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12 episodes with Clarence Williams
2 episodes with Clarence Williams
5 episodes with Clarence Williams
2 episodes with Clarence Williams
2 episodes with Clarence Williams
2 episodes with Clarence Williams
2 episodes with Clarence Williams
2 episodes with Clarence Williams
2 episodes with Clarence Williams
46:05 – Bessie Smith’s first five recording sessions for Columbia Records, which made her a star and got her dubbed the Empress of the Blues. These sessions cover the first half of 1923, and also feature (at the piano) Clarence Williams on the first two sessions and Fletcher Henderson on the latter three. This show […]
On this edition of The Mother's Justice Show: Rev Harriett welcomes back Clarence Williams of the Retired Black Firefighters to give an update on the fight to get back the house the black firefight org owned in Seattle. Eddie Rye, Hayward Evans and Roberto Jourdan join the discussion as well. Then Eddie Rye and Haywood Evans talk about what's happening in Seattle and beyond
Friday 3/28/25 – The MCU'S Bleeding Edge is LIVE with a review of the 1985 action classic Commando, starring Arnold Schwarzenegger! This week, Special Guest Co-host Andres The Pop Culture Guy leads the discussion, with Co-host Jeff S ($TrueKnowledge) joined by first-time guests Chris (The Cinematic Traveler Podcast), Tim (Friends Talking Nerdy Podcast), and Clarence Williams on the panel.If you enjoy our movie reviews and the awesome voices we bring together, please consider liking, following, subscribing, and leaving us a comment—we appreciate the support! Cybers LINKS- https://www.youtube.com/@cyberneticshark all his links can be found on YT!!Andres LINKS- https://www.youtube.com/@PopCultureguy https://www.youtube.com/@DCMarvelPlusTalkAll The MCU'S Bleeding Edge's LINKShttps://www.facebook.com/profile.php?id=100090571329875https://www.twitch.tv/themcusbleedingedgehttps://podcasters.spotify.com/pod/show/the-mcus-bleeding-edgehttps://rumble.com/c/c-1009757https://www.youtube.com/channel/UCREPsCRvzjH0ggYL_Larq1Ahttps://www.tiktok.com/@UCREPsCRvzjH0ggYL_Larq1A https://twitter.com/mcusbleedingedgCo-host Cyberneticshark is using a Logitech BRIO along with Skullcandy headphones, a Audio- Technica AT2020 Condenser Studio Microphone, going through a 2021 Flagship Lenovo Legion 5 Gaming laptop. Co-host Jeff S(TrueKnowledge) is working with a Audio- Technica ATR2100 Condenser Studio Microphone, along with a pair of Audio- Technica Headphones, Logitech BRIO- C920-C922-Streamcam, going through a 2023 MacBook Pro along with using a ACER Nitro 5.
Thursday, February 27 on Urban Forum Northwest:*Dr. Lezli Baskerville, president and CEO, National Association For Equal Opportunity in Higher Education (NAFEO) comments on the cuts in early childhood education funds that prepare her students to excel once they are college bound. And comment on any adverse effect that the current administration's policies are having on colleges and universities that NAFEO refer students too.*Attorney Yohannes Sium represents the retired Seattle Black Firefighters seeking to retain their interest in property that they purchased in the 1970's. He will be joined by Clarence Williams, president, Northwest Association of Retired Black Firefighters and a plaintiff in the court action and Roberto Jourdan, past president, Seattle Black Firefighters Association.*Elmer Dixon, Co Founder, Seattle Black Panther Party comments on the Seattle Black Panther Party Interpretive Center. The project is divided into three phases and he will comment on phase one which is the Metropole site at 423 2nd Avenue that will include a 1500-square-foot first floor anchor site.* Barney Hilliard is a Seattle Music Legend dating back to Garfield High School in Seattle where he played saxophone in the young Dave Lewis Combo that was in heavy demand. Barney will be featured on KING 5 TV Seattle Facing Race Segment,The History of Jazz on Jackson Street on Friday, February 28 at 6:30 pm & 11:30 pm.Urban Forum Northwest streams live at www.1150kknw.com. Visit us at www.urbanforumnw.com for archived programs and relevant information. Like us on facebook. X@Eddie_Rye. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Thursday, February 27 on Urban Forum Northwest: *Dr. Lezli Baskerville, president and CEO, National Association For Equal Opportunity in Higher Education (NAFEO) comments on the cuts in early childhood education funds that prepare her students to excel once they are college bound. And comment on any adverse effect that the current administration's policies are having on colleges and universities that NAFEO refer students too. *Attorney Yohannes Sium represents the retired Seattle Black Firefighters seeking to retain their interest in property that they purchased in the 1970's. He will be joined by Clarence Williams, president, Northwest Association of Retired Black Firefighters and a plaintiff in the court action and Roberto Jourdan, past president, Seattle Black Firefighters Association. *Elmer Dixon, Co Founder, Seattle Black Panther Party comments on the Seattle Black Panther Party Interpretive Center. The project is divided into three phases and he will comment on phase one which is the Metropole site at 423 2nd Avenue that will include a 1500-square-foot first floor anchor site. * Barney Hilliard is a Seattle Music Legend dating back to Garfield High School in Seattle where he played saxophone in the young Dave Lewis Combo that was in heavy demand. Barney will be featured on KING 5 TV Seattle Facing Race Segment,The History of Jazz on Jackson Street on Friday, February 28 at 6:30 pm & 11:30 pm. Urban Forum Northwest streams live at www.1150kknw.com. Visit us at www.urbanforumnw.com for archived programs and relevant information. Like us on facebook. X@Eddie_Rye. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Thursday, February 27 on Urban Forum Northwest: *Dr. Lezli Baskerville, president and CEO, National Association For Equal Opportunity in Higher Education (NAFEO) comments on the cuts in early childhood education funds that prepare her students to excel once they are college bound. And comment on any adverse effect that the current administration's policies are having on colleges and universities that NAFEO refer students too. *Attorney Yohannes Sium represents the retired Seattle Black Firefighters seeking to retain their interest in property that they purchased in the 1970's. He will be joined by Clarence Williams, president, Northwest Association of Retired Black Firefighters and a plaintiff in the court action and Roberto Jourdan, past president, Seattle Black Firefighters Association. *Elmer Dixon, Co Founder, Seattle Black Panther Party comments on the Seattle Black Panther Party Interpretive Center. The project is divided into three phases and he will comment on phase one which is the Metropole site at 423 2nd Avenue that will include a 1500-square-foot first floor anchor site. * Barney Hilliard is a Seattle Music Legend dating back to Garfield High School in Seattle where he played saxophone in the young Dave Lewis Combo that was in heavy demand. Barney will be featured on KING 5 TV Seattle Facing Race Segment,The History of Jazz on Jackson Street on Friday, February 28 at 6:30 pm & 11:30 pm. Urban Forum Northwest streams live at www.1150kknw.com. Visit us at www.urbanforumnw.com for archived programs and relevant information. Like us on facebook. X@Eddie_Rye.
“It was probably out in the middle of the river. I just saw a fireball, and then it was gone.” Today on “Post Reports,” unpacking a deadly collision in the nation's capital.Read more:On Wednesday night, an American Airlines plane and an Army Black Hawk helicopter collided in midair near Reagan National Airport. Both aircraft crashed into the Potomac River in Washington. D.C. officials believe the three soldiers in the helicopter and all 64 passengers and crew aboard the airplane were killed. Today on “Post Reports,” host Elahe Izadi and transportation reporter Lori Aratani break down what we know about the collision, the close calls faced around Reagan National Airport in the recent past, and President Donald Trump's baseless claims that diversity, equity and inclusion programs within the Federal Aviation Administration were to blame for the crash. Today's show was produced by Bishop Sand and Rennie Svirnovskiy. It was mixed by Sam Bair and edited by Reena Flores. Thanks to Teddy Amenabar, Blair Guild, Evan Hill, Jorge Ribas, Chris Rowland, Kyle Swenson and Clarence Williams.Subscribe to The Washington Post here.
The historic property owned by the Seattle Black Fire Fighters Association has long stood as a symbol of heritage and community in Seattle's Central Area. Recently, the sale of this property has incited outrage among retired members and community leaders, who argue it was sold improperly and without proper consent. The legal battle over the property persists, with delays in court decisions exacerbating the frustration of those striving to retain it as an asset of the Seattle Black Fire Fighters Association. Clarence Williams, retired firefighter and former SBFFA President, and attorney Yohannes Sium are addressing this issue on the Seattle Medium's Rhythm & News podcast.
Parce que le temps ne fait rien à l’affaire : une émission spéciale Vieux, Ancêtres et Aïeux. Avec Bix Beiderbecke, Eva Taylor, Lil’ Hardin, Louis Armstrong, Jelly Roll Morton, Johnny Noone, Fats Waller, Blind Blake, Duke Ellington, Clarence Williams, Sydney... Continue Reading →
BESSIE SMITH New York, February 16, 1923 Downhearted blues, Tain't nobody's business if I do Bessie Smith (vcl) acc by Clarence Williams (p) New York, January 14, 1925 The St. Louis bluesBessie Smith (vcl) acc by Louis Armstrong (cnt) Fred Longshaw (p-1,org-2) New York, May 5-6, 1925 Cake walkin' babies from home, The yellow dog bluesBessie Smith (vcl) acc by Joe Smith (cnt) Charlie Green (tb) Buster Bailey (cl) Coleman Hawkins (ts) Fletcher Henderson (p) Charlie Dixon (bj) Bob Escudero (tu) New York, May 15, 1929 Nobody Knows You When You're Down And OutBessie Smith (vcl) acc by Ed Allen (cnt) Garvin Bushell (as) Greely Walton (ts) Clarence Williams (p) Cyrus St. Continue reading Puro Jazz 27 de agosto, 2024 at PuroJazz.
