the kitchen sink. And it's about this, but it's also about this, but it also has elements of this. It's like, no, no, no, you don't know what your story is. You got a hot mess. You can't kitchen sink it. Your story's about one thing. And if you think it's about two things, congratulations. Now you have a sequel or you have another episode, but your story's about one thing. And if you think I'm making it up, read stories that you've enjoyed and ask yourself the same question. What is this about?Phil Hudson:What's the difference between an A plot B plot C plot though, if it's only about one thing,Michael Jamin:Right? So an APL will occupy two or three characters, and that's a story that has the most emotional weight, and that's the one that has the most time on screen. YouPhil Hudson:Have, it's usually the leads too though, right? It's your main character.Michael Jamin:But if you have five leads on your show, then two of them will be in the A story. And then you have to occupy your other characters. So you give them a B story and maybe a C story if you still have to occupy some of them. But they don't carry as much emotional weight often they're just lighter.Phil Hudson:You don't want 'em sitting in their trailers cashing a check, right?Michael Jamin:Yeah, you got to pay these people. The audience wants to see them too. So you want to give the audience what they want.Phil Hudson:Great mental pictures. Love to know an example of a log line on a whiteboard in the writer's room.Michael Jamin:So a log line might be, okay, we wrote an episode called Fire Choir, and I think the log line was Eddie joins a malePhil Hudson:Choir acapella group. It was like firefighters, acapella choirMichael Jamin:To basically recapture the lost fame of his youth. It was something like that. So you knew what the plot was and you also knew what the story was. Oh, he's there to recapture his law. He was famous, whatever. He was in a garage band when he was a kid, and here's the chance to feel like a star again. So that's what it's really about. It's about the fame partPhil Hudson:And a great episode with one of our favorite characters. Wolf BoykinsMichael Jamin:Wolf. Yes. So played by Paul Soder.Phil Hudson:Paul Soder says, hi, by the way. Oh, you should have him on the podcast.Michael Jamin:I should. I'll get him on. That's a good question. Yeah.Phil Hudson:Richard Monroy, can you describe this Greta Gerwig style in more detail? It seems more unstructured and organic.Michael Jamin:It's not unstructured, it's just the fact that it's definitely not unstructured. It's just that how she comes about finding the structure. So I believe she still hits the same eight points that I'm talking about, but whereas in TV or even in movies, for the most part, you'll think about this before you're ever writing a word. You're figuring out what those story points are. And you might spend weeks or months if it's a movie before you're actually writing. But she doesn't do it that way. But she's Greta Gerwig until you become her, you may want to rethink how you do this, but what she does is she starts writing, oh, I think this is what it's about. And she starts typing the script and she'll say the same thing. I've heard her talk about it. Alright, now I have an 800 page script. Well, we can't shoot an 800 page script. Now she has to go back and throw out 700 pages and figure out what the story is. So it's very inefficient, but it's organic. But again, she can do it. She knows what story is. And by the way, that movie made a billion dollars. It's not for me to say that she's doing it wrong, she's doing it right. It's just that it's just inefficient. And unless you really have a good grasp upon what story structure is like she does, you're probably going to screw it up.Phil Hudson:This just popped into my mind, one of the best tiktoks I've ever seen was this story. And you've seen 'em before. And it's like everyone told me that I was a loser and I would never make it as an artist. And over the years I've practiced and honed my craft and it shows all these different art. You see their art evolving year over year, and now here I am and look what I've done. And then they show the worst drawing of a horse you've ever seen. And it brought me to tears because mocking this thing, which is the reality, is you can't be a one year in rider or a four year in rider and think that you can write the way someone's been running for 20 years will, you also can't do it, but think you're going to paint or draw the way in one year or two years. The way that Picasso or Van Gogh or anybody else has done who's devoted their life to that craft. It's effectively, I'm hearing you say, is she's earned the right to do things her way and it shows in the box office, and that is not an excuse for you to do it that way, and that's not to say you won't do it that way, but you have to learn structure and process and all of those things form light balance. You have to learn those things before you can make artMichael Jamin:And it's not easy for her. I saw an interview where she was saying, look, every time I sit down, I'm like, I don't know how to do this it, you're starting from scratch. I feel the same way. It's like, ah, I don't really know how to do this. I do, but I still feel like I don't, it's hard.Phil Hudson:Yeah. Yep. I saw that interview too. And that's going back to what we talked about earlier. That's the discipline. It's hard, but she sits down and does it and then she's able to get billion box officeMichael Jamin:And sometimes I'm writing, I'm like, am I saying too much or am I saying too little? Am I taking my audience? Am I insulting their intelligence by saying too much or am I taking their intelligence for granted? That's a hard question.Phil Hudson:Yeah. EG wants to know what if the notes you receive from the higher ups make the story worse?Michael Jamin:Often it does. Your goal is to try to give them what they want without making the story too much worse. And what can I tell you? Sometimes they're not writers so often that's the give and take. Often you'll argue with them, you're almost never going to win the argument, and so you have to give them what they want. They're the buyer. And so