Podcasts about jerricho

On the latest NFL Players Second Acts podcast one of Peanut's and Roman's former teammates Jerricho Cotchery joins the show. Jerricho is the new head football coach at Limestone University, and he talks about how he's adapting to his new position. He also shares why becoming a coach was always pare of his second act plan. And what does the acronym “V.E.T.S.S.” mean? Well, Jerricho breaks down how it ties into his coaching philosophy. The guys also talk a little football from their past. Jerricho weighs in on his catch that wasn't in Super Bowl 50. And does Jerricho agree with Braylon Edwards that Brian Schottenheimer cost their Jets the 2010 AFC Championship Game? Tune in to find out. All that, and much more, in a conversation you don't want to miss. The NFL Players: Second Acts podcast is a production of the NFL in partnership with iHeart Radio. See omnystudio.com/listener for privacy information.

On the latest NFL Players Second Acts podcast one of Peanut's and Roman's former teammates Jerricho Cotchery joins the show. Jerricho is the new head football coach at Limestone University, and he talks about how he's adapting to his new position. He also shares why becoming a coach was always pare of his second act plan. And what does the acronym “V.E.T.S.S.” mean? Well, Jerricho breaks down how it ties into his coaching philosophy. The guys also talk a little football from their past. Jerricho weighs in on his catch that wasn't in Super Bowl 50. And does Jerricho agree with Braylon Edwards that Brian Schottenheimer cost their Jets the 2010 AFC Championship Game? Tune in to find out. All that, and much more, in a conversation you don't want to miss. The NFL Players: Second Acts podcast is a production of the NFL in partnership with iHeart Radio. See omnystudio.com/listener for privacy information.

David as we find him this episode is nearing the Jordan River, nearing the east of Jerricho. Absalom, his son, has taken Jerusalem and has begun to occupy the famed cedar palace.  Phase one of Absalom's grand scheme is complete and he is about to enact phase two.  He turns to his advisors, one is David's former chief advisor Ahitophel.  He tells Absalom the plan, David is not going to cross the Jordan at night, he is going to be too weary and wont want to do it at dark.  Let me take 12,000 men and go all night.  We'll reach them tomorrow morning and he will be weakened and he will take them all down.  You cut the head off the snake and the whole snake dies.  We will take down David and the whole movement and rebellion against Absalom's rule will be over. Ahitophel knew this was the way to go, he knew how resilient David could be, he knew that if you let David live on there could be serious problems for Absalom's newest regime.  However, Absalom admired another leader, so he turned to him to seek his advice as well. He advised Absalom to stay back, be patient and wait.  He was doing this because he was a mole, a spy. He knew the best thing on David's side was time, so he encouraged Ahitophel as such. He succeeded and Absalom decided to side with the other advisor.  Ahitophel, seeing the Absalom siding with this new advice, he knew that he had made a terrible mistake. He knew the time to act was now, he thought Absalom was a man of action. He thought that Absoalom was a man of plan and he knew what he was about and knew what he was doing and was ready to take the kingdom. Clearly Ahitophel, the political superior, saw that Absalom had misstepped in not going and taking David and killing him.  He knew that his cause was doomed and that he had sided with the wrong side.  So he returned to Hebron and hanged himself.With the extra time that David now had, he used it very well.  He began to rally and train his army while Absalom was staying back.  He would rally the troops, and get them ready to go and ready to fight until he would fight Absalom's army in open combat.Support the Show.

Jerricho Cotchery is a former NFL wide receiver who is currently the head football coach at Limestone University. Today on the podcast, Jerricho Cotchery  shares his journey of faith and how it has impacted his life on and off the field. He discusses the importance of Jesus in his life and the life-changing moment that solidified his faith. Cotchery also talks about the challenges of balancing football and faith, as well as his experiences playing with Brett Favre, Cam Newton and under coach Mike Tomlin. He reflects on his Super Bowl experience and the role of spirituality in the NFL. Sign up for our Sports Spectrum Magazine and receive 15% off a 1-year subscription by using the code PODCAST15 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://SportsSpectrum.com/magazine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Do you know Christ personally? Click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to learn how you can commit your life to Him.

We're in New York City (state) baby!! This week, Kenzie covers a case that relied on forensic science to help catch the killer! It all starts because a homeowner tried to get rid of a 55-gallon, steel drum only to discover its horrific contents. Then, Lauren covers some local urban legends in the Hudson Valley. She'll talk about the infamous Headless Horseman, Sleepy Hollow, and other haunts that make this valley *legend*ary. We hope you get as excited as we do at the discoveries we make during this episode!--Follow us on Social Media and find out how to support A Scary State by clicking on our Link Tree: https://instabio.cc/4050223uxWQAl--Have a scary tale or listener story of your own? Send us an email to ascarystatepodcast@gmail.com! We can't wait to read it!--Thinking of starting a podcast? Thinking about using Buzzsprout for that? Well use our link to let Buzzsprout know we sent you and get a $20 Amazon gift card if you sign up for a paid plan!https://www.buzzsprout.com/?referrer_id=1722892--Works cited!https://docs.google.com/document/d/1yta4QOa3v1nS3V-vOcYPNx3xSgv_GckdFcZj6FBt8zg/edit?usp=sharing --Intro and outro music thanks to Kevin MacLeod. You can visit his site here: http://incompetech.com/. Which is where we found our music!

FULL VIDEO EPISODE: https://youtu.be/NhPOQ-UQdqs?t=323 0:00 M&Ms Are CANCELLED 19:20 Scoob vs MMA Fighters 27:40 Shannon Sharpe vs The Memphis Grizzlies 41:20 Lakers Wizards Trade Breaking News 51:50 Drake Brings Out Dipset At Show 59:45 49ers Cowboys 1:34:34 Eagles Giants 1:58:24 Chiefs Jaguars 2:12:04 Bengals Bills 2:39:13 Ed Reed Out At Bethune-Cookman Like, Subscribe AND Watch LIVE on YouTube M-F 12-3ET to chat along with us and check out the clips for our best moments so far! Give @UnderdogFantasy a follow as well for more from our buds! CUT TO IT WITH STEVE SMITH SR. AND COLEY MICK: Cut To It - YouTube COLEY AND KLEW'S START/SIT SHOW SUNDAY 12-1ET: Underdog Fantasy - YouTube

Making Tracks is back with episode 151 as the Marks discuss the return of Farthest From, Boonta Eve 4, #CANTINA2 and the excitement of Celebration Europe 2023, a CG enhanced 1945 era Indiana Jones opening the fifth movie next June, Tony Gilroy and shooting the Ferrix funeral scene early on in the production and the potential return of Rian Johnson to films or TV. All that and Mark N and Paul Naylor catch up with The Empire Strikes Back AT-AT driver Paul Jerricho in Croydon to put the cherry on an episode filled with tangents, left-turns and the usual rambling on the latest Making Tracks. Remember to tune in to Good Morning Tatooine, LIVE Sunday and (while new live action TV shows are streaming) Thursday evenings at 9.00pm UK, 4.00pm Eastern and 1.00pm Pacific on Facebook and YouTube and check out our Fantha Tracks Radio Friday Night Rotation every Friday at 7.00pm UK for new episodes of The Fantha From Down Under, Planet Leia, Desert Planet Discs, Start Your Engines, Collecting Tracks, Canon Fodder and special episodes of Making Tracks, and every Tuesday at 7.00pm UK time for your weekly episode of Making Tracks. You can contact any of our shows and send in your listeners questions by emailing radio@fanthatracks.com or comment on our social media feeds: www.youtube.com/channel/UCZ7LZotr3rQhVJwpO3b2ELw www.instagram.com/fanthatracks www.facebook.com/FanthaTracks www.twitter.com/FanthaTracks www.pinterest.co.uk/fanthatracks/ www.fanthatracks.tumblr.com/ www.tiktok.com/@fanthatracks

Host Eric Allen is joined in studio by former Jets WR Jerricho Cotchery. They start by talking about J-Co being drafted in 2004 (1:15), his rookie season with the Jets (2:30) and his breakout campaign in 2006 (4:45). The guys also discuss what Chad Pennington meant to Cotchery's career (7:35), what it was like playing for Rex Ryan (9:15) and the playoff runs in 2009 and ‘10 (12:50).J-Co reflects on his 2010 play vs Browns when he injured his groin but still made a huge catch in OT (14:30), how tough it was to say goodbye to the Jets organization in 2011 (20:35), and his thoughts on the current team (26:00). See omnystudio.com/listener for privacy information.

Former NFL players Mike Tolbert and Jerricho Cotchery are joined at the 2021 "Man Up Charlotte" conference by Josh Meadows, the Executive Director of Neighborhood Hope. Bryce Johnson discusses with the panel the importance of fatherhood in our society. The three share stories of growing up without a father, and how they strive today to be great dads to their children. Jerricho Cotchery also talks about the journey of adopting five children. See acast.com/privacy for privacy and opt-out information.

On this episode of That Infertility Chic, host, Sharhonda Ford is joined by her Sister-friend Spasha Feaster, God girl, wife, mother, and all around amazing woman. Spasha and Sharhonda have a candid conversation about how her family began their adoption journey.Listen y'all, if you have been considering adoption or know someone who has TUNE IN. If you are afraid of adoption, TUNE IN. THIS episode will give you ALL the feels. They discuss everything from the highs and lows, the joys and sorrow the trials and triumphs and so much more. This episode is filled with powerful emotion and a welcomed visitor pops in at times (Can't wait for you to meet the visitor).Whether you are in or considering the adoption process, this is an an excellent opportunity to learn more.Join them as Spasha unveils the pages of her adoption story.In the episode, Spasha references to stories to hear more about adoption. You will find the links to them below.Deland McCullough & Sherman Smith Story:https://youtu.be/7WrNmnOgKd8Life and Religion: 5 times love: Growing a family through adoption. Jerricho and Mercedes Cotchery expand clanhttp://www.thecharlottepost.com/news/2017/12/27/life-and-religion/5-times-love-growing-a-family-through-adoption/Until we post again...Support the show (https://cash.app/sfordhopes)

We need to be aware of something, like in the story of Jerricho, Jesus may only pass by 1 time. It my be the only opportunity we may have. Join Sr. Pastor Steve Hammer as he talks to us on how to draw Jesus closer.

