Podcasts about Permanent Vacation

Music from Permanent Vacation, Freerange Records, Rhythm Section International, Ed Banger... Follow me on Instagram Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads of my edits before anyone else, full tracklists for live recordings, exclusive previews of my tracks and feedback on your tracks if you're a producer. Or turn a friend on to Turned On by giving this podcast a 5-star review, reposting it on Mixcloud or SoundCloud or sending it to a friend. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on our SoundCloud  Follow the Turned On Spotify playlist, with 1000s of tracks played on this show and in my sets. Turned On is powered by Inflyte – the world's fastest growing music promo platform. Tracklist: Try To Find Me - Needs Ending [Golf Channel Recordings] Black Loops - Intercourse [Freerange Records] Black Loops - Synaesthesia [Freerange Records] COEO - Fantasy [Permanent Vacation] Tom Esselle - Baddies [Rhythm Section International] Johannes Albert feat. Helen Salvin - Wide-Eyed (Club Mix) [Permanent Vacation] Da Vibe Project - Live From Da Underground [Dansa]  X-Press 2 - London X-Press (Bootleg Mix) [JUNIOR] Sneaker - Watumba [Bahnsteig]  Justice feat. RIMON - Afterimage (Paranoid London Remix) [Because Music / Ed Banger] Future Classic: Chaos In The CBD - Marlboro Sounds [In Dust We Trust]  Chaos In The CBD feat. Finn Rees - Ōtaki [In Dust We Trust] 

Music from Rocksteady Disco, Permanent Vacation, RAWAX, Music For Dreams, Burnin Music... Follow me on Instagram Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads of my edits before anyone else, full tracklists for live recordings, exclusive previews of my tracks and feedback on your tracks if you're a producer. Or turn a friend on to Turned On by giving this podcast a 5-star review, reposting it on Mixcloud or SoundCloud or sending it to a friend. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on our SoundCloud  Follow the Turned On Spotify playlist, with 1000s of tracks played on this show and in my sets. Turned On is powered by Inflyte – the world's fastest growing music promo platform. Tracklist: Ella Guru - Cowcat (Funky Loffe Remix) [Västkransen Records]  Nickodemus - Rum Tobacco Y Ron (Ben Gomori's Colocado De House Remix) [Wonderwheel Recordings] Tommaso Conforti feat. Logan Aspin - G-Class [Rocksteady Disco] Tommaso Conforti - Giente Que [Rocksteady Disco] Pegasvs - No Peace (Tee Mango Remix) [Burnin Music] Pegasvs - Take It (Berengei Dub) [Burnin Music] Monty Luke - The Takeover [Permanent Vacation] PBR Streetgang - CaneOh (Take Me To The Chopper Mix) [Kurtz Records] Kyle Louis & D.D. Curry feat. Panooc - Distant Shores [Working Rhythm Records] Subb-an & Luther Vine - Opti-Mystic [RAWAX] Jam & Spoon - Stella [Allstar Music Productions] Future Classic: Ambala ft. Santino Surfers, WALTHER, OliO, Iyami Aje - Amor Bailar (Dan Idjut Dub Reprise 2) [Music For Dreams] 

Music from Permanent Vacation, Faze Action Records, F*CLR, Mr. Bongo, Stereo Ferment, Wah Wah 45s… Follow me on Instagram Next dates: April 19 - Club Silencio | Paris Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads of my edits before anyone else, full tracklists for live recordings, exclusive previews of my tracks and feedback on your tracks if you're a producer. Or turn a friend on to Turned On by giving this podcast a 5-star review, reposting it on Mixcloud or SoundCloud or sending it to a friend. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on our SoundCloud  Follow the Turned On Spotify playlist, with 1000s of tracks played on this show and in my sets. Turned On is powered by Inflyte – the world's fastest growing music promo platform. Tracklist: Monsieur Von Pratt - Ven Conmigo [n/a] Raz & Afla - Windowlicker [Wah Wah 45s]  Rudy's Midnight Machine - Mistral [Faze Action Records] Rudy's Midnight Machine - Shutter Falls [Faze Action Records]  Josh Ludlow - Vikram [Stereo Ferment] Moving Still - Shamim [Stereo Ferment] Mamacita ft. Persona RS - Tu Amor (Your Love Spanish Version) [Mr. Bongo] Benjamin Fröhlich - Dance Desire [Permanent Vacation] Benjamin Fröhlich - Old Dreams (Ben Gomori Remix) [Permanent Vacation] Dan The Drum x Stuart Patterson ft. Carmy - UK House Sermon (X-Press 2 Wild Pitch Remix) [F*CLR] Future Classic: Dukwa - All You Need [Slacker 85] Dukwa - Catch All [Slacker 85]

Munyon's Paw-Paw is a liqueur with an elaborate history. You can find it as the key ingredient to a handful of cocktails at Orlando's newest speakeasy, Permanent Vacation. This week, we talk snake oil, fruity beverages, and a city on the rise. Pick up your copy of FLORIDA! right here! Thank you to Chelsea Rice for her incredible design of our logo! Follow Chelsea on Instagram here!   Thank you to Dan and Brian for joining me this week. You can check out Permanent Vacation here or on their Instagram   All of the music was originally composed.

Nothing Like the Sun, or as it is written on the album, "...Nothing Like the Sun,"  is the second solo studio album by former Police bassist and front man Sting.  The title comes from Shakespeare's sonnet number 130 which contains the lines, "My mistress' eyes are nothing like the sun."  Sting was met on the street one evening, who asked him, "How beautiful is the moon?"  Sting responded with this line from the sonnet.  Two events play a lot of influence on this album.  First, Sting's mother died in 1986, inspiring the lyrics to the opening track, "Lazarus Heart."  Second Sting joined the Conspiracy of Hope tour for Amnesty International, and through this tour was exposed to victims of government oppression in Latin America.  He was particularly moved by people in Chile for whom loved ones had "disappeared" in government actions, and wrote "They Dance Alone" as a description of the mourners who would dance the traditional Cueca by themselves with a picture of their loved ones pinned to their clothes.Sting's first solo album leaned into jazz.  This second album continues to have a jazz influence but reaches across a number of other genres including reggae, funk, acoustic rock, soft rock, and world music.  He brought in a number of solid musicians into the recording sessions including Gil Evans, Eric Clapton, Mark Knopfler, Branford Marsalis, and even his fellow Police alumnus Andy SummersSting would continue to further success after this album, which peaked at number 9 on the Billboard 200 chart.  In the UK, ...Nothing Like the Sun debuted and peaked at number 1 on the UK albums chart.Bruce presents this adult contemporary album for this week's podcast. Be Still My Beating HeartThis second single from the album went to number 15 on the Billboard Hot 100.  The lyrics are quite mature, describing the head telling the heart to settle down in the midst of an intense romance.  The title was likely inspired by a 19th Century poem from Mary Elizabeth Coleridge.  Andy Summers is playing guitar on this track.  Little WingMost of this album is original music written by Sting, but this one is a deeper cut and a cover.  Jimi Hendrix wrote "Little Wing" in 1967, and it appears on his "Axis" album.  Gil Evans did a jazz arrangement of this piece in 1974, and provided this arrangement and backing with his orchestra for this cover.  Sting's version runs just over 5 minutes, giving it a run time just over double that of the original Hendrix version.  Rock SteadyAnother deep cut, this song is Stings humorous look at a couple who have volunteered to join a cruise, and later find out that they are joining Noah on the Ark.  "Life may be tough, but we're sailing with the Lord."  FragileThis is the fourth single from the album, and is a gorgeous acoustic piece.  This anti-war song was likely inspired by Sting's work with Amnesty International. ENTERTAINMENT TRACK:That's Amore by Dean Martin (from the motion picture “Moonstruck”) This romance comedy starring Cher and Nicolas Cage delivered a Best Actress Oscar to Cher and a Best Supporting Actress Oscar to Olympia Dukakis.  STAFF PICKS:The Promise by When In RomeRob starts this week's staff picks with the only hit from a British new wave trio.  This track went to number 11 on the Billboard Hot 100, and became a popular song to play at weddings later on.  It gained a revival in popularity when it was used in the soundtrack to "Napoleon Dynamite" in 2004.  Got My Mind Set On You by George HarrisonLynch brings us a cover of a song originally written by Rudy Clark and recorded by James Ray in 1962.  It is off Harrison's comeback album, "Cloud Nine."  Harrison worked with Jeff Lynne on the album because he wanted a producer who wouldn't be intimidated by working with a Beatle.  The teamwork went well, and the two would go on to form "The Traveling Wilburys" supergroup shortly thereafter.Dude (Looks Like a Lady) by AerosmithWayne features one of many hits from Aerosmith's monster "Permanent Vacation" album.  The lyrics tell the tale of a man finding out that the "girl" he has bee pursuing at a club was a man dressed up as a woman.  The idea for the song came from Motley Crue singer Vince Neil being mistaken frequently for a woman with long blonde hair.Mission by RushBruce closes out the staff picks with a song which arose from a conversation between Neal Peart and Geddy Lee about the perception people have that the rich and famous have easier lives.  The lyrics reflect how every life has its own difficulties, and perhaps those who are highly successful would often wish for a more plain and settled life at times.   INSTRUMENTAL TRACK:Bailando/Aquatic Park by Carlos SantanaGuitar virtuoso Carlos Santana takes us out this week with a track from his solo album, "Blues for Salvador." Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Are you facing down the ambivalent monster? This might sound like, "I want to get healthy and strong! But I'm not waking up at 5 a.m." It could be a goal or a new project, and all of a sudden, there's a big BUT. (Yes, I made that joke.) Ambivalence is a natural part of change, though. If you're struggling to make a change—even a positive one—this episode will discuss some strategies for finding your motivation and reconnecting with your intentions. Meg Rentschler loves helping other people live their best lives. After 20 years as a psychotherapist, she transitioned into executive coaching in 2008 to help create healthy workplaces where people can thrive. Meg believes in the power of coaching and its ability to break down barriers and create connections. To that end, she's trained and mentored over 2,000 coaches so they can bring their impact into the world. After 20 years as a psychotherapist, she transitioned into executive coaching in 2008 to help create healthy workplaces where people can thrive. "I began to see that so many of the people that were coming to see me for therapy were working in really dysfunctional work environments," says Meg. "They were being asked to lead without being given leadership skills. They were being led by people who were great individual contributors, but then made to be a leader and had no earthly idea how to lead." She says when we think about what lights us up, if we start to feel like the energy drain is not matching the energy input from what we do, we should assess what's going on. Can you be the best you can be in this environment?  Meg says it's important to pay attention to whether or not you're looking forward to going to work or dreading it. Are you excited to engage with and be a part of it? You need to pay attention to those little energy shifts. Sometimes, we have to do things because the boss has a deadline to hit. But if all our motivation comes externally and we're not getting that internal drive, it won't be driven by the same fuel. Some people might feel the disconnect between giving a project or client everything they've got and doing well but hating it. You may be doing something strictly for someone else. Meg asks, "What makes the work important to you?" What motivates you and creates a fullness of life? In some cases, Meg says her clients might have a day job that isn't giving them that sense of purpose, but on the weekends, they might find it in volunteer work. Others might use that day job to help bridge the gap between starting their business as entrepreneurs. "What are you doing to continue to build that so that when you make that transition, it's not a transition of scarcity?" asks Meg. Even the corporate clients Meg works with sometimes need that leap of faith that entrepreneurs find themselves struggling with – can they go for that next promotion, do they have what it takes? Anytime we consider doing something differently, we'll say, "I want to, but…" But this is more comfortable. But this is routine. Meg says ambivalence is a natural part of change.  Even if it's a positive change, it might be hard. Normalize the ambivalence. Acknowledge it.  "Do I continue with the change that I said was important, or am I doing something else? And if I do something else, what's the cost of that?" asks Meg. Because sometimes priorities and goals do change.  Maybe you need to consider the advantages of the change and why you wanted to make it in the first place. What are the costs of not making it? Four months down the road, those advantages and costs might seem increasingly distant. How can you tap into your intention? Feeling that ambivalence is just a sign you need to tweak some things and move down a different path. Connect with Meg Rentschler: https://www.linkedin.com/in/megrentschler Sarah's Episode on Star Coach Show: https://starcoachshow.com/403-abundantly-successful-sales-pages-with-sarah-walton/ Other GoG episodes you might want to check out: The Truth About Motivation (and Why it Feels Mysterious) https://sarahwalton.com/truth-about-motivation/ Rewrite Your Unspoken Rules to Live Like You're on Permanent Vacation https://sarahwalton.com/unspoken-life-rules/ You can check out our podcast interviews on YouTube, too! http://bit.ly/YouTubeSWalton Thank you so much for listening. I'm so honored that you're here and would be so grateful if you could leave a quick review on Apple Podcasts by clicking here, scrolling to the bottom, and clicking "Write a review." Then, we'll get to inspire even more people! (Watch this quick tutorial if you need help leaving a review.) #Motivation #Changes #Motivation2025 #SuccessMindset #Ambivalence #Confidence #IdentifyingAmbivalence #AskExpert #SuccessCoach #WomenInBusiness

Episode 275 is an interview with Kittser about his electronic project New Jackson. It may have felt like a side project when it debuted with The Night Mail EP in 2011, but over the last 14 years, the New Jackson releases have been so consistent across a multitude of EPs on Permanent Vacation, Hivern, All City, Maeve and more, with last year's second album Oops!... Pop softened the lines into a more techno pop songwriting style.Ahead of the New Jackson live show in Dublin on Saturday March 28th with support from Rory Sweeney and The Outside, his forthcoming album project with Efa O'Neill, we talk that collaboration, his new release as MMOTTORR with TR One , what he's learned from 30 years of DJing, living in Kerry, Spotify and Bandcamp discourse, and bucking the zeitgeist trends in dance music in 2025.David also picks some key influential New Jackson tracks from Joy Orbison, Wham!, Pépé Bradock, Carl Craig and The Egyptian Lover.* Support Nialler9 on Patreon, get event discounts, playlists, ad-free episodes and join our Discord communityListen on Apple | Android | ACAST | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Pod.Link Hosted on Acast. See acast.com/privacy for more information.

When we're busy and tired, we give up the things that bring us joy because we don't see them as important. I'll read that book when I've got time. I'll do that puzzle when I've got time. I'll go for that massage when everything else is done. It's not going to be done. This is an episode you're going to want to come back to when you feel burnout creeping in. Host of the Simpler Business Podcast, Marissa Roberts is going to turn all the stress and anxiety on its head for you.  What I want you to listen for is how much our feelings and emotions as the business owner leak out into the business. If we're feeling anxious and nervous, it's going to impact our revenue. So listen for what Marissa says is possible as you relax and bring more money in.  Marissa's first business was Beautifully Organised. She went into homes and helped make the lives mothers with young children easier. She was burnt out in two months. “My house is messy because I'm spending eight hours a day tidying other people's homes,” says Marissa. “And then I come home and I'm like, I can't do anything, and I'm too tired to play with my kids … I've dug this hole too deep and now I have to deliver on it and I don't have enough hours in the day to do it.” From there, Marissa pivoted to online courses. She went down a rabbit hole of passive income and scalability.  “I wanted to make life easier for me, and now I get to make life easier for other people.” Business owners might have a hard time asking themselves, “What feels hard for me, and how can I delegate?” For Marissa, this meant hiring a virtual assistant who helps her with self-promotion.  We're so driven by productivity, achievements, goals and actions. Marissa says taking the time to pause and really do the internal work of why something feels difficult is key to knowing when it's time to delegate.  Sometimes a small tweak can make a big difference. For example, if you feel overwhelmed with email, telling your clients you'll only be responding to emails between certain times each day might be the boundary you need. “Clients don't mind if you set a boundary because it lets them know exactly what to expect, and they're not guessing while they're working with you,” says Marissa. Burnout can manifest differently for different people, and at various points in your life. We have an innate ability to handle things as they are raised, but what you can handle in your 20s, might look different in your 40s, or if you're handling one client versus seven. “A lot of what the strength and the resilience we get overtime comes from challenges,” says Marissa. “So it's this really interesting dynamic where I get stronger, I get tougher, I get better at problem solving, but I also get more tired and more worn out and full.” Remember that this isn't the only opportunity, and if you're clinging to the client or job as if it's your only chance, the energy you're giving out is one of desperation, need, and lack. Whereas if you recognize the opportunity, and think, “This is fantastic, I want to give it my best but I can't do that this month,” you can go back to the client thank them, and check if they can be flexible. The change is the delivery.  The ultimate self-care is tuning into what you personally need in that moment. Sometimes it will be a glass of water, sometimes it will be two weeks off. If you are having a really hard day, what would you crave to make that day feel better?  “All of those things we should be doing for ourselves and it shouldn't be lost. It's just as important as any other project we're working on,” says Marissa. Connect with Marissa Roberts : https://www.marissaroberts.com   Less Effort, More Results: https://www.marissaroberts.com/affirmations-for-rest-abundance-business-owner-edition/  Other GoG episodes you might want to check out: Rewrite Your Unspoken Rules to Live Like You're on Permanent Vacation https://sarahwalton.com/unspoken-life-rules/  The Importance of Putting Yourself First https://sarahwalton.com/putting-yourself-first/  You can check out our podcast interviews on YouTube, too! http://bit.ly/YouTubeSWalton   Thank you so much for listening. I'm so honored that you're here and would be so grateful if you could leave a quick review on Apple Podcasts by clicking here, scrolling to the bottom, and clicking "Write a review." Then, we'll get to inspire even more people! (Watch this quick tutorial if you need help leaving a review.) #BusinessWithoutBurnout #SustainableSuccess #WorkSmarterNotHarder #EntrepreneurLife #BurnOut #BusinessTips #AvoidBurnout #WomenSupportingWomen #AskExpert #BusinessCoach

Follow me on Instagram Music from Rose Records, Circus Records, Permanent Vacation, Maximum Airtime... Next dates: Feb 8 @ fabric, London | March 1 - 10 Years Of Monologues Records Part 2 @ Saint Louie, London | March 15 - Balearic London @ The Goose, London Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads of my edits before anyone else, full tracklists for live recordings, exclusive previews of my tracks and feedback on your tracks if you're a producer. Or turn a friend on to Turned On by giving this podcast a 5-star review, reposting it on Mixcloud or SoundCloud or sending it to a friend. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on our SoundCloud  Follow the Turned On Spotify playlist, with 1000s of tracks played on this show and in my sets. Turned On is powered by Inflyte – the world's fastest growing music promo platform. Tracklist: Eddie Logix - Word Search [Bandcamp]  Eddie Logix - Born With It [Bandcamp]  Kathy Diamond - All Woman [Permanent Vacation] Chrissy feat. Carrie Wilds - So I Go Dancing [Maximum Airtime] M.ono - The Secret Life Of Socks [Rose Records] M.ono - Bonjour Tokyo [Rose Records] M.ono - Schmakotfatzi [Rose Records]  Jansons - Moving On [Circus Records] Manakinz - Robopubez (Rust In Peace) [Monologues Records] Luke Slater - Love [Mute] Future Classic: Decius feat. Maggie The Cat - I Gave Birth 2 U (12” Mix) [The Leaf Label]  Decius - Ibrahim (12” Mix) [The Leaf Label]

What would it be like if your life felt a little bit more like a vacation? Now, before you freak out and go, that is for other people. That is not possible. That is for irresponsible people who don't have responsibilities and who don't have bills. That's not real life. I hear you. And I want you to know I've been one of those skeptics for years.  But today, with this guest, Marni Battista, I think you're going to hear something you maybe haven't heard before. Marni helps you understand what unspoken rules and what invisible laws are running your life. “I was just really inspired by the reinventing. That is possible if you follow your soul,” says Marni.  Her first step is breaking down the “shoulds” in life. Question every assumption because the unspoken rules that we have about our lives and what things “should” look like are so baked in.  For example, that you're not supposed to work on weekends, that you're supposed to close your laptop at 5:00 p.m., and that you're supposed to eat vegetables. All of these things are shoulds.  “Think about it this way. If you've read a great fantasy book or you watch shows like Bridgerton or movies like Marvel … you either get in with the rules of the world or you go, “no, I can't get with this,” and you abandon it,” says Marni. “But once you're in, you don't question it. Fairies fly and Iron Man has a suit, whatever it is.” Examine the world of your life. If you were going to share it with someone who didn't know anything about you, what would the rules be? Those are the pieces that you can start to deconstruct what your shoulds are so that you then can begin to question, is this designed by me? For me? Is this essential, explains Marni. “We are so focused on making other people happy and what's convenient for other people at the expense of our own flow and engagement,” says Marni. Once you've identified your shoulds, you can ask: where did you learn this? Who told you this? How far back does it go? “You can choose to keep them, by the way, of course, because not all shoulds are bad. And that's the point, consciously choosing them so that you are designing a life and a world that is aligned with who you really are at the core,” says Marni. One small step at a time, you can start to make adjustments to your life to align it with your soul map.  “Shoulds from the outside may or may not apply because you are living your life designed for you, not by everyone else,” says Marni. “That's why I say design a life you don't need to retire from. Find work that you love so much. You don't need to be free from it because it's just you doing your thing, and it doesn't even have to be paid work. It's just you living your gift. That's freedom.” Marni says most people have the fear fantasy of being broke or homeless if they dare to pursue their dream life. She says they always come up with a safety net because it is real life, and people have to pay their bills.  “Most people just imagine or dream a 10% variation of their current life,” says Marni, who adds that experimenting is what helps you unfold and uncover the things that are beyond the 10% you can imagine. “Actually allowing your emotional self to have psychological safety so that you can start to intuit and bring information in,” says Marni. “There's no Thelma and Louise moment in this. We want to like, live life on your terms without blowing up the life that you have.” Connect with Marni Battista: https://www.instituteforlivingcourageously.com/  Decode Your Destiny Quiz: https://www.decodeyourdestinyquiz.com/  Your Radical Living Challenge: 7 Questions for A Meaningful Life:  Other GoG episodes you might want to check out: Ready to Reinvent Yourself? A Conversation: https://sarahwalton.com/reinvent-yourself/  How to Let Go of the Bully In Your Brain: https://sarahwalton.com/negative-self-talk/  You can check out our podcast interviews on YouTube, too! http://bit.ly/YouTubeSWalton   Thank you so much for listening. I'm so honored that you're here and would be so grateful if you could leave a quick review on Apple Podcasts by clicking here, scrolling to the bottom, and clicking "Write a review." Then, we'll get to inspire even more people! (Watch this quick tutorial if you need help leaving a review.) #UnspokenRules #UnlockYourPotential #ManifestingYourReality #UnwrittenRuleBreakers #UnwrittenRules #WomenInBusiness #AskExpert

Follow me on Instagram Music from Permanent Vacation, CWPT, Partyfine, Universo Positivo... Next date: Jan 31: Brilliant Corners, London w/ Tigerbalm Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads of my edits before anyone else, full tracklists for live recordings, exclusive previews of my tracks and feedback on your tracks if you're a producer. Or turn a friend on to Turned On by giving this podcast a 5-star review, reposting it on Mixcloud or SoundCloud or sending it to a friend. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on our SoundCloud  Follow the Turned On Spotify playlist, with 1000s of tracks played on this show and in my sets. Turned On is powered by Inflyte – the world's fastest growing music promo platform. Tracklist: Brian Davis - Everybody's Got To Learn Sometime (Lloyd's Eyes Wide Rework) [Mister T Edits] Jack Is Fallen - That's All Folks (Fundido Edit) [Mister T Edits] Cree - Altostratus (Joe Morris Mix) [Shades Of Summer] Luca dell'Orso - Love By Association [CWPT]  Yuksek feat. Fatnotronic - VAMO NESSA [Partyfine] Black Spuma - Giro D'Italia [Permanent Vacation] Soul Syndicate - Inside Of Me (Alternative Mix) [Strength Records] Genius Of Time ft. Matinda - Kinetic [Aniara Recordings] Damian Rausch - How We Do It [Rausch Recordings] Danny Snowden - Here To Let Go [DS Anthems] South Bay Jams - Ordinary Things [Universo Positivo] Future Classic: Hugo Massien - Gliding Squares [Hugh Style]

Hello my dear friends, welcome to the new edition of Club Room, #351, including a new track of mine "If You Wanna Scream A Shout" that will come out soon on Permanent Vacation. Enjoy! Tracklist: Kiara Scuro -Twilight Tool Confidential Recipe & DJ Haus - Chain Reaction Dino Lenny - I have Sampled Father Matisa - In My Head Cafius - Party Anthem Fat Tony & Fierce Child - Men Adore (Just The Right Size) Floorplan - Makes Me wanna DJ T 1000 - Black Guys Really Love My Fat White Ass PAB165 - Duplicate  Luke Alessi - After Five Anja Schneider - If You Wanna Scream A Shout

Inauguramos la Temporada 2025 y para este episodio Mario Mengoni seleccionó a los siguientes artistas: Desde Boston, Saucy Lady nos comparte su nuevo single boogie disco junto Omar + la producción de Yuki Kanesaka editado por Dippin Records. Desde Alemania, el electro house de Snecker editado por Permanent Vacation. Recordamos a Yazz una gran cantante que nos hizo vibrar en los 90's en una audaz y brillante versión que hizo de un clásico himno disco. La nueva canción house de los nómades argentinos Abc Dialect para bailar en cualquier parte del planeta. Desde Moscú, Leonid Vorobyev y su banda Leonid & Friends reviven a The Carpenters en un mágico juego de estéreo. El discollage, mezclado por Diego Hidalgo, con producciones de Tom Noble, Winkar by Save The Robots y Dave Lee. Y los Pet Shop Boys nos preguntan ¿Por qué bailamos? Conducción, musicalización y producción general: Mario Mengoni. Asistente de Producción: Diego Hidalgo. Locutores: Leandro Brumatti y Raúl Proenza. Operador Técnico: Carlos López Victorel. Sitio oficial: www.discorama.net Seguinos en nuestras redes y dejanos tu comentario: https://www.instagram.com/discoramabymario https://www.facebook.com/discoramabymario https://x.com/DiscoramaAR

Rockshow episode 207 AerosmithAerosmith is an iconic American rock band formed in Boston, Massachusetts, in 1970. Known as “The Bad Boys from Boston” and “America's Greatest Rock and Roll Band,” Aerosmith is celebrated for its energetic live performances, distinctive sound blending hard rock and blues, and decades-spanning influence on rock music.Band Members:Steven Tyler (vocals, keyboards, harmonica): The charismatic frontman, often referred to as the “Demon of Screamin',” known for his powerful voice and dynamic stage presence.Joe Perry (lead guitar, backing vocals): Tyler's long-time collaborator and a key figure in shaping the band's bluesy, riff-driven sound.Brad Whitford (rhythm guitar): Known for his technical skill and understated style, complementing Perry's leads.Tom Hamilton (bass): Co-writer of several hits, including “Sweet Emotion.”Joey Kramer (drums): His tight, groove-heavy drumming anchors the band's rhythm.Career Highlights:Breakthrough Albums: In the 1970s, albums like Toys in the Attic (1975) and Rocks (1976) established Aerosmith as major stars. Hits like “Dream On,” “Sweet Emotion,” and “Walk This Way” became rock anthems.1980s Resurgence: After struggles with drug addiction and internal conflicts, the band made a stunning comeback in the late 1980s with albums like Permanent Vacation (1987) and Pump (1989), featuring hits like “Dude (Looks Like a Lady)” and “Love in an Elevator.”1990s and Beyond: Aerosmith achieved new levels of mainstream success with Get a Grip (1993), spawning hits like “Cryin',” “Crazy,” and “Amazing.” Their 1998 single “I Don't Want to Miss a Thing” (from the Armageddon soundtrack) became a global smash.Legacy:Aerosmith is one of the best-selling music artists of all time, with over 150 million records sold worldwide. They were inducted into the Rock and Roll Hall of Fame in 2001. The band's influence extends to numerous rock, metal, and pop acts, and their collaboration with Run-D.M.C. on “Walk This Way” is often credited with bridging the gap between rock and hip-hop.The band has remained active into the 2020s, though members have faced health challenges. Aerosmith is celebrated for their resilience, adaptability, and enduring impact on music history.https://www.aerosmith.com/https://www.instagram.com/aerosmith?igsh=MTdyaWkwNzJrbG41MQ==https://www.facebook.com/share/19GTjFSkoy/?mibextid=wwXIfrhttps://youtube.com/@aerosmith?si=xRa6f61Wmmg_uYQYhttps://open.spotify.com/artist/7Ey4PD4MYsKc5I2dolUwbH?si=7wqbhS_GTp6ufk1HH2Q7Pwhttps://x.com/aerosmith?s=21&t=Mzw5de5zsR-SDDbhyzH0Lghttps://www.tiktok.com/@aerosmith#Aerosmith #StevenTyler #JoePerry#DreamOn #SweetEmotion#WalkThisWay #RockLegends#ClassicRock #ToysInTheAttic#GetAGrip #IWantToMissAThing#BadBoysFromBoston #rocknroll#MusicIcons #AerosmithForever