sometimes people say, sometimes it makes it better too, but people often say, why does TV suck? Well, there's a lot of people involved and a lot of people have opinions and they all want to be heard. I've worked with actors who've had notes who make the story worse. What are you going to do? That's the job. It's it's life.Phil Hudson:I've talked about this documentary before, but showrunners, which you can find it in a bunch of places, they talk about an interview, a pretty well known actor. I'm blanking on his name, but he talks about how at a certain point, the first year, the showrunner, it's the showrunner story. The second year, it's the showrunner story, the third year, it's kind of a balance between the actors and the showrunner, and then the fourth, it's kind of the actors because they are the characters. And his whole opinion here was, I think famously he got an argument and a heated battle with the showrunner who created the show, and the showrunner got fired because he was the star of the show. And he said, it's my job to protect my character because that's me and who I'm playing. And I was like, yeah, that's just the reality of this. It's none of it's yours.Michael Jamin:You can't, the funny thing is, yeah, the showrunner hires all the actors. It's their show. They sold it, they created it, but at some point, if there's an argument between the actor, the star and the showrunner, you can always get a new showrunner. The star is on camera, and so the star is going to win that fight nine times out of 10.Phil Hudson:Yeah. Pretty interesting. Go check that out guys. Yeah. Richard Roy asks, if you're an independent writer, do you ever reveal what you're working on in early stages?Michael Jamin:Some people tell you no. I mean, some people will say, don't reveal your dreams to anybody because people will tell you how stupid it is for you to dream. So why keep it to yourself? That's a personal choice whether you want to share it or not.Phil Hudson:Yeah. My opinion is screw the haters.Michael Jamin:Screw the haters. But also, I mean, you can also put it out there and maybe they hold you accountable. Well, now that I went on record saying I'm going to do this, I better do itPhil Hudson:For a lot of people, a lot of people, that's some strong accountability saying, I'm going to do something. Eagle Boy, 7 1 0 9 0. How strict should we expect prospective studios to be about the page length of a historical drama limited series? I've seen some episode ones that are nearly 80 pages for an hour long show.Michael Jamin:Listen, the question is who do you think you are? I mean, when you write your script, your script is a writing sample and that's it. Stop thinking about what I'm going to sell it for, how much money I'm going to make. Some people ask me, how much money can you make as a first? Now you're spending the money. Your job first is to write a great script. That's it. One episode. Don't worry about episode 12, writing that one first. Great script is damn hard enough. And it's a calling card. And it's a writing sample. So some of these questions are for people like me, this is a question I might ask a fellow showrunner. I might ask them that question because we are doing, this is stuff that we have to worry about, but you don't have to worry about this.Phil Hudson:Yeah. Big note there too, that this is the big takeaway I've gotten from doing this work with you over the podcast is everything is a writing sample. If it sells, great. If it's good enough to sell, great. But right now, I need to be good enough to give me a job.Michael Jamin:Yeah, get me a job.Phil Hudson:Yep. Matt Sharpe, with the changes to TV writing rooms during the pandemic, do you see Zoom rooms still being a thing post the WGA strike? More to the point, do you still have to live in LA to write in tv?Michael Jamin:A lot of these rooms are still on Zoom. That's probably going to go the way at some point. I don't know. Maybe it's going to get back in person probably sooner than later, but someone made that point. I was going to do a TikTok on social media. What are you talking about? Everything's on Zoom. Okay. But how do you get the job? How do you get the job so that you can be on a show that's on Zoom. Tell me how you do that. Unless you live in la, there's no answer for that because you have to live in la. Sorry. There's a handful of screenwriters who work mostly in features who get to live other places. Maybe they have to fly to LA or maybe they live in New York. I follow Julia York from New York. She lives in York or Yorks, but she's in New York and she's able to make a living out of it somehow, but it's definitely harder. You made a hard career. You're making a hard career. Harder.Phil Hudson:Yeah. Tacoma FD is now streaming on Netflix, so everybody go watchMichael Jamin:That. Go watch thatPhil Hudson:Talk. Tacoma fd, which is the companion podcast that Kevin and Steve the showrunners do that dropped. And in episode four, I actually was in the cold open and I got put in the cold open. They talk about it on Sarco fna. It was very kind of them to mock me a little bit and poke fun. But what they said is basically what you have said to me all along is if you want to make it in Hollywood, you have to be in LA because they need you Now. It's not two a week from now. And evidence of this is I got cast in the cold open because the actor tested positive for Covid that day. And they said, well, this is a guy protesting pornography, and Phil is a religious dude. Let's get him out here. And then they were like, he came out and he gave this tirade of just Christian anti pornographic stuff. It's like he'd rehearsed it, you could tell. And it was like I'd done acting classes with Jill and with Cynthia. I've done prep work. I've been on set. I've seen how it's done, and I was just able to go and perform in this moment because of all of that prep work. And I only got it because I was on set standing next to the showrunner when he heard that this guy got covid.Michael Jamin:So two things, half of life is about showing up and two, but also being prepared for yourPhil Hudson:Could imagine, because you could have choked shot the bed. Imagine you could choked shot the bed

