Podcasts about Gregory Pardlo

Notes and Links to Antonio Lopez's Work      For Episode 241, Pete welcomes Antonio Lopez, and the two discuss, among other topics, his bilingual and multicultural childhood in East Palo Alto, E-40 Fonzarelli, his experiences with bilingualism, formative and transformative reading, the greatness and timelessness of James Baldwin, seeds for Gentefication in the rhythms and cultures and camaraderie of home, his life as a politician and working together with the community towards a stellar achievement, and salient themes in his collection like faith, gentrification and attendant outcomes, grief, trauma, joy, the power of art, and youthful rage and passion.      Antonio López is a poetician working at the intersection of poetry, politics and social change. He has received literary scholarships to attend the Community of Writers, Tin House, the Vermont Studio Center, and Bread Loaf. He is a proud member of the Macondo Writers Workshop and a CantoMundo Fellow. He holds degrees from Duke University, Rutgers-Newark, and the University of Oxford. He is pursuing a PhD in Modern Thought and Literature at Stanford University. His debut poetry collection, Gentefication, was selected by Gregory Pardlo as the winner of the 2019 Levis Prize in Poetry. He recently won a Pushcart Prize for his poem “Our Lady of the Westside.” As district representative for California State Senator Josh Becker, he served as the liaison for the Latinx, veteran, and Muslim communities of State District 13. Antonio has fought gentrification in his hometown as the newest and youngest council member for the City of East Palo Alto, and he is now the city's mayor.  Buy Gentefication   Antonio's East Palo Alto Mayoral Page   KQED Interview  At about 3:00, The two discuss the diversity of the Bay Area At about 4:20, Antonio speaks about “education as a pillar of [his] life” and his relationship with languages and the written word and nurturing schools in East Palo Alto At about 7:15, The two sing the praises of PBS as an educational force, and Antonio recounts an amazing 3rd grade story involving the great Levar Burton At about 11:50, Antonio details some of his favorite texts from childhood, including The Hatchet! At about 13:20, Antonio responds to Pete's questions about ideas of representation in what he read and how he was educated, and Antonio expounded upon the interesting ways in which he grew up in an under resourced school and in the Silicon Valley At about 17:30, The two discuss the huge gap in wealth between Peninsula cities At about 20:00, Pete quotes from the book's Acknowledgements in asking Antonio about his “origin story”; Antonio talks about the personal gaze and gaze from outside East Palo Alto At about 22:25, Antonio reminiscences on the visual and aural feasts, including the music, of his community and the ways in which English was “malleable” and formational for him At about 26:20, The two discuss the ways in which East Palo Alto achieved a huge change, culminating in zero homicides in 2023 At about 30:30, Antonio reflects on the idea that “all art is political” At about 32:25, Pete highlights impressive and creative verbs and language Antonio uses At about 34:50, Pete asks about the pronunciation of the poetry collection and Antonio details the significance of the title At about 37:10, Pete quotes from the book's Prologue from Pardlo and asks Antonio about an early reference in the collection to James Baldwin; Antonio expounds upon the “mill” At about 41:25, The two discuss a memorable line about school reading that didn't feel familiar for Antonio and other resonant lines about education  At about 44:15, Antonio responds to Pete's question about “the borderlands” referred to in the collection  At about 47:45, Antonio gives background on a powerful poem, “Las Chacharas” and its sequel, as well as ideas of relativism as seen in the writing  At about 50:40, Antonio talks about a “narrative wrapped around [him]” and his pride and ambivalence At about 54:15, The two explore ideas of gentrification and losses and beautiful gains that come with immigration, as featured in the collection, including a true story involving Antonio's paternal grandparents   At about 57:20, Pete compliments the poem from the collection that is a sort of tribute to his mom, and Pete wonders about the usage of “Usted” and “Tú”  At about 1:00:25, The two discuss coming-of-age themes in the collection, and Antonio expands upon ideas presented in a four-part poem At about 1:02:15, E-40 (!) and youthful and chaotic energy are the topics of discussion-Antonio reflects on the word “hyphy” At about 1:04:25, The two discuss religion and Catholicism/Christianity's links to colonialism and Antonio's beginnings with Muslim communities At about 1:08:40, Antonio talks about the importance of hadiths and a memorable poem from the collection-a letter written to a hate crime, the murder of Nabra Hassanen At about 1:12:45, DBQ's are highlighted and unique grading rubrics, as rendered in Antonio's work      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I'm looking forward to the partnership!     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 242 with Santiago José Sánchez, a professor of English and a queer Colombian American writer whose writing has appeared in McSweeney's, ZYZZYVA, Subtropics, and Joyland and been distinguished in Best American Short Stories. They are the recipient of a Truman Capote Fellowship from the University of Iowa and an Emerging LGBTQ Voices Fellowship from Lambda Literary.    The episode will go live on July 10 or so.     Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.