Un nuevo 808 en Radio Castilla-La Mancha que vamos a dedicar en toda su extensión a recopilar multitud de novedades e innovadoras propuestas como las que firman Helena Hauff en el mítico sello Tresor, Uncertain para Beardman de Mark Broom, Olive T vía Permanent Vacation o Martinou entre muchos otros. La Lista I: Gentian - Laughter Turns To Tears (Moy Santana Remix) [Seven Villas Music] DJ Windows 7 - Xapiadora [Miura] Godspeed You! Black Emperor - Sun Is A Hole Sun Is Vapors [Constellation Records] Karolina Bnv feat. Karina Jilaz - Unforgivable Decisions [Wrong Era] Andre Butano - Drinka [Ibiza Talents] Klara Lewis - 4U [Editions Mego] La Lista II: Alfonso Lovo - Magic Mushroom World (Brian Jackson Retouch) [Mushroom Pillow] Mu Tate - Spore [Warm Winters Ltd.] Teboho Nkone - Screaming [Soulstar] KaioBarssalos - Syna [CODE Records] Jarren - The Way You Do [Apron Records] Habitatt - Fire (Extended Mix) [REALM Records] Olive T - Requin [Permanent Vacation] La Lista III: Maiden - SIREN [Body Motion] Martinou - Expanding [Mule Musiq] Radicall - Chosen [Future Retro London] Beatrice M - Entire Life [SPE-C] Final Djs - Loving You [Rosso Corsa] Priori - Lexica [Kalahari Oyster Cult] Tifra - Bio Lab [Proxy] La Lista IV: ZAS - Otra Vez (Master Deejays) DJ JM - Barrakuda [Nervous Horizon] Uncertain - Ghetto [Beardman] Murcof - Fight [InFiné] Fixon - Ímpetu [Anaoh] Basic Rhythm - The End [Musique Nocturne] Helena Hauff - Humanoid Fruit [Tresor]

As is our wont from time to time, we're going to dive into a pair of albums and give you our thoughts, opinions, and recommendations. This time around, we're matching up two iconic bands who defied the odds to hold together through drugs and drama before coming out the other side with comeback albums in their middle aged dad eras. It's Glimmer Twins versus Toxic Twins and Aerosmith versus Stones in this Album One-On-One episode - Steel Wheels versus Permanent Vacation! Also, in we talk over our fake football teams, the Mr. McMahon documentary, and a sizable In Memoriam section in this episode's Week In Geek!   FULL VIDEO EPISODES! That's right folks, you can see our bright smiling idiotic faces in full color on our YouTube channel. Full episodes available as well as clips.   LINKS OF INTEREST: - Here's where you can find "Mr. McMahon" on the Netflix - RIP to Country Music Hall Of Famer Kris Kristofferson - RIP to Movie Cop Hall of Famer John Ashton - RIP to Basketball Hall Of Famer Dikembe Mutombo - RIP to TV Dad Hall Of Famer John Amos - RIP to WWE Hall Of Famer Pete Rose - Here's some background info on Aerosmith's 1987 album "Permanent Vacation" - Here's some background info on The Rolling Stones's 1989 album "Steel Wheels"   ...AND ANOTHER THING: The Man They Call Tim suggest dining at The Purple Pig should you find yourself in Chicago, IL Uncle Todd suggests listening to Aerosmith's 1993 album "Get A Grip"   FOLLOW US ON THE SOCIAL MEDIAS: Facebook - http://facebook.com/freerangeidiocy Instagram - http://instagram.com/freerangeidiocy YouTube - http://youtube.com/@freerangeidiocy

Josh Toomey from the Talk Toomey Podcast returns to guest as he and Bakko talk about reaction videos. Pantera doing a pop up show in Minneapolis. Some NFL talk. Tony Iommi's new cologne. Lauryn Hill. Aerosmith are going on a Permanent Vacation and a Kevin Smith movie draft. Pantheon Podcasts Talk Toomey – Knotfest Reach out to us! Rate, review, and subscribe at Apple Podcasts: Cobras & Fire: Comedy / Rock Talk Show on Apple Podcasts Join our fanpage on Facebook: (2) Cobras ON Fire: Private Group | Facebook Click like and follow on Facebook: (2) Cobras & Fire: Rock Podcast | Chicago IL | Facebook Follow us on Twitter: Best Hard Rock & Metal Podcast (@CobrasFire) / Twitter Subscribe to our YouTube channel: Cobras & Fire Rock Podcast - YouTube Email us: Buy a shirt!:"Cobras and Fire Podcast" T-shirt for Sale by CobrasandFire | Redbubble | cobras and fire t-shirts - cobras fire t-shirts Stitcher: Cobras & Fire: Comedy / Rock Talk Show on Stitcher Spreaker: Cobras & Fire: Comedy / Rock Talk Show | Listen to Podcasts On Demand Free | TuneIn Find it all here: Cobras and Fire Podcast - Comedy Rock Talk Show Music: Royal Republic - Wow Wow Wow Shinedown - A Symptom Of Being Human Soul Asylum - April Fool Monster Truck - The Enforcer Badflower - Detroit Aerosmith - Dream On Learn more about your ad choices. Visit megaphone.fm/adchoices

Josh Toomey from the Talk Toomey Podcast returns to guest as he and Bakko talk about reaction videos. Pantera doing a pop up show in Minneapolis. Some NFL talk. Tony Iommi's new cologne. Lauryn Hill. Aerosmith are going on a Permanent Vacation and a Kevin Smith movie draft. Pantheon Podcasts Talk Toomey – Knotfest Reach out to us! Rate, review, and subscribe at Apple Podcasts: Cobras & Fire: Comedy / Rock Talk Show on Apple Podcasts Join our fanpage on Facebook: (2) Cobras ON Fire: Private Group | Facebook Click like and follow on Facebook: (2) Cobras & Fire: Rock Podcast | Chicago IL | Facebook Follow us on Twitter: Best Hard Rock & Metal Podcast (@CobrasFire) / Twitter Subscribe to our YouTube channel: Cobras & Fire Rock Podcast - YouTube Email us: Buy a shirt!:"Cobras and Fire Podcast" T-shirt for Sale by CobrasandFire | Redbubble | cobras and fire t-shirts - cobras fire t-shirts Stitcher: Cobras & Fire: Comedy / Rock Talk Show on Stitcher Spreaker: Cobras & Fire: Comedy / Rock Talk Show | Listen to Podcasts On Demand Free | TuneIn Find it all here: Cobras and Fire Podcast - Comedy Rock Talk Show Music: Royal Republic - Wow Wow Wow Shinedown - A Symptom Of Being Human Soul Asylum - April Fool Monster Truck - The Enforcer Badflower - Detroit Aerosmith - Dream On Learn more about your ad choices. Visit megaphone.fm/adchoices

Chinese-German artist @samgoku has a distinctive take on techno that draws on his own Asian heritage and blends it with contemporary electronics. Across two sublime albums for Atomnation and Permanent Vacation, he has infused his fluid rhythms with gorgeous melodies and ambient haze, traditional Eastern instruments and ethereal moods. This summer, he debuted on the Dekmantel label with four tracks of unconventional techno that marry the physical with the emotional in exceptional style. There are plenty of similar contrasts in this week's mix, which is an almost two-hour dive into his sound world. It is a deep and compelling blend of supple rhythms that are always subtly shifting. His pristine selections take in dubby and cavernous grooves, tripped-out minimal details and stylish techno cuts that always come with plenty of colour and high-definition designs which lend the whole thing a futurist edge but very human soul.