Auf grausame Weise wird in den Straßen New Yorks eine junge Frau ermordet: Ihr Gesicht ist wie von Tierkrallen zerfetzt. Das Täterprofil deutet auf einen männlichen Psychopathen hin. Doch dann meldet sich eine seltsame Unbekannte. // Von Fran Dorf / Regie: Thomas Werner / WDR 2000 // Der Nebel ist zurück - hört jetzt die zweite Staffel vom Mystery-Podcast Mia Insomnia: https://1.ard.de/miainsomnia-knallhart Von Fran Dorf.

Back in November, I had a great conversation with Izaic Yorks about his Saga of Valor Series, starting with Ascendant. Well, we know what happened in early December, but like another author, his episode didn't get scheduled, so he had a delay on top of a delay!  So finally we have his episode and guys, you've got to listen in and hear about the inspiration for this story, all the things available, and all the things coming. I was so inspired chatting with him! Note: links may be affiliate links that provide me with a small commission at no extra expense to you. Looking for a Fantastic New Fantasy Series for the New Year? When Izaic York and I started chatting before his interview, we talked for at least an hour before we actually began recording, and boy was I impressed with his personal ethic, his work ethic, and his creativity. So I wasn't surprised at all by how excited I was as he began describing his book. Ascendant offers a flintlock dystopian epic fantasy that sounds amazing.  I mean, a world where a tyrant is using (the redefinition and eradication of!!!) words as a way of control?  Yes, please!  And that's just a small part of the book, but as we chatted, you get a sense of what current events might have inspired or shaped elements of the book, and I'm dying to know what he did with it. And then to learn that he has another Kickstarter coming for book two in March?  Sign me up! I'm just bummed that I missed the first one. Ascendant by Izaic Yorks Revolution cometh! The sound of Valor shall resound, piercing even the deepest reaches of the city, and in the end, not a soul will be untarnished. . .  Until now, no one has managed to end the Lord Prime's tyranny. That is until a deep and unlikely magic awakens within her. Dirk Ava wants the same things as any other teenager. Someone to love her. The freedom to do as she wishes... and the chance to overthrow the Lord Prime. Daughter to a rebel extremist, Dirk Ava has been groomed for rebellion before she could even walk, but when the magic of the Ascendants appears within her, Ava's life is turned inside out.  Set on a soul-shattering quest, Ava's coming-of-age story requires her to master her powers, overcome betrayal, and slay the Lord Prime--or lose everything and everyone she loves. This is her destiny, but where good comes at the cost of evil, will Dirk Ava be able to keep her soul untarnished? Or will she become the very monster she hates? Learn more about Izaic Yorks on his WEBSITE (and don't forget to sign up for his newsletter so you get reminded about that Kickstarter!  I for one, plan to back it.  Also, don't forget to follow Izaic Yorks on GoodReads. Like to listen on the go? You can find Because Fiction Podcast at: Apple  Castbox  Google Play Libsyn  RSS Spotify Stitcher Amazon and more!

