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Dunable Guitars Tour: https://youtu.be/TsQXn4qIFyASubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeTwo guitars, two amps, and two people is all it takes to bring the noise.The day before they played the coveted Blue Room at Third Man Records in Nashville, the Washington, D.C.-based garage-punk duo Teen Mortgage released their debut record, Devil Ultrasonic Dream. Not a bad couple of days for a young band.PG's Chris Kies caught up with guitarist and vocalist James Guile at the Blue Room to find out how he builds the band's bombastic guitar attack.Full Rig Info: Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPGDon't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook: https://facebook.com/premierguitarPG's Instagram: https://www.instagram.com/premierguitar/PG's Twitter: https://twitter.com/premierguitarPG's Threads: https://threads.net/@premierguitarPG's TikTok: https://www.tiktok.com/@premierguitar0:00 - Wolf Van Halen & D'Addario0:15 - Teen Mortgage Live0:37 - Subscribe to PG!0:46 - Chris Kies Intro1:07 - Starting Teen Mortgage & Using Craigslist3:34 - Musical Vision & Two-Piece Band5:05 - Dunable Cyclops DE6:44 - Using Two Amps: Music Man 410-HD & Orange Crush Bass 10011:47 - Rig Rundown & D'Addario12:10 - James Guile's Pedalboard19:27 - Connecting with '90s Skateboarding, Art & Music22:39 - Teen Mortgage "Doctor" Live at Blue Room Nashville26:18 - D'Addario[Brought to you by D'Addario: https://ddar.io/wykyk-rr]© Copyright Gearhead Communications LLC, 2025#guitar #rigrundown #guitarist #guitarplayer #guitargear #teenmortgage
This week Jeremy welcomes singer & songwriter Will Anderson from the band Hotline TNT. On this episode, Jeremy and Will talk Linkin Park, radio festivals, Hot Topic, thank you lists, Family Values Tour, ska, basketball, not recording with Justin Vernon, leaving America for college, the rotating lineups of projects, Third Man Records, promotion innovations, the new Hotline TNT album "Raspberry Moon", and so much more! Follow the show on INSTAGRAM and The Website Formerly Known as Twitter SUBSCRIBE TO THE PATREON for a bonus episode where Will answered questions that were submitted by subscribers!
Te avanzamos el próximo disco de Natalie Bergman, 'My Home Is Not In This World', segundo álbum de la artista estadounidense, que volverá a publicar sus canciones con el sello de Jack White, Third Man Records. Además, escuchamos las últimas novedades de Sawyer Hill, Weird Omen, Jim Jones All Stars y The Budos Band.Playlist:TUNDE ADEBIMPE - Somebody NewCOLECTIVO DA SILVA - Solo quería probarNOTHING BUT THIEVES - Oh No :: He Said What?GLU - Boogie ManLADY GAGA - ZombieboyRUFUS T. FIREFLY - Trueno azulHENKO - Puente rectificadorHAVALINA - Más velocidadSTEVEN WILSON - Objects Outlive Us: Objects: MeanwhileSAWYER HILL - One ShotFATHER JOHN MISTY - Josh Tillman and the Accidental DoseTHE FLAMING LIPS - Fighting TestMARGO PRICE - StraysNATALIE BERGMAN - GunslingerJACK WHITE - A Tip from You to MeTHE BLACK KEYS - Little Black SubmarinesTHE BUDOS BAND - OverlanderTHE BUDOS BAND - Escape from Ptenoda CityLOS ESTANQUES Y EL CANIJO DE JEREZ - El murmullo de los perrosVENENO - Los delincuentesPSYCHIC TEMPLE - When The Money Comes In (feat. Chris Forsyth)WEIRD OMEN - Middle ClassJIM JONES ALL STARS - Goin HigherTHE JIM JONES REVUE - Shoot FirstTHE JIM JONES REVUE - Get BackHERMANA FURIA - Killer Queen ('Sheer Heart Attack Reimagined')WINGS - Junior's FarmEscuchar audio
In this episode of the XS Noize Podcast, Mark Millar chats with Saint Leonard—the visionary artist formerly known as Kieran Leonard—about the extraordinary journey that led to his third and most ambitious album, The Golden Hour. From recording his debut, Good Luck Everybody, at Stanley Kubrick's historic home to headlining sold-out shows at London's The Windmill and Third Man Records and supporting The Libertines on tour, Saint Leonard has built a reputation for fearless reinvention. In this fascinating conversation, Leonard shares the wild and deeply personal story behind The Golden Hour—an album shaped by Wild nights in Berlin's underbelly, Spiritual awakenings in India, Isolation in a GDR-era apartment during the pandemic, and Collaborations with Brian Eno and members of Fat White Family. Recorded at the legendary Hansa Studios in Berlin and Paul Epworth's Church Studios in London, The Golden Hour blends electronic textures, techno pulses, and Weimar cabaret flair—all woven together with Leonard's surreal storytelling and dark wit. Highlights include: Meeting Fat White Family by chance in Berlin and forming a band overnight Collaborating with Brian Eno and how it reshaped his sonic vision Wrestling with identity, paranoia, and rebirth during lockdown Using music to capture the absurdity of existence—with a wink The Golden Hour is not just an album—it's a full-blown experience: cinematic, unhinged, and unforgettable. Listen now for a deep dive into the madness, magic, and music of Saint Leonard. Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, Anton Newcombe, Peter Hook, The Twang, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head, and many more.
