The academic study of the cultural legacy of colonialism and imperialism
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6 episodes with postcolonial studies
13 episodes with postcolonial studies
4 episodes with postcolonial studies
3 episodes with postcolonial studies
7 episodes with postcolonial studies
3 episodes with postcolonial studies
3 episodes with postcolonial studies
2 episodes with postcolonial studies
2 episodes with postcolonial studies
In this episode Chella Ward and Salman Sayyid talked to Professor Priyamvada Gopal, Professor of Postcolonial Studies at the University of Cambridge. We talked about her important work on anticolonial resistance, about the importance of the literary in imagining liberation, and about the relationship between the Muslim and the decolonial – and also had the opportunity to hear about some of her upcoming work. This episode is the first in our series on ReOrienting History.
In this episode Chella Ward and Salman Sayyid talked to Professor Priyamvada Gopal, Professor of Postcolonial Studies at the University of Cambridge. We talked about her important work on anticolonial resistance, about the importance of the literary in imagining liberation, and about the relationship between the Muslim and the decolonial – and also had the opportunity to hear about some of her upcoming work. This episode is the first in our series on ReOrienting History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this episode Chella Ward and Salman Sayyid talked to Professor Priyamvada Gopal, Professor of Postcolonial Studies at the University of Cambridge. We talked about her important work on anticolonial resistance, about the importance of the literary in imagining liberation, and about the relationship between the Muslim and the decolonial – and also had the opportunity to hear about some of her upcoming work. This episode is the first in our series on ReOrienting History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies
In this episode Chella Ward and Salman Sayyid talked to Professor Priyamvada Gopal, Professor of Postcolonial Studies at the University of Cambridge. We talked about her important work on anticolonial resistance, about the importance of the literary in imagining liberation, and about the relationship between the Muslim and the decolonial – and also had the opportunity to hear about some of her upcoming work. This episode is the first in our series on ReOrienting History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
In Garden Inventories: Reflections on Land, Place and Belonging (Wolsak and Wynn, 2023), author Mariam Pirbhai looks carefully at the pocket of land she has called home in Southern Ontario for the past seventeen years, which she notes is a milestone for her, and asks how long it takes to be rooted to a place? And what does that truly mean? Seeing the landscape around her with the layered experience of a childhood spent wandering the world, Pirbhai shares her efforts to create a garden and understand her new home while encouraging others to do reconsider the land on which they live, and how they treat it. The result is a delightful collection of essays that invites the reader to see the beautiful complexity of the land around us all in a new way. About Mariam Pirbhai: Mariam Pirbhai is an academic and creative writer. Her most recent work titled Garden Inventories: Reflections on Land, Place and Belonging (Wolsak & Wynn 2023), was a 2024 Foreword Indies finalist for nature/nonfiction, and received Honourable Mention for the 2024 Alanna Bondar Memorial Book Prize. Her novel titled Isolated Incident (Mawenzi 2022), won the 2024 IPPY Gold Medal for multicultural fiction and IPPY Silver Medal for Canadian regional fiction, and a debut short story collection titled Outside People and Other Stories (Inanna 2017), won the 2018 IPPY Gold Medal for multicultural fiction, and 2019 American Bookfest award for short fiction. Pirbhai is Full Professor of English at Wilfrid Laurier University, where she teaches and specializes in postcolonial studies and creative writing, and is the author of several academic studies on the literatures of the global South Asian diaspora. Pirbhai has served as President of CAPS (Canadian Association for Postcolonial Studies), Canada's longest-running scholarly association devoted to postcolonial and global anglophone literatures. Pirbhai lived in England, the United Arab Emirates and the Philippines, before her family settled in Canada. She lives and works in Waterloo, Ontario. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In Garden Inventories: Reflections on Land, Place and Belonging (Wolsak and Wynn, 2023), author Mariam Pirbhai looks carefully at the pocket of land she has called home in Southern Ontario for the past seventeen years, which she notes is a milestone for her, and asks how long it takes to be rooted to a place? And what does that truly mean? Seeing the landscape around her with the layered experience of a childhood spent wandering the world, Pirbhai shares her efforts to create a garden and understand her new home while encouraging others to do reconsider the land on which they live, and how they treat it. The result is a delightful collection of essays that invites the reader to see the beautiful complexity of the land around us all in a new way. About Mariam Pirbhai: Mariam Pirbhai is an academic and creative writer. Her most recent