Gregory Pardlo on improv, therapy, and driving around with his father's ashes.

Recorded by Gregory Pardlo for Poem-a-Day, a series produced by the Academy of American Poets. Published on January 11, 2024. www.poets.org

Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Recorded by Gregory Pardlo for Poem-a-Day, a series produced by the Academy of American Poets. Published on December 15, 2022. www.poets.org

The poetry of our guest, Gregory Pardlo, is some of the finest, engaged work written in the U.S. today. He brings us the striking air traffic controller, permanently replaced, selling off everything but his house, his young son outside that house speaking to snowflakes. He conjures up the glory and the grace of girls jumping Double Dutch. And he tells of an impoverished old man who asks to hold the hand of a recovering alcoholic so that together they might toss a coin into a fountain and wish for something else. And Pardlo's work helps us imagine what that something else might be.

Jordan is joined by Pulitzer-winning poet and memoirist Gregory Pardlo — currently teaching at NYU in Abu Dhabi — to talk about sobriety, understanding the stories of one's life, and answering the self-imposed question “What god are you serving, Pardlo, when you write X?” Gregory Pardlo was born in Philadelphia in 1968. He is the author of Air Traffic (Knopf, 2018), a memoir in essays, and the poetry collections Digest (Four Way Books, 2014), which received the 2015 Pulitzer Prize in Poetry and was shortlisted for the 2015 NAACP Image Award, and Totem (American Poetry Review), which was selected by Brenda Hillman for the American Poetry Review/Honickman Prize in 2007. He is the recipient of fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the New York Foundation for the Arts, among others. He is the poetry editor of Virginia Quarterly Review and is currently teaching at NYU in Abu Dhabi. Learn more about your ad choices. Visit megaphone.fm/adchoices

In conversation Trapeta Mayson, Philadelphia Poet Laureate A reflection of the heartrending turmoils of racial injustice and brutality against Black Americans amidst the fear and uncertainty of a pandemic, There's a Revolution Outside, My Love is a kaleidoscopic collection of letters, poems, and essays penned by a diverse field of writers.  Camille T. Dungy is the author of four collections of poetry, most recently Trophic Cascade, winner of the Colorado Book Award. Her debut collection of personal essays is Guidebook to Relative Strangers, a finalist for the National Book Critics Circle Award. She was awarded a Guggenheim Fellowship in 2019. Gregory Pardlo won the 2015 Pulitzer Prize for his poetry collection Digest. Also the recipient of the APR/Honickman First Book Prize, he is the poetry editor for the Virginia Quarterly Review and teaches at the MFA program at Rutgers University, Camden. A professor of creative writing at Dartmouth College University, Joshua Bennett is the 2020-2021 Visiting Scholar at Friends Seminary in New York City. He is the author of three books of poetry and literary criticism, including The Sobbing School and Owed. Books available through the Joseph Fox Bookshop (recorded 5/19/2021)

CA is Electing Poets to City Council: Meet Antonio Lopez, Newly Elected Poetician Tony Diaz El Librotraficante interviews Antonio López whose debut poetry collection, Gentefication, was selected by Gregory Pardlo as the winner of the 2019 Levis Prize in Poetry, and will be published through Four Way Books in September 2021. Born and raised in East Palo Alto, CA, he has received scholarships to attend the Community of Writers at Squaw Valley, Tin House, the Vermont Studio Center, and Bread Loaf. He is a proud member of the Macondo Writers Workshop and a CantoMundo Fellow. His nonfiction has been featured or is forthcoming in PEN/America, Jacket2, and Insider Higher Education, and his poetry in The New Republic, Tin House, and elsewhere. He holds degrees from Duke University, Rutgers-Newark, and the University of Oxford. He is pursuing a PhD in Modern Thought and Literature at Stanford University. Antonio is currently fighting gentrification in his hometown as the newest and youngest councilmember for the City of East Palo Alto. Latino Politics And News Airdate: Tues Dec. 22, 2020, 2 pm, CST 90.1 FM KPFT Houston, Livestream: www.kpft.org We answer only to our community. Please budget a donation to KPFT, and make it support of Latino Politics and News today. Visit www.kpft.org. Thanks to our crew: Roxana Guzman, Communications Director Leti Lopez Rodrigo Bravo, who mixes our radio shows Laurie Flores Al Castillo Tune in every Tuesday from 2 pm to 3 pm for Latino Politics and News with Tony Diaz 90.1 FM KPFT, Houston. Livestream www.KPFT.org. That's followed by Nuestra Palabra: Latino Writers Having Their Say at 6 pm to 7 pm CST. 90.1 FM KPFT, Houston. Livestream www.KPFT.org. Tony Diaz also appears on "What's Your Point?" on Fox 26 Houston, Sundays at 7 am. www.NuestraPalabra.org www.Librotraficante.com Livestream: www.KPFT.org.

