Podcasts about Rhythm section

In this episode, I sit down with singer, songwriter, bassist, and musical innovator Scott Mulvahill for a wide-ranging conversation about curiosity, collaboration, and building creative worlds. We start by talking about Scott's recent trip to Lafayette, Louisiana, where he performed Paul Simon's Graceland in a profoundly meaningful way, including sharing the stage with original Zydeco musicians who appeared on the album. Scott explains why Graceland was such a formative record for him as a teenager, how it shaped his love of songwriting, groove, and global musical connections, and why revisiting that music continues to teach him something new every time he performs it.We talk about Scott's busy life as a touring musician and collaborator, from solo performances to regional shows, symphonic work with Cody Fry, and juggling multiple projects at once. Scott reflects on saying yes to opportunities, spinning multiple creative plates, and why he's drawn to work that keeps him challenged rather than comfortable. He shares the story behind his band Slap Dragon, how the group came together organically, and why playing in a band scratches a different creative itch than performing solo. We also explore the balance between solitude and community in music, and how collaboration continues to fuel his artistic growth.A significant part of the conversation centers on Scott's experience as a singing bassist. We dig into the technical and musical challenges of singing while playing bass, especially in groove-heavy music, and how performing complex material like Graceland forces constant growth. Scott explains how difficulty, discipline, and repetition sharpen his musicianship and why pushing himself technically ultimately leads to deeper musical freedom.We also spend time talking about Scott's years playing with Ricky Skaggs, an experience he describes as musical graduate school. Scott shares what it was like to step into a bluegrass tradition without a drum set, how time feels differently in that genre, and why it took nearly a year to feel comfortable in the band. He reflects on learning directly from masters, developing an intuitive sense of rhythm, and why that experience shaped him as a musician in lasting ways.Finally, we dive deep into one of Scott's most ambitious projects, the Database. Scott explains the origin and evolution of this custom-built upright bass with integrated MIDI triggers and sampling, how it works technically, and why it allows him to expand his sonic world without sacrificing creativity or authenticity. We talk about technology as a tool rather than a gimmick, the balance between production and performance, and how the Database has reshaped his approach to songwriting, arrangement, and live shows. It's a thoughtful, inspiring conversation about experimentation, craftsmanship, and following curiosity wherever it leads.To learn more about Scott, visit his website.Music from the Episode:Begin Againers (Scott Mulvahill)Fighting for the Wrong Side (Scott Mulvahill)Survive (Scott Mulvahill)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Jazz Pedagogy and Repertoire Playlist⁠⁠Diving Into Jazz With Confidence and Joy - Milas Yoes⁠Milas Yoes joins the show in this four part series on Jazz Education-Teaching ImprovTeaching Swing FeelTeaching the Rhythm SectionMusic SelectionTo gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of⁠ thegrowingbanddirector.com⁠Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years.Connect with us with comments or ideasFollow the show:⁠Podcast website : Thegrowingbanddirector.com⁠⁠On Youtube The Growing Band Director⁠ ⁠Facebook-The Growing Band Director Podcast Group⁠⁠Instagram @thegrowingbanddirector⁠⁠Tik Tok @thegrowingbanddirector⁠If you like what you hear please:Leave a Five Star Review and Share us with another band director!

On this episode of The Rhythm Section Podcast, Derrick and Jeff kick off the new year with an update on what the 2026 season has in store. The guys share news about the show's move to a Zoom-based format for the foreseeable future, along with a few format changes designed to keep things fresh. While the look may be different, the heart of the podcast remains the same—great conversations and the powerful stories shared by the guests who join the show. Same bat time, same bat place… just a new setup as Derrick and Jeff gear up to book exciting guests and get the season rolling at full speed in the weeks ahead.   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

In this episode, I sit down with drummer, educator, speaker, and author Rich Redmond, and this conversation goes far beyond the drum set. From the moment we start talking, it's clear that Rich approaches music and life with an uncommon level of purpose, energy, and presence. We talk about why he plays every song like it might be the last one he ever gets to play, how longevity changes your perspective on time, and why being fully present matters just as much offstage as it does behind the kit. Rich reflects on nearly five decades of holding the sticks, what it means to love the work truly, and why every gig still feels like the best day of his life.We dig into Rich's background growing up in Connecticut and Texas, how Texas marching band culture shaped his musical foundation, and why music education in that state continues to produce world-class players. He shares stories from his early training, the classic method books that shaped his hands and mind, and how transcription became a survival skill when he moved to Nashville. Rich breaks down how charting, reading, and preparation quickly opened doors, why the Nashville number system is such a powerful tool, and how learning to create efficient charts can save gigs and careers.A significant focus of the conversation is Rich's belief in using all of your gifts. We talk about his work as an educator, public speaker, author, and podcast host, and how teaching reinforces your own understanding of music, communication, and purpose. Rich explains his CRASH philosophy, commitment, relationships, attitude, skill, and hunger, and how that framework shaped his life, his speaking career, and his approach to helping others succeed, whether they are musicians, students, or corporate audiences. He shares how blending drumming with storytelling keeps audiences engaged, why attention spans are shorter than ever, and how performance can make ideas stick in ways slides never will.We spend time unpacking his long-running work with Jason Aldean, including how studio and live drumming require different mindsets, how records are made efficiently at a high level, and why consistency, trust, and preparation matter more than flash. Rich explains how live drumming is about execution, confidence, and making everyone onstage feel safe, while still delivering energy to the back row. We talk about signature fills, macro rhythms, playing in food groups, and why honoring the record while amplifying the live experience is part of the job.Rich also walks through his teaching philosophy, from Drumtensives and masterclasses to clinics and one-on-one coaching. He explains why reading, time, left-foot independence, stylistic awareness, and charting are non-negotiables, and how meeting students where they are can unlock confidence and growth. We also dive into the soft skills of being a working musician, why being prepared, likable, and open to direction often matters more than chops, and how trust keeps you working long term.We close by talking about health, longevity, curiosity, and why Rich continues to challenge himself creatively through writing, speaking, podcasting, and new musical ideas. It's an inspiring, practical, and honest conversation about building a meaningful career, staying hungry, and using music as a vehicle to lift others along the way.Music from the Episode:Amarillo Sky (Jason Aldean)My Kinda Party (Jason Aldean)The Truth (Jason Aldean)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