work titled Garden Inventories: Reflections on Land, Place and Belonging (Wolsak & Wynn 2023), was a 2024 Foreword Indies finalist for nature/nonfiction, and received Honourable Mention for the 2024 Alanna Bondar Memorial Book Prize. Her novel titled Isolated Incident (Mawenzi 2022), won the 2024 IPPY Gold Medal for multicultural fiction and IPPY Silver Medal for Canadian regional fiction, and a debut short story collection titled Outside People and Other Stories (Inanna 2017), won the 2018 IPPY Gold Medal for multicultural fiction, and 2019 American Bookfest award for short fiction. Pirbhai is Full Professor of English at Wilfrid Laurier University, where she teaches and specializes in postcolonial studies and creative writing, and is the author of several academic studies on the literatures of the global South Asian diaspora. Pirbhai has served as President of CAPS (Canadian Association for Postcolonial Studies), Canada's longest-running scholarly association devoted to postcolonial and global anglophone literatures. Pirbhai lived in England, the United Arab Emirates and the Philippines, before her family settled in Canada. She lives and works in Waterloo, Ontario. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Acknowledgement of Country// Alternative news headlines// Israel launched a massive attack on Lebanon on Monday killing 492 people, including 35 children, 58 women and two medics in over a thousand separate airstrikes. In the 57th session of the UN Human Rights Council (UNHRC) held in Geneva on Friday, September 13, China and several other Global Majority countries from across the world denounced all forms of illegal unilateral coercive measures by the US and its allies, demanding their immediate and unconditional withdrawal.New Zealand's right-wing coalition government has repealed or reversed around a dozen policies supporting Māori rights.Left-leaning politician Anura Kumara Dissanayake has won Sri Lanka's presidential election after a historic second round of counting.The Israeli Occupation Forces (IOF) stormed the Al Jazeera bureau office in Ramallah, in the occupied West Bank on Sunday, September 22, ordering the news network to close down the office and suspend its operations for 45 days. The incident occurred as part of a large-scale Israeli crackdown on the West Bank, and amid the worst attacks on media freedom and Palestinian journalists in particular.Meriki Onus at past Sunday's Free Palestine Rally about First Nations and Palestine Solidarity//At the Sunday Free Palestine Rally on the 22nd of September, Aboriginal activist Meriki Onus from Warriors of the Aboriginal Resistance spoke proudly of the solidarity they see between the Aboriginal and Palestinian struggles for freedom.You can follow up the Warriors of the Aboriginal Resistance collective on facebook : https://www.facebook.com/WARcollective/ Please support the screening of the film Ḻuku Ngärra: The Law of the Land//Ḻuku Ngärra: The Law of the Land is the extraordinary story of one Yolŋu elder's 45 year journey fighting for the political and spiritual freedom of their people. Please support the screening on 10th October at Brickworks in Burwood by pre-purchasing a ticket at the link below as soon as you can: funds will need to be raised in advance if the screening of this excellent film is to go ahead. Link: https://fan-force.com/screenings/luku-ngarra-the-law-of-the-land-readings-burwood-brickworks/ Dr Scheherazade Bloul on increasing militarisation in Victoria, and the Elbit out of Victoria campaign// Dr Scheherazade Bloul is a researcher whose research topics include youth cultures, technology, race and colonisation. Scheherzade is a member of Elbit out of Victoria campaign group and they speak to us about their research into militarisation in Victoria, with a focus on Hanwa Defence and Elbit Systems in Geelong, two weapons manufacturing companies receiving Australian taxpayers' money through secretive government contracts. Elbit System is the largest private weapons company in so-called Israel, and is implicated in the genocide of Palestinians. Dr Bloul speaks with us about the causes and effects of this militarisation, and the demands of the Elbit out of Victoria campaign, as well as the upcoming Weapons out of Avalon Rally in Geelong on 26 October.Join the Elbit out of Victoria campaign:https://www.unionistsforpalestine.com.au/elbit-out-of-victoriaNext meeting is this Saturday 28 September 2024 at the Institute for Postcolonial Studies, 3-5 pm, and online.For more on this topic, Listen to Scheherazade speaking with Prof Marianne Hanson on Women on the Line, 3cr:https://www.3cr.org.au/womenontheline/episode/aukus-remilitarisation-australian-education-sector-part-ihttps://www.3cr.org.au/womenontheline/episode/aukus-remilitarisation-australia-part-ii Revolutionary poetry accompanied by Oud, by the Anak Bangsa Merdeka collective// The poems are by Hijrah, who performed these poems this past Sunday at the Free Palestine Rally, accompanied on the oud, by Rasy. They belong to a revolutionary art collective from diverse regions and cultures - 'Anak Bangsa Merdeka', which means 'Children of Free Nations'. You can follow them on instagram @anakbangsamerdeka48 Interview with Aran Mylvaganam about the refugee encampments in Docklands which are on their 73rd day today//We spoke with Aran Mylvaganam , founder of theTamil Refugee Council concerning the ongoing refugee