This week on the pod we wrap up Gord's discography with the Bob Rock collaboration, Lustre Parfait.Transcript:[0:00] Long Slice Brewery presents a live event celebration of Gord Downie, July 19th, at the Rec Room in Toronto. Join the hosts of the podcast, Discovering Downie, as they record their finale with special guest, Patrick Downie. A silent auction with items from the hip and many others will take place, along with live entertainment from the almost hip. All proceeds will benefit the Gord Downie Fund for Brain Cancer Research. For more information and tickets, please visit discoveringdowney.com. Clutched clipboard and staring out past the end of her first day into tonight and all the way across oceans of August to September. It makes for a beautifully vacant gaze.[1:08] Music.[1:42] Hey, it's J.D. here and welcome to Discovering Downey, an 11-part project with a focus on the music and poetry of Mr. Gord Downey. The enigmatic frontman of the Tragically Hip, Gord gave to the world an extensive solo discography on top of the vocal acrobatics in the hip that awed us for years. Gord released five albums while he was alive and three more posthumously.[2:09] Now listen, you might think you're the biggest fan of the Tragically Hip out there. However, why is it that so few of us have experience with this solo catalog? Have you really listened to those solo records? My friends Craig, Justin, and Kirk, giant fans of the hip in their own right, fell into that camp. So I invited them to Discover Downey with me, JD, as their host. Every week, we get together and listen to one of Gord's records, working in chronological order. We discuss and dissect the album, the production, the lyrics, and we break it down song by fucking song. This week, we wrap up Gord's discography with an album attributed to both Bob Rock and Gord, Luster Parfait. Craig, how goes it this week? week things are okay a bit of a break tomorrow going off on a little family trip for a couple days meeting my parents and sisters uh you've never met your parents before this is big news dude yeah yeah i think they're gonna like you man congratulations and then yeah and then shortly after that head off to toronto for for an event with you guys whoop whoop yeah How are you doing, Kirk?[3:30] You know, guys, I'm doing pretty good. It was 107 out here in Boise, Idaho, where I'm on show site. As we mentioned, I was in Europe last week, so I'm not quite sure time zone, temperate zone, what zone I'm in. I just – somebody point me in the right direction and I go. So I'm doing good, though. We had such a great time. But more importantly, I'm just really excited about next week and just hanging with you, you lads and checking out all the stuff that we have planned and, and, you know, especially that the event. So I'm that energy will get me through whatever jet lag, whatever heat stroke, whatever heck I encounter over the next seven days. So, and what about that new item? The hip gave us today to go towards our silent auction. Someone's going to get some major bragging rights. Man, we can't say what it is, but-[4:27] We might be fighting internally for this. We'll be revealing what it is, I guess, Friday. And some other great prize stuff, too. JD, you just told me and Kirk about this ridiculous prize that we got. Craig's got it memorized. Yeah. Two tickets to the Toronto Raptors. $500 in arena gift cards. and two customized or personalized jerseys and a shoot around. Man. Are you ready for this? Come on. That's great. Jadon. Yeah. You're in, you're not in Kansas. Tornado Alley. Tornado Alley. But there's twisters about. Yeah, we just had a...[5:51] And then 20 minutes later, there's a video on Facebook of a frigging tornado a half a mile up the street. What the hell? So we're fine. Yeah, that is freaky. If you look out your window and you see somebody riding a bike in the air, you're in big trouble. With a dog in the basket. That's right. Cow. Yeah. Yeah. Yeah. Yeah, but dude, I'm, I'm good. Otherwise without the weather or with the weather, I'm good. And I'm psyched for next week, man. Ooh. Yeah. Let's go. Justin. I tasted the podcast. Pilsner officially tasted it now. I had four of them at home. I gave two of them to my father-in-law and I drank two of them and they were very crisp. Delicious. Yeah. So it's going to be a lot of fun. Yeah. Awesome.[6:47] When word broke that we'd be getting a third posthumous record from Gord, there was a hush and a wait and see approach. You see, Gord had partnered with Bob Rock back in the 2010s, shortly after Rock had produced probably two of the most divisive records in the Hips catalog. I enjoy both these records a lot, but your mileage may vary. In any case, it was an uneasy feeling for fans. What would this album be? As it turns out, it's a whole lot of everything. There are songs that are reminiscent of the hip, like North Shore. There are horns on the title track, which we got to sample about six months before Lester Parfait dropped. And it relieved us.[7:41] There's even something resembling rack time? Suffice to say, as we've gotten used to saying around these parts, this album is altogether, folks, unlike anything Gord has produced before. It's been said that Bob Rock has a tendency to overstuff the records he produces. It's as though he's just been given access to a 48-track board and he feels compelled to use every last fucking track. rack. On this record, however, his hand seems firmly on the rudder. The songs come across as overly polished, of course, but never too indulgent. If there's one complaint I have, it's that there's too many goddamn songs. On a record as varied as Luster Parfait, you're almost overstimulated by the end. You've been through so many different styles and sounds. If I had it my way, this would be a tight 10-song record, and with the right tracks removed, I dare say this is a collection of songs I would put head-to-head against virtually any other record in Gord's oeuvre.[8:59] Yeah, I think it's that good. There are highs and there are lows on this record, as there have been on each of the albums, but on Luster Parfait, the highs seem higher to me. Have we ever heard Gord sing like he does on The Moment is a Wild Place? Or something more? Have we ever heard a chorus as striking as Is There Nowhere? By the way, big hat tip to Shea Dorval for providing those gorgeous backing vocals. At the end of the day, has Bob Rock redeemed himself with this effort to the haters out there? I would offer a resounding yes. Yes, this is a record that should be listened to loud and on a good pair of headphones. There is so much going on, but it all seems to have a purpose. That's what I think of Lester Parfait.[9:52] Tell me what your experience with the record is, Kirk. Yeah. So the first real listen I had to this album, because I'd been pretty busy with travel and whatnot, we were on our family vacation in Madrid. And beautiful little up on the top of the hotel looking over the city and just enjoying the wonderful atmosphere. And, um, I was actually listening to that kind of rough cut of our, um, rough cut of our interview with, uh, Niles and Kevin. And he had referenced like that. He thought that, you know, the, the, the moment is a wild places is, was his favorite song. And I'm just like, I can't hold off anymore. I need to jump in. So that was my first experience was listening to it, um, on, on the roof in Spain. And since then, it's just been a pretty incredible journey. I spent a lot of time like listening to Bob Rock interviews and, you know, just really understanding where it's coming from. And as you mentioned, JD, like, you know, I understand the divisiveness and whatnot, but oh my gosh, I, I was already in love when I listened to it the first couple of times at this point, you know, I'm, I'm firm in my, my commitment to, to in Gord, we trust, you know, And to see that...[11:17] That friendship. I mean, he, he, he makes the statement. We were like two teenagers that were in the studio, just making music together. And, um, you know, to hear how the whole process went and I know we'll get into it and everybody, you know, obviously we'll provide their input. Um, I fell in love with it even more, you know, and, and the variety on this, this album i mean guys we got reggae we got we got west coast punk we got 70s glam we got 80s synth pop we've got you know it it just every even within certain songs you'll have a jump from one friggin genre to another and then you you know you start looking at all the studios they recorded in, the process that it took, the number of years, the people that are involved.[12:13] And especially after we've discussed with the last three albums, like it was just fun to, I felt like, I felt like I got a warm hug from Gord. I really did. Just like, I just was all that, that we went through. It was like, Hey, this is just when it's fun. And this is, this This is for you, music lovers. That's what I felt. That's what I felt. I love that. I haven't watched much with Bob Rock, but I did read that one of the reasons why it took until 2023 to rear its head was because it was too painful for him to, like, he was really emotional following the death of Gordani in 2017. Absolutely. Because they had gotten lungs. Yeah. They had become such close friends and, you know, they reference, you know.[13:09] Uh, Gord flew out to talk about world container and they'd figured that out in 15 minutes. And then they spent the rest, the rest of the conversation talking about being dads, being Canadians, being hockey lovers. And, and then that just continued. And I think those guys, you know, with the level that they were at, I think they kind of found it was a peer to peer relationship.[13:32] And I really felt like they found refuge in each other. And then I think they sought it out because it was a long relationship. I mean, was it 06 when World Container was being made or coming out? Up until the very end. And that's when they first met is when he came out, or at least per what I had listened to. You know, they flew out to Maui, to his studio in Maui, Gord did, and then, you know, like I said, Discuss World Container. And then they didn't really do much as it was described until after the second album, We Are The Same, that they did. And then that's when the, you know, that relationship in the music for Luster Parfait started. So yeah, I mean, I recommend everyone to check into this. And Bob rock doesn't seem like, you know, like you.[14:25] You just, he didn't, didn't do a lot of, I mean, of course he gets on the documentaries, he gets a lot of airtime and whatnot, but beyond that, you know, there's not a ton, I guess, but the stuff specific to this is well worth, you can just hear the genuineness all these years after, like last year was a lot of the interviews that were going on and he's still breaking up. Like you're still oh yeah um and he's just he's like you go bob rock and you like you think the guy's flying you know coming in on the learjet all the time and he's like most of these interviews he's like just got done feeding his horses craig what was your first experience like i was also traveling uh down to seattle for a ball game and i was on on the amtrak train taking my notes and i I actually wrote, I'm going to read this and don't get mad at me. But I said, hate to be negative on this last album, but there's a lot to pick apart.[15:25] Two days ago, we were supposed to record this episode, and we had to postpone. And that evening, at 10.30 at night, I texted you guys a photo. A package arrived, and the CD was dropped off by Amazon. So I got the CD, and I started looking at the lyrics. And then the next day, I popped it in the car. And it's been in there for a couple days now, and I've been listening to it quite a lot. And my opinion has totally changed. Changed it's like some of this and i think it's what you said jd it's it's a very long album and so some of my favorite songs come at the end and what i what i've been doing is hitting shuffle and that's when it really started to um pick up for me is when i started listening on shuffle before getting the cd that i liked hearing just random songs come on and then and i thought it it was a problem with the sequencing at first but then i realized it's probably more because when the album came out i did listen a couple times when it first came out but i think i only got through the first four songs and so now i'm getting to know and love these later songs and then when i got the cd it just all kind of started working for me and i'm like wow some of the things that i was going to be nitpicking on today's episode i think i've I've grown to appreciate Justin, my man. Yeah.[16:51] Talk to me about your relationship with this release and has it changed since your first listen? So I pre-ordered this last year and yeah, this, this CD was in heavy rotation for me until, um, until you asked us to be part of the podcast. So I've been cold Turkey since January or whenever it was and waiting for for this week to get back into it. Yeah. I love this album, and I wish that Gord had done a Broadway show.[17:27] Um, could you imagine after hearing how strong his vocal is? Um, and especially during this time period. And it's funny, Craig, that you mentioned that you did not like this album. And then today you changed your mind. I took a break from this cause I've been over listening and I went back to the grand bounce and I love that freaking album as of today. And everybody knows I did not love that album when we were doing the podcast. Yay![18:00] Yeah. I love this news. It grew on me big time today. And Justin, one of the interviews that I watched, they actually said that the lyrics were almost like a screenplay on Luster Parfait and that there is a movie inside this album. It's just no one has brought it forth. So I like that. Broadway play. Movie i think i saw some of the same interviews you did um the one with uh terry mulligan was i actually listened to it a few times um to pick that apart but um yeah it would be it would be fantastic if that film was to get made or some sort of video component to this um but you know this was at gourd's you got to remember this the vocals recorded a decade ago and this was at gourd's busiest period and i would say his strongest period um vocally um and seems that way but you know bob also said in the in the interviews that he intentionally um potted gourd's mic up so that it was more on the forefront you know with the hip gourd's voice was an instrument um with this album it is the show and that absolutely rings true and you know jd the the songs that you mentioned just...[19:24] Kick my ass every time i hear it and i've heard them i've heard them 50 times at this point you know without exaggerating um yeah it's it's a very cool album a very confusing album uh stylistically um and it's very long but i can palette that um and i had the same issues craig um with stopping and starting and you hear you've you know you've heard the first six songs on this album probably twice as many times as the final seven or eight um and it's just it takes a commitment to get through it um and every song is long in addition to them there being so many of them um you know there's several songs that are five or six minutes um yeah seven and a half right it's for the moment is a wild place and i'm really interested in in your guys's uh mvp, yeah tracks for this like more than any other album we've done yeah because i think it's going to be all over the place i i've got mine and i i think this was like the easiest choice i've had to make and this is the first time i don't i quite literally don't have an mvp i'm i'm pulling the trigger when we talk every other album first three listens i had it down i mean i'm usually the first one to chime up i i can't i i just haven't been able to pick one it's strange that that it's It's opposite.[20:48] Should we try and untangle this web that Justin just spoke of, this mystery of a record, and go track by track? We start with, Greyboy says.[20:59] Music.[24:42] I mean, from the first note, it's like, what the hell are we listening to? And in the best way, you know, I just had no idea that this is where we were going. You know, and I love World Container and I love We Are The Same. And we all know everything else that Bob Rock has done. And this is not any of those things. It's bizarrely different. Um, and who the hell is gray boy, right? Like I've spent a year now trying to figure that out. And I thought I'd read something that it was a DJ. Um, yeah, I read that too. I'm not sure if it's true or not, but there's a DJ out of San Diego, uh, named gray boy. Um, sort of like an acid jazz DJ I read and it could be him he's referencing, but I'm not sure if that's no idea. Yeah. Um, but yeah, it's just a, a total, it's a mind fuck right from the beginning. And, and I was really like, okay, I'm turning this up. Um, you know, I remember listening to it in my car, um, the first time that I, that I put it on. However, I wanted to ask, um, JD and Craig, if, if you guys had any of this, um, on air in Canada, did, were any of these songs played on terrestrial radio? Yeah.[26:05] I don't recall hearing it on the radio i don't listen to a lot of uh local radio i'm usually, you know serious yeah xm listener but um but no i didn't hear it i did see the video though and so this song is a song i heard right away when it came out because of the the video which uh if you've seen it it has um some of the guys from offspring dexter nude and yeah and And when I look at the track listing, they don't actually, they don't play on the track. So they were just kind of there for the video and having fun filming the video. And Bob Rock's got James Hetfield's ESP that he's playing in it. And so it's a pretty cool video.[26:49] Did you guys recognize the drummer? I did, yeah. So Abe- Abe Laborio Jr. That's Paul McCartney's drummer. Yeah, really quick connection. When I was in my original band back in the 90s, we had a drummer who filled in for us fairly often when we were down a drummer. And he was roommates at Berklee with Abe. Really? And I didn't meet Abe, But one time he was in town for either sting or McCartney and our singer slash, you know, front front man got to jam with Abe and he came back and told me that he has never felt anything like it being in the room with him. He said when the, when the kick drum hit one, it was unlike anything he's ever experienced as a musician. So it was just that tight. And you can hear that tightness in his playing. Yeah. I mean, you don't get picked up as Paul McCartney's drummer, unless you know what the F you're doing. 20 years.[28:17] Video and, and, And he even plays and he's like, he's a beast of a man, right? He's, he's, he's, he's a big guy, but he's just sweet. I've had opportunity. There's a show called ma'am national associate music merchants. If you're a musician, you should know about it. It's every year in Anaheim. So it's pretty close. So I've been going for years and years and he's there quite a bit. And so, you know, had few little interactions and he's just, yeah, he's a, he's a sweetheart just, and, and an incredible musician. Oh, wow. Incredible musician. Well, they did it weird, right? Because they released Lester Parfait, and then they released a three-song EP, or maybe that was the time they released Lester Parfait. And then they released a six-song EP. And it had The Moment is a Wild Place, Camaro, Lester Parfait, Grey Boy Says, I think. So they did that But I'm not sure about, I'm not sure whether Lester Parfait Was considered the lead single or not Hold on I have it open here So that's why I asked you guys If you'd heard it on the air because Again the station that I talk about all the time Here WBQX played Lester Parfait Over and over last year Wow And I think that I heard Grey Boy Says as well On the radio.[29:45] Damn So we were talking earlier about sequencing. I believe it was Craig that was talking about it. So we'll start with him here because when I first heard the next track, which is the Raven and the Red-Tailed Hawk, I remember thinking, what the fuck kind of sequencing is this? We go from, you know, this crazy rock song to like a kid's song. And then all of a sudden that chorus hits and you're just like, wow. I would love to be next to a fucking stack listening to that, feeling my pant legs whistle in the wind. Fucking right. That would be just fantastic. Craig, what do you think of The Raven and the Red-Tailed Hawk? I really love this song. I think there's a lot of things that really stuck out. The lyrics were great. The chorus, like you mentioned, is powerful. There's the nod to the east wind, I think, in the lyrics of the chorus.[30:47] And it's just a strongly written song. There's a very unique melody. And there's a really cool descending tremolo guitar that I thought was effective. And some nice piano. piano there's a really wild synth solo which was really cool followed by an acoustic guitar solo which you know to to the opposite of what i said last song i loved i thought bob rock killed that solo an acoustic guitar solo is very hard to pull yes agreed to make it sound you have to be spot on and not only does the tone of the guitar have to be good but you have to have the feel.[31:28] And because you hear every slide you hear every nuance you're every bend you hear every chord configuration if you're if you're throwing that in so i agree 100 craig yeah you have to be kyle gas and when you're playing a playing an acoustic soloing you don't have that sustain when you're bending a note so it's just a so someone who tries to play you know just take electric solo and played on acoustic it's not going to sound the same so i thought he did a great job of crafting a solo that worked um there was some really cool like compositional tricks with you know like you know leading tones passing tones and just lots of lots of things to love in this um and also one quick thing at the end the vocal jumps up an octave going into that last chorus just a great great trick yeah and yeah the lyrics i just you know pulled out the lyric booklet two days ago and really wild stuff what do you think justin yeah it's the same exactly the same it's a kid's song and then it's not right um and it's the the storytelling and the.[32:40] You know i can see that helmet the imagery that he tells the story um and one of these interviews um um, that Gord had done, um, which nobody knew it at the time, but it was during these sessions.[32:58] Um, he had mentioned that Bob had asked him to speak more clearly. Don't be so vague with your lyrics. Tell, tell a story that people can understand without having to pull out an encyclopedia and boy, you got it right in this one. Um, you know, this is, it's very cut and dried. Um, it's, it's nothing to figure out. I, I just love how, how clear and concise it is. And some days I just can't do it, you know? Um.[33:28] I think we've all had that. Fuck yeah. Kirk, what do you think? Well, being the elder of the group and someone who really grew up in the 80s, I heard this song. I was joking before when we first started talking on, you can't see me, folks, but I'm doing the 80s dance. When I heard that song the first time, I got that new wave post. I just felt like a kid again in high school. And when you'd hear those, we were in the heart of new wave. It was like true post-punk, like Sex Pistols, late 70s, early 80s, punk, post-punk, where it's now you're getting the precursors to, you know, what becomes Green Day and Blink-182 and everything. But there's, I mean, fuck, there's five keyboards parts on this song, five separate keyboard, you know, credits listed and you can hear it. Um, so, you know, I would say, I know I'd mentioned at the beginning, like I couldn't pick an MVP. This was one that just always stood out. I wouldn't again say MVP, but loved it. It made me feel good every time I listened to it. And then Kirk's going to roll into his second criticism of the entire, uh, series. And I believe it was, is it Tim? I was just going to say, who are you, Tim?[34:47] Like i don't necessarily have an issue with fade outs but i struggled with the fade out on this one i really did i i was like i don't come on just like end it it's a long fade out too it's a long very long fade out very long fade out so um so you know i uh i i again if you guys know i really don't care but odds it's it's all good matthew good he was also strippers union so you know yeah he did the drums on that he was also like the house drummer for the kids in the hall so oh yeah yeah so like how cool is that that you got you go from paul mccartney's drummer to you know brian adams matthew good all the stuff that that pat did so um yeah uh great song uh just uh really helping the love affair uh with the album and uh you know outside of the i could have done without the fade out um friggin loved.[35:56] It friggin loved it it's a 20 second fade out though like it's it's long it's much sort of it's much i'm usually okay with it but this was you know the one thing though the reason why i brought it up is because i kept having to look at my phone going did my phone die um because i'm like the song was the next song wasn't coming he's got late and i couldn't tell if it was going out or if it was the intro but it's yeah it's a 20 second long outro insane justin how about you buddy yeah i i knew somebody was going to mention the fade out. I didn't hate it because the song is kind of long and it's like, alright, it kind of feels appropriate.[36:38] But yeah, no, I just love the song and I don't know, how many times are you going to say the sonic sounds like nothing else you know and i i understand you know he really wasn't necessarily involved in much of the the writing of the parts, um but i don't know it's just so freaking cool yeah it is it's very cool, so luster parfait what do you think of that track that's the one song that my daughter has grabbed a hold of because of the hey hey hey um you know i don't i don't know what the song is about but i picture it as gourd's love letter to music um and you know performing live we gather in the dark um you know we can only connect um that's that may be the only way that some people connect that's how we all connected right is through music and specifically gourd's music um i just this this uh this song you can't help but feel good listening to um it's such a fun freaking song and there's horns and there's that little you know half step.[37:58] Kind of thing in the chorus and it's it's really really interesting and it's very fun and it's funny almost um just the the energy that that gourd has and that the entire i want to say band but you know the people playing in the song it just sounds like every i can picture every single person in there playing with a smile on their face you know and and just enjoying the shit out of this whole process it's a luster parfait baby would you dig into the yeah because it starts off with horns and you we haven't had horns per se um on i mean i guess is this what it sounded with davis manning like i i i'll put my cards out there and i haven't heard a lot of it so i don't really know what the hip sounded like with him, but like you've got a full on sack. So what's that, Justin? Not like this. Davis Manning did not sound like this.[39:02] Ah no he sounded like uh and i he sounded like an 80s you know bar band saxophonist that's because that's exactly what it was who can it be now i'm in at work right but the horns just hit you right up front um and uh the the sax solo like in the middle and then And, you know, a really cool, as we talked about, you know, it's got a hard ending, which is great. But in the end, that little vamp with the B3 and the piano, like Justin said, the music all around, you just, you can't listen to it and not smile and not feel like that was the energy when it was being recorded.[39:51] So the one note that I wrote here too that I think is really cool. Um and it kind of speaks to what you guys were saying is like a like a a letter to music but he described the bridge bob did uh as being essentially the sensational alex harvey band and if you don't know anything about the sensational alex harvey band just look it up just youtube it and i'll leave that there um you know i guess i'll call it like the canadian david Bowie during the Ziggy Stardust years is, is probably a good way to describe it. So, um, but how cool is that? That like throwing that right in, right in after you get these two rockers and now he's going glam and, um, yeah, this just brilliant, uh, brilliant, brilliant, uh, title track song.[40:47] I really liked the, speaking of the bridge, the sort of chromatics and the bridge. And then at the very end, it blends into the final chorus.[40:59] So, you know, luster parfait, hey, hey, which I thought was very cool. Um yeah and speaking of the lyrics at the at the start it says isn't it funny how little we can do how much we are like a scene from the deluge and i looked up a scene from the deluge because it was capitalized and i found a painting called scene from a deluge from 1806, and it's a pretty wild painting i'll just read the description really quickly the man perched on a rock hangs from a from a tree that is beginning to break he tries to pull up his wife and two children all while supporting on his back an old man who carries a purse in his hand the sky is streaked with lightning like justin right now and a cadaver floats in the agitated water it's a pretty i'll just hold my screen it's pretty wild um anyways uh pretty wild so i'm not sure what he's getting at but uh but yeah definitely what's the lyric yeah it's the it's the intro isn't it funny how little we can do how much we are like a scene from the deluge, which as you describe it, it was pretty, uh, pretty stark. Yeah. Like, yeah.[42:26] Yeah. Like he's hanging on to like his wife and two kids with one arm, like by her one arm. So I guess there's not too much he can do.[42:35] Other quick notes. I just want to mention the horns. So the horns, the saxophone is played by Tom Keenleyside, who is a local Vancouver-based saxophone flautist. And he has been all over. He has played with so many different artists. and actually the very first cassette i ever bought back in grade seven i think i just finished grade seven and i was in the kitchen i can still i remember exactly where i was and on the radio came, rag doll by aerosmith 1987 and i was drawn in by the horns because i i'm i started playing saxophone in grade six so i was drawn in by that and steve tyler's voice and that song grabbed me right away I took my money from my piggy bank and I bought a Walkman and a cassette tape you know the next day and that's really where my journey with rock music started and so Bob Rock was the engineer on that album Permanent Vacation and Tom Cunley side played the saxophone so I thought there's a cool kind of full circle for for me personally um you know seeing that he was the one And because as soon as I heard horns, I knew it was him. Listen, I don't know where you would put a showcase track on a record from a sequencing standpoint.[44:02] Music.[50:44] The vocals uh that are going on in this um you got and then going back to bob and all the guitars like you've got acoustic guitars you got two lead guitars you've got what sounds almost like what i know as like a slack hawaiian slack guitar it sounds like a pedal steel but there's nothing in the liner the the the pedal steel song is not this song um it's got that kind of a you know of acoustic and slide in the beginning and and then you've got this the chorus that just uh you know it's uh it it it's like a dump truck of love coming down with this massive gourd here i am and and you understand why many people call it their favorite and uh a song that is seven minutes in 26 seconds and sounds like it's maybe a couple minutes so when you know that a song that's that long can just like you get lost in and you don't even think that it's that long you know you know it's it's obviously very very well written craig what were your thoughts i thought the.[52:02] Yeah the chorus was was what made it and the moment is a wild place reminded me of you know like a theme throughout his work about living in the moment where whether it's the dance and its disappearance or never ending ending present and i'm sure there are many others i know we've discussed them on this podcast so that was really really a great tie-in um the hawaiian guitar i loved as well at the start and you know you have to think that it is bob rock playing that so it you know he lives in maui much of you know much of the year from what i've heard and And, you know, he's soaking up all that Island music and, and yeah, my only other real note was, um, like a couple of quick things. Sean Nelson is the drummer on this track and the last one who I had to look up and he's actually, um.[52:54] Not someone who's played on a ton of high profile albums or anything. He's a drum instructor out of, I believe, San Francisco, I read. And, you know, very cool that he had that opportunity to work on this album. And one last thing, the piano flourishes at the end, reminded me of Dr. P from the country of miracles, which was very cool. Nice callback. Wow. Yeah. That's a great. Yeah. Justin, how about you? The moment is a wild place. Well, you know, I keep referencing my love of Prague and this sounds like a pink board. I can see that.[53:38] I love that it's long. I love that it's got, they use all 88 keys. You know, from low to high, it's It's really just a beautiful song, and the lyrics remind me of Secret Path. Heal. I don't know. There's definitely some tie-ins in my brain to Channing and his story. I don't believe that. Wow. Because this was probably written before secret path was even in chords around the same time around the same time it was birthed.[54:24] Yeah. But you know, I just, yeah, I think this is one of the songs that Bob said that Gordon heard completed before he passed.[54:36] Oh, that's nice to hear. Yeah. Uh, and, but Jesus Christ, the range that this guy has, right? Like, uh, I don't know. It, it, I fall apart whenever I hear the song. It's it's in in the best of ways you hear this song and it's almost like has he not been trying all these years you know because he's like he's got this in his fucking back pocket holy shit you have this in your back pocket and you're 50 years old time gourd god the other thing that i think is is uh something i just want to comment on really quickly is somebody who deals with mental wellness and is uh working on his mental health i look at this song almost the same way i look at the darkest one in that it's got this sort of clever twist right it's like the wild are strong, and the strong are the darkest ones and you're the darkest one so it's like starts out as almost this great compliment but it turns into something else and in this song it's like hey everybody you got to be in the moment you got to be in the moment but sometimes the moment is a wild fucking place that you don't want to be in so i'm going to put a bow in this jd and you guys.[56:04] So yeah i had mentioned earlier i was you know on the rooftop in madrid and i'm listening to the I'm listening to the Kevin Drew Niles interview, and you'd put this song in, sorry, Inside Baseball.[56:23] This song comes on, and it turns midnight in Madrid, and frigging fireworks start going off everywhere around the city. And I don't know if it was the transition from June to July. I don't know if it was the Spain had just won their Euro cup game earlier in the day, or if it was just, you know.[56:52] Tuesday in Spain at midnight, we like to put off fireworks, but I'm, I'm, you know, up there. Like I said, I've had a few glasses. I'm feeling wonderful. I'm jet lagged. I'm listening to that brilliant, brilliant, brilliant interview. The song comes on and fireworks start shooting off quite literally in the middle of it. So the moment is a wild place. Yeah, sure fucking is. Boy. Well, let's move to track five and something more. Craig, how do you feel something more lives up to its role as a follow-up song for The Moment is a Wild Place? This is a tour de force song and a showcase piece. Is this the right sequencing order? I'm just curious what you think. Yeah, that's a good question. I'll need to think about that some more, but I do think the song was quite good. It reminded me, vocally reminded me of like earlier Gord.[57:58] And it's the first song on Lester Parfait that did sound like a previous version of Gord. The horns are great, which is what makes it sound so it doesn't just sound like a copy of something that he did earlier. There were some great dissonant guitar shots that were very cool and a little horn part. And of course, we have to shout out the drummer on this song because it is none other than Johnny Faye, who makes an appearance a number of times on this album. And you can tell. He just has such a great... He's playing on an album with Pat Stewart, with Abe, and he fits right in there because he's just such a musical player.[58:46] He has such a great tone to his drums always, and it was just a treat to hear him again. He's also listed as backing vocals. I think that's on a later track. I think track number 11, I think, for some reason. Oh, okay. All right. Right. But speaking of vocals, I have in my notes that Johnny Faye said this was Gord's best vocal ever recorded, hip or otherwise. I've never heard – I've been listening to him since 1989, and I've never heard anything like this. Right, right. There's a lot of strong, strong Gord vocals. And he's also got a very powerful voice. We know that because watching a special video of his later performances where he's more guttural and screaming but holding the microphone down at his belly button. And you can still hear just how powerful his voice is. That's really wild that Johnny Faye would say that. This is the first one that, at least for the album version.[59:58] This song is actually towards the end. So kind of wild. Or at least from a lyrical standpoint, it goes something more in the field, and then there goes the sun. So it's one of the last three songs on the album. you've got an error your album's on that skirt my album is a wild place i'm not i'm not even lying guys i'm not lying look at it right there it's third from the end odd odd that that you know as we talk about the sequencing that's the listed you know outside of the comment from johnny i just you know gothic synths driving drums bright horns really amazing solo um uh just I like it actually in the spot that we're talking about it from a sequencing standpoint, as opposed to towards the end. Because it is one of those that, I guess they're all in the MVP category opportunity, but this to me might have been in the upper quarter of MVP opportunities.[1:01:04] What do you think, Justin? um i spent a fair amount of time on the lyrics on this one and trying to there's a lot of stuff that's in quotes um and i tried to figure out what he was referencing by a lot of stuff and the only thing this is the silliest thing that i think could have come out of this was the cool hand of a girl all i found for that was a mexican restaurant in toronto jd have you been there it's It's called The Cool Hand of a Girl.[1:01:39] Hand of a Girl. That's the only thing that I found on the internet with those words in hand. No, I've not heard of that restaurant. No. And I did some research on the restaurant, and it's been open since before this was recorded. So was he talking about a Mexican restaurant? It's an MO, man.[1:01:59] Yeah um i i did love the uh the line i legalize criminality and criminalize dissent i love that because i american who is fucking terrified right now and um that's where i live is where criminality is legal and dissent is criminal uh quite fucking literally, um i don't know the um you know you guys had referenced that this is this is sort of old gourd and the thing that really stuck out for me because i felt the same way it was yeah he said fuck you in this song and this album to that point feels too clean to have those lyrics, to have him say that. And the way that he says it is really live-gored, you know, the ranting voice, almost. He drags the F out in that word.[1:03:09] I like this song. It's not my favorite. I don't know why it's not my favorite i don't know why it's not not my favorite but um yeah this song is is fine and it the the as far as the sequencing goes you know the moment is a wild place is such a deep valley um that this just gets us right back up in the air and and we're on to our next stop and And, um, I, I liked the energy of it, um, to follow, um, yeah, in a wild place. But, um, other than that, I don't know. I think it's got another showcase vocal, uh, toward the end, the latter third of the song when he goes up high. Yeah, for sure. I don't know if you guys, uh, like, I'm not going to try and sing it, but do you know the part I'm talking about where he goes up very high? Yeah. Again, that's not something we've heard from him before. Him going into a place like that.[1:04:15] I could see the classic Gord sweat in this song. He worked hard in this one. And you know what? Moving on to Camaro, I sort of get a sweaty kind of vibe from this one, too. What do you think about this one, Justin? My first thought was, is Gord a secret car guy? like that would be amazing for you oh, No, I mean, this, this is, uh, this is, you know, you're in high school and this is the first car you can afford. Um, this is not a nice Camaro, by the way, the, I had, this is a, this is a 72 that nobody wanted and I found it for 400 bucks in the classifieds and let's go, you know, um, uh, I don't know. It's got no floor on the passenger side but everything else is cool you can see the lines on the road through the friggin' drin you can Barney Rubble it, it's a piece of shit but it's my car, it's my wheels and I love it, I actually went back and listened to other Camaro related songs.[1:05:33] Kings of Leon and Dead Milkmen Bitchin' Camaro You know, just, just, I went back to that for some reason. I don't know. It was, it was cool to just kind of revisit that. Bitching Camaro. Did you see Justin on this particular song and this actually brings up a question for me. The song is Bob said was written because that's his wife's favorite car was a Camaro and then he gave it to Gord and Gord was like, I don't want to write about a Camaro. I'm going to write about a girl named Camaro. So the lyrics are about a girl named Camaro but the title Camaro came from bob's um and this is again this is just what bob mentioned about it um his wife's favorite car so apologies yeah and isn't that crazy isn't that totally crazy and and.[1:06:36] Yeah. You know, a great song. Um, I have, uh, I have like talking heads listed as kind of a vibe in, in, in a lot of them actually have a real, you know, kind of eccentric talking heads, kind of odd jazzed influence horns, um, as well. So, yeah, but anyway, love that. It's a girl named Camaro. Great. I love the line of the chorus, Camaro, the name means just what you think the car can do, go. Just the way he phrases it is just very odd. Until I read it, I didn't realize what he was trying to say at the end.[1:07:16] And yeah, just very cool phrasing. it reminded me of um i couldn't get the simpsons out of my head the canyonero canyonero, but that's just where my mind went but my also my dad had he's currently rebuilding a uh a 1980 camaro in silver so i'm uh i actually just texted him to see if he could text me a picture of it but he's uh he's a car guy and yeah he's working on one as we speak so So it did bring back a memory that I had repressed from high school where I got a ride with a buddy's sister's boyfriend who had a Trans Am, you know, like a Burt Reynolds Smokey and the Bandit vintage. And we went 140 miles an hour on the way home. That's the only time I was certain that I was going to die was in the backseat of that car. And it's a Trans Am, not a Camaro, but same thing. Yeah. Yeah. Night.[1:08:15] Music.[1:12:50] The North Shore is the first track on the record to me that sounds like vintage hip. It could be at home on Day for Night, a different production version of it could have been on Fully Completely, maybe even Hen House. It's of that sort of vintage. Am I totally crazy, or am I barking up the right tree, Kurt? Yeah i mean i have i have written uh alt rock style um kind of ballad so you know that's i think that hip would fall into that that uh realm but the song sounded big to me it got big you know it starts off with that kind of acoustic piano in intro and um and and the cool thing like most scored lyrics is like is he talking about the north shore of maui is he talking about the north shore of you know lake ontario everyone because like everyone kind of has a north shore, and um i i uh i i i just appreciate again the his ability to um.[1:14:05] Keep you guessing and keep us talking for many more episodes of podcasts to dissect Accord's lyrics. Yeah. And I recall seeing an interview with Bob Rock where he kind of mentioned the same thing. He talked about the North shore in Maui. There's a North shore in Vancouver where, you know, Bob Rock would, would know about the North shore that I actually spent the first four years of my life on the North shore in North Vancouver. And, um, I'm I'm thinking he's probably talking about the lake only because he mentions, I think it swallows, which there wouldn't be, I don't think in Maui on the North shore there. It's much too windy. There's little sparrows, I think, but I could be wrong.[1:14:46] But, but yeah, it's meant to be for wherever your North shore is. And it really is a great song. It could be, could have been a radio hit is that, that type of song I did. This is one of those songs that earlier on I had a critique about the chorus being too generic. So the chord structure is one we've heard a million times. But then the more I listened to it, I started thinking, well, there's a reason this chord structure has been used a million times. It's powerful. And when Gord is added to this mix, it does sound original. And it sounds great. I really love the harmonies at the end in the guitar. There's some sort of like Boston seventies via seventies, like guitar rock vibe on the, on the harmonies, which I dug or like, or like almost like a thin Lizzie or something. So yeah, solid song all around.[1:15:39] Justin, your thoughts. Yeah. I actually, um, view this as a followup to the last recluse. Um, like, yep. That's all that to me lyrically. Um, I also went back to Summer's Killing Us from In Between Evolution, because I really do love the lyrics about one more breeze and summer's complete. And then at the end, he goes back to summer lowers its flag now. And obviously the word is summer. And so that is my tie in. But, you know, the the uptempo of summer is killing us and summer exists at the fair. Right you know like this is yeah summer kicks ass and then this is the end of it like we're going back to school now and uh the leaves are falling off of the trees and you know it just um i also really loved the line we occurred to each other 48 hours a day how fucking amazing is that line um when you're in love holy hell that's that's all you think about and um.[1:16:52] Fingers and toes 40 things we share you know uh yeah or fireworks um yeah believing in the country of me and you that's what it was yeah yeah yeah i agree with the last recluse reference though and the way he sings it is actually very similar to we held hands between our bikes it's very and if you've seen the video for the last recluse as well they actually show that with you know these two kids with their yeah well um track number eight is this nowhere kirk this song like i even have i told you about my nights at the ihop i would go after work here over the last couple days and and it's the right next to the hotel and it's simple and so i wrote this on a little napkin holder and my note says it's the same phrasing as one from.[1:17:42] You too i'm sure you guys all that's right yes yeah so and then all of a sudden what's that justin reference to it too midway through the song oh yeah it it's not getting better like he's bull right he is ripping this song he's admitting yep that's a great pick up justin yeah good friend right and then you have one more coffee in the bill which is gonna come up later as one of the lyrics and the backing that the chorus just boom shade shade of all now is that someone that you guys were familiar with ahead of this because I didn't know anything about her until I did the research Justin yeah No, Craig has a story. So Che, Amy Dorval is someone I had to look up because I heard the vocals on this song and I was so blown away by the backing vocals that I had to look her up. And she's from here. She's from Vancouver.[1:18:49] And I think she may be based out of Toronto now. I'm not quite sure. She has a couple of dates coming up in Portland and Seattle, I believe, but nothing here. So I was hoping to go check her out. But yeah, it turns out she worked with Devin Townsend on a project called Casualties of Cool. And so I went onto YouTube and looked that up. And it's very, very cool. Kind of like ambient stuff with just beautiful vocals. And yeah, Devin Townsend is a local musician who, yeah, I remember playing back in 95, sharing a bill with him when he played in a band called Strapping Young Lad. And now he's like a, you know, worldwide world, you know, renowned, uh, musician. And, uh, yeah, we have a, yeah, we have a bit of a band connection with him too. That I won't get into on, on air, but yeah. I want to love you.[1:19:45] That's so cool and then just my last two things on this song um, bob wrote five songs on her solo album and i don't know that he helped with the production he may have been the producer on it but he he wrote five songs with her very in a similar style that um he did with gourd but this is the part that gutted me gourd didn't hear the vocal, It was added after he passed.[1:20:43] I mean you know there's so many haters out there you know he the guy produced the the biggest album of the 90s like the the biggest decade for music um you know i'm pretty sure sales wise yeah i'm pretty sure the 90s as far as like you know you know actual physical product i gotta say this about bob he gives two fucks yep and it's just good for good for him to work with two he just he's living in maui with his wife and his horses and spending time with his kids and you know try you know yeah oh yeah i got to deal with this bon jovi album or this you know offspring album whatever else and then i'm gonna go and wake up and pick one of my 700 guitars and he's got he's got like just he's got he's got music for days but he doesn't sing so i mean he does a little backup vocals or whatever else but i love that about because you know i'm kind of teetering on this i love the bob rock hip albums and of course i am loving this album and and i appreciate the other stuff that i mean metallica that you know that i think that especially if you're a musician like i think i know every main riff from the black album i can't play it all but i know all the riffs of you know sandman and and um and i loved watching that documentary you know almost swore out the VHS. So I'm telling you how old I am again.[1:22:08] Yeah. Another thing about that song, I love the part after the chorus. There's that melody, the da-na, da-na, just at first it kind of throws you, but it's a really great choice.[1:22:20] And I'm going to give a little critique here. This guitar solo kind of kills me. It, it, it's just so generic and kind of boring. And actually now that you bring up the videotape of the, the Metallica, I think it's called day in the life of, I used to have a video VHS copy of that too. And there's a, there's a time on that when he's giving Kirk Hammett such a hard time about the solo. I think it was the unforgiven maybe. And he's just like, no, do it again. Do it. Gotta do your homework. Gotta do your homework. You don't do your fucking homework. So I was picturing like Kirk Hammett being in there, like giving him a hard, like hard time. And, you know, he needed, he needed Bob rock and needed a Bob rock on this song. I think.[1:23:07] Well, again, I think it comes, it comes from the fact though, too, that we've been listening to, you know, these bands and, and these records that have such a feel to them, you know, a cohesive feel. Feel and this record doesn't have that same sort of cohesive feel it's it's all over the place right 14 songs 14 songs that's in in in all the things you read he he gave him 14 songs and he got 14 songs back there was no added there was no cut it was 14 14 straight across and and at no point did i see anything that said like okay this this track was written in 1985 this track was It was written in 2010. It just was part of his cadre of music that he's had lying around. And again, I'd really be interested to know if the titles are Bob's or Gord's. I'd be really interested to know. I guess ultimately it would have come down to Bob in the end. But I'm sure he would have respected it. I think Gord, in their discussions, they would have had. I'm sure. But you're right. I mean, they are co-producers.[1:24:23] Co-writers of the of the record yeah craig i'll put a bow on your statement this was sorry i'm i'm getting a little too flowery with the bob rock quotes and everything else but his statement was budget wise i was the only guitar player available, so there's your answer to the solo okay okay sorry bob i i really i should say i i'm a bob rock fan i love both of the hip albums he did and and like i already mentioned my permanent vacation story and also sonic temple was a big one for me when i was young and that was his yeah me and my buddy found that cassette tape on the side of the road by my dad's work someone had thrown it out the window or something and we found it no no case just the tape and took that home and And yeah, so I'm a big, big Bob rock fan. So sorry, Justin. Yeah. I mean, apart from the backing vocals, I don't love this song. Um, and I think it's kind of the reasons why you guys said it's just not something musically doesn't do it for me. Um, and that's no disrespect to anybody, but the, you know, the background vocals are just so freaking stellar that it's it props the song up probably higher than it should rank for me.[1:25:48] Um yeah and i really you know i didn't care for the youtube the youtube riff and and it just it's just strange right it pulls you out it almost pulls you out of the song because you're like thrust into another song but like i said i do i do appreciate that gourd references the u2 song yes and says it's not getting better that's very cool okay all right well then we know what we're doing at least yeah good on him for for recognizing that and i'm guessing it was just an accident then he he either he noticed it or someone else pointed it out and then yeah know, I'll just add a lyric in here and it's all good. I think it's better than one personally. The next song is To Catch the Truth. Kurt, we'll start with you. Yeah, man. So here we go. We got a ska song, a frigging ska song, in my opinion. No doubt, Mighty Mighty Boston's, whatever your flavor is. But.[1:26:51] I love ska. I love ska. My wife loves ska and we grew up in Orange County. I used to go see No Doubt, play at colleges and play at local bars and crap like that.[1:27:07] And Mighty Mighty Boston is probably the – not even probably, by far the loudest concert I've ever been to, leaps and bounds. But gorge's doing a ska tune um west coast punk was uh was mentioned in a couple of the reviews that i saw vancouver's scene dug in the slugs um it's just a fun great song you know the beauty of ska at least from my standpoint so um loved it absolutely loved the tune jay dog yeah i uh remember very fondly uh watching real big fish in a very small room and um river city rebels were a big ska band horn band here in burlington and i used to you know sneak into shows underage and and love it um it's a fun song it's just fun and um gourd packs a lot into this song um it's i don't really have any any critiques yay or nay other than man i remember being 15 16 years old and going to these shows and having a hell of a good time when i first heard this song the the amount of compression bothered me it's just like.[1:28:31] You know squished and also i found it strange i was thinking in the realm of like goldfinger or something like that and in what in one channel you've got the guitar the other side you've got the piano and i found the way the piano was so clean was a bit bothers bothersome at first, and i had a note i wish it was almost like rag timed up a bit like or you know a bit like maybe even a bit out of tune or just something to give it a little bit of personality that would be my one see this is the song that i felt was like the the mouth i did yeah i think it was the piano a melody but what i mean is is the actual sound yeah no but not the sound i i hear what you're saying craig it was too clean it needed to be like someone had a mic in the room of a saloon with some out of tune piano and then that would have been the that would have been the flavor that would have been the added that well because i like my note west coast punk like you don't tune up when you're playing punk songs you play what's on the friggin guitar that's exactly what So I hear that. I think that's a very fair, very fair criticism.[1:29:37] After listening to it on the CD last night, though, I found that it wouldn't have worked if it was done as a more sort of raw punk or like, if it wasn't compressed in that way, the vocals would not have popped in the same way. And so I think it was probably the right choice in hindsight. But like I said, if it could be just dirtied up a bit in some way, I think I would have enjoyed it a little bit more. I did like the beginning. It's kind of like a strange introduction. There's also those hard stops at the end. What's real? What's fake? There's not a dirty song on this record. You know, this record is not, it's not got, it is like that Camaro. Somebody's out polishing it with a shammy. It's pristine and clean. Let me howl.[1:30:29] Music.[1:36:30] This was one of my favorites. Really enjoyed this song. Really strong melodies. It's unlike any other song in style. And again, we keep coming back to this, but it does not sound like any other Gord song. Doesn't sound like any other song on this album. Very much like an 80s vibe musically. There's a, you know, because I've criticized some solos, I will say I did enjoy the clean guitar solo on this song. And then there's a sax solo that comes in over top of that and i like how that how the tempo goes into halftime and then it kicks back in at the end yeah solid song so i got i got big money from rush in the intro that's what it felt like to me okay so just think of that synth you know.[1:37:21] Big money when before it comes in so but you're right man that that breakdown with the guitar and the sax i just kept repeating that i freaking loved that like and you know you guys you know i i'm i like the dead and and one of the reasons why i think i like the tragically hit because they are jam band no matter what you say they are jam band and they're not going to go off into crazy solos well they did go off into crazy gourd vocal solos you could say right but you know rob's not ripping it for 25 minutes and and you know breaking out the wall and making sure you're you know timing your dose just right but um it it i i love that part to this is that um that that that breakdown. Cause you just, and again, and I'm also a big rush fan. So that intro, so yeah, yeah, this is one of those, like I said, I didn't have my MVP, but this was definitely like a strong, strong candidate. And then my final note on this, this was the last vocal recorded before he was diagnosed is some research that I did. So this was the last vocal was let me before, before he was diagnosed entirely for me.[1:38:41] Not necessarily the meaning, but just context. Wow. Been hitting the head with the shovel here. Who else needs to talk about Let Me Howl? I think it's just Justin, right? Who, me? Yeah. Yeah, the sax makes me feel like I'm driving a cab in Manhattan in 1986.[1:39:06] And it's raining out. you know uh it's so freaking cool and it's a long song and it does weird things i remember the first time that i heard it i thought that we were going to have a fade out on the on that half you know the the slower beat um or the half time whatever you want to call it and, and then out of nowhere this massive film and and we're back and we're faster than we were before, right like it there there's a sense of urgency at the end of the song like let me howl here like i'm i gotta get this out and um it's really really fun like again it's, you can slow dance to this song and you can boogie to this song and you can, i don't know it's it's really really fun and um it's up there for mvp for me it's not my mvp but it's top three or four. I also like how the chorus, let me howl. And on the word howl, he has this like glissando up, like a slow glissando up along with the harmony, which is what a wolf does. Like, um, he's not going clean from one note to another. He's got, he's, he's like slurring up to it. Okay. And like, like a wolf would do when they howl.[1:40:30] And also there's some very slight changes to the way he sings it, I believe, if I'm remembering, if this is the song I'm thinking of, where the chorus slightly changes like the notes he's singing different times or the harmony changes. Something changes a little bit that I thought was really cool. I didn't listen to it today, so.[1:40:52] Justin, hell breaks loose. What do you think? I immediately, before I knew it, I knew that this was Johnny Faye playing drums. Um yeah and uh it's it's a it's a really cool again and like i just referenced new york city um and it's in the first line of this song like and he paints the picture of walking into a bar and it's kirk watching a soccer game right uh fireworks on the roof elbow one of the very first dates with, with my, with my wife, we watched a world cup game in a, in a bar that was shoulder to shoulder and it was two teams I didn't give a shit about and everybody was cheering and everybody was drinking and it was, you know, and then one guy got pissed off, bigger screens, bigger feelings. Right. And it's, it's cool.