BIO:Former NFL wide receiver, Jerricho Cotchery, was drafted in 2004 by the New York Jets after playing his college football at NC State. He spent seven seasons with the Jets, three in Pittsburgh, and two with Carolina. He was also an assistant coach with the Panthers for three seasons.TOPICS:2020 being a wild yearParenting during the pandemicHomeschooling challengesCoaching with the PanthersYoung Panthers' wide receiversHis draw to coachingCoaches that influenced himWhat God has taught him recentlyDaily family worship timeAdoptionDesire to continue coaching See acast.com/privacy for privacy and opt-out information.

This weeks episode features our boy Jake the snake again which is why we are drinking on some Rolling rock ( EXTRA pale lager) and Jaybones brother in law Leo, who spits some WWE wisdom on us young folk. Ya'll be sure to listen all the way through, and share us to get this episode to 45 listens and subscribe to youtube because if we get 10 subscribers we will put Centre in the walls of Jerricho! Basically it will end up in a giant Bros and Beer wrestling match on youtube, so make it happen!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/brosandbeer/support

Jerricho Cup Day Warrnambool preview

My guest for The Happy Hour # 267 is Mercedes Cotchery. Mercedes is wife to Jerricho, momma to 5, home stylist and furniture shop owner, and loves sharing about adoption, homeschooling, and marriage. Mercedes is passionate about encouraging women to discover and celebrate the gifts God's given them and families growing phenomenally in Christ.  Mercedes and I start off the show talking about rejecting the pressure to achieve perfection and becoming comfortable recognizing we are flawed people pursuing God. Mercedes shares with us how she was born without a uterus, and how she's come to view her being born barren as God saving her. In seeking to grow her family, she paused and thought, "maybe God made me this way for a purpose." Mercedes says that pause changed her life in how she seeks God and her relationship with Him - and she now has 5 kids through adoption! Mercedes also opens up about her faith journey and how God revealed to her that she must make a paradigm shift from idolizing her husband above all else to putting Jesus above all else. I loved so many things about my conversation with Mercedes and I hope you're as encouraged as I was! Connect with Jamie Facebook // Twitter // Instagram // YouTube Sponsors Greenlight Molekule - get 10% off your first air purifier order with code JAMIE10 Stamps.com - get a 4-week free trial, plus free postage and digital scale with code HAPPYHOUR (click on the microphone at the top of the page) Stories from the Austin Stone Podcast - Expectant Series GET ALL THE LINKS FROM THE SHOW HERE

We watch the show Jerricho on the newest episode of the podcast. Jerricho is a show that was cancelled after one season and the losers/fans of the fans of the show annoyed them enough to make one more season. Its about a divided America after 9/11. Zach and John bad mouth Bob Kraft for no friggen reason. Bob Kraft is the ultimate feminist because he supports sex work and  Zach also creates the worst meme of all time.