Passenheim, Antjewww.deutschlandfunkkultur.de, Studio 9

On this week's Official EFL Podcast, David Prutton is joined by wingman Gary Weaver, for a full rundown of all of the week's big talking points, and the pair are joined by Swansea City manager Michael Duff, to talk about his new challenge in South Wales. To conclude the EFLs celebration of Black History Month, Romaine Sawyers picks his all time football idol.

Episode 174 - Izaic Yorks Discusses Break From Running & New Audiobook “The Redline” by P2E Studios

Sesión peruana que arranca con el volumen 4 de la colección “Algo Salvaje” (Munster Records), serie de recopilatorios de nuggets garageros que en esta ocasión está dedicada al Perú, con especial atención al catálogo de Discos MAG. Último tramo dedicado a la reedición del segundo álbum de Los Yorks, una de las bandas más afiladas que dio la escena sixties de aquel país sudamericano. Playlist; (sintonía) LOS MUTABLES “Suspenso en el espacio” (Algo salvaje Vol.4) LOS YORKS “Abrázame” (Algo salvaje Vol.4) MELCOCHITA “El sicodélico” (Algo salvaje Vol.4) PINA y SUS ESTRELLAS “Los extraños” (Algo salvaje Vol.4) LOS DACIOS “Dile” (Algo salvaje Vol.4) DELAI ALAMOS con los KING STAY “El grito de los King” (Algo salvaje Vol.4) LOS 007 “Escucha, nena” (Algo salvaje Vol.4) LOS TEDDYS “Efectos” (Algo salvaje Vol.4) LOS SAICOS “El entierro de los gatos” (Algo salvaje Vol.4) LOS JUNIORS “Tercera piedra en el Sol” (Algo salvaje Vol.4) TRAFFIC SOUND “I’m so glad” (Algo salvaje Vol.4) JEAN PAUL “EL TROGLODITA” “Fuera de atracción” (Algo salvaje Vol.4) LOS YORKS “Solo estoy” (Los Yorks’68) LOS YORKS “Vallery” (Los Yorks’68) LOS YORKS “Solo pido amor” (Los Yorks’68) Versión y original; ROCKY ROBERTS and THE AIRDALES “Can’t ask no more” (1967) LOS YORKS “Mira tú” (Los Yorks’68) Escuchar audio