Arrancamos a fuego con lo nuevo de The Hives, 'Enough Is Enough', primer adelanto de su próximo disco, 'The Hives Forever Forever The Hives'. Además, escuchamos las últimas novedades de Momma, The Beaches, Wavves, Dope Lemon, Wishy y HotWax.Playlist:THE HIVES - Enough Is EnoughTHE HIVES - Countdown To ShutdownTHE HIVES - Hate to Say I Told You So (Live at Third Man Records)JACK WHITE - Archbishop Harold Holmes (Live at The Earl, July 29, 2024)THE BLACK KEYS - BabygirlWET LEG - Catch these fistsLADY BANANA - La Casa MagnéticaTHE WARNING - S!CKTURNSTILE - Underwater BoiCALA VENTO - LentoMOMMA - RodeoWAVVES - So LongROYEL OTIS - Linger (SiriusXM Session)THE PALE WHITE - Final ExitFONTAINES D.C. - It's Amazing To Be YoungWISHY - Over and OverDOPE LEMON - SugarcatDJO - Basic Being BasicSAM FENDER - People WatchingTHE BEACHES - Last Girls At The PartyHOTWAX - Lights On (feat. Stella Mozgawa)TY SEGALL - Fantastic TombARIZONA BABY - A Tale Of The WestFATHER JOHN MISTY - She Cleans UpJD MCPHERSON - Sunshine GetawayBRKN LOVE - Wisdom TeethCHEVELLE - Rabbit Hole (Cowards, Pt. 1)LINKIN PARK - Up From the BottomEscuchar audio
Our guest today is Anna Frick - a mastering engineer from Boulder, Colorado. Anna has worked with Wood & Wire, Billy Strings, John Denver, Clay Street Unit, Della Mae, The Grateful Dead, and Third Man Records.We talk about getting started at AirShow Mastering and the audio industry as a whole, the weight and responsibility of working on Glee, audio restoration with analog tape, being a metadata geek, and actually managing your business.This episode's music is brought to you by Stevie Matthews from Queens, New York. For more information on Stevie, head to: https://www.mynameissteviematthews.com and Instagram: @stevie_zucchiniFor more information about Anna:Check out: https://allysound.comAnd Instagram: @frickinanna
Show #1093 Got It Done 01. Joanne Shaw Taylor - Hell Of A Good Time (4:07) (Black & Gold, Journeyman Records, 2025) 02. Sunny Bleau & the Moons - Peacock Strut (3:15) (Passion & Regrets, Endless Blues Records, 2025) 03. Kid Ramos - An Answer For Isaac (4:56) (Strange Things Happening, Nola Blue Records, 2025) 04. Rick Revel - Son Of A Moonshiner (3:54) (That Muscle Shoals Sound, Tunesmith Records, 2024) 05. Jon Cleary & the Absolute Monster Gentlemen - So Damn Good (4:12) (The Bywater Sessions, Well Kept Secret, 2025) 06. Ben Hemming - Devil May Care (4:09) (The Meaning of All Things, self-release, 2025) 07. Emillia Quinn - Does She Know (3:55) (Dented Halos, self-release, 2025) 08. Jarkka Rissanen & Sons Of The Desert - Tailwind (4:07) (Mixed Waste, Humu Records, 2025) 09. Woody Crabapple - Thinkin' And Drinkin' (2:15) (Drowning Man Blues EP, The Orchard, 2025) 10. D. Scott Riggs - These Walls Don't Own Me (4:50) (Somewhere Not Here, Pure Panhandle Music, 2025) 11. Eric Johanson - Yellow Moon (4:35) (Live In Mississippi, Ruf Records, 2025) 12. Matt Andersen - Magnolia (4:20) (The Hammer & The Rose, Sonic Records, 2025) 13. Polyrhythmics - Mayo Con Yayo (4:44) (Life From Below, self-release, 2025) 14. Jim Brewer - It Hurts Me Too [1980] (3:04) (Take It Easy Greasy, Earwig Music, 2025) 15. GA-20 - It Hurts Me Too (2:46) (Try It... You Might Like It!, Colemine Records, 2021) 16. Danielle Miraglia - It Hurts Me Too (3:29) (Bright Shining Stars, VizzTone Records, 2020) 17. The Jujubes - It Hurts Me Too (3:52) (Where Are We Now, self-release, 2021) 18. First Aid Kit - It Hurts Me Too (2:58) (Single, Third Man Records, 2011) 19. Beaucoup Blue - It Hurts Me Too (3:16) (Hearts At Home, self-release, 2005) 20. Chuck Berry - It Hurts Me Too (2:59) (Chuck Berry In Memphis, Mercury Records, 1967) 21. Paul Geremia - When Things Go Wrong (It Hurts Me Too) (3:07) (Just Enough, Folkways Records, 1968) 22. Elmore James & his Broomdusters - It Hurts Me Too (3:17) (78 RPM Shellac, Chief Records, 1957) 23. Tampa Red - It Hurts Me Too (2:28) (78 RPM Shellac, Bluebird Records, 1940) 25. Tampa Red - You Got To Reap What You Sow (3:20) (78 RPM Shellac, Vocalion Records, 1929) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Patrick and Jacob of Eventide join us again to discuss the diabolical Knife Drop sub-octave fuzz / analog synth nightmare...pedal. This pedal is a collaboration between Eventide, Jack White, and Third Man Records and we want to get the story behind this monster of an effects pedal. Hosted by Todd Novak with Tony Dudzik and Ol' moanin' Rob Chafe #guitarpodcast #electricguitar #pedaleffects #pedalfx #theguitarknobs #guitarknobs #guitarinterview #guitaramplifier #guitarpickups #guitarsetup #fuzz #overdrive #reverb #distortion #guitartips Visit us at theguitarknobs.com Support our show on Patreon.com/theguitarknobs
It's not just because the late Ted Lucas shared a hometown with Third Man Records co-founder and co-owner Ben Blackwell that the Detroit native became obsessed with reviving Lucas' music. But that surely sweetened the pot. The one and only solo LP by Lucas, self-titled and from 1975, is re-released on vinyl and with digital extra tracks on February 21. We learned more about the artist and these songs from Blackwell inside Third Man's Nashville HQ.
- Imagine Dragons sur grand écran - Joseph Kamel poursuit son ascension - Third Man Records ouvre un pop-up store à Paris
Les classiques du jour : - The Dandy Warhols "We Used To Be Friends" - The Who "Pinball Wizard" Les nouveautés du jour : - Circa Waves "Let's Leave Together" - Tom Grennan - Shadowboxing - Caesaria - Can't Sleep Another Night Les sorties albums : - Dream Theater "Parasomnia" - Squid "Cowards" - Inhaler "Open Wide" - Heartworms "Glutton For Punishment" Le journal de la musique : - Imagine Dragons sur grand écran - Joseph Kamel poursuit son ascension - Third Man Records ouvre un pop-up store à Paris L'album de votre week-end : Junior Senior "D-D-Don't Don't Stop the Beat" Le live du jour : Waxx & Eagle Eye Cherry "Save Tonight" (session acoustique RTL2)
The True Story of The Stooges at Goose Lake – The Lost Tapes Revealed! FRUMESS is POWERED by www.riotstickers.com/frumess JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess
We're going a little bit country again this week on the Talkhouse Podcast—gotta keep you on your toes—with a pair of Nashville singer-songwriters who share a sensibility, some history, and sobriety, as you'll hear. One of them, Margo Price, you've hopefully heard on the podcast before; the other, Lilly Hiatt, is a first-timer, but you'd never know it. Price was a critical darling right out of the gate, and for good reason: Her debut album, released by Jack White's Third Man Records, kicked some new life into country by looking both backward and forward. Since then, Price has released a series of great records as well as a phenomenal memoir called Maybe We'll Make It. Last time she was on this podcast, Price was talking to former Tom Petty sideman Mike Campbell about a collaboration they did. That's just the tip of the iceberg, and as you'll hear in this chat, she's got new music cooking, though nothing has been officially announced yet. Lilly Hiatt has a famous last name in the music world—her dad is John Hiatt—but she's cut her own path through Nashville, too. She rides a more adventurous side of the musical line, getting almost alt-rocky at some points. She's opened for everyone from Drive-By Truckers to Hiss Golden Messenger to the Mountain Goats, which should tell you something right there. This week Hiatt is releasing a new album called Forever, which is the result of some serious self-reflection and a different, entirely scrapped set of songs. The album was mixed by Paul Kolderie, known for working on early Radiohead and Pixies records. Maybe that'll also tell you something. Check out “Kwik-E-Mart” right here. In this lively conversation, Price and Hiatt talk about getting back into the game, about working with their musician husbands—Jeremy Ivey and Coley Hinson, respectively—and they talk at length about getting and staying sober in a town where that's not always so easy. I had never heard Nashville described as a “drinking town with a music problem” before. Enjoy. Chapters: 0:00 – Intro 2:13 – Start of the chat 3:34 – Trying to stay in good health 9:36 – Finding balance in your work life 11:20 – Being married to a musician 16:06 – A day in the life 21:26 – On Lilly Hiatt's new album, 'Forever' 23:36 – On Nashville 26:36 – Favorite songs on 'Forever' 30:40 – On Price's upcoming record 33:05 – On sobriety 43:50 – Everything else on the horizon Thanks for listening to the Talkhouse Podcast, and thanks to Lilly Hiatt and Margo Price for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the good stuff in the Talkhouse Podcast Network. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.