BESSIE SMITH New York, February 16, 1923 Downhearted blues, Tain't nobody's business if I do Bessie Smith (vcl) acc by Clarence Williams (p) New York, January 14, 1925 The St. Louis bluesBessie Smith (vcl) acc by Louis Armstrong (cnt) Fred Longshaw (p-1,org-2) New York, May 5-6, 1925 Cake walkin' babies from home, The yellow dog bluesBessie Smith (vcl) acc by Joe Smith (cnt) Charlie Green (tb) Buster Bailey (cl) Coleman Hawkins (ts) Fletcher Henderson (p) Charlie Dixon (bj) Bob Escudero (tu) New York, May 15, 1929 Nobody Knows You When You're Down And OutBessie Smith (vcl) acc by Ed Allen (cnt) Garvin Bushell (as) Greely Walton (ts) Clarence Williams (p) Cyrus St. Continue reading Puro Jazz 27 de agosto, 2024 at PuroJazz.
Woodlawn head football coach Clarence Williams joins The Writer's Block to talk about the 2024 high school football season.
On Tuesday, November 22, 2022, employees at the Wal Mart in Chesapeake Virginia were preparing for their evening shift when gunshots ran out through the store. Sadly, 6 employees, Lorenzo Gamble, Kellie Pyle, Tyneka Johnson, Randall Blevins, Fernado ‘Jesus' Chavez-Barron, and Brian Pendleton lost their lives in this attack along with the gunman, Andre Bing. It was identified that the gunman, Andre Bing, was a team lead at the Wal Mart. Sources: Ben Finley, Jennifer Sinco Kelleher, Hannah Schoenbaum, “Walmart shooting claims teen, young woman, father, mother”, AP News, Nov 27, 2022, https://apnews.com/article/business-shootings-virginia-30958aa5e765cde6fd3529e9d0ca6f3a, accessed July 19, 2024. Karina Elwood, Laura Vozzella, Clarence Williams, Olivia Diaz, Casey Parks and Maham Javaid, “Families of Chesapeake Walmart shooting victims mourn their losses”, The Washinton Post, Nov 23, 2022, https://www.washingtonpost.com/nation/2022/11/23/chesapeake-walmart-shooting-victims/, accessed July 19, 2024. Aya Elamroussi, “Survivors and investigators are spending Thanksgiving questioning the motive behind a mass shooting in a Virginia Walmart that left 6 workers dead”, CNN, Nov 25, 2022, https://www.cnn.com/2022/11/24/us/chesapeake-virginia-walmart-shooting-thursday/index.html, accessed July 20, 2024. Alex Brandon, Ben Finley, “‘Bodies drop' as Walmart manager kills 6 in Virginia attack”, AP News, Nov 23, 2022, https://apnews.com/article/walmart-shooting-chesapeake-virginia-b52927596381aa65efed367ce0c81c83, accessed July 20, 2024. Timothy H.J. Nerozzi, “Virginia Walmart gunman's manifesto claims he was 'betrayed' by coworkers he killed, felt 'led by' Satan”, Fox News, Nov 25, 2022, https://www.foxnews.com/us/virginia-walmart-gunman-manifesto-says-he-was-betrayed-coworkers-he-killed-felt-led-satan?msockid=0aeb90933b7b60c21f4d84af3ac36177, accessed July 20, 2024. Morgan Winsor, Jon Haworth, and Melissa Gaffney, “Virginia Walmart mass shooting: Survivors and witnesses speak out”, ABC News, Nov 25, 2022, https://abcnews.go.com/US/multiple-fatalities-walmart-shooting-virginia-police/story?id=93832868, accessed July 7, 2024. Aya Elamroussi, Eliott C. McLaughlin, “Authorities disclose note found on Walmart shooter's phone”, CNN, Nov 25, 2022, https://www.cnn.com/2022/11/25/us/chesapeake-virginia-walmart-shooting-friday/index.html, accessed July 20, 2024. Awanish Kumar, “Andre Bing: Chesapeake Walmart shooter was 'hunting for his targets' and ensured they were dead”, Gadget Any, Nov 25, 2022, https://www.gadgetany.com/news/andre-bing-chesapeake-walmart-shooter-was-hunting-for-his-targets-and-ensured-they-were-slain/, access July 20, 2024. Julia Varnier, “Chesapeake Walmart to reopen nearly 5 months after 6 employees were killed in mass shooting: Official”, WTKR News, April 3, 2023, https://www.wtkr.com/news/chesapeake-walmart-to-reopen-nearly-5-months-after-6-employees-were-killed-in-tragic-shooting-official, accessed July 20, 2024.
The Creole culture in New Orleans produced many musicians in the early 1900's who became prominent in jazz as band leaders, soloists and teachers. Violinist Piron led a legendary dance band (his New Orleans Orchestra, with Peter Bocage and Steve Lewis) that made two trips to New York in 1923 and 1924 to play and record. These recordings feature the also legendary clarinetist Tio who is better known for having been the teacher of virtually all the great Creole and black clarinet players in the New Orleans tradition in the early 1900's. In addition are some possible Tio items with Clarence Williams' Blue Five, Ida Brown and Jelly Roll Morton's Red Hot Peppers (with Bubber Miley, Bernard Addison and Wilbur DeParis) --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
In episode 18, Chris Adams-Wall sits down with Reverend Clarence Williams. He shares the mission behind the initiatives he's helped launch, including the Commission on Social Action. He also explains how a project like this development plan can strengthen the community, especially in light of what happened to those who grew up in the Gas Plant Neighborhood. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
SIDNEY BECHET CLARENCE WILLIAMS' BLUE FIVE New York, July 30, 1923Wild cat blues, Kansas City man bluesTom Morris (cnt) John Mayfield (tb) Sidney Bechet (cl,sop) Clarence Williams (p) Buddy Christian (bj) New York, c. October 3, 1923Tain't nobody's business if I do, New Orleans hop scop blues, Oh daddy bluesTom Morris (cnt) John Mayfield (tb) Sidney Bechet (sop) Clarence Williams (p) Buddy Christian (bj) BUNK JOHNSON BUNK JOHNSON'S BAND New Orleans, LA -, August 2, 1944Weary blues, Royal garden blues, Cee Cee rider, Careless loveBunk Johnson (tp) Jim Robinson (tb) George Lewis (cl) Lawrence Marrero (bj) Alcide “Slow Drag” Pavageau (b) Baby Dodds (d) DON EWELL SOLO Baltimore, prob August 1946Just You, Just MeDon Ewell (p) solos Free ‘N Easy! Continue reading Puro Jazz 19 marzo 2024 at PuroJazz.
SIDNEY BECHET CLARENCE WILLIAMS' BLUE FIVE New York, July 30, 1923Wild cat blues, Kansas City man bluesTom Morris (cnt) John Mayfield (tb) Sidney Bechet (cl,sop) Clarence Williams (p) Buddy Christian (bj) New York, c. October 3, 1923Tain't nobody's business if I do, New Orleans hop scop blues, Oh daddy bluesTom Morris (cnt) John Mayfield (tb) Sidney Bechet (sop) Clarence Williams (p) Buddy Christian (bj) BUNK JOHNSON BUNK JOHNSON'S BAND New Orleans, LA -, August 2, 1944Weary blues, Royal garden blues, Cee Cee rider, Careless loveBunk Johnson (tp) Jim Robinson (tb) George Lewis (cl) Lawrence Marrero (bj) Alcide “Slow Drag” Pavageau (b) Baby Dodds (d) DON EWELL SOLO Baltimore, prob August 1946Just You, Just MeDon Ewell (p) solos Free ‘N Easy! Continue reading Puro Jazz 19 marzo 2024 at PuroJazz.
