Podcasts about Rhythm section

On the season finale of The Rhythm Section Podcast, we take a heartfelt moment to reflect on an incredible season and celebrate a major milestone—100 episodes! We shine a light on the amazing guests and sponsors who helped shape this season, and most importantly, thank the listeners for their unwavering support. This episode is all about the community that made it possible. We share listener engagement highlights and impressive show stats, from downloads and views to shares, likes, and tags. It's a wrap on this chapter, but The Rhythm Section will return with even more great interviews this September. Thank YOU ALL for an incredible season!   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Michael Trainer (00:01.292)Welcome to peak mind. your host Michael trainer. And today I want to talk about relational dynamics and the balance that is necessitated in our relating. And for me, you know, I studied years ago with the traditional healer in Sri Lanka, and he said to me that health is the heart rhythm. It's the, it's the rhythm of the heart and That became so poignantly clear to me when I thought about being in utero and the fact that for nine months, the thing that defines our reality in the darkness of the womb is the beating of the heart. And we all share this heartbeat, right? From birth till death, there is a miracle which is the beating of our hearts. And that heart is always in relationship with the world. If we get anxious, it beats faster. When we calm, it beats slower. It's the rhythm section. It's the rhythm section for our life's music. And the people that we meet bring in the other instruments. They're like the, you know, the guitar, they're the piano. And when we're in harmony, The sound is beautiful. But if we don't take care of the heart and the rhythm of the heart, if we're not mindful of it, we lose our way, we lose our balance and we get out of tune. And one thing that was hugely clarifying for me was I realized actually, you know, society tells you you're an introvert or you're an extrovert. And I found that I was both. I absolutely need to be alone and recharge and I absolutely need to be social and get energized from being around nutritious people. And then I learned that there's something called an Ambervert which is both an introvert and an extrovert and one enables the other. And it was so clear to me this weekend when I was at a conference and meeting with people and around new energies and stimuli. Michael Trainer (02:29.524)and quote unquote networking, but really just connecting with people, but new people. And for 12 hours a day, today I was actually meant to fly. And I was like, you know what? No, I can't. I need to just be at home and ground. I need to go to the water. I need to find my center. I need to tune my instrument. I need to get back in rhythm with my heart. So that when I get back out with people, I am in an amazing way. And I think when we don't take care of our instrument, we don't take care of our heart, we don't pay attention to those signals, that's when we get out of balance. And in Sri Lanka, where I live with this healer that I had the great fortune of studying with, when someone got profoundly out of balance, it was actually the role of the community from sunset to sunrise to richly recreate through this elaborate and beautiful ritual. their shared cosmological worldview and elaborate fire dancing, flower offerings, dance, drama. The person was placed in the center and it all rotated around them. And slowly the collective brought them back into the rhythm of the community, back into the rhythm of the collective heartbeat. And in that is health. because we are inextricably linked. And we live in a fallacy that we are kind of islands on a hill, we are individuals. And while there are beautiful aspects to our individuality, there's also a biological imperative. are connected, we are interdependent. And so to tune yourself into the collective heartbeat, but also to know when to withdraw when you need to do your own tuning so that you can play beautifully with others. This dance I think is not often talked about, but is so important. And so for my ambroverts out there, for those that both are introverts and extroverts, I think it's so beautiful to recognize where the bridges are and to be in the listening for your bridge. Michael Trainer (04:54.526)and to find the way to stay in the rhythm, your rhythm. And for me, it's knowing when I'm getting a little too much noise and I need to return the signal. And today was an exact exemplification of that. I canceled the flight, I stayed home, I got a nap in, I got a workout in, I went to Barton Springs and went in the water. And that combination served me. I'm now... My cup is more full, I'm gonna get an early night's sleep. Tomorrow I'll be ready to get back in the world. So do the things, my friends, that keep you in your center so that you can connect beautifully to others when you are out in the world. But know also when you need to retreat to take care of yourself. Sending so much love, I'll talk to you tomorrow.  