In hour 1, Chris talks about Crime in Democrat cities, especially New York which is just Thriving these days... For more coverage on the issues that matter to you, download the WMAL app, visit WMAL.com or tune in love on WMAL-FM 105.9 from 9:00am-12:00pm Monday-Friday  To join the conversation, check us out on Twitter @WMAL and @ChrisPlanteShow Learn more about your ad choices. Visit podcastchoices.com/adchoices

Straight Talk on Marriage: A Discussion with the Yorks

¿Quién es el Conde Krapula y por qué nos asusta tanto? ¿Qué venganza se planea contra Yorks the Mechanics? ¿Qué es una situación Chan Chan Chan? ¿Cómo se crea un merengue de una situación Chan Chan Chan? ¿Cómo perder 12 millones? Mejor dicho, aproveche esta bicha que está como quiere.

Daily Quote It is a curious fact that in bad days we can very vividly recall the good time that is now no more; but that in good days we have only a very cold and imperfect memory of the bad. (Arthur Schopenhauer) Poem of the Day 流吧，长江的水 穆旦 Beauty of Words The Three New Yorks Elwyn Brooks White

On this episode, we talk with York Baur, CEO at MoxiWorks, a comprehensive open platform system for large residential real estate brokerages.York describes himself as a serial entrepreneur or, as he calls it, a repeat offender. With his degree in computer science, he worked his way through 12 other tech companies before landing his current role at MoxiWorks in 2012.The platform was created to serve one customer, the original parent company called Windermere, which is a real estate brokerage that was an early adopter of technology to help its agents sell houses.Converting from a single company's technology to a product that can be used by many customers created some challenges, and York was brought in to lead that transition. Windermere remains one of their biggest customers to this day.Yorks's advice for those coming up in the SaaS industry is to avoid the temptation to take on custom projects. The temptation can be there, especially with a large prospective client, but the headache it creates isn't worth the effort.He believes that retention is the key to subscription, and MoxiWorks does an excellent job in that department with a gross retention rate that is over 90%. Keeping customers you already have makes it much easier to maximize your growth. Ready to get started with Rebar?Head to rebartechnology.com or email info@rebartechnology.com to schedule a call today. #Saas #subscriptions #subscriptionbusiness #subscriptionservice

Brian and John basically just rant for 45 mins about people who frustrate them... Oh and they talk soccer a bit too. You're a NSC sicko, so you'll love it! Rate 5 stars pls?

Julia Yorks is a screenwriter for television and film, having worked on the staffs of DreamWorks/Netflix's "The Adventures of Puss in Boots" and "Trolls: The Beat Goes On," and recently sold an original screenplay to Freeform. In this episode of The Storytelling Lab, Julia breaks down exactly what you should focus on as a first-time screenwriter, how to follow the right structure to sell, and how the business of screenwriting works. Hosted on Acast. See acast.com/privacy for more information.

El grupo murciano Los Malinches viene a presentarnos en directo su álbum “Planeta Náhualt”. Nos hablan de este disco conceptual de mensaje ecologista que sobre bases de garage, psicodelia y esencias latinas nos alerta sobre la catástrofe medioambiental que se cierne sobre nuestro planeta. En el primer tramo picoteamos en dos recientes reediciones de Munster Records de sabor latinoamericano; el debut de los peruanos Los Yorks y el último y singular trabajo que gestaron los colombianos Los Speakers.   Playlist; LOS YORKS “Pronto un doctor” (’67) LOS YORKS “No puedo amar” (‘67) LOS YORKS “Vete al infierno” (‘67) LOS YORKS “Abrázame” LOS SPEAKERS “Niños” (En el maravilloso mundo de Ingesón) LOS SPEAKERS “Si la guerra es buen negocio invierte en tus hijos” (En el maravilloso mundo de Ingesón) LOS SPEAKERS “No como antes” (En el maravilloso mundo de Ingeson) LOS MALINCHES “Epílogo” (Planeta Náhualt) LOS MALINCHES “El árbol” (Planeta Náhualt) LOS MALINCHES “Campamento espacial” (Planeta Náhualt) LOS MALINCHES “Todo corre” (directo en El Sótano) LOS MALINCHES “La nube negra (ya se aleja)” (directo en El Sótano) LOS MALINCHES “En el bosque” (directo en El Sótano) LOS MALINCHES “Hechicera” (directo en El Sótano) Escuchar audio