In this episode, I sit down with bassist and vocalist Keith Horne, and it feels like reconnecting with a player I've admired for decades. I talk about the first time I experienced Keith live in 1996, when I was a freshman at Belmont University, and he was on the road with Peter Frampton. I still remember the impact of his touch, time, and musical confidence. From there, Keith and I dig into how his musical life started as a kid playing bluegrass with his dad, how flatpicking shaped his speed and articulation, and why being a multi-instrumentalist gave him an unusually complete view of the bandstand. We talk about his left-handed approach to playing guitar, how he learned guitar upside down, how he originally played drums left-handed, and why he eventually switched to a right-handed kit to survive the reality of shared backlines and sit-ins.Keith tells some incredible stories about chasing complex instruments, including the moment he finally found a left-handed pedal steel, how watching great steel players for years taught him the mechanics before he ever owned one, and how quickly he was able to apply that knowledge once the instrument was in front of him. We also trace the exact moment bass became his leading voice, when a bassist in his dad's band left his instrument at the house, and Keith quietly learned it without telling anyone, then shocked his dad by switching instruments mid-gig at age twelve and never looking back. That leads to a bigger conversation about why starting on drums is a superpower for a bassist, how it teaches you the unspoken communication between rhythm section players, and why Keith's time feel became one of his calling cards, including a compliment from Dennis Chambers that still stands out as one of the biggest of his life.Keith and I go deep on the singing bassist problem, how to keep vocals expressive while staying locked on bass, and how harmony singing often becomes the secret weapon that gets you the gig. He shares how his range and high harmony work opened doors, how constant performing strengthened his voice over time, and how he learned to shift between full voice and falsetto through heavy gigging and demanding material. We talk about the artists and songs that shaped his bass worldview, from Earth, Wind & Fire and Verdine White to Bernard Edwards, Stanley Clarke, Marcus Miller, Chuck Rainey, and Jaco. Keith tells the story of hearing Stanley Clarke for the first time and having his entire concept of the instrument explode overnight.A significant highlight is Keith's time in the Virginia fusion band Secrets, a band he calls the best musical situation he's ever been in. He tells the story of sitting in on Jeff Lorber's Tune 88, getting a standing ovation for a bass solo, and then immediately being offered the gig. We talk about how quickly great players elevate your musicianship, how his first night in the band was also Carter Beauford's first night, and the feeling of instant chemistry that made it seem like they'd been playing together forever. Keith also shares stories of opening for the Yellowjackets, becoming friends with Jimmy Haslip, and the surreal mirror-image moment when the band watching their soundcheck saw an upside-down bassist and an open-handed drummer and realized they were looking at a parallel-universe version of themselves.From there, we follow Keith's move to Nashville, living with the Wooten Brothers early on, playing jam nights seven nights a week, and building a reputation fast because he could authentically cover multiple genres on demand. He breaks down how his first major Nashville gig came through the Stockyard, leading to Tanya Tucker, and how the road unfolded from there with Waylon Jennings, Peter Frampton, and Trisha Yearwood, including singing Walkaway Joe with Trisha and what it's like to work with singers so accurate they can survive monitor failures in arenas without losing pitch. We also spend time on Hot Apple Pie, the magic of that record, why it still sounds fresh, and the frustration of how label shifts and industry timing kept the band from reaching the level the music deserved.We wrap with what Keith is doing now in Florida at the Orange Blossom Opry, what makes the venue unique, how the band tailors its opening set to match each headliner, and why the schedule can be intense during the season but still sustainable because the owners take care of the musicians in a rare way. It's a wide-ranging conversation about musicianship, time feel, harmony, career longevity, and the kind of stories you only get from someone who has genuinely lived on bandstands for decades.Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

In this episode of The Bandwich Tapes, I sit down with one of my musical heroes, David Garibaldi. We talk about what he's been up to since stepping away from Tower of Power, playing with Roger Smith's group, staying active with new projects, and continuing to practice every day. David describes the drums as an endless landscape, and hearing him talk about still learning and exploring after all these years is truly inspiring.David reflects on how imagination and curiosity remain at the center of great playing, even in a world overflowing with online content. The core never changes: you still have to follow what lights you up, spend time alone working through the “suck zone,” and develop your own voice.One of the most meaningful parts of our conversation is David's look back at his legendary partnership with Rocco Prestia. He talks about their immediate chemistry, their deep listening, and the intuitive way Rocco responded to the drum articulation and phrasing. His stories about Rocco's unorthodox technique and unmistakable feel are as insightful as they are moving.We also dive into the culture of Tower of Power, the constant rehearsing, the tight arrangements, the expectation that everyone listens, contributes, and functions as a team. David explains how “Tower 101” shaped new members musically and personally, and why the band sounded the way it did.David shares memories of his time in the Air Force Band, how concert percussion study helped shape his ear, and how returning to the Bay Area after his enlistment led him directly into the musical world that would define his career. He also talks about his current work as a teacher and his upcoming “living book” project with Hudson Music, which he'll continue adding to over time.This conversation was an absolute honor for me. David has influenced generations of drummers, myself included, and getting to hear his perspective firsthand was something I won't forget. I hope you enjoy our conversation as much as I did.Music from the Episode:What is Hip? (Tower of Power)Squib Cakes (Tower of Power)Oakland Stroke (Tower of Power)Soul Vaccination (Tower of Power)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

For the feature interview Derrick and Jeff sit down with Ric Chetter and Monica Summerfield from Radio Memphis to dive into the origins of the station and its mission to support local, original music. Ric shares his history at Rock 103, while Monica reflects on Memphis' thriving independent film scene back in the day. They also reveal the story of how they met, Monica's first introduction to radio, and the exciting new collaboration with Weapons of Mass Production airing after The Rhythm Section. Plus, they discuss Radio Memphis' shift to non-profit status—and introduce the infamous studio doll, Rosie Palms! Apple - https://bit.ly/3rqqZLP Spotify - https://bit.ly/3EJOGBO YouTube - https://bit.ly/3UgqsY2   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.