We are celebrating our 100th Episode by bringing you portions of the best podcasts selected by the FCM Team. Stacey, X, Jerricho, Logan, and Seth are all interviewed regarding their favorite FCMS episode and share why that guest was the most memorable for them. We want to thank all of our listeners for their continued support. We will return all new and all fresh on Monday, March 26th with our MADE IT IN MUSIC Podcast.————————————Episode 100Full Circle Music Show– Hi, I'm Seth Mosley from Full Circle Music, and man am I excited, this is episode 100 of our Full Circle Music Show podcast, and not only that, the day that we're making a massive announcement. And what is that announcement? It's that we are re-branding. Yes, we're changing the format, the title, everything of our podcast to make it even more packed with value, for free, for you guys. And the new title, drum roll please, is the Made It in Music Podcast, by Full Circle Music. It's resources for music makers just like you who wanna go full-time in music, and stay in. So I just wanted to do something a little special on this episode to go along with the announcement of the Made It in Music Podcast, episode 100, and what we're doing this week is we're bringing you a best of episode. We picked our very favorite moments from the Full Circle Music Show and broke down just some really key points, things that we think you would get a lot out of, things that we personally got a lot out of. I'm Seth Mosley, thank you so much for listening. Here with Stacey Willbur, VP of publishing and A&R here at Full Circle Music. Man, I loved that you picked the Ginny Owens episode, 'cause it was one of my favorite not only podcast episodes, but what a lot of people who're maybe gonna go back and listen to this clip don't realize is that it was recorded at one of our Full Circle Academy songwriter retreats. And man, if I haven't told you already, the people that you have relationships with that you've been able to bring in to pour into our students is just absolutely incredible. So Ginny was one of those, she was at our last one, and I feel like I probably got more feedback on her than a lot of speakers that come in. That's where this podcast was recorded at. So what stood out to you about that, what made you pick that as your favorite moment?– Well, it was my favorite moment because, obviously 'cause we were there, we were actually in the moment, it was an experience. It was Ginny talking about very simple things, three key elements of songwriting. But what I loved about it is that she weaved her own story into all three of those elements. I loved hearing her story wrapped up into all of that.– Yeah, she talked about it being, something that I had not heard, and I think you said the same thing, that she compares songwriting to being a journey with a friend.– A journey with a friend, that was like an a-ha moment, I think, for so many, because I don't think everybody looks at it that way. It's a job, it's this, but as a friend, and the closer you get to a friend, you get to know each other, you get to know their hearts, you get to know their stories, and the same thing with songwriting. The more you spend time… Writing every day, getting to know your craft, understanding the different elements of songwriting, the better you become and the better you know yourself as a songwriter.– Yeah, and she talks about how it is a sought after treasure, too, I thought that was such a cool way to put it. What did she mean by that?– Well, it was interesting 'cause she said it was a sought after treasure pursued by an enemy. Which, the enemy, as she describes, are distractions. The distractions in your life that keep you from doing the thing that you love doing. So what are those things and how do you keep those distractions from keeping you from doing what God's plan and purpose is for your life, which is songwriting.– Yeah, and I think, man, she just… There's podcast episodes that we've done that I feel like I just kinda wish I had like a notepad the whole time, 'cause she just kinda drops quote after quote after quote, and one thing that you shared with me, that I totally agree with is that good is the enemy of great, and perfection is the enemy of creativity. That was, I thought that was brilliant when she said that.– Yeah, and I think, especially in this industry, we hear a lot of, oh, that's a good song, that's a good song, that's a good song. And we tend to leave it there, and we don't encourage each other to strive for the great. I think striving for the great is harder. ‘Cause it takes going back and rewriting, it takes time and effort. The good is, yeah, this is good, you know. But the great, I think, is you dig it in a little deeper. And she really shares that in the podcast, she shares the struggles that she went through as an artist. And just in her life personally to get to that point.– Yeah, so good. Well I'm really glad you picked it 'cause it's one of my favorite moments too.– Awesome.– Here's a clip from Ginny Owens on the Full Circle Music Show live from the Full Circle Academy songwriter's retreat.– [Ginny] I want to offer, just based on my experience as a songwriter over the past billion years, I wanna offer three key elements of a life of endless songwriting bliss. So three key elements to maintaining a songwriting life. So the first one is, songwriting is a journey with a friend. Show up every day so that you can go a little further together. Songwriting is an art form. The more you know the rules and master the skill, the freer you will be to let your heart guide the process. And, songwriting is a sought after treasure guarded by an enemy. In order to capture it, you must fight every day of your life. Listening, like, two different types of listening that I call active and passive listening. So, I really love pop music, so active listening for me is like, when I work out in the mornings, just rolling the Apple, new Apple, like whatever, pop playlist, or what they're playing at Apple List or Spotify, you know, playlist, and learning. What are they doing in the songs that you're hearing that you like? How are they creating hooks? What do the rhythm things sound like that they're doing. Things like, Chainsmokers came along and they sort of created this chorus, where you don't have to soar up in the top, you just do this, like, ♪ Baby hold me closer in the backseat — ♪ I probably shouldn't be singing that at the Christian — But you know, it's just this tiny little space of a chorus. So there are trends that you start to see as you listen to music. If you're a songwriter-ish type person, more of a James Taylor type person, then you can listen to current people that do that, like James Bay or John Mayer. Hear what they're doing, sort of study their technique. But the other thing is passive listening. And what I guess I mean by that is falling in love with music. One of the things I've recently discovered about myself is that I'm too busy thinking about… Analyzing songs, and I actually need to go fall in love with music again, 'cause it's just too easy to be critical. And so what I've learned is, probably the easiest way to do this, which is not something that streaming really lends itself towards, but to go get people's albums. And just listen to the full album and continue to immerse myself in it, and be patient. ‘Cause I'm sure, maybe some of you guys are like this too, I'm so impatient. I'll listen to half a song and then I flip to the next song. That does not create and inspire love for music. I think those things are key for deepening our skillsets, growing our skillsets, educating ourselves. And then there's another aspect, just as we talk about kind of this skill of songwriting. It's really simple, but I think it's really important, especially for new writers, and I kind of call it the accessibility scale. So on one end you have the more cerebral, the more personal kind of songs. Those are the songs you write for your grandma, or your brother, or a wedding. And then on the other end are the more super-commercial songs. So like, Bon Iver is super cerebral. Taylor, super commercial. Andrew Peterson is pretty cerebral. Tomlin, Jordan Feliz, super commercial. And so the more cerebral a song is, the more it's kinda written to please the writer. So most of those things fall kind of more in the middle, they're not generally purely one or the other. But the more cerebral, form matters less, it's kinda in the writer's head, and obviously the more commercial a song is, the more singable it is, the more melodic, the more many people can kinda follow what you're doing. You gotta know the difference. If you wanna write commercial, study it, learn the techniques, listen to the Full Circle podcast every week, because there's an art to expressing yourself that way. But if you're gonna write about family, if you're gonna write something super personal, don't let that out for critique, 'cause you don't want to hurt yourself in that way. You know what I mean? Protect the things that are really personal to you. And the more you kind of know the skill and the art of songwriting, the more you're gonna know how to do that. Skill, taking the journey, ultimately helps with our biggest challenge as songwriters, which is fighting for your songwriting. And if you don't believe me, I bet you do. Everybody probably believes that it's a fight. Songwriting is a treasure that's guarded by an enemy. And so in order to capture it, you must fight every day of your life. Not to be all dark and wage war-ish, but, we gotta wage some war. The hardest part of songwriting is what? Songwriting. You know, you always got something else to do. Or there's always a voice in your head that says not to do it. And I promise, lest you think it only happens to new writers I have this happen every day. I've just finally learned, oh, this is part of it. This is what I'm gonna fight every day. And especially when you've been doing it a long time, you can kinda even get more in your head, 'cause you're like, what if I don't know how to do anything current? So if you give up, then the enemy will win. So what exactly is the enemy? I do like how Kevin Pressfield, who wrote the Legend of Bagger Vance, but he has a book called The War of Art which I would highly recommend you all read. There's some swearing, but read it anyway. But he calls the enemy resistance. And he says any act that entails commitment of the heart is a reason for resistance. In other words, any act that rejects immediate gratification in favor of long term growth, health, or integrity, or any act that derives from our higher nature instead of our lower, will elicit resistance. Resistance cannot be seen, touched, heard, or smelled, but it can be felt. And the more important – get this. The more important a call or action is to our soul's evolution, the more resistance we will feel toward pursuing it. Ouch. And resistance takes all different forms. Sometimes it's you, right? It's the lack of discipline. That's what it is for me, a lot. I just wanna do all the other fun things. And I wanna think about songwriting, really I do. But, maybe I'll get to it. That's why scheduling is so key. And there are voices in your head, and that's why scheduling and showing up every day is so key. It diminishes the voices, I promise you. Sometimes it's 'cause you got a eat, and so you gotta work. So that's also why finding that time every week and putting it on a calendar can be so awesome to do. Another key in fighting resistance is knowing the people who are in your space. Knowing the people who are awesome and can hold you accountable, like probably some folks you've met here, and learning the people who are not safe for you to play music for. Another way to protect what you're writing, and who the safe people are not, when you're fighting resistance. Now, for those of us who are believers, who are people of faith, we know there is a deeper resistance from an enemy that is full-on against you. And especially when it comes to pursuing a gift that God has given you to inspire others.– X O'Connor. I love it, we're here in the studio on this exciting day, episode 100.– 100.– Recapping some of our favorite moments from the Full Circle Music show, and… Tyler Bryant.– Tyler Byant, man.– Good choice.