This week on the pod we wrap up Gord's discography with the Bob Rock collaboration, Lustre Parfait.Transcript:[0:00] Long Slice Brewery presents a live event celebration of Gord Downie, July 19th, at the Rec Room in Toronto. Join the hosts of the podcast, Discovering Downie, as they record their finale with special guest, Patrick Downie. A silent auction with items from the hip and many others will take place, along with live entertainment from the almost hip. All proceeds will benefit the Gord Downie Fund for Brain Cancer Research. For more information and tickets, please visit discoveringdowney.com. Clutched clipboard and staring out past the end of her first day into tonight and all the way across oceans of August to September. It makes for a beautifully vacant gaze.[1:08] Music.[1:42] Hey, it's J.D. here and welcome to Discovering Downey, an 11-part project with a focus on the music and poetry of Mr. Gord Downey. The enigmatic frontman of the Tragically Hip, Gord gave to the world an extensive solo discography on top of the vocal acrobatics in the hip that awed us for years. Gord released five albums while he was alive and three more posthumously.[2:09] Now listen, you might think you're the biggest fan of the Tragically Hip out there. However, why is it that so few of us have experience with this solo catalog? Have you really listened to those solo records? My friends Craig, Justin, and Kirk, giant fans of the hip in their own right, fell into that camp. So I invited them to Discover Downey with me, JD, as their host. Every week, we get together and listen to one of Gord's records, working in chronological order. We discuss and dissect the album, the production, the lyrics, and we break it down song by fucking song. This week, we wrap up Gord's discography with an album attributed to both Bob Rock and Gord, Luster Parfait. Craig, how goes it this week? week things are okay a bit of a break tomorrow going off on a little family trip for a couple days meeting my parents and sisters uh you've never met your parents before this is big news dude yeah yeah i think they're gonna like you man congratulations and then yeah and then shortly after that head off to toronto for for an event with you guys whoop whoop yeah How are you doing, Kirk?[3:30] You know, guys, I'm doing pretty good. It was 107 out here in Boise, Idaho, where I'm on show site. As we mentioned, I was in Europe last week, so I'm not quite sure time zone, temperate zone, what zone I'm in. I just – somebody point me in the right direction and I go. So I'm doing good, though. We had such a great time. But more importantly, I'm just really excited about next week and just hanging with you, you lads and checking out all the stuff that we have planned and, and, you know, especially that the event. So I'm that energy will get me through whatever jet lag, whatever heat stroke, whatever heck I encounter over the next seven days. So, and what about that new item? The hip gave us today to go towards our silent auction. Someone's going to get some major bragging rights. Man, we can't say what it is, but-[4:27] We might be fighting internally for this. We'll be revealing what it is, I guess, Friday. And some other great prize stuff, too. JD, you just told me and Kirk about this ridiculous prize that we got. Craig's got it memorized. Yeah. Two tickets to the Toronto Raptors. $500 in arena gift cards. and two customized or personalized jerseys and a shoot around. Man. Are you ready for this? Come on. That's great. Jadon. Yeah. You're in, you're not in Kansas. Tornado Alley. Tornado Alley. But there's twisters about. Yeah, we just had a...[5:51] And then 20 minutes later, there's a video on Facebook of a frigging tornado a half a mile up the street. What the hell? So we're fine. Yeah, that is freaky. If you look out your window and you see somebody riding a bike in the air, you're in big trouble. With a dog in the basket. That's right. Cow. Yeah. Yeah. Yeah. Yeah, but dude, I'm, I'm good. Otherwise without the weather or with the weather, I'm good. And I'm psyched for next week, man. Ooh. Yeah. Let's go. Justin. I tasted the podcast. Pilsner officially tasted it now. I had four of them at home. I gave two of them to my father-in-law and I drank two of them and they were very crisp. Delicious. Yeah. So it's going to be a lot of fun. Yeah. Awesome.[6:47] When word broke that we'd be getting a third posthumous record from Gord, there was a hush and a wait and see approach. You see, Gord had partnered with Bob Rock back in the 2010s, shortly after Rock had produced probably two of the most divisive records in the Hips catalog. I enjoy both these records a lot, but your mileage may vary. In any case, it was an uneasy feeling for fans. What would this album be? As it turns out, it's a whole lot of everything. There are songs that are reminiscent of the hip, like North Shore. There are horns on the title track, which we got to sample about six months before Lester Parfait dropped. And it relieved us.[7:41] There's even something resembling rack time? Suffice to say, as we've gotten used to saying around these parts, this album is altogether, folks, unlike anything Gord has produced before. It's been said that Bob Rock has a tendency to overstuff the records he produces. It's as though he's just been given access to a 48-track board and he feels compelled to use every last fucking track. rack. On this record, however, his hand seems firmly on the rudder. The songs come across as overly polished, of course, but never too indulgent. If there's one complaint I have, it's that there's too many goddamn songs. On a record as varied as Luster Parfait, you're almost overstimulated by the end. You've been through so many different styles and sounds. If I had it my way, this would be a tight 10-song record, and with the right tracks removed, I dare say this is a collection of songs I would put head-to-head against virtually any other record in Gord's oeuvre.[8:59] Yeah, I think it's that good. There are highs and there are lows on this record, as there have been on each of the albums, but on Luster Parfait, the highs seem higher to me. Have we ever heard Gord sing like he does on The Moment is a Wild Place? Or something more? Have we ever heard a chorus as striking as Is There Nowhere? By the way, big hat tip to Shea Dorval for providing those gorgeous backing vocals. At the end of the day, has Bob Rock redeemed himself with this effort to the haters out there? I would offer a resounding yes. Yes, this is a record that should be listened to loud and on a good pair of headphones. There is so much going on, but it all seems to have a purpose. That's what I think of Lester Parfait.[9:52] Tell me what your experience with the record is, Kirk. Yeah. So the first real listen I had to this album, because I'd been pretty busy with travel and whatnot, we were on our family vacation in Madrid. And beautiful little up on the top of the hotel looking over the city and just enjoying the wonderful atmosphere. And, um, I was actually listening to that kind of rough cut of our, um, rough cut of our interview with, uh, Niles and Kevin. And he had referenced like that. He thought that, you know, the, the, the moment is a wild places is, was his favorite song. And I'm just like, I can't hold off anymore. I need to jump in. So that was my first experience was listening to it, um, on, on the roof in Spain. And since then, it's just been a pretty incredible journey. I spent a lot of time like listening to Bob Rock interviews and, you know, just really understanding where it's coming from. And as you mentioned, JD, like, you know, I understand the divisiveness and whatnot, but oh my gosh, I, I was already in love when I listened to it the first couple of times at this point, you know, I'm, I'm firm in my, my commitment to, to in Gord, we trust, you know, And to see that...[11:17] That friendship. I mean, he, he, he makes the statement. We were like two teenagers that were in the studio, just making music together. And, um, you know, to hear how the whole process went and I know we'll get into it and everybody, you know, obviously we'll provide their input. Um, I fell in love with it even more, you know, and, and the variety on this, this album i mean guys we got reggae we got we got west coast punk we got 70s glam we got 80s synth pop we've got you know it it just every even within certain songs you'll have a jump from one friggin genre to another and then you you know you start looking at all the studios they recorded in, the process that it took, the number of years, the people that are involved.[12:13] And especially after we've discussed with the last three albums, like it was just fun to, I felt like, I felt like I got a warm hug from Gord. I really did. Just like, I just was all that, that we went through. It was like, Hey, this is just when it's fun. And this is, this This is for you, music lovers. That's what I felt. That's what I felt. I love that. I haven't watched much with Bob Rock, but I did read that one of the reasons why it took until 2023 to rear its head was because it was too painful for him to, like, he was really emotional following the death of Gordani in 2017. Absolutely. Because they had gotten lungs. Yeah. They had become such close friends and, you know, they reference, you know.[13:09] Uh, Gord flew out to talk about world container and they'd figured that out in 15 minutes. And then they spent the rest, the rest of the conversation talking about being dads, being Canadians, being hockey lovers. And, and then that just continued. And I think those guys, you know, with the level that they were at, I think they kind of found it was a peer to peer relationship.[13:32] And I really felt like they found refuge in each other. And then I think they sought it out because it was a long relationship. I mean, was it 06 when World Container was being made or coming out? Up until the very end. And that's when they first met is when he came out, or at least per what I had listened to. You know, they flew out to Maui, to his studio in Maui, Gord did, and then, you know, like I said, Discuss World Container. And then they didn't really do much as it was described until after the second album, We Are The Same, that they did. And then that's when the, you know, that relationship in the music for Luster Parfait started. So yeah, I mean, I recommend everyone to check into this. And Bob rock doesn't seem like, you know, like you.[14:25] You just, he didn't, didn't do a lot of, I mean, of course he gets on the documentaries, he gets a lot of airtime and whatnot, but beyond that, you know, there's not a ton, I guess, but the stuff specific to this is well worth, you can just hear the genuineness all these years after, like last year was a lot of the interviews that were going on and he's still breaking up. Like you're still oh yeah um and he's just he's like you go bob rock and you like you think the guy's flying you know coming in on the learjet all the time and he's like most of these interviews he's like just got done feeding his horses craig what was your first experience like i was also traveling uh down to seattle for a ball game and i was on on the amtrak train taking my notes and i I actually wrote, I'm going to read this and don't get mad at me. But I said, hate to be negative on this last album, but there's a lot to pick apart.[15:25] Two days ago, we were supposed to record this episode, and we had to postpone. And that evening, at 10.30 at night, I texted you guys a photo. A package arrived, and the CD was dropped off by Amazon. So I got the CD, and I started looking at the lyrics. And then the next day, I popped it in the car. And it's been in there for a couple days now, and I've been listening to it quite a lot. And my opinion has totally changed. Changed it's like some of this and i think it's what you said jd it's it's a very long album and so some of my favorite songs come at the end and what i what i've been doing is hitting shuffle and that's when it really started to um pick up for me is when i started listening on shuffle before getting the cd that i liked hearing just random songs come on and then and i thought it it was a problem with the sequencing at first but then i realized it's probably more because when the album came out i did listen a couple times when it first came out but i think i only got through the first four songs and so now i'm getting to know and love these later songs and then when i got the cd it just all kind of started working for me and i'm like wow some of the things that i was going to be nitpicking on today's episode i think i've I've grown to appreciate Justin, my man. Yeah.[16:51] Talk to me about your relationship with this release and has it changed since your first listen? So I pre-ordered this last year and yeah, this, this CD was in heavy rotation for me until, um, until you asked us to be part of the podcast. So I've been cold Turkey since January or whenever it was and waiting for for this week to get back into it. Yeah. I love this album, and I wish that Gord had done a Broadway show.[17:27] Um, could you imagine after hearing how strong his vocal is? Um, and especially during this time period. And it's funny, Craig, that you mentioned that you did not like this album. And then today you changed your mind. I took a break from this cause I've been over listening and I went back to the grand bounce and I love that freaking album as of today. And everybody knows I did not love that album when we were doing the podcast. Yay![18:00] Yeah. I love this news. It grew on me big time today. And Justin, one of the interviews that I watched, they actually said that the lyrics were almost like a screenplay on Luster Parfait and that there is a movie inside this album. It's just no one has brought it forth. So I like that. Broadway play. Movie i think i saw some of the same interviews you did um the one with uh terry mulligan was i actually listened to it a few times um to pick that apart but um yeah it would be it would be fantastic if that film was to get made or some sort of video component to this um but you know this was at gourd's you got to remember this the vocals recorded a decade ago and this was at gourd's busiest period and i would say his strongest period um vocally um and seems that way but you know bob also said in the in the interviews that he intentionally um potted gourd's mic up so that it was more on the forefront you know with the hip gourd's voice was an instrument um with this album it is the show and that absolutely rings true and you know jd the the songs that you mentioned just...[19:24] Kick my ass every time i hear it and i've heard them i've heard them 50 times at this point you know without exaggerating um yeah it's it's a very cool album a very confusing album uh stylistically um and it's very long but i can palette that um and i had the same issues craig um with stopping and starting and you hear you've you know you've heard the first six songs on this album probably twice as many times as the final seven or eight um and it's just it takes a commitment to get through it um and every song is long in addition to them there being so many of them um you know there's several songs that are five or six minutes um yeah seven and a half right it's for the moment is a wild place and i'm really interested in in your guys's uh mvp, yeah tracks for this like more than any other album we've done yeah because i think it's going to be all over the place i i've got mine and i i think this was like the easiest choice i've had to make and this is the first time i don't i quite literally don't have an mvp i'm i'm pulling the trigger when we talk every other album first three listens i had it down i mean i'm usually the first one to chime up i i can't i i just haven't been able to pick one it's strange that that it's It's opposite.[20:48] Should we try and untangle this web that Justin just spoke of, this mystery of a record, and go track by track? We start with, Greyboy says.[20:59] Music.[24:42] I mean, from the first note, it's like, what the hell are we listening to? And in the best way, you know, I just had no idea that this is where we were going. You know, and I love World Container and I love We Are The Same. And we all know everything else that Bob Rock has done. And this is not any of those things. It's bizarrely different. Um, and who the hell is gray boy, right? Like I've spent a year now trying to figure that out. And I thought I'd read something that it was a DJ. Um, yeah, I read that too. I'm not sure if it's true or not, but there's a DJ out of San Diego, uh, named gray boy. Um, sort of like an acid jazz DJ I read and it could be him he's referencing, but I'm not sure if that's no idea. Yeah. Um, but yeah, it's just a, a total, it's a mind fuck right from the beginning. And, and I was really like, okay, I'm turning this up. Um, you know, I remember listening to it in my car, um, the first time that I, that I put it on. However, I wanted to ask, um, JD and Craig, if, if you guys had any of this, um, on air in Canada, did, were any of these songs played on terrestrial radio? Yeah.[26:05] I don't recall hearing it on the radio i don't listen to a lot of uh local radio i'm usually, you know serious yeah xm listener but um but no i didn't hear it i did see the video though and so this song is a song i heard right away when it came out because of the the video which uh if you've seen it it has um some of the guys from offspring dexter nude and yeah and And when I look at the track listing, they don't actually, they don't play on the track. So they were just kind of there for the video and having fun filming the video. And Bob Rock's got James Hetfield's ESP that he's playing in it. And so it's a pretty cool video.[26:49] Did you guys recognize the drummer? I did, yeah. So Abe- Abe Laborio Jr. That's Paul McCartney's drummer. Yeah, really quick connection. When I was in my original band back in the 90s, we had a drummer who filled in for us fairly often when we were down a drummer. And he was roommates at Berklee with Abe. Really? And I didn't meet Abe, But one time he was in town for either sting or McCartney and our singer slash, you know, front front man got to jam with Abe and he came back and told me that he has never felt anything like it being in the room with him. He said when the, when the kick drum hit one, it was unlike anything he's ever experienced as a musician. So it was just that tight. And you can hear that tightness in his playing. Yeah. I mean, you don't get picked up as Paul McCartney's drummer, unless you know what the F you're doing. 20 years.[28:17] Video and, and, And he even plays and he's like, he's a beast of a man, right? He's, he's, he's, he's a big guy, but he's just sweet. I've had opportunity. There's a show called ma'am national associate music merchants. If you're a musician, you should know about it. It's every year in Anaheim. So it's pretty close. So I've been going for years and years and he's there quite a bit. And so, you know, had few little interactions and he's just, yeah, he's a, he's a sweetheart just, and, and an incredible musician. Oh, wow. Incredible musician. Well, they did it weird, right? Because they released Lester Parfait, and then they released a three-song EP, or maybe that was the time they released Lester Parfait. And then they released a six-song EP. And it had The Moment is a Wild Place, Camaro, Lester Parfait, Grey Boy Says, I think. So they did that But I'm not sure about, I'm not sure whether Lester Parfait Was considered the lead single or not Hold on I have it open here So that's why I asked you guys If you'd heard it on the air because Again the station that I talk about all the time Here WBQX played Lester Parfait Over and over last year Wow And I think that I heard Grey Boy Says as well On the radio.[29:45] Damn So we were talking earlier about sequencing. I believe it was Craig that was talking about it. So we'll start with him here because when I first heard the next track, which is the Raven and the Red-Tailed Hawk, I remember thinking, what the fuck kind of sequencing is this? We go from, you know, this crazy rock song to like a kid's song. And then all of a sudden that chorus hits and you're just like, wow. I would love to be next to a fucking stack listening to that, feeling my pant legs whistle in the wind. Fucking right. That would be just fantastic. Craig, what do you think of The Raven and the Red-Tailed Hawk? I really love this song. I think there's a lot of things that really stuck out. The lyrics were great. The chorus, like you mentioned, is powerful. There's the nod to the east wind, I think, in the lyrics of the chorus.[30:47] And it's just a strongly written song. There's a very unique melody. And there's a really cool descending tremolo guitar that I thought was effective. And some nice piano. piano there's a really wild synth solo which was really cool followed by an acoustic guitar solo which you know to to the opposite of what i said last song i loved i thought bob rock killed that solo an acoustic guitar solo is very hard to pull yes agreed to make it sound you have to be spot on and not only does the tone of the guitar have to be good but you have to have the feel.[31:28] And because you hear every slide you hear every nuance you're every bend you hear every chord configuration if you're if you're throwing that in so i agree 100 craig yeah you have to be kyle gas and when you're playing a playing an acoustic soloing you don't have that sustain when you're bending a note so it's just a so someone who tries to play you know just take electric solo and played on acoustic it's not going to sound the same so i thought he did a great job of crafting a solo that worked um there was some really cool like compositional tricks with you know like you know leading tones passing tones and just lots of lots of things to love in this um and also one quick thing at the end the vocal jumps up an octave going into that last chorus just a great great trick yeah and yeah the lyrics i just you know pulled out the lyric booklet two days ago and really wild stuff what do you think justin yeah it's the same exactly the same it's a kid's song and then it's not right um and it's the the storytelling and the.[32:40] You know i can see that helmet the imagery that he tells the story um and one of these interviews um um, that Gord had done, um, which nobody knew it at the time, but it was during these sessions.[32:58] Um, he had mentioned that Bob had asked him to speak more clearly. Don't be so vague with your lyrics. Tell, tell a story that people can understand without having to pull out an encyclopedia and boy, you got it right in this one. Um, you know, this is, it's very cut and dried. Um, it's, it's nothing to figure out. I, I just love how, how clear and concise it is. And some days I just can't do it, you know? Um.[33:28] I think we've all had that. Fuck yeah. Kirk, what do you think? Well, being the elder of the group and someone who really grew up in the 80s, I heard this song. I was joking before when we first started talking on, you can't see me, folks, but I'm doing the 80s dance. When I heard that song the first time, I got that new wave post. I just felt like a kid again in high school. And when you'd hear those, we were in the heart of new wave. It was like true post-punk, like Sex Pistols, late 70s, early 80s, punk, post-punk, where it's now you're getting the precursors to, you know, what becomes Green Day and Blink-182 and everything. But there's, I mean, fuck, there's five keyboards parts on this song, five separate keyboard, you know, credits listed and you can hear it. Um, so, you know, I would say, I know I'd mentioned at the beginning, like I couldn't pick an MVP. This was one that just always stood out. I wouldn't again say MVP, but loved it. It made me feel good every time I listened to it. And then Kirk's going to roll into his second criticism of the entire, uh, series. And I believe it was, is it Tim? I was just going to say, who are you, Tim?[34:47] Like i don't necessarily have an issue with fade outs but i struggled with the fade out on this one i really did i i was like i don't come on just like end it it's a long fade out too it's a long very long fade out very long fade out so um so you know i uh i i again if you guys know i really don't care but odds it's it's all good matthew good he was also strippers union so you know yeah he did the drums on that he was also like the house drummer for the kids in the hall so oh yeah yeah so like how cool is that that you got you go from paul mccartney's drummer to you know brian adams matthew good all the stuff that that pat did so um yeah uh great song uh just uh really helping the love affair uh with the album and uh you know outside of the i could have done without the fade out um friggin loved.[35:56] It friggin loved it it's a 20 second fade out though like it's it's long it's much sort of it's much i'm usually okay with it but this was you know the one thing though the reason why i brought it up is because i kept having to look at my phone going did my phone die um because i'm like the song was the next song wasn't coming he's got late and i couldn't tell if it was going out or if it was the intro but it's yeah it's a 20 second long outro insane justin how about you buddy yeah i i knew somebody was going to mention the fade out. I didn't hate it because the song is kind of long and it's like, alright, it kind of feels appropriate.[36:38] But yeah, no, I just love the song and I don't know, how many times are you going to say the sonic sounds like nothing else you know and i i understand you know he really wasn't necessarily involved in much of the the writing of the parts, um but i don't know it's just so freaking cool yeah it is it's very cool, so luster parfait what do you think of that track that's the one song that my daughter has grabbed a hold of because of the hey hey hey um you know i don't i don't know what the song is about but i picture it as gourd's love letter to music um and you know performing live we gather in the dark um you know we can only connect um that's that may be the only way that some people connect that's how we all connected right is through music and specifically gourd's music um i just this this uh this song you can't help but feel good listening to um it's such a fun freaking song and there's horns and there's that little you know half step.[37:58] Kind of thing in the chorus and it's it's really really interesting and it's very fun and it's funny almost um just the the energy that that gourd has and that the entire i want to say band but you know the people playing in the song it just sounds like every i can picture every single person in there playing with a smile on their face you know and and just enjoying the shit out of this whole process it's a luster parfait baby would you dig into the yeah because it starts off with horns and you we haven't had horns per se um on i mean i guess is this what it sounded with davis manning like i i i'll put my cards out there and i haven't heard a lot of it so i don't really know what the hip sounded like with him, but like you've got a full on sack. So what's that, Justin? Not like this. Davis Manning did not sound like this.[39:02] Ah no he sounded like uh and i he sounded like an 80s you know bar band saxophonist that's because that's exactly what it was who can it be now i'm in at work right but the horns just hit you right up front um and uh the the sax solo like in the middle and then And, you know, a really cool, as we talked about, you know, it's got a hard ending, which is great. But in the end, that little vamp with the B3 and the piano, like Justin said, the music all around, you just, you can't listen to it and not smile and not feel like that was the energy when it was being recorded.[39:51] So the one note that I wrote here too that I think is really cool. Um and it kind of speaks to what you guys were saying is like a like a a letter to music but he described the bridge bob did uh as being essentially the sensational alex harvey band and if you don't know anything about the sensational alex harvey band just look it up just youtube it and i'll leave that there um you know i guess i'll call it like the canadian david Bowie during the Ziggy Stardust years is, is probably a good way to describe it. So, um, but how cool is that? That like throwing that right in, right in after you get these two rockers and now he's going glam and, um, yeah, this just brilliant, uh, brilliant, brilliant, uh, title track song.[40:47] I really liked the, speaking of the bridge, the sort of chromatics and the bridge. And then at the very end, it blends into the final chorus.[40:59] So, you know, luster parfait, hey, hey, which I thought was very cool. Um yeah and speaking of the lyrics at the at the start it says isn't it funny how little we can do how much we are like a scene from the deluge and i looked up a scene from the deluge because it was capitalized and i found a painting called scene from a deluge from 1806, and it's a pretty wild painting i'll just read the description really quickly the man perched on a rock hangs from a from a tree that is beginning to break he tries to pull up his wife and two children all while supporting on his back an old man who carries a purse in his hand the sky is streaked with lightning like justin right now and a cadaver floats in the agitated water it's a pretty i'll just hold my screen it's pretty wild um anyways uh pretty wild so i'm not sure what he's getting at but uh but yeah definitely what's the lyric yeah it's the it's the intro isn't it funny how little we can do how much we are like a scene from the deluge, which as you describe it, it was pretty, uh, pretty stark. Yeah. Like, yeah.[42:26] Yeah. Like he's hanging on to like his wife and two kids with one arm, like by her one arm. So I guess there's not too much he can do.[42:35] Other quick notes. I just want to mention the horns. So the horns, the saxophone is played by Tom Keenleyside, who is a local Vancouver-based saxophone flautist. And he has been all over. He has played with so many different artists. and actually the very first cassette i ever bought back in grade seven i think i just finished grade seven and i was in the kitchen i can still i remember exactly where i was and on the radio came, rag doll by aerosmith 1987 and i was drawn in by the horns because i i'm i started playing saxophone in grade six so i was drawn in by that and steve tyler's voice and that song grabbed me right away I took my money from my piggy bank and I bought a Walkman and a cassette tape you know the next day and that's really where my journey with rock music started and so Bob Rock was the engineer on that album Permanent Vacation and Tom Cunley side played the saxophone so I thought there's a cool kind of full circle for for me personally um you know seeing that he was the one And because as soon as I heard horns, I knew it was him. Listen, I don't know where you would put a showcase track on a record from a sequencing standpoint.[44:02] Music.[50:44] The vocals uh that are going on in this um you got and then going back to bob and all the guitars like you've got acoustic guitars you got two lead guitars you've got what sounds almost like what i know as like a slack hawaiian slack guitar it sounds like a pedal steel but there's nothing in the liner the the the pedal steel song is not this song um it's got that kind of a you know of acoustic and slide in the beginning and and then you've got this the chorus that just uh you know it's uh it it it's like a dump truck of love coming down with this massive gourd here i am and and you understand why many people call it their favorite and uh a song that is seven minutes in 26 seconds and sounds like it's maybe a couple minutes so when you know that a song that's that long can just like you get lost in and you don't even think that it's that long you know you know it's it's obviously very very well written craig what were your thoughts i thought the.[52:02] Yeah the chorus was was what made it and the moment is a wild place reminded me of you know like a theme throughout his work about living in the moment where whether it's the dance and its disappearance or never ending ending present and i'm sure there are many others i know we've discussed them on this podcast so that was really really a great tie-in um the hawaiian guitar i loved as well at the start and you know you have to think that it is bob rock playing that so it you know he lives in maui much of you know much of the year from what i've heard and And, you know, he's soaking up all that Island music and, and yeah, my only other real note was, um, like a couple of quick things. Sean Nelson is the drummer on this track and the last one who I had to look up and he's actually, um.[52:54] Not someone who's played on a ton of high profile albums or anything. He's a drum instructor out of, I believe, San Francisco, I read. And, you know, very cool that he had that opportunity to work on this album. And one last thing, the piano flourishes at the end, reminded me of Dr. P from the country of miracles, which was very cool. Nice callback. Wow. Yeah. That's a great. Yeah. Justin, how about you? The moment is a wild place. Well, you know, I keep referencing my love of Prague and this sounds like a pink board. I can see that.[53:38] I love that it's long. I love that it's got, they use all 88 keys. You know, from low to high, it's It's really just a beautiful song, and the lyrics remind me of Secret Path. Heal. I don't know. There's definitely some tie-ins in my brain to Channing and his story. I don't believe that. Wow. Because this was probably written before secret path was even in chords around the same time around the same time it was birthed.[54:24] Yeah. But you know, I just, yeah, I think this is one of the songs that Bob said that Gordon heard completed before he passed.[54:36] Oh, that's nice to hear. Yeah. Uh, and, but Jesus Christ, the range that this guy has, right? Like, uh, I don't know. It, it, I fall apart whenever I hear the song. It's it's in in the best of ways you hear this song and it's almost like has he not been trying all these years you know because he's like he's got this in his fucking back pocket holy shit you have this in your back pocket and you're 50 years old time gourd god the other thing that i think is is uh something i just want to comment on really quickly is somebody who deals with mental wellness and is uh working on his mental health i look at this song almost the same way i look at the darkest one in that it's got this sort of clever twist right it's like the wild are strong, and the strong are the darkest ones and you're the darkest one so it's like starts out as almost this great compliment but it turns into something else and in this song it's like hey everybody you got to be in the moment you got to be in the moment but sometimes the moment is a wild fucking place that you don't want to be in so i'm going to put a bow in this jd and you guys.[56:04] So yeah i had mentioned earlier i was you know on the rooftop in madrid and i'm listening to the I'm listening to the Kevin Drew Niles interview, and you'd put this song in, sorry, Inside Baseball.[56:23] This song comes on, and it turns midnight in Madrid, and frigging fireworks start going off everywhere around the city. And I don't know if it was the transition from June to July. I don't know if it was the Spain had just won their Euro cup game earlier in the day, or if it was just, you know.[56:52] Tuesday in Spain at midnight, we like to put off fireworks, but I'm, I'm, you know, up there. Like I said, I've had a few glasses. I'm feeling wonderful. I'm jet lagged. I'm listening to that brilliant, brilliant, brilliant interview. The song comes on and fireworks start shooting off quite literally in the middle of it. So the moment is a wild place. Yeah, sure fucking is. Boy. Well, let's move to track five and something more. Craig, how do you feel something more lives up to its role as a follow-up song for The Moment is a Wild Place? This is a tour de force song and a showcase piece. Is this the right sequencing order? I'm just curious what you think. Yeah, that's a good question. I'll need to think about that some more, but I do think the song was quite good. It reminded me, vocally reminded me of like earlier Gord.[57:58] And it's the first song on Lester Parfait that did sound like a previous version of Gord. The horns are great, which is what makes it sound so it doesn't just sound like a copy of something that he did earlier. There were some great dissonant guitar shots that were very cool and a little horn part. And of course, we have to shout out the drummer on this song because it is none other than Johnny Faye, who makes an appearance a number of times on this album. And you can tell. He just has such a great... He's playing on an album with Pat Stewart, with Abe, and he fits right in there because he's just such a musical player.[58:46] He has such a great tone to his drums always, and it was just a treat to hear him again. He's also listed as backing vocals. I think that's on a later track. I think track number 11, I think, for some reason. Oh, okay. All right. Right. But speaking of vocals, I have in my notes that Johnny Faye said this was Gord's best vocal ever recorded, hip or otherwise. I've never heard – I've been listening to him since 1989, and I've never heard anything like this. Right, right. There's a lot of strong, strong Gord vocals. And he's also got a very powerful voice. We know that because watching a special video of his later performances where he's more guttural and screaming but holding the microphone down at his belly button. And you can still hear just how powerful his voice is. That's really wild that Johnny Faye would say that. This is the first one that, at least for the album version.[59:58] This song is actually towards the end. So kind of wild. Or at least from a lyrical standpoint, it goes something more in the field, and then there goes the sun. So it's one of the last three songs on the album. you've got an error your album's on that skirt my album is a wild place i'm not i'm not even lying guys i'm not lying look at it right there it's third from the end odd odd that that you know as we talk about the sequencing that's the listed you know outside of the comment from johnny i just you know gothic synths driving drums bright horns really amazing solo um uh just I like it actually in the spot that we're talking about it from a sequencing standpoint, as opposed to towards the end. Because it is one of those that, I guess they're all in the MVP category opportunity, but this to me might have been in the upper quarter of MVP opportunities.[1:01:04] What do you think, Justin? um i spent a fair amount of time on the lyrics on this one and trying to there's a lot of stuff that's in quotes um and i tried to figure out what he was referencing by a lot of stuff and the only thing this is the silliest thing that i think could have come out of this was the cool hand of a girl all i found for that was a mexican restaurant in toronto jd have you been there it's It's called The Cool Hand of a Girl.[1:01:39] Hand of a Girl. That's the only thing that I found on the internet with those words in hand. No, I've not heard of that restaurant. No. And I did some research on the restaurant, and it's been open since before this was recorded. So was he talking about a Mexican restaurant? It's an MO, man.[1:01:59] Yeah um i i did love the uh the line i legalize criminality and criminalize dissent i love that because i american who is fucking terrified right now and um that's where i live is where criminality is legal and dissent is criminal uh quite fucking literally, um i don't know the um you know you guys had referenced that this is this is sort of old gourd and the thing that really stuck out for me because i felt the same way it was yeah he said fuck you in this song and this album to that point feels too clean to have those lyrics, to have him say that. And the way that he says it is really live-gored, you know, the ranting voice, almost. He drags the F out in that word.[1:03:09] I like this song. It's not my favorite. I don't know why it's not my favorite i don't know why it's not not my favorite but um yeah this song is is fine and it the the as far as the sequencing goes you know the moment is a wild place is such a deep valley um that this just gets us right back up in the air and and we're on to our next stop and And, um, I, I liked the energy of it, um, to follow, um, yeah, in a wild place. But, um, other than that, I don't know. I think it's got another showcase vocal, uh, toward the end, the latter third of the song when he goes up high. Yeah, for sure. I don't know if you guys, uh, like, I'm not going to try and sing it, but do you know the part I'm talking about where he goes up very high? Yeah. Again, that's not something we've heard from him before. Him going into a place like that.[1:04:15] I could see the classic Gord sweat in this song. He worked hard in this one. And you know what? Moving on to Camaro, I sort of get a sweaty kind of vibe from this one, too. What do you think about this one, Justin? My first thought was, is Gord a secret car guy? like that would be amazing for you oh, No, I mean, this, this is, uh, this is, you know, you're in high school and this is the first car you can afford. Um, this is not a nice Camaro, by the way, the, I had, this is a, this is a 72 that nobody wanted and I found it for 400 bucks in the classifieds and let's go, you know, um, uh, I don't know. It's got no floor on the passenger side but everything else is cool you can see the lines on the road through the friggin' drin you can Barney Rubble it, it's a piece of shit but it's my car, it's my wheels and I love it, I actually went back and listened to other Camaro related songs.[1:05:33] Kings of Leon and Dead Milkmen Bitchin' Camaro You know, just, just, I went back to that for some reason. I don't know. It was, it was cool to just kind of revisit that. Bitching Camaro. Did you see Justin on this particular song and this actually brings up a question for me. The song is Bob said was written because that's his wife's favorite car was a Camaro and then he gave it to Gord and Gord was like, I don't want to write about a Camaro. I'm going to write about a girl named Camaro. So the lyrics are about a girl named Camaro but the title Camaro came from bob's um and this is again this is just what bob mentioned about it um his wife's favorite car so apologies yeah and isn't that crazy isn't that totally crazy and and.[1:06:36] Yeah. You know, a great song. Um, I have, uh, I have like talking heads listed as kind of a vibe in, in, in a lot of them actually have a real, you know, kind of eccentric talking heads, kind of odd jazzed influence horns, um, as well. So, yeah, but anyway, love that. It's a girl named Camaro. Great. I love the line of the chorus, Camaro, the name means just what you think the car can do, go. Just the way he phrases it is just very odd. Until I read it, I didn't realize what he was trying to say at the end.[1:07:16] And yeah, just very cool phrasing. it reminded me of um i couldn't get the simpsons out of my head the canyonero canyonero, but that's just where my mind went but my also my dad had he's currently rebuilding a uh a 1980 camaro in silver so i'm uh i actually just texted him to see if he could text me a picture of it but he's uh he's a car guy and yeah he's working on one as we speak so So it did bring back a memory that I had repressed from high school where I got a ride with a buddy's sister's boyfriend who had a Trans Am, you know, like a Burt Reynolds Smokey and the Bandit vintage. And we went 140 miles an hour on the way home. That's the only time I was certain that I was going to die was in the backseat of that car. And it's a Trans Am, not a Camaro, but same thing. Yeah. Yeah. Night.[1:08:15] Music.[1:12:50] The North Shore is the first track on the record to me that sounds like vintage hip. It could be at home on Day for Night, a different production version of it could have been on Fully Completely, maybe even Hen House. It's of that sort of vintage. Am I totally crazy, or am I barking up the right tree, Kurt? Yeah i mean i have i have written uh alt rock style um kind of ballad so you know that's i think that hip would fall into that that uh realm but the song sounded big to me it got big you know it starts off with that kind of acoustic piano in intro and um and and the cool thing like most scored lyrics is like is he talking about the north shore of maui is he talking about the north shore of you know lake ontario everyone because like everyone kind of has a north shore, and um i i uh i i i just appreciate again the his ability to um.[1:14:05] Keep you guessing and keep us talking for many more episodes of podcasts to dissect Accord's lyrics. Yeah. And I recall seeing an interview with Bob Rock where he kind of mentioned the same thing. He talked about the North shore in Maui. There's a North shore in Vancouver where, you know, Bob Rock would, would know about the North shore that I actually spent the first four years of my life on the North shore in North Vancouver. And, um, I'm I'm thinking he's probably talking about the lake only because he mentions, I think it swallows, which there wouldn't be, I don't think in Maui on the North shore there. It's much too windy. There's little sparrows, I think, but I could be wrong.[1:14:46] But, but yeah, it's meant to be for wherever your North shore is. And it really is a great song. It could be, could have been a radio hit is that, that type of song I did. This is one of those songs that earlier on I had a critique about the chorus being too generic. So the chord structure is one we've heard a million times. But then the more I listened to it, I started thinking, well, there's a reason this chord structure has been used a million times. It's powerful. And when Gord is added to this mix, it does sound original. And it sounds great. I really love the harmonies at the end in the guitar. There's some sort of like Boston seventies via seventies, like guitar rock vibe on the, on the harmonies, which I dug or like, or like almost like a thin Lizzie or something. So yeah, solid song all around.[1:15:39] Justin, your thoughts. Yeah. I actually, um, view this as a followup to the last recluse. Um, like, yep. That's all that to me lyrically. Um, I also went back to Summer's Killing Us from In Between Evolution, because I really do love the lyrics about one more breeze and summer's complete. And then at the end, he goes back to summer lowers its flag now. And obviously the word is summer. And so that is my tie in. But, you know, the the uptempo of summer is killing us and summer exists at the fair. Right you know like this is yeah summer kicks ass and then this is the end of it like we're going back to school now and uh the leaves are falling off of the trees and you know it just um i also really loved the line we occurred to each other 48 hours a day how fucking amazing is that line um when you're in love holy hell that's that's all you think about and um.[1:16:52] Fingers and toes 40 things we share you know uh yeah or fireworks um yeah believing in the country of me and you that's what it was yeah yeah yeah i agree with the last recluse reference though and the way he sings it is actually very similar to we held hands between our bikes it's very and if you've seen the video for the last recluse as well they actually show that with you know these two kids with their yeah well um track number eight is this nowhere kirk this song like i even have i told you about my nights at the ihop i would go after work here over the last couple days and and it's the right next to the hotel and it's simple and so i wrote this on a little napkin holder and my note says it's the same phrasing as one from.[1:17:42] You too i'm sure you guys all that's right yes yeah so and then all of a sudden what's that justin reference to it too midway through the song oh yeah it it's not getting better like he's bull right he is ripping this song he's admitting yep that's a great pick up justin yeah good friend right and then you have one more coffee in the bill which is gonna come up later as one of the lyrics and the backing that the chorus just boom shade shade of all now is that someone that you guys were familiar with ahead of this because I didn't know anything about her until I did the research Justin yeah No, Craig has a story. So Che, Amy Dorval is someone I had to look up because I heard the vocals on this song and I was so blown away by the backing vocals that I had to look her up. And she's from here. She's from Vancouver.[1:18:49] And I think she may be based out of Toronto now. I'm not quite sure. She has a couple of dates coming up in Portland and Seattle, I believe, but nothing here. So I was hoping to go check her out. But yeah, it turns out she worked with Devin Townsend on a project called Casualties of Cool. And so I went onto YouTube and looked that up. And it's very, very cool. Kind of like ambient stuff with just beautiful vocals. And yeah, Devin Townsend is a local musician who, yeah, I remember playing back in 95, sharing a bill with him when he played in a band called Strapping Young Lad. And now he's like a, you know, worldwide world, you know, renowned, uh, musician. And, uh, yeah, we have a, yeah, we have a bit of a band connection with him too. That I won't get into on, on air, but yeah. I want to love you.[1:19:45] That's so cool and then just my last two things on this song um, bob wrote five songs on her solo album and i don't know that he helped with the production he may have been the producer on it but he he wrote five songs with her very in a similar style that um he did with gourd but this is the part that gutted me gourd didn't hear the vocal, It was added after he passed.[1:20:43] I mean you know there's so many haters out there you know he the guy produced the the biggest album of the 90s like the the biggest decade for music um you know i'm pretty sure sales wise yeah i'm pretty sure the 90s as far as like you know you know actual physical product i gotta say this about bob he gives two fucks yep and it's just good for good for him to work with two he just he's living in maui with his wife and his horses and spending time with his kids and you know try you know yeah oh yeah i got to deal with this bon jovi album or this you know offspring album whatever else and then i'm gonna go and wake up and pick one of my 700 guitars and he's got he's got like just he's got he's got music for days but he doesn't sing so i mean he does a little backup vocals or whatever else but i love that about because you know i'm kind of teetering on this i love the bob rock hip albums and of course i am loving this album and and i appreciate the other stuff that i mean metallica that you know that i think that especially if you're a musician like i think i know every main riff from the black album i can't play it all but i know all the riffs of you know sandman and and um and i loved watching that documentary you know almost swore out the VHS. So I'm telling you how old I am again.[1:22:08] Yeah. Another thing about that song, I love the part after the chorus. There's that melody, the da-na, da-na, just at first it kind of throws you, but it's a really great choice.[1:22:20] And I'm going to give a little critique here. This guitar solo kind of kills me. It, it, it's just so generic and kind of boring. And actually now that you bring up the videotape of the, the Metallica, I think it's called day in the life of, I used to have a video VHS copy of that too. And there's a, there's a time on that when he's giving Kirk Hammett such a hard time about the solo. I think it was the unforgiven maybe. And he's just like, no, do it again. Do it. Gotta do your homework. Gotta do your homework. You don't do your fucking homework. So I was picturing like Kirk Hammett being in there, like giving him a hard, like hard time. And, you know, he needed, he needed Bob rock and needed a Bob rock on this song. I think.[1:23:07] Well, again, I think it comes, it comes from the fact though, too, that we've been listening to, you know, these bands and, and these records that have such a feel to them, you know, a cohesive feel. Feel and this record doesn't have that same sort of cohesive feel it's it's all over the place right 14 songs 14 songs that's in in in all the things you read he he gave him 14 songs and he got 14 songs back there was no added there was no cut it was 14 14 straight across and and at no point did i see anything that said like okay this this track was written in 1985 this track was It was written in 2010. It just was part of his cadre of music that he's had lying around. And again, I'd really be interested to know if the titles are Bob's or Gord's. I'd be really interested to know. I guess ultimately it would have come down to Bob in the end. But I'm sure he would have respected it. I think Gord, in their discussions, they would have had. I'm sure. But you're right. I mean, they are co-producers.[1:24:23] Co-writers of the of the record yeah craig i'll put a bow on your statement this was sorry i'm i'm getting a little too flowery with the bob rock quotes and everything else but his statement was budget wise i was the only guitar player available, so there's your answer to the solo okay okay sorry bob i i really i should say i i'm a bob rock fan i love both of the hip albums he did and and like i already mentioned my permanent vacation story and also sonic temple was a big one for me when i was young and that was his yeah me and my buddy found that cassette tape on the side of the road by my dad's work someone had thrown it out the window or something and we found it no no case just the tape and took that home and And yeah, so I'm a big, big Bob rock fan. So sorry, Justin. Yeah. I mean, apart from the backing vocals, I don't love this song. Um, and I think it's kind of the reasons why you guys said it's just not something musically doesn't do it for me. Um, and that's no disrespect to anybody, but the, you know, the background vocals are just so freaking stellar that it's it props the song up probably higher than it should rank for me.[1:25:48] Um yeah and i really you know i didn't care for the youtube the youtube riff and and it just it's just strange right it pulls you out it almost pulls you out of the song because you're like thrust into another song but like i said i do i do appreciate that gourd references the u2 song yes and says it's not getting better that's very cool okay all right well then we know what we're doing at least yeah good on him for for recognizing that and i'm guessing it was just an accident then he he either he noticed it or someone else pointed it out and then yeah know, I'll just add a lyric in here and it's all good. I think it's better than one personally. The next song is To Catch the Truth. Kurt, we'll start with you. Yeah, man. So here we go. We got a ska song, a frigging ska song, in my opinion. No doubt, Mighty Mighty Boston's, whatever your flavor is. But.[1:26:51] I love ska. I love ska. My wife loves ska and we grew up in Orange County. I used to go see No Doubt, play at colleges and play at local bars and crap like that.[1:27:07] And Mighty Mighty Boston is probably the – not even probably, by far the loudest concert I've ever been to, leaps and bounds. But gorge's doing a ska tune um west coast punk was uh was mentioned in a couple of the reviews that i saw vancouver's scene dug in the slugs um it's just a fun great song you know the beauty of ska at least from my standpoint so um loved it absolutely loved the tune jay dog yeah i uh remember very fondly uh watching real big fish in a very small room and um river city rebels were a big ska band horn band here in burlington and i used to you know sneak into shows underage and and love it um it's a fun song it's just fun and um gourd packs a lot into this song um it's i don't really have any any critiques yay or nay other than man i remember being 15 16 years old and going to these shows and having a hell of a good time when i first heard this song the the amount of compression bothered me it's just like.[1:28:31] You know squished and also i found it strange i was thinking in the realm of like goldfinger or something like that and in what in one channel you've got the guitar the other side you've got the piano and i found the way the piano was so clean was a bit bothers bothersome at first, and i had a note i wish it was almost like rag timed up a bit like or you know a bit like maybe even a bit out of tune or just something to give it a little bit of personality that would be my one see this is the song that i felt was like the the mouth i did yeah i think it was the piano a melody but what i mean is is the actual sound yeah no but not the sound i i hear what you're saying craig it was too clean it needed to be like someone had a mic in the room of a saloon with some out of tune piano and then that would have been the that would have been the flavor that would have been the added that well because i like my note west coast punk like you don't tune up when you're playing punk songs you play what's on the friggin guitar that's exactly what So I hear that. I think that's a very fair, very fair criticism.[1:29:37] After listening to it on the CD last night, though, I found that it wouldn't have worked if it was done as a more sort of raw punk or like, if it wasn't compressed in that way, the vocals would not have popped in the same way. And so I think it was probably the right choice in hindsight. But like I said, if it could be just dirtied up a bit in some way, I think I would have enjoyed it a little bit more. I did like the beginning. It's kind of like a strange introduction. There's also those hard stops at the end. What's real? What's fake? There's not a dirty song on this record. You know, this record is not, it's not got, it is like that Camaro. Somebody's out polishing it with a shammy. It's pristine and clean. Let me howl.[1:30:29] Music.[1:36:30] This was one of my favorites. Really enjoyed this song. Really strong melodies. It's unlike any other song in style. And again, we keep coming back to this, but it does not sound like any other Gord song. Doesn't sound like any other song on this album. Very much like an 80s vibe musically. There's a, you know, because I've criticized some solos, I will say I did enjoy the clean guitar solo on this song. And then there's a sax solo that comes in over top of that and i like how that how the tempo goes into halftime and then it kicks back in at the end yeah solid song so i got i got big money from rush in the intro that's what it felt like to me okay so just think of that synth you know.[1:37:21] Big money when before it comes in so but you're right man that that breakdown with the guitar and the sax i just kept repeating that i freaking loved that like and you know you guys you know i i'm i like the dead and and one of the reasons why i think i like the tragically hit because they are jam band no matter what you say they are jam band and they're not going to go off into crazy solos well they did go off into crazy gourd vocal solos you could say right but you know rob's not ripping it for 25 minutes and and you know breaking out the wall and making sure you're you know timing your dose just right but um it it i i love that part to this is that um that that that breakdown. Cause you just, and again, and I'm also a big rush fan. So that intro, so yeah, yeah, this is one of those, like I said, I didn't have my MVP, but this was definitely like a strong, strong candidate. And then my final note on this, this was the last vocal recorded before he was diagnosed is some research that I did. So this was the last vocal was let me before, before he was diagnosed entirely for me.[1:38:41] Not necessarily the meaning, but just context. Wow. Been hitting the head with the shovel here. Who else needs to talk about Let Me Howl? I think it's just Justin, right? Who, me? Yeah. Yeah, the sax makes me feel like I'm driving a cab in Manhattan in 1986.[1:39:06] And it's raining out. you know uh it's so freaking cool and it's a long song and it does weird things i remember the first time that i heard it i thought that we were going to have a fade out on the on that half you know the the slower beat um or the half time whatever you want to call it and, and then out of nowhere this massive film and and we're back and we're faster than we were before, right like it there there's a sense of urgency at the end of the song like let me howl here like i'm i gotta get this out and um it's really really fun like again it's, you can slow dance to this song and you can boogie to this song and you can, i don't know it's it's really really fun and um it's up there for mvp for me it's not my mvp but it's top three or four. I also like how the chorus, let me howl. And on the word howl, he has this like glissando up, like a slow glissando up along with the harmony, which is what a wolf does. Like, um, he's not going clean from one note to another. He's got, he's, he's like slurring up to it. Okay. And like, like a wolf would do when they howl.[1:40:30] And also there's some very slight changes to the way he sings it, I believe, if I'm remembering, if this is the song I'm thinking of, where the chorus slightly changes like the notes he's singing different times or the harmony changes. Something changes a little bit that I thought was really cool. I didn't listen to it today, so.[1:40:52] Justin, hell breaks loose. What do you think? I immediately, before I knew it, I knew that this was Johnny Faye playing drums. Um yeah and uh it's it's a it's a really cool again and like i just referenced new york city um and it's in the first line of this song like and he paints the picture of walking into a bar and it's kirk watching a soccer game right uh fireworks on the roof elbow one of the very first dates with, with my, with my wife, we watched a world cup game in a, in a bar that was shoulder to shoulder and it was two teams I didn't give a shit about and everybody was cheering and everybody was drinking and it was, you know, and then one guy got pissed off, bigger screens, bigger feelings. Right. And it's, it's cool.