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In this episode of The Bandwich Tapes, I sit down with legendary session drummer Paul Leim, whose six-decade career quietly powers a staggering piece of the soundtrack to our lives. Paul has played on more than 12,000 songs across over 2,000 releases, with 1,400+ silver/gold/platinum certifications, and global sales topping 540 million units. His discography encompasses over 150 combined GRAMMY nominations and wins, as well as 40+ major film/TV awards, and credits on more than 150 films and 100 television specials and series. If you've heard Lionel Richie, Shania Twain, Lyle Lovett, Kenny Chesney, Whitney Houston—or cues from Dirty Dancing, Smokey and the Bandit II, The River, or even Return of the Jedi, you've likely heard Paul.We trace the arc from East Texas clubs and Dallas jingle mills to late-'70s Los Angeles, where a “typical” week meant two complete drum rigs leapfrogging between Lionel Richie sessions, network TV soundstages, film dates, and award shows. Paul talks mentors and “angels” (band director Neil Grant, Robin Hood Brians, Doc Severinsen), lifelong friendships with the TCB family (Ron Tutt, Jerry Scheff), and lessons that still anchor his playing—especially dynamic control and “letting the mics work.” We get inside the high-wire reality of studio life. Paul calls it “95% boredom and 5% sheer terror”, including how to read conductors, when to lead the time, and when to ride it, and what it's like to move from live kit to orchestral percussion with John Williams.There are great shop-floor stories: cutting Lionel's “Truly” and counseling Lionel at the fork-in-the-road moment of leaving the Commodores; discovering that Lyle Lovett's “The Blues Walk” was gloriously vocal-free; and a deep dive into the precision world of Mutt Lange and Shania, ending bass notes just before the snare for mix “air,” the chrome-over-brass “important” snare, and the on-the-fly invention of tom “Mutt flaps” for short, open fills. Paul also shares a personal fork he chose differently: turning down a James Taylor tour to be home with his young family, only to hand JT the final serial-numbered Leim signature snare decades later at the White House.Today, Paul is still very much in motion: bandleading the TCB Band in Europe, steering The Tennessee Four with Thomas Gabriel to carry the Cash legacy, and jumping into Million Dollar Quartet shows—proof that the hang, the humility, and the groove endure. It's a conversation about craft, friendship, stewardship of a gift, and the choices that shape both a career and a life.Music from the Episode:Pick it Apart (Mark O'Connor)Truly (Lionel Richie)The Blues Walk (Lyle Lovett)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.Theme music: "Playcation" by Mark Mundy

SEAN CHAMBERS TEAMS UP WITH THE SAVOY BROWN RHYTHM SECTION:Sean Chambers and the members from Savoy Brown all became friends after playing a festival together in 2019. In 2023, shortly after the unfortunate passing of Savoy Brown's founder & leader, Kim Simmonds, renowned guitarist and songwriter Sean Chambers teamed up with the Savoy Brown Rhythm Section consisting of Pat De Salvo on Bass, and Garnet Grimm on drums. Being that Savoy Brown and Chambers are on the same record label together, Quarto Valley Records, this change made sense and felt right to all three musicians. Kim Simmonds was in full support and gave the three his blessings shortly before his passing on December 13th, 2022.These three accomplished musicians have come together to create what is undeniably one of the most entertaining, and powerful musical trio's on the scene today!KEEP AN EYE OUT FOR UPCOMNG SHOWS IN YOUR AREA! For tickets to a show in your area click on the website and go to "shows"! https://www.seanchambers.com