– Man, my favorite, dude, we sat down with him, I remember it was kind of last minute, I got a call early in the morning like, hey, I think we're gonna do some Tyler Byrant interview today. So I remember driving down, and I was super pumped, I'd loosely known him from being in bands around Nashville and I was like, I love this dude's music, I'm excited to talk to this guy. And to sit down with him, he's a young kid, you know, and he's just got his head on in a way that very few other artist, songwriters, any musical person does, he just realizes that hard work comes above all else, everything in life. And this guy, his band is successful, but not necessarily at radio. No real radio number ones, no nothing like that, but he plays hundred thousand seat venues. It's like, that blows my mind. And to just hear him speak about hard work. No one's gonna work harder for you than you're gonna work for yourself, so take every opportunity that you've got and just make something out of it.– Yeah, I love it, and I think he even shared in the episode something about, they do a lot in Europe.– Yeah.– And I think a fan, they were playing somewhere in Spain and a fan had like, tooken a night train like across…– Across the continent, literally.– The entire continent to get there, and they were so pumped about it. And you can just tell that when an artist is engaged, and the fans can tell that you really care, as the artist, they're gonna care.– Yeah, absolutely, and… that was something that he also spoke about a lot in this interview is relationship building. Not just with the people around you, but with the fans. The fans can feel that level of commitment that you have to them. But then on the business side, too. They've been around labels and all that stuff a lot, and I just love the mentality of, be honest with the people you're with. Even if it's a hard conversation to have with somebody, the honesty is gonna preserve that relationship in the future. I think he talked about them leaving their label to kind of go out on their own, and the conversation he had with the label after the fact, like, hey, you guys are still always on the list at a Shakedown show, come out any time, you guys worked hard for us, just, it's time for us to go do something else. And I love that mentality.– Yeah, and we went and saw them in Nashville at… Was it 12th?– 3rd and Lindsley.– 3rd and Lindsley, which is a really cool venue. And it was one of the best live shows I think I've ever seen.– Yeah, they go for it. It's so tight, but it's just raw rock and roll. It was a fun night, I hadn't been to a show like that in a while.– No click tracks.– No click, it's just guys on stage just going for it, rock and rolling. I loved it, man, it was so much fun to just sit there and just, be like, yep, these guys own it. This is great.– Inspiring.– Inspiring, for sure.– Well here's a clip from the Full Circle Music show episode with Tyler Bryant of Tyler Bryant and the Shakedown.– [Tyler] We've talked about it a little bit, but I come from a blues background, I learned to play from an old bluesman in Texas. Even as a kid, I was offered a record deal, and it was like, we're gonna set you up with other kids and we're gonna start a band, and I was like, no, man, I just wanna play the blues. I wanna make, like, I remember Lyric Street records gave me a little $10,000 check to go make some recordings. I think they were legitimately upset when I handed them back like three Freddie King covers that I had made. You know, it's like, what did you expect, man? And I still kinda have that mentality where, I don't know if you guys ever have dove into this on your show, I'm sure you have, 'cause it's something that I feel like a lot of artists struggle with. It's mixing art, something that really moves you, and commerce. Let's eat and let's survive, and so all we try to do in our band is have a little bit of both, you know?– [X] Yeah, yeah. So touring has been your bread and butter. Let's just talk about that, how do you get invited out on a AC/DC or Guns ‘n Roses Tour without radio, without big number one chart topping songs?– [Tyler] It's hard to say, honestly. I think one, you gotta believe in what you're doing, you have to be convicted every time you put on a guitar. Whether it's in a writing room, whether it's in a coffee shop. That's what, you know, I have kids ask me at our shows who have bands, like, how do you get on these tours, how do you get these shows going? And it's like, you literally play every show you get offered. Whenever I was starting out, I had a fake email account. And I was the band's manager, my name was like Sarah, or something like this, and I represented, this was before the Shakedown, I represented Tyler Bryant.– [X] What's the Spinal Tap manager?– [Tyler] Yeah, and it would, there was another time where it's like, I literally called the box office of the House of Blues. This is when I was younger, I called them every single day until they finally told one of the booking agents, this guy won't stop calling, he wants to play. And he called me and was like, dude, you can't call the box office and book a show. And I was like, but, can you book me?– [X] Yeah– [Tyler] And he's like send me some recordings. So I sent him some recordings and some videos and he put my band on for Dickie Betts. And then I called the Dallas morning news, and I was like, my band's playing, opening up for Dickie Betts of the Allman Brothers, I think you should come film it and do a story. And they did, and it's that kind of hustle that I think is, what I've learned that we have to do because it's, any time we've waited on someone else to do something for us we fall short, and so it's, I think those, it's funny because we were at CAA, the booking agency for a long time, and they did great things for us, and after about a year and a half of not touring as much as we'd like, we thought, let's make a change, let's move agencies. But we had such a good relationship with our agent that he'd become family, it's a guy named John Huie. And so we left. We were on the road supporting Billy Gibbons from ZZ Top and I get a call from Huie going, he's just like, I love you guys and I wanted to know if it would be okay if I pitched you for the AC/DC world tour. And, of course we said yes, but this is someone who's not our agent. So that's where… Maintaining relationships, and always shooting people straight, and even if it's a tough conversation going, like, I think we have to move somewhere else, because we're not getting the love here. They kill it with country acts out of Nashville, and I'm sure that the rock department does great, too. We just weren't getting the love that we needed. Because maybe what we were doing didn't move them there, but I think even when a relationship has to stop, it doesn't – professionally, it doesn't have to stop emotionally and I think that's, you know. We're all from the South and believe in Southern hospitality and shooting people straight even when it's a tough conversation, and I think that's helped benefit our band.– [X] Well I love that, because there's so many bands that we come across that are just constantly complaining about their teams. They're like, my label's not doing this, my manager's not doing this, we don't have our publisher getting songs on sync, our publicist is not scheduling – it's just excuses and complaining about people not doing stuff for them. And what I'm hearing you say is like, screw that, do it yourself.– [Tyler] Oh yeah, absolutely. We just made our own record, and I called a few of the people from Universal Republic after we got out of our deal, and it was sort of an, I think both parties were like, this isn't really working for us. We weren't giving them what they need to do what they do best, and they were like, you guys just aren't setting yourself up to win. But I talked to a few people from the label who were like, wait, you guys aren't with us anymore? It's like hey, listen, you're always on the guest list at a Shakedown show, you guys come out, thanks for putting in the work, man. Because it's hard to find people to work for you, and it's hard to find people who will work as hard as you will, so you have to do it yourself. Or at least, even like when it comes to making music videos or setting up photo shoots, or finding the direction. I feel like that has to come from the artist, because I feel like a lot of artists fall short when they're waiting on someone else to show them the direction.– Here at Full Circle Music studios with Jericho Scroggins.– Hey, hey.– Thanks for being on the show today, buddy.– Thank you for having me.– I love the clip that you picked, it was a Michael W. Smith interview, it was honestly one of my favorite ones to do. Why don't you talk just a little bit about what stood out to you from that, and why people should go back and listen to it?– Yeah. The initial part of it is how he was talking about the start of his career, and even how that's when he got married with Debbie, that was like in '81. So when the Amy Grant thing and all that kind of stuff, it was a very busy time for his career. And so they saw a bunch of marriages around that time falling apart. And so he does think it's hard for people to tour 200, 250 shows a year and keep a healthy marriage. So it was super cool to hear how he… One thing I didn't know about Michael and his career was, he was never away from his family more than two weeks. And it was just, like, mind-blowing to me thinking about that, just knowing his career and that kind of stuff. And so just how he goes through and talks about the priorities of that. You do have a career, but you also have family, and making sure they know where priorities lie and stuff like that, and his family always came above his career.– Yeah, and we get to interview a lot of super achievers on the show, so it's always cool to see that, you know what, they've not only got their stuff together on a career level, 'cause obviously Michael W. Smith's the top of the top, but he was really good about keeping accountability in place, as well.– Right. Yeah, that was definitely another part of it that I really liked, because, it's not only, like, when you go out and do your thing and that kind of stuff, still keeping a good group of, a team around you, that makes sure you're still doing what you're supposed to be doing. Whether it's heart-wise, faith-wise, even mind-wise, you know what I mean? Like making sure it's, even having them help him keep accountable to making sure he makes it home every two weeks. Or being a servant on the road, and things like that.– Yeah, and another really cool thing that I think you mentioned was this idea about talking to the younger you. What did you mean by that?– Yeah, there's this cool part where, it's the giving the advice to the younger you part. And it really stood out to me when he said, if I could tell the younger me, I would say it's not about you. And what he means by that is like, just earlier on realizing… Yeah, you're given these gifts and stuff like that, but realistically the gifts help other people, it's being a servant, making sure you're using the gifts for the right reason. Everybody wants to be successful, but it's like, how you wanna be successful dictates a different way in the way you look at it, and that kind of stuff, and that's his thing. Earlier on he looked at it a little bit differently, like, how many CDs does he sell, how good was the merch and that kind of stuff, and he realized pretty early on after that, he's like, it's not about that. It's not about you. Is he reaching the lives, is he reaching other people, and I think that goes across anything we do. The stuff we work on, even we don't go out there and tour with it, but it's still putting in the 100%, because at the end of the day, it's not about me.– That's right.– It's about that.– Yeah, that's good. Well here is a clip from our Full Circle Music Show episode with Michael W. Smith.– [Seth] Thinking back over all the years being an artist I think one of the things that I struggle with and a lot of young artists, or writers, or producers struggle with is the whole balance of being a creative versus being a good family man. How have you found balance over the years to kinda keep all of that together, what's the secret for that?– [Michael] Well, we made the rule, Deb and I, when this thing started really taking off, in the Amy thing, and then did the Friends tour, Big Picture tour, we started having children.– [Seth] So you were married early.– [Michael] I got married in '81 to Deb, so it'll be 35 years this year.– [Seth] Congratulations.– Thank you.– That's amazing.