encampment at the home affairs office in Docklands. Aran spoke with us about the history of the situation, including the cynically named 'fast-track' system and the role of progressive governments in Victoria in keeping 9500 refugees in visa limbo. Aran spoke to us about the impacts of this visa limbo, the demands of the action, and what members of the public can do to lend solidarity and support. You can listen to more of Aran here : https://www.3cr.org.au/tamilvoice, https://www.3cr.org.au/palestine/episode/conversation-aran-mylvaganam-tamil-refugee-council%C2%A0founder-trade-unionist-andFollow the Facebook page/instagram for updates: https://www.facebook.com/RefugeeWAVE/And go down to the encampament at 808 Bourke Street, Docklands Excerpt from Untold Stories of Injustice - a new 5 part podcast series on 3cr//We listened to part of the first episode of a new 3CR podcast focusing on the voices of criminalised and incarcerated folks - Untold Stories of Injustice. Untold Stories of Injustice is a 5 part podcast series highlighting the experience of folks who have been incarcerated in Victoria and the horrors and illogics of the prison system and incarceration in general.If you miss any episodes or want to listen back, you can find them at 3cr.org.au/UntoldStories Community Events/Announcements//TODAY Rally at 10 am Mahmoud's Hall At Melbourne University to protest the international careers expo which tries to set students up for careers of death through promoting the military-industrial-academic-complex jobs ..updates unimelb for palestine on Instagram.Next Sunday 6 October 12:00PM - 52nd Weekly Free Palestine Rally, State Library of Victoria **MARKING 1 YEAR OF THE GAZA GENOCIDE**Saturday 26 October 12:00PM - Geelong Weapons Out Of Avalon Rally, Transvaal Square, Eastern Beach Rd, Geelong WaterfrontFree Kanaky solidarity Naarm is organising a rally this Saturday at 12 pm beginning at Federation square. Kanaky invasion day was yesterday 24 SeptemberThursday 26 September 6:30PM - Unionists For Palestine Mass Meeting, Institute of Postcolonial Studies, North MelbourneFriday night rally 5.30 PM rally + Head down to Home affairs 808 Bourke Street Docklands to lend your support to the refugee encampment who have been facing harassment. They request attendance between 8 am and 12 am and overnight, when they face the most attacks and police harassment.Join the Elbit out of Victoria Campaign . You can find the details on the unionists for Palestine webpage. Next meeting Saturday 28 September.Songs//Ana Betnafas Beirut, by MirayThe Bridge, by Yirramal
"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place
"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place
"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place
For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on."I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place
"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place
For our snap episode on the snap elections in the UK and France, we're joined by eminent decolonial scholar activists, Françoise Vergès in France and Priyamvada Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The Indian English Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South. Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).
Somota is society divided by change, and by memories. When A. arrives in the protectorate shortly after the first world war, he is unsure of what to expect. Employed by the government as a linguistic anthropologist, he is tasked with documenting the benefits of the new order and reporting them to the Reverend G. But what are these benefits? In his travels throughout the region, A. finds only the physical and emotional scars of conquest, and of routine colonial administration. Yet, even as the indigenous culture is being reduced to mere fragments, he also learns of a sublime literature responding to those historical traumas. One storyteller in particular, Kehinta, begins to reveal to A. just how much has been lost. A People Without Shame (Blackwater Press, 2024) is a profoundly beautiful novel commenting on the horrors of colonial oppression, trauma, love, and the power of story. Patrick Colm Hogan is the author of The Death of the Goddess: A Poem in Twelve Cantos (2014), a book-length, narrative poem based on Hindu Goddess myths, as well as lyric poems and short fiction, published in such outlets as minnesota review, The Journal of Irish Literature, and the Journal of Commonwealth and Postcolonial Studies. A Board of Trustees Distinguished Professor at the University of Connecticut, he is the author of over twenty scholarly and interpretive books, most of which treat postcolonial or world literature. Hogan regularly teaches courses in postcolonial literature (often with a focus on Africa), as well as courses on the pre-colonial and postcolonial literary traditions of India and China. In keeping with these interests, he has worked to acquire at least some knowledge of French, German, Italian, Spanish, Latin, Hindi, Mandarin, and Sanskrit. A People Without Shame is his first novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Somota is society divided by change, and by memories. When A. arrives in the protectorate shortly after the first world war, he is unsure of what to expect. Employed by the government as a linguistic anthropologist, he is tasked with documenting the benefits of the new order and reporting them to