This week a spirit named Luci told us to go back down to funky town to find some soul survivors! That's right funky junkies; we're talkin' about the hornier side of funk. The dirty, gritty soul that's juicy and sublime because it's got a little garage rock and swampy blues backbone mixed in with the R&B. This is sweat-drippin', chitlin' circuit-inspired rhythm & blues for your soul! Ya dig?What is it that we do here at InObscuria? We exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. In this episode, we take a listen to all 3, as we move n' groove our way through funk-infused dirty soul rock. Listen in and let your bodies move and booties groove.Songs this week include:The Detroit Cobras – “Hey Sailor” from Life, Love And Leaving (2001)The Heavy Souls – “She Said” from The Abyss (2024)The Soft White Sixties – “Don't Lie To Me” from Get Right. (2013)Sharon Jones & The Dap-Kings – “Genuine Pt. 1” from Soul Time! (2011)Ashley Clark & Matthew Simon Clark – “Hold On” from Dirty Soul Rock (2019)Daddy Long Legs – “Street Sermon” from Street Sermons (2023)Charles Bradley – “Stay Away” from Black Velvet (2018) Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/
Celebramos que esta semana Paul McCartney aterriza en España con su 'Got Back Tour' dedicándole gran parte de la primera hora de esta sesión: escuchamos a McCartney con The Beatles, Wings y en solitario. Además, nos zambullimos en el nuevo y sabroso disco de DeWolff, escuchamos a Interpol en concierto en Third Man Records, te contamos los detalles de la gira de Jack White por Reino Unido y Europa, y te traemos lo último de Findlay junto a Miles Kane.Playlist:THE BEATLES - Helter SkelterWINGS - Live And Let DiePAUL MCCARTNEY - Lady Madonna (Live)PAUL MCCARTNEY - Come On To MePAUL MCCARTNEY - Queenie Eye (Live At Tokyo Dome)PAUL MCCARTNEY - Find My WayPAUL MCCARTNEY - The Kiss Of Venus (Dominic Fike)PAUL MCCARTNEY - Seize The Day (feat. Phoebe Bridgers)PAUL MCCARTNEY - Lavatory Lil (Josh Homme)MARK LANEGAN - One Hundred DaysDAVE GAHAN & SOULSAVERS - All of This and NothingJACK WHITE - It's Rough On Rats (If You're Asking)JACK WHITE - That's How I'm FeelingINTERPOL - Say Hello To The Angels (Live at Third Man Records)THE BLACK KEYS - I'm With The Band (feat. Beck)FINDLAY - Juicy Fruit (feat. Miles Kane)MILES KANE - The Best Is Yet To ComeTHE LAST SHADOW PUPPETS - My Mistakes Were Made For YouMAIKA MAKOVSKI - The BrotherhoodKING SAPO - Hasta nunca (feat. Torque)SEX MUSEUM - RiotsCALIZO - Tenement Funster ['Sheer Heart Attack Reimagined']REME - Magic PeachREPION - Sin hablarSARRIA - El agujeroDEWOLFF - TruceDEWOLFF - OpheliaEscuchar audio
Hello dear listener! Welcome to the final episode in Season 5 of The Guitar Nerds Podcast! This week, Matt and I are talking about my trip to the Gibson Garage, Matt's trip to Third Man Records, and we're taking a little look at what we think might make the final lists for the Gear of the Year Finals! Gear of the Year 2024 will air from 13th December (that's the 12th of the 13th month for the Americans) - we have much to discuss! Don't forget to tell us your favourites on the Listeners' Choice poll on Patreon and Facebook! Hosted on Acast. See acast.com/privacy for more information.
