Podcasts about postcolonial studies

Ni un grand militaire, ni un homme d'État, ni un artiste remarquable, Sake Dean Mahomed était pourtant, à son époque, une célébrité. Né fils de soldat en Inde, il a réussi à s'élever dans les rangs de l'armée du Bengal. À noter: à 14 minutes on parle de pamphlet, il aurait fallu dire dépliant! Rien de pamphlétaire là-dedans. Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Avec la participation de Catherine Tourangeau, merci Catherine https://www.facebook.com/LaPetiteHistorienne/ Script Catherine Tourangeau Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Musique issue du site : epidemicsound.com Images provenant de https://www.storyblocks.com Abonnez-vous à la chaine: https://www.youtube.com/c/LHistoirenousledira Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: Bayly, C. A. Indian Society and the Making of the British Empire. Cambridge: Cambridge University Press, 1988. Fisher, Michael, The First Indian Author in English: Dean Mahomed (1759-1851) in India, Ireland, and England. Oxford University Press, 1996. Teltscher, Kate, « The Shampooing Surgeon and the Persian Prince: Two Indians in Early Nineteenth-century Britain ». Interventions: International Journal of Postcolonial Studies. 2 (3): 2000, 409–23. Ansari, Humayun. The Infidel Within: The History of Muslims in Britain, 1800 to the Present. C. Hurst & Co. Publishers, 2004. Das, Alok, « Life and Legacy of Sake Dean Mahomet: A Forgotten Enigma ». Communication Studies and Language Pedagogy. 2(1–2): 2016, 199–211. Clarke, Sir Arthur. An Essay on Warm, Cold, and Vapour Bathing, with Practical Observations on Sea Bathing, Diseases of the Skin, Bilious, Liver Complaints, and Dropsy. London: Henry Colburn, 1813. Cochrane, Basil. An Improvement on the Mode of Administering the Vapour Bath, and the Apparatus Connected with It. London: John Booth, 1809. Cotton, Sir Evan. “`Sake Deen Mahomed' of Brighton.” Sussex County Magazine 13 (1939): 746–50. Feltham, John. Guide to All the Watering and Sea Bathing Places. London: Longman, Hurst, Rees, Orme, and Brown, 1806–15. Mahomet, Dean. The Travels of Dean Mahomet: An Eighteenth-Century Journey through India. Berkeley: University of California Press, c1997. Mahomed, S. D. Cases Cured by Sake Deen Mahomed, Shampooing Surgeon, And Inventor of the Indian Medicated Vapour and Sea-Water Baths, Written by the Patients Themselves. Brighton: The Author, 1820. ——————. Shampooing, or, Benefits resulting from the use of the Indian medicated vapour bath: as introduced into this country by S. D. Mahomed…containing a brief but comprehensive view of the effects produced by the use of the warm bath, in comparison with steam or vapour bathing. Brighton: The Author, 1822, 1826, 1838. Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. London: Routledge, 1992. History of champissage de London Centre of Indian Champissage™ https://champissageinternational.com/history-of-champissage/ The Shampooing Surgeon of Brightonm March/April 2018 by Gerald Zarr https://www.aramcoworld.com/Articles/March-2018/The-Shampooing-Surgeon-of-Brighton Autres références disponibles sur demande. #histoire #documentaire #deanmohamed #champissage

On this episode of Women on the Line we listen to snippets from a panel discussion about the new research released by the Racial Profiling Data Monitoring Project. We hear from:Dr Tamar Hopkins, a Researcher on Racial ProfilingSabrina Adem, a Community organiserLauren Caufield, Advocacy coordinator at Beyond Survival, Flat OutBee Charika, Rising Red Lantern and VixenDr Tasnim Sammak, Palestinian activist and organiserThe panel was moderated by Idil Ali, a community organiser.The panel was held on Monday 1 December at the Institute for Postcolonial Studies in Narrm.  