the Reverend G. But what are these benefits? In his travels throughout the region, A. finds only the physical and emotional scars of conquest, and of routine colonial administration. Yet, even as the indigenous culture is being reduced to mere fragments, he also learns of a sublime literature responding to those historical traumas. One storyteller in particular, Kehinta, begins to reveal to A. just how much has been lost. A People Without Shame (Blackwater Press, 2024) is a profoundly beautiful novel commenting on the horrors of colonial oppression, trauma, love, and the power of story. Patrick Colm Hogan is the author of The Death of the Goddess: A Poem in Twelve Cantos (2014), a book-length, narrative poem based on Hindu Goddess myths, as well as lyric poems and short fiction, published in such outlets as minnesota review, The Journal of Irish Literature, and the Journal of Commonwealth and Postcolonial Studies. A Board of Trustees Distinguished Professor at the University of Connecticut, he is the author of over twenty scholarly and interpretive books, most of which treat postcolonial or world literature. Hogan regularly teaches courses in postcolonial literature (often with a focus on Africa), as well as courses on the pre-colonial and postcolonial literary traditions of India and China. In keeping with these interests, he has worked to acquire at least some knowledge of French, German, Italian, Spanish, Latin, Hindi, Mandarin, and Sanskrit. A People Without Shame is his first novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
► Jetzt das neue Buch versandkostenfrei bestellen: ERFOLGREICH & (ENDLICH) GLÜCKLICH ____ Emilia Roig gehört weltweit zu den wichtigsten Stimmen gegen Diskriminierung. Emilia ist Politologin, Aktivistin und Autorin zahlreicher Bücher, wie "Why we matter" oder "Das Ende der Ehe". Ihr neustes Buch "Lieben" erscheint im September diesen Jahres. Sie lehrt Intersektionalität, Postcolonial Studies, Critical Race Theory. Völkerrecht und Europarecht regelmäßig in Frankreich, Deutschland und in den USA. ____ Limitless Horizon - Das exklusive Retreat mit Patrick in den Schweizer Bergen: ► Besuche die Webseite, um mehr zu erfahren: https://patrickreiser.com/retreat/ ____ Alles über Patrick Reiser und die Möglichkeiten mit ihm zusammenarbeiten zu können: ► Zur Homepage: http://patrickreiser.com ____ Alles über unseren Gast Emilia Roig: ► Ihre Homepage: https://www.emiliaroig.com/de ► Ihr aktuelles Buch Das Ende der Ehe ____ ► Hier gehts zum neuen YouTube Kanal vom Human Elevation Podcast ____ Patricks Buch: "Sprenge deine Grenzen, finde Erfüllung und schaffe inneren Frieden": ► Gibt es hier auf Amazon ► Oder auch als Hörbuch auf Audible ____ Besuche uns auf Instagram: ► Patrick Reiser ► Human Elevation ____ Vielen Dank, dass du da bist, dein Patrick & das Human Elevation Institut ____ Kooperationsanfragen gerne an folgende Email-Adresse: kontakt@patrickreiser.com ____
In this episode on Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji have a conversation with critical political theorists Adom Getachew and Ayça Çubukçu on the colonial construction of the international system and its organization around the institution of the nation state. The conversation covers and uncovers so many aspects of the hidden colonial history behind the constitution of this system, but also the resistance and creative appropriations by Black, Indigenous, and colonized peoples, allowing us to imagine possible liberatory futures beyond the forms and strictures of the colonial present.Ayça Çubukçu is associate professor in human rights at the London School of Economics and Political Science and Co-Director of LSE Human Rights. She is the author of For the Love of Humanity: The World Tribunal on Iraq (2018). Her work has appeared in Law and Critique; Polity; London Review of International Law; Thesis 11; Contemporary Political Theory; parallax; Interventions: International Journal of Postcolonial Studies; boundary 2; Law, Culture and the Humanities; Journal of Human Rights; and the Los Angeles Review of Books; the Guardian; Al Jazeera; Truthout; Africa Is a Country; Jadaliyya, and Red Pepper magazine, among other publications. She coedits the journal Humanity and the LSE International Studies Series at Cambridge University Press.Adom Getachew is Professor of Political Science and Race, Diaspora & Indigeneity at the University of Chicago. She is the author of Worldmaking after Empire: The Rise and Fall of Self-Determination (2019) and co-editor, with Jennifer Pitts, of W. E. B. Du Bois: International Thought (2022). She is currently working on a second book on the intellectual origins and political practices of Garveyism—the black nationalist/pan-African movement, which had its height in the 1920s. Her public writing has appeared in Dissent, Foreign Affairs, the London Review of Books, the Nation, the New York Review of Books, and the New York Times.www.lse.ac.uk/sociology/people/ayca-cubukcu www.pennpress.org/9780812225235/for-the-love-of-humanity/https://political-science.uchicago.edu/directory/Adom-Getachewhttps://press.princeton.edu/books/hardcover/9780691179155/worldmaking-after-empire www.cambridge.org/core/books/w-e-b-du-bois-international-thought/1A9DBFF90AAC53D27EA63C19E3268BE1www.palumbo-liu.com https://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place