MUSICHere's an update on the Sean "Diddy" Combs allegations. His former bodyguard has dropped a different kind of accusation against the jailed mogul. 'The Bee Gees: How Can You Mend A Broken Heart' and 'The Beach Boys' director Frank Marshall is set to direct a Fleetwood Mac documentary. The Tom Petty estate and Jack White's Third Man Records are teaming up for a vinyl only live release due out November 29th. Live in Edinburgh 1982: The Gennaro Tapes was taken from a cassette recording made by Petty and the Heartbreakers house sound mixer Gennaro Rippo during at the band's show in Edinburgh, Scotland on December 9th, 1982.TVJay Leno has his wife Mavis in a conservatorship because she's suffering from dementia but Jay may be on his way to needing around the clock care because the man can't quit hurting himself.Jay Cutler and Samantha Robertson are reportedly headed to the altar! Mulitple sources confirm to People that the former Chicago Bears quarterback and mother-of-two are engaged! MOVING ON INTO MOVIE NEWS:One of the most anticipated movies of the year comes out this weekend, and Variety reports that WICKED is expected to earn $100 to 110 million in North America during its opening weekend. The first official trailer for A Minecraft Movie has arrived! Jason Momoa and Jack Black star in the first-ever big-screen, live-action adaptation of the best-selling video game of all time. BTW: Minecraft theme parks are on the way, with the company that created Legoland theme parks is involved with bringing the gaming world of Minecraft to real life. After making $450 million at the box office, 'Beetlejuice, Beetlejuice' will make its streaming premiere on Max on December 6th. MISCBluesky has reached 20 million users. AND FINALLYWe played a new Crap On game called ‘Did This Make You Cry' Apparently, according to TheRinger.com, these are the top Guy Cry Movies . . .AND THAT IS YOUR CRAP ON CELEBRITIES!Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows http://www.1057thepoint.com/Rizz Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
MUSIC Here's an update on the Sean "Diddy" Combs allegations. His former bodyguard has dropped a different kind of accusation against the jailed mogul. 'The Bee Gees: How Can You Mend A Broken Heart' and 'The Beach Boys' director Frank Marshall is set to direct a Fleetwood Mac documentary. The Tom Petty estate and Jack White's Third Man Records are teaming up for a vinyl only live release due out November 29th. Live in Edinburgh 1982: The Gennaro Tapes was taken from a cassette recording made by Petty and the Heartbreakers house sound mixer Gennaro Rippo during at the band's show in Edinburgh, Scotland on December 9th, 1982. TV Jay Leno has his wife Mavis in a conservatorship because she's suffering from dementia but Jay may be on his way to needing around the clock care because the man can't quit hurting himself. Jay Cutler and Samantha Robertson are reportedly headed to the altar! Mulitple sources confirm to People that the former Chicago Bears quarterback and mother-of-two are engaged! MOVING ON INTO MOVIE NEWS: One of the most anticipated movies of the year comes out this weekend, and Variety reports that WICKED is expected to earn $100 to 110 million in North America during its opening weekend. The first official trailer for A Minecraft Movie has arrived! Jason Momoa and Jack Black star in the first-ever big-screen, live-action adaptation of the best-selling video game of all time. BTW: Minecraft theme parks are on the way, with the company that created Legoland theme parks is involved with bringing the gaming world of Minecraft to real life. After making $450 million at the box office, 'Beetlejuice, Beetlejuice' will make its streaming premiere on Max on December 6th. MISC Bluesky has reached 20 million users. AND FINALLY We played a new Crap On game called ‘Did This Make You Cry' Apparently, according to TheRinger.com, these are the top Guy Cry Movies . . . AND THAT IS YOUR CRAP ON CELEBRITIES! Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows http://www.1057thepoint.com/Rizz Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week on the show, a double-header. First, Rosali Middleman, and then, her bandmate, collaborator, and the leader of Mowed Sound, David Nance. Together, they both play on Rosali's fantastic 2024 album, Bite Down. Reviewing it for Aquarium Drunkard, Brent Sirota writes, “A great summer album needs hooks and choruses, big barroom rave-ups and bleary confessions of both love and doubt. Bite Down, with its weathered Americana, has all of this in spades. But more than that, a summer record must feel lived-in. There's someone there, but there's room for us as well. We feel the actual life of an artist overlapping with ours for a spell. Nobody today really does this better than Rosali Middleman. She makes intimate, confessional music feel communal. You can't help but sing along.” It's true—and Bite Down, her second collaboration with Nance and the Mowed Sound crew, has proved to be more than just the album of the summer—apologies to Brat. It turns out it's a great autumn album too. Of course Nance and Mowed Sound also have their own 2024 barnburner to consider: David Nance & Mowed Sound, released in February on Third Man Records, which takes the barband power of previous outings and adds a dash of distinguished polish. These talks were taped months apart—the Nance one was taped in April, Rosali's installment was taped in September, but both are loose, riffy, and openhearted. Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you'll find nearly 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. Subscribe at Aquarium Drunkard. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard
It's been a busy year for Jack White. The enigmatic artist and Third Man Records boss rolled out his sixth solo album, No Name, this summer, first as secret, unmarked vinyls distributed to Third Man customers, then with a full-blown digital release on August 2. He celebrated the record with a tour of last-minute-notice, small-room gigs around the U.S., proving that mystery and randomness can still exist in the world of algorithms and overblown marketing. That's not all. In September, Fender and White launched a line of signature products that were years in the making, including the eye-popping Pano Verb amplifier and feature-packed Triplecaster. PG's John Bohlinger scored an invite to White's Nashville headquarters to do a full walk-through of White's current touring rig, courtesy of tech and collaborator Dan Mancini. Here's a sneak peek at some key pieces of White's arsenal, but you'll have to watch the full rundown to catch Jack's custom Jazzmaster with some Mancini-executed “redneck engineering,” his new Triplesonic Acoustasonic model, and a cameo from the Third Man himself—right after Bohlinger accidentally breaks one of his guitars.Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/jack-whiteSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeShop Jack White's Gear:Jack White Triplesonic Acoustasonic Telecaster - https://sweetwater.sjv.io/yqggv3Jack White Triplecaster Telecaster - https://sweetwater.sjv.io/Jz9MbRFender Jack White Pano Verb - https://sweetwater.sjv.io/g1mxPrCustom Fender Jazzmaster - https://sweetwater.sjv.io/K0KKGNBoss TU-3w - https://sweetwater.sjv.io/750ngORadial Big Shot ABY - https://sweetwater.sjv.io/EKxXzDDunlop 535Q Cry Baby - https://sweetwater.sjv.io/k0MGAvDigitech Whammy - https://sweetwater.sjv.io/q4LBROISP Technologies Deci-Mate - https://sweetwater.sjv.io/LKaa1MThird Man Records x Gamechanger Audio Plasma Coil - https://sweetwater.sjv.io/Dy00m2Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/jack-whiteSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPG Don't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook:
We have a wonderful conversation with Will and Lucky, from Third Man Records Band, "Hotline T.N.T. It's a Raiders of the Lost Ark scene over there.
On this week's show, we... Bid adieu to the late Duke Fakir of The Four Tops Pour one out for the late Martin Phillipps of The Chills Spend qualtiy time with superlative new records from Jack White, Parlor Greens & Johnny Blue Skies All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.
Early in his career, John Moreland says he existed in a state of what he dubs "under-being": Living in perpetual humility to a fault, believing he wasn't deserving of appreciation for his art, let alone basic kindness. But in 2024, whether being championed by his Grammy-winning peers, or hailed by GQ as "the new face of folk rock,” he's finding being one of the most talked-about singer/songwriters today a little easier to take. And the last 12 months alone have given his fans multiple reasons to celebrate: On top of a raw, live-to-acetate recording at Nashville's Third Man Records and a 10th-anniversary vinyl reissue of his terrific sophomore LP, he suddenly dropped his latest album Visitor, without warning, back in April to wild acclaim. Today, the Oklahoma-based Moreland speaks about learning to love surprises, his infatuation with Sheryl Crow's harrowing hit “Strong Enough,” and how ditching his smartphone reconnected him with his record collection. Visit johnmoreland.net for tour dates, social media and more.