Acknowledgement of Country// Headlines:Torrential flooding across southeast AsiaSudan and Palestine updatesRampant racial profiling in Victoria Police searches and use of force6-month expansion of Victoria Police search powers in Melbourne's CBDHigh Court challenge against Australia's social media age ban Fundraisers this Saturday the 29th of November:RAHU x AUWU Solidarity BBQ, 12-4PM, Edinburgh Gardens Rotunda, Fitzroy VIC. Husk Fundraver, 3PM-late, location TBC - follow @husk_housingsupport on Instagram for updates.44FU Turns One Birthday Fundraiser, 5PM-late, ON3 Studio, 325 Victoria St, Brunswick VIC. We played some excerpts of 3CR's 2025 Beyond the Bars prison radio broadcasts, which aired live during NAIDOC week this year, sharing the mic with First Nations inmates in Victorian prisons from 7-11 July. Today, we heard the voices of women at Dame Phyllis Frost Centre speaking about the violence of lockdowns in prison and the way that these measures compound multiple forms of punishment that the women are forced to endure. Listen back to the full Beyond the Bars 2025 broadcasts here, and swing by the station at 21 Smith St, Fitzroy, to pick up a free CD!// Independent researcher Dr Tamar Hopkins joined us to discuss the latest data release by the Racial Profiling Data Monitoring Project, an analysis of Victoria Police's use of force data and updated search data. Tamar's analysis demonstrates the alarming rates at which Victoria Police conduct searches of and use force against people they perceive to be Aboriginal, African, Pacific Islander and Middle Eastern. Join Tamar and a stellar panel of anti-racist community organisers to unpack the findings at the IPCS (Institute for Postcolonial Studies) in North Melbourne next Monday the 1st of December from 5:30-7:30PM - register here to get your ticket. The Racial Profiling Data Monitoring Project is a project of the Centre Against Racial Profiling.// Poro, a member of FAMILI, a collective born at the intersection of Pasifika, Blak, queer, and trans experiences, joined us to discuss their EP BLOODFIRE released yesterday, as well as their new Short Film. FAMILI's work connects past, present, and future into a space that refuses easy categorisation, a space where ancestral traditions met futuristic sounds. Catch FAMILI's show tonight, Thursday the 27th of November, from 7PM at the Northcote Social Club, featuring an hour-long set of new, unreleased music that has been years in development (get your tickets here). FAMILI are joined by DJs Nicholas Currie + TIAKI + a Special Guest to be announced. Support FAMILI's work on Bandcamp and follow them on Instagram.//We caught up with Cameron Francis, CEO of The Loop Australia, to discuss the importance of drug checking and harm reduction, particularly at mobile sites, ahead of festival season. The Loop is a national harm reduction charity delivering drug checking services in Victoria and New South Wales, and, until recently, in Queensland. Check out the latest findings and reports from running the drug checking services.//The Loop VIC (95 Brunswick Street, Fitzroy) will have extended opening hours over the holidays. The Loop drug checking will also available at the following festivals:Spilt Milk, Ballarat – Saturday 6 December 2025Dangerous Goods 6XXL, Melbourne – Saturday 24 January 2026Pitch Music and Arts Festival, Mafeking – 6-10 March 2026.//

This week, we hear from researcher and activist Dr. Sadia Agsous-Bienstein, recorded at a teach-in hosted at the Institute of Postcolonial Studies in Naarm/Melbourne.Sadia speaks on the erased histories of Arab–Jewish solidarities and their meaning in the current moment of genocide in Gaza, perpetrated by Israel and its Zionist footsoldiers — including descendants of Jewish communities of North Africa and the Middle East.From anti-fascist resistance in colonial Algeria, to Arab solidarities against European antisemitism, to shared struggles against colonial rule in the Maghreb and Mashreq, Sadia traces how Western colonial divide-and-rule and Zionist settler-colonialism fractured and erased attempts at common life and joint struggle between Jews, Arab-Muslims, and Palestinians.In the second half of the show, Tasnim Sammak joins Sadia in conversation to reflect on what these histories mean in the current moment of genocide in Gaza — and how remembering solidarities is itself an act of resistance.Sadia mentions the following authors in her talk:Avi Shlaim, Three Worlds: Memoirs of an Arab-Jew. London: Oneworld Publications, 2019.Ella Shohat, On the Arab-Jew, Palestine, and Other Displacements. London: Pluto Press, 2017.Rashid Hussein, Selected Poems. Edited by Adina Hoffman, translated by Sasson Somekh. Jerusalem: Ibis Editions, 2002.Sadia Agsous, Le dialogue culturel entre Palestiniens et Israéliens dans les années 1950 : Rashed Hussein et Sasson Somekh, histoire d'un rendez-vous manqué, dossier spécial,  L'histoire culturelle des relations entre Juifs et Arabes en Palestine/Israël de la fin du XIXe siècle au début du XXIe siècle, Revue d'histoire culturelle XVIIIe-XXIe siècles, 2021.Mahmoud Darwish, interview cited in Elia J. Ayoub, The Jewish and Arab Questions and European Fascism, eliaayoub.com, 22 May 2021. Please note the guest lecture was co-organised by Tasnim Sammak and this week's presenter, Scheherazade Bloul.