From his Alfred clinic "Start Your Engines: Building Confidence with Less Experienced Rhythm Section Players" Mike Kamuf shares amazing information to help your young Rhythm Section thrive! This is also a chance to listen to some great music by one of America's top writers. To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of thegrowingbanddirector.com Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Follow the show: Podcast website : Thegrowingbanddirector.com On Youtube The Growing Band Director  Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and  Share us with another band director!

The two biggest areas of growth for most jazz band directors lie in the rhythm section and articulation for the jazz band. Legend Dick Dunscomb joins the show to help! To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of thegrowingbanddirector.com Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Follow the show: Podcast website : Thegrowingbanddirector.com On Youtube The Growing Band Director  Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and  Share us with another band director!

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 6th March 2025 Artist - Track - Album - Year Russ Anixter's Hippie Big Band    What is Hip?    What Is?    2025 Richard Baratta    Purple Haze    Looking Back    2025 Rodney Whitaker    Moonscape    Mosaic: The Music of Gregg Hill    2025 Steven Feifke    And Then There Was Nothing Left    The Role of the Rhythm Section, Vol. II    2024 Davy Mooney & Ko Omura    Parusha    The Word    2025 Jim Snidero    Bird Feathers    Bird Feathers    2025 The Greg Abate Quartet    Positive Energy    Positive Energy    2024 Noah Peterson    My Name is Burns    Coming Home to You    2025 Nick Hempton/Cory Weeds    Change for a Dollar    Horns Locked    2025 The Bigger Badder Bones    The Winning Edge (feat. Andre Hayward)    Sliders    2025 Nanumi Haruta    The Vibe    The Vibe    2025 Nick Adema    The Friendly Ghost    Urban Chaos    2024 The Len Pierro Jazz Orchestra    No Chance for Goodbye    as I was saying    2024 Mike Boone Friends & Family    KB Bump No. 1    Confirmation    2024 Mike Boone Friends & Family    Beneath the Surface    Confirmation    2024 Howard University Jazz Ensemble 2024, Fred Irby III, M.D.    Del Sasser    A Return to Glory: A Tribute to Chadwich A. Boseman    2024 Rick Roe    Elden's Bop    Tribute: The Music of Gregg Hill    2024 Judy Wexler    No Wonder    No Wonder    2025 Tom Teasley    Tale of Two Wolves    Wisdom: Remembers Charles Williams    2024 Alex Coke & Carl Michel Sextet    440    Situation    2024 Satoko Fujii GEN    Morning Haze    Altitude 1100 Meters    2025 Keiji Haino/Natuski Tamura    Part 2    What Happened There?    2025 Jon Irabagon    Routers    Server Farm    2025 The post The Creative Source (#CreativeSource) – 6th March 2025 appeared first on SoulandJazz.com | Stereo, not stereotypical.

SEAN CHAMBERSrecorded his 9th album“LIVE FROM DARYL'S HOUSE CLUB”Featuring The Savoy Brown Rhythm Sectionon MAY 2ND 2024.The release is scheduled forFEBRUARY 28TH, 2025The album consists mostly ofChambers' past material as well asa few SAVOY BROWN songs.Florida born Sean Chambers began his career in the Blues back in 1998when he toured with the legendary Hubert Sumlin as his guitarist andband leader until 2003. During Sean's tenure with Mr. Sumlin, Britain'sown Guitarist magazine named Chambers as “One of the top 50 bluesguitarists of the last century.”Sean Chambers and the members from Savoy Brown all became friendsafter playing a festival together in 2019. In 2023, shortly after theunfortunate passing of Savoy Brown's founder & leader, Kim Simmonds,renowned guitarist and songwriter Sean Chambers teamed up with theSavoy Brown Rhythm Section consisting of Pat De Salvo on Bass, andGarnet Grimm on drums. Being that Savoy Brown and Chambers areon the same record label together, Quarto Valley Records, this changemade sense and felt right to all three musicians. Kim Simmonds was infull support and gave the three his blessings shortly before his passingon December 13th, 2022.These three accomplished musicians have come together to createwhat is undeniably one of the most entertaining, and powerful musicaltrio's on the scene today!Sean Chambers, along with Pat De Salvo & Garnet Grimm continue totour together throughout the U.S., Canada and Europe. For more go to his website! https://www.seanchambers.com