Hooooooo doggies! LLR returns with another bonus episode featuring an eclectic mix of everything Jay and Deon have been f#@%ing with, sonically speaking. Library music with Library Mark? Check. Venezuelan psych rock? Check. German new wave? You betcha. Art rap, classic jangly American pop and egg punk? YOU KNOW THAT'S RIGHT! Join the fun. It was worth the wait. Promise. Sonic contributors to the nineteenth bonus episode of Lightnin' Licks Radio include: Townes Van Zandt, Tom Petty & the Heartbreakers, Black Midi, De La Soul, Ideal, Cal Tjader, Hoyt Axton, Steppenwolf, Blind Melon, Frances Lee McCain, Zach Galligan, Clarence Williams, James Tim Brynn, Dally Small, Alline Bullock, Ike & Tina Turner, The Doors, The Beatles, Paul Revere & the Raiders, The Rolling Stones, Jacko Peake, The Who, Merv Griffin, Saint Etionne, Uncle Ted Nugent, Iron Butterfly, Cheap Trick, Germs, The Clash, Steel Pulse, Elvis Costello, Sweet, Living Colour, Beatific Vision, DJ Magic Mike, The Baseball Project, Madlib, Karriem Riggins, Jahari Massamba Unit, Shawn Lee & Clutchie Hopkins. Deon brought to the dining room table the sounds of Nnamdi, Nina Simone, Alan Tew, and Denzel Curry. Jay suggested checking out Humpe Humpe, The Pets, The Rhythm Section, and R.E.M. Super-special-secret-friend Library Mark hipped Podcast America to Mannequin Pussy, Sheer Mag, Snooper, and The Courettes. Bonus #19 mixtape [A1] Snooper - Defect [A2] Denzel Curry - Ricky [A3] The Pets - El Entierro de un Hombre Rico Que Murio de Hombre [A4] Sheer Mag - Paper Time [A5] Alan Tew - The Rub [A6] Humpe Humpe - Yama-Ha [B1] The Rhythm Section - Waiting for the Sun [B2] Mannequin Pussy - I Got Heaven [B3] Nnamdi - let gO my egO [B4] The Courettes - Shake! [B5] Nina Simone - Funkier Than a Mosquito's Tweeter [B6] R.E.M. - Summer Turns to High [end] Thank you Library Mark and his record store of choice Electric Kitsch in beautiful Bay City, Michigan, USA. --- Send in a voice message: https://podcasters.spotify.com/pod/show/llradio/message
Time to pull out the 14th of the 24 records from the six box set from the Franklin Mint. And I've been having so much fun listening to this one. In fact, I'm going to play a few more tunes than my normal six that I like to keep these episodes to because, quite frankly, there was so much good music on this disc I didn't know where to stop. The featured trumpet player you'll be hearing was known as the bridge between Louis Armstrong and Dizzy Gillespie. But he had a style all his own that was quite influential in his own right. So, get ready to hear the musician that seemed to have the trumpet permanently glued to his lips in Volume 165: Little Jazz on Horn Part 2. More information about this album, see the Discogs webpage for it. https://www.discogs.com/release/11735925-various-Louis-Armstrong-Roy-Eldridge-Jazz-Masterpieces Credits and copyrights Louis Armstrong Roy Eldridge Jazz Masterpieces Label: The Franklin Mint Record Society – JAZZ 001: 1/2/3/4 Series: part of both! The Greatest Jazz Recordings Of All Time and the Institute Of Jazz Studies Official Archive Collection Format: Box Set, Red Box, 4 x Red vinyl LPs, Compilation, Released: 1982 Genre: Jazz Style: Swing We will hear 8 of the 12 songs from this album Artie Shaw & His Orchestra – Little Jazz Composed by Roy Eldridge and Buster Harding Roy Eldridge & His Orchestra – Twilight Time Music by the Three Suns (Morty Nevins, Al Nevins, and Artie Dunn) King David & His Little Jazz – Easter Parade Written by Irving Berlin Roy Eldridge Sextet – School Days Written by Gus Edwards The Roy Eldridge - Benny Carter Quintet – I Still Love Him So Written by Roy Eldridge & Benny Carter Coleman Hawkins - Roy Eldridge – Hanid Written by Coleman Hawkins Roy Eldridge & Claude Bolling – Fireworks Composed by Clarence Williams and Spencer Williams Roy Eldridge Trio – Undecided Written by Sid Robin and Charlie Shavers I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.
"So long, Sport." The Cannon Bros (Frank and Geoff) are back in Cannon Prestige territory with a stacked cast and some classy sleaze with "52 PICK UP"! Roy Scheider plays an ego-driven jerk, John Glover goes full Philly, poor Ann-Margret gets put through the wringer, Clarence Williams the III steals the show and once again.. Vanity! ”Something about your face makes me want to slap the sh!t out of you!" is what The Cannon Bros would say if you missed this episode! OUR PATREON: patreon.com/thecannoncanon Follow us on the socials: Twitter: @thecannoncanon Instagram: @thecannoncanon Please rate and review us!
Streamlining advertising efforts and boosting ROI using an AI-powered platform is possible. In fact, this solution can optimize marketing campaigns in real-time to improve results continuously. By doing so, it helps businesses through automated, data-driven marketing.Does it sound too good to be true? Well, you need to know Otis AI. Today, I'm excited to share my conversation with Miguel Guerrero and Clarence Williams, co-founders of Otis.Their goal with this company is to take powerful enterprise marketing strategies and make them simple and accessible for small businesses. By leveraging data and AI, Otis automates ad campaigns across channels and measures ROI - all in a user-friendly platform.We talked about how Otis unlocks AI advantages, like continuously optimizing campaigns in real-time to boost results over time. Miguel and Clarence also shared some of the challenges of building Otis, from refining their product-market fit to scaling operations.I hope you enjoy listening to my conversation with Miguel and Clarence and that you learn how Otis AI can help your business leverage data and AI to effortlessly grow and earn more money. In This Episode:- What does Otis AI do? - How can you use Otis in your business? - The origin story of Otis AI- How does AI play into the fabric of Otis? - The trials and tribulations of Otis AI - Is generative AI good for Otis?Resources mentioned:Otis - https://meetotis.com/ Connect with Miguel Guerrero: LinkedIn - https://www.linkedin.com/in/miguelmeep Connect with Clarence Williams: LinkedIn - https://www.linkedin.com/in/clarence-williams-698a446a Connect with Ramesh Dontha:AI Entrepreneurs Facebook Page: https://www.facebook.com/TheAIEntrepreneurs Follow Ramesh on Twitter: https://twitter.com/EntrepreneursAI Connect with Ramesh on LinkedIn: https://www.linkedin.com/company/theaientrepreneurs/ Watch the full episode on YouTube - https://youtube.com/@AI_Entrepreneurs Join a 58,000+ strong community. Deep-Dive AI tutorials & tools. 3x weekly growth hacks. Get 100 ChatGPT free prompts instantly, a FREE AI writer to go viral on social media, and Our FREE "Building A Minimum Viable Business In Record Time" Course!
"Baby Won't You Please Come Home" es un blues escrito por Charles Warfield y Clarence Williams en 1919. La autoría de la canción está en disputa; Warfield afirma que él fue el único compositor de la canción. La canción ha sido versionada por muchos músicos y se ha convertido en un estándar del jazz. La primera versión exitosa fue la grabación de Bessie Smith de 1923, que permaneció en las listas durante cuatro semanas. Escuchemos a Bessie Smith y otras remarcables versiones. Hosted on Acast. See acast.com/privacy for more information.
This week, W.C. Handy and Clarence Williams as shapers of early jazz. Composer and bandleader, W.C. Handy introduced blues form as a standard feature in jazz music. As a promoter, Williams helped enable the careers of Black performers and gave voice to jazz through avenues of publishing and recording.
MM plays a lone deputy with no backup who encounters a suspected murderer…or is it just Clarence Williams, III doing a fantastic acting job? This short film is a mystery wrapped up in a choose-your-own-adventure novel presented as a Twilight Zone Episode.JUDGEMENT - Starring Matthew McConnaughey@MasteringMPod on InstagramEmail: MasteringMPod@gmail.comTheme song HEYAQUALUNG! by HoliznaThe Modern Real Estate AgentsProduced and edited by Mark UsherSupport the ShowSupport this podcast at — https://redcircle.com/mastering-mcconaughey-podcast/donations
https://chusermedia.s3.amazonaws.com/372191814_1398_Sharing_The_Gospel_Bro_Clarence_Williams_Sunday_Evening.mp3 Sun, 10 Sep 2023 00:00:00 CDT Sharing The Gospel | Bro Clarence Williams | Sunday Evening
Sixty years ago, some 250,000 Americans arrived by bus, by train and on foot to participate in the March on Washington for Jobs and Freedom. Now, marchers and organizers reflect on the goals of that day — and the work that still needs to be done.Read more: In 1963, the fight for civil rights reached a pivotal stage. Activist Medgar Evers was murdered, Alabama Gov. George Wallace called for “segregation forever,” and riots in Cambridge, Md., erupted into violence. A few years earlier, the murder of Emmett Till had shaken people across the country. And on Aug. 28, thousands gathered on the National Mall to call for economic opportunity and something more mercurial — freedom. The march risked the civil rights movement's viability at a crucial moment, when African Americans faced violent and deadly backlash from police and white supremacists for seeking voting protections and fair treatment in their own country.The day became iconic — especially the Rev. Martin Luther King Jr.'s powerful speech. But organizers say there was so much more that went into that moment, from organizing buses through the segregated South to making sure microphones worked on the Mall. Washington Post reporter Clarence Williams and his colleagues gathered dozens of interviews with people who were there that day, reflecting on the minute details behind the historic moment, as well as the legacy of the march that became a model for how to demand change in United States.
The flute wasn't a prominent instrument in jazz or dance bands before the 1950's, but here are some excellent outliers . . the Cuban Albert Socarras recorded with Bennett's Swamplanders, Lizzie Miles and Clarence Williams (with Ed Allen, King Oliver, Arville Harris and Cyrus St. Clair) and Wayman Carver was with Benny Carter, Spike Hughes, Chick Webb and Ella Fitzgerald (Taft Jordan, Red Allen, Bobby Stark, Coleman Hawkins, Chu Berry, Teddy McCrae, Don Kirkpatrick, Teddy Wilson, Sid Catlett and others) and as a bonus, Charles Frazier with Willie Bryant's Orchestra. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
Thursday, August 3 on Urban Forum Northwest : *Shaude' Moore has been appointed as CEO of the Central District Community Preservation & Development Authority (CDCPDA) aka The McKinney Center for Community and Economic Development. She was one of many people from the African American Community that supported House Bill 1918 sponsored by Representative Sharon Tomiko Santos that made the CDCPDA possible. * Reverend Dr. Carey Anderson, Pastor, Seattle's First AME Church comments on the 60th Anniversary of the August 28, 1963 March on Washington DC for Jobs and Freedom and what's being planned in Seattle to remember the movement that gained the Cilvil Rights Act of 1964 and the Voting Rights Act of 1965 for African Americans. Recent Supreme Court rulings are putting both Acts in jeopardy. *Reverend Dr. Steve Baber, Retired, comments on what must happen on August 28, 2023 to demonstrate to all that African Americans will not side idly by and witness the destruction of the Civil Rights Act of 1964 and the Voting Rights Act of 1965. Both Acts were passed after the August 28,1963 March on Washington DC for Jobs and Freedom. *Claude Burfect, King County Labor Leader participated in the August 28, 1963 March on Washington DC for Jobs and Freedom and he is a member of the 60th Anniversary Committee that will host activities to commemorate the historic March. He will be joined by Hayward Evans, Co Convener, Seattle king County Martin Luther King Jr. Commemoration Committee (MLKCC) to comment on the preliminary plans for August 25, 26, 27, 2023. Reverend Dr. Leslie Braxton, Pastor, New Beginnings Christian Fellowship (NBCF) Kent WA joins Show Some Love Host: Dennis Denman Jr. and Clarence Williams as they invite you to the Saturday, August 5 Banquet that will honor NBCF Musicians Nat Patterson, Ron McNeil, John McElroy, and Dotcy Isom. Urban Forum Northwest streams live at www.1150kknw.com. Visit us at www.urbanforumnw.com for archived programs and relevant information. Like us on facebook. Twitter@Eddie_Rye.