10 Years Of TANGENT, Carl Craig x Faze Action, Mr. Doris, Permanent Vacation, Running Back, Mr. Bongo... Next dates: July 26-28 - Secret Garden Party, Cambridgeshire | Aug 9 - Satori, Bari | Aug 16 - Field Maneuvers, UK Follow me on Instagram Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads of my edits before anyone else, full tracklists for live recordings, exclusive previews of my tracks and feedback on your tracks if you're a producer. All the money raised here goes back into buying music for the show. If you want to support me in another way, please give this podcast a 5-star review, repost it on Mixcloud or SoundCloud or buy/stream my music. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on our SoundCloud  Follow the Turned On Spotify playlist, with 1000s of tracks played on this show and in my sets. Turned On is powered by Inflyte – the world's fastest growing music promo platform. Tracklist: Noel - Silent Morning [Island Records] Benedek - After Midnight [Hotmix Records]  Omegaman - Gonna Be Alright (Mr. Doris Remix) [Jalapeno Records] Faze Action - In The Trees (Carl Craig C2 Remix #4) [Juno Records] Gallegos - Best Service [Fate And Fiction Recordings] Gerd - Digital Illusion [Running Back] Gerd - Dance Of Enjoyment [Running Back] Clint - Feel The Bass [Permanent Vacation] MLF - Taking Every Piece Of Me [Permanent Vacation]  Future Classic: John Gómez and Nick the Record present TANGENT Love Isaacs - Surprise Surprise (João Gomes & Dan Tyler Are Predictably Delayed Rework) [Mr. Bongo] King B. - Love Is Crazy [Mr. Bongo]  LTA (Love The Action) - What Comes To Ya? [Mr. Bongo]