Poet Kevin Young talks about "African American Poetry: 250 Years of Struggle and Song" and Tracy K. Smith, Major Jackson and Gregory Pardlo share their poems.

What’s a chance encounter in a city that’s never left you? In this poem the speaker is asked a question by a stranger while standing near the water outside the Metropolitan Museum of Art in New York City. “Pardon me Old School he / says you know is this a wishing well?” He initially brushes off the stranger, but something happens: a shared coin, a well, a wish that is answered as it is made.Gregory Pardlo won the 2015 Pulitzer Prize for Poetry for his collection Digest. He is poetry editor of the Virginia Quarterly Review (VQR) and Director of the MFA program at Rutgers University-Camden. His most recent book is Air Traffic, a memoir in essays.Find the transcript for this show at onbeing.org

Recorded by Gregory Pardlo for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 19, 2020. www.poets.org

In this special bonus episode of the podcast, Pulitzer-winner Gregory Pardlo reads Carrie Fountain's poem "The Jungle." --- Send in a voice message: https://anchor.fm/penamerica/message Support this podcast: https://anchor.fm/penamerica/support

On this episode, Pulitzer Prize-winning poet Gregory Pardlo on getting reacquainted with his favorite books on the craft of writing, and reflecting on his own past. Also, tips on how to stay mentally fit while working from home. And, we want to hear from you. Record a voice message for us! https://anchor.fm/penamerica/message --- Send in a voice message: https://anchor.fm/penamerica/message Support this podcast: https://anchor.fm/penamerica/support

Today's poem is Double Dutch by Gregory Pardlo.

Continuing with fatherhood this preseason, Remoy and Samantha meld minds with Pulitzer prize winning-author Greg Pardlo, on his book Air Traffic: A Memoir of Ambition and Manhood in America. His father was one of the 11,000 air traffic controllers fired by Ronald Reagan in 1981, and with this book, Pardlo paints a vivid picture of his family life growing up, providing intimate insight into the connection between masculinity and labor in American society with the fallout of his father's career. The three look at the intersection blackness, masculinity and labor, then addiction, and how a man's sense of self can be based on everything outside of himself.

Editor Jeremy Flick sat down with Pulitzer Prize winner Gregory Pardlo to talk about his new book "Air Traffic", his poetry, and other interesting things. Original music composed by Evan Flick. Gregory Pardlo's ​collection​ Digest (Four Way Books) won the 2015 Pulitzer Prize for Poetry. His other honors​ include fellowships from the Guggenheim Foundation, the National Endowment for the Arts and the New York Foundation for the Arts; his first collection Totem was selected by Brenda Hillman for the APR/Honickman Prize in 2007. He is Poetry Editor of Virginia Quarterly Review. Air Traffic, a memoir in essays, was released by Knopf in April 2018.

Today we dive deep into a single poetry collection: Digest, by Gregory Pardlo. Digest won the 2015 Pulitzer, and with good reason. This is one of the most universally loved books we’ve had on the show. It’s incredibly personal, and yet it has enough intertextuality and historical references to keep you re-reading for days. Between bouts of effusive praise, we manage to read and analyze a couple of these magnificent poems. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gregory Pardlo's father was a brilliant and charismatic man--a leading labor organizer who presided over a happy suburban family of four. But when he loses his job following the famous air traffic controllers' strike of 1981, he succumbs to addiction and exhausts the family's money on more and more ostentatious whims. In the face of this troubling model and disillusioned presence in the household, young Gregory rebels. Struggling to distinguish himself on his own terms, he hustles off to Marine Corps boot camp. He moves across the world, returning to the United States only to take a job as a manager-cum-barfly at his family's jazz club.