In this episode, Derrick and Jeff share exciting updates, including their big studio move and the podcast's growing list of sponsors—Musicians Booking Agency, Moore Loud, David Griffin Audio, Area 51, and Big Note Music Lessons. They also discuss their continued partnership with Radio Memphis and the shift to a Tuesday release schedule to align with the station. Plus, they celebrate a major milestone as the podcast's Facebook page surpasses 2,000 followers! A huge thank you goes out to Kenny Francis and Tina Hinds for their generous Venmo donations ahead of the new season. For the feature interview Derrick and Jeff sit down with Ric Chetter and Monica Summerfield from Radio Memphis to dive into the origins of the station and its mission to support local, original music. Ric shares his history at Rock 103, while Monica reflects on Memphis' thriving independent film scene back in the day. They also reveal the story of how they met, Monica's first introduction to radio, and the exciting new collaboration with Weapons of Mass Production airing after The Rhythm Section. Plus, they discuss Radio Memphis' shift to non-profit status—and introduce the infamous studio doll, Rosie Palms! Radio-Memphis.com   SEND US YOUR QUESTIONS at TheRhythmSectionPod2022@gmail.com HOW TO SUPPORT If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

mixtape by MLE | Campus Club MLE is the label manager of Peckham, London based label Rhythm Section With a youth surrounded by endless grass, practical boredom and nothing to do, MLE spent her time escaping to the virtual reality of the internet, discovering the world of electronic music and its digital culture. Musical interests spurred by learning piano, clarinet and drums from a young age, her musical understanding informs an eclectic taste from Turkish disco folk to New Yorkian left field and clanging electro. Combining these interests with a warrior spirit for breaking down gender imbalance within dance music, dope synth noodler, and party instigator. MLE's dedication is unmatched and will only continue to grow as an artist, selector and booty shaking motivator.' https://www.wearerhythmsection.com/artist-page-mle SC https://soundcloud.com/can_u_feel_ml3 @can_u_feel_ml3 IG https://www.instagram.com/emily.mle ------------------------------------------------------ CAMPUS CLUB, l'émission Au plus près des cultures électro qui marquent la création musicale d'aujourd'hui et à l'international, le réseau Radio Campus France donne carte blanche aux artistes et labels défricheurs des nouveaux talents. En écoute régulière sur plus de 30 radios et en podcast, retrouvez chaque semaine CAMPUS CLUB, un mix exclusif d'un.e DJ ou producteur.ice. de la scène française ou étrangère. Toutes les mixtapes : www.radiocampus.fr/emission/campus-club-mixtapes ------------------------------------------------------ RADIO CAMPUS FRANCE Radio Campus France est le réseau des radios associatives, libres, étudiantes et locales fédérant 30 radios partout en France. NOUS SUIVRE | FOLLOW US www.radiocampus.fr

The Rhythm Section, an attempt by Eon Productions to do a non-Bond spy movie, marks its fifth anniversary this month.

While at the Midwest Band Clinic we sat down for spontaneous conversations with music educators in person at the Exceclia Music Booth. In this episode we connect with Jerry Tolson (retired University of Louisville) and Dan Austin (Guelph Collegiate Vocational Institute in Canada). To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of⁠ thegrowingbanddirector.com⁠ Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Follow the show: ⁠Podcast website : Thegrowingbanddirector.com⁠ ⁠On Youtube The Growing Band Director⁠  ⁠Facebook-The Growing Band Director Podcast Group⁠ ⁠Instagram @thegrowingbanddirector⁠ ⁠Tik Tok @thegrowingbanddirector⁠ If you like what you hear please: Leave a Five Star Review and  Share us with another band director!