Thursday, August 3 on Urban Forum Northwest :*Shaude' Moore has been appointed as CEO of the Central District Community Preservation & Development Authority (CDCPDA) aka The McKinney Center for Community and Economic Development. She was one of many people from the African American Community that supported House Bill 1918 sponsored by Representative Sharon Tomiko Santos that made the CDCPDA possible.* Reverend Dr. Carey Anderson, Pastor, Seattle's First AME Church comments on the 60th Anniversary of the August 28, 1963 March on Washington DC for Jobs and Freedom and what's being planned in Seattle to remember the movement that gained the Cilvil Rights Act of 1964 and the Voting Rights Act of 1965 for African Americans. Recent Supreme Court rulings are putting both Acts in jeopardy.*Reverend Dr. Steve Baber, Retired, comments on what must happen on August 28, 2023 to demonstrate to all that African Americans will not side idly by and witness the destruction of the Civil Rights Act of 1964 and the Voting Rights Act of 1965. Both Acts were passed after the August 28,1963 March on Washington DC for Jobs and Freedom.*Claude Burfect, King County Labor Leader participated in the August 28, 1963 March on Washington DC for Jobs and Freedom and he is a member of the 60th Anniversary Committee that will host activities to commemorate the historic March. He will be joined by Hayward Evans, Co Convener, Seattle king County Martin Luther King Jr. Commemoration Committee (MLKCC) to comment on the preliminary plans for August 25, 26, 27, 2023.Reverend Dr. Leslie Braxton, Pastor, New Beginnings Christian Fellowship (NBCF) Kent WA joins Show Some Love Host: Dennis Denman Jr. and Clarence Williams as they invite you to the Saturday, August 5 Banquet that will honor NBCF Musicians Nat Patterson, Ron McNeil, John McElroy, and Dotcy Isom.Urban Forum Northwest streams live at www.1150kknw.com. Visit us at www.urbanforumnw.com for archived programs and relevant information. Like us on facebook. Twitter@Eddie_Rye. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the early 20th century, career options for Black workers were limited, and the jobs often came with low pay and poor conditions. Ironically, because they were concentrated in certain jobs, Black workers sometimes monopolized those jobs and had collective power to demand better conditions and higher pay. The Pullman Company, founded in 1862, hired only Black men to serve as porters on Pullman cars, since George M. Pullman thought that formerly enslaved men would know how to be good, invisible servants and that they would work for low wages. In 1925, the Pullman Porters formed their own union, Brotherhood of Sleeping Car Porters, with A. Philip Randolph serving as president. After years of struggle, in 1935, the Pullman Company finally recognized the union, and it was granted a charter by the American Federation of Labor (AFL), making the Brotherhood the first Black union it accepted. Joining me in this episode to help us learn about the Black working class is historian Dr. Blair L. M. Kelley, the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and the incoming director of the Center for the Study of the American South and author of Black Folk: The Roots of the Black Working Class. Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Pullman Porter Blues,” music and lyrics by Clifford Ulrich and Burton Hamilton; performed by Clarence Williams on September 30, 1921; the recording is in the public domain.The episode image is: “J.W. Mays, Pullman car porter,” photographed by C.M. Bell, 1894; the photograph is in the public domain and available via the Library of Congress. Additional Sources: “George Pullman: His Impact on the Railroad Industry, Labor, and American Life in the Nineteenth Century,” by Rosanne Lichatin,” History Resources, The Gilder Lehrman Institute of American History. “The Rise and Fall of the Sleeping Car King,” by Jack Kelly, Smithsonian Magazine, January 11, 2019. “The Pullman Strike, by Richard Schneirov, Northern Illinois University Digital Library. “Pullman Porters,” History.com, Originally published February 11, 2019, and updated October 8, 2021. “The Brotherhood of Sleeping Car Porters,” by Brittany Hutchinson, Chicago History Museum. “Brotherhood of Sleeping Car Porters (1925-1978),” by Daren Salter, BlackPast, November 24, 2007. “A. Philip Randolph Was Once “the Most Dangerous Negro in America,” by Peter Dreier, Jacobin, January 31, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices
Reed player Bingie Madison had a big band in 1930-31 in Harlem that never recorded under his name but which backed Oliver, Williams and Johnson on a series of sessions. Soloists include Madison on tenor sax, Buster Bailey on clarinet, Fred Skerritt on baritone sax, Henry "Moon" Jones on alto, Gene Rodgers on piano, Goldie Lucas on guitar and banjo, Richard Fullbright on bass and tuba, Bill Beason on drums, Jimmy Archey on trombone, Ward Pinkett and Bill Dillard on trumpets. Great transition between "Hot Dance" and the Swing Era! --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
NSFW Smack My Pitch Up 97 - Mad Max: Kronk's New Dystopia Transcript at the bottom of show notes Hobbit and Thandi strap in for a diesel-fueled ride through remakes and remixed of Mad Max! Subscribe to Smack My Pitch UP! https://link.chtbl.com/smpu_gui_subscribe Check out tons of merch for the GUI Network on TeePublic: http://bit.ly/teepublicGUI GUI Network Hotline: (804) 505-4GUI (4484) (Message & data rates may apply) _________________________________________________ ● Track Info ● "In A World" "Forever Believe" "Bustin Loose" and "Hi Fi Brutality" by Jason Shaw (audionautix.com) These works are licensed under a Creative Commons Attribution 3.0 Unported License. creativecommons.org/licenses/by/3.0/deed.en_US geeksundertheinfluence@gmail.com for sponsorship inquiries TRANSCRIPT: Hobbit: [00:00:00] Hello? Hello. Hello Geeks. Welcome to another episode of smack my pitch up, the podcast that reboots remakes, reimagines sequels side-quels and adapts some of your favorite and least favorite properties from film, television and what have you. And we've got a banger here on this episode for sure, and with me to discuss the remakes and reimaginings, my co-host Thandi. Good day. I thought about doing like an accent, I think, for the betterment of everyone involved. I'm not gonna try to do that. I've never been able to nail either the British or the Australian accent cause they bleeding to each other. Thandi: Yeah. You know, what's fun about doing an accent? For me specifically I'll lose it. I'll lose it almost immediately, and it will turn into whatever it'll turn into like something racist by the end of whatever impression I'm doing, Hobbit: It could be the whitest act. I can do like a Russian accent very poorly, where you're almost offended. I don't think I have Russian background, but like I'm white enough where it's like, no, he can he's allowed to do Russian accent. No. [00:01:00] It's almost offensive. So Thandi: You don't wanna get smacked by Putin. Nobody wants to get smacked by Putin. So Hobbit: get clobbered by his giant horse. Yeah. Let's avoid that if possible. Thandi: eat you with my pick. Yeah. Hobbit: So today we are talking about, Cult Classic for sure. A movie that has spawned to multiple sequels as well as a remake that's not really a remake, so much as a kinda re, re-engagement, a re-envisioning of yeah. Thandi: Yeah it's like, old Mad Max is, what do they call the Star Wars stuff that was made before the reboot, Hobbit: Oh, those are, Thandi: The Star Wars legends or whatever, all the novels and stuff. Yeah. Old Mad Max is Mad Max Legends and . This is like, you know, the new kids. This is, even though it's the same character, it's Hobbit: And what we are talking about is Mad Max the first Mad Max movie and the universe in general. I, guess, But the thing that's interesting about that though is starting with Fury Road, if they are going with Tom Hardy as, max from now on, if they're [00:02:00] restarting this universe it is interesting where they're starting as far as the distance away from Doomsday. Like every Mad Max movie gets a little bit further away from the fall of society. Thandi: Yeah, little. Road is like hundreds of years after, like Max is a Highlander or something Hobbit: Right. Thandi: by the time of Hobbit: And the the original director, he said that Max is really more there to be Way into a slice of life of that world at that time, you know, that Max does assist with stuff happening. But for the most part it's, we're just following him around on his adventures to see where the world is at this point in the decay. And it was interesting to revisit Mad Max after it's been years. I haven't seen it since Fury Road came out, I think. Thandi: I'd only ever seen it on tv. After watching this, I realized I'd only ever seen it as a TV edit. and it's a whole different experience. This is some good [00:03:00] schlock. I was actually surprised. It's really Hobbit: holds up well and you try to explain what happens and there's three important things that happen and that's it in like 90 minutes, but it's engaging the whole time. There's never a point where I felt bored watching this, movie. Thandi: It's interesting. It's not too long, although I did feel like it dragged a little bit somewhere in the middle. It's not too long. It has some really intriguing aesthetic choices. The score is late fifties, early sixties style the orchestration, which is interesting. There's some interesting camera stuff going on. It's very surprising that this is uh, George Miller's first major movie. Hobbit: And I feel like the acting is not top-notch, but it does feel natural enough that it's even the bad actors are not that cringey. It doesn't come off poorly, I Thandi: I like some like, goose. I thought Goose Hobbit: Goose is great. Thandi: Max is actually a little bit too young. That was, my complaint. Mel Gibson is a little bit young for the Hobbit: I was mindful and made sure that I didn't go too old with Max [00:04:00] with my casting, but I did. Yeah. He is so much younger than everybody else really in the film. He looks like a baby and maybe it's just cuz we know Mel Gibson to be this like old racist dude. And this is like young racist dude, but. Thandi: This is even before big hair, incredible wings. Mel Gibson. This is, A whole different Hobbit: was looking at actors in their like early twenties, and I just, I