A bumper version of the latest Run it Red is here featuring new heat from Mr. G, Amotik,  ANNE, Truncate & Pushmann, Rufige Kru/Goldie, Toddsonic33, Hemka and loads more inside - full tracklist below and please check the charity links if you can.    Charity Link: fanlink.tv/Charities Spotify Playlist: bit.ly/RUNITREDSPOTIFY Upcoming tour dates: bit.ly/BenSimsBIT     BEN SIMS pres RUN IT RED 124. Aug 2025    1. Ugly Drums – 52.37514724042889. Rush Hour 2. Marshall Applewhite - Any Place Else. Bandcamp 3. Toddsonic33 - That Track. Hot Biscuit * 4. Joseph Garber - 24 Rue De Poitou. Flatlife 5. Beau Wanzer - Trial Of The Decade. B.W. 6. DJ Arg - Drupp Wie Jupp. Flatlife 7. RB - In Gear. Brew 8. Sweater On Polo - Land Of Code. Signal Route 9. Masafumi Onishi - Get Busy Boy. West Harlem Kyoto 10. K Alexi Shelby - Flame (Laurent Garnier Edit). COD3 QR 11. Toddsonic33 - Xsador. Bump & Jack 12. Gettoblaster & Terry Mullan - Armando's Ghost. Aliens on Wax 13. Toddsonic33 - Out of Phsse. Rush Hour Store Jams 14. Darryn Jones - Toxic Love. Durty Truth 15. Chupacabras - Compassion. Source Material 16. RB - Off-Road. Brew 17. Relic Radiation - Scattered Disc. Edit Select 18. Sweater On Polo - Machine Talk. Signal Route 19. Lamin Fofana - It's Only A Matter Of Acceleration Now. The Trilogy Tapes 20. Black Sites - 3D. Tresor 21. Yakub Dysney - St. Rolla. Cape St. Francis 22. Hidden Sequence - Unknown/SR002. Silent Roots 23. SCB - Loss (Mr G's Raw Dub) . Hotflush 24. Amotik - Tirasi. AMTK 25. Rhizom - Gone to Croatan. Metrohm 26. db.art - Comin Home (Eduardo de la Calle Remix). Mole Audio 27. Drop-E - Serendipia. Ucker 28. Flashe - Time Traveler (Audio Resistance Remix). Alchemista 29. Reign - Strangers. Edit Select 30. Orbital 14 - Sync Trip. Observant 31. VSK - Ethical Design. Warm Up 32. Fefe - Molar. Danza Nativa 33. Ray Kajioka & Heiko Laux - Wrecking. Kanzleramt 34. Truncate & Pushmann - Like This (KiNK Remix). Lila 35. Ø [Phase] - Basis. Modwerks 36. Erik Jabari - Stone Rinse.  Erik Jabari 37. Sub Basics - Anomaly. Tar-Basics 38. Kucera - Bella Tesoro. Hardgroove (Forthcoming) 39. R.M.K - Rising From The Ashes (7XINS Interpretation). Fossil Archive 40. Introversion - Covington. Makatao 41. JR2K - Into It. Cape St. Francis 42. Yazmin - Make It Count. Unreleased 43. Nachtwaker - Three Bodies. TH Tar Hallow 44. Exit to tomorrow - 900. TH Tar Hallow 45. Alexa Strange - Gajumaru. Registros Siderales 46. Augusto Taito - The Disobedient. [ru:ts] 47. Mode 1 - Lifespan. Token 48. Ritzi Lee - Transit. Symbolism (Forthcoming) 49. Truncate & Pushmann - La Cueva. Lila  50. LEOD - Broom's 141 Edit. Unreleased 51. Kaan Pirecioglu - Spherical. Hayes Collective 52. Pert - Hungry For Life. PRTL WRX 53. Serenda - Hive Mind. Rhythm Section 54. Nathan Homan - Tuts It. Brummel 55. Juan Sanchez - Fonkyzeit (Fukumachi Remix). Antidote 56. RNDMZR - 4th Dimension. Naked Lunch 57. Anton Fedotov - Victim. PRTL WRX 58. ANNĒ - Sculpture Keys. Clergy 59. BTWN NTWRX - F1R3 DR1LL. Unreleased 60. Cimadevilla - Unsystem. Tremsix 61. HUB LEX - Grooveliker. Combine Audio * 62. Fixon - Scented Words. Hardgroove (Forthcoming) 63. Ken Ishii - Grid Bounce. Rekids 64. Heliosphere - Abyss. Molecular 65. Vinicius Honorio - Haunted Loop. SK_Eleven 66. Seph - Vitaliz. Insurgentes 67. Avant.OCS - Walk On Lava. Float 68. Dimi Angelis - Overdose. Phyr 69. Sarf - Derivative Unit (Phara Remix). Dynamic Reflection 70. Uncertain - Dysfunction. Symbolism (Forthcoming) 71. Hemka - Time. Mutual Rytm 72. Amorphic - A85. Symbolism (Forthcoming)  73. 1Morning - Just Can't Get Enough. ARTS 74. Anders BR - Just A Flash In Your Mind. Gynoid Audio 75. Arnaud Le Texier - Magnetic Tape. Soma 76. Deepchild - Vision. Liberta 77. Exit to Tomorrow - Lebanon. TH Tar Hallow 78. Ribe - Las Cenizas. Phyr 79. Ricardo Garduno - Hostile. Code 80. Michel Lauriola - Emotional Intelligence. Mord 81. Shinedoe - Phunk 2025. MTM 82. Hioll - Detroit Memories. Abstraction 83. Conrad Van Orton - Horror Vacui. Dogma 84. Dimi Angelis - Purgatory. ANGLS 85. Drucal - Lagrimas. Molecular 86. Ottagone - Ottagone 002. Will & Ink 87. Fukumachi - Woodcarver. Tzunami 88. Jamie Bissmire - Techno Tesseract. Molecular 89. Conrad Van Orton - Lungotevere. Dogma 90. Ray Kajioka - Drive. Frameworks 91. Mark Williams - I Don t Know. Beard Man 92. Harvey Mckay - What Is Her Name?. Hardgroove  93. MarAxe - Release. Naked lunch 94. Operator - Staccato Serpent. Truncate 95. Truncate & Pushmann - The Wise Djs. Lila 96. Pfirter - Ritual. KSR 97. Commodo / gantz - Left Hand Path. Ilian Tape 98. Posthuman - Bespin Motors. Rave Wars * 99. Ole Mic Odd & Alonzo - And We Rock. Source Material 100. Jeez Marquis - Kapsalon Is Deconstucted Kebab. Cape St. Francis 101. Frankie $ - Deadexplorers. West Harlem Kyoto 102. Rufige Kru/Goldie - Alpha Omega. London 103. Rufige Kru/Goldie - Sandcastles. London   * Sims JFF Edit  

Serenda is a London based DJ who was raised on a broad assortment of sounds which stem from her Guyanese and Greek roots. Her taste is versatile and far reaching drawing from influence from funk, soul, hip-hop and beyond. However, she is perhaps best known for her energetic take on house music which blurs the lines between styles but sure as hell keeps things moving on the dancefloor. This month marked the release of a new EP on Rhythm Section, what is likely to be a pivotal moment in her musical career as she joins an esteemed label of artists who have helped to redefine the shape of British House music and its associated culture. Serenda's sets are less about fitting into a genre and more about evoking sensation and connection. This mix is a dynamic, fluid representation of that. Showcasing her ingenuity and ability to weave sounds and styles together in a way which is as playful as it is concise.

Stevie Cox joins us for Episode 482 Originally hailing from Manchester she is the newest resident at the legendary Sub Club in Glasgow and has releases forthcoming on notable imprints OnBoard and Rhythm Section. For Monument, Stevie has prepared a thought provoking journey which showcases her expertise as selector. Follow : http://www.instagram.com/steviecox_ https://soundcloud.com/steviecox

For the latest bonus disc of SURFACE NOISE, this FREESTYLE touches on news of the next two UHQR's from Acoustic Sounds: "Art Pepper Meets the Rhythm Section" and "Way Out West" from the legendary Sonny Rollins. Does our panel feel these are more great choices, or more of the same from this series? ACould there be market fatigue with some of these curation choices being repeated over and over, across reissue campaigns? nd where are the Bob Marley UHQR's? One inquiring mind not in attendance definitely wants to know! Following that discussion, we bring it home talking about the best names in music - artists or bands with names so good, they might even be better than the actual music they made.  It's the record talk you didn't know you needed, until you didn't have it - it's the latest FREESTYLE courtesy of SURFACE NOISE!   ⏬⏬⏬⏬   For more on Concert Buddie: https://www.youtube.com/@ConcertBuddie https://concertbuddie.com IG: @concertbuddie   For more on guest Jefferson (Tubelandia): https://www.youtube.com/@JeffersonDD   For more on guest Alex (Beer & Vinyl): https://www.youtube.com/@beerandvinyl   For more on Jason Roxas: https://www.youtube.com/@JasonRoxas   For more on Chris (Groove Seeker): https://www.instagram.com/thegrooveseeker   For more on Jose Moreno Rahn: https://www.youtube.com/@josemorenorahn https://auroracentralrecords.bandcamp.com   For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com   . . . . . Don't forget to visit FOTS (friends of the show) Vinyl Storage Solutions for the BEST sleeves to protect your best records (and your worst). Save 10% using the code(s) below: VCP10 https://vinylstoragesolutions.ca        