De la chaleur dans les speakers pour une vibe nice & cosy avec entre autres de lʹafro-house et du UK funky, le tout saupoudré de jazz. Un mix pour un clubbing comme au coin du feu. Cʹest partie avec un duo néo-zélandais que Nic As Well a eu lʹoccasion de croiser plusieurs fois entre Genève et Montreux. Premier morceau, Observe Part II de Chaos In The CBD, sorti sur le label londonien Rhythm Section géré par Bradley Zero, un des fondateurs de Boiler Room.

We are ramping up the 2025 season of The Rhythm Section podcast. We discuss the launch date for the new season of 2025, the new studio home, the show's new relationship with Manny Zepada and Big Note Music Lessons, the new publishing schedule in coordination with the podcast's partnership with Radio Memphis, special thanks to Ric Hale for his work with the 2024 Christmas for the Kids fundraiser and of course our normal ridiculous behavior, forgotten names and my poor speaking abilities. It's so good to be back, and we can't wait to deliver fresh and new stories from our music community to you! Cheers to 2025!!   SEND US YOUR QUESTIONS at TheRhythmSectionPod2022@gmail.com HOW TO SUPPORT If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Episode 24 features classical guitarist Sidharth Sarangi, guitar maker Robert Randall, ska-Americana band Red Spot Rhythm Section, and Nashville singer-songwriter Liv Greene.

Host Jorden Guth's new baby finally made his debut, so we're taking a break again this week and resharing one of our favorite season 2 episodes, in which Jorden was joined by legendary mastering engineer Bernie Grundman to discuss what mastering is, what it isn't, how it differs from remastering, and why vinyl sometimes sounds better than digital. “Art Pepper Meets the Rhythm Section” by Joseph Taylor: https://www.soundstageultra.com/index.php/features-menu/recording-of-the-month-menu/1175-art-pepper-art-pepper-meets-the-rhythm-section “Is It Just Me, or Are CDs Too Loud?” by Joseph Taylor: https://www.soundstagehifi.com/index.php/feature-articles/on-music/944-is-it-just-me-or-are-cds-too-loud “The Music Man” on the SoundStage! Audiophile Podcast: https://www.soundstage.life/e/the-music-man-joe-taylor-on-vinyl-and-cassettes-next-gen-audiophiles-curated-music-selections/ Chapters: 00:00:00 News! 00:00:31 Announcement 00:00:51 What does a mastering engineer do?  00:20:56 Musical interlude: “Say No More” by Julian Hartwell 00:23:19 Digital vs. analog and radio vs. streaming 00:35:55 What music moves Bernie Grundman

In this episode, Derrick and Jeff share exciting details about The Rhythm Section's new collaboration with Radio Memphis. Plus, our feature interview with Greg Reding, guitarist for Landslide: A Memphis Tribute to Fleetwood Mac, dives into his 30+ years with The Memphis All-Stars, his journey in music, and playing with legends like Black Oak Arkansas, Albert King, and Chuck Berry.   SEND US YOUR QUESTIONS at TheRhythmSectionPod2022@gmail.com HOW TO DONATE TO THE PODCAST If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Derrick and Jeff recap the exciting Hometown Headliner music series and make a major announcement about a new opportunity for The Rhythm Section podcast. Special guest Angela Burton joins the show to discuss her acoustic work with Bob Bocia, Mike Hart, Dave Morshack, and her collaborations with Mandy Thomas and the band Crusin' Heavy.   HOW TO SUPPORT If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

The latest live recording form the Dogglounge Internet Radio, The best Deep House Radio . Hope you all enjoy? M Djm – Home | Facebook

In this New Music Friday Episode, we talk with Josh Siegal of The Red Spot Rhythm Section.  Josh leads this Chicago based music collective and combines Reggae, Ska, Americana and Funk into their own amazing sound.  We discuss their musical journey and their latest album Twilight.