June 2025 Dante's New SouthBenheart: Ben is a living testimony of a dream come true: from childhood between Morocco and Italy, through technical discoveries and dramatic trials, to rebirth and the founding of a brand that fuses hearts, craftsmanship and style. Benheart is not just fashion, but a life statement - combining heart and craftsmanship, with strong roots in Florence and global vision.www.benheart.it/?srsltid=AfmBOopJp1pzGmdew4Qc2oMvNo-0p7wLlIeJm9uVh_ETAUOWT1j-ilAdWaqas Khwaja is the Ellen Douglass Leyburn Professor of English at Agnes Scott College where he teaches courses in Postcolonial literature, British Romanticism, Empire Narratives, Victorian Novel, and Creative Writing. He has published four collections of poetry, Hold Your Breath, No One Waits for the Train, Mariam's Lament, and Six Geese from a Tomb at Medum, a literary travelogue about his experiences as a fellow of the International Writers Program, University of Iowa, and three edited anthologies of Pakistani literature. He served as translation editor (and contributor) for Modern Poetry of Pakistan, showcasing translations of poems by 44 poets from Pakistan's national and regional languages, and has guest-edited special issues on Pakistani Literature and poetry for the Journal of Commonwealth and Postcolonial Studies and Atlanta Review. A bilingual edition of one of his collections, No One Waits for the Train, was published as Nadie espera el tren in Madrid, Spain, in 2024.www.agnesscott.edu/directory/faculty/khwaja-waqas.htmlJoseph Saul Portillo After dedicating 25 years to Christian ministry and cultivating a successful career in business operations, Joseph Saul Portillo turned inward to explore his artistic calling, embarking on a new chapter in Fine Art Photography. Today, Joseph Saul is a Creative Producer and Digital Artist based in Rome, Georgia, whose evocative work in pictorial portraiture has earned him international acclaim as a Master of Light Photographer. His award-winning style, marked by emotional depth and artistic precision, has led to collaborations across film, music, and education projects. He currently serves on the Board of Directors for the Rome International Film Festival and on the Advisory Board for Georgia Highlands College's Digital Media and Communications program.www.josephsaulart.comWiktor Miesok was and raised in Poland, he relocated to Norway in 2012, drawn by a longing for Tolkienian mystical landscapes. Though he seeks inspiration in the silence and raw, untamed nature of the North, he remains stubbornly Eastern European at heart.An engineer by trade, he has a passion for storytelling and fiction that explores the human condition and its potential for both good and evil.His latest novel, and the first serious foray into fiction, tells the story of a young man in1980s East Germany who, in his search for freedom, ends up in a Soviet penal colony and becomes entangled in the ruthless criminal underworld.www.thegrimseries.comwww.youtube.com/@grim.hustleAdditional Music Provided by: Dr, Fubbs: www.tiktok.com/@doctorfubbs?lang=enJustin Johnson: www.justinjohnsonlive.comOur Advertisers:Lucid House Press: www.lucidhousepublishing.comWhispers of the Flight: www.amazon.com/Whispers-Flight-Voyage-Cosmic-Unity-ebook/dp/B0DB3TLY43The Crown: www.thecrownbrasstown.comBright Hill Press: www.brighthillpress.orgWe Deeply Appreciate:UCLA Extension Writing Program: www.uclaextension.eduMercer University Press: www.mupress.orgAlain Johannes for the original score in this show: www.alainjohannes.comThe host, Clifford Brooks', The Draw of Broken Eyes & Whirling Metaphysics, Athena Departs, and Old Gods are available everywhere books are sold. Find them all here: www.cliffbrooks.com/how-to-orderCheck out his Teachable courses, The Working Writer and Adulting with Autism, here: brooks-sessions.teachable.com

June 2025 Dante's New SouthBenheart: Ben is a living testimony of a dream come true: from childhood between Morocco and Italy, through technical discoveries and dramatic trials, to rebirth and the founding of a brand that fuses hearts, craftsmanship and style. Benheart is not just fashion, but a life statement - combining heart and craftsmanship, with strong roots in Florence and global vision.www.benheart.it/?srsltid=AfmBOopJp1pzGmdew4Qc2oMvNo-0p7wLlIeJm9uVh_ETAUOWT1j-ilAdWaqas Khwaja is the Ellen Douglass Leyburn Professor of English at Agnes Scott College where he teaches courses in Postcolonial literature, British Romanticism, Empire Narratives, Victorian Novel, and Creative Writing. He has published four collections of poetry, Hold Your Breath, No One Waits for the Train, Mariam's Lament, and Six Geese from a Tomb at Medum, a literary travelogue about his experiences as a fellow of the International Writers Program, University of Iowa, and three edited anthologies of Pakistani literature. He served as translation editor (and contributor) for Modern Poetry of Pakistan, showcasing translations of poems by 44 poets from Pakistan's national and regional languages, and has guest-edited special issues on Pakistani Literature and poetry for the Journal of Commonwealth and Postcolonial Studies and Atlanta Review. A bilingual edition of one of his collections, No One Waits for the Train, was published as Nadie espera el tren in Madrid, Spain, in 2024.www.agnesscott.edu/directory/faculty/khwaja-waqas.htmlJoseph Saul Portillo After dedicating 25 years to Christian ministry and cultivating a successful career in business operations, Joseph Saul Portillo turned inward to explore his artistic calling, embarking on a new chapter in Fine Art Photography. Today, Joseph Saul is a Creative Producer and Digital Artist based in Rome, Georgia, whose evocative work in pictorial portraiture has earned him international acclaim as a Master of Light Photographer. His award-winning style, marked by emotional depth and artistic precision, has led to collaborations across film, music, and education projects. He currently serves on the Board of Directors for the Rome International Film Festival and on the Advisory Board for Georgia Highlands College's Digital Media and Communications program.www.josephsaulart.comWiktor Miesok was and raised in Poland, he relocated to Norway in 2012, drawn by a longing for Tolkienian mystical landscapes. Though he seeks inspiration in the silence and raw, untamed nature of the North, he remains stubbornly Eastern European at heart.An engineer by trade, he has a passion for storytelling and fiction that explores the human condition and its potential for both good and evil.His latest novel, and the first serious foray into fiction, tells the story of a young man in1980s East Germany who, in his search for freedom, ends up in a Soviet penal colony and becomes entangled in the ruthless criminal underworld.www.thegrimseries.comwww.youtube.com/@grim.hustleAdditional Music Provided by: Dr, Fubbs: www.tiktok.com/@doctorfubbs?lang=enPat Metheny: www.patmetheny.comJustin Johnson: www.justinjohnsonlive.comOur Advertisers:Lucid House Press: www.lucidhousepublishing.comWhispers of the Flight: www.amazon.com/Whispers-Flight-Voyage-Cosmic-Unity-ebook/dp/B0DB3TLY43The Crown: www.thecrownbrasstown.comBright Hill Press: www.brighthillpress.orgWe Deeply Appreciate:UCLA Extension Writing Program: www.uclaextension.eduMercer University Press: www.mupress.orgAlain Johannes for the original score in this show: www.alainjohannes.comThe host, Clifford Brooks', The Draw of Broken Eyes & Whirling Metaphysics, Athena Departs, and Old Gods are available everywhere books are sold. Find them all here: www.cliffbrooks.com/how-to-orderCheck out his Teachable courses, The Working Writer and Adulting with Autism, here: brooks-sessions.teachable.com

In this episode Chella Ward and Salman Sayyid talked to Professor Priyamvada Gopal, Professor of Postcolonial Studies at the University of Cambridge. We talked about her important work on anticolonial resistance, about the importance of the literary in imagining liberation, and about the relationship between the Muslim and the decolonial – and also had the opportunity to hear about some of her upcoming work. This episode is the first in our series on ReOrienting History.