Wer letzten Freitag in einem Laden von Third Man Records einkaufte, bekam eine mysteriöse weisse Platte in die Tüte geschmuggelt. «NO NAME» stand drauf, sonst nix. Aber ab dem ersten Ton ist klar: das ist ein neues Jack White-Album. Und der ehemalige Kopf der White Stripes ist in Höchstform. Mittlerweile hat Third Man Records, Jack Whites eigenes Label und bekannt für lustige Publicity-Stunts, das Album bestätigt und alle zufälligen Besitzer:innen dazu ermuntert, die Songs ins Internet zu stellen. So können es alle herunterladen, obwohl das Album bis dato weder physisch, noch digital und auch nicht als Stream verfügbar ist. Wir stellen keine Fragen, sondern geniessen: Wunderbar knisternde Vinyl-Ästhetik, Referenzen an alle erdenklichen Classic-, Garage- und Punk-Rockgrössen und vor allem einen Jack White, der für einmal nicht Kopf und Firlefanz in den Vordergrund stellt, sondern Bauch und Abrissbirne. The White Stripes-Fans werden grinsen, wenn sie dieses Album hören.
President Joe Biden drops out and VP Kamala Harris steps in, Corey Feldman v. the National Anthem, Richard Simmons final photo, Jack White's surprise album, Rolling Stones' best album covers, and Beverly Hills 90210 tackled drug abuse better than any TV show. Politics: Joe Biden is not running for re-election. Kamala Harris looks to be the nominee. Keith Olbermann doesn't believe a bullet hit Donald Trump. Hulk Hogan spoke at the RNC. The memes are on fire. Frank Biden is popping off. Secret Service head Kimberly Cheatle appeared before Congress, said nothing, and was ripped a new one. Montel Williams used to nail VP Kamala Harris. Hey Matt Gaetz… why you look different? Soft Americans are totally stressed out. Corey Feldman is back to yelling at his bandmates on the Loserville Tour. We locate and watch an old school rendition of the Star-Spangled Banner by Corey. RIP Four Tops founder Duke Fakir. Kanye West has tax issues. Isaiah Thomas' son is gay. 90 Day Fiancé's Stephanie Matto is currently blackmailing a US Senator. Buy her farts today! Former Sopranos actress Drea de Matteo employs her son to edit her Only Fans. Bhad Bhabie is standing by her man after he beat her up. Richard Simmons “last picture” was released, but some people are saying that it looks AI generated. Madonna's son needs money and is homeless according to idiots. RIP to Clint Eastwood's WAY younger girlfriend. RIP Slash's stepdaughter. Brittney Griner is now a mother to a son and wants to be called “pop”. LeBron James was chosen to be the flag bearer at the Opening Ceremonies of the Paris Olympics. A ‘Mommy Blogger' has lost her affluent husband to suicide. RIP John Belushi's widow. Drew is angry at people making mean comments about Ringo Starr videos. Rolling Stone's Top 100 Best Album Covers of All Time. What is in Naomi Cambell's pants? Jack White literally dropped a new album into shopper's bags at his Third Man Records. Pete Davidson is doing great now. Britney Spears and Kate Beckinsale are teaming up against the Osbournes. Armie Hammer is finally speaking out. BDSM is so hot right now. Sports: There is a Connor Stalions documentary on the way to Netflix. Steve McNair's murder is the topic of one as well. LT busted AGAIN. Former Detroit Tigers manager Jim Leyland entered the Hall of Fame. Alyssa Milano made it to Cooperstown thanks to her GoFundMe. We revisit how well Beverly Hills 90210 covered the heavy topic of teen drug abuse. Visit Our Presenting Sponsor Hall Financial – Michigan's highest rated mortgage company If you'd like to help support the show… consider subscribing to our YouTube Page, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).
Sadly, the Musical Mitten Podcast recently closed its podcast doors. It started up as a radio show at WOCR of the University of Olivet, hosts Maggie Brener of Bay City (now Detroit) and Breanne Wilder of Vicksburg ( now Charlotte) had put together a bevy of Michigan Musical discussion and guests that leveled up the playing field of current artists and musicians, along with classic Michigan music content. They began the show as a podcast in February of 2022 and as they say, From Mackinac To Motown, From Muskegon To Madonna, Maggie and Bree covered it all. The Musical Mitten first touched base with Dr. J right soon after the MMHP989 began, in April of 2022. Access that here: https://themusicalmitten.wixsite.com/themusicalmi/podcast/episode/79fd1b9c/the-man-the-museum-the-legends When the MMHP, minus Dr. J hit the road for a Detroit trip to site see the venues of yesteryear field trip style, as well as tour Third Man Records back in December of 2023, Scott had been in contact about doing an episode on The Musical Mitten for his recent album Purpose. When making contact with Maggie, it was decided to turn it into a show where two of Michigan's deepest music podcasts interview each other; the process, the work, and some stuff on Scott's albums. We decided to meet in Fenton at the Library and record a shared Podcast. The podcast for The Musical Mitten which they released can be found here. Now you can compare edit notes...HA! https://themusicalmitten.wixsite.com/themusicalmi/podcast/episode/7b1a1952/michigan-music-podcast-squared The MMHP gives a tip of the cap to Maggie and Bree, as the Musical Mitten shows are still are available AND our time together--even though we were cut short--the listeners will enjoy the work, guest talks, and laughter as we discuss both of our shows, the impetus, and the future visions behind how we put shows together. We hope to cross paths with these wonderful hosts again someday. Dig into The Musical Mitten by way of the MMHP. Thank you Maggie and Bree! Their perma home is: https://themusicalmitten.wixsite.com/themusicalmi
Mike Ruth, a long-time staple of the Nashville indie rock scene, made a career playing in other people's bands before he stepped into the spotlight with his own material in 2019 under the moniker Rich Ruth. Over the course of four albums, his sound and identity as a composer has continued to evolve and on his latest release, Water Still Flows (out 6/21 on Third Man Records), Ruth has built upon the success of his “experiments” heard on 2020's critically acclaimed I Survived, It's Over to deliver a brash, beautiful, and spiritual explosion of sound unlike anything you've heard this year. On this edition of Discologist, Eduardo and Kevin had the pleasure of sitting down with Ruth to talk about the new album, finding the spirit in the art you make, performing as a sideman vs doing his own thing, and much more. .------We're able to bring you great conversations like this and more because of your generous support. Please consider making a one time gift or a recurring donation today!SUPPORTSupport this show http://supporter.acast.com/discologist. Hosted on Acast. See acast.com/privacy for more information.