This week on the pod we wrap up Gord's discography with the Bob Rock collaboration, Lustre Parfait.Transcript:[0:00] Long Slice Brewery presents a live event celebration of Gord Downie, July 19th, at the Rec Room in Toronto. Join the hosts of the podcast, Discovering Downie, as they record their finale with special guest, Patrick Downie. A silent auction with items from the hip and many others will take place, along with live entertainment from the almost hip. All proceeds will benefit the Gord Downie Fund for Brain Cancer Research. For more information and tickets, please visit discoveringdowney.com. Clutched clipboard and staring out past the end of her first day into tonight and all the way across oceans of August to September. It makes for a beautifully vacant gaze.[1:08] Music.[1:42] Hey, it's J.D. here and welcome to Discovering Downey, an 11-part project with a focus on the music and poetry of Mr. Gord Downey. The enigmatic frontman of the Tragically Hip, Gord gave to the world an extensive solo discography on top of the vocal acrobatics in the hip that awed us for years. Gord released five albums while he was alive and three more posthumously.[2:09] Now listen, you might think you're the biggest fan of the Tragically Hip out there. However, why is it that so few of us have experience with this solo catalog? Have you really listened to those solo records? My friends Craig, Justin, and Kirk, giant fans of the hip in their own right, fell into that camp. So I invited them to Discover Downey with me, JD, as their host. Every week, we get together and listen to one of Gord's records, working in chronological order. We discuss and dissect the album, the production, the lyrics, and we break it down song by fucking song. This week, we wrap up Gord's discography with an album attributed to both Bob Rock and Gord, Luster Parfait. Craig, how goes it this week? week things are okay a bit of a break tomorrow going off on a little family trip for a couple days meeting my parents and sisters uh you've never met your parents before this is big news dude yeah yeah i think they're gonna like you man congratulations and then yeah and then shortly after that head off to toronto for for an event with you guys whoop whoop yeah How are you doing, Kirk?[3:30] You know, guys, I'm doing pretty good. It was 107 out here in Boise, Idaho, where I'm on show site. As we mentioned, I was in Europe last week, so I'm not quite sure time zone, temperate zone, what zone I'm in. I just – somebody point me in the right direction and I go. So I'm doing good, though. We had such a great time. But more importantly, I'm just really excited about next week and just hanging with you, you lads and checking out all the stuff that we have planned and, and, you know, especially that the event. So I'm that energy will get me through whatever jet lag, whatever heat stroke, whatever heck I encounter over the next seven days. So, and what about that new item? The hip gave us today to go towards our silent auction. Someone's going to get some major bragging rights. Man, we can't say what it is, but-[4:27] We might be fighting internally for this. We'll be revealing what it is, I guess, Friday. And some other great prize stuff, too. JD, you just told me and Kirk about this ridiculous prize that we got. Craig's got it memorized. Yeah. Two tickets to the Toronto Raptors. $500 in arena gift cards. and two customized or personalized jerseys and a shoot around. Man. Are you ready for this? Come on. That's great. Jadon. Yeah. You're in, you're not in Kansas. Tornado Alley. Tornado Alley. But there's twisters about. Yeah, we just had a...[5:51] And then 20 minutes later, there's a video on Facebook of a frigging tornado a half a mile up the street. What the hell? So we're fine. Yeah, that is freaky. If you look out your window and you see somebody riding a bike in the air, you're in big trouble. With a dog in the basket. That's right. Cow. Yeah. Yeah. Yeah. Yeah, but dude, I'm, I'm good. Otherwise without the weather or with the weather, I'm good. And I'm psyched for next week, man. Ooh. Yeah. Let's go. Justin. I tasted the podcast. Pilsner officially tasted it now. I had four of them at home. I gave two of them to my father-in-law and I drank two of them and they were very crisp. Delicious. Yeah. So it's going to be a lot of fun. Yeah. Awesome.[6:47] When word broke that we'd be getting a third posthumous record from Gord, there was a hush and a wait and see approach. You see, Gord had partnered with Bob Rock back in the 2010s, shortly after Rock had produced probably two of the most divisive records in the Hips catalog. I enjoy both these records a lot, but your mileage may vary. In any case, it was an uneasy feeling for fans. What would this album be? As it turns out, it's a whole lot of everything. There are songs that are reminiscent of the hip, like North Shore. There are horns on the title track, which we got to sample about six months before Lester Parfait dropped. And it relieved us.[7:41] There's even something resembling rack time? Suffice to say, as we've gotten used to saying around these parts, this album is altogether, folks, unlike anything Gord has produced before. It's been said that Bob Rock has a tendency to overstuff the records he produces. It's as though he's just been given access to a 48-track board and he feels compelled to use every last fucking track. rack. On this record, however, his hand seems firmly on the rudder. The songs come across as overly polished, of course, but never too indulgent. If there's one complaint I have, it's that there's too many goddamn songs. On a record as varied as Luster Parfait, you're almost overstimulated by the end. You've been through so many different styles and sounds. If I had it my way, this would be a tight 10-song record, and with the right tracks removed, I dare say this is a collection of songs I would put head-to-head against virtually any other record in Gord's oeuvre.[8:59] Yeah, I think it's that good. There are highs and there are lows on this record, as there have been on each of the albums, but on Luster Parfait, the highs seem higher to me. Have we ever heard Gord sing like he does on The Moment is a Wild Place? Or something more? Have we ever heard a chorus as striking as Is There Nowhere? By the way, big hat tip to Shea Dorval for providing those gorgeous backing vocals. At the end of the day, has Bob Rock redeemed himself with this effort to the haters out there? I would offer a resounding yes. Yes, this is a record that should be listened to loud and on a good pair of headphones. There is so much going on, but it all seems to have a purpose. That's what I think of Lester Parfait.[9:52] Tell me what your experience with the record is, Kirk. Yeah. So the first real listen I had to this album, because I'd been pretty busy with travel and whatnot, we were on our family vacation in Madrid. And beautiful little up on the top of the hotel looking over the city and just enjoying the wonderful atmosphere. And, um, I was actually listening to that kind of rough cut of our, um, rough cut of our interview with, uh, Niles and Kevin. And he had referenced like that. He thought that, you know, the, the, the moment is a wild places is, was his favorite song. And I'm just like, I can't hold off anymore. I need to jump in. So that was my first experience was listening to it, um, on, on the roof in Spain. And since then, it's just been a pretty incredible journey. I spent a lot of time like listening to Bob Rock interviews and, you know, just really understanding where it's coming from. And as you mentioned, JD, like, you know, I understand the divisiveness and whatnot, but oh my gosh, I, I was already in love when I listened to it the first couple of times at this point, you know, I'm, I'm firm in my, my commitment to, to in Gord, we trust, you know, And to see that...[11:17] That friendship. I mean, he, he, he makes the statement. We were like two teenagers that were in the studio, just making music together. And, um, you know, to hear how the whole process went and I know we'll get into it and everybody, you know, obviously we'll provide their input. Um, I fell in love with it even more, you know, and, and the variety on this, this album i mean guys we got reggae we got we got west coast punk we got 70s glam we got 80s synth pop we've got you know it it just every even within certain songs you'll have a jump from one friggin genre to another and then you you know you start looking at all the studios they recorded in, the process that it took, the number of years, the people that are involved.[12:13] And especially after we've discussed with the last three albums, like it was just fun to, I felt like, I felt like I got a warm hug from Gord. I really did. Just like, I just was all that, that we went through. It was like, Hey, this is just when it's fun. And this is, this This is for you, music lovers. That's what I felt. That's what I felt. I love that. I haven't watched much with Bob Rock, but I did read that one of the reasons why it took until 2023 to rear its head was because it was too painful for him to, like, he was really emotional following the death of Gordani in 2017. Absolutely. Because they had gotten lungs. Yeah. They had become such close friends and, you know, they reference, you know.[13:09] Uh, Gord flew out to talk about world container and they'd figured that out in 15 minutes. And then they spent the rest, the rest of the conversation talking about being dads, being Canadians, being hockey lovers. And, and then that just continued. And I think those guys, you know, with the level that they were at, I think they kind of found it was a peer to peer relationship.[13:32] And I really felt like they found refuge in each other. And then I think they sought it out because it was a long relationship. I mean, was it 06 when World Container was being made or coming out? Up until the very end. And that's when they first met is when he came out, or at least per what I had listened to. You know, they flew out to Maui, to his studio in Maui, Gord did, and then, you know, like I said, Discuss World Container. And then they didn't really do much as it was described until after the second album, We Are The Same, that they did. And then that's when the, you know, that relationship in the music for Luster Parfait started. So yeah, I mean, I recommend everyone to check into this. And Bob rock doesn't seem like, you know, like you.[14:25] You just, he didn't, didn't do a lot of, I mean, of course he gets on the documentaries, he gets a lot of airtime and whatnot, but beyond that, you know, there's not a ton, I guess, but the stuff specific to this is well worth, you can just hear the genuineness all these years after, like last year was a lot of the interviews that were going on and he's still breaking up. Like you're still oh yeah um and he's just he's like you go bob rock and you like you think the guy's flying you know coming in on the learjet all the time and he's like most of these interviews he's like just got done feeding his horses craig what was your first experience like i was also traveling uh down to seattle for a ball game and i was on on the amtrak train taking my notes and i I actually wrote, I'm going to read this and don't get mad at me. But I said, hate to be negative on this last album, but there's a lot to pick apart.[15:25] Two days ago, we were supposed to record this episode, and we had to postpone. And that evening, at 10.30 at night, I texted you guys a photo. A package arrived, and the CD was dropped off by Amazon. So I got the CD, and I started looking at the lyrics. And then the next day, I popped it in the car. And it's been in there for a couple days now, and I've been listening to it quite a lot. And my opinion has totally changed. Changed it's like some of this and i think it's what you said jd it's it's a very long album and so some of my favorite songs come at the end and what i what i've been doing is hitting shuffle and that's when it really started to um pick up for me is when i started listening on shuffle before getting the cd that i liked hearing just random songs come on and then and i thought it it was a problem with the sequencing at first but then i realized it's probably more because when the album came out i did listen a couple times when it first came out but i think i only got through the first four songs and so now i'm getting to know and love these later songs and then when i got the cd it just all kind of started working for me and i'm like wow some of the things that i was going to be nitpicking on today's episode i think i've I've grown to appreciate Justin, my man. Yeah.[16:51] Talk to me about your relationship with this release and has it changed since your first listen? So I pre-ordered this last year and yeah, this, this CD was in heavy rotation for me until, um, until you asked us to be part of the podcast. So I've been cold Turkey since January or whenever it was and waiting for for this week to get back into it. Yeah. I love this album, and I wish that Gord had done a Broadway show.[17:27] Um, could you imagine after hearing how strong his vocal is? Um, and especially during this time period. And it's funny, Craig, that you mentioned that you did not like this album. And then today you changed your mind. I took a break from this cause I've been over listening and I went back to the grand bounce and I love that freaking album as of today. And everybody knows I did not love that album when we were doing the podcast. Yay![18:00] Yeah. I love this news. It grew on me big time today. And Justin, one of the interviews that I watched, they actually said that the lyrics were almost like a screenplay on Luster Parfait and that there is a movie inside this album. It's just no one has brought it forth. So I like that. Broadway play. Movie i think i saw some of the same interviews you did um the one with uh terry mulligan was i actually listened to it a few times um to pick that apart but um yeah it would be it would be fantastic if that film was to get made or some sort of video component to this um but you know this was at gourd's you got to remember this the vocals recorded a decade ago and this was at gourd's busiest period and i would say his strongest period um vocally um and seems that way but you know bob also said in the in the interviews that he intentionally um potted gourd's mic up so that it was more on the forefront you know with the hip gourd's voice was an instrument um with this album it is the show and that absolutely rings true and you know jd the the songs that you mentioned just...[19:24] Kick my ass every time i hear it and i've heard them i've heard them 50 times at this point you know without exaggerating um yeah it's it's a very cool album a very confusing album uh stylistically um and it's very long but i can palette that um and i had the same issues craig um with stopping and starting and you hear you've you know you've heard the first six songs on this album probably twice as many times as the final seven or eight um and it's just it takes a commitment to get through it um and every song is long in addition to them there being so many of them um you know there's several songs that are five or six minutes um yeah seven and a half right it's for the moment is a wild place and i'm really interested in in your guys's uh mvp, yeah tracks for this like more than any other album we've done yeah because i think it's going to be all over the place i i've got mine and i i think this was like the easiest choice i've had to make and this is the first time i don't i quite literally don't have an mvp i'm i'm pulling the trigger when we talk every other album first three listens i had it down i mean i'm usually the first one to chime up i i can't i i just haven't been able to pick one it's strange that that it's It's opposite.[20:48] Should we try and untangle this web that Justin just spoke of, this mystery of a record, and go track by track? We start with, Greyboy says.[20:59] Music.[24:42] I mean, from the first note, it's like, what the hell are we listening to? And in the best way, you know, I just had no idea that this is where we were going. You know, and I love World Container and I love We Are The Same. And we all know everything else that Bob Rock has done. And this is not any of those things. It's bizarrely different. Um, and who the hell is gray boy, right? Like I've spent a year now trying to figure that out. And I thought I'd read something that it was a DJ. Um, yeah, I read that too. I'm not sure if it's true or not, but there's a DJ out of San Diego, uh, named gray boy. Um, sort of like an acid jazz DJ I read and it could be him he's referencing, but I'm not sure if that's no idea. Yeah. Um, but yeah, it's just a, a total, it's a mind fuck right from the beginning. And, and I was really like, okay, I'm turning this up. Um, you know, I remember listening to it in my car, um, the first time that I, that I put it on. However, I wanted to ask, um, JD and Craig, if, if you guys had any of this, um, on air in Canada, did, were any of these songs played on terrestrial radio? Yeah.[26:05] I don't recall hearing it on the radio i don't listen to a lot of uh local radio i'm usually, you know serious yeah xm listener but um but no i didn't hear it i did see the video though and so this song is a song i heard right away when it came out because of the the video which uh if you've seen it it has um some of the guys from offspring dexter nude and yeah and And when I look at the track listing, they don't actually, they don't play on the track. So they were just kind of there for the video and having fun filming the video. And Bob Rock's got James Hetfield's ESP that he's playing in it. And so it's a pretty cool video.[26:49] Did you guys recognize the drummer? I did, yeah. So Abe- Abe Laborio Jr. That's Paul McCartney's drummer. Yeah, really quick connection. When I was in my original band back in the 90s, we had a drummer who filled in for us fairly often when we were down a drummer. And he was roommates at Berklee with Abe. Really? And I didn't meet Abe, But one time he was in town for either sting or McCartney and our singer slash, you know, front front man got to jam with Abe and he came back and told me that he has never felt anything like it being in the room with him. He said when the, when the kick drum hit one, it was unlike anything he's ever experienced as a musician. So it was just that tight. And you can hear that tightness in his playing. Yeah. I mean, you don't get picked up as Paul McCartney's drummer, unless you know what the F you're doing. 20 years.[28:17] Video and, and, And he even plays and he's like, he's a beast of a man, right? He's, he's, he's, he's a big guy, but he's just sweet. I've had opportunity. There's a show called ma'am national associate music merchants. If you're a musician, you should know about it. It's every year in Anaheim. So it's pretty close. So I've been going for years and years and he's there quite a bit. And so, you know, had few little interactions and he's just, yeah, he's a, he's a sweetheart just, and, and an incredible musician. Oh, wow. Incredible musician. Well, they did it weird, right? Because they released Lester Parfait, and then they released a three-song EP, or maybe that was the time they released Lester Parfait. And then they released a six-song EP. And it had The Moment is a Wild Place, Camaro, Lester Parfait, Grey Boy Says, I think. So they did that But I'm not sure about, I'm not sure whether Lester Parfait Was considered the lead single or not Hold on I have it open here So that's why I asked you guys If you'd heard it on the air because Again the station that I talk about all the time Here WBQX played Lester Parfait Over and over last year Wow And I think that I heard Grey Boy Says as well On the radio.[29:45] Damn So we were talking earlier about sequencing. I believe it was Craig that was talking about it. So we'll start with him here because when I first heard the next track, which is the Raven and the Red-Tailed Hawk, I remember thinking, what the fuck kind of sequencing is this? We go from, you know, this crazy rock song to like a kid's song. And then all of a sudden that chorus hits and you're just like, wow. I would love to be next to a fucking stack listening to that, feeling my pant legs whistle in the wind. Fucking right. That would be just fantastic. Craig, what do you think of The Raven and the Red-Tailed Hawk? I really love this song. I think there's a lot of things that really stuck out. The lyrics were great. The chorus, like you mentioned, is powerful. There's the nod to the east wind, I think, in the lyrics of the chorus.[30:47] And it's just a strongly written song. There's a very unique melody. And there's a really cool descending tremolo guitar that I thought was effective. And some nice piano. piano there's a really wild synth solo which was really cool followed by an acoustic guitar solo which you know to to the opposite of what i said last song i loved i thought bob rock killed that solo an acoustic guitar solo is very hard to pull yes agreed to make it sound you have to be spot on and not only does the tone of the guitar have to be good but you have to have the feel.[31:28] And because you hear every slide you hear every nuance you're every bend you hear every chord configuration if you're if you're throwing that in so i agree 100 craig yeah you have to be kyle gas and when you're playing a playing an acoustic soloing you don't have that sustain when you're bending a note so it's just a so someone who tries to play you know just take electric solo and played on acoustic it's not going to sound the same so i thought he did a great job of crafting a solo that worked um there was some really cool like compositional tricks with you know like you know leading tones passing tones and just lots of lots of things to love in this um and also one quick thing at the end the vocal jumps up an octave going into that last chorus just a great great trick yeah and yeah the lyrics i just you know pulled out the lyric booklet two days ago and really wild stuff what do you think justin yeah it's the same exactly the same it's a kid's song and then it's not right um and it's the the storytelling and the.[32:40] You know i can see that helmet the imagery that he tells the story um and one of these interviews um um, that Gord had done, um, which nobody knew it at the time, but it was during these sessions.[32:58] Um, he had mentioned that Bob had asked him to speak more clearly. Don't be so vague with your lyrics. Tell, tell a story that people can understand without having to pull out an encyclopedia and boy, you got it right in this one. Um, you know, this is, it's very cut and dried. Um, it's, it's nothing to figure out. I, I just love how, how clear and concise it is. And some days I just can't do it, you know? Um.[33:28] I think we've all had that. Fuck yeah. Kirk, what do you think? Well, being the elder of the group and someone who really grew up in the 80s, I heard this song. I was joking before when we first started talking on, you can't see me, folks, but I'm doing the 80s dance. When I heard that song the first time, I got that new wave post. I just felt like a kid again in high school. And when you'd hear those, we were in the heart of new wave. It was like true post-punk, like Sex Pistols, late 70s, early 80s, punk, post-punk, where it's now you're getting the precursors to, you know, what becomes Green Day and Blink-182 and everything. But there's, I mean, fuck, there's five keyboards parts on this song, five separate keyboard, you know, credits listed and you can hear it. Um, so, you know, I would say, I know I'd mentioned at the beginning, like I couldn't pick an MVP. This was one that just always stood out. I wouldn't again say MVP, but loved it. It made me feel good every time I listened to it. And then Kirk's going to roll into his second criticism of the entire, uh, series. And I believe it was, is it Tim? I was just going to say, who are you, Tim?[34:47] Like i don't necessarily have an issue with fade outs but i struggled with the fade out on this one i really did i i was like i don't come on just like end it it's a long fade out too it's a long very long fade out very long fade out so um so you know i uh i i again if you guys know i really don't care but odds it's it's all good matthew good he was also strippers union so you know yeah he did the drums on that he was also like the house drummer for the kids in the hall so oh yeah yeah so like how cool is that that you got you go from paul mccartney's drummer to you know brian adams matthew good all the stuff that that pat did so um yeah uh great song uh just uh really helping the love affair uh with the album and uh you know outside of the i could have done without the fade out um friggin loved.[35:56] It friggin loved it it's a 20 second fade out though like it's it's long it's much sort of it's much i'm usually okay with it but this was you know the one thing though the reason why i brought it up is because i kept having to look at my phone going did my phone die um because i'm like the song was the next song wasn't coming he's got late and i couldn't tell if it was going out or if it was the intro but it's yeah it's a 20 second long outro insane justin how about you buddy yeah i i knew somebody was going to mention the fade out. I didn't hate it because the song is kind of long and it's like, alright, it kind of feels appropriate.[36:38] But yeah, no, I just love the song and I don't know, how many times are you going to say the sonic sounds like nothing else you know and i i understand you know he really wasn't necessarily involved in much of the the writing of the parts, um but i don't know it's just so freaking cool yeah it is it's very cool, so luster parfait what do you think of that track that's the one song that my daughter has grabbed a hold of because of the hey hey hey um you know i don't i don't know what the song is about but i picture it as gourd's love letter to music um and you know performing live we gather in the dark um you know we can only connect um that's that may be the only way that some people connect that's how we all connected right is through music and specifically gourd's music um i just this this uh this song you can't help but feel good listening to um it's such a fun freaking song and there's horns and there's that little you know half step.[37:58] Kind of thing in the chorus and it's it's really really interesting and it's very fun and it's funny almost um just the the energy that that gourd has and that the entire i want to say band but you know the people playing in the song it just sounds like every i can picture every single person in there playing with a smile on their face you know and and just enjoying the shit out of this whole process it's a luster parfait baby would you dig into the yeah because it starts off with horns and you we haven't had horns per se um on i mean i guess is this what it sounded with davis manning like i i i'll put my cards out there and i haven't heard a lot of it so i don't really know what the hip sounded like with him, but like you've got a full on sack. So what's that, Justin? Not like this. Davis Manning did not sound like this.[39:02] Ah no he sounded like uh and i he sounded like an 80s you know bar band saxophonist that's because that's exactly what it was who can it be now i'm in at work right but the horns just hit you right up front um and uh the the sax solo like in the middle and then And, you know, a really cool, as we talked about, you know, it's got a hard ending, which is great. But in the end, that little vamp with the B3 and the piano, like Justin said, the music all around, you just, you can't listen to it and not smile and not feel like that was the energy when it was being recorded.[39:51] So the one note that I wrote here too that I think is really cool. Um and it kind of speaks to what you guys were saying is like a like a a letter to music but he described the bridge bob did uh as being essentially the sensational alex harvey band and if you don't know anything about the sensational alex harvey band just look it up just youtube it and i'll leave that there um you know i guess i'll call it like the canadian david Bowie during the Ziggy Stardust years is, is probably a good way to describe it. So, um, but how cool is that? That like throwing that right in, right in after you get these two rockers and now he's going glam and, um, yeah, this just brilliant, uh, brilliant, brilliant, uh, title track song.[40:47] I really liked the, speaking of the bridge, the sort of chromatics and the bridge. And then at the very end, it blends into the final chorus.[40:59] So, you know, luster parfait, hey, hey, which I thought was very cool. Um yeah and speaking of the lyrics at the at the start it says isn't it funny how little we can do how much we are like a scene from the deluge and i looked up a scene from the deluge because it was capitalized and i found a painting called scene from a deluge from 1806, and it's a pretty wild painting i'll just read the description really quickly the man perched on a rock hangs from a from a tree that is beginning to break he tries to pull up his wife and two children all while supporting on his back an old man who carries a purse in his hand the sky is streaked with lightning like justin right now and a cadaver floats in the agitated water it's a pretty i'll just hold my screen it's pretty wild um anyways uh pretty wild so i'm not sure what he's getting at but uh but yeah definitely what's the lyric yeah it's the it's the intro isn't it funny how little we can do how much we are like a scene from the deluge, which as you describe it, it was pretty, uh, pretty stark. Yeah. Like, yeah.[42:26] Yeah. Like he's hanging on to like his wife and two kids with one arm, like by her one arm. So I guess there's not too much he can do.[42:35] Other quick notes. I just want to mention the horns. So the horns, the saxophone is played by Tom Keenleyside, who is a local Vancouver-based saxophone flautist. And he has been all over. He has played with so many different artists. and actually the very first cassette i ever bought back in grade seven i think i just finished grade seven and i was in the kitchen i can still i remember exactly where i was and on the radio came, rag doll by aerosmith 1987 and i was drawn in by the horns because i i'm i started playing saxophone in grade six so i was drawn in by that and steve tyler's voice and that song grabbed me right away I took my money from my piggy bank and I bought a Walkman and a cassette tape you know the next day and that's really where my journey with rock music started and so Bob Rock was the engineer on that album Permanent Vacation and Tom Cunley side played the saxophone so I thought there's a cool kind of full circle for for me personally um you know seeing that he was the one And because as soon as I heard horns, I knew it was him. Listen, I don't know where you would put a showcase track on a record from a sequencing standpoint.[44:02] Music.[50:44] The vocals uh that are going on in this um you got and then going back to bob and all the guitars like you've got acoustic guitars you got two lead guitars you've got what sounds almost like what i know as like a slack hawaiian slack guitar it sounds like a pedal steel but there's nothing in the liner the the the pedal steel song is not this song um it's got that kind of a you know of acoustic and slide in the beginning and and then you've got this the chorus that just uh you know it's uh it it it's like a dump truck of love coming down with this massive gourd here i am and and you understand why many people call it their favorite and uh a song that is seven minutes in 26 seconds and sounds like it's maybe a couple minutes so when you know that a song that's that long can just like you get lost in and you don't even think that it's that long you know you know it's it's obviously very very well written craig what were your thoughts i thought the.[52:02] Yeah the chorus was was what made it and the moment is a wild place reminded me of you know like a theme throughout his work about living in the moment where whether it's the dance and its disappearance or never ending ending present and i'm sure there are many others i know we've discussed them on this podcast so that was really really a great tie-in um the hawaiian guitar i loved as well at the start and you know you have to think that it is bob rock playing that so it you know he lives in maui much of you know much of the year from what i've heard and And, you know, he's soaking up all that Island music and, and yeah, my only other real note was, um, like a couple of quick things. Sean Nelson is the drummer on this track and the last one who I had to look up and he's actually, um.[52:54] Not someone who's played on a ton of high profile albums or anything. He's a drum instructor out of, I believe, San Francisco, I read. And, you know, very cool that he had that opportunity to work on this album. And one last thing, the piano flourishes at the end, reminded me of Dr. P from the country of miracles, which was very cool. Nice callback. Wow. Yeah. That's a great. Yeah. Justin, how about you? The moment is a wild place. Well, you know, I keep referencing my love of Prague and this sounds like a pink board. I can see that.[53:38] I love that it's long. I love that it's got, they use all 88 keys. You know, from low to high, it's It's really just a beautiful song, and the lyrics remind me of Secret Path. Heal. I don't know. There's definitely some tie-ins in my brain to Channing and his story. I don't believe that. Wow. Because this was probably written before secret path was even in chords around the same time around the same time it was birthed.[54:24] Yeah. But you know, I just, yeah, I think this is one of the songs that Bob said that Gordon heard completed before he passed.[54:36] Oh, that's nice to hear. Yeah. Uh, and, but Jesus Christ, the range that this guy has, right? Like, uh, I don't know. It, it, I fall apart whenever I hear the song. It's it's in in the best of ways you hear this song and it's almost like has he not been trying all these years you know because he's like he's got this in his fucking back pocket holy shit you have this in your back pocket and you're 50 years old time gourd god the other thing that i think is is uh something i just want to comment on really quickly is somebody who deals with mental wellness and is uh working on his mental health i look at this song almost the same way i look at the darkest one in that it's got this sort of clever twist right it's like the wild are strong, and the strong are the darkest ones and you're the darkest one so it's like starts out as almost this great compliment but it turns into something else and in this song it's like hey everybody you got to be in the moment you got to be in the moment but sometimes the moment is a wild fucking place that you don't want to be in so i'm going to put a bow in this jd and you guys.[56:04] So yeah i had mentioned earlier i was you know on the rooftop in madrid and i'm listening to the I'm listening to the Kevin Drew Niles interview, and you'd put this song in, sorry, Inside Baseball.[56:23] This song comes on, and it turns midnight in Madrid, and frigging fireworks start going off everywhere around the city. And I don't know if it was the transition from June to July. I don't know if it was the Spain had just won their Euro cup game earlier in the day, or if it was just, you know.[56:52] Tuesday in Spain at midnight, we like to put off fireworks, but I'm, I'm, you know, up there. Like I said, I've had a few glasses. I'm feeling wonderful. I'm jet lagged. I'm listening to that brilliant, brilliant, brilliant interview. The song comes on and fireworks start shooting off quite literally in the middle of it. So the moment is a wild place. Yeah, sure fucking is. Boy. Well, let's move to track five and something more. Craig, how do you feel something more lives up to its role as a follow-up song for The Moment is a Wild Place? This is a tour de force song and a showcase piece. Is this the right sequencing order? I'm just curious what you think. Yeah, that's a good question. I'll need to think about that some more, but I do think the song was quite good. It reminded me, vocally reminded me of like earlier Gord.[57:58] And it's the first song on Lester Parfait that did sound like a previous version of Gord. The horns are great, which is what makes it sound so it doesn't just sound like a copy of something that he did earlier. There were some great dissonant guitar shots that were very cool and a little horn part. And of course, we have to shout out the drummer on this song because it is none other than Johnny Faye, who makes an appearance a number of times on this album. And you can tell. He just has such a great... He's playing on an album with Pat Stewart, with Abe, and he fits right in there because he's just such a musical player.[58:46] He has such a great tone to his drums always, and it was just a treat to hear him again. He's also listed as backing vocals. I think that's on a later track. I think track number 11, I think, for some reason. Oh, okay. All right. Right. But speaking of vocals, I have in my notes that Johnny Faye said this was Gord's best vocal ever recorded, hip or otherwise. I've never heard – I've been listening to him since 1989, and I've never heard anything like this. Right, right. There's a lot of strong, strong Gord vocals. And he's also got a very powerful voice. We know that because watching a special video of his later performances where he's more guttural and screaming but holding the microphone down at his belly button. And you can still hear just how powerful his voice is. That's really wild that Johnny Faye would say that. This is the first one that, at least for the album version.[59:58] This song is actually towards the end. So kind of wild. Or at least from a lyrical standpoint, it goes something more in the field, and then there goes the sun. So it's one of the last three songs on the album. you've got an error your album's on that skirt my album is a wild place i'm not i'm not even lying guys i'm not lying look at it right there it's third from the end odd odd that that you know as we talk about the sequencing that's the listed you know outside of the comment from johnny i just you know gothic synths driving drums bright horns really amazing solo um uh just I like it actually in the spot that we're talking about it from a sequencing standpoint, as opposed to towards the end. Because it is one of those that, I guess they're all in the MVP category opportunity, but this to me might have been in the upper quarter of MVP opportunities.[1:01:04] What do you think, Justin? um i spent a fair amount of time on the lyrics on this one and trying to there's a lot of stuff that's in quotes um and i tried to figure out what he was referencing by a lot of stuff and the only thing this is the silliest thing that i think could have come out of this was the cool hand of a girl all i found for that was a mexican restaurant in toronto jd have you been there it's It's called The Cool Hand of a Girl.[1:01:39] Hand of a Girl. That's the only thing that I found on the internet with those words in hand. No, I've not heard of that restaurant. No. And I did some research on the restaurant, and it's been open since before this was recorded. So was he talking about a Mexican restaurant? It's an MO, man.[1:01:59] Yeah um i i did love the uh the line i legalize criminality and criminalize dissent i love that because i american who is fucking terrified right now and um that's where i live is where criminality is legal and dissent is criminal uh quite fucking literally, um i don't know the um you know you guys had referenced that this is this is sort of old gourd and the thing that really stuck out for me because i felt the same way it was yeah he said fuck you in this song and this album to that point feels too clean to have those lyrics, to have him say that. And the way that he says it is really live-gored, you know, the ranting voice, almost. He drags the F out in that word.[1:03:09] I like this song. It's not my favorite. I don't know why it's not my favorite i don't know why it's not not my favorite but um yeah this song is is fine and it the the as far as the sequencing goes you know the moment is a wild place is such a deep valley um that this just gets us right back up in the air and and we're on to our next stop and And, um, I, I liked the energy of it, um, to follow, um, yeah, in a wild place. But, um, other than that, I don't know. I think it's got another showcase vocal, uh, toward the end, the latter third of the song when he goes up high. Yeah, for sure. I don't know if you guys, uh, like, I'm not going to try and sing it, but do you know the part I'm talking about where he goes up very high? Yeah. Again, that's not something we've heard from him before. Him going into a place like that.[1:04:15] I could see the classic Gord sweat in this song. He worked hard in this one. And you know what? Moving on to Camaro, I sort of get a sweaty kind of vibe from this one, too. What do you think about this one, Justin? My first thought was, is Gord a secret car guy? like that would be amazing for you oh, No, I mean, this, this is, uh, this is, you know, you're in high school and this is the first car you can afford. Um, this is not a nice Camaro, by the way, the, I had, this is a, this is a 72 that nobody wanted and I found it for 400 bucks in the classifieds and let's go, you know, um, uh, I don't know. It's got no floor on the passenger side but everything else is cool you can see the lines on the road through the friggin' drin you can Barney Rubble it, it's a piece of shit but it's my car, it's my wheels and I love it, I actually went back and listened to other Camaro related songs.[1:05:33] Kings of Leon and Dead Milkmen Bitchin' Camaro You know, just, just, I went back to that for some reason. I don't know. It was, it was cool to just kind of revisit that. Bitching Camaro. Did you see Justin on this particular song and this actually brings up a question for me. The song is Bob said was written because that's his wife's favorite car was a Camaro and then he gave it to Gord and Gord was like, I don't want to write about a Camaro. I'm going to write about a girl named Camaro. So the lyrics are about a girl named Camaro but the title Camaro came from bob's um and this is again this is just what bob mentioned about it um his wife's favorite car so apologies yeah and isn't that crazy isn't that totally crazy and and.[1:06:36] Yeah. You know, a great song. Um, I have, uh, I have like talking heads listed as kind of a vibe in, in, in a lot of them actually have a real, you know, kind of eccentric talking heads, kind of odd jazzed influence horns, um, as well. So, yeah, but anyway, love that. It's a girl named Camaro. Great. I love the line of the chorus, Camaro, the name means just what you think the car can do, go. Just the way he phrases it is just very odd. Until I read it, I didn't realize what he was trying to say at the end.[1:07:16] And yeah, just very cool phrasing. it reminded me of um i couldn't get the simpsons out of my head the canyonero canyonero, but that's just where my mind went but my also my dad had he's currently rebuilding a uh a 1980 camaro in silver so i'm uh i actually just texted him to see if he could text me a picture of it but he's uh he's a car guy and yeah he's working on one as we speak so So it did bring back a memory that I had repressed from high school where I got a ride with a buddy's sister's boyfriend who had a Trans Am, you know, like a Burt Reynolds Smokey and the Bandit vintage. And we went 140 miles an hour on the way home. That's the only time I was certain that I was going to die was in the backseat of that car. And it's a Trans Am, not a Camaro, but same thing. Yeah. Yeah. Night.[1:08:15] Music.[1:12:50] The North Shore is the first track on the record to me that sounds like vintage hip. It could be at home on Day for Night, a different production version of it could have been on Fully Completely, maybe even Hen House. It's of that sort of vintage. Am I totally crazy, or am I barking up the right tree, Kurt? Yeah i mean i have i have written uh alt rock style um kind of ballad so you know that's i think that hip would fall into that that uh realm but the song sounded big to me it got big you know it starts off with that kind of acoustic piano in intro and um and and the cool thing like most scored lyrics is like is he talking about the north shore of maui is he talking about the north shore of you know lake ontario everyone because like everyone kind of has a north shore, and um i i uh i i i just appreciate again the his ability to um.[1:14:05] Keep you guessing and keep us talking for many more episodes of podcasts to dissect Accord's lyrics. Yeah. And I recall seeing an interview with Bob Rock where he kind of mentioned the same thing. He talked about the North shore in Maui. There's a North shore in Vancouver where, you know, Bob Rock would, would know about the North shore that I actually spent the first four years of my life on the North shore in North Vancouver. And, um, I'm I'm thinking he's probably talking about the lake only because he mentions, I think it swallows, which there wouldn't be, I don't think in Maui on the North shore there. It's much too windy. There's little sparrows, I think, but I could be wrong.[1:14:46] But, but yeah, it's meant to be for wherever your North shore is. And it really is a great song. It could be, could have been a radio hit is that, that type of song I did. This is one of those songs that earlier on I had a critique about the chorus being too generic. So the chord structure is one we've heard a million times. But then the more I listened to it, I started thinking, well, there's a reason this chord structure has been used a million times. It's powerful. And when Gord is added to this mix, it does sound original. And it sounds great. I really love the harmonies at the end in the guitar. There's some sort of like Boston seventies via seventies, like guitar rock vibe on the, on the harmonies, which I dug or like, or like almost like a thin Lizzie or something. So yeah, solid song all around.[1:15:39] Justin, your thoughts. Yeah. I actually, um, view this as a followup to the last recluse. Um, like, yep. That's all that to me lyrically. Um, I also went back to Summer's Killing Us from In Between Evolution, because I really do love the lyrics about one more breeze and summer's complete. And then at the end, he goes back to summer lowers its flag now. And obviously the word is summer. And so that is my tie in. But, you know, the the uptempo of summer is killing us and summer exists at the fair. Right you know like this is yeah summer kicks ass and then this is the end of it like we're going back to school now and uh the leaves are falling off of the trees and you know it just um i also really loved the line we occurred to each other 48 hours a day how fucking amazing is that line um when you're in love holy hell that's that's all you think about and um.[1:16:52] Fingers and toes 40 things we share you know uh yeah or fireworks um yeah believing in the country of me and you that's what it was yeah yeah yeah i agree with the last recluse reference though and the way he sings it is actually very similar to we held hands between our bikes it's very and if you've seen the video for the last recluse as well they actually show that with you know these two kids with their yeah well um track number eight is this nowhere kirk this song like i even have i told you about my nights at the ihop i would go after work here over the last couple days and and it's the right next to the hotel and it's simple and so i wrote this on a little napkin holder and my note says it's the same phrasing as one from.[1:17:42] You too i'm sure you guys all that's right yes yeah so and then all of a sudden what's that justin reference to it too midway through the song oh yeah it it's not getting better like he's bull right he is ripping this song he's admitting yep that's a great pick up justin yeah good friend right and then you have one more coffee in the bill which is gonna come up later as one of the lyrics and the backing that the chorus just boom shade shade of all now is that someone that you guys were familiar with ahead of this because I didn't know anything about her until I did the research Justin yeah No, Craig has a story. So Che, Amy Dorval is someone I had to look up because I heard the vocals on this song and I was so blown away by the backing vocals that I had to look her up. And she's from here. She's from Vancouver.[1:18:49] And I think she may be based out of Toronto now. I'm not quite sure. She has a couple of dates coming up in Portland and Seattle, I believe, but nothing here. So I was hoping to go check her out. But yeah, it turns out she worked with Devin Townsend on a project called Casualties of Cool. And so I went onto YouTube and looked that up. And it's very, very cool. Kind of like ambient stuff with just beautiful vocals. And yeah, Devin Townsend is a local musician who, yeah, I remember playing back in 95, sharing a bill with him when he played in a band called Strapping Young Lad. And now he's like a, you know, worldwide world, you know, renowned, uh, musician. And, uh, yeah, we have a, yeah, we have a bit of a band connection with him too. That I won't get into on, on air, but yeah. I want to love you.[1:19:45] That's so cool and then just my last two things on this song um, bob wrote five songs on her solo album and i don't know that he helped with the production he may have been the producer on it but he he wrote five songs with her very in a similar style that um he did with gourd but this is the part that gutted me gourd didn't hear the vocal, It was added after he passed.[1:20:43] I mean you know there's so many haters out there you know he the guy produced the the biggest album of the 90s like the the biggest decade for music um you know i'm pretty sure sales wise yeah i'm pretty sure the 90s as far as like you know you know actual physical product i gotta say this about bob he gives two fucks yep and it's just good for good for him to work with two he just he's living in maui with his wife and his horses and spending time with his kids and you know try you know yeah oh yeah i got to deal with this bon jovi album or this you know offspring album whatever else and then i'm gonna go and wake up and pick one of my 700 guitars and he's got he's got like just he's got he's got music for days but he doesn't sing so i mean he does a little backup vocals or whatever else but i love that about because you know i'm kind of teetering on this i love the bob rock hip albums and of course i am loving this album and and i appreciate the other stuff that i mean metallica that you know that i think that especially if you're a musician like i think i know every main riff from the black album i can't play it all but i know all the riffs of you know sandman and and um and i loved watching that documentary you know almost swore out the VHS. So I'm telling you how old I am again.[1:22:08] Yeah. Another thing about that song, I love the part after the chorus. There's that melody, the da-na, da-na, just at first it kind of throws you, but it's a really great choice.[1:22:20] And I'm going to give a little critique here. This guitar solo kind of kills me. It, it, it's just so generic and kind of boring. And actually now that you bring up the videotape of the, the Metallica, I think it's called day in the life of, I used to have a video VHS copy of that too. And there's a, there's a time on that when he's giving Kirk Hammett such a hard time about the solo. I think it was the unforgiven maybe. And he's just like, no, do it again. Do it. Gotta do your homework. Gotta do your homework. You don't do your fucking homework. So I was picturing like Kirk Hammett being in there, like giving him a hard, like hard time. And, you know, he needed, he needed Bob rock and needed a Bob rock on this song. I think.[1:23:07] Well, again, I think it comes, it comes from the fact though, too, that we've been listening to, you know, these bands and, and these records that have such a feel to them, you know, a cohesive feel. Feel and this record doesn't have that same sort of cohesive feel it's it's all over the place right 14 songs 14 songs that's in in in all the things you read he he gave him 14 songs and he got 14 songs back there was no added there was no cut it was 14 14 straight across and and at no point did i see anything that said like okay this this track was written in 1985 this track was It was written in 2010. It just was part of his cadre of music that he's had lying around. And again, I'd really be interested to know if the titles are Bob's or Gord's. I'd be really interested to know. I guess ultimately it would have come down to Bob in the end. But I'm sure he would have respected it. I think Gord, in their discussions, they would have had. I'm sure. But you're right. I mean, they are co-producers.[1:24:23] Co-writers of the of the record yeah craig i'll put a bow on your statement this was sorry i'm i'm getting a little too flowery with the bob rock quotes and everything else but his statement was budget wise i was the only guitar player available, so there's your answer to the solo okay okay sorry bob i i really i should say i i'm a bob rock fan i love both of the hip albums he did and and like i already mentioned my permanent vacation story and also sonic temple was a big one for me when i was young and that was his yeah me and my buddy found that cassette tape on the side of the road by my dad's work someone had thrown it out the window or something and we found it no no case just the tape and took that home and And yeah, so I'm a big, big Bob rock fan. So sorry, Justin. Yeah. I mean, apart from the backing vocals, I don't love this song. Um, and I think it's kind of the reasons why you guys said it's just not something musically doesn't do it for me. Um, and that's no disrespect to anybody, but the, you know, the background vocals are just so freaking stellar that it's it props the song up probably higher than it should rank for me.[1:25:48] Um yeah and i really you know i didn't care for the youtube the youtube riff and and it just it's just strange right it pulls you out it almost pulls you out of the song because you're like thrust into another song but like i said i do i do appreciate that gourd references the u2 song yes and says it's not getting better that's very cool okay all right well then we know what we're doing at least yeah good on him for for recognizing that and i'm guessing it was just an accident then he he either he noticed it or someone else pointed it out and then yeah know, I'll just add a lyric in here and it's all good. I think it's better than one personally. The next song is To Catch the Truth. Kurt, we'll start with you. Yeah, man. So here we go. We got a ska song, a frigging ska song, in my opinion. No doubt, Mighty Mighty Boston's, whatever your flavor is. But.[1:26:51] I love ska. I love ska. My wife loves ska and we grew up in Orange County. I used to go see No Doubt, play at colleges and play at local bars and crap like that.[1:27:07] And Mighty Mighty Boston is probably the – not even probably, by far the loudest concert I've ever been to, leaps and bounds. But gorge's doing a ska tune um west coast punk was uh was mentioned in a couple of the reviews that i saw vancouver's scene dug in the slugs um it's just a fun great song you know the beauty of ska at least from my standpoint so um loved it absolutely loved the tune jay dog yeah i uh remember very fondly uh watching real big fish in a very small room and um river city rebels were a big ska band horn band here in burlington and i used to you know sneak into shows underage and and love it um it's a fun song it's just fun and um gourd packs a lot into this song um it's i don't really have any any critiques yay or nay other than man i remember being 15 16 years old and going to these shows and having a hell of a good time when i first heard this song the the amount of compression bothered me it's just like.[1:28:31] You know squished and also i found it strange i was thinking in the realm of like goldfinger or something like that and in what in one channel you've got the guitar the other side you've got the piano and i found the way the piano was so clean was a bit bothers bothersome at first, and i had a note i wish it was almost like rag timed up a bit like or you know a bit like maybe even a bit out of tune or just something to give it a little bit of personality that would be my one see this is the song that i felt was like the the mouth i did yeah i think it was the piano a melody but what i mean is is the actual sound yeah no but not the sound i i hear what you're saying craig it was too clean it needed to be like someone had a mic in the room of a saloon with some out of tune piano and then that would have been the that would have been the flavor that would have been the added that well because i like my note west coast punk like you don't tune up when you're playing punk songs you play what's on the friggin guitar that's exactly what So I hear that. I think that's a very fair, very fair criticism.[1:29:37] After listening to it on the CD last night, though, I found that it wouldn't have worked if it was done as a more sort of raw punk or like, if it wasn't compressed in that way, the vocals would not have popped in the same way. And so I think it was probably the right choice in hindsight. But like I said, if it could be just dirtied up a bit in some way, I think I would have enjoyed it a little bit more. I did like the beginning. It's kind of like a strange introduction. There's also those hard stops at the end. What's real? What's fake? There's not a dirty song on this record. You know, this record is not, it's not got, it is like that Camaro. Somebody's out polishing it with a shammy. It's pristine and clean. Let me howl.[1:30:29] Music.[1:36:30] This was one of my favorites. Really enjoyed this song. Really strong melodies. It's unlike any other song in style. And again, we keep coming back to this, but it does not sound like any other Gord song. Doesn't sound like any other song on this album. Very much like an 80s vibe musically. There's a, you know, because I've criticized some solos, I will say I did enjoy the clean guitar solo on this song. And then there's a sax solo that comes in over top of that and i like how that how the tempo goes into halftime and then it kicks back in at the end yeah solid song so i got i got big money from rush in the intro that's what it felt like to me okay so just think of that synth you know.[1:37:21] Big money when before it comes in so but you're right man that that breakdown with the guitar and the sax i just kept repeating that i freaking loved that like and you know you guys you know i i'm i like the dead and and one of the reasons why i think i like the tragically hit because they are jam band no matter what you say they are jam band and they're not going to go off into crazy solos well they did go off into crazy gourd vocal solos you could say right but you know rob's not ripping it for 25 minutes and and you know breaking out the wall and making sure you're you know timing your dose just right but um it it i i love that part to this is that um that that that breakdown. Cause you just, and again, and I'm also a big rush fan. So that intro, so yeah, yeah, this is one of those, like I said, I didn't have my MVP, but this was definitely like a strong, strong candidate. And then my final note on this, this was the last vocal recorded before he was diagnosed is some research that I did. So this was the last vocal was let me before, before he was diagnosed entirely for me.[1:38:41] Not necessarily the meaning, but just context. Wow. Been hitting the head with the shovel here. Who else needs to talk about Let Me Howl? I think it's just Justin, right? Who, me? Yeah. Yeah, the sax makes me feel like I'm driving a cab in Manhattan in 1986.[1:39:06] And it's raining out. you know uh it's so freaking cool and it's a long song and it does weird things i remember the first time that i heard it i thought that we were going to have a fade out on the on that half you know the the slower beat um or the half time whatever you want to call it and, and then out of nowhere this massive film and and we're back and we're faster than we were before, right like it there there's a sense of urgency at the end of the song like let me howl here like i'm i gotta get this out and um it's really really fun like again it's, you can slow dance to this song and you can boogie to this song and you can, i don't know it's it's really really fun and um it's up there for mvp for me it's not my mvp but it's top three or four. I also like how the chorus, let me howl. And on the word howl, he has this like glissando up, like a slow glissando up along with the harmony, which is what a wolf does. Like, um, he's not going clean from one note to another. He's got, he's, he's like slurring up to it. Okay. And like, like a wolf would do when they howl.[1:40:30] And also there's some very slight changes to the way he sings it, I believe, if I'm remembering, if this is the song I'm thinking of, where the chorus slightly changes like the notes he's singing different times or the harmony changes. Something changes a little bit that I thought was really cool. I didn't listen to it today, so.[1:40:52] Justin, hell breaks loose. What do you think? I immediately, before I knew it, I knew that this was Johnny Faye playing drums. Um yeah and uh it's it's a it's a really cool again and like i just referenced new york city um and it's in the first line of this song like and he paints the picture of walking into a bar and it's kirk watching a soccer game right uh fireworks on the roof elbow one of the very first dates with, with my, with my wife, we watched a world cup game in a, in a bar that was shoulder to shoulder and it was two teams I didn't give a shit about and everybody was cheering and everybody was drinking and it was, you know, and then one guy got pissed off, bigger screens, bigger feelings. Right. And it's, it's cool.