In this episode Chella Ward and Salman Sayyid talked to Professor Priyamvada Gopal, Professor of Postcolonial Studies at the University of Cambridge. We talked about her important work on anticolonial resistance, about the importance of the literary in imagining liberation, and about the relationship between the Muslim and the decolonial – and also had the opportunity to hear about some of her upcoming work. This episode is the first in our series on ReOrienting History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode Chella Ward and Salman Sayyid talked to Professor Priyamvada Gopal, Professor of Postcolonial Studies at the University of Cambridge. We talked about her important work on anticolonial resistance, about the importance of the literary in imagining liberation, and about the relationship between the Muslim and the decolonial – and also had the opportunity to hear about some of her upcoming work. This episode is the first in our series on ReOrienting History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

In this episode Chella Ward and Salman Sayyid talked to Professor Priyamvada Gopal, Professor of Postcolonial Studies at the University of Cambridge. We talked about her important work on anticolonial resistance, about the importance of the literary in imagining liberation, and about the relationship between the Muslim and the decolonial – and also had the opportunity to hear about some of her upcoming work. This episode is the first in our series on ReOrienting History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Garden Inventories: Reflections on Land, Place and Belonging (Wolsak and Wynn, 2023), author Mariam Pirbhai looks carefully at the pocket of land she has called home in Southern Ontario for the past seventeen years, which she notes is a milestone for her, and asks how long it takes to be rooted to a place? And what does that truly mean? Seeing the landscape around her with the layered experience of a childhood spent wandering the world, Pirbhai shares her efforts to create a garden and understand her new home while encouraging others to do reconsider the land on which they live, and how they treat it. The result is a delightful collection of essays that invites the reader to see the beautiful complexity of the land around us all in a new way. About Mariam Pirbhai: Mariam Pirbhai is an academic and creative writer. Her most recent work titled Garden Inventories: Reflections on Land, Place and Belonging (Wolsak & Wynn 2023), was a 2024 Foreword Indies finalist for nature/nonfiction, and received Honourable Mention for the 2024 Alanna Bondar Memorial Book Prize. Her novel titled Isolated Incident (Mawenzi 2022), won the 2024 IPPY Gold Medal for multicultural fiction and IPPY Silver Medal for Canadian regional fiction, and a debut short story collection titled Outside People and Other Stories (Inanna 2017), won the 2018 IPPY Gold Medal for multicultural fiction, and 2019 American Bookfest award for short fiction. Pirbhai is Full Professor of English at Wilfrid Laurier University, where she teaches and specializes in postcolonial studies and creative writing, and is the author of several academic studies on the literatures of the global South Asian diaspora. Pirbhai has served as President of CAPS (Canadian Association for Postcolonial Studies), Canada's longest-running scholarly association devoted to postcolonial and global anglophone literatures. Pirbhai lived in England, the United Arab Emirates and the Philippines, before her family settled in Canada. She lives and works in Waterloo, Ontario. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Garden Inventories: Reflections on Land, Place and Belonging (Wolsak and Wynn, 2023), author Mariam Pirbhai looks carefully at the pocket of land she has called home in Southern Ontario for the past seventeen years, which she notes is a milestone for her, and asks how long it takes to be rooted to a place? And what does that truly mean? Seeing the landscape around her with the layered experience of a childhood spent wandering the world, Pirbhai shares her efforts to create a garden and understand her new home while encouraging others to do reconsider the land on which they live, and how they treat it. The result is a delightful collection of essays that invites the reader to see the beautiful complexity of the land around us all in a new way. About Mariam Pirbhai: Mariam Pirbhai is an academic and creative writer. Her most recent work titled Garden Inventories: Reflections on Land, Place and Belonging (Wolsak & Wynn 2023), was a 2024 Foreword Indies finalist for nature/nonfiction, and received Honourable Mention for the 2024 Alanna Bondar Memorial Book Prize. Her novel titled Isolated Incident (Mawenzi 2022), won the 2024 IPPY Gold Medal for multicultural fiction and IPPY Silver Medal for Canadian regional fiction, and a debut short story collection titled Outside People and Other Stories (Inanna 2017), won the 2018 IPPY Gold Medal for multicultural fiction, and 2019 American Bookfest award for short fiction. Pirbhai is Full Professor of English at Wilfrid Laurier University, where she teaches and specializes in postcolonial studies and creative writing, and is the author of several academic studies on the literatures of the global South Asian diaspora. Pirbhai has served as President of CAPS (Canadian Association for Postcolonial Studies), Canada's longest-running scholarly association devoted to postcolonial and global anglophone literatures. Pirbhai lived in England, the United Arab Emirates and the Philippines, before her family settled in Canada. She lives and works in Waterloo, Ontario. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on."I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

For our snap episode on the snap elections in the UK and France, we're joined by eminent decolonial scholar activists, Françoise Vergès in France and Priyamvada Gopal in the UK.  Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures.  Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005),  After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The Indian English Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South. Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020). 