Lola Kirke has played many roles as an actress (“Mozart in the Jungle,” “Gone Girl,” “Winning Time”), but as a musician her sights have always been set squarely on Country. After relocating from Los Angeles to Nashville in 2020, Kirke devoted herself to honing the craft she'd come to admire so deeply in artists like The Judds, The Pistol Annies, and Dolly Parton. Shortly thereafter, she released her critically acclaimed sophomore LP “Lady For Sale” on the much respected Third Man Records in 2022, and played sold out shows with the likes of Jenny Lewis, and Margo Price. This past February Lola made her Grand Ol Opry debut and most recently become the newest addition to the cast of Ryan Coogler‘s untitled supernatural thriller for Warner Bros Pictures which will be released next year. https://www.lolakirkemusic.com/ https://www.theartcareer.com/ @lolakirke
I've never talked with Stephan Perkins from Third Eye Blind, so I can check him off my ever-growing list of rockers I've interviewed. Right off the bat, we talked about touring, and how much he likes it. He commented on how concerts bring us together "That collective sense of feeling lets us know that we're not alone." You can see him and Third Eye Blind along with Yellowcard and A R I Z O N A on July 7th at Pine Knob Music Theater. We talked about a recent unplugged performance he did at an Emo club. "It was fun, man, it was fun," he said about the impromptu show. Third Eye Blind Teams Up With Detroit's Own Shinola There are also a couple of other things we talked about, one is their collab with Shinola. Stephan talked about how he likes that the watches are Made In America and the local craftsmen who make them. They have a limited edition watch coming out. "It's super cool. It's obviously American-made". He said they'll be visiting the store when they come through, as well as Jack White's Third Man Records. How Did His Life Change In The 90s? His life changed in a huge way in the 90s when Third Eye Blind broke. As I asked him this, he paused for about 5 seconds before answering. He went on to talk about how he lived in an apartment with 6 roommates, one bath and he slept on packing foam. He spoke to the bands he started or joined that fell apart until the band finally broke. After massive tours with U2 and The Rolling Stones, he found himself driving home after two years on the road. "Tears streamed down my face because I realized where I'd gone to, this delineation of points," he said. We wrapped our conversation by talking about how the thrash scene in San Francisco where he's from had any effect on his musical tastes.
Born and raised in the countryside of Ohio, Nashville, TN based musician and visual artist Michael Ruth (Rich Ruth) saught creative refuge in a more music driven community with like minded people as his horizons began to expand. Eventually coming into his own as a musician, Ruth connected with locals such as Spencer Cullum Jr. and the folks over at Third Man Records and since been on journey that only just begun. His most recent album entitled "Water Still Flows" is an exploratory narrative driven by poetic textures and atmospheric rythms and in Ruth's own words is his 'greatest effort yet'. Enjoy!
Guest host Holly Haze takes the reins of the podcast this week and welcomes Tina Halladay of Sheer Mag to the show to talk about her 7 year old rescue dog Rock whose DNA test might leave him with an identity crisis being part Chihuahua, Cocker Spaniel, Australian Cattle Dog, American Pit Bull Terrier, Russel Terrier, Mini Pinscher, Dachshund and Super Mutt. Sheer Mag's new album Playing Favorites is out now on Jack White's Third Man Records. Catch them on tour through May. For dates and tickets visit https://www.sheer-mag.com/ Tina chose to give a well-deserved shout out to the Philadelphia Animal Welfare Society (PAWS) who are dedicated to saving Philadelphia's homeless and at-risk pets. Each year, PAWS finds loving homes for thousands of animals in need, and enables thousands of families to keep their cherished pets by providing affordable, basic veterinary care for pet owners and rescue organizations that cannot otherwise access it. To adopt, foster, donate or volunteer visit phillypaws.org For more pics and clips of all our Rocker Dog podcast guests follow us on instagram at rockerdogpodcast
Formed in a city best known for either Motown Soul or Garage Rock, shoegazers Majesty Crush were an anomaly in the early ‘90s Detroit music scene. Inspired by the music coming out of the UK, Majesty Crush's sound employed swirling guitars, hazy vocals, and captivating dreaminess while incorporating elements of soul and R&B. After their song “No. 1 Fan” received significant airplay during prime hours on the Windsor radio station 89X, Majesty Crush - David Stroughter (vocals), Mike Segal (guitars), Hobey Echlin (bass) and Odell Nails (drums) - signed with Dali Records, a subsidiary of Warner/Elektra and released their debut full-length, Love 15, in 1993. However, just a month after the album came out, Dali Records folded bringing Majesty Crush's momentum to a halt and, ultimately, to an end just a few years later. Though their time was short, the band amassed a small but loyal following in the shoegaze scene of the early ‘90s and have been cited as an influence for everything from indie guitar groups to metal bands. And curators of this style of music have sought out Majesty Crush's music to include on compilations like Third Man Records' Southeast of Saturn which features 19 tracks from Detroit shoegaze and dream pop artists. In March 2024, Numero Group released Butterflies Don't Go Away, a 2 LP set featuring the Love 15 album as well as singles, EPs, and rarities, all remastered from the original tapes. The package is completed by a 24-page booklet. Majesty Crush bassist Hobey Echlin joins us on this episode for a deep dive into not only his band's career but the ‘90s independent music world. As a music journalist, Echlin has amassed a number of stories over the years and this conversation - at times - goes to places you'd never expect. Songs in this Episode: Intro - No. 1 Fan 29:33 - "Club Connect" TV show intro 33:46 - Worri 1:25:17 - Space Between Your Moles 1:30:47 - Where the F**k is Kevin Shields? (by PS I Love You) Outro - Uma Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.
Hey, this is WASTOIDS With, featuring interviews with some of our favorite musicians from a rotating cast of WASTOIDS. This week, we're hanging out with Will Anderson of Hotline TNT. He's been traveling the offroads and byways of the American rock underground for years, often working in a more offline capacity, but his latest, Cartwheel, has opened Will up to a new audience via its release on Jack White's Third Man Records. Will joined us to hang out, share his thoughts on the so-called “shoegaze revival,” and offer some thoughts on the ever-shifting streaming music landscape and how he uses easily accessible tools to create his music. Call us anytime at 1-877-WASTOIDS. More podcasts and videos at WASTOIDS.com | Follow us on Instagram and YouTube.