One of the GBD most popular episodes! Concert programming so your students will succeed and sound amazing, and Teaching the Rhythm Section and the Full Jazz Band. Oh, and what to do in that first concert! To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of thegrowingbanddirector.com Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Follow the show: Podcast website : Thegrowingbanddirector.com On Youtube The Growing Band Director  Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and  Share us with another band director!

On the season finale of The Rhythm Section Podcast, we take a heartfelt moment to reflect on an incredible season and celebrate a major milestone—100 episodes! We shine a light on the amazing guests and sponsors who helped shape this season, and most importantly, thank the listeners for their unwavering support. This episode is all about the community that made it possible. We share listener engagement highlights and impressive show stats, from downloads and views to shares, likes, and tags. It's a wrap on this chapter, but The Rhythm Section will return with even more great interviews this September. Thank YOU ALL for an incredible season!   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Michael Trainer (00:01.292)Welcome to peak mind. your host Michael trainer. And today I want to talk about relational dynamics and the balance that is necessitated in our relating. And for me, you know, I studied years ago with the traditional healer in Sri Lanka, and he said to me that health is the heart rhythm. It's the, it's the rhythm of the heart and That became so poignantly clear to me when I thought about being in utero and the fact that for nine months, the thing that defines our reality in the darkness of the womb is the beating of the heart. And we all share this heartbeat, right? From birth till death, there is a miracle which is the beating of our hearts. And that heart is always in relationship with the world. If we get anxious, it beats faster. When we calm, it beats slower. It's the rhythm section. It's the rhythm section for our life's music. And the people that we meet bring in the other instruments. They're like the, you know, the guitar, they're the piano. And when we're in harmony, The sound is beautiful. But if we don't take care of the heart and the rhythm of the heart, if we're not mindful of it, we lose our way, we lose our balance and we get out of tune. And one thing that was hugely clarifying for me was I realized actually, you know, society tells you you're an introvert or you're an extrovert. And I found that I was both. I absolutely need to be alone and recharge and I absolutely need to be social and get energized from being around nutritious people. And then I learned that there's something called an Ambervert which is both an introvert and an extrovert and one enables the other. And it was so clear to me this weekend when I was at a conference and meeting with people and around new energies and stimuli. Michael Trainer (02:29.524)and quote unquote networking, but really just connecting with people, but new people. And for 12 hours a day, today I was actually meant to fly. And I was like, you know what? No, I can't. I need to just be at home and ground. I need to go to the water. I need to find my center. I need to tune my instrument. I need to get back in rhythm with my heart. So that when I get back out with people, I am in an amazing way. And I think when we don't take care of our instrument, we don't take care of our heart, we don't pay attention to those signals, that's when we get out of balance. And in Sri Lanka, where I live with this healer that I had the great fortune of studying with, when someone got profoundly out of balance, it was actually the role of the community from sunset to sunrise to richly recreate through this elaborate and beautiful ritual. their shared cosmological worldview and elaborate fire dancing, flower offerings, dance, drama. The person was placed in the center and it all rotated around them. And slowly the collective brought them back into the rhythm of the community, back into the rhythm of the collective heartbeat. And in that is health. because we are inextricably linked. And we live in a fallacy that we are kind of islands on a hill, we are individuals. And while there are beautiful aspects to our individuality, there's also a biological imperative. are connected, we are interdependent. And so to tune yourself into the collective heartbeat, but also to know when to withdraw when you need to do your own tuning so that you can play beautifully with others. This dance I think is not often talked about, but is so important. And so for my ambroverts out there, for those that both are introverts and extroverts, I think it's so beautiful to recognize where the bridges are and to be in the listening for your bridge. Michael Trainer (04:54.526)and to find the way to stay in the rhythm, your rhythm. And for me, it's knowing when I'm getting a little too much noise and I need to return the signal. And today was an exact exemplification of that. I canceled the flight, I stayed home, I got a nap in, I got a workout in, I went to Barton Springs and went in the water. And that combination served me. I'm now... My cup is more full, I'm gonna get an early night's sleep. Tomorrow I'll be ready to get back in the world. So do the things, my friends, that keep you in your center so that you can connect beautifully to others when you are out in the world. But know also when you need to retreat to take care of yourself. Sending so much love, I'll talk to you tomorrow.  

From his Alfred clinic "Start Your Engines: Building Confidence with Less Experienced Rhythm Section Players" Mike Kamuf shares amazing information to help your young Rhythm Section thrive! This is also a chance to listen to some great music by one of America's top writers. To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of thegrowingbanddirector.com Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Follow the show: Podcast website : Thegrowingbanddirector.com On Youtube The Growing Band Director  Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and  Share us with another band director!

The two biggest areas of growth for most jazz band directors lie in the rhythm section and articulation for the jazz band. Legend Dick Dunscomb joins the show to help! To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of thegrowingbanddirector.com Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Follow the show: Podcast website : Thegrowingbanddirector.com On Youtube The Growing Band Director  Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and  Share us with another band director!