Somota is society divided by change, and by memories. When A. arrives in the protectorate shortly after the first world war, he is unsure of what to expect. Employed by the government as a linguistic anthropologist, he is tasked with documenting the benefits of the new order and reporting them to the Reverend G. But what are these benefits? In his travels throughout the region, A. finds only the physical and emotional scars of conquest, and of routine colonial administration. Yet, even as the indigenous culture is being reduced to mere fragments, he also learns of a sublime literature responding to those historical traumas. One storyteller in particular, Kehinta, begins to reveal to A. just how much has been lost. A People Without Shame (Blackwater Press, 2024) is a profoundly beautiful novel commenting on the horrors of colonial oppression, trauma, love, and the power of story. Patrick Colm Hogan is the author of The Death of the Goddess: A Poem in Twelve Cantos (2014), a book-length, narrative poem based on Hindu Goddess myths, as well as lyric poems and short fiction, published in such outlets as minnesota review, The Journal of Irish Literature, and the Journal of Commonwealth and Postcolonial Studies. A Board of Trustees Distinguished Professor at the University of Connecticut, he is the author of over twenty scholarly and interpretive books, most of which treat postcolonial or world literature. Hogan regularly teaches courses in postcolonial literature (often with a focus on Africa), as well as courses on the pre-colonial and postcolonial literary traditions of India and China. In keeping with these interests, he has worked to acquire at least some knowledge of French, German, Italian, Spanish, Latin, Hindi, Mandarin, and Sanskrit. A People Without Shame is his first novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Somota is society divided by change, and by memories. When A. arrives in the protectorate shortly after the first world war, he is unsure of what to expect. Employed by the government as a linguistic anthropologist, he is tasked with documenting the benefits of the new order and reporting them to the Reverend G. But what are these benefits? In his travels throughout the region, A. finds only the physical and emotional scars of conquest, and of routine colonial administration. Yet, even as the indigenous culture is being reduced to mere fragments, he also learns of a sublime literature responding to those historical traumas. One storyteller in particular, Kehinta, begins to reveal to A. just how much has been lost. A People Without Shame (Blackwater Press, 2024) is a profoundly beautiful novel commenting on the horrors of colonial oppression, trauma, love, and the power of story. Patrick Colm Hogan is the author of The Death of the Goddess: A Poem in Twelve Cantos (2014), a book-length, narrative poem based on Hindu Goddess myths, as well as lyric poems and short fiction, published in such outlets as minnesota review, The Journal of Irish Literature, and the Journal of Commonwealth and Postcolonial Studies. A Board of Trustees Distinguished Professor at the University of Connecticut, he is the author of over twenty scholarly and interpretive books, most of which treat postcolonial or world literature. Hogan regularly teaches courses in postcolonial literature (often with a focus on Africa), as well as courses on the pre-colonial and postcolonial literary traditions of India and China. In keeping with these interests, he has worked to acquire at least some knowledge of French, German, Italian, Spanish, Latin, Hindi, Mandarin, and Sanskrit. A People Without Shame is his first novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

► Jetzt das neue Buch versandkostenfrei bestellen: ⁠⁠ERFOLGREICH & (ENDLICH) GLÜCKLICH⁠ ____   Emilia Roig gehört weltweit zu den wichtigsten Stimmen gegen Diskriminierung. Emilia ist Politologin, Aktivistin und Autorin zahlreicher Bücher, wie "Why we matter" oder "Das Ende der Ehe". Ihr neustes Buch "Lieben" erscheint im September diesen Jahres. Sie lehrt Intersektionalität, Postcolonial Studies, Critical Race Theory. Völkerrecht und Europarecht regelmäßig in Frankreich, Deutschland und in den USA. ____   Limitless Horizon - Das exklusive Retreat mit Patrick in den Schweizer Bergen: ► Besuche die Webseite, um mehr zu erfahren: ⁠⁠https://patrickreiser.com/retreat/⁠⁠⁠⁠ ____   Alles über Patrick Reiser und die Möglichkeiten mit ihm zusammenarbeiten zu können: ► Zur Homepage: ⁠⁠http://patrickreiser.com⁠⁠⁠⁠⁠⁠⁠⁠⁠ ____   Alles über unseren Gast Emilia Roig: ► Ihre Homepage: ⁠https://www.emiliaroig.com/de ► Ihr aktuelles Buch Das Ende der Ehe ____   ► Hier gehts zum neuen ⁠⁠YouTube Kanal⁠⁠ vom Human Elevation Podcast ____   Patricks Buch: "Sprenge deine Grenzen, finde Erfüllung und schaffe inneren Frieden": ► Gibt es hier ⁠⁠auf Amazon⁠⁠ ► Oder auch als Hörbuch ⁠⁠auf Audible⁠⁠ ____   Besuche uns auf Instagram: ► ⁠⁠Patrick Reiser⁠⁠ ► ⁠⁠Human Elevation⁠⁠ ____   Vielen Dank, dass du da bist, dein Patrick & das Human Elevation Institut ____   Kooperationsanfragen gerne an folgende Email-Adresse: ⁠⁠kontakt@patrickreiser.com⁠⁠ ____