Today on Speaking Out of Place, we have a conversation with critical political theorists Adom Getachew and Ayça Çubukçu on the colonial construction of the international system and its organization around the institution of the nation state. Our conversation covers and uncovers so many aspects of the hidden colonial history behind the constitution of this system, but also the resistance and creative appropriations by Black, Indigenous, and colonized peoples, allowing us to imagine possible liberatory futures beyond the forms and strictures of the colonial present.Ayça Çubukçu is associate professor in human rights at the London School of Economics and Political Science and codirector of LSE Human Rights. She is the author of For the Love of Humanity: The World Tribunal on Iraq (2018). Her work has appeared in Law and Critique; Polity; London Review of International Law; Thesis 11; Contemporary Political Theory; parallax; Interventions: International Journal of Postcolonial Studies; boundary 2; Law, Culture and the Humanities; Journal of Human Rights; and the Los Angeles Review of Books; the Guardian; Al Jazeera; Truthout; Africa Is a Country; Jadaliyya, and Red Pepper magazine, among other publications. She coedits the journal Humanity and the LSE International Studies Series at Cambridge University Press.Adom Getachew is Professor of Political Science and Race, Diaspora & Indigeneity at the University of Chicago. She is the author of Worldmaking after Empire: The Rise and Fall of Self-Determination (2019) and co-editor, with Jennifer Pitts, of W. E. B. Du Bois: International Thought (2022). She is currently working on a second book on the intellectual origins and political practices of Garveyism—the black nationalist/pan-African movement, which had its height in the 1920s. Her public writing has appeared in Dissent, Foreign Affairs, the London Review of Books, the Nation, the New York Review of Books, and the New York Times.
!!! WIR BEENDEN taz vorgelesen zum ENDE MÄRZ !!! Die Postcolonial Studies stehen seit dem 7. Oktober wieder verstärkt in der Kritik. Die Frage ist, wie antisemitisch sie sind. Eine Analyse. Vorgelesen von taz-Leser Alexander. Mehr vorgelesene taz-Texte im Telegram-Kanal: t.me/tazAudio
In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty', the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism. Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories. Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012). His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places. Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty', the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism. Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories. Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012). His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places. Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty', the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism. Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories. Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012). His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places. Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty', the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism. Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories. Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012). His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places. Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty', the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism. Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories. Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012). His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places. Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty', the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism. Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories. Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012). His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places. Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies.
Caroline Cornier has studied Political Science at Sciences Po Paris and the University of California, Santa Cruz. She was a lecturer at the Department of Development and Postcolonial Studies at the University of Kassel between December 2021 and September 2022 and is currently a doctoral researcher at the Global Devwlopment Institute of the University of Manchester. Her research is located at the intersection of Postcolonial Political Economy and Postcolonial Theory focusing on economic, political and financial North-South relations. Her doctoral thesis concerns the West African Cocoa Sector. Photo by Zoe on Unsplash A note from Lev:I am a high school teacher of history and economics at a public high school in NYC, and began the podcast to help demystify economics for teachers. The podcast is now within the top 2.5% of podcasts worldwide in terms of listeners (per Listen Notes) and individual episodes are frequently listed by The Syllabus (the-syllabus.com) as among the 10 best political economy podcasts of a particular week. The podcast is reaching thousands of listeners each month. The podcast seeks to provide a substantive alternative to mainstream economics media; to communicate information and ideas that contribute to equitable and peaceful solutions to political and economic issues; and to improve the teaching of high school and university political economy. Best, Lev Do you get the newsletter?