– [Michael] She's awesome. But we knew, I think we probably really knew, probably when I did the Lead Me On tour, which was… Probably the most successful, other than the Change Your World tour it was probably the most successful tour I've ever been a part of, 'cause we sold out arenas, me and Amy, all around the country, and in other countries, as well. And we just started seeing people in our genre and in other genres, when it came to being entertainers and all that sort of thing that marriages were falling apart left and right. And so we, I remember just having a talk with Deb and just going, you know… If we don't make some rules, there's probably more chances of us being a casualty than not. And we're not gonna be a casualty. And so we just made the rule, I'm not gonna ever be gone more than two weeks from my family, ever. Even if I had to cross the pond, and come back, and cross it again. And I was never gone from Deb and the kids for more than two weeks. Had a little aircraft, and I don't talk about that much, it was worth every penny, I thought, I've gotta get home to my family. And a lot of times I'd do a show and I would literally walk off stage, and got in a car, and I was on the jet and I was home at midnight and I'm driving carpool at 7:15. I did that for twelve-and-a-half years. And I think if you talked to my kids, I think, I think if you could have a private one-on-one, I think they would all say, we were more important to my dad than his career was. And now I got all these young bands, I got some of these young kids are all starting to come to me and ask me exactly what you asked me. And I think that's part of my role in the future is to sort of be a fatherly role and try to help kids. I just don't think you can do 250 shows on the road and keep a family together. And they say, well, we gotta pay the bills, we gotta make the house payment. My response is, then buy a smaller house.– [Seth] Wow. Is there anything that you would kinda say to the younger you when you were first getting into it that you're like, okay, you might wanna do that a little differently. Is there anything that kinda comes to mind like that?– [Michael] Well, I think heart-wise, I mean, obviously, we all grow up, we all make mistakes. If we really are seeking the Lord, we all get a little wiser as we get older, but I'd probably go back and tell myself at 23, 24 years old, I'd probably just say dude, it's not about you. That's probably the first thing I would say. I was so, like, how many records did we sell, and did we sell any t-shirts, and it was just so like… And it's hard, 'cause you're excited, and you wanna be successful and I think I just wish I'd have seen the bigger picture a little bit. And that's probably what I'd say to these young kids going, why are you here? Reconnect with why you're here, because you're not here to be a superstar. But there's nothing wrong with being successful, at all, but it just can't drive you, it can't just encompass everything that you do, it just can't. I always say, what's your contribution, think about… Even in the hard times, and trying to get the thing off the ground, are you making a contribution, are you changing somebody's life? So, it's that kind of stuff I'd probably say, and then, if I had to say something on the musical level, I'd say it all starts with a song.– X O'Connor sitting here with Mr. Seth Mosley, founder of Full Circle Music. Getting ready to talk a little podcast action. So, your favorite episode out of the, we're at episode 100 now.– Crazy, absolutely crazy.– Yeah.– And your favorite one was with Chris Houser under very interesting circumstances, from what I remember, kinda spontane, spontaneous.– It was very spontane, I like that slang.– You know, it's kinda like pre-Fontaine, that runner guy, but it's spontane, it kinda flows off the tongue.– This was a spontane moment, we were in the car, actually on a radio tour, and one thing that I've learned by doing a podcast is, we're really, as sort of journalists, trying to bring interesting stories to our audience about stuff that they'll actually care about, you kinda just have to be ready at all times. So I've got this little pocket recorder and a couple microphones, I stuck it in the bag 'cause I felt like we might have some interesting conversations on this Matt Hammitt radio promo tour. I went out with him at the beginning of the year to promote his first single, ‘Tears', off his record. And so I just brought it with me, and we were spending a lot of time in the car, so I was like, okay, there's gonna be something good. So it was under interesting circumstances, but I think, what I've loved about our podcast is when our guests kinda just go off the rails a little bit and just feel free to tell stories, and just crazy. And Chris is such a great story teller. So it was one of my favorite episodes. And not only because of the episode itself, but really because of my story and how I met Chris in the first place. And one thing that he did that stuck out to me that I'll never forget, we touch on that in the podcast, as well.– I love it. And he's known for hitting as many radio stations as humanly possible in a very brief time. I believe you said he has a record. Do you remember what the record is?– He does have a record, he said he hit 13 stations in three days.– Now, were you a part of that 13 stations in three days?– I think we did, maybe, we might have done eight in two days.– Eight in two, that's still rather impressive.– It was a decent few. But I love it because, so often in this business we think about the result more than the relationship. And one thing that he drove home that you'll hear in this clip is that he talks about, really what he does for a living is to get to go talk to his friends about music that he loves. He actually cares about the people. And there are very few people that I know in life, let alone in music, in anything, that have spent three decades serving one group of people. And that's just dedication.– Man, you said it right there.– Yep.– It's powerful.– I'm ready to go back and listen to the episode myself.– Me too.– So let's jump into this episode with Chris Houser.– [Seth] You talked about you started tapping into your skillset which, I don't even know if you remember this but when I first moved to Nashville, I talk a lot about this on our podcast that my first record that I got was Newsboys, Take Me to Your Leader, and my first label record I produced was this one called Newsboys Born Again which you were working on.– Yes.– [Seth] And I think I met you once, maybe at Wes' house. Then I saw you, I don't know, a month later or something and you were like, hey, Seth, it's good to see you, and the fact that you even just remembered my name —– Oh, wow.– was huge.– [Seth] To me, your competitive advantage is you actually care about people and you're great with relationships.– [Chris] Thank you, man. That means a lot, and again, it's a, this is a small industry we're in, and I'm in my 30th year of promotion, radio promotion. And I think I'm starting to get it figured out, but every once in a while something comes along and surprises me, but I've seen a lot of people come in and go out from this industry, and one of my favorite clients, Brash Music, who had Aaron Shust, and Gunger, their MO was life's too short to work with jerks. And I also believe very strongly that you reap what you sow, and whatever you sow, you reap way more, and you reap way later. It's just the way it is. You can go out to a field with a handful of seeds and throw it out into the field, you don't go out the next day and say oh my gosh, look at all the growth. It takes a long time, but all the growth that comes into a field from one handful of seeds. And so I've always tried to be about sowing good seed, doing my best to love people well, and not losing myself in the process, which at times has been a challenge for me. Yeah dude, I don't remember meeting you, and I wish I did, but it's been an amazing thing to watch your trajectory as well, and to be doing this. We're on a promo tour right now.– [Seth] Yeah, that's the fun thing right now, we're out with an artist named Matt Hammitt.– [Matt] Yeah, what's up?– [Seth] We're actually promoting his new single, Tears. So this is what you do all the time, right?– [Chris] Yes, so these radio stations, we're visiting six, seven radio stations in two days, my record is 13 stations in three days.– [Seth] Wow.– [Chris] That was up in the Midwest, that involved taking a high-speed ferry across Lake Michigan, from Muskegon, Michigan over to Milwaukee, Wisconsin, dropping off one rental car, picking up another rental car and continuing to go. But these radio stations have a hard job, they've got 50 to 75 singles getting work to them every week by 30 to 35 record promoters, both between labels and indies. And so one of the ways that we get noticed is by bringing artists directly to them. And Matt is so beloved for, you know, radio stations are gonna play Lead Me every day until Jesus comes back. It's just a matter of fact, no one's gonna get tired of Lead Me by Sanctus Real. And so I never worked a Sanctus Real record, I've watched them from afar and been so impressed with them and their ministry, and so, there are other people you could go to. But you came to me to take this record to radio, I'm very honored by it, but in addition, I'm moved by it. I have to love, this is what I tell people. I make a great living talking to my friends all day long about music I love.– [Seth] That's a pretty good job.– [Chris] So I turn down the records I don't love. I take the records that move me, and the records that I love, by artists that I respect. And, I'm calling my friends, I'm not calling adversaries, I'm not talking to people at radio that I have to buffalo, or steamroll, or belittle, or slam a phone down and swear, and call them jerks behind their backs. I love these people, these are my friends, so I get to just go bring Matt and you, Seth, to my friends for the next two days. And these are people who work hard, like me, back in the day, they do it way better than me but none of them are making major amounts of money. They're doing this for love and calling, and yet, they're the venue, they're the avenue that we will go through to get this song on the air. And it's already impacting countless, thousands of people around the country in a very, very short amount of time.– [Seth] Yeah, well even, on the Sirius Highway, or Sirius XM The Message, they debuted the lyric video, we were just looking on the way up here and it's already at 37,000 views and 893 shares, which is a pretty substantial metric for a brand new label, essentially relaunching an artist.– [Chris] Yes.– [Seth] So that's a huge thing.– [Chris] Yes.– [Seth] Are you ever surprised and shocked with like a song that you think is gonna work doesn't work, or a song that you don't think is gonna work just blows up?– [Chris] Yes. I would say, my joke on that is, through years of therapy I've been able to mellow out a little bit. But there were times 10 and 15 years ago that I was sure a song was gonna be a smash, and nobody wanted it. It's like these 115 radio PDs got together in a smoky room somewhere and all decided what they were going to tell us promoters for the next year, and then they'd all go like, break! And they'd clap hands and they'd walk out. And so when I would get this massive pushback on a song, in the early days of this kinda promotion, I would go like, I don't know what a hit is anymore, I've lost it. And then I would go to the next step, I'm like, Am I even a Christian? And then I'd go all the way to like, God, are you even there, if I can't… And so, again, years of therapy have helped mellow me out, and life experience, just to get into a better spot of going, you know what, sometimes I'm wrong, a lot of times I'm right, and sometimes it's the radio stations that will say, oh, no, that's not a hit. I try to slow the no, I try to slow them down, because it's like, if you make a pronouncement, a negative pronouncement on a song this early, it's gonna be that much harder for you to admit you're wrong eight months down the line, six months down the line, let's just calm down, you tell me no now, that's fine. I'm just gonna find 20 people that you respect and get them to play the song, and we'll come back around, we'll just keep talking about it.– [Seth] And those people they respect, is that other radio promoters?– [Chris] No, no, other radio stations.– [Seth] Radio stations.– [Chris] Other radio stations. So then they're watching around to see who else, 'cause it's all defensive posturing and maneuvering. It's all, they don't wanna add a record, a radio station will say, we'll never be hurt by a record we don't play. Do you get that?– [Seth] Wow.– [Chris] We can never be hurt by a record we don't play, meaning, we might be hurt if we go too early on a song that our listeners end up not liking. So we'd rather watch the landscape and see what people are playing out here, and it's like, okay, that's fine. There are leaders, there are followers. If you need to be a follower on this, no harm, no foul, we're just gonna keep working this.