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 6th March 2025 Artist - Track - Album - Year Russ Anixter's Hippie Big Band    What is Hip?    What Is?    2025 Richard Baratta    Purple Haze    Looking Back    2025 Rodney Whitaker    Moonscape    Mosaic: The Music of Gregg Hill    2025 Steven Feifke    And Then There Was Nothing Left    The Role of the Rhythm Section, Vol. II    2024 Davy Mooney & Ko Omura    Parusha    The Word    2025 Jim Snidero    Bird Feathers    Bird Feathers    2025 The Greg Abate Quartet    Positive Energy    Positive Energy    2024 Noah Peterson    My Name is Burns    Coming Home to You    2025 Nick Hempton/Cory Weeds    Change for a Dollar    Horns Locked    2025 The Bigger Badder Bones    The Winning Edge (feat. Andre Hayward)    Sliders    2025 Nanumi Haruta    The Vibe    The Vibe    2025 Nick Adema    The Friendly Ghost    Urban Chaos    2024 The Len Pierro Jazz Orchestra    No Chance for Goodbye    as I was saying    2024 Mike Boone Friends & Family    KB Bump No. 1    Confirmation    2024 Mike Boone Friends & Family    Beneath the Surface    Confirmation    2024 Howard University Jazz Ensemble 2024, Fred Irby III, M.D.    Del Sasser    A Return to Glory: A Tribute to Chadwich A. Boseman    2024 Rick Roe    Elden's Bop    Tribute: The Music of Gregg Hill    2024 Judy Wexler    No Wonder    No Wonder    2025 Tom Teasley    Tale of Two Wolves    Wisdom: Remembers Charles Williams    2024 Alex Coke & Carl Michel Sextet    440    Situation    2024 Satoko Fujii GEN    Morning Haze    Altitude 1100 Meters    2025 Keiji Haino/Natuski Tamura    Part 2    What Happened There?    2025 Jon Irabagon    Routers    Server Farm    2025 The post The Creative Source (#CreativeSource) – 6th March 2025 appeared first on SoulandJazz.com | Stereo, not stereotypical.

SEAN CHAMBERSrecorded his 9th album“LIVE FROM DARYL'S HOUSE CLUB”Featuring The Savoy Brown Rhythm Sectionon MAY 2ND 2024.The release is scheduled forFEBRUARY 28TH, 2025The album consists mostly ofChambers' past material as well asa few SAVOY BROWN songs.Florida born Sean Chambers began his career in the Blues back in 1998when he toured with the legendary Hubert Sumlin as his guitarist andband leader until 2003. During Sean's tenure with Mr. Sumlin, Britain'sown Guitarist magazine named Chambers as “One of the top 50 bluesguitarists of the last century.”Sean Chambers and the members from Savoy Brown all became friendsafter playing a festival together in 2019. In 2023, shortly after theunfortunate passing of Savoy Brown's founder & leader, Kim Simmonds,renowned guitarist and songwriter Sean Chambers teamed up with theSavoy Brown Rhythm Section consisting of Pat De Salvo on Bass, andGarnet Grimm on drums. Being that Savoy Brown and Chambers areon the same record label together, Quarto Valley Records, this changemade sense and felt right to all three musicians. Kim Simmonds was infull support and gave the three his blessings shortly before his passingon December 13th, 2022.These three accomplished musicians have come together to createwhat is undeniably one of the most entertaining, and powerful musicaltrio's on the scene today!Sean Chambers, along with Pat De Salvo & Garnet Grimm continue totour together throughout the U.S., Canada and Europe. For more go to his website! https://www.seanchambers.com

In this episode, Derrick and Jeff share exciting updates, including their big studio move and the podcast's growing list of sponsors—Musicians Booking Agency, Moore Loud, David Griffin Audio, Area 51, and Big Note Music Lessons. They also discuss their continued partnership with Radio Memphis and the shift to a Tuesday release schedule to align with the station. Plus, they celebrate a major milestone as the podcast's Facebook page surpasses 2,000 followers! A huge thank you goes out to Kenny Francis and Tina Hinds for their generous Venmo donations ahead of the new season. For the feature interview Derrick and Jeff sit down with Ric Chetter and Monica Summerfield from Radio Memphis to dive into the origins of the station and its mission to support local, original music. Ric shares his history at Rock 103, while Monica reflects on Memphis' thriving independent film scene back in the day. They also reveal the story of how they met, Monica's first introduction to radio, and the exciting new collaboration with Weapons of Mass Production airing after The Rhythm Section. Plus, they discuss Radio Memphis' shift to non-profit status—and introduce the infamous studio doll, Rosie Palms! Radio-Memphis.com   SEND US YOUR QUESTIONS at TheRhythmSectionPod2022@gmail.com HOW TO SUPPORT If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

The Rhythm Section, an attempt by Eon Productions to do a non-Bond spy movie, marks its fifth anniversary this month.

While at the Midwest Band Clinic we sat down for spontaneous conversations with music educators in person at the Exceclia Music Booth. In this episode we connect with Jerry Tolson (retired University of Louisville) and Dan Austin (Guelph Collegiate Vocational Institute in Canada). To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of⁠ thegrowingbanddirector.com⁠ Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Follow the show: ⁠Podcast website : Thegrowingbanddirector.com⁠ ⁠On Youtube The Growing Band Director⁠  ⁠Facebook-The Growing Band Director Podcast Group⁠ ⁠Instagram @thegrowingbanddirector⁠ ⁠Tik Tok @thegrowingbanddirector⁠ If you like what you hear please: Leave a Five Star Review and  Share us with another band director!

We are ramping up the 2025 season of The Rhythm Section podcast. We discuss the launch date for the new season of 2025, the new studio home, the show's new relationship with Manny Zepada and Big Note Music Lessons, the new publishing schedule in coordination with the podcast's partnership with Radio Memphis, special thanks to Ric Hale for his work with the 2024 Christmas for the Kids fundraiser and of course our normal ridiculous behavior, forgotten names and my poor speaking abilities. It's so good to be back, and we can't wait to deliver fresh and new stories from our music community to you! Cheers to 2025!!   SEND US YOUR QUESTIONS at TheRhythmSectionPod2022@gmail.com HOW TO SUPPORT If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Episode 24 features classical guitarist Sidharth Sarangi, guitar maker Robert Randall, ska-Americana band Red Spot Rhythm Section, and Nashville singer-songwriter Liv Greene.