In this episode on Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji have a conversation with critical political theorists Adom Getachew and Ayça Çubukçu on the colonial construction of the international system and its organization around the institution of the nation state. The conversation covers and uncovers so many aspects of the hidden colonial history behind the constitution of this system, but also the resistance and creative appropriations by Black, Indigenous, and colonized peoples, allowing us to imagine possible liberatory futures beyond the forms and strictures of the colonial present.Ayça Çubukçu is associate professor in human rights at the London School of Economics and Political Science and Co-Director of LSE Human Rights. She is the author of For the Love of Humanity: The World Tribunal on Iraq (2018). Her work has appeared in Law and Critique; Polity; London Review of International Law; Thesis 11; Contemporary Political Theory; parallax; Interventions: International Journal of Postcolonial Studies; boundary 2; Law, Culture and the Humanities; Journal of Human Rights; and the Los Angeles Review of Books; the Guardian; Al Jazeera; Truthout; Africa Is a Country; Jadaliyya, and Red Pepper magazine, among other publications. She coedits the journal Humanity and the LSE International Studies Series at Cambridge University Press.Adom Getachew is Professor of Political Science and Race, Diaspora & Indigeneity at the University of Chicago. She is the author of Worldmaking after Empire: The Rise and Fall of Self-Determination (2019) and co-editor, with Jennifer Pitts, of W. E. B. Du Bois: International Thought (2022). She is currently working on a second book on the intellectual origins and political practices of Garveyism—the black nationalist/pan-African movement, which had its height in the 1920s. Her public writing has appeared in Dissent, Foreign Affairs, the London Review of Books, the Nation, the New York Review of Books, and the New York Times.www.lse.ac.uk/sociology/people/ayca-cubukcu www.pennpress.org/9780812225235/for-the-love-of-humanity/https://political-science.uchicago.edu/directory/Adom-Getachewhttps://press.princeton.edu/books/hardcover/9780691179155/worldmaking-after-empire www.cambridge.org/core/books/w-e-b-du-bois-international-thought/1A9DBFF90AAC53D27EA63C19E3268BE1www.palumbo-liu.com https://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

Today on Speaking Out of Place, we have a conversation with critical political theorists Adom Getachew and Ayça Çubukçu on the colonial construction of the international system and its organization around the institution of the nation state.  Our conversation covers and uncovers so many aspects of the hidden colonial history behind the constitution of this system, but also the resistance and creative appropriations by Black, Indigenous, and colonized peoples, allowing us to imagine possible liberatory futures beyond the forms and strictures of the colonial present.Ayça Çubukçu is associate professor in human rights at the London School of Economics and Political Science and codirector of LSE Human Rights. She is the author of For the Love of Humanity: The World Tribunal on Iraq (2018). Her work has appeared in Law and Critique; Polity; London Review of International Law; Thesis 11; Contemporary Political Theory; parallax; Interventions: International Journal of Postcolonial Studies; boundary 2; Law, Culture and the Humanities; Journal of Human Rights; and the Los Angeles Review of Books; the Guardian; Al Jazeera; Truthout; Africa Is a Country; Jadaliyya, and Red Pepper magazine, among other publications. She coedits the journal Humanity and the LSE International Studies Series at Cambridge University Press.Adom Getachew is Professor of Political Science and Race, Diaspora & Indigeneity at the University of Chicago. She is the author of Worldmaking after Empire: The Rise and Fall of Self-Determination (2019) and co-editor, with Jennifer Pitts, of W. E. B. Du Bois: International Thought (2022). She is currently working on a second book on the intellectual origins and political practices of Garveyism—the black nationalist/pan-African movement, which had its height in the 1920s. Her public writing has appeared in Dissent, Foreign Affairs, the London Review of Books, the Nation, the New York Review of Books, and the New York Times.

In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty', the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism. Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories. Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012). His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places. Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty', the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism. Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories. Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012). His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places. Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty', the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism. Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories. Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012). His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places. Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty', the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism. Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories. Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012). His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places. Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty', the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism. Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories. Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012). His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places. Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty', the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism. Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories. Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012). His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places. Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies.

Caroline Cornier has studied Political Science at Sciences Po Paris and the University of California, Santa Cruz. She was a lecturer at the Department of Development and Postcolonial Studies at the University of Kassel between December 2021 and September 2022 and is currently a doctoral researcher at the Global Devwlopment Institute of the University of Manchester. Her research is located at the intersection of Postcolonial Political Economy and Postcolonial Theory focusing on economic, political and financial North-South relations. Her doctoral thesis concerns the West African Cocoa Sector. Photo by Zoe on Unsplash A note from Lev:I am a high school teacher of history and economics at a public high school in NYC, and began the podcast to help demystify economics for teachers.  The podcast is now within the top 2.5% of podcasts worldwide in terms of listeners (per Listen Notes) and individual episodes are frequently listed by The Syllabus (the-syllabus.com) as among the 10 best political economy podcasts of a particular week.  The podcast is reaching thousands of listeners each month.  The podcast seeks to provide a substantive alternative to mainstream economics media; to communicate information and ideas that contribute to equitable and peaceful solutions to political and economic issues; and to improve the teaching of high school and university political economy. Best, Lev Do you get the newsletter?