The Indiana Pacers had several injury updates on Tuesday while also receiving a ton of praise in the midseason media suvey. Host Tony East breaks those topics down. Then, Locked On Knicks host Gavin Schall joins to preview Pacers vs New York Knicks, including the duel between Tyrese Haliburton and Jalen Brunson.Support Us By Supporting Our Sponsors!Built BarBuilt Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKEDON15,” and you'll get 15% off your next order.BetOnlineBetOnline.net has you covered this season with more props, odds and lines than ever before. BetOnline – Where The Game Starts!PrizePicksFirst time users can receive a 100% instant deposit match up to $100 with promo code LOCKEDON. That's PrizePicks.com – promo code; LOCKEDONLinkedInLinkedIn Jobs helps you find the qualified candidates you want to talk to, faster. Post your job for free at LinkedIn.com/LOCKEDONNBATurboTaxCome to TurboTax and don't do your taxes. Visit TurboTax.com to learn more. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Indiana Pacers had several injury updates on Tuesday while also receiving a ton of praise in the midseason media suvey. Host Tony East breaks those topics down. Then, Locked On Knicks host Gavin Schall joins to preview Pacers vs New York Knicks, including the duel between Tyrese Haliburton and Jalen Brunson. Support Us By Supporting Our Sponsors! Built Bar Built Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKEDON15,” and you'll get 15% off your next order. BetOnline BetOnline.net has you covered this season with more props, odds and lines than ever before. BetOnline – Where The Game Starts! PrizePicks First time users can receive a 100% instant deposit match up to $100 with promo code LOCKEDON. That's PrizePicks.com – promo code; LOCKEDON LinkedIn LinkedIn Jobs helps you find the qualified candidates you want to talk to, faster. Post your job for free at LinkedIn.com/LOCKEDONNBA TurboTax Come to TurboTax and don't do your taxes. Visit TurboTax.com to learn more. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Casuals discuss the history of the New Years Ball Drop and finish off with a quick news story from TikTok.

Continued talk on New Yorks Mental Health Initiative  If you're looking for a winter getaway and hoping to stay in a quaint town out of a Hallmark made-for-TV movie, you won't have to drive too far. Solvang CA was listed as California's best town to visit for Christmas, according to Tripstodiscover.com The tiny village, located in the heart of the Santa Ynez Valley in Santa Barbara County wine country, is a sleepy town with European architecture and sensibilities The town has dozens of boutiques that sell traditional Danish items, including clogs and other knickknacks, and that's not even mentioning the world famous aebleskivers. A group of Fresno elected and business leaders met with a Chinese delegation Monday to discuss trade & our ag tech industry. But not everyone was happy about the local-level diplomacy.  The local delegation meeting with Consul General Zhang Jianmin included Mayor Jerry Dyer, Councilman Mike Karbassi, Fresno County Supervisor Steve Brandau, and Fresno State President Saúl Jiménez-Sandoval. Councilman Miguel Arias declined an invitation to the meeting, criticizing the event.  An employee who survived the mass shooting at a Walmart in Chesapeake, Virginia, last week has filed a $50 million lawsuit against the company. The lawsuit, filed by Donya Prioleau, claims she submitted a complaint about the gunman two months prior to the shooting that took the lives of six Walmart employees. The lawsuit lists the suspect's alleged pattern of disturbing behavior leading up to the deadly mass shooting, including making bizarre, rude and inappropriate comments about Prioleau's age, gender, socioeconomic status and appearance See omnystudio.com/listener for privacy information.