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

18/7/24 The latest live recording form the Dogglounge Internet Radio, The best Deep House Radio . Hope you all enjoy? M Djm – Home | Facebook dj m – YouTube djmnzlmusic@gmail.com https://www.buymeacoffee.com/Djmnzl

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

Mike Stephen learns about efforts to preserve Illinois wetlands from Jennifer Bamberg, investigative reporter at Investigate Midwest, gets into Red Spot Rhythm Section's new music with band founder Josh Siegal, and discovers the Secret History of Chicago blues drummer William Warren.

Just back from Worldwide Festival, Private Joy sits in with Jamie Groovement to talk her new EP Desire! on Rhythm Section, Manchester street soul, the festival performance of Jimetta Rose and the Voices of Creation and more. Plus new hip hop, soul and more from Om Unit, Essa and Pitch 92, Ruby Wood x Vice Beats, Pataka Boys, Multiverse 3 and more.

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

The latest live recording form the Dogglounge Internet Radio, The best Deep House Radio . Hope you all enjoy? M Djm – Home | Facebook dj m – YouTube https://www.mixcloud.com/Djm2014 https://soundcloud.com/mark-mandeno djmnzlmusic@gmail.com

All four of the rhythm section instruments (Piano, Guitar, Bass and Drums) get covered in a very thorough way during this converation with Anthony Susi. Anthony is a proficient rhythm section player, veteran band director, adjudicator and composer - and brings his expertise to the show to help you improve your rhythm section! To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of thegrowingbanddirector.com Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Follow the show: Podcast website : Thegrowingbanddirector.com On Youtube The Growing Band Director  Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and  Share us with another band director! --- Support this podcast: https://podcasters.spotify.com/pod/show/kyle-smith95/support

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

Pianist Noah Haidu brought a world class rhythm section with bassist Buster Williams and drummer Lenny White to the KNKX studios.

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

Track Nine of our Eleventh Year Soundtrack!  Enjoy!

The latest live recording form the Dogglounge Internet Radio, The best Deep House Radio . Hope you all enjoy? M Djm – Home | Facebook dj m – YouTube :https://www.mixcloud.com/Djm2014/ ;https://soundcloud.com/mark-mandeno djmnzlmusic@gmail.com

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

SEAN CHAMBERS TEAMS UP WITH THE SAVOY BROWN RHYTHM SECTION:Sean Chambers and the members from Savoy Brown all became friends after playing a festival together in 2019. In 2023, shortly after the unfortunate passing of Savoy Brown's founder & leader, Kim Simmonds, renowned guitarist and songwriter Sean Chambers teamed up with the Savoy Brown Rhythm Section consisting of Pat De Salvo on Bass, and Garnet Grimm on drums. Being that Savoy Brown and Chambers are on the same record label together, Quarto Valley Records, this change made sense and felt right to all three musicians. Kim Simmonds was in full support and gave the three his blessings shortly before his passing on December 13th, 2022.These three accomplished musicians have come together to create what is undeniably one of the most entertaining, and powerful musical trio's on the scene today!KEEP AN EYE OUT FOR UPCOMNG SHOWS IN YOUR AREA!https://www.seanchambers.com

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

We conclude the Crimson break period discussing Wetton and Bruford's various projects together and apart like UK, Bruford, Uriah Heep, Roxy Music, Genesis, Roy Harper and more!email: framebyframepod@gmail.com