''Intensely personal ... funny and poignant'' (New York Times), Gregory Pardlo's poetry collection Digest won the 2015 Pulitzer Prize. An out-of-nowhere coup for the relatively unknown Columbia University MFA student and teacher, it was also nominated for an NAACP Image Award and was a finalist for the Hurston Wright Legacy Award, among other honors. In his new memoir, Pardlo tells the story of his strained New Jersey upbringing, fatherhood, addiction, and African American masculinity. The poetry editor for The New Yorker and the director of the Schomburg Center for Research in Black Culture at the New York Public Library, Kevin Young is the author of the poetry collections Blue Laws, Book of Hours, and Jelly Roll, a finalist for the National Book Award. His nonfiction books include Bunk and The Grey Album: On the Blackness of Blackness, a finalist for the National Book Critics Circle Award. From James Brown to John Brown's raid to Brown v. the Topeka Board of Education, Young's new poetry collection riffs on the themes of collective experience and color. Watch the video here. (recorded 4/24/2018)

Good afternoon and welcome to another edition of The Avid Reader. Our guest today is Gregory Pardlo, author of Air Traffic: A Memoir of Ambition and Manhood in America just published on April 10th by Knopf. Gregory, before his incarnation as an author and memoir-ist wrote, and still writes, poetry. In 2015 Gregory won the Pulitzer Prize for his collection Digest. He has also held fellowships with the Guggenheim Foundation, the National Endowment for the Arts and the New York Foundation for the Arts. His first poetry collection was Totem. Air Traffic is a memoir of a brilliant and charismatic father, Gregory’s and his ride and fall. In part because of that fall Gregory joins the Marines, travels across the world, returns to the States and gets a job at his family’s jazz club. The memoir follows Gregory as he creates a life for himself that includes his family but isn’t defined by it. He also recovers from alcoholism and attempts to save his brother Robbie from the same fate. Although Gregory describes many failures in his life that he regrets, he also shares the learning process that has evolved from those. A lot of the story centers around the Delaware Valley, where you my listeners sit right now, so that will help ease you into the narrative and bring back familiar places and times. And oh by the way, Gregory will be speaking at the Free Library downtown tomorrow April 24th at 7:30 PM. So visit the site now for the Library and get tickets if you haven’t done so already.

Good afternoon and welcome to another edition of The Avid Reader. Our guest today is Gregory Pardlo, author of Air Traffic: A Memoir of Ambition and Manhood in America just published on April 10th by Knopf. Gregory, before his incarnation as an author and memoir-ist wrote, and still writes, poetry. In 2015 Gregory won the Pulitzer Prize for his collection Digest. He has also held fellowships with the Guggenheim Foundation, the National Endowment for the Arts and the New York Foundation for the Arts. His first poetry collection was Totem. Air Traffic is a memoir of a brilliant and charismatic father, Gregory’s and his ride and fall. In part because of that fall Gregory joins the Marines, travels across the world, returns to the States and gets a job at his family’s jazz club. The memoir follows Gregory as he creates a life for himself that includes his family but isn’t defined by it. He also recovers from alcoholism and attempts to save his brother Robbie from the same fate. Although Gregory describes many failures in his life that he regrets, he also shares the learning process that has evolved from those. A lot of the story centers around the Delaware Valley, where you my listeners sit right now, so that will help ease you into the narrative and bring back familiar places and times. And oh by the way, Gregory will be speaking at the Free Library downtown tomorrow April 24th at 7:30 PM. So visit the site now for the Library and get tickets if you haven’t done so already.

On this week’s episode of the Slush Pile, we review two prose poems by the author Daniel Biegelson labeled “Neighbors III” and “Neighbors IV”. Kathleen and the gang welcome Pulitzer Prize winner Gregory Pardlo to the editorial table for this very exciting iteration of the podcast. Everyone was intrigued to delve into the works Daniel Biegelson provided for us and were quite pleased to find that they offered interesting conversation. Daniel Biegelson is the author of the chapbook Only the Borrowed Light (VERSE) and Director of the Visiting Writers Series at Northwest Missouri State University. An Associate Editor for The Laurel Review, his poems have appeared in or are forthcoming from Cream City Review, Denver Quarterly, DIAGRAM,  FIELD, Meridian, Salt Hill Journal, & Third Coast, among other places. He hails from New Jersey—a fact that means more to him than it probably should.   Did these poets survive the gauntlet? Listen on to find out! Let us know what you think about these three poems and this episode on Instagram, Twitter, and Facebook with #HelloNeighbor   Present at the Editorial Table: Kathleen Volk MillerMarion WrennTim FittsSamantha NeugebauerJason Schneiderman Engineering Producer: Joe Zang  