Looking for not your normal Fantasy Content? Check out What The Fantasy with Brandon and Zareh. The guys are back this week after Zareh's Hawaii vacation!!! We talk about trades that happened, our love for Justin Fields, and the two New York QBs. What are the Colts doing and don't sell cheap on Breece Hall and Jonathon Taylor! --- Support this podcast: https://podcasters.spotify.com/pod/show/wtfantasy/support

On this edition of Rocket Fuel, Alfred looks at the upcoming week 8 matchup as the Jets host the Patriots. FOLLOW ROCKETFUEL: IG: https://instagram.com/rocketfuel_nyj?igshid=YmMyMTA2M2Y= Twitter: @rocketfuel_nyj YouTube: https://youtube.com/channel/UCkhyh5ZXITNfVy9pO9m7Urw  You can follow THE GRYD on : INSTAGRAM: https://www.instagram.com/the_grydnetwork/ TWITTER: https://twitter.com/GrydNetwork YOUTUBE: https://www.youtube.com/channel/UCR-VT4TZfIHr1hQkjZa8FjQ TIKTOK: https://www.tiktok.com/@thegrydnetwork Learn more about your ad choices. Visit megaphone.fm/adchoices

On this edition of Rocket Fuel, Alfred looks at the upcoming week 8 matchup as the Jets host the Patriots. FOLLOW ROCKETFUEL: IG: https://instagram.com/rocketfuel_nyj?igshid=YmMyMTA2M2Y= Twitter: @rocketfuel_nyj YouTube: https://youtube.com/channel/UCkhyh5ZXITNfVy9pO9m7Urw  You can follow THE GRYD on : INSTAGRAM: https://www.instagram.com/the_grydnetwork/ TWITTER: https://twitter.com/GrydNetwork YOUTUBE: https://www.youtube.com/channel/UCR-VT4TZfIHr1hQkjZa8FjQ TIKTOK: https://www.tiktok.com/@thegrydnetwork Learn more about your ad choices. Visit megaphone.fm/adchoices

Julie Plec (creator/showrunner, Vampire Academy, Vampire Diaries, Legacies), Steve Lightfoot (creator/showrunner, Shantaram, The Punisher), Laura Kittrell (co-showrunner, High School; Insecure), and Dana Ledoux Miller (showrunner, Thai Cave Rescue) discuss their personal connections to their current projects, how it never gets easier, how it's always a joy. PLUS: Julia Yorks (1UP; Strawberry Shortcake) has a new podcast called The Baby Writers Podcast in which she chats with TV and feature writers who broke into the entertainment industry within the past few years. LISTEN TO THE WRITERS PANEL AD-FREE ON FOREVER DOG PLUS: https://foreverdogpodcasts.com/plus CONNECT W/ BEN BLACKER & THE WRITER'S PANEL ON SOCIAL MEDIA  https://twitter.com/BENBLACKER https://www.facebook.com/TVWritersPanel THE WRITER'S PANEL IS A FOREVER DOG PODCAST  https://foreverdogpodcasts.com/podcasts/the-writers-panel Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the All Local Morning for Friday, October 7th 2022

This Week on Rocket Fuel, Alfred explains how the Jets lost in week 3 against the Bengals and how they can fix those errors to defeat the Steelers in Week 4. Follow Rocket Fuel: IG: https://instagram.com/rocketfuel_nyj?igshid=YmMyMTA2M2Y= Twitter: @rocketfuel_nyj YouTube: https://youtube.com/channel/UCkhyh5ZXITNfVy9pO9m7Urw You can follow THE GRYD on : INSTAGRAM: https://www.instagram.com/the_grydnetwork/ TWITTER: https://twitter.com/GrydNetwork YOUTUBE: https://www.youtube.com/channel/UCR-VT4TZfIHr1hQkjZa8FjQ TIKTOK: https://www.tiktok.com/@thegrydnetwork Learn more about your ad choices. Visit megaphone.fm/adchoices