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

Hooooooo doggies! LLR returns with another bonus episode featuring an eclectic mix of everything Jay and Deon have been f#@%ing with, sonically speaking. Library music with Library Mark? Check. Venezuelan psych rock? Check. German new wave? You betcha. Art rap, classic jangly American pop and egg punk? YOU KNOW THAT'S RIGHT! Join the fun. It was worth the wait. Promise. Sonic contributors to the nineteenth bonus episode of Lightnin' Licks Radio include:  Townes Van Zandt, Tom Petty & the Heartbreakers, Black Midi, De La Soul, Ideal, Cal Tjader, Hoyt Axton, Steppenwolf, Blind Melon, Frances Lee McCain, Zach Galligan, Clarence Williams, James Tim Brynn, Dally Small, Alline Bullock, Ike & Tina Turner, The Doors, The Beatles, Paul Revere & the Raiders, The Rolling Stones, Jacko Peake, The Who, Merv Griffin, Saint Etionne, Uncle Ted Nugent, Iron Butterfly, Cheap Trick, Germs, The Clash, Steel Pulse, Elvis Costello, Sweet, Living Colour, Beatific Vision, DJ Magic Mike, The Baseball Project, Madlib, Karriem Riggins, Jahari Massamba Unit, Shawn Lee & Clutchie Hopkins. Deon brought to the dining room table the sounds of Nnamdi, Nina Simone, Alan Tew, and Denzel Curry. Jay suggested checking out Humpe Humpe, The Pets, The Rhythm Section, and R.E.M. Super-special-secret-friend Library Mark hipped Podcast America to Mannequin Pussy, Sheer Mag, Snooper, and The Courettes. Bonus #19 mixtape [A1] Snooper - Defect [A2] Denzel Curry - Ricky [A3] The Pets - El Entierro de un Hombre Rico Que Murio de Hombre [A4] Sheer Mag - Paper Time [A5] Alan Tew - The Rub [A6] Humpe Humpe - Yama-Ha [B1] The Rhythm Section - Waiting for the Sun [B2] Mannequin Pussy - I Got Heaven [B3] Nnamdi - let gO my egO [B4] The Courettes - Shake! [B5] Nina Simone - Funkier Than a Mosquito's Tweeter [B6] R.E.M. - Summer Turns to High [end] Thank you Library Mark and his record store of choice Electric Kitsch in beautiful Bay City, Michigan, USA. --- Send in a voice message: https://podcasters.spotify.com/pod/show/llradio/message

Also, Concert programming so your students will succeed and sound amazing, and Teaching the Rhythm Section and the Full Jazz Band. Oh, and what to do in that first concert! To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of growingband.com Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Visit our merchandise store to purchase exclusive swag from The Growing Band Director Podcast  Follow the show: Podcast website : Growingband.com On Youtube The Growing Band Director  Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and  Share us with another band director! --- Support this podcast: https://podcasters.spotify.com/pod/show/kyle-smith95/support

On their way from their stay in New Jersey to New York, Jacob asks Sam and Austin what it's like to play with each other as the rhythm section of Oceanic. Support the show

After spending years running club nights in Edinburgh, Wallace has since put all of his energy into his own musical journey. His sound has stemmed from a unique upbringing, as he was exposed to music from around the world thanks to his parents who loved music and nature respectively. Having played his debut at the legendary Panorama Bar in November, played extensively at festivals like Gottwood & Burning Man, combined with recent releases on Rhythm Section, CWPT, Studio Barnhus & Permanent Vacation as well as remixes for Gilles Peterson on Brownswood, make Wallace an essential one to watch! "A glimpse into the beautiful, bold, bonkers world of Bollywood, Bhangra & other forms of Indian music. An hour of sounds from some of my favourite Indian musicians alongside a handful of unreleased edits of mine." Best, Jimmy https://soundcloud.com/wallacejimmygs https://www.instagram.com/wallacejimmygs/