Host Jorden Guth's new baby finally made his debut, so we're taking a break again this week and resharing one of our favorite season 2 episodes, in which Jorden was joined by legendary mastering engineer Bernie Grundman to discuss what mastering is, what it isn't, how it differs from remastering, and why vinyl sometimes sounds better than digital. “Art Pepper Meets the Rhythm Section” by Joseph Taylor: https://www.soundstageultra.com/index.php/features-menu/recording-of-the-month-menu/1175-art-pepper-art-pepper-meets-the-rhythm-section “Is It Just Me, or Are CDs Too Loud?” by Joseph Taylor: https://www.soundstagehifi.com/index.php/feature-articles/on-music/944-is-it-just-me-or-are-cds-too-loud “The Music Man” on the SoundStage! Audiophile Podcast: https://www.soundstage.life/e/the-music-man-joe-taylor-on-vinyl-and-cassettes-next-gen-audiophiles-curated-music-selections/ Chapters: 00:00:00 News! 00:00:31 Announcement 00:00:51 What does a mastering engineer do?  00:20:56 Musical interlude: “Say No More” by Julian Hartwell 00:23:19 Digital vs. analog and radio vs. streaming 00:35:55 What music moves Bernie Grundman

In this episode, Derrick and Jeff share exciting details about The Rhythm Section's new collaboration with Radio Memphis. Plus, our feature interview with Greg Reding, guitarist for Landslide: A Memphis Tribute to Fleetwood Mac, dives into his 30+ years with The Memphis All-Stars, his journey in music, and playing with legends like Black Oak Arkansas, Albert King, and Chuck Berry.   SEND US YOUR QUESTIONS at TheRhythmSectionPod2022@gmail.com HOW TO DONATE TO THE PODCAST If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Derrick and Jeff recap the exciting Hometown Headliner music series and make a major announcement about a new opportunity for The Rhythm Section podcast. Special guest Angela Burton joins the show to discuss her acoustic work with Bob Bocia, Mike Hart, Dave Morshack, and her collaborations with Mandy Thomas and the band Crusin' Heavy.   HOW TO SUPPORT If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

The latest live recording form the Dogglounge Internet Radio, The best Deep House Radio . Hope you all enjoy? M Djm – Home | Facebook

In this New Music Friday Episode, we talk with Josh Siegal of The Red Spot Rhythm Section.  Josh leads this Chicago based music collective and combines Reggae, Ska, Americana and Funk into their own amazing sound.  We discuss their musical journey and their latest album Twilight.

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

18/7/24 The latest live recording form the Dogglounge Internet Radio, The best Deep House Radio . Hope you all enjoy? M Djm – Home | Facebook dj m – YouTube djmnzlmusic@gmail.com https://www.buymeacoffee.com/Djmnzl

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

Mike Stephen learns about efforts to preserve Illinois wetlands from Jennifer Bamberg, investigative reporter at Investigate Midwest, gets into Red Spot Rhythm Section's new music with band founder Josh Siegal, and discovers the Secret History of Chicago blues drummer William Warren.

Just back from Worldwide Festival, Private Joy sits in with Jamie Groovement to talk her new EP Desire! on Rhythm Section, Manchester street soul, the festival performance of Jimetta Rose and the Voices of Creation and more. Plus new hip hop, soul and more from Om Unit, Essa and Pitch 92, Ruby Wood x Vice Beats, Pataka Boys, Multiverse 3 and more.

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

Come suggerisce il titolo della trasmissione, presente nel palinsesto di Radio Popolare fin dagli inizi, Jazz Anthology ripercorre la ormai lunga vicenda del jazz proponendone momenti e artisti salienti. Al di là della varietà delle sue forme, per Jazz Anthology questo genere è un fenomeno unitario di innovazione musicale in rapporto con una tradizione di matrice neroamericana. Jazz Anthology vuole quindi valorizzare sia la pluralità degli aspetti del jazz che la continuità della sua storia, dedicando la propria attenzione a tutte le epoche di questa musica, dal New Orleans al bebop, fino alle espressioni più audaci degli ultimi decenni. Il programma si articola soprattutto in serie di trasmissioni a carattere monografico, con l'intenzione – in un contesto mediatico che al jazz dà pochissimo spazio e in modo molto dispersivo – di dare così un contributo alla diffusione di una effettiva cultura del jazz. La sigla di Jazz Anthology è Straight Life (Art Pepper), da Art Pepper meets The Rhythm Section (1957, Contemporary/Original Jazz Classics)

The latest live recording form the Dogglounge Internet Radio, The best Deep House Radio . Hope you all enjoy? M Djm – Home | Facebook dj m – YouTube https://www.mixcloud.com/Djm2014 https://soundcloud.com/mark-mandeno djmnzlmusic@gmail.com

All four of the rhythm section instruments (Piano, Guitar, Bass and Drums) get covered in a very thorough way during this converation with Anthony Susi. Anthony is a proficient rhythm section player, veteran band director, adjudicator and composer - and brings his expertise to the show to help you improve your rhythm section! To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of thegrowingbanddirector.com Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Follow the show: Podcast website : Thegrowingbanddirector.com On Youtube The Growing Band Director  Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and  Share us with another band director! --- Support this podcast: https://podcasters.spotify.com/pod/show/kyle-smith95/support

Track Nine of our Eleventh Year Soundtrack!  Enjoy!

The latest live recording form the Dogglounge Internet Radio, The best Deep House Radio . Hope you all enjoy? M Djm – Home | Facebook dj m – YouTube :https://www.mixcloud.com/Djm2014/ ;https://soundcloud.com/mark-mandeno djmnzlmusic@gmail.com

SEAN CHAMBERS TEAMS UP WITH THE SAVOY BROWN RHYTHM SECTION:Sean Chambers and the members from Savoy Brown all became friends after playing a festival together in 2019. In 2023, shortly after the unfortunate passing of Savoy Brown's founder & leader, Kim Simmonds, renowned guitarist and songwriter Sean Chambers teamed up with the Savoy Brown Rhythm Section consisting of Pat De Salvo on Bass, and Garnet Grimm on drums. Being that Savoy Brown and Chambers are on the same record label together, Quarto Valley Records, this change made sense and felt right to all three musicians. Kim Simmonds was in full support and gave the three his blessings shortly before his passing on December 13th, 2022.These three accomplished musicians have come together to create what is undeniably one of the most entertaining, and powerful musical trio's on the scene today!KEEP AN EYE OUT FOR UPCOMNG SHOWS IN YOUR AREA!https://www.seanchambers.com