couldn't I just, the concept of them driving a car, I'm like, you're not old enough to drive a car. You can't, Thandi: You got the cutest little baby face Hobbit: is something that I really like about Mad Max, is that there is a portrayal of a revenge film, very Western. It's completely, if you take all the beats of this movie and remove the cars and put in horses it's, and it's not the apocalypse, it's just the old West. This is a fucking Western movie. But it doesn't try to overdo the chase scenes. The chase scenes are pretty straight up. Like they're on straightaways. They're not doing all these crazy twists and turns. And max isn't this big buff fucker, he's this normal [00:05:00] sized person that he fights a little, but mostly it's just him running people over with his car. That's the majority of his skillset is just Thandi: Killing people with this Hobbit: yeah, it's, so what I liked about that is , I didn't need to cast some like action hero type necessarily for the role of. Thandi: This was pre that type anyway. They were on the, just the cusp of having leads take over in that fashion. But this is what, it's like 79, Hobbit: believe in late seventies. Yeah. Thandi: Yeah. So this is right before they start putting Adonis Godman as the other action leads. Hobbit: What a weird time. Yeah, it was the eighties pretty much all the way through until right at the end of the 80. when you had the, like Bruce Willis's and the Joe Everyman that came in and picked that back up again, but there was this like 10 year block that was just big old machismo men that ruled the world. Thandi: Yep. And then after that it was, they were all Brad Pitt types wiry, mu wiry dudes that I still resent Hobbit: of course. Oh man, there was a weird time in [00:06:00] my high school years that scrawny hairless men was the in vogue. , and that's literally the opposite of me. if you Thandi: Damn you, Moby moby Hobbit: right. It was all the lanky, fucking scrawny dudes that everybody was losing their shit over had no armpit hair, nothing. Here I am looking like a fucking lumberjack, a short little, wide lumberjack. Thandi: Yes, and both you and the scrawny, lanky dude are both looking at Mel Gibson going, Hobbit: Yeah. Pretty much. Now how the tides have turned that bearded men is now in vogue and yay. Thandi: We rule the day until Hobbit: until we go to bed at a very reasonable hour. Okay. So Mad Max, there's a lot of room to work here. I'm interested to see if either of us, decided to stick to the timeline of the post apocalypse or the dystopian world. Of the original Mad Max or took it a little bit further into the post apocalypse. Also, is this an apocalypse movie? Is this done differently? [00:07:00] I'm really interested. You have the wild one always excites me cuz you will go out there this might be in space, I don't know. So I'm. Thandi: No, the take this time is gonna be something where you're like, what? What are you doing? You know, last time you were like, wow, that is really cool. The time before you, that is fun. This one's gonna be like, yeah, Hobbit: Why Great. Mine, I feel, is a pretty straight ahead version here that I think you're gonna understand why I made the choices that I did. This is the straight up remake, reimagining what have you. I decided that the real difference here is that I didn't want to try to capture that like Aussie. Dystopian vibe. I wanted to look at what Man Max would be if it was an American director, directing American actors with an American aesthetic, but not necessarily the fast and the furious kind of aesthetic. Definitely balls to the wall a little bit. That's just, that's definitely America, but more that, action kind of [00:08:00] comedy, the die hards of it, the fun action vibe a little. With just a touch of demented to get, let it go down smoother. And I decided that Brian Taylor would be my director for that kind of journey. If you're unfamiliar. He is one of the directors of Crank one and two. He directed gamer Ghost writer Spirit of Vengeance. More recently he did the movie Mom and Dad with Nicholas Cage, which is an absolute fucking blast If you haven't seen. Thandi: I have not Hobbit: It's like an infection movie where all the parents are infected and get like homicidal and wanna murder their own children. That's what the virus does. Yeah. Basically. So it's just all these parents being like, come here honey. Stab stab. And there was a series on sci-fi that he that helps create and also directed called Happy. That was a tour de force of demented weird fantasy the main character. Chris Maloney. He has an imaginary friend that's like a flying unicorn that's voiced by Pat [00:09:00] Oswalt. It's a weird show, but definitely steeped in gross, weird demented comedy. And so that's energy that I wanted to bring to this is just a little over the top, a little bonkers but still that intensity you want from an action. And so I, for Max, that was a tough choice for me. I wanted to do a not action hero kind of person, but somebody that could get unhinged , if they really got to that point they would break bad when it got to that. And from his portrayal in mayhem this horror movie, I thought Stephen Yune would be an interesting choice for. Thandi: Oh, nice. I almost cast him in a different role, yeah. Steven. Deserves a breakout role in like a young person's breakout role like that. I know he's going for serious stuff, but Hobbit: He's definitely proven himself to be a tremendous actor. But I've also been playing this dude that gets basically infected and becomes like a raw [00:10:00] nerve of aggression in mayhem. He, it's a very fun ride that he takes you on and he's gets to play it super big and you can tell he is having a fun time with it. And so I want to be able to have that spectrum from the actor playing Max is somebody that can go subtle and quiet cuz Mel Gibson is quiet in the first man Max. He doesn't say a lot at all. So I want that to just go up to 11 when he's on his revenge. That he's what? Just freaking out and going Bonkers. So, Steven Yeun. I think it would be fun in that role for Jesse, his partner, his wife, his, the mother of his child. I wanted an actress that could play like she's got her own shit together. She's not like the damsel and distress type, but is also very funny and can play at these big action sequences and be the comic relief of the moment in some of the most like, darkest moments of this. And I just saw her recently in a really bad movie called Shotgun Wedding. The movie's fucking awful. It's the Jennifer Lopez vehicle that came out on Prime, and it's stupid. I [00:11:00] hate Thandi: Yeah, Sandra started watching that the other day, and I don't Hobbit: Yeah, it's really bad. But Darcy Carden is in it and I love her. She was in the Good place as Janet. She plays Natalie in Barry and she was also in shotgun wedding, but she's a comedic actress. She's been around and she's been in tons of. Very funny. There's something about her that's so, so just like hits me the right way. Very funny actress and has the, I'm one step ahead of you, kind of energy with her humor as well. She knows what you're gonna say and she's got five clips ready to go already. So I thought they would be a fun matchup. Jim Goose. Goose. I wanted somebody that would be like the kind of wide open, wants to be a ladies man, just fun, weird, sidekick character and a little older as well. Christopher Maloney, he's already worked with the director. I think he would've a lot of fun just being like the zany, the, sidekick, or not sidekick, but coworker, Thandi: oh, definitely. And Maloney's. Hobbit: Maloney is a fucking trip. He is such a [00:12:00] trip. Initially I had cast him as Fifi, the basic, their boss, basically. Cuz I thought Maloney would have a lot of fun just walking around shirtless, smoking a cigar and yelling at people. And he would, but I think his energies would be better spent as Jim Goose. For Fifi, I decided that role, I wanted somebody built like the. He looked like a Russian weightlifter that lifted the triangular weights only the their boss, Fifi. So I needed a buff guy that was gonna be able to have fun in this role as this really happy, big energy person. So Terry Cruz immediately jumped out as a good choice there. He Thandi: course. Hobbit: just really friendly, nice boss that people actually like, but also don't fuck with him. I could, Terry Cruz works perfectly for that. Thandi: Yeah. No, Terry Cruz is great as the big Hobbit: Yeah, that's, his whole career is pretty much playing that role for the most part except for Brooklyn nine nine. He doesn't play the big guy, quote unquote necessarily in that role. Thandi: He plays this sweet, cool-headed guy who [00:13:00] loves his family. Hobbit: I feel like Terry Cruz would be a great person to spend time with, not even get a drink with, but like, Just your friend from years ago that you go to like the park with your kids together kind of energy. He, this is a sweetheart Thandi: Who keeps trying to get you to go to the gym with him and you're like, oh Hobbit: suit? Yep. 100%. Oh, your CrossFit friend. That's Terry Cruz. Oh no. I, for the use of bad guys now that we're going with and I wanted to cast a kind of quiet intensity for Bubba Zt. And so I went with Tommy Flanagan, if you're unfamiliar he's the Irish actor with a giant gash scar in his face that was in Sons of Anarchy. He was in Sin City. He's been in Braveheart and Gladiator. Thandi: I believe I know who you're talking about, Hobbit: very well known as a, always the grizzled, tough guy and uh, toe cutter. Unhinged, boss of the biker gang. We gotta get Nicholas Cage in there at some point.