https://www.virginradio.it/audio/long-playing-stories/1370120/long-playing-stories-aerosmith-permanent-vacation.htmlhttps://www.virginradio.it/audio/long-playing-stories/1370120/long-playing-stories-aerosmith-permanent-vacation.htmlFri, 07 Jun 2024 15:50:57 +0200Virgin RadioVirgin Radiono0

Panelists: Dim Aws Talking Points: Why Aws doesn't complain about anything or cares to be understood Perspective, Life satisfaction and Objective truths Human beings aren't designed to care on a global scale When does being a good samaritan become untenable Defining the 'tribe' Are you affected by 'Wog guilt' Human shortsightedness and survival chains Escaping the village mentality #iraq #influence #mentalhealth #aid #charity #help #currentevents #social #trainspotterspodcast #spotify #trainspotting #podcast #itunespodcast #soundcloud #melbourne #australia #anchorfm If you think you have a story to share or want to find a safespace to argue the pointless and the poignant, drop us a line at therealdukeleverage@gmail.com or DM us on the social media feeds. We're all about making dreams come true! https://linktr.ee/trainspotterspodcast Don't forget to hit the URL in the profile to get to our links. Make sure to like, share and follow and if you've listened to over 2 hours over 3 episodes you should keep our doors open and buy us a coffee!

Shubostar's RA Podcast begins and ends with video game music. (The beginning kind of sounds like Mary Poppins, actually.) Lots of DJs and producers play or make music that emulates the nostalgic sounds of old-school gaming, but the South Korean artist goes direct to the source. Before falling in love with dance music, she went to an animation-focused high school and learned how to make video games—so it's basically in her musical DNA. And while her DJing isn't as out-there as you might expect from that description, '90s and '00s Japanese video game (and anime) soundtracks offer a good idea of what her playing sounds like: lush, synthetic and a little naive, full of wonder and positive vibes. With releases on labels like Permanent Vacation, Internasjonal and her own uju Records, Shubostar is also a student of cosmic space disco, inspired by artists like Daniele Baldelli, Lindstrøm and Prins Thomas. Lately she's been rubbing elbows with Âme and Dixon. She picks tracks from across eras and genres on her RA Podcast, with cuts from Yellow Magic Orchestra, Baldelli and Kraftwerk alongside selections from DJ City and Private Agenda. It's a mix full of mood shits, dazzling keyboard runs and, of course, melodies that seem to reach out towards the heavens—or outer space. @shubostar Read more at https://ra.co/podcast/925

Mick is hanging out with Producer Paul and they are discussing ultimate movies vacation destinations.The movie The Scene Snobs Review in this episode is 'The Beekeeper' (2024) and an all new Mick's Movie Pick from 1949!Check out WeBeGeeks and follow them! https://webegeeks.net/Welcome to @TheSceneSnobs Podcast, your ultimate destination for all things movies, TV shows, and pop culture! Hosted by Mick Manhattan, we dive deep into the world of entertainment, bringing you the latest news, reviews, and insights on your favorite shows and movies. Each episode, we dissect the most popular scenes, discuss the hidden meanings behind the lines, and share our unique perspectives on the storylines. Whether you're a casual viewer or a hardcore fan, our podcast offers a fresh and engaging look at the world of entertainment. Join us every week as we explore the fascinating world of cinema and television, one scene at a time. Don't forget to subscribe and hit the notification bell to stay updated on our latest episodes. If you enjoy our content, please leave a like and share our podcast with your fellow scene snobs! For more information, feel free to reach out to us at Mick Manhattan. We're always excited to connect with our listeners. Stay tuned, and keep the popcorn popping!Help Us Continue to Make Great Shows by Supporting Us On Patreon - https://www.patreon.com/TheSceneSnobsGet More Snobs: linktr.ee/thescenesnobsGo to SnobsMerch.com and use Promo Code "Snobs" for 10% Off your order!Check out our affiliate links for discounts!StubHub - https://stubhub.prf.hn/l/NJYlxoMEntertainment Earth - https://ee.toys/scenesnob Use our link for 10% off any in-stock purchase. Also free domestic shipping on orders $79+Use TubeBuddy to help grow your YouTube Channel - https://www.tubebuddy.com/pricing?a=SNOBS - Use our link to sign up!TheSceneSnobs.comMental Health Resources: For finding a therapist in your area:https://www.psychologytoday.com/us/therapistsTips to Find Affordable Therapy Resources: https://www.psycom.net/how-to-find-affordable-therapyhttps://www.goodrx.com/insurance/low-cost-free-healthcare/free-mental-health-support-groupsSubstance Abuse and Mental Health Services Administration: https://www.samhsa.gov/find-help/national-helpline

SDC returns with some melodic acid on Running Back, Deetron delivers two killers for Nu Groove,  disco from Opolopo, a slammer from Tiptoes, new M.A.D. Records and Permanent Vacation and some lovely soulful house... Catch me next: Jan 27 - Jumbi, London / Feb 3 - Pleasurehood @ XOYO, London / Feb 24 - Balearic London [FREE TICKETS] @ Paper Dress Vintage, London Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads of my edits before anyone else, exclusive previews of my tracks, feedback on your tracks if you're a producer. All the money raised here goes back into buying music for the show. If you want to support me in another way, please give this podcast a 5-star review, repost it on Mixcloud or SoundCloud or buy/stream my music. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on SoundCloud  Follow the Turned On Spotify playlist, with 1000s of tracks played on this show and in my sets. Turned On is powered by Inflyte – the world's fastest growing music promo platform. Opolopo - Bebeccie's Theme [Z Records] Pegasvs feat. MA.MOYO - No Peace [Burnin Music] Pegasvs - Traffic Jam [Burnin Music] Shaka - Between Calm And Storm [Vibes & Grooves]  The 89 Project - Supernatural [Vibes & Grooves] Man Power & Rapasa Nyatrapasa - Luo Land [M.A.D. Records] Deetron - AM 909 [Nu Groove Records] Deetron - Runnin' [Nu Groove Records] Oggie B - Moon Boogie (Craig C Lunar Rub) [Craig C Recordings] Tiptoes - Only If I Had One More [Different Kinds Of Idiots] Ben Evers - Ravers Of The Universe [Permanent Vacation]  Future Classic:  Space Dimension Controller - Kosmische Conga [Running Back]

Not only is @theokottis joining our podcast series this week, but early next month he will join the label family too. His new Lighthouse EP is a perfect encapsulation of the Scotsman's style - house, techno and electro fusions with a knowing nod to the 90s and plenty of both physical and emotional impact. It's his first work since a "self-imposed creative reset" and comes after previous outings on the likes of Permanent Vacation and DGTL that have established the Space Dust label and party founder as someone who is as effective as he is unpretentious whether making or playing records. His mix for us is inspired by recent gigs and is made up of tracks that were particularly well-received by the crowds. It's two hours of slick selections cross the house, techno and electro spectrum so, says Theo, "there's something for everyone to dance their way into 2024." And he's not wrong: this is exactly the sort of impossibly groovy soundtrack you want to warm you up and get you going with just the right balance between head and heel.

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Link for merch: https://www.bonfire.com/store/brawl-stars-all-stars Make sure to join my club, Xyro gaming! (In the message put podcast) Player ID: 8UYUCJ98V Gmail: bsaspodcast@gmail.com Thanks to all of our Spotify listeners (Make sure you do the polls!) And most importantly Have fun Brawling!!!

After spending years running club nights in Edinburgh, Wallace has since put all of his energy into his own musical journey. His sound has stemmed from a unique upbringing, as he was exposed to music from around the world thanks to his parents who loved music and nature respectively. Having played his debut at the legendary Panorama Bar in November, played extensively at festivals like Gottwood & Burning Man, combined with recent releases on Rhythm Section, CWPT, Studio Barnhus & Permanent Vacation as well as remixes for Gilles Peterson on Brownswood, make Wallace an essential one to watch! "A glimpse into the beautiful, bold, bonkers world of Bollywood, Bhangra & other forms of Indian music. An hour of sounds from some of my favourite Indian musicians alongside a handful of unreleased edits of mine." Best, Jimmy https://soundcloud.com/wallacejimmygs https://www.instagram.com/wallacejimmygs/

More Japan finds, Bedrock beauts, Running Back, Permanent Vacation, a superb rework of a Todd Edwards classic from his 'House Masters' compilation... Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads, exclusive previews of my tracks and extended versions of my club sets. If you want to support me in another way, please give this podcast a 5-star review, repost it on Mixcloud or SoundCloud or buy/stream my music. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on SoundCloud  Follow the Turned On Spotify playlist, with over 2300 tracks played on this show and in my sets. Subscribe to RecordReplay, my £10 budget second-hand vinyl mixtape series. Subscribe to Monologues, my podcast series where producers mix only their own productions. Turned On is powered by Inflyte – the world's fastest growing music promo platform. Tracklist: Felo Le Tee feat. Mellow, Sleazy, Keynote, LK & Deepstix - Midnight Prayer [New Money Gang Records] Daniel Rateuke - Sinayu [Stereo Productions] George Davis - Marimba Disco [kickin' up dust]  TMFD - Can I Trust You? [VOLATILE] Genius Of Time - CS70 House [Aniara Recordings]  Rodamaal - Roots 4 Acid [Buzzin Fly] Bedrock - Emerald (BOg Remix) [Bedrock] Trippers Anonymous - Tribe [Run The Rhythm] Bjørn - Don't You Want My Love [Bjørn Wikkeling] Todd Edwards - Push The Love (Seb Zito Remix) [Defected] Jordan Nocturne - Musique [Permanent Vacation] Future Classic: Dusky - Wildfire [Running Back] 

Thursday – Would you eat human flesh? Do you judge others by their number of sexual partners? We make out NFL picks in the Froggers Football Forecast. Date Night Guide with Dani Meyering with these date night ideas: Oktoberfest's in Casselberry & Mount Dora. Happy Frights and Haunting Nights, The Courtesy and Permanent Vacation with Halloween themes, and some adult vampire experiences. Attorney Glenn Klausman with pizza and The Case of the Injured Overseas Traveler for Colbert Court. Rauce Thoughts on his new buddy Wheezey Jack. Plus, WOKE News, Trivia & Last Call.

Thursday – Curt Schilling breaks news that he shouldn't. We talk about our favorite robots. Date Night Guide with Dani Meyering with date night ideas, the Best of challenge at Sunset Walk, the end of Magical Dining, and Halloween themed events at Leu Gardens, Westgate River Ranch, Permanent Vacation, the Nuke on Robinson, and JoJo's Shake Bar. Plus some pricey event at the Waldorf Astoria. Attorney Glenn Klausman with the Case of The Unseen Side-swipe for Colbert Court. Rauce Thoughts on his new iPhone. Plus, WOKE News, NFL picks, Trivia & Last Call.

  On this episode you'll hear: Sinking Ships Permanent Vacation Old Time Feeling Starry Moonlit Night Videos of the live performances on YouTube! Find more from Kevin Gruen including the single "Permanent Vacation" on your favorite digital music platform. Follow along with Kevin on Facebook & Instagram. KevinGruenMusic.com See Kevin LIVE 9/27 Nightshift Bar St.Peters, MO 7-11p 9/28 Donatelli's Lake St.Louis, MO 7-10p 9/29 City Foundry St.Louis, MO 7-9p 9/30 Bennie's Pizza Pub Belleville, IL 2-5p 10/1 at Bar K St.Louis, MO 1-3p Thank you to Friendship Brewing Company in Wentzville, MO and Flint Hill, MO for their continued support! Be sure to come visit them for all your craft beer needs. Over 25 rotating taps, all sorts of tasty eats and a big ol patio to enjoy some the beautiful Fall weather with friends! Live music every weekend FBC Wentzville 9/28 Singo Bingo: Groove & Boogie 9/29 Josh Littig (7-10p) 9/30 The Wurst Bavarian Bands (230p) Steve Kyle (7-10p) FLI-HI Music: 9/29 Steve Kyle (7-10p) 9/30 Corey Clapper & Co (7-10p)  FriendshipBrewingCo.com