In this episode, Urdu and Postcolonial Studies reader Dr. Amina Yaqin talks about Pakistani TV shows, female readership of Urdu novels in the 19th century, and understanding women's life narratives through autobiographies.‘In Perspective' is The Swaddle's podcast series where academics reveal little-known facts about Indian history, society and culture. Notes: 00:01:16:22- Why is Urdu perceived as a sectarian language of Indian Muslims today? In what ways has this increased communalization of the language post Partition been documented in Indian literature? 00:18:30:10- What led to the growth of the Urdu novel in the Indian subcontinent in the 19th century? How did it enable a fusion of narrative traditions of the East and West?00:43:41:14- Why are autobiographies largely looked at as a man's domain? What makes it a particularly interesting genre from the perspective of women's history and women documenting their own stories?00:59:11:21- Today's Pakistani dramas are hugely popular in India and many parts of the world. But in what ways has there been a shift in the portrayal of women in these dramas, from the assertive, liberal heroines of the 1980s to what you describe as “cautiously modern women” who are good wives and sisters in contemporary soap operas?01:17:00:04- How have contemporary Urdu writers in Pakistan explored narratives of gender and sexuality in subversive ways?
Ashley Dawson joins This is Hell! to discuss their new book, "Decolonize Conservation: Global Voices for Indigenous Self-Determination, Land, and a World in Common," co-edited with Fiore Longo and Survival International Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism.
Erica Gillingham is joined by a panel of leading international LGBTQ+ writers to discuss the growing popularity of queer fiction and the challenges posed by book bans. At a time when sales are increasing and LGBTQ+ authors are winning awards, in countries including the United States, Russia and Hungary, movements to remove books portraying queer characters are on the rise. The panel also explore the ways social media is influencing the kinds of LGBTQ+ stories being written, for example the way younger readers like to find books by certain story tropes, and also the importance of showing LGBTQ+ characters leading happy, fulfilled lives. Malinda Lo is the bestselling author of seven novels, including most recently A Scatter of Light. Her novel Last Night at the Telegraph Club won the United States' National Book Award, yet her work is banned in 25 school districts in half a dozen states. She explains how award-winning books can sometimes attract unwanted attention. Danny Ramadan is a Syrian-Canadian author and adovate for LGBTQ+ refugees. His debut novel, The Clothesline Swing, was shortlisted for the Lambda Literary Award, longlisted for Canada Reads, and named a Best Book of the Year by the Globe and Mail and Toronto Star. Danny explains the need for young people from minorities to access spaces where they can see themselves represented. Adiba Jaigirdar is the author of The Henna Wars, Hani & Ishu's Guide to Fake Dating and A Million to One. A Bangladeshi/Irish writer and former teacher, she has an MA in Postcolonial Studies from the University of Kent. She tells us about the important role older writers, particularly lesbian storytellers including Malinda Lo, played in inspiring her desire to write. Erica Gillingham is a a poet, writer and bookseller with a PhD in queer young adult literature. Her debut poetry pamphlet, The Human Body is a Hive, was published in March 2022. Produced by Simon Richardson. (Photo: Adiba Jaigirdar, Erica Gillingham, Danny Ramadan and Malinda Lo. Credit: Tricia Yourkevich)
Luke de Noronha welcomes Maurice Stierl, researcher at Osnabrück University in Germany and author of Migrant Resistance in Contemporary Europe (Routledge, 2019). Maurice describes the varied patterns of movement and militarisation at the sea borders of Europe: the Atlantic, Central Mediterranean, Aegean and Channel crossings. In both his intellectual and activist work, Maurice joins those demanding free movement for all and an end to Europe's border violence. This conversation charts those urgent political struggles by and for people on the move.This conversation was recorded on 15th December 2022. Speakers: Dr Luke de Noronha, Lecturer in Race, Ethnicity & Postcolonial Studies, SPRC // Maurice Stierl, researcher at Osnabrück University in GermanyProducers: Dr Luke de Noronha and Lucy StaggEditor: Kaissa Karhu Hosted on Acast. See acast.com/privacy for more information.
Today we discuss the intersections of dwelling justice, incarceration, private land and the coloniality of housing.We hear an excerpt of Yuin woman and architectural design activist Linda Kennedy speaking at the Dwelling Justice Forum held in August 2022. You can listen to her full speech and others here.We then turn to a conversation about the Bendigo St documentary which chronicles a campaign to occupy a street of government-owned empty houses that were planned for demolition for the failed east-west link highway in Naarm/Melbourne. We sit down with documentary maker Jasmine Barzani, a Kurdish self-described troublemaker based in Naarm. She's an anti-fascist, prison abolitionist, no borders activist, and she is completing her honour's project at Melbourne University. She's a visiting fellow at the Institute of Postcolonial Studies and on the steering group of the Homes not Prisons campaign.Bendigo St is crowd-funding to make a feature-length documentary, you can support the project on the documentary Australia website.