[00:14:00] He's had a couple movies with Brian Taylor. He had Ghost Rider and also mom and dad, so they know how to work together. Nicholas Cage could definitely have room to do whatever Nicholas Cage wants with this role. Thandi: I'm kinda surprised that Nick Cage didn't come to mind for me for what I was, what I'm doing. That's, yeah, cuz he is a great choice for that. Hobbit: I think just giving him moments to do whatever would really make this movie. And then finally, Johnny the Boy, the drugged out fucking weirdo guy that gets in trouble and gets arrested and then gets released is the little brother character to the biker gang that always fucks up and they're always really annoyed with him. Pete Davidson. For Johnny The Boy. Yeah, that's perfect. But with this casting and Brian Taylor in this demented action comedy kind of vibe, the world that I'm setting up in the States is that basically resources are dwindled dramatically. and the coasts are really where most everybody lives because you can get to stuff easier that way through the ocean and railway systems and stuff. The [00:15:00] middle of America is basically ghosted. A lot of the crops have died at this point. resources are dwindling dramatically cuz of global warming or whatever you, whatever. It's not necessary to explain, but there's just barren wastes of just flat, dusty dust bowl . And so really the only people that exist in this area have cars, have souped up rods and cars that have extra gas tanks attached to them, randomly and basically Mad Max vehicles that they have to build out to make these long hauls in between small towns that are still existing in the Midwest. And because that also, there's not enough police force to cover these great expanses and so there's the highway patrol basically that has these. That they can get from town to town on like less gas, but still like gun it. You know, they have little bit better technology but they can only get around so much. So they're constantly on the tail of all these highway gangs. They are constantly trying to make sure all the small towns are okay, but the small towns, [00:16:00] they have their sheriffs and their people in charge, but they can only do so much when a gang of like 30 or 40 bikers comes into town. So, they've been after this gang for a while. They've been trying to prevent them from stealing the resources from the towns in their sector. And so that's how they come to know Max from him just being the best cop in their region, trying to protect these towns. So Max is there basically out of his ability to drive really well, but also he gets better resources by being friendly with all these towns that have resources. And they thank him by giving him water and gas and clothes and stuff for his car. As a bribe basically, hey, pay more attention to us than the other towns. And so when the bikers start cutting into his cut by. By stealing resources from these towns and you know, him not getting there in time, then that's what's really pissing him off. You know, that's what's really motivating him [00:17:00] is like, Hey, you're cutting into my stuff here. So it's less about the world fully falling apart. The cities are still, industrialized and still working and functioning. Though poorly, a little bit dystopian, but the middle America looks like the post apocalypse just because everybody's escaped. Pretty much everybody's gone to the coasts. There's nothing really left in middle America anymore for anybody. the crops have died, like the resources have dwindled, Thandi: Yeah. Yeah. And taking it to America is probably a better move anyway, like maybe not explicitly so. But I feel like there's enough regional culture in the Mad Max movies that doing something that you're a little bit more familiar with might be a better. Hobbit: And it being set in Australia was because that's, George Miller lived , like, so it doesn't have to be Australia necessarily. There's nothing Australia centric [00:18:00] about this story really. Thandi: Except for all the the Fosters billboards in the Hobbit: Right. Australian for post apocalypse. So yeah that's my take. Middle America centered mad Max movie with. Yuck. Yucks and action. And explosions and craziness. Thandi: I'd watch it. And it's . It's about time to bring back the the aesthetic. Like of course we had Fury Road as George Miller's modern vision of that, but A world of post-apocalyptic leather daddies that populated that Mad Max era . It's time to bring that back. I'd love to Hobbit: And I, there's only so much further you can go in the post-apocalyptic world of Mad Max after Fury Road, because then it's just dust. There's nothing there's barely anything left in Fury Road. Resetting it and bringing it back to where there's ghost towns, they're driving through these ghost towns and there's small populations of people and there's still some level of government, working, giving resources. [00:19:00] Highway patrolman, basically. And, the best way I can explain it is it's when shit's done, there's no going back. The society is collapsing as they speak. Everybody knows it, everybody's aware of it. Everybody knows they got maybe 10 years tops before even the police are gone. That it's that level, but nobody's willing to admit it. It's like when in 2008 when I worked at Blockbuster, everybody knew that Blockbuster was going under, every couple of months another store would go out of business. But we all just pretended that somehow there'd be like a turn that we'd be fine at some point and we just of went about our business until, you know, the store went under. Thandi: Red box is bs. Nobody's gonna use a Hobbit: We just gotta Thandi: box. Netflix, Hobbit: in there just a little bit longer until this fad blows over. So that's this world of Mad Max is people out of not having other options, barely hanging on, hoping that something changes Thandi: Yeah, not knowing that the world is going to descend to the place where the only three assets left [00:20:00] are bullets, gasoline and titty milk. Hobbit: That sounds like a good weekend right there, Thandi: maybe Hobbit: Yeah. Yeah. Thandi: Ah, I did something interesting with my take, I guess, So my take is basically based on me diving down a rabbit hole, mad Max influenced a bunch of like 1980s anime, like just Mel Gibson in general influenced a bunch of 1980s anime, but basically it influenced it so much that like anime style, mad Max has already been. Many times over. So going down that rabbit hole, I was like we're doing a big budget movie for an American audience. What's big budget? American animation. There's Disney and there's Dreamworks. So basically my Mad Max is an animated movie from Dreamworks, Hobbit: Okay. Thandi: Cars via Dreamworks. [00:21:00] And it's It's basically a bunch of chases that climax in the big race for it all or whatever kids movie. No, I take that back. All a family movie, so everybody gets to be Hobbit: So there's some winks to murdering a wife and child and stuff, but not like overtly to. Thandi: It's, yeah. There'll be violence, but it's like violence that you never see. Like people can die in a cartoon movie. You just can't see the body hit the floor. So, my Mad Max Dreamworks movie takes place in Arizona. Max Rocke Tansky is the best pursuit cop on this stretch of of highway in, in Arizona. And he is got a big head about it and it's about him finding his way to appreciate the love of friends and family and working as a team, you know, kid movie stuff. But for everybody. Max Roski, Chris Pratt. Why Chris Pratt? Because Chris Pratt is the universal voice actor for everything right [00:22:00] now. So my Max Roski is Chris Pratt. He will not be doing a gruff anything. He'll just be doing Chris Pratt like he does anyway, except when he is playing when he did that movie for Amazon. Hobbit: Oh, the tomorrow war. Thandi: goose. Yeah, my goose. I just needed a side kick. Character. Who's the best sidekick in the history of man and who's also like a really interesting voice. John C. Reilly Hobbit: I knew you were gonna say John C. Reilly. knew it when you said sidekick. Yeah. Thandi: Yeah he's the sidekick John C. Reilly in, in this take goose still dies, but you don't see him burned to to. Where Max is like, what Hobbit: Where Max does the Ooh Thandi: goosey Hobbit: face as he pulls the sheet up, Thandi: Oh, it's so early days for his acting. It's fine. It's fine. Jesse Roski, the wife is still his wife in this movie, but she's also on the highway patrol. She's part of the [00:23:00] action. Their conflict comes into the fact that he wants to be a lone wolf and she wants to teach him how to work better with the team. Kristen Bell is Jesse Ros Hobbit: Okay. I see it Thandi: cuz she could be sweet and convincing Hobbit: a little agro when need be. Thandi: Yeah. Roski Ski is no longer a child. Sprague Rockat. Tansky is a talking. And the actual direct partner of Max Rock Osky, doing the ride alongs and pointing down the suspects and saying, Hey man, cuz it's Kevin Hart. Is Sprague Rock. Hobbit: Oh, no. Like talk, like I. That's racist. I don't know how it's racist, but it's racist. I think there's no way to portray Kevin Hart playing that character without it coming off kind of racist. Thandi: As Sprague Rock Osky. He can't be like Brian, the dog for Max Rock Atki without [00:24:00] being Hobbit: You you know how they would play Kevin Hart in that role though. That's the thing. There's only Thandi: Yeah. But that's actually Kevin Hart. That's how Kevin Hobbit: I'm Thandi: Kevin Hart. That's on him. Me too. That's what makes it great. The tow tremor, so the Hobbit: The tow trimmer. Thandi: Yeah. The Hobbit: no. That's brilliant. But God damn it Thandi: is Keefer Sutherland cuz he is got the ultimate like, hard ass, bad guy voice the cold. Wonderful for a kids' movie, perfect villain Hobbit: If you haven't seen the movie Freeway with uh, Keer Sutherland. He plays like the big bad wolf type character of like a serial killing like dude. And he does this kind of like voice. I can picture that being the perfect touchpoint for him to play this role. Like of the kind of growly. Thandi: Or his take on a solid Hobbit: Yes. Thandi: cuz he was, he replaced David Hader on that game that people were like, oh, it's not David Hader. Zunti, his his second in [00:25:00] command is, No longer a person. That's a dog too. But that dog can talk. And that talking dog is Patrick Warburton. Is Zanetti in this Hobbit: So Kronk's new, dystopia uh, okay. Thandi: Yeah, he's the henchman. He's henchman number one. Henchman number two, Kini. The guy who loses his hand. And yeah. That's James Fran. So James Franco is is guy number three, the police captain or whatever of the station house. The boss is Brian Cox Hobbit: always a good Thandi: and they're all just, yeah, they're all just trying to reign Max in Goose dies, wife lives tow trimmer. Ends by not getting hit by a truck, but by driving off of a cliff Disney style. So he dies. You don't see the death, but characters falling off a cliff is like animated kids movie tradition. Uh, That's how he does Hobbit: noise as Yeah.