– So I'm sitting here with Logan Crockett, VP of marketing for Full Circle Music and, man, what a ride it's been, we're on episode 100 on the Full Circle Music Show and we're talking about our favorites, favorite moments, and why listeners should probably go back and listen to some. And I love that you picked the Tony Wood episode. So what stood out to you about that, and why should people go back and listen?– Yeah, for sure. So with me, my perspective on the podcast is probably a little bit different from a lot of the rest of the staff. I've been around for just over a year, now actually working for Full Circle, but initially, listening to this podcast, I was, completely from the outside looking in, I was just, kinda like a lot of the people probably listening and/or watching this, someone just trying to kind of find their lane, their path in the music industry. And this episode with Tony Wood and this clip that we're about to play just really stuck out to me as something that I've never, ever forgotten. For so long, I mean I've been pursuing the music industry for years. And it always felt like, man, if you can just get kinda that one meeting with that publisher or that record later, or whatever company, just meet that right person and get that connection. If you can just do that, that's kind of hopefully the gateway to greater things, that kind of, getting that meeting, basically. But in this clip, Tony explained that it was so much more about getting meeting number two than about getting meeting number one. Because it really does make sense, getting meeting number two means that, if you had meeting number one, they have to like you enough to invite you back. And the way that Tony explained it in this clip, it was just, it was such a massive mindset shift for me because it just, it reformed my entire strategy for what I was trying to do with the music industry. It became so much more about okay, yes, meeting one obviously has to happen, but actually that's the easy part. So my goal was how do I get meeting number two? Meeting number one kinda flew out the window, and everything became about how do I score meeting number two, no matter what relationship I'm building, no matter what opportunity I'm pursuing. The goal became meeting number two.– Yeah, and in music, it's often about finding someone who is really where you want to be. And kind of emulating them. Wasn't there something that stood out in the episode about that, in particular?– Yeah he, Tony had kinda got his start thanks to someone named Tom Long, who was kinda that first person who really believed in him and helped introduce him to other people. And that was another big mindset thing for me, too, was this idea that, there's a lot in the music industry that you can control, there's a lot of things that you can do yourself to push yourself forward, but, it's going to be really, really, really difficult to get where you ultimately want to be if you're not finding someone else who can kinda elevate you. You need to find a champion, or a guide, someone who can get you further along the steps that you need to go.– I love it, and there's also this concept of, do your homework that Tony hits on, what did you mean by that, 'cause you were saying that that stood out to you.– Yeah. So yeah, again, all this stuff is in the clip that we're about to play, but Tony, it's a very kind of quick comment that Tony mentions, but when he was first meeting these other writers around town, and other publishers, he said that he did his homework on who they were and what they were up to. So basically, that really stood out to me 'cause now working for Full Circle, we have a lot of people who come through a lot of our events and things like that, but it feels like a lot of them haven't done their homework. A lot of them don't know like even, who is Full Circle and what are the different things that we do, what songs have we been working on, things like that. Normally I'm on a lot of calls with people through our academy and things like that, normally I have to completely explain almost from ground zero, what it is that we do, who we are, things like that. Not the case for everyone, but all that to say is if you are pursuing the music industry, before, and this kinda goes back into meeting one versus meeting two but before you get meeting one, make sure you do your homework, so that way you're giving your best first impression, and you're having amazing talking points when you do finally have the opportunity to sit down and have those interactions.– That's good. One thing that I love that we get to do with the academy, with our events, with courses and all of this stuff that we're doing is that we're helping dreamers, essentially. And there's kind of this common thread that we've heard, and I think you mentioned that Tony hits on this in the podcast. But this concept of, just trying, just giving it a try.– Yeah.– And why is that important, do you think?– Towards the end of the clip that we're about to play, Tony mentioned kind of his ultimate motivation towards, the big jump to moving to Nashville and pursuing all these opportunities. And his whole thing was like, you know, there's so many great opportunities in life. You don't have to be in the music industry, not everyone is meant to be in the music industry. The music industry is very competitive, not everyone who wants to be in it is going to be in it. But Tony's whole point was, that just really resonated with me was this idea of man, like if I don't just try and kind of give it everything that I have, a no is okay. Like if I meet the right people, and if I'm perfecting my craft and it's not good enough to be where it needs to be for the industry, then at least I tried, and I can live with that. But his big thing was like, man, if I don't try and give it all that I have, I won't be able to live with that. And that just resonated so much with me at the time, 'cause again, this was like, I think early 2016. So again, at the time, my involvement in the music industry was a little limited, I'd recently gotten out of college with my music business degree. I had a really great marketing job, but I wasn't that involved in the music industry, I was like running sound with my church and some things like that. But I knew that… In my being, I'm like, the music industry is where I ultimately want to be. And I was in a place where I kinda had a good job and all that sort of thing, but it was like, man, can I live with it if I don't do all that I can to get myself down to Nashville, to pursue these opportunities. And Tony just saying that, it's like, it was like he was speaking for me in that moment. Like yes, like that is ultimately where I'm at and I decided, there is no way that I will be able to live with it if I don't try, and give it all that I have, no matter what the outcome is.– And here you are.– Indeed.– Fruit of the podcast, that's awesome. Well here is a clip from Tony Wood interview on the Full Circle Music Show.– ASCAP was real helpful to me early as a songwriter, there was a conference that they offered like about five or six Monday nights in a row in October, where they brought in writers, producers, publishers, some great instruction. Something in that that was so significant, songwriter Dwight Liles said, the hardest meeting to get in Nashville with a publisher is not the first meeting, the hardest meeting to get is the second meeting. And it just killed me in that moment, 'cause I am such an introvert. And they would use the word networking and I hate the word, 'cause networking feels like, walk across this room and introduce yourself to this stranger, and tell them why they need to get to know you. And it's like, it's against everything within me, I'd rather just take a beating than do that. And I was like oh, no, if the hardest meeting to get is the second one, I'd better be ready when I get that, when I finally get the nerve up to go introduce myself, I gotta know that I'm ready. So that sends me into a month or so of panic about what do I do, what do I do. And I came up with this idea, Tom Long was the head of membership at ASCAP at that time, and he had put the conference on. The conference had happened three or four months earlier and I'd been stewing on that. And so here was the first professional initiation for me, I picked up the phone and I called Tom. And I said Tom, in the course that you moderated, somebody said the hardest meeting to get with a publisher is not the first, the hardest is the second. I need to be ready, I need somebody to tell me if I'm ready. And here comes the ask, Tom, will you be that man for me? And Tom says well, nobody's kinda ever asked me that, but okay, I tell you what, every couple of months, give me a call, bring me some of the lyrics that you're writing, and I'll take a look at them and tell you. I can't tell my story without such gratitude to Tom, Tom Long, for that. So I take the first meeting with Tom Long, walk in, the three current pieces of paper that I've typed up, put them on his desk, sit there, quietly feeling my organs separating while he's reading them all, just the tension, just dying right there. And Tom reads three and says, I've got some people you need to meet, get in the car. Drove me around to four publishers. I had done my homework, I knew who the publishers, I knew these people, I knew who their writers were, I knew the songs that they were having success with at that point. The first three dismissed me pretty quickly and go, eh, thanks but no thanks, and the fourth one was Michael Puryear who was with a small company, Lorenz Creative Services that was going at the time. They had just signed Steven Curtis, though before his first record, that was his first home, and they had recently signed Marcus Hummon who wrote God Bless the Broken Road. So it was kind of this small little boutique thing that was going, and Michael is more of a lyric guy, and he said, oh, why don't you start hanging around here some, and let me see if I can get some of our guys to write with you. And that was… The life changing moment for me, I'm so grateful to Michael for early belief in me.– [Seth] Sure. So, backing up, 'cause just the move to Nashville is such a huge leap of faith in the moment, I don't wanna gloss over that, for you and your wife. I'm sure that was just like a monumental thing. How does somebody know when they're ready to do that.– [Tony]Nobody knows, there is no knowing, there is nobody that's gonna say the time is right. It is that line between faith and foolishness. That's so close in there, you don't know. But I remembered, there was a point when I was finishing up school and still writing frantically, accumulating lots of sheets of paper. And they were in a box kinda under a bed. Early 20s, and I remember thinking, I can't imagine hitting 50 and not knowing, and not trying. I could live if I dared to show those to somebody and they said, ah, thanks but no, there's really not a place for you. But I couldn't live with myself if I didn't at least try. I remember sometimes feeling almost claustrophobic at that thought like, if I hit 50, and I've never at least tried, I almost couldn't breathe thinking about that. So that was some of the motivation that, you know if they had said, no thanks, go away, I could've lived with that, I could've gone and gotten, I could've worked at a church and been real happy with that, knowing that I tried. But not trying just was killer.– [X] Hey everyone, this is X O'Connor and you've been listening to the Full Circle Music Show, they why of the music biz, hope everyone enjoyed our episode 100, the special episode. It's impossible to believe that it's been 100 episodes already. And again, this is our last episode for a little bit, we're gonna be coming back at you with our brand new, re-imagined, rebranded podcast, the Made It in Music podcast, it's gonna be starting Monday, March 26th. It's so exciting, we're so pumped. So again, remember, March 26th, that's a Monday, that's gonna be the official beginning of the Made It in Music podcast. And we have some huge names already lined up for this, you guys are gonna be super excited about what we've got to come. It's gonna be more great content, for free, for you. We're looking forward to seeing you Monday, March 26th.The post Episode 100: The Best of The Full Circle Music Show appeared first on Full Circle Music. See acast.com/privacy for privacy and opt-out information.