This Week on Rocket Fuel, Alfred explains how the Jets lost in week 3 against the Bengals and how they can fix those errors to defeat the Steelers in Week 4. Follow Rocket Fuel: IG: https://instagram.com/rocketfuel_nyj?igshid=YmMyMTA2M2Y= Twitter: @rocketfuel_nyj YouTube: https://youtube.com/channel/UCkhyh5ZXITNfVy9pO9m7Urw You can follow THE GRYD on : INSTAGRAM: https://www.instagram.com/the_grydnetwork/ TWITTER: https://twitter.com/GrydNetwork YOUTUBE: https://www.youtube.com/channel/UCR-VT4TZfIHr1hQkjZa8FjQ TIKTOK: https://www.tiktok.com/@thegrydnetwork Learn more about your ad choices. Visit megaphone.fm/adchoices

For 35 years, from 1984 until 2019, Yorkshire-born Carol's voice was silenced by her father and West Yorkshire Police and Child Protection Units. She struggled to fight for justice and, while raising two children alone, to get her predator father sent to prison for twenty years by Judge James Jameson QC. Elliot Appleyard groomed Carol from birth, after telling her mother he believed ‘all fathers should break their daughters in' when Carol was a toddler. Because of Carol's fight with the authorities, that continues to this day and despite chronic post-traumatic stress, her father is in prison where aged 73, he is unlikely to see the light of a free-day again or create more victims. ​ HELLOFRESH LINK click: https://bit.ly/ShaunAttwood_HelloFres... to get 60% off your 1st box + 25% off for 2 months using my code SHAUN60. Limited offer ending by the end of September. * Terms & Conditions: This offer entitles you to 60% off your first box, and 25% off your next eight boxes when ordered in consecutive weeks during your first two months as a HelloFresh customer. Offer valid until the 15th of December (“Offer Expiry Date”). HelloFresh reserves the right to amend or withdraw this offer at our complete discretion with no prior notice or liability to you. See the website for full T&Cs. If you arrive too late for the Flash sale, use SHAUN60 for 50% off your 1st box. ROCKETMONEY: https://rocketmoney.com/shaun Don't fall for subscription scams. Start cancelling today at ROCKETMONEY: https://rocketmoney.com/shaun Go right now - https://rocketmoney.com/shaun - it could save you THOUSANDS a year. Carol's YouTube: YT: https://www.youtube.com/channel/UCet1...

Graham, Sarah and Michaela are still talking about England! We recount the story of two princes, locked in the Tower of London, who disappear during the Wars of the Roses. Lancasters, Yorks, and Tudors are all here and make interesting suspects. Is a convincing young man one of the missing princes? Or is this mystery solved by a sad discovery? Listen to part 2 for the possible endings to this royal adventure. 

Chai Hansen & Kiah McKirnan recently joined host Elias in the cave for Press Day for the upcoming release of 'Night Sky' premiering on Prime Video May 20th. We enjoyed watching an early release here at the "cave" cant wait for everyone to check it out! Night Sky - Spanning space and time, Night Sky follows Irene (Sissy Spacek) and Franklin York (J.K. Simmons), a couple who, years ago, discovered a chamber buried in their backyard which inexplicably leads to a strange, deserted planet. They've carefully guarded their secret ever since, but when an enigmatic young man (Chai Hansen) enters their lives, the Yorks' quiet existence is quickly upended...and the mystifying chamber they thought they knew so well turns out to be much more than they could ever have imagined. You can watch this interview on YouTube https://youtu.be/_f9RSJVD1No Have a question? Email us  themccpodcast@gmail.com Follow us on Social Media for the latest show updates  www.twitter.com/themccpodcast www.instagram.com/themccpodcast www.facebook.com/themancavechroniclespodcast www.themccpodcast.com  https://www.youtube.com/c/TheManCaveChroniclesPodcast