Rosali discusses her beautiful new album Bite Down, Michigan, Philadelphia, and school trips to Canada, the important details, living in North Carolina with a dog and commuting to Nebraska, her band Long Hots' Third Man Records single, befriending the David Nance Group and the Mowed Sound's live-off-the-floor approach on Bite Down, our shared admiration for H.C. McEntire, her parents' rock band, appreciating the Grateful Dead, escaping pigeonholes, touring, other future plans, and much more. Support vish on Patreon! Thanks to Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes/links:Ep. #748: Meg BairdEp. #746: H.C. McEntireEp. #738: SuperchunkEp. #722: The BethsEp. #674: DestroyerEp. #634: Richard ThompsonEp. #48: Ben Blackwell of Third Man RecordsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
For our latest episode of Consequence UNCUT, Sheer Mag's Tina Halladay and Matt Palmer take us through their brand new album, Playing Favorites, Track by Track. The duo explores some of the album's classic rock influences and speak to the album's air of tenderness and devotion. Halladay and Palmer also discuss the recording process, getting Mdou Moctar to perform a guest solo on the album, the meaning behind much of the album's lyrics, and their experience so far working with their new label, Third Man Records.Listen to Sheer Mag' take us through their brand new album, Playing Favorites, Track by Track in the latest episode of Consequence Uncut, and read the accompanying article on Consequence.net.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Episode 272: Lola Kirke got on America's cultural radar as an actress - starring in the Amazon series Mozart in the Jungle, along with roles in Gone Girl and Mistress America alongside Greta Gerwig. But during those years, she was also quietly nurturing her passion for songwriting and music - specifically country music. The pandemic brought her to Nashville where her album Lady for Sale was released by Third Man Records to great acclaim. Now she's about to release the new EP Country Curious and make her debut on the Grand Ole Opry. She's a bold, dynamic personality and this was a really fun conversation that bridges New York, Nashville and Hollywood.
London, Nashville and Detroit, Jack White's innovative business is about pressing Vinyl Records! Listen to Eddie Gillis Operations Manager at Third Man Records, a vinyl manufacturing studio in Detroit. Third Man Records was launched by Jack White in Detroit in 2001 and in 2009 opened its Nashville location home to label offices, distribution center, photo studio and record store. In 2015 its Detroit location was opened, housing a record and novelties lounge, mastering studio, and Third Man Pressing manufacturing facility. Third Man is an innovator in the world of vinyl records and a boundary pusher in the world of recorded music. Also Eddie discusses about his family growing up in SW Detroit.
On this "impossibly short version of the ongoing conversation you'll find at TrueTunes.com" we revisit our conversation with the Third Man Records artist Natalie Bergman. Her story, and her music, captivated us as she added her humble (but seriously impressive) offering to the Jesus Music repertoire. About The True Tunes Microdose Episodes: As we look back on our first 100 episodes we have gathered some of these "greatest hits" - never more than 5 minutes long - to remind long-time listeners of where we've been and give new folks a chance to check us out. To hear the original show CLICK HERE. If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our NEW MERCH!
Full Rig Details: https://www.premierguitar.com/videos/rig-rundowns/mssv-2024Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeThe trio mssv is an underground supergroup. They're not playing the local enormodome, but each musician has a storied career and the ability to leap musical conventions in a single bound, even while rocking like hell … or playing compositions with sections that ricochet from Coltrane to Martian terrain.The group sprung from guitarist Mike Baggetta's dream of an ideal, omnivorous band—one that could navigate any kind of musical or sonic path, much as Baggetta has done himself, whether playing with other artists or solo. His first choice of bassist was Mike Watt, a legendary indie music figure who has been releasing daring rock and improv albums for decades, starting with the highly influential '80s and '90s outfits the Minutemen and fIREHOSE. And while mssv's debut album, 2019's Wall of Flowers, was recorded with the foundational rock drummer Jim Keltner, Keltner's disinterest in touring caused Baggetta to seek a replacement in Stephen Hodges, one of the few sticks players who can match Keltner's intention and a brilliant artist in his own right, with decades supporting Tom Waits, Mavis Staple, and other legends.On the road behind their latest recording, Human Reaction (one of my picks for best albums of 2023), mssv stopped at the Blue Room in Nashville's Third Man Records complex in late October, where their wily creativity ignited the place. But at soundcheck, Baggetta and Watt explained to the PG team exactly why they dig their rigs.Full Rig Details: https://www.premierguitar.com/videos/rig-rundowns/mssv-2024Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPG Don't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook: https://facebook.com/premierguitarPG's Instagram: https://www.instagram.com/premierguitar/PG's Twitter: https://twitter.com/premierguitarPG's Threads: https://threads.net/@premierguitarPG's TikTok: https://www.tiktok.com/@premierguitar[Brought to you by D'Addario: https://ddar.io/wykyk-rr]0:00 - D'Addario: WYKYK0:15 - Mike Baggetta playing intro1:50 - Mike Baggetta's Custom Koll Tornado w/ Guyatone Curtis Novak Goldfoils8:36 - Strings - D'Addario XT 10-469:33 - Mike Baggetta's Pedals9:49 - Hold Tight Fuzz by Creepy Fingers10:44 - EHX “Ring Thing” side band modulator13:16 - Wilson Effects “Freaker Wah” V215:09 - Benson Amps “Vincent”18:45 - Red Panda “Tensor”21:41 - EHX “Deluxe Memory Man”23:20 - D'Addario XPND24:34 - Reverend Guitars “Watt Plower Mk. II” Mike Watt Signature bass32:18 - Mike Watt Pedals32:47 - Broughton Hi Pass filter33:14 - Earthquaker Devices “The Warden” optical compressor33:36 - Sushi Box FX “Finally” tube direct box34:52 - Bergantino Forté Bass Amp36:46 - Bergantino 2x12 Bass Cab43:13 - D'Addario Glaser Instruments Vignette end roll© Copyright Gearhead Communications LLC, 2024#guitar #rigrundown #mssv #mikewatt #punk #mikebaggetta #guitarist #guitarplayer #bassist #bassgear
Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan's early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate's many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan's working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan's creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America's most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt's New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan's Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Big Willy Anderson comes to play ball. We talk Assn'Up, scaling up Hotline TNT, the relatinship with Third Man Records, working as a substitute teacher, managing a comic book store and more! Cartwheel is out now and it's awesome. Tell me your work story, WhatsApp a voice note or message at 07904243 101. Learn your favourite song and download AMPOLLO - the FREE app that lets you practice at home with songs, using its AI stem-removing super smart tech: https://apps.apple.com/app/apple-store/id1659856412?pt=125376217&ct=Giles&mt=8 Photo: Wes Knoll Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, we... spin fresh tracks by Sleater-Kinney & Hurray for the Riff Raff spend quality with new records from The Mountain Goats, The Gaslight Anthem, A. Savage & Mayer Hawthorne wish a very happy birthday to Andy Partridge & Neil Young All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.ys
Sheer Mag - "All Lined Up," a 2023 single on Third Man Records Philadelphia-based punks Sheer Mag have been signed to Third Man Records, who will not only be reissuing their older albums, but their forthcoming full-length as well (no hard details yet, but stay tuned for a release date). “Having been aware of Sheer Mag since their earliest 7-inch singles and keeping up with their self-released, independent, DIY take-no-prisoners ethos, I never envisioned a world where they would ever sign to a record label,” said Third Man's Ben Blackwell in a press statement. “So imagine how ecstatic we were at Third Man when the band reached out to us directly and asked if we'd be interested in partnering with them. Still doesn't seem real. We are beyond honored, humbled really, to receive their handshake and their trust. This is gonna be fun as shit.” Today's Song of the Day is a tease at what's to come. The band explain the track was inspired by "late nights at the bar playing pool. Last call has long come and gone, the gate is down, the ashtrays are out and your friend behind the bar is giving it all away. Despite the revelry, there's a looming sense of dread — a fear that no matter how far ahead you get, all it takes is one bad shot to lose the game.” Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
Will Anderson of Hotline TNT has been traveling the off-roads and byways of the American rock underground for years. Fusing searching melodies, heartbreaking scenes, and layers of fuzzy shoegaze noise, his latest album, Cartwheel, presents the band to a newfound audience via a new partnership with Jack White's Third Man Records. But don't expect HTNT to change too much—for this episode of HOTLINE, he answers your questions about the NBA, goals, and his musical influences growing up. Call us anytime at 1-877-WASTOIDS. More podcasts and videos at WASTOIDS.com | Follow us on Instagram and YouTube.