In this edition of ‘Meet The Team’ we interview our very own Jerricho Scroggins. Jerricho went from a little town in central Indiana, graduated from Full Sail University in Florida, and then moved to Nashville and starting interning at Yamaha Music Group. We hear how the doors opened to Chris Stevens and Seth Mosley shortly after moving. Not long after getting a gig with Chris, Jerricho found himself with his very first Grammy Award. In his 5 years in the music industry, he has already garnered a whopping 4 Grammy Wins! Not something too many people can say about themselves…In this episode, we learn so much about where he has been and how he got to become an engineer and head of operations for Full Circle Music. Jerricho also shares some great knowledge for those seeking internships and a career in the industry. This is one podcast you won’t want to miss!Be sure to follow us on our new Instagram at @officialfcmusic to stay up to date with everything going on in the world of Full Circle Music. As always, thanks for listening and be sure to give us a review on iTunes if you have not already done so.The post FCM071 – From Internship To Income and a Grammy with Jerricho Scroggins appeared first on Full Circle Music. See acast.com/privacy for privacy and opt-out information.

Interview with Seth Mosley.In this, our inaugural episode, we hear from host, Seth Mosley. 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a:hover{color:#8f8f8f !important;}FCM001_-_Interview_with_Seth_MosleyYou’re listening to the Full Circle Music Show, “The Why of the Music Business”.Chris Murphy: Hey, guys. Welcome to the Full Circle Music Show. This is Chris Murphy sitting beside Seth Mosley. Hello, sir.Seth Mosley: Hey, man.Chris: We thought since we’re kicking off this podcast that we wanted to speak to the man himself, multiple Dove award-winning songwriter and producer as well as GRAMMY award-winning songwriter and producer, Seth Mosley’s got Full Circle Music right here in Franklin, Tennessee, just outside of Nashville. So without further ado, let’s get right into it, the interview with Seth Mosley at Full Circle Music.Hi. I’m excited. This is our inaugural recording and I thought maybe what we could do for our audience is to give them a little taste as to why is the Full Circle Music Show a show. Why is it a podcast? What was your idea when you decided to start this and what you hope the audience can get out of it?Seth: Yes. I think the big thing for us was just to get around other industry professionals and find out how they’re navigating today’s ever-changing music industry because we know how crazy it is on our end of doing what we do at Full Circle Music. I do believe that there’s strength in numbers and as a music industry united going forward to make sure we’re reeling in the same direction, so to speak.Chris: Yes. It is quite a complex group of questions and thoughts and processes and it’s ever-changing all the time regardless of what industry or genre that you produce or you write for or that you are a fan of; that it’s constantly changing out there from a business perspective. What are some of the changes that you’ve seen in the years that you’ve been producing and song writing as well as being an artist?Seth: Sure. Well, yes. I started out as an artist. That was my entry into the music business. I toured for about three years, pretty full time. We we’re doing anywhere from 100 to 150 shows a year.I got burned out on it really quick and figured out that the part of the process I really enjoy is what we’re doing now which is the creative side where we’re writing and producing and tracking the stuff in the studio. So that’s what I had transitioned into. But since then, there have definitely been a lot of changes. I moved to Nashville probably officially six and a half-ish years ago.Chris: So that’s 2009, 2008, something like that?Seth: Yes, about 2008, 2009, exactly. So right as the market was tanking and everything so I came in at a very interesting time and we hear a lot of doom and gloom surrounding the music industry with sales and streaming and Spotify, Pandora, all that stuff, and how that affects our income. We can proudly say that at Full Circle Music that every year since we’ve been in business has been our best year.Chris: Wow.Seth: And I don’t think that’s coincidence. I have a very positive outlook on the music industry comparatively with a lot of my other peers and people that I work with, I think.Chris: So quickly as a side note, for those that don’t know, what is Full Circle Music to you and to the world at large?Seth: Well, Full Circle Music is a team. It was an effort for me to intentionally come out and say that yes, this is a team support; it’s not just me. And it really always has been from the beginning but even more so now. Right now, it’s a small team but we’re growing and hopefully, in the next couple of years, it’s going to be expanding into having some writers under our roster and some producers and eventually, if it makes sense and we find the right artist to be able to even do a joint venture with a label and help develop in that way.But again, the key word is the right people so we’ve been actually probably going on the slow side just to make sure that, who is in our team is the right people. Right now, it’s me and X. O’Connor is my co-producer, engineer, mixer. He does a good chunk of everything.And then, we’ve got another guy, Jerricho Scroggins, yes, Jerricho Scroggins, that is the name and he’s running the ships. So it’s a lean mean machine. And then we have five or six other guys who do editing stuff for us at any given moment as well.Chris: Well, for a small team, you got a lot of hardware on the wall. I think, that’s probably a good thing then.Seth: The hardware per person ratio, it has been good so far.Chris: Well, building on that, you said that every year that you guys have been doing what you’re doing that it’s been growing. What do you attribute that to when everybody else or it seems like a lot of people out there are just talking about that doom and gloom that you mentioned earlier?Seth: I mean, I think it’s the focus on two things. Number one is, I mean, and this is a cliché, especially in Nashville, our focus is the song. Everything comes back to song writing and that’s the starting point.Production, that’s not to say production isn’t as important. It is. But if you don’t have anything, if you don’t have a good song at the beginning so I think that’s been more of my strength. A lot of people would say they’re a producer or a writer. I would say I’m probably more so a writer-producer, if anything, and that’s why having people like X and Jerricho around are key because their strengths complement for where I lack.So I think that’s been one thing is focus on the song. And the second thing is just the fact that it’s just our why behind why we do what we do is we’re here to serve. That’s our first thing as we’re in a service business. A friend of mine taught me that really early on when I moved to Nashville and that stuck with me. This really is a service business.Chris: And when you say service, do you mean servicing the song, servicing the artist, servicing the label?Seth: Yes. Yes. It’s really whoever is in front of us at any given moment, “How can I serve you?” whether that is the song or whether that’s the artist. The fact is that we are just here to enable and help facilitate artists to pursue their dreams and their careers. So any way that we can add value to what somebody’s doing, that’s our mantra.We’re always here to serve first. We’re not coming into a room with any sense of ego or, “What can we get out of this situation?” but, “Hey, we’re here to serve and give and give and give and give” and it seems like it’s just been, for lack of a better term, the universe’s way of giving back to us. We come in with that mentality and it seems to be working okay.Chris: is there a tangible example of that that you can think of off the top of your head? And if you need to leave names out, that’s fine but maybe something that really shows that service.Seth: Yes. I would say honestly and this wasn’t some brand new concept that we came up with; it was really more something that I learned by seeing how some other peers and mentors in the business were doing, it is just the fact of they don’t quit until they are as just happy.And that’s the same with us. We’ll go rounds and rounds and rounds and rounds and sometimes, actually, I had a conversation with a friend of mine about this and we always have to remind ourselves that Michael Jackson’s Thriller underwent 97 or so versions before they settled on the final.Chris: 97?Seth: Something like 97. I know it’s almost 100.Chris: Wow. Good grief.Seth: But I think that’s one very tangible thing. We’re not stopping until the artist, the label, the manager, and everybody is really, really pumped and signed off and proud to have their names on it.Chris: I was actually talking to Jerricho about this a couple of days ago, this exact topic. Before you, as a producer, writer, a person who is a go-between, when do you get to the point where you say, you know there’s that saying that the customer is always right?Seth: Yes.Chris: Is there ever a point in time where you say, “Well, I understand that but my experience says that maybe we need to go down this path. And then maybe…”, how do you lead that into that conversation if that’s the case for you?Seth: Sure. No, that’s a great question and it could very often be the case where I have – obviously, this is a very subjective business.Chris: Absolutely.Seth: And it’s not a business of what’s right and what’s wrong. It’s really a business of again, I’m putting my preferences, opinions, and even “expertise” aside sometimes to serve what an artist’s vision is because there’s a lot of the times that yes, it probably isn’t the first thing that I would do. That doesn’t mean it’s right or wrong. It just means that I’m helping draw out the best version of them.You said like my expertise on what works and what doesn’t work, that’s been another thing that served us really well is I think we try go on with the mentality of, “Hey, there’s no black and white; there’s no rules; there’s not a ‘this works and this doesn’t work’.”Granted, we do work in some pretty narrow radio-driven formats, and there are things, but here’s the thing. I mean, we always chase the artist’s dream all the way to the moon. Sometimes, I have to pull it back to the earth. We could very easily, in those situations, just like you said, point to the hardware on the wall and say, “Check the score.” I’ve heard some guys say that. I can never imagine personally us doing that.Chris: True.Seth: I think we’re literally probably the opposite of that to a fault.Chris: Well, again, I think that that’s probably why you’re in demand and a pleasure to work with. Because there are a lot of people out there, there are a lot of producers or songwriters that people could go to, so the fact that they’re choosing you, it’s because you bring that unique personality to it that draws people to it.For a producer that’s getting started out there or a songwriter as well, what’s a tip or two that you could point them to when you talk about service and trying to find the artist’s vision if you’re producing a project? What’s something that’s an applicable take-away that somebody could jump into right now?Seth: Well, I would say if you’re trying to learn to get good at your craft of production or song writing or anything in the music business, learn to do that but even more so, learn to be a collaborator. I think there are a lot of really good songwriters that we know that shoot themselves in the foot; that they are the most talented people in the world.But they’d probably be a lot more successful if they just spent a little more energy learning how to be collaborators rather than just saying, “Here’s the idea. Here’s the vibe. Take it or leave it.” I would say focus on that and that just takes a lot of humility, really.So just do some soul-searching and say, “Why am I in this in the first place? Am I in this because I’m trying to scratch some ego itch that I have or an insecurity or whatever?”Chris: True.Seth: So I would say that’s first and foremost because people look for collaborators. They’re not really looking, especially nowadays, for ultimatums.Chris: Yes. That’s a really good point and it makes me think about when you were saying earlier that you were on the road, pretty hard core, for several years and it burned you out pretty badly. Was there a moment in that process that where you thought, “Okay. I’m a good writer. I produce stuff. This could be a path for me more so than being the artist on the road and the tour bus?”Seth: Sure, or the tour van. We ended up in the bus on the very tail end of what we were doing and it’s ironic that yes, as soon as we got into a bus, I was already burned out. That’s kind of whatever you’ve been, shoot for it. It’s still like get on the road and hop a bus and be flying around and doing it that way. I think there was a really clear moment and that was in the beautiful, glorious state of Iowa. Every time we went through Iowa on tour, it seemed like something, the universe was just against us.Chris: Sure.Seth: Like God was saying, “Do not go to Iowa.”Chris: “Just drive around the corner.”Seth: “Drive around it.” So the last straw in Iowa, still probably story number three or four after having broken down there and stuck there in snowstorms and ice storms, all that other stuff, the last straw was we were on tour out there and it was, of course, snowing and sleeting and everything and the van, I think we were outside of Sioux City and we heard a giant bang and we looked around like “What in the world?” and then the van just grinds to a halt.Chris: Oh, no.Seth: We got out and it looked like somebody shot a cannonball through the bottom of the wall, like something literally blew up under it.Chris: Wow.Seth: So it was at that point that we had to call U-Haul, sit there in the cold for two and a half hours, and wait on them to show up. We finally got to the venue and in order to just stay and get home from that that weekend that we were doing it, to drive a U-Haul and run a rental car and drive all night, the choice was do we fix the van or do we just dump it and leave it there with the trailer and say, “Hasta la vista” because we owed money on it and that for me was like, I felt like it was God’s way of saying, “Hey, maybe it’s time to start focusing on something else.”Chris: Sure.Seth: We never went back for the van or the trailer.Chris: Really?Seth: Somebody’s still there with it.Chris: Wow.Seth: It was a tax write-off. That was the moment. And honestly, sometimes