"You're the master of your own vision." In this collaboration with Rhythm Section, Ninja Tune's head of physical retail gives a masterclass on the inner workings of a record label. Alex Ives has been at Ninja Tune for ten years as the head of physical retail. He also runs Big Dada, a sub-label run exclusively by minorities and people of colour. In this masterclass recorded live in London, Ives unpacks the various departments and teams that make up the Ninja Tune enterprise, from manufacturing, sync and publishing, to product management and A&R. He also suggests a few routes for young people to get a foot in the door of the label world. It's often not a matter of trying to score a hard-earned internship at a major, he reflects. Often, it's easier to launch a career by starting a label yourself and adding it to your CV. "Going DIY can build a massive amount of love and interest that can lead you to a major label," he tells host Emily Jones. "Sometimes that's the best way." Working as the head of physical distribution doesn't come without its challenges in a world facing climate change, and Ives fields questions about pressing vinyl as a carbon-negative company, re-thinking record packaging, working to change consumer habits around ordering and returning records, and navigating a booming streaming economy. To hear more of his insights, listen to the episode in full. This conversation was recorded live in London, and you can watch video shorts from the talk on YouTube. Watch the Masterclass video playlist via the link below: https://www.youtube.com/watch?v=anqltFRkqVM Rhythm Section's Future Proof project is supported by Arts Council England and PRS Foundation.

"Just be obsessed with music. Love it." The beloved London artist gives a masterclass on how to make it as a DJ and build a sustainable career. Alice Moxom—better known by her stage name, Moxie—started out as a radio DJ on Kiss FM and NTS before playing parties and touring full-time. Now she has a label and party series that she curates called On Loop, which has invited artists like Matthew Herbert, Josey Rebelle, Leon Vynehall, K-Hand and Joy Orbison, in venues across Europe and the UK. The key to her success, she says, is that she hasn't rushed anything in her career. "Your sound can evolve and you can change," she says. "If you're thinking about this as a real career, the [opportunities] will always come around." In this episode of Resident Advisor's Exchange—the second in a three-part masterclass series called Future Proof, a collaboration with Rhythm Section—co-host Bradley Zero says that Moxie is "one of the most organized and graceful DJs on the circuit." She reveals how she has steadily built a career from the ground up, detailing how she's developed a synergistic relationship with her booking agent; selectively chosen gigs and mix opportunities; maneuvered stylistically without confusing promoters; and cultivated lasting relationships with a team of people she trusts. Listen to the episode in full. This conversation was recorded live in December, and you can watch video shorts from the talk on YouTube. Watch the Masterclass video playlist via the link below: youtube.com/playlist?list=PLIpC…kFN9QmisE_xxW-mgCOV Rhythm Section's Future Proof project is supported by Arts Council England and PRS Foundation.

"It's through collaboration that I've grown most with my sound." In this collaboration with Rhythm Section, the multi-instrumentalist talks about how he found his style and started his career. Jordan Rakei is a self-made musician. A multi-instrumentalist, vocalist and producer whose work dips into soul, hip-hop and electronic music, he moved to London from New Zealand, giving himself a four-month "buffer budget" to get his career off the ground. Now, he's released on Ninja Tune and Rhythm Section International, and has collaborated with a number of Grammy- and Oscar-award-nominated artists. But his journey wasn't easy, as he explains in this masterclass moderated by Roy Mills and Rhythm Section's Bradley Zero. Rakei talks about how to build a career as an independent artist, why he transitioned from working alone to working with a big agency, signing deals with labels, and living close to the edge in an expensive city. It's the first in a three-part series called Future Proof hosted by Rhythm Section International, all of which explore facets of creating and sustaining a career as a musician. This episode was recorded live in May, and you can watch video shorts from the talk on YouTube. Listen to their conversation in full. Watch the Masterclass video playlist via the link below: https://youtube.com/playlist?list=PLIpCC9Ep-UEmgJkFN9QmisE_xxW-mgCOV Rhythm Section's Future Proof project is supported by Arts Council England and PRS Foundation