Hooooooo doggies! LLR returns with another bonus episode featuring an eclectic mix of everything Jay and Deon have been f#@%ing with, sonically speaking. Library music with Library Mark? Check. Venezuelan psych rock? Check. German new wave? You betcha. Art rap, classic jangly American pop and egg punk? YOU KNOW THAT'S RIGHT! Join the fun. It was worth the wait. Promise. Sonic contributors to the nineteenth bonus episode of Lightnin' Licks Radio include:  Townes Van Zandt, Tom Petty & the Heartbreakers, Black Midi, De La Soul, Ideal, Cal Tjader, Hoyt Axton, Steppenwolf, Blind Melon, Frances Lee McCain, Zach Galligan, Clarence Williams, James Tim Brynn, Dally Small, Alline Bullock, Ike & Tina Turner, The Doors, The Beatles, Paul Revere & the Raiders, The Rolling Stones, Jacko Peake, The Who, Merv Griffin, Saint Etionne, Uncle Ted Nugent, Iron Butterfly, Cheap Trick, Germs, The Clash, Steel Pulse, Elvis Costello, Sweet, Living Colour, Beatific Vision, DJ Magic Mike, The Baseball Project, Madlib, Karriem Riggins, Jahari Massamba Unit, Shawn Lee & Clutchie Hopkins. Deon brought to the dining room table the sounds of Nnamdi, Nina Simone, Alan Tew, and Denzel Curry. Jay suggested checking out Humpe Humpe, The Pets, The Rhythm Section, and R.E.M. Super-special-secret-friend Library Mark hipped Podcast America to Mannequin Pussy, Sheer Mag, Snooper, and The Courettes. Bonus #19 mixtape [A1] Snooper - Defect [A2] Denzel Curry - Ricky [A3] The Pets - El Entierro de un Hombre Rico Que Murio de Hombre [A4] Sheer Mag - Paper Time [A5] Alan Tew - The Rub [A6] Humpe Humpe - Yama-Ha [B1] The Rhythm Section - Waiting for the Sun [B2] Mannequin Pussy - I Got Heaven [B3] Nnamdi - let gO my egO [B4] The Courettes - Shake! [B5] Nina Simone - Funkier Than a Mosquito's Tweeter [B6] R.E.M. - Summer Turns to High [end] Thank you Library Mark and his record store of choice Electric Kitsch in beautiful Bay City, Michigan, USA. --- Send in a voice message: https://podcasters.spotify.com/pod/show/llradio/message

Also, Concert programming so your students will succeed and sound amazing, and Teaching the Rhythm Section and the Full Jazz Band. Oh, and what to do in that first concert! To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of growingband.com Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Visit our merchandise store to purchase exclusive swag from The Growing Band Director Podcast  Follow the show: Podcast website : Growingband.com On Youtube The Growing Band Director  Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and  Share us with another band director! --- Support this podcast: https://podcasters.spotify.com/pod/show/kyle-smith95/support

Send us a textFor Premium Members 1. Drop It - Soul Tune Allstars2. Satyam Shivam Sundaram - Gunjan & Thievery Corporation3. Metamorphosis - AC Soul Symphony & Dave Lee4. The Door into Summer - Greg Foat5. The Brand New Heavies - B.N.H6. Raisins Under the Sun (Desert Version (Live) - Yussef Dayes7. Bad Bad News - Leon Bridges (ft. Terrace Martin) [Ricky's Vibe Tape]8. Un Eté A Paris - DJ Cam9. Flute Punch - JJ Whitefield10. Kontaminazione II - Bossa Nostra11. What a Mess - Kill Emil (ft. Stiko)12. Funky Drummer (The Original Tambourine Mix) - James Brown13. Bbq in Paris - Bastards Of Soul14. August 10 - Khruangbin

On their way from their stay in New Jersey to New York, Jacob asks Sam and Austin what it's like to play with each other as the rhythm section of Oceanic. Support the show

After spending years running club nights in Edinburgh, Wallace has since put all of his energy into his own musical journey. His sound has stemmed from a unique upbringing, as he was exposed to music from around the world thanks to his parents who loved music and nature respectively. Having played his debut at the legendary Panorama Bar in November, played extensively at festivals like Gottwood & Burning Man, combined with recent releases on Rhythm Section, CWPT, Studio Barnhus & Permanent Vacation as well as remixes for Gilles Peterson on Brownswood, make Wallace an essential one to watch! "A glimpse into the beautiful, bold, bonkers world of Bollywood, Bhangra & other forms of Indian music. An hour of sounds from some of my favourite Indian musicians alongside a handful of unreleased edits of mine." Best, Jimmy https://soundcloud.com/wallacejimmygs https://www.instagram.com/wallacejimmygs/

"You're the master of your own vision." In this collaboration with Rhythm Section, Ninja Tune's head of physical retail gives a masterclass on the inner workings of a record label. Alex Ives has been at Ninja Tune for ten years as the head of physical retail. He also runs Big Dada, a sub-label run exclusively by minorities and people of colour. In this masterclass recorded live in London, Ives unpacks the various departments and teams that make up the Ninja Tune enterprise, from manufacturing, sync and publishing, to product management and A&R. He also suggests a few routes for young people to get a foot in the door of the label world. It's often not a matter of trying to score a hard-earned internship at a major, he reflects. Often, it's easier to launch a career by starting a label yourself and adding it to your CV. "Going DIY can build a massive amount of love and interest that can lead you to a major label," he tells host Emily Jones. "Sometimes that's the best way." Working as the head of physical distribution doesn't come without its challenges in a world facing climate change, and Ives fields questions about pressing vinyl as a carbon-negative company, re-thinking record packaging, working to change consumer habits around ordering and returning records, and navigating a booming streaming economy. To hear more of his insights, listen to the episode in full. This conversation was recorded live in London, and you can watch video shorts from the talk on YouTube. Watch the Masterclass video playlist via the link below: https://www.youtube.com/watch?v=anqltFRkqVM Rhythm Section's Future Proof project is supported by Arts Council England and PRS Foundation.