life does that where it just makes decisions for you and sometimes, that’s what we need and that’s what that was very clearly because I had been doing production and writing the whole time and was having some success at it and honestly, taking care of our family through that side of things, the financials of touring were not in our favor.Chris: Sure.Seth: But on the production and writing side, I already had some things rolling with these boys and some other projects as well, too. So it was a natural transition and a lot of people say, “You just make the leap of faith out and just switch.” But honestly for us, it wasn’t a leap of faith; for us it was a no-brainer.It was, “Hey, I get to stay home with my wife” and we didn’t have kids at the time but we got to stay home, hang out, didn’t have to go get in the van and drive all night or a bus, and actually pay our bills with this. So for us, it was a bit of a no-brainer and that was definitely the situation that sparked it for us.Chris: Oh, I think that’s a good transition that I’d love to hear. From somebody that’s been on many different sides of the music industry, being an artist and now producer, songwriter extraordinaire, is that process…Seth: Extraordinaire, I don’t know about that.Chris: Okay, then I’ll just that out loud. You don’t have to agree with it but I’ll say it for you; that I think that it makes sense to talk about you may have a sole passion in the music industry or whatever industry that you’re in but the fact that you had many different things going on, you didn’t have all your eggs on one basket, so to speak. Could you speak to that for those out there that are saying that, “You know what? I just want to be behind the boards. I just want to be in a bus and break down in the middle of Iowa like that’s my dream, that’s my passion?” Is there validity in having your eggs spread out or is there also validity in having all your eggs in one basket when you were chasing that dream?Seth: I would say that I would go back to the proverb of chase two rabbits and you will catch neither. I think the moment that we made that decision to get off the road and focus on one thing was like a cannonball. It was like a spark for our career on the production and writing side.Just, it was like, “Okay. Well, there’s no longer conflict of interest. There’s no longer making the decision of what do I focus my energy on? I only focus on one thing.”Chris: Sure.Seth: And it’s the Full Circle Music side so I’m a very big believer in being focused on one thing. I think in the financial industry, we hear a lot about diversify, diversify, diversify.Chris: Sure.Seth: And that is true, once you’ve achieved some success, to protect what you have.Chris: Right.Seth: When you’re in the beginning stages and growing and growing and growing, it’s really, “Put all of your eggs in one basket and watch that basket really carefully.” That’s what I’m leaning towards.Chris: Yes, that makes sense. So watch that basket carefully and then when you get to the point where that’s on autopilot or that it’s running itself, whatever it is, then maybe you can move on to something else.Seth: Yes. And even then, I don’t know that there is ever truly an autopilot. There’s some degree of yes, we can maybe take some time off and stuff will still happen and what not but I think no matter what the case is, if you’re focusing on one thing, that means it’s one thing that you’re not focusing on. You’re taking away from the other side of things.Chris: Yes.Seth: Honestly, there’s always going to be a little bit of trade-off there.Chris: Right.Seth: I think honestly, well, there’s a really good book. Actually, I would recommend it to all the listeners out there. It’s Gary Keller’s The ONE Thing. And we recently went through it and it was really good for me on focus.Chris: Absolutely.Seth: And that applies to people in music or investing or anything in life, to be honest. I’m very big on focus.Chris: That’s great. Do you miss it? Do you miss the road? Do you miss being an artist?Seth: Not for one second.Chris: No?Seth: Every time I see a bus drive by or a van or a trailer, I’m just like, “Oh, thank God that I’m not on it.” I start sweating for the people inside it.Chris: Oh, man. Okay, you got some sort of a response to some PTSD or something from being on the road, huh?Seth: Well, I’m making it sound really bad but honestly, I mean, there is a lot of great things. And probably the biggest thing for me was I met my wife through it. So had I not done it, I wouldn’t have known her and we wouldn’t be where are today.So the universe definitely has its way of circling things back around and then we’re just part of how God used, and I think He used it honestly to our favor on even what we’re doing right now because we’re able to relate with artists in a different way than somebody who’s never been on the road.Chris: It sure is.Seth: We have first-hand experience to say, “Okay. I know. I know what you’re going through. I know how hard you’re working every night. I know what it is to play these songs every night and go to the radio tours” because we’ve done that and we’ve been there.Chris: True.Seth: So it helps us relate in a different way.Chris: Other than just that experience of just being in the trenches for years and doing it and then transitioning to what you’re doing now with the producing and song writing or song writing and producing, what kind of education did you have behind you when you started?Seth: A high school diploma.Chris: Okay.Seth: Where I grew up in Ohio, we had a thing called post-secondary education where you could take college classes in high school. And I did probably 12 credit hours of that so that was the extent of my education.Chris: Oh, wow. Okay.Seth: And YouTube really wasn’t even a thing now and that is a big part of education nowadays. You can learn to do anything you want on the internet.Chris: Sure.Seth: That really wasn’t as much of a thing that was available. People weren’t creating these tutorials and videos of how to do stuff; it was really just diving in and watching other people work.Chris: So really from the music business standpoint, your life experiences was your classroom.Seth: Exactly. Yes. But that’s not to discount – I would say that’s my classroom but the other part of that is just watching other professionals and what can I learn from them. And part of our servant mentality is walking into a room saying, “Hey, what can I learn?” not “What can I teach?”A lot of people graduated from college nowadays that we find, because we have an internship program, and we have some great interns. But we’ve also sensed a little bit of a mentality and I don’t know, it’s just been in the past few years of maybe it is an entitlement thing where people think they’re going to graduate and get hired as a producer or a songwriter and get a job, a publishing deal or whatever it is.That’s really not the way it works. You have to come into a room and show that, “Hey, I’m here to serve and I’m here to add value.” And only then do things start opening up for you.Chris: Yes, that makes sense. So I guess the palm on the wall is great. But if it doesn’t have the experience behind it then it doesn’t speak too much.Seth: Yes, and the heart behind it to serve. I mean, I think nowadays, this is so important. You just have to be going into a room, “How can I add value? How can I add value?” and not “What can I get out of this situation?”Chris: Sure. What would you say to somebody who’s sitting in a music score right now or doing a production licensing or whatever that would look like that’s in the thick of it, that’s listening because they want to graduate in a few months and come in Nashville and be on the Seth Mosley plan?Seth: Yes. No, I mean, we have, me and Jerricho, have these discussions all the time with our interns saying, “Okay. It’s really all about why am I doing what I’m doing?”Chris: Sure.Seth: Because we never want to put off the vibe that, “Hey, don’t go to college; that you’re not going to get anywhere with it.” That’s not what we’re saying at all. It’s more so, “Hey, if you’re going to college, how do you use that to further and get closer to where you want to be?”Chris: Absolutely.Seth: And really, it’s all what you make of it. It’s all what you put into it; who are meeting; who are you serving; what kind of experiences are you getting out of it; what are you learning. So I would say if you really feel strongly that you’re using that as something to get closer to where you’re going, keep on and finish strong.Chris: That’s great. Yes.Seth: But I would also say on a more down to earth, realistic, because we’re definitely a realist over here, on a realistic note that don’t think that just because you do graduate and get that diploma that it’s going to mean that you’re going to get hired right away.Chris: Sure.Seth: Maybe that’s one in a hundred or one in a thousand situations. But you’re going to get hired because of who you are and what dynamic you add to a room. If you have a diploma, maybe that’s icing on the cake but that’s definitely not what we look for in a company or in a student or somebody to hire.Chris: So just to nail it down, what are you looking for when you’re reaching out to find either an intern or the next employee? So for someone out there that’s like, “Oh, okay. I get what stuff he’s saying but maybe what are a few things that I need to be working on to make sure that by the time I’m ready to strike, I’m ready to go?”Seth: Well, I think and not to keep saying the same thing and be a broken record, but we look for servant hearts. That’s the first and foremost thing. Second thing is yes, I mean, there’s got to be some raw talent there. And again, that’s all subjective, too.Chris: Sure.Seth: But we have to at least really dig and connect on a creative level. Otherwise, it’s not going to work that way. And the third thing would just be work ethic and enthusiasm for it because it’s not a business that really lets you have typical 9am – 5pm, most weekends off.I mean, we try really hard at Full Circle to have a pretty normal semblance of a normal life for me and for the guys that work with us because I think that’s important for balance. But that’s definitely on the beginning, maybe not the norm.Chris: Yes.Seth: It’s a little more the exception. So I would say just you got to know what you want to do and have the work ethic, have the enthusiasm to stay up all night and grind it out until you get good because it really is about that 10,000 hours and putting that in. And if even that, I’ mean, I’m still feeling like as we cross our 10,000-hour threshold like man, I’m still learning everyday and I feel like if you’re not, you’re just getting further and further behind.Chris: Sure. Seth, this is great, man. In one of the opening episodes of this podcast, we both sat down and talked that we wanted to really hear from other industry professionals and their heart and their desire and their expertise so that can be something that others can grow from.But I’m grateful that you’re willing to sit down with us today and give your heart and I know that you’re going to be giving that a lot because you’re going to be sitting at the microphone everytime.But to hear from you and to see where you’ve come from and where you’re going and I think the biggest take-away is the fact that you said when you walk into a room, you think, “How can I serve?” Or, “What can I give not what can I get?” so to speak.Seth: Yes.Chris: I think that’s huge.Seth: Yes.Chris: And so I appreciate that. But is there anything else you’d like to leave the audience with as we step away here?Seth: I mean, I would say, the other big thing is yes, serve but it’s also, it’s a kind of piggyback on what we were saying earlier. If I could put any title behind it, it’s no plan B. I think the people who have a fallback plan are going to do that fallback plan.Chris: Absolutely.Seth: At some point, you got a wife and kids and you got to do what’s responsible for them especially when you’re on the frontend. If you’re single or young or married or whatever, you just grind it on, figure out how to make it work.Another friend of mine who’s in the industry who’s been in it for a long time, that was his advice in his panel, to a bunch of Belmont, probably 200 Belmont song writing students.He had them raise their hand and say, “Hey, who has a plan B?” Probably 75% of the room put their hands up. And he said, “Okay. Get out now.” And he wasn’t saying that to be mean. He was just saying, “Hey, that’s the reality.” If you have a plan B, you’re going to do the plan B.Chris: Yes, sure.Seth: Honestly, I didn’t know growing up or in high school what else besides music I would do. It was just the only thing that I felt like I knew how to do and the only thing that drove me and get me happiness and satisfaction. Obviously, as life progresses, you develop those things. But honestly, not having a plan B is the best thing in the world for you because you’re going to figure out how to make it work because you have to.Chris: That’s great. Seth, thank you so much, man. I really appreciate it.Seth: Yes.Chris: Hey, we hoped you’ve enjoyed this episode and will join us again soon on the Full Circle Music Show, The Why of the Music Hits.Check us out at fullcirclemusic.org/podcast.The post FCM001 – Interview with Seth Mosley appeared first on Full Circle Music. See acast.com/privacy for privacy and opt-out information.

Sermon by Jenna Meyers on Job 42:1-6 (and Job more generally) and Mark 10:46-52 recorded October 25th, 2015. This sermon is in conversation with scholars Raymond Scheindlin and Shaye J.D. Cohen. Playing with the interwoven images of the (Bartimeaus) blind beggar narrative, a relationship is developed to the modern audience, as well as to the Marcan community, who likely heard the story around the fall of the second temple. One of those images is of Jerricho and the walls tumbling down. When there was no reason to hope, their hope in a promised land was realized. Remembering Jerricho, the Marcan community might have found renewed “sight” of hope as they were facing loss and devastation of their own. In both Mark and Job, and potentially for us, hope is found within community and resiliency through story.

This week on KingJordan Radio we will talk about Sting news and how he has mentioned  something's about 7-14 something ,& Chris Jerricho returns not mention Bret Hit man Hart's shows up on Monday night RAW, and will the biggest free agent of them all CM punk come to TNAiMPACT anytime soon we will also talk Seth Rollin's and the money in the bank match plus news on Goldberg, Kevin Nash, Bully Ray and dont forget to follow us @MrKingJordanRadio  and Facebook.com/KingJordanRadio