Geier, Andreawww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei
El día de hoy, lunes 11 de abril, en nuestro programa de radio Día a Día, comenzamos conversando con Francisco Carballo, director del Centre for Postcolonial Studies de Goldsmiths de la Universidad de Londres, sobre la guerra en Ucrania: “Las masacres que hemos visto en las periferias de Kiev probablemente se repitan en el este ucraniano… Me temo que esta guerra va a durar y será muy cruenta”, dijo, y comentó: “El hecho de que hayan logrado romper el cerco a Kiev y que el ejército ruso se haya replegado y vaya a atacar por el este, indica que hasta ahora la guerra la va ganando Ucrania”. La periodista Andreina Flores nos habló sobre las elecciones en Francia: “Emmanuel Macron y Marine Le Pen van a repetir el escenario del 2017: Macron con 27,8% y Le Pen con 23,1%”, anunció, y expuso: “Le Pen ha logrado conectarse más con las realidades más cotidianas de Francia… Macron no ha hecho mucha campaña, ya que ha estado ocupado con la guerra en Ucrania”. “Aunque ellos son los grandes ganadores de la noche, los extremos entre extrema derecha y extrema izquierda suman un 52% de los votos de la primera vuelta”, agregó. México votó este domingo en un proceso revocatorio contra López Obrador. Sobre el tema, conversamos con el periodista de El País, Pablo Ferri: “Era muy claro el resultado incluso antes de que se iniciara la jornada electoral. Se sabía que López Obrador iba a arrasar, la pregunta era cuánta gente iba a acudir a las urnas… Podemos decir que con el 17% de participación, no le salió mal la jugada al presidente”, explicó. Timothy Lytton, profesor y experto en violencia armada, abuso sexual del clero, drogas y política alimentaria, nos habló sobre las nuevas normas para controlar las ‘armas fantasma': “Bajo las leyes de EE.UU, cuando se vende un arma de fuego, la misma debe tener un número de serie y se tiene que vender con una verificación de antecedentes… Estas normas no aplican a las partes solas de armas”, dijo. “Las nuevas normas del gobierno federal proponen hacer un cambio para que las partes centrales de esos juegos de armas ahora deban traer número de serie y ser vendidas con verificación de antecedentes”, explicó. Este 11 de abril se cumplen 20 años del golpe de Estado contra Hugo Chávez. Sobre el tema, conversamos con el historiador, profesor y analista, Pedro Benítez: “Ese día fue uno de esos momentos que cortan por la mitad la historia de una nación, generando un antes y un después… El principal responsable de ese pozo de odio en el que se nos metió es el presidente Hugo Chávez, por su estilo y forma de hacer las cosas”, aseguró. “Lo peor de lo que ocurrió, fue que el crimen que se perpetró contra ciudadanos desarmados en el Centro de Caracas el 11 de abril fue tapado por un golpe de Estado que se dio al día siguiente”, opinó. Y para cerrar, el químico físico, escritor y comunicador científico, Guillermo Orts-Gil, nos explicó el hallazgo sobre la partícula del bosón W: “Después de 10 años, los científicos han conseguido medir cuánto pesa el bosón W, y resulta que esa medición se va fuera de lo que los científicos habían calculado que tenía que suceder… Hemos descubierto que las leyes que gobiernan a los astros y a estos objetos enormes, no son las mismas que gobiernan a las partículas más pequeñas”, expuso.
In this episode, Susan speaks with Dr. Masood Raja, an Associate Professor in the UNT Department of English who specializes in postcolonial literature. They discuss his humanist approach to teaching literature from various cultures across the globe and his belief that reading widely can help make us more empathetic toward others. Professor Raja explains how his service in the Pakistan army helped prepared him for a career of literary scholarship. He also reflects on his recent involvement in an initiative that brought Pakistani scholars to UNT through funding provided by the U.S. Department of State. Finally, Dr. Raja shares some resources for those who may be interested in deepening their appreciation of literature from around the world. Episode Notes: Dr. Raja's website, Postcolonial Space, can be found at https://postcolonial.net/. Dr. Raja's YouTube channel can be found at https://www.youtube.com/c/Postcolonialism. To learn more about OLLI at UNT, visit https://olli.unt.edu or email olli@unt.edu.