Neil Gust joins us to talk about the new Heatmiser compilation released recently on Third Man Records. For those who may not know, Heatmiser was the band Elliott Smith and Neil formed while they were in college. Other discussion includes quitting the business at one point, KBOO, trying to get a show in Seattle and the divide between Portland and Seattle music scenes, talkbox and cowbell, ground zero for power ballads, Axel Rose, Nils Lofgren and Crazy Horse, and how "Hair of the Dog" is THE template for rock music albums. Songs in the episode from No. 2 are “I'm On A Mission” and “You Might Be Right” and from Heatmiser: “Bottle Rocket ('92 Cassette version)” & “Blackout (Live on KBOO version).”Check out No. 2 at: https://no2music.bandcamp.com/album/first-loveBuy the new Heatmiser release at: https://thirdmanrecords.com/products/music-of-heatmiserCheck out Nazareth at: https://www.nazarethdirect.co.uk/website/Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast
Emily Wolfe doesn't play guitar. She bends it to her will. Like a bronco buster taming a stallion, she saddles up on her signature Sheratons and lets it rip. Much of the magic felt and heard on her self-titled debut was pure adrenaline hitting your speaker. And while her second album, 2021's Outlier, incorporates Wolfe's love of Motown grooves and modern-pop stickiness refreshening her songwriting with backdrops of more polished, waxy tones, but tumbleweed oscillation, helicopter, square-wave chops, and barbed-wire fuzz are still howls welcomed in this Wolfe pack.“When I go up there, something could hit me at any point—an emotion that I felt 10 years ago could come out in a bend on the low E. There's so much rawness [to classic rock]; the edges are not perfect, but there's a magic in that,” explained Wolfe to PG. But how do you marry earworm poppiness with a gunslinger's approach to guitar?“Some of my rock friends say, ‘Pop isn't relevant,' and I'm like, ‘What are you talking about—it's everywhere!' It's so sticky for people, and that's really fascinating to me. I want my music to have that quality … but also the realness of a raw guitar tone. [With Outlier] I wanted to make something that would be classic 10, 20, 30 years from now,” she told PG in 2021. “That was the goal, and I think we achieved it.”Before Wolfe's headlining show at Nashville's Blue Room (located inside the Third Man Records compound), PG's Chris Kies joined the shredding songwriter onstage to talk shop. The resulting conversation covers the development behind her Epiphone Sheraton, how a boring night in Cleveland spent with her “Chex-mix crushing, brother-in-tone” bass player Evan Nicholson convinced her play a doubleneck guitar, and we discover what three pedals work together to make what she describes as “the sound that belongs to me.”Full Rig Details: https://bit.ly/EmilyWolfeRig2023Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPG Don't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook: https://facebook.com/premierguitarPG's Instagram: https://www.instagram.com/premierguitar/PG's Twitter: https://twitter.com/premierguitarPG's TikTok: https://www.tiktok.com/@premierguitar[Brought to you by D'Addario XPND Pedalboard: https://www.daddario.com/XPNDRR]*© Copyright Gearhead Communications LLC, 2023*00:00 - D'Addario XPND Pedalboard00:15 - Emily Wolfe Playing Intro00:34 - Chris Kies & Emily Wolfe Intro01:08 - Epiphone Emily Wolfe Signature Sheraton Stealth05:36 - Selecting the Epiphone Alnico Classic PRO pickups08:48 - Emily Wolfe's Strings & Picks10:31 - Epiphone Emily Wolfe "White Wolfe" Sheraton Signature13:09 - Epiphone G-127517:05 - Fender Hot Rod DeVille 410 III19:51 - Emily Wolfe's Pedalboard#guitar #rigrundown #guitarist #epiphone #guitarplayer #emilywolfe
Margo Price's music education and evolution, from 1. Growing up making plays for her sister and friends → 2. Buying herself her first guitar with her eighth grade graduation money → 3. Moving to Nashville and wanting to play a different kind of country music → 4. Pawning her wedding ring and selling her car to pay for recording at Sun Studios in Memphis, making the record, and then pitching it to every label and no interest for a year, until eventually Jack White's Third Man Records picked it up → 5. Navigating political influences on country music → 6. Facing pain and learning how to channel it through her music. Margo Price has something to say but nothing to prove. In just three remarkable solo albums, the singer and songwriter has cemented herself as a force in American music and a generational talent. A deserving critical darling, she has never shied away from the sounds that move her, the pain that's shaped her, or the topics that tick her off, like music industry double standards, the gender wage gap, or the plight of the American farmer (in 2021, she even joined the board of Farm Aid). While the last few years have seen remarkable moments of acclaim – a Best New Artist GRAMMY nomination, Americana Music Honors, a Saturday Night Live performance, and just about every outlet and critics' year-end Best Of list – Price is still hungry. On her fourth full-length Strays, a clear-eyed mission statement delivered in blistering rock and roll, she's taking on substance abuse, self-image, abortion rights, and orgasms. Musically extravagant but lyrically laser focused, the 10-song record tears into a broken world desperate for remedy. And who better to tell it? Price has been to the mountain and back, but finds herself, at long last, free. Feral. Stray. Follow Silverlake Conservatory of Music at @silverlake_conservatory For more information on Parallel, visit parallel.la Follow Cadence13 at @cadence13 Follow Margo Price at @missmargoprice Follow Flea at @flea333 To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
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