In this episode, Urdu and Postcolonial Studies reader Dr. Amina Yaqin talks about Pakistani TV shows, female readership  of  Urdu novels in the 19th century, and understanding women's life narratives through autobiographies.‘In Perspective' is The Swaddle's podcast series where academics reveal little-known facts about Indian history, society and culture. Notes: 00:01:16:22- Why is Urdu perceived as a sectarian language of Indian Muslims today? In what ways has this increased communalization of the language post Partition been documented in Indian literature? 00:18:30:10- What led to the growth of the Urdu novel in the Indian subcontinent in the 19th century? How did it enable a fusion of narrative traditions of the East and West?00:43:41:14- Why are autobiographies largely looked at as a man's domain? What makes it a particularly interesting genre from the perspective of women's history and women documenting their own stories?00:59:11:21- Today's Pakistani dramas are hugely popular in India and many parts of the world. But in what ways has there been a shift in the portrayal of women in these dramas, from the assertive, liberal heroines of the 1980s to what you describe as “cautiously modern women” who are good wives and sisters in contemporary soap operas?01:17:00:04- How have contemporary Urdu writers in Pakistan explored narratives of gender and sexuality in subversive ways?

Ashley Dawson joins This is Hell! to discuss their new book, "Decolonize Conservation: Global Voices for Indigenous Self-Determination, Land, and a World in Common," co-edited with Fiore Longo and Survival International Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism.

Erica Gillingham is joined by a panel of leading international LGBTQ+ writers to discuss the growing popularity of queer fiction and the challenges posed by book bans. At a time when sales are increasing and LGBTQ+ authors are winning awards, in countries including the United States, Russia and Hungary, movements to remove books portraying queer characters are on the rise. The panel also explore the ways social media is influencing the kinds of LGBTQ+ stories being written, for example the way younger readers like to find books by certain story tropes, and also the importance of showing LGBTQ+ characters leading happy, fulfilled lives. Malinda Lo is the bestselling author of seven novels, including most recently A Scatter of Light. Her novel Last Night at the Telegraph Club won the United States' National Book Award, yet her work is banned in 25 school districts in half a dozen states. She explains how award-winning books can sometimes attract unwanted attention. Danny Ramadan is a Syrian-Canadian author and adovate for LGBTQ+ refugees. His debut novel, The Clothesline Swing, was shortlisted for the Lambda Literary Award, longlisted for Canada Reads, and named a Best Book of the Year by the Globe and Mail and Toronto Star. Danny explains the need for young people from minorities to access spaces where they can see themselves represented. Adiba Jaigirdar is the author of The Henna Wars, Hani & Ishu's Guide to Fake Dating and A Million to One. A Bangladeshi/Irish writer and former teacher, she has an MA in Postcolonial Studies from the University of Kent. She tells us about the important role older writers, particularly lesbian storytellers including Malinda Lo, played in inspiring her desire to write. Erica Gillingham is a a poet, writer and bookseller with a PhD in queer young adult literature. Her debut poetry pamphlet, The Human Body is a Hive, was published in March 2022. ​ Produced by Simon Richardson. (Photo: Adiba Jaigirdar, Erica Gillingham, Danny Ramadan and Malinda Lo. Credit: Tricia Yourkevich)

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El día de hoy, lunes 11 de abril, en nuestro programa de radio Día a Día, comenzamos conversando con Francisco Carballo, director del Centre for Postcolonial Studies de Goldsmiths de la Universidad de Londres, sobre la guerra en Ucrania: “Las masacres que hemos visto en las periferias de Kiev probablemente se repitan en el este ucraniano… Me temo que esta guerra va a durar y será muy cruenta”, dijo, y comentó: “El hecho de que hayan logrado romper el cerco a Kiev y que el ejército ruso se haya replegado y vaya a atacar por el este, indica que hasta ahora la guerra la va ganando Ucrania”. La periodista Andreina Flores nos habló sobre las elecciones en Francia: “Emmanuel Macron y Marine Le Pen van a repetir el escenario del 2017: Macron con 27,8% y Le Pen con 23,1%”, anunció, y expuso: “Le Pen ha logrado conectarse más con las realidades más cotidianas de Francia… Macron no ha hecho mucha campaña, ya que ha estado ocupado con la guerra en Ucrania”. “Aunque ellos son los grandes ganadores de la noche, los extremos entre extrema derecha y extrema izquierda suman un 52% de los votos de la primera vuelta”, agregó. México votó este domingo en un proceso revocatorio contra López Obrador. Sobre el tema, conversamos con el periodista de El País, Pablo Ferri: “Era muy claro el resultado incluso antes de que se iniciara la jornada electoral. Se sabía que López Obrador iba a arrasar, la pregunta era cuánta gente iba a acudir a las urnas… Podemos decir que con el 17% de participación, no le salió mal la jugada al presidente”, explicó. Timothy Lytton, profesor y experto en violencia armada, abuso sexual del clero, drogas y política alimentaria, nos habló sobre las nuevas normas para controlar las ‘armas fantasma': “Bajo las leyes de EE.UU, cuando se vende un arma de fuego, la misma debe tener un número de serie y se tiene que vender con una verificación de antecedentes… Estas normas no aplican a las partes solas de armas”, dijo. “Las nuevas normas del gobierno federal proponen hacer un cambio para que las partes centrales de esos juegos de armas ahora deban traer número de serie y ser vendidas con verificación de antecedentes”, explicó. Este 11 de abril se cumplen 20 años del golpe de Estado contra Hugo Chávez. Sobre el tema, conversamos con el historiador, profesor y analista, Pedro Benítez: “Ese día fue uno de esos momentos que cortan por la mitad la historia de una nación, generando un antes y un después… El principal responsable de ese pozo de odio en el que se nos metió es el presidente Hugo Chávez, por su estilo y forma de hacer las cosas”, aseguró. “Lo peor de lo que ocurrió, fue que el crimen que se perpetró contra ciudadanos desarmados en el Centro de Caracas el 11 de abril fue tapado por un golpe de Estado que se dio al día siguiente”, opinó. Y para cerrar, el químico físico, escritor y comunicador científico, Guillermo Orts-Gil, nos explicó el hallazgo sobre la partícula del bosón W: “Después de 10 años, los científicos han conseguido medir cuánto pesa el bosón W, y resulta que esa medición se va fuera de lo que los científicos habían calculado que tenía que suceder… Hemos descubierto que las leyes que gobiernan a los astros y a estos objetos enormes, no son las mismas que gobiernan a las partículas más pequeñas”, expuso.