“The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there's this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It's going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.”Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info · www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info
Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info· www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info
Hoy en Día a Día, comenzamos conversando con Francisco Carballo, director del Centre for Postcolonial Studies de Goldsmiths de la Universidad de Londres, sobre la ofensiva rusa en Ucrania: “A Putin le conviene extender todo esto para que la gente en Occidente pierda el entusiasmo por seguir las noticias de Ucrania”, dijo. Además, opinó: “En este momento, a Rusia le conviene seguir escalando las tensiones, de allí que tenga tan poco respeto por los corredores humanitarios y que todos los días haya una nueva provocación”, y comentó: “Las sanciones funcionan para los titulares de los periódicos, pero a quienes terminan afectando es a la gente de a pie. No creo que los oligarcas del Kremlin vayan a sufrir gran cosa”. El periodista de la fuente política de El País, Alonso Moleiro, nos habló sobre las conversaciones entre el gobierno de Maduro y EE.UU: “Creo que Maduro estaba bastante interesado en entrar a una zona de pertinencia y bajar sus tensiones con Occidente, particularmente con EE.UU”, dijo, y destacó: “Ayer Diosdado Cabello en su programa dijo que ellos no van a volver a México… Cabello es una persona poderosa, ya que tiene vínculos en las fuerzas armadas y tiene sus propias zonas de poder. Sin embargo, suele comportarse un poco por su cuenta”. Desde Wisconsin nos atendió el analista de opinión pública y estratega de campañas, Paul Maslin, para hablarnos sobre el primer acusado por el asalto el 6 de enero de 2021 al Capitolio de EE.UU: “En el fondo, estamos hablando de una amenaza a la democracia de EE.UU. Y eso es lo que está en juego”, aseguró, y destacó: “Muchos siguen con la sospecha de que el expresidente Trump estuvo detrás de todas estas campañas… La sospecha nos lleva a que quizás detrás de todo esto pudo estar también gente del Congreso”. Goyo Saavedra, abogado, analista político y ex-gerente de la ONG ‘Techo' Guatemala, conversó con nosotros sobre la ley que prohíbe el matrimonio homosexual y eleva la pena de prisión por aborto: “Guatemala no es un país en donde haya un ala progresista relevante, por lo que los señalamientos empiezan a ser mucho más acuciosos como una forma de distraer la atención de la población”, dijo, y aseguró: “Lo peligroso de esto es que se está regulando el aborto natural y se termina por penalizar a las mujeres que tengan una pérdida espontánea”. Y para cerrar, conversamos con el Dr. Félix Moronta Barrios, biólogo y especialista de Programas en Bioseguridad del Centro Internacional de Ingeniería Genética y Biotecnología, a propósito de la muerte de la primera persona que recibió trasplante de corazón de cerdo: “David Bennett y su familia sabían que este desenlace era altamente probable, y era muy incierta la cantidad de días que iba a poder sobrevivir”, aseguró, y explicó: “Desde el 2012 se ha empezado a modificar genéticamente a los cerdos para hacerlos más acordes a nuestra fisiología… Creo que en el futuro podremos contar tanto con órganos humanos como con órganos de cerdos modificados genéticamente”.
“The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there's this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It's going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.”Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info · www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info
Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info· www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info
“The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there's this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It's going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.”Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info · www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info
Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info· www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info
“The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there's this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It's going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.”Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info · www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info
“The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there's this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It's going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.”Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info · www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info
Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info· www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info
“The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there's this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It's going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.”Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info · www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info
Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info· www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info
Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info· www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info
“The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there's this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It's going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.”Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People's Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai. · ashleydawson.info · www.centerforthehumanities.org/programming/climate-action-lab · www.oneplanetpodcast.org · www.creativeprocess.info
By studying the history and sources of the Thomas Christians of India, a community of pre-colonial Christian heritage, this book revisits the assumption that Christianity is Western and colonial and that Christians in the non-West are products of colonial and post-colonial missionaries. Christians in the East have had a difficult time getting heard—let alone understood as anti-colonial. This is a problem, especially in studies on India, where the focus has typically been on North India and British colonialism and its impact in the era of globalization. A novel intervention, Clara A. B. Joseph's Christianity in India: The Anti-Colonial Turn (Routledge, 2020) takes up South India and the impact of Portuguese colonialism in both the early modern and contemporary period. It will be of interest to academics in the fields of Renaissance/Early Modern Studies, Postcolonial Studies, Religious Studies, Christianity, and South Asia. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Publications:“War and Peace in Outer Space: Law, Policy, Ethics” Cassandra Steer and Matthew Hersch (ed.s), (Oxford University Press). International Status in the Shadow of Empire, Cait Storr, University of Technology SydneyUniversity of Technology Sydney(Cambridge University Press) Find out more: Why did Australia sign the Moon Treaty?SpaceWatch.globalANU College of LawANU Institute for Space
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