"What planted the seed for this book was the Air traffic control strike of 1981. It was a turning point in my life and, obviously, it was a big turning point in my father’s life. And it was also a huge turning point in labor history, not only in America but around the world." Learn more: http://www.penguinrandomhouseaudio.com/book/549724/air-traffic/

Listen to this special This is the Author compilation of Lidia Bastianich, Junot Diaz, Joey Coleman, Daniel José Older, Suzy Fincham-Gray, J. Stuart Ablon, Gregory Pardlo, and Sir Ken Robinson talk about how libraries have influenced their lives.

The Poetry Foundation calls Gregory Pardlo, winner of the 2015 Pulitzer Prize for Poetry, “a different kind of Derek Jeter.” Pardlo is the second African American male poet to win the Pulitzer and the sixth African American poet overall to capture the highly coveted honor. Pulitzer judges praise Pardlo’s prize winning book, “Digest” as literature that is “rich with thought and ideas” and provides readers with a clear vision of the 21st Century. Pardlo’s prose also debunks the theory that African American fathers are disinterested parents. Pardlo is a teaching fellow of undergraduate writing at Columbia University. His work has appeared in the American Poetry Review, Boston Review and the Norton Anthology of Contemporary African American Poetry.

“[Gregory Pardlo] explores what is American, what is African American, what is the Other, what is city, what is suburban, what is personal & what is persona. Digest offers a changing, rich landscape of verse both haunting, funny, & rigorously intellectual—Jerry Magazine “[Pardlo] renders history just as clearly & palpably as he renders NYC or […] The post Gregory Pardlo : Digest appeared first on Tin House.

From Epicurus to Sam Cooke, the Daily News to Roots, Gregory Pardlo's collection “Digest” draws from the present and the past to form an intellectual, American identity. In poems that forge their own styles and strategies, we experience dialogues between the written word and other art forms. Within this dialogue we hear Ben Jonson, we meet police K-9s, and we find children negotiating a sense of the world through a father's eyes and through their own.

From Epicurus to Sam Cooke, the Daily News to Roots, Gregory Pardlo's collection “Digest” draws from the present and the past to form an intellectual, American identity. In poems that forge their own styles and strategies, we experience dialogues between the written word and other art forms. Within this dialogue we hear Ben Jonson, we meet police K-9s, and we find children negotiating a sense of the world through a father's eyes and through their own.

Let's call this our Translation Special! Pulitzer Prize–winner Gregory Pardlo reads his essay, "On Translation," and poet/translators KT Billey and Anna Rosenwong read their translated work. ~review The Catapult in iTunes~ CatapultPodcast.com // @CatapultPodcast // The Trebuchet

This is a black arts and culture site. We will be exploring the African Diaspora via the writing, performance, both musical and theatrical (film and stage), as well as the visual arts of Africans in the Diaspora and those influenced by these aesthetic forms of expression. I am interested in the political and social ramifications of art on society, specifically movements supported by these artists and their forebearers. It is my claim that the artists are the true revolutionaries, their work honest and filled with raw unedited passion. They are our true heroes. Ashay! 1. Gregory Pardlo, Pulitzer Prize winning poet (2015) for his collection, Digest. 2. Elita Tewelde, executive producer, Walk All Night: Drum Beat Journey, with co-Director & Producer Mallory Sohmer. 3. Taeva Shefler, attorney, Director of Legal Visits, VP, CA Prison Focus; with Matthew Gossage, Dir, Breaking the Box. 4. Sistah Iminah, Singer, Songwriter, Dancer  

Listen in to this interview with Pulitzer Prize winning poet Gregory Pardlo and help kick off Season 3 of The Mixed Experience.

"She [Dr. Angelou] was deeply aware of the cultural and institutional forces that worked to keep her voice, and voices like hers, out of the marketplace of ideas...she defied those forces and, as poet Elizabeth Alexander has pointed out, she helped clear a path for the boom in black women's writing."-Gregory Pardlo