[00:26:00] Thandi: and like a, just a sickening splat. Yeah. That is my version of of Mad Max. Hobbit: choices were made But it does beg the question, like, why aren't there more post-apocalyptic cartoons that really, I feel like cars kind of could be perceived that way. And then there's Wally, and then that's it. Like that's pretty Thandi: You get something like, I don't know I don't know about a post apocalypse, but Treasure Planet or a ladin where the heroes just in dire straits. Hobbit: Titan ae, I guess would be post-apocalyptic, or at least for Earth. Yeah. It's literally after Earth is what it stands for. Yeah. I don't know, I'd go see it can't be too judgmental on something where like, yeah, day one I'd be there watching it being like, what the fuck? Thandi: I'd be curious enough to look up the reviews, but yeah, Hobbit: nice . Yeah, Thandi: the audacity, why are you making this movie cause Hobbit: because money. All right. With you saying Brian Cox as well for your thing, I'm [00:27:00] just thinking a mashup for Mad Max. I would love to see Super Troopers three being in the post apocalypse where they're still working the highway patrol, but in a Mad Max type fashion, would be fucking great cuz Brian Cox, he. The boss in Supert Troopers, so yeah, that would be brilliant. Thandi: So, a couple fun mashups. Mad Max in weird science, like in that scene where Kelly Le Brock brings like the the Road Warrior style mutants to their party. At the end of the movie, she also brings Max, and then she ends up hooking up with Max instead of the nerds. Um, , And Mad Max and Waterworld. Where the the Mariner finally reaches dry land, but the dry land is Australia, and so he's in the jurisdiction of Max Rocke Tansky, now Hobbit: I I would watch that movie. 100% Thandi: Desert versus Duff Sea, Hobbit: Mad Max Fury, tsunami. I don't know. Yeah. Mad Max Tsunami. Okay, so we've [00:28:00] got two very different takes on Mad Max. Both of which I think we would probably be murdered online for even suggesting so Perfect. Perfect for us. Um, And now we're doing the trailers, so let me get that. From the director that brought you Crank one, crank two, and Ghost Rider. Spirit of Vengeance is an American take on a cult classic Meet Max. He's mad. Played by Stephen Yon and he'll stop at nothing to take down the toe cutter crew and restore order to the Midwest this summer Max. Loses his wife Jesse, played by Darcey Carden, and him and his buddy Jim Goose, played by Christopher Maloney are wiping the streets red with the blood of their enemies. With the help of Fifi, their boss, played by Terry Cruz. They go up against Tommy Flanagan as Bubba Zanetti, Nicholas Cage as the leader of the toe cutters, toe [00:29:00] cutter, and hijinks ensuing. Burnout. Fuck boy. Pete Davidson. As Johnny the Boy. Are you mad? You will be with this remake Mad Max America Road. Thandi: Oh, I didn't give my director actually. Before we continue my director was Clarence William, or I'm sorry, Chris Williams. Clarence Williams is somebody I went to high school with Chris Williams, who directed Big Hero six and the Hobbit: man. Both of those are really, I didn't realize it was the same director, big hero of six I love that movie so much. Sea Beast was better than I expected it would be. Thandi: Yeah, I've heard nothing, but I haven't watched it all the way through yet. I started it and I got distracted, but it's on the list because I've heard nothing but good things about it. I heard, I've heard it's Hobbit: Yeah. With directors for animated films. I that that's a thing. Like you, you think of directors like directing live actors, you know, but I'm sure there's plenty that goes into directing Lincoln animated film, possibly even more than a regular film. There's amazing director like Brad Bird who did the Incredibles movies [00:30:00] and stuff that did Directors of animation, but I never really think about it. Thandi: Yeah. Those guys do some some amazing work and they have to entertain a larger audience than many other directors do. So they have to get their lesson in there, keep the parents occupied, keep the kids occupied. It's a. An interesting juggling job to pull that together. speaking of entertaining an audience we've got your take next for your trailer I hate it. Hobbit: So let me light it up. You ready to roll? Let's get this car on the road, I guess. Thandi: From Chris Williams in Dreamworks. It's a movie about what happens when you're too good at what you do in a world that's not Chris PR is Mad Max Rocke Tansky the best cop on the Arizona Highway. His wife played by Kristen Bellis, Jesse Rocke Tansky, and she just wants him to make friends. Sprague, his [00:31:00] dog is Kevin Hart. Cutting up and having fun on the highway is a fight keeper. Sutherland's tow trimmer and his boys, Patrick War Burton and James Franco. As they try to win the big race, but are they good enough to win the big race? And does it matter when The most important thing on the road as having the drive to be the best, to take it all on your own, even when it threatens to drive away you from the only race that matters, the race to be the best of friends. Mad Max, the best of friends coming this summer. Hobbit: Friend Road Um, I, yeah. Fuck it. Yeah, let's make this kid's movie. I, I'm, I, you know what, you changed my mind. I am on board with this yet to get another banger from Tandy in the, in the Wackadoo category. So [00:32:00] Wackadoo. Hell yeah. This was a blast. I am really glad that I got a chance to rewatch Mad Max. It's one of. The road warrior is so good. Like the sequel is so, so good that I sometimes, Thandi: And that's the one that everybody has seen. That's Hobbit: yeah. And so I forget sometimes that Mad Max is still very good. Like it's a really good starter to this universe that gets created Thandi: Yeah. Hobbit: and then you throw in Thunderdome and just have a like silly blast. Thandi: And, but none of them have what Mad Max has, which is the Hall of Justice. Hobbit: I forgot yet. Thandi: They like an old abandoned cement factory. That's the Hall of Justice, and that is awesome in itself. Hobbit: Not just genre, but he permanently changed the way people did dystopian Futures with this movie. And it was basically because he was in the outback of Australia and he had access to these abandoned buildings and he's like, great. Yeah. Cool. This is what it is. Like this is the police station and yeah, it's like a cement plant or something. Great. No Thandi: Yeah. No, he's he was inspired and they didn't run over the [00:33:00] kid, which was also inspired. That brought me in more than any other scene in the movie. Were the kids out in Hobbit: Oh, right, yeah, yeah, Thandi: They're driving. They're driving. I was like, he was, this movie's kind of crazy, but they're not gonna kill this kid. Whew. Hobbit: pet cemetery. This is not, Pet Cemetery is like, fuck that kid. Thandi: Oh, guess we'll need to add that one to the list too. Actually. That's already been remade. Hobbit: Yep. Terrible remake, unfortunately, but at least compared to these bangers that we brought on this episode here, think Mad Max needs to go a new direction, with some of our choices here. Thandi: Hit us up. Hobbit: we're ready and waiting. So speaking, of, waiting, we're waiting for you to follow us on social media, Facebook, Twitter. Just follow geeks of the influence on Instagram, Twitter, you've got me and Thandi on Twitter. We've gotta smack my pitch up. uh, pitch smacked on Twitter. got Facebook keep track of when episodes are coming out. We'll let you know when there's cool stuff happening. Maybe some live event. And, yeah, it's a great way to get all the pitch smacking that you could ever want. Thandi: [00:34:00] Yeah, All All smacked all day long. Oh it's got a rosy glow Hobbit: from all the smackings. So on that uh, yeah, re review, subscribe, post on socials, let people know how cool this show is and how bad our choices are. But that's half the fun. Gotta thank Of course. Tandy, thank you so much for joining me on this. Thandi: Thank you, sir. Hobbit: I'll find you next time. Thandi: I'm Thandi. Hobbit: and you just got pitch smacked, Thandi: Hey, pitch another smacking shrimp on the Bobby Hobbit: mate. Good day. Good day. Thandi: Fosters it's pitch for smack. Hobbit: Jesus.
In honour of Black History Month in America and Canada we are sharing a collection of poems by Black American writers. Authors featured: Phillis Wheatley Peters, Paul Laurence Dunbar, Henrietta Cordelia Ray, George Moses Horton, Joseph Seamon Cotter Sr, Josephine D. Heard.Music: Night Latch Key Blues Performed by Virginia Liston, accompanied by Ernest Elliot and Clarence Williams.Featured Charity: Stop Hate UKhttps://www.stophateuk.org/donate/Support the show
Great Argentinian trad band from the late 1960's and early 70's . . retranslating rather than recreating the music of some of the hot dance bands of the 1920's - Henderson, Ellington, Luis Russell and lesser known gems from Clarence Williams, Joe Candullo and the Missourians --- Support this podcast: https://anchor.fm/john-clark49/support
Shellac Stack No. 286 shouts with Clarence Williams, rambles with Duke Ellington, and visits Mary's cellar with Sammy Spear. We dance along with the Georgia Melodians, California Ramblers, Jan Garber, and Debroy Somers, and hear from duo pianists Freddie Aspinall and Ronnie Aldrich. More from Benny Goodman, Richard Himber, Louis Armstrong and others! Thanks for … Continue reading »
Rhythm and News podcast interview with retired seattle firefighter Clarence Williams about the fight for the Central Area property. Interview by Chris Bennett.
Clarence and Miguel are co-founders of Otis AI (https://meetotis.com), the digital marketing assistant for SMBs, recently raised a seed round bringing their total funding to $2.5M. With Otis, an all-in-one digital marketing solution, a small business can launch a data-driven multi-channel campaign across Facebook, Instagram, and Google in minutes, with no learning curve.Get interviewed on the Matt Brown Show: www.mattbrownshow.com
On this episode I interview Clarence Williams from Williams 4 production about his latest film “The Only Me”. We also go over the advantages of making short films and the filming process over all. Watch the only me here : https://youtu.be/bNx2fLGcNXA --- Send in a voice message: https://anchor.fm/phillyceleb/message
Songs include: A Bouquet of Roses, Sunflower, Wildflower Rag, Apple Blossom Wedding, Flowers of Dawn and Dance of the Flowers. Musicians include: Larry Clinton, Frank Sinatra, Buddy Clark, Ozzy Nelson, Clarence Williams, Duke Ellington and Eddy Arnold.