In this episode, Susan speaks with Dr. Masood Raja, an Associate Professor in the UNT Department of English who specializes in postcolonial literature. They discuss his humanist approach to teaching literature from various cultures across the globe and his belief that reading widely can help make us more empathetic toward others. Professor Raja explains how his service in the Pakistan army helped prepared him for a career of literary scholarship. He also reflects on his recent involvement in an initiative that brought Pakistani scholars to UNT through funding provided by the U.S. Department of State. Finally, Dr. Raja shares some resources for those who may be interested in deepening their appreciation of literature from around the world. Episode Notes: Dr. Raja's website, Postcolonial Space, can be found at https://postcolonial.net/. Dr. Raja's YouTube channel can be found at https://www.youtube.com/c/Postcolonialism. To learn more about OLLI at UNT, visit https://olli.unt.edu or email olli@unt.edu.

“The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there's this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It's going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.”Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info · www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info

Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info· 
www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info

Hoy en Día a Día, comenzamos conversando con Francisco Carballo, director del Centre for Postcolonial Studies de Goldsmiths de la Universidad de Londres, sobre la ofensiva rusa en Ucrania: “A Putin le conviene extender todo esto para que la gente en Occidente pierda el entusiasmo por seguir las noticias de Ucrania”, dijo. Además, opinó: “En este momento, a Rusia le conviene seguir escalando las tensiones, de allí que tenga tan poco respeto por los corredores humanitarios y que todos los días haya una nueva provocación”, y comentó: “Las sanciones funcionan para los titulares de los periódicos, pero a quienes terminan afectando es a la gente de a pie. No creo que los oligarcas del Kremlin vayan a sufrir gran cosa”. El periodista de la fuente política de El País, Alonso Moleiro, nos habló sobre las conversaciones entre el gobierno de Maduro y EE.UU: “Creo que Maduro estaba bastante interesado en entrar a una zona de pertinencia y bajar sus tensiones con Occidente, particularmente con EE.UU”, dijo, y destacó: “Ayer Diosdado Cabello en su programa dijo que ellos no van a volver a México… Cabello es una persona poderosa, ya que tiene vínculos en las fuerzas armadas y tiene sus propias zonas de poder. Sin embargo, suele comportarse un poco por su cuenta”. Desde Wisconsin nos atendió el analista de opinión pública y estratega de campañas, Paul Maslin, para hablarnos sobre el primer acusado por el asalto el 6 de enero de 2021 al Capitolio de EE.UU: “En el fondo, estamos hablando de una amenaza a la democracia de EE.UU. Y eso es lo que está en juego”, aseguró, y destacó: “Muchos siguen con la sospecha de que el expresidente Trump estuvo detrás de todas estas campañas… La sospecha nos lleva a que quizás detrás de todo esto pudo estar también gente del Congreso”. Goyo Saavedra, abogado, analista político y ex-gerente de la ONG ‘Techo' Guatemala, conversó con nosotros sobre la ley que prohíbe el matrimonio homosexual y eleva la pena de prisión por aborto: “Guatemala no es un país en donde haya un ala progresista relevante, por lo que los señalamientos empiezan a ser mucho más acuciosos como una forma de distraer la atención de la población”, dijo, y aseguró: “Lo peligroso de esto es que se está regulando el aborto natural y se termina por penalizar a las mujeres que tengan una pérdida espontánea”. Y para cerrar, conversamos con el Dr. Félix Moronta Barrios, biólogo y especialista de Programas en Bioseguridad del Centro Internacional de Ingeniería Genética y Biotecnología, a propósito de la muerte de la primera persona que recibió trasplante de corazón de cerdo: “David Bennett y su familia sabían que este desenlace era altamente probable, y era muy incierta la cantidad de días que iba a poder sobrevivir”, aseguró, y explicó: “Desde el 2012 se ha empezado a modificar genéticamente a los cerdos para hacerlos más acordes a nuestra fisiología… Creo que en el futuro podremos contar tanto con órganos humanos como con órganos de cerdos modificados genéticamente”.

“The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there's this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It's going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.”Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info · www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info

Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info· 
www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info

“The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there's this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It's going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.”Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info · www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info

Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info· 
www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info

“The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there's this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It's going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.”Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info · www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info

“The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there's this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It's going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.”Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info · www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info

Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info· 
www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info

“The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there's this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It's going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.”Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info · www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info

Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info· 
www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info

Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info· 
www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info

“The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there's this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It's going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.”Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info · www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info