Hello and welcome episode 47 of The DJ B-12 Deep Acid House Experience. I hope you are all doing well out there and I appreciate your support and listenership. This show is for the month of September 2023, and it is dedicated in memory of Ainsley Talbot, my 10-month 3-week-old kitten who passed on August 29, 2023. She had a terrible condition that left her disabled after she was about 2-3 months old. Although she was born normal with her surviving sister, Arianna and her brother, Jackson, it seems, her mother, Gracie (who was a stray cat I took in 3 weeks before they were born), contracted a virus while she was pregnant, which resulted in only Ainsley developing a condition that caused her cerebral cortex to not form properly. It started out with her motor skills diminishing and eventually led to her being only able to lay on her side and needing help doing everything. She was a true fighter, and she will always be my little hero and my best friend, but her broken little body just had enough.  She was the most beautiful, precious, and loving soul I've ever known.  As you can imagine, this was a bittersweet episode for me to do with losing her so young, which is one of the reasons it took me so long to get out, but I wanted to get a fresh mix out with new tunes that I could also dedicate to her. Although this set was worked out ahead of her passing, some of the tracks took on a special meaning because of lyrics and titles. RIP Ainsley girl. I will love you forever and always, until we meet again, my angel. Ainsley Talbot October 3, 2022 - August 29, 2023.This mix has 76 tracks and a runtime of 2 hours and 38 minutes. This set contains the best in house, breaks, progressive, melodic house and techno, techno, deep house, acid, piano house, vocal house, uplifting house and more. The full 320k mp3 can be downloaded from Soundcloud.  This episode contains tracks by the following artists and on the following labels: Sousa_, 13 Records, Thomas Compana, Drekaan, Embliss Records, Into The Ether, Immersed, Digby & Oliver, Framewerk, Zero Tolerance Recordings, Ika Sile, OSF, Sasha, Because of Art, Last Night On Earth, Dosem, My Friend, Anjunadeep, W&O Street Tracks, Trance Wax, Armada Music, Framewerk Rewerks, Kodiaks, Aubrey Fry, Death Proof Recordings, Mauricio, Big Speaker Music, Paul Rudder, Miura Records, Rhyme Time Production, Skapes, Tim Hidgem, Cleveland City, Solo, TuneCore, Sopp, Pomme Frite, Sweet LA, LW Recordings, T-Bor, Phoenix Music Inc, Nick Muir, Proton Music, Audiojack, Jem Cooke, Michael Mayer, Crosstown Rebels, Suki, Shall Not Fade, Armada Music Albums, Jachmastr, Selsi, Sounds and Frequencies Recordings, Bound to Divide, Lauren L'aimant, Colorize (Enhanced), Nadja Lind, Hernan Cattaneo, Soundexile, City Noises, Muzvio, Capital Heaven, Toriah, Stress Records, Fly Boy Records, Leena Punks, Tom Westy, Monoton, La Fusa, Henry Street Music, Tom Wax, Frank De Wulf, Phuture Wax Records, Nicky Elisabeth, Joris Voorn, Acid James, Amy Dabbs, Athlete Whippet, Aus Music, Ejeca, Toolroom, mpeg, Permanent Vacation, Jay Kay, Play This! Records, Lazer Worshippers, Wild and Taylor, Missile Records, Hehn, Torre, Anthony Pappa, Progrezo Records, Astro, Lost Palms, Florentin, Diynamic, Jaydee, Percep-tion, t e s t p r e s s, Dance Trax, DJ Jeroenski, Alex Vasi, Rubber People, Blockhead Recordings, Ace's Jam Hire, MARINA TRENCH, Hugo LX, Gerd Janson, Sweet State, Andy Bach, Anne Miller, Leftymood Records, Mark Archer, Shadow Child, Swankout, Vataff Project, Saafi Brothers, Liquid Sound Design, State of Grace, Sunscreem, Carl Cox, Bushwacka!, Chuck Roberts, Oblong Records, Sweet LA, Whore House, WeAreTwo, Re:vibe Music, Robert Babicz, Kelch, Bodhi, Hotflush Recordings, Marsh, Sun Ra, LeSonic, Ellie Shantz, Monstercat Silk, Quivver, Dave Seaman, Einmusika Recordings, Rammdomm, Urban GorillazY, Saytek, Apex Recordings, Toni Sauna, Daniel Englisch, Dave Angel, Groom Lake Universal, Hammer, DART, Maruw, WZA, Nuvolve Music.Tracklist01. Sousa_ - Around Me [13 Records]02. Thomas Compana - Keep Progress (Drekaan's 'Better to Live High' Remix) [Embliss Records]03. Into The Ether - Reminiscence (Extended Mix) [Immersed]04. Digby & Oliver - Human (Framewerk Breaks Remix) [Zero Tolerance Recordings]05. Ika Sile - Get To Know [OSF]06. Sasha & Because of Art - Fused [Last Night On Earth]07. Dosem & My Friend - Blue Marble (Extended Mix) [Anjunadeep]08. My Friend - Atomic Burger [W&O Street Tracks]09. Trance Wax - Rhythm Of The Night (Extended Mix) [Armada Music]10. Framewerk - Mooger Fooger (Framewerk Rewerk) [Framewerk Rewerks]11. Kodiaks - Growler (Aubrey Fry Remix) [Death Proof Recordings]12. Mauricio - PHAZE 1 (Extended Mix) [Big Speaker Music]13. Paul Rudder - Findin' My Way [Miura Records]14. Rhyme Time Production - You & Me (Skapes & Tim Hidgem Remix) [Cleveland City]15. Solo - Emotions [TuneCore]16. Sopp - So Good [Pomme Frite]17. Sweet LA - Reset [LW Recordings]18. T-Bor - On The Edge (Extended Mix) [Phoenix Music Inc]19. My Friend - Walk The Walk [W&O Street Tracks]20. Nick Muir - All One Word [Proton Music]21. Audiojack x Jem Cooke - Feels Good (Michael Mayer Remix) [Crosstown Rebels]22. Suki - Phonosynethesis [Shall Not Fade]23. Because of Art - Amnesia 2000 (Extended Mix) [Armada Music Albums]24. Jachmastr - Obsession (Selsi Remix) [Sounds and Frequencies Recordings]25. Bound to Divide & Lauren L'aimant - Tears (Extended Mix) [Colorize (Enhanced)]26. Nadja Lind - Limbus (Hernan Cattaneo & Soundexile Remix I) [City Noises]27. Muzvio - Vortex [Capital Heaven]28. Toriah - Motions (Extended) [Stress Records]29. My Friend - Chicken Lizard [Fly Boy Records]30. Leena Punks - OOO (Out Of Office) (Tom Westy Extended Remix) [Stress Records]31. Monoton & La Fusa - Spirit Of The Inner Circle [Henry Street Music]32. Tom Wax - Electronic Passion (Frank De Wulf Remix) [Phuture Wax Records]33. Nicky Elisabeth - Fading (Joris Voorn Extended Mix) [Anjunadeep]34. Acid James - Queen of Hearts [LW Recordings]35. Amy Dabbs & Athlete Whippet - Milkshake (Extended Mix) [Aus Music]36. Framewerk - When The Lights Are Out(Framewerk Rewerk) [Framewerk Rewerks]37. Framewerk - Into The Sun (Framewerk Edit) [Framewerk Rewerks]38. Ejeca - In & Out (Extended Mix) [Toolroom]39. mpeg - What's Real [Permanent Vacation]40. Jay Kay - Inspire [Play This! Records]41. Lazer Worshippers - Lazer Worshippers Theme (Wild and Taylor Electro Mix 1993) [Missile Records]42. Hehn - Macro [Torre]43. Dosem & My Friend - Door To Door (Extended Mix) [Anjunadeep]44. mpeg - Dizzy [Permanent Vacation]45. Anthony Pappa - Outback (Lank Lazy Dub) [Progrezo Records]46. Astro - Radiance [Lost Palms]47. Florentin - Cousin Sam [Diynamic]48. Jaydee - Sleepy Head [Percep-tion]49. t e s t p r e s s - HWFG [Dance Trax]50. DJ Jeroenski & Alex Vasi - Get Back Together (Rubber People Remix) [Blockhead Recordings]  51. My Friend - In Flux [Ace's Jam Hire]52. MARINA TRENCH - Ose feat. Hugo LX (Gerd Janson Remix) [Sweet State]53. Andy Bach - Never Felt So Right feat. Anne Miller [Leftymood Records]54. Mark Archer & Shadow Child - I Know You (Swankout Remix) [Dance Trax]55. Vataff Project - Come and Join (Saafi Brothers Remix) [Liquid Sound Design]56. Because of Art - Don't Make Me [Last Night On Earth]57. t e s t p r e s s - U (Extended Mix) [Stress Records]58. My Friend - Into The Night (Extended Mix) [Stress Records]59. Framewerk - Not Over Yet (Framewerk '23 Rewerk) [Framewerk Rewerks]60. Carl Cox & Bushwacka! - Music Is Life feat. Chuck Roberts (Deep Mix) [Oblong Records]61. Sweet LA - Closer [Whore House]62. WeAreTwo - The Rooftop (Sweet La Remix) [Re:vibe Music]63. t e s t p r e s s - Just [W&O Street Tracks]64. Robert Babicz - We Will Never Give Up [Kelch]65. Bodhi - Actuator (Extended) [Hotflush Recordings]66. Marsh - Another Planet feat. Sun Ra (LeSonic Extended Mix) [Anjunadeep]67. Marsh feat. Ellie Shantz - Make (Extended Mix) [Monstercat Silk]68. Quivver & Dave Seaman - Eyes Wide Shut [Einmusika Recordings]69. Selsi - Majestic [Capital Heaven]70. Rammdomm - Vorinclex [Urban GorillazY]71. Saytek - Acid Breakup (Live) [Apex Recordings]72. Toni Sauna & Daniel Englisch - Make Detroit Great Again (Dave Angel Remix) [Groom Lake Universal]73. Hammer & DART - Tint (Maruwa Remix) [Shall Not Fade]74. mpeg - Back To B [Permanent Vacation]75. Framewerk - Perfect Motion (Framewerk Rewerk) [Framewerk Rewerks]76. WZA - I Just Wanna Be Free [Nuvolve Music]

Jordan's schedule includes stops in New York, Tokyo, Ibiza and London, but his reputation has been built on almost two decades of relentless work closer to home. As resident and promoter at Belfast's weekly party, The Night Institute, and before that as a curator of the city's not-quite-legal,late-night parties, Jordan has played many roles within his local scene, alongside countless hours behind the decks. This has afforded him a legitimacy that is becoming a rarity in the electronic music community, placing him at odds with the common thirst for overnight success stories. "I've crammed in some of the energy of my Summer into this hour. The first half is a slower tempo, inspired by my debut at Pikes and the early part of the night at our parties at The Hack Club in Belfast. The second half, I take things in a more energetic direction with highlights from my Fabric set earlier in July, as well as some previews of my forthcoming releases on Permanent Vacation and Polari." Jordan Nocturne's ‘Musique' EP is out on Permanent Vacation on 29th September. His remix of Django Django 'Slip Stream' is out now. Check em out. https://www.beatport.com/release/musique/4264274 Artist: @jordannocturne

Music from Africa Seven, Nu Groove, Defected, Permanent Vacation, Homo-Centric... Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads, exclusive previews of my tracks and extended versions of my club sets. If you want to support me in another way, please give this podcast a 5-star review, repost it on Mixcloud or SoundCloud or buy/stream my music. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on SoundCloud  Follow the Turned On Spotify playlist, with over 2300 tracks played on this show and in my sets. Subscribe to RecordReplay, my £10 budget second-hand vinyl mixtape series. Subscribe to Monologues, my podcast series where producers mix only their own productions. Turned On is powered by Inflyte – the world's fastest growing music promo platform. Souldade - Kesiyah (Edit) [Stereo Ferment]  Ottis Blake - Beautiful People [Devine Sounds] Kemayo & K. System - Biram (Lauer Edit) [Africa Seven] Gyedu Blay Ambolley - Highlife (Alan Dixon Edit) [Africa Seven] Bunzu Soundz - Zinabu (Stefano Ritteri Edit) [Africa Seven] Oby Onyioha - Enjoy Your Life (Ben Gomori's New Lease Of Life Edit) [Africa Seven] Parbleu - Sababa [Sonor Music Editions] Jovonn - The Piano Fix [Nu Groove] GIDEÖN - A Road Called Destiny [Homo-Centric] Jansons feat. Dope Earth Alien - Hypnotic [Defected] Benjamin Frölich - I Forgot My Mantra [Permanent Vacation] Future Classic: Danny Tenaglia & Cevin Fisher - Move That Body [Nervous Records]

Welcome to my new episode 'Dynamic Trance Universe' Podcast. Доброго времени суток, дорогие друзья! В эфире юбилейный 400-й эпизод подкаста-путеводителя в замечательный мир транс музыки. Недавно Вашему гиду по просторам вселенной электронной музыки исполнилось 35 лет. Огромное спасибо Всем за поздравления. Было очень приятно. В данном возрасте начинает меняться мировоззрение, на окружающую действительность смотришь через некоторую призму и хочется больше спокойствия, уюта и комфорта. Вот поэтому я немного пересматриваю концепцию своего подкаста, начиная с этого эпизода Вы услышите больше вокальных, космических, мелодических композиций с элементами прогрессива и нотками техно. Надеюсь, что Вам понравится. Поехали! @aeroritmixmuzik #DTUPodcast400 #Deep #Trance #Vocal #Melodic #Trancefamily TRACKLIST: 01. Christian Nielsen - Let Me Go (Luke Alessi Remix) [PETS] 02. Abdul Raeva - Navigator 3000 [PERMANENT VACATION] 03. Wongo - Mars [THIS AIN'T BRISTOL] 04. Vintage Culture & Three Drives - Greece 2000 [ARMADA] 05. Dirty South & Ferry Corsten - Carte Blanche [ARMADA] 06. Rojaca - Breathe [EVE] 07. Paul van Dyk & Rafael Osmo - Two Rivers [VANDIT] 08. Cosmic Gate - Mirador [WAKE YOUR MIND] 09. Anton Trian - Vis Viva [ADDICTIVE SOUNDS] 10. Denis Kenzo & VAMER - Selected [DENIS KENZO RECORDINGS] 11. Jordan Gill & Orgymu5ik - Qalea [JOOF] 12. Fuenka - Adagio For Strings [A STATE OF TRANCE] 13. GAIA - Tuvan (AVIRA Remix) [ARMIND] 14. Pico Boulevard - Xenomorph [JOOF] 15. John 00 Fleming - Space Odyssey [JOOF] 16. Ruben Karapetyan - Meteorite (Jerome Isma-Ae Remix) [SLC-6] 17. MRPHLNDR - Medusas Mayhem [A STATE OF TRANCE] 18. Pete K & Headkube - Olympia [RELEASE DEEP] 19. Basil O'Glue - Social Realism [UV NOIR] 20. LÜRUM vs. Kryder - The Energy Of Ra (Emotional Impulse Mashup) [CD-R] 21. NANCY Live - Molmat [SHALL NOT FADE] 22. Alex Kassian - Voices (Materia Mix) [TUNECORE] 23. Bliss inc - Higher, Vision [MAGICWIRE] 24. Suki & Sniper1 - Purple Haze [HOLDING HANDS] 25. Catz 'n Dogz - Rave History (Maruwa Remix) [PETZ] 26. Coyu - Levante En Llamas [SUARA] 27. Age Of Love - The Age Of Love (Charlotte de Witte & Enrico Sangiuliano Remix) [DIKI] 28. Dimitri Vegas & Like Mike x Age Of Love x Vini Vici - Age Of Love (2022 Remix) [SMASH THE HOUSE] 29. Lacchesi - Eckmül Staircase [MAISON CLOSE] 30. Alpha Tracks - Elektra [MORBID] 31. Nathan Micay - Fangs (Avalon Emerson's Re-Chip Remix) [LUCKYME.] Слушайте, скачивайте и пишите комментарии, буду рад их почитать. И помните, что музыка должна находиться вне политики. Мирного неба вам над головой. До скорой встречи. ▶ PromoDJ: promodj.com/aeroritmix ▶ Mixcloud: www.mixcloud.com/aeroritmix-dj ▶ Souncloud: soundcloud.com/aeroritmix-dj ▶ VK: vk.com/public204888851 Подписывайтесь на мой подкаст (Subscribe to My Podcast): ● Apple Podcasts - podcasts.apple.com/ru/podcast/… ● Google Podcasts - podcasts.google.com/feed/aHR0c… ● Pocket Casts - pca.st/drpc1gfj Слушайте и наслаждайтесь! Listen & Enjoy! From Russia with Love!

https://linktr.ee/TedJonesWorld COME TO THE TED JONES COMEDY SHOW! 1:25- Small Bladders  5:20- Growing Up On AN ISLAND  16:15- PERMANENT VACATION? 21:00- Ted Meets Vegan 1  29:30- STEALING RENT MONEY? 32:40- No Sharks In THE POOL 40:40- Chimp Empires TEDJONESWORLD@GMAIL.COM COME TO THE TED JONES COMEDY SHOW! https://linktr.ee/TedJonesWorld --- Support this podcast: https://podcasters.spotify.com/pod/show/ted-jones-world/support

Music from Phantasy Sound, Permanent Vacation, All Day I Dream, Ninja Tune, Freerange Records, Wah Wah 45s... Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads, exclusive previews of my tracks and extended versions of my club sets. If you want to support me in another way, please give this podcast a 5-star review, repost it on Mixcloud or SoundCloud or buy/stream my music. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on SoundCloud  Follow the Turned On Spotify playlist, with over 2300 tracks played on this show and in my sets. Subscribe to RecordReplay, my £10 budget second-hand vinyl mixtape series. Subscribe to Monologues, my podcast series where producers mix only their own productions. Turned On is powered by Inflyte – the world's fastest growing music promo platform. Tracklist: Discotheque - For Your Love (Kamma & Masalo's Radio Edit) [Rush Hour]  Black Pomade - Codacons Girls (Edit) [Stereo Ferment]  Jimpster & Crackazat - Natural Child [Freerange Records] Dele Sosimi Meets Medlar feat. Tamar Osborn - Lord Have Mercy (Medlar Remix) [Wah Wah 45s]  Peffa - Routine [Rush Hour]  Tim Green - The Night Is Blue [All Day I Dream] CC:DISCO & Confidence Man - Chez Moi (Waiting For You) [Phantasy Sound] Kendal - Basorexia (Clint Remix) [Permanent Vacation] Caspar Pound feat. Plavaka - Fever Called Love (Van Bellen Remix) [Plastic Park]  Underworld - Cowgirl (Futureshock Remix) [V2] Future Classic: Sofia Kourtesis - Si Te Portas Bonito [Ninja Tune] 

For Episode 332, Jon and Brendan were invited to visit an amazing new venue in Maitland called "Permanent Vacation." The island-inspired rum bar is adjoined with Copper Rocket and it's reservation only, so plan ahead if you want to check it out! This week's episode was sponsored by Downtown Orlando, Enzian Theater, Credo Conduit, and the DeWitt Law Firm. Topics include approaching tropical storms with broey names, rich people suing rich people, bursting shortages, dangerous Orlando neighborhoods, a local dude who tried to make a quick buck from Amazon, and LED lights turning purple. Tune in to Bungalower and the Bus every week on Real Radio 104.1 FM or our podcast to learn all about the top headlines, new restaurants, and best-bet events to attend this week.

Aerosmith is a band in two acts.  They were a highly successful group in the 70's, but arguments and drugs left the band a shade of its former self by 1980.  A second chance was presented when the crossover collaboration between Aerosmith and Run-D.M.C. on "Walk this Way" became a number 4 US hit in 1986.  The bad went into drug rehab at the insistence of manager Tim Collins, and had a major hit with their ninth studio album "Permanent Vacation."Aerosmith demonstrated that their second act was not just a fluke with their tenth studio album, Pump, which was even more successful than Permanent Vacation.  This was a significant comeback, re-establishing the band as one of rock's premier acts.  The album was polished and energetic, combining a gritty hard rock sound with pop sensibilities.  The album was not only a commercial success, peaking at number 5 on the US charts and being certified 7x platinum by 1995, but was also a critical success, landing Aerosmith their first Grammy for "Janie's Got a Gun."  Pump was the fourth best-selling album of the year 1990.The band lineup for this album had Steven Tyler on vocals, keyboards, and harmonica, Joe Perry on guitar and backing vocals, Brad Whitford on guitar, Tom Hamiilton on bass, and Joey Kramer on drums.  Guitarist Brad Whitford explained the album title on a 1989 MTV special by saying "now that we're off drugs, we're all pumped up."  John Lynch brings us this stellar rock and pop sensation this week. Water Song/Janie's Got a GunA 10-second instrumental called "Water Song" precedes the song written by Steven Tyler and Tom Hamilton.  The second single from the album went to number 4 on the Billboard Hot 100.  It describes the revenge of a young woman for the childhood abuse she experienced.  Aerosmith won the 1990 Grammy Award for Best Rock Performance by a Duo or Group with Vocal for this song.Dulcimer Stomp/The Other SideAnother song with a brief instrumental lead-in, this was the fourth single released from the album.  It was written by Jim Vallance and Steven Tyler, with Holland-Dozier-Holland receiving songwriting credit after threatening to file suit over similarities between this and their song "Standing in the Shadows of Love."  The lyrics are about a turbulent relationship, with the singer wanting to get past the emotional roller-coaster. Monkey on My BackIt is difficult to find a deep cut on this album, but this is one that was not released as a single.  Tyler and Perry wrote this track about the band's struggles with addiction.  It was the first song that Tyler and Perry wrote for the album, and it was composed in November 1988 prior to the end of their Permanent Vacation tour.Going Down/Love In an ElevatorA double entendre-laden skit leads in this double entendre-laden song.  Tyler and Perry wrote this piece, and it was inspired by an actual experience Steven Tyler had where he was making out with a woman in an elevator and the doors opened.  It was nominated for a Grammy in 1990 for Best Hard Rock Performance, but Aerosmith lost out to Living Colour on that one. ENTERTAINMENT TRACK:Theme from the television music performance and dance program “American Bandstand” Dick Clark's music show which premiered in March 1952 had its final show on October 7, 1989. STAFF PICKS:Sowing the Seeds of Love by Tears for FearsBruce brings us a Beatles-esque song from the third Tears for Fears album, "Seeds of Love."  It was written by Roland Orzabal and Curt Smith, and hit number 2 on the Billboard Hot 100, their fourth and final entry into the top 10.  Orzabal considers it to be the most overtly political song Tears for Fears had written at the time.  Big Talk by WarrantRob's staff pick is a rocking tune from glam metal band Warrant's first album, "Dirty Rotten Filthy Stinking Rich."  This third single from the album made it to number 30 on the Modern Rock Tracks chart, though it only made it to number 93 on the Billboard Hot 100.  The album went to number 10 on the Billboard 200 chart.Pictures of Matchstick Men by Camper Van Beethoven Wayne brings us a cover of the first hit single by Status Quo, released in 1968.  This rendition combines elements of pop, ska, punk, folks, alternative, and country.  the "Matchstick men" reference is to the paintings of L.S. Lowry, and English painter who depicted Salford, Manchester, and other industrial scenes in his works.It's Not Enough by StarshipLynch's staff pick is the second single released off Starship's third album, the first album after Grace Slick left the band.  It went to number 12 on the Billboard charts, the final top 40 hit for the band.  This is the sound that most typified the produced sound of the late 80's.   INSTRUMENTAL TRACK:Flying In a Blue Dream by the Joe SatrianiThe title track to Satriani's third studio album closes out this week's podcast.

Hey Listener, grab one of those weird neck pillows you buy at the airport because this week “My Wai-fife!” Lauren Bishop returns to the show to talk about all of the vacations we've taken since we were married a decade ago in 2013. Topics this week include: The first guest in the history of WYI? that thought starting a load of laundry in the next room was a good idea. Getting called out for not going to the rollergirls' game. Where can we go that has good beer and food? Visiting one of the oldest/biggest breweries on the East Coast in the middle of a subdivision. Growlers are not pitchers. The country's smallest Kroger. Evergrain and Zero Day. The Omni Grove Park Inn. Signing the book to get into the bar. The Kaiju Battle of Wrightsville Beach and Stevie Janowski. David Lee Roth kicks and Christmas at Junkers. The worst vacation of all time. Hallway blunts, screaming, and drinking yourself to sleep. Allegedly Pac Man Jones was an issue. A bar district where every college team has a bar. Knowing what time of the year it was because of the sports that were happening during your vacation. The need for escapism as an anxiety filled creative. Experiencing the over the top breweries of San Diego and some that flew to close to the sun. My Wai-fife doesn't understand that she isn't like the guests. Hiking for the first time. Hot take: We don't like Miguel's Pizza. Going to Texas and forgetting Whiskey L'Amour's name. Always have a Bud Light clone. Asheville 2: Now We Know Things. Going to Beer Hogwarts. Going to breweries in Boulder with Bombtrack. Escaping COVID by going to a cabin. The blueprint of a roller derby road trip. Michigan: God, Guns, and Weed. Asheville 3: Canceled by the Cronies. Going to Portland to marry people and hang out at the coolest video game bar ever. Fangirling out and the importance of telling stories in sports. A tale of 2 breweries. Stop playing Sublime at breweries. The KEXP journey. A return to the recent past in Las Vegas. 

Well, a whole nine months since our last isolatedmix, we return in style… Scottish producer Lord Of The Isles has been high on rotation for me for about ten years now, with a string of electronic EPs across labels such as Mule Musiq, Permanent Vacation, Phonica and ESP Institue. Never guessing where he was going to push next, Neil has remained a bit of an enigma in style over the years and more recently, has captured hearts with an emotional, Poem-infused EP on Whities (more on that below) and in December just gone, a more ambient-leaning debut on Lapsus. The result is an artist that appeals to the electronic music fan in more ways than one. An artist you grow attached to as you walk alongside an ego-less evolution, welcoming new approaches and experimentation, always eager to see what he takes on next. While Neil is obviously adept a putting together a DJ mix [check], we're even more fortunate that Neil has taken a much more dedicated route to his mix contribution, with a 100% unreleased mix of his own material. ~Hi Neil, being a man of the outdoors it seems, where are you right now and what are you enjoying, outside of the music world?Not in the wilds at the moment, unfortunately! But I will be soon. I'm taking some recording equipment up north in a few weeks to hopefully finish my next album. Outside of writing music, I'm enjoying keeping fit and reading. I'm reading Under The Skin by Michael Faber right now for the second time. Subtle Thoughts by Lord Of The Isles Your style is notoriously hard to pin down (which I love), but I'd love to know how you would describe it to anyone new to your music. Deep and melodic maybe? I've always listened to all kinds of music and I've always had a very open mind in that regard. I suppose you are exposed to different things at different times throughout life. What music did you grow up on to influence it? There was a lot of Motown going on in my family very early on, and hearing stuff like Cream and Kate Bush now always transports me back in time when I hear it, as does a lot of soul, hip hop, and indie from 80s and 90s. Way too many to mention!! Growing up in the nineties, Acid House, Detroit techno, and Chicago House all played major roles in influencing my style, as did dub, dub techno, and all things ambient. Sorry, sounds all so clichéd! But it's true. Night Of The Endless Beyond by Lord Of The Isles You've recorded a more ambient-leaning isolatedmix, and a few of your most recent albums definitely veered this way too. Is this a reflection of your current taste or mood right now, or something else?It's just the way it's come together in the studio past few years, although, I am becoming aware that there's now a lot of people now that think all I do is ambient music. I have another album coming later this year that was completed over a year ago which is also ambient, but that will be the last release like that for a while I think, as the music I'm working on at the moment is definitely not ambient! Whities 029 by Lord Of The Isles Your Whities EP with Ellen Renton's vocals is definitely a personal favorite of mine. You also sampled Carl Sagan in your latest album. Can you tell me a bit about your approach to integrating guest vocals and samples?With Ellen, I write music inspired by her poems. Other vocal samples are usually things I hear in films or documentaries that resonate with me. Growing up listening to artists like the Orb, BOC, and The Black Dog has given me an appreciation for disparate vocal samples. I love the cinematic quality it adds to the atmosphere. Parabolas Of Neon by Lord Of The Isles You have a monthly radio show on Openlab, How do you go about selecting music for the show, or what can people expect? I still buy and collect a lot of music, so it's a great outlet for me to share music I love. You'll hear mostly, electronica, deep house, techno, and breakbeat. Glisk Science EP by Lord Of The Isles Your isolatedmix is 100% unreleased music, so no tracklist here. Can you tell us a bit about how you put it together?It's a bit of a hybrid set - half DJ half live, all unreleased music. It may well be the last ambient thing from me for a while. No plans to release any of it at the moment. Lastly, I read you're a candle fan (as am I) What's your latest scent?!Lol! :) I have a trial tester from an amazing new Scottish aromatherapy brand called àile. They do amazing products and are thinking about doing a candle. It's cedar wood, mandarin, and clove I think. It's great!~ astrangelyisolatedplace · isolatedmix 120 - Lord Of The Isles Listen on Soundcloud or the ASIP Podcast.Download MP3(No tracklist as all unreleased material)Artwork image by Faisal Waheed.Lord Of The Isles Bandcamp | Discogs | Soundcloud

"inspired from a 7-hour long set in Berlin playing b2b, it felt quite natural to record this mix together." Rosa Red's musical beginnings lie in the psychedelic and spherical niches of Rock as well as learning her craft by playing Bass in Post Punk Bands. Exploring what the music universe also had to offer, Rosa soon got immersed in the vast world of electronic music and found herself trading the bass guitar with turntables. Fascinated by the variety of styles and possibilities, this newfound world had to offer, the Berlin based artist took her musical journey to House, Breakbeat and Rave euphoria, while sitting comfortably between genres. Rosa's style is characterized by a personal take on the vital interaction of melody, rhythm & mood. You can hear her broad range in her widely praised DJ sets (which made her a regular at Munich's super club Blitz and a staple in Berlin's famous nightlife circle) and in her productions. The logical progression from playing music to making music led Rosa to her first two EPs landing, both of which landed on planet Permanent Vacation, who share a tight bond and a musical vision with Rosa Red. The magnificent ability to evoke the magic of her DJ sets in her own music combined with impeccable production skills make Rosa one of the fastest rising talents with a promising bright future. Benjamin Fröhlich has struck many chords in the arena of electronic music over the past years: as a DJ, label owner and producer. He co-founded Permanent Vacation – one of the strongest running labels that have delivered genre-defining hits over the past decade. As such Benjamin Fröhlich has worked together with the household names of the international electronic dance scene. Artists on Permanent Vacation's roster include Massimiliano Pagliara, Perel, John Talabot, Todd Terje, Mano Le Tough, Chloe, Red Axes, Lauer, Fort Romeau, Pional and many more. On top of his dedication to exploring and featuring rising as well as accomplished artists, Benjamin Fröhlich himself has emerged as a producer of vibrant tracks that are a testament to his versatile and compelling approach to club music. His own productions and remixes are very well received by DJs and clubbers alike and got played all around the globe. Starting out as a record shop owner in his hometown Munich (prior to his PV label work), Benjamin Fröhlich has developed an uplifting style in his DJ sets, which fuses House, Disco and Cosmic into hypnotic and enthusiastic nights. Through his in-depth background, Benjamin Fröhlich passionately combines the unforgettable past and the gripping present with the hits of tomorrow.

Joyce Muniz already has a story like no other. Born in São Paulo, Brazil, to a family rooted in shamanism and samba, she moved to Vienna in the 90s, becoming a vocalist when the city was a global centre for downtempo and starting her DJ career at Flex Club. In the 2000s she brought an authentic voice to the European baile funk explosion, touring with Major Lazer, and moved into production. She's since collaborated with other distinct music makers, from Maya Jane Coles to DJ Hell, had a residency on Rinse FM, and released on labels including Get Physical, Permanent Vacation, Pets, International DJ Gigolo and Exploited, the latter of whom released her debut album, 2016's ‘Made In Vienna'. She is about to embark on her next album called 'Zeitkapsel', so I wanted to talk to her about the process of making this. Enjoy x Learn more about your ad choices. Visit megaphone.fm/adchoices

Next dates: Feb 11 - Electrolunch, Seville / Feb 18 - Renate, Berlin / March 10 - Nar, Utrecht

By 1987 Aerosmith had gone from 70s rock gods to broken up & broke to reunited while clean & sober.  The band and Geffen records desperately wanted a hit after 1984's overlooked Done With Mirrors.  Rock n Roll Hall of Famer John Kalodner suggested the band work with outside writers to generate some hits.  Steven Tyler and Joe Perry were reluctant at first but Desmond Child, Jim Vallance and Holly Knight helped get them on the charts with Dude Looks Like a Lady, Rag Doll and the megahit Angel.Buoyed