Puerto Rico Jazz con Wilbert Sostre.8am y 3pm (New York) @ Brave New Radio WPSC 88.7 FM, William Paterson University, New Jersey.@TuneIn Radio! http://tun.in/seoPJMúsica de Charlie Sepulveda, Conrad Herwig, Fletcher Henderson con Ralph Escudero, Clarence Williams con Carmelo Jari, Eguie Castrillo, Ralph Irizarry, Sabu Martínez, Aldemar Valentín y Jonathan Suazo.Puerto Rico Jazz con Wilbert Sostre.Todos los Domingos 8am (Puerto Rico) @ Brave New Radio WPSC 88.7 William Paterson University, New Jersey@TuneIn Radio! http://tun.in/seoPJ Domingos 6pm @ Radio Prócer 1380AM, 98.5FM, Barranquitas, Puerto Rico. www.radioprocer1380.como en TuneIn http://tun.in/seoKu*Diseño de logo de Puerto Rico Jazz por @Shaney LaraPara enviarnos su música; jazzinmagazine@gmail.com
Sulla scorta delle marchin' band, ma non solo, nel periodo del pre-jazz, il basso tuba entrò da subito nella strumentazione della musica di matrice afro-americana. Fu essenziale anche nelle piccole formazioni ma piano piano fu sostituita dal contrabbasso, per certi versi più maneggevole, che per il suo suono pizzicato più vellutato meglio espletava la funzione di “legante” della musica.Il basso tuba ha avuto importanti solisti che nel jazz della prima ora agirono in orchestre come quelle di Louis Armstrong, Jelly Roll Morton, Clarence Williams, Fletcher Henderson. Malgrado la perdita di velocità dovuta all'emergere del contrabbasso, il basso tuba è restato presente nella strumentazione del jazz, avendo in seguito addirittura una sorta di rilancio - grazie anche a solisti come Howard Johnson - in epoca contemporanea, presente ad esempio nelle orchestre e nei gruppi di Gil Evans, Lester Bowie, Mike Westbrook, Henry Threadgill, o ancora nella funambolica Dirty Dozen Brass Band.
Sulla scorta delle marchin' band, ma non solo, nel periodo del pre-jazz, il basso tuba entrò da subito nella strumentazione della musica di matrice afro-americana. Fu essenziale anche nelle piccole formazioni ma piano piano fu sostituita dal contrabbasso, per certi versi più maneggevole, che per il suo suono pizzicato più vellutato meglio espletava la funzione di “legante” della musica.Il basso tuba ha avuto importanti solisti che nel jazz della prima ora agirono in orchestre come quelle di Louis Armstrong, Jelly Roll Morton, Clarence Williams, Fletcher Henderson. Malgrado la perdita di velocità dovuta all'emergere del contrabbasso, il basso tuba è restato presente nella strumentazione del jazz, avendo in seguito addirittura una sorta di rilancio - grazie anche a solisti come Howard Johnson - in epoca contemporanea, presente ad esempio nelle orchestre e nei gruppi di Gil Evans, Lester Bowie, Mike Westbrook, Henry Threadgill, o ancora nella funambolica Dirty Dozen Brass Band.
Sulla scorta delle marchin' band, ma non solo, nel periodo del pre-jazz, il basso tuba entrò da subito nella strumentazione della musica di matrice afro-americana. Fu essenziale anche nelle piccole formazioni ma piano piano fu sostituita dal contrabbasso, per certi versi più maneggevole, che per il suo suono pizzicato più vellutato meglio espletava la funzione di “legante” della musica.Il basso tuba ha avuto importanti solisti che nel jazz della prima ora agirono in orchestre come quelle di Louis Armstrong, Jelly Roll Morton, Clarence Williams, Fletcher Henderson. Malgrado la perdita di velocità dovuta all'emergere del contrabbasso, il basso tuba è restato presente nella strumentazione del jazz, avendo in seguito addirittura una sorta di rilancio - grazie anche a solisti come Howard Johnson - in epoca contemporanea, presente ad esempio nelle orchestre e nei gruppi di Gil Evans, Lester Bowie, Mike Westbrook, Henry Threadgill, o ancora nella funambolica Dirty Dozen Brass Band.
Sulla scorta delle marchin' band, ma non solo, nel periodo del pre-jazz, il basso tuba entrò da subito nella strumentazione della musica di matrice afro-americana. Fu essenziale anche nelle piccole formazioni ma piano piano fu sostituita dal contrabbasso, per certi versi più maneggevole, che per il suo suono pizzicato più vellutato meglio espletava la funzione di “legante” della musica.Il basso tuba ha avuto importanti solisti che nel jazz della prima ora agirono in orchestre come quelle di Louis Armstrong, Jelly Roll Morton, Clarence Williams, Fletcher Henderson. Malgrado la perdita di velocità dovuta all'emergere del contrabbasso, il basso tuba è restato presente nella strumentazione del jazz, avendo in seguito addirittura una sorta di rilancio - grazie anche a solisti come Howard Johnson - in epoca contemporanea, presente ad esempio nelle orchestre e nei gruppi di Gil Evans, Lester Bowie, Mike Westbrook, Henry Threadgill, o ancora nella funambolica Dirty Dozen Brass Band.
Sulla scorta delle marchin' band, ma non solo, nel periodo del pre-jazz, il basso tuba entrò da subito nella strumentazione della musica di matrice afro-americana. Fu essenziale anche nelle piccole formazioni ma piano piano fu sostituita dal contrabbasso, per certi versi più maneggevole, che per il suo suono pizzicato più vellutato meglio espletava la funzione di “legante” della musica.Il basso tuba ha avuto importanti solisti che nel jazz della prima ora agirono in orchestre come quelle di Louis Armstrong, Jelly Roll Morton, Clarence Williams, Fletcher Henderson. Malgrado la perdita di velocità dovuta all'emergere del contrabbasso, il basso tuba è restato presente nella strumentazione del jazz, avendo in seguito addirittura una sorta di rilancio - grazie anche a solisti come Howard Johnson - in epoca contemporanea, presente ad esempio nelle orchestre e nei gruppi di Gil Evans, Lester Bowie, Mike Westbrook, Henry Threadgill, o ancora nella funambolica Dirty Dozen Brass Band.
Shellac Stack No. 263 wails with Clarence Williams and steps with Bix Beiderbecke at the Jazz Band Ball. Along the way, we hear from Jack Teagarden, the Shannon Quartet, Zez Confrey, Ford and Glenn, Chauncey Morehouse, and even relax with a bit of theatre organ by C. A. Parmentier. Join us! And thanks, as always, … Continue reading »
This week we are back with the absolutely hilarious Clarence Williams!!! We check out a new lamp, a cool wedding dress, Spring shot bird, best jizz contest, eat how you gift, Scottish officer needs help, new flight attendant training, Brady VS Maryland, lots of masturbation, drunk and droning, kids and their gummies, we solve a mystery, sex on the beach, and we have absolutely ZERO sex robot stories this week!!!!
We are back in the studio with William and Molly this week. Joining us is Clarence Williams. Clarence is a talented stand-up comedian with a deadpan delivery of dark one-liners and short stories, and an amazing perspective on all things funny! Tom delivers a great bad joke monologue and we put Clarence on the hot seat.
THE TRUTH ABOUT THIS ACTOR. ONLY ON ILLUMINATI RADIO . HOSTED BY PASTOR MICHAEL SMITH DONATE THRU VADH APP http://www.cash.me/illuminatiradiofund --- Send in a voice message: https://anchor.fm/illuminatiexposed/message
When your dreams don't intersect with the path you've laid out for yourself, what do you do? That's exactly what happened for Clarence Williams. After pursuing his Bachelor's then going on to receive his master's and spending years working for the government and Adidas, he realized that his true passion was photography. Instead of sleeping, he has spent the last several years building his photography business from the ground up. He's worked on his art while also developing relationships and learning how to run a full-service business. His drive to push forward, keep learning, and steadily improve has helped him to become a much sought after photographer in his local area. He loves doing lifestyle shoots that allow him to showcase his creativity while helping his subjects tell their stories through pictures. Listen in to hear all about his story, how we met, and why his journey is a testament to those may have chosen one path but are drawn to another. We are always allowed to pursue our passions. Don't think that there is only one route to success and happiness. In this episode:[00:47] Welcome to the show, Clarence![02:52] Clarence shares the classes he took in college.[05:23] Listen as Clarence talks about his journey to where he is today.[08:29] Learn the different phases he went through and when he got his first camera.[10:18] The jobs he had before he made photography his career.[15:06] Why he moved into photography full force after getting his master's.[16:44] He created his LLC in 2018 and bought his own studio in 2019.[17:31] How networking and word of mouth allowed his business to grow exponentially.[20:26] Why he likes to work with shoots that allow him to be really creative.[23:15] Three pros and three cons about the photography industry.[29:22] Clarence believes in helping and encouraging people and represent himself as a good wholesome person who can have a positive impact on others.[31:16] He picked the name of his company by talking to his sister.[32:49] Clarence shares some final thoughts with the listeners.[34:09] Thank you for listening!Connect with Clarence:Look2CInstagramStay connected with the PGD FamKeep in touch with us by Subscribing and Following us on our socials ...Website PGD InnovationsBuy our book OUT NOW PGD BooksPGD on Facebook (We go live every Friday at 6pm for Fruit Punch Fridays)PGD on InstagramPGD on TikTok PGD on Twitter PGD on YouTube Have good news to share or careers you want us to explore... Email Us - pgdfam@gmail.comSupport the show (https://www.paypal.com/donate?hosted_button_id=K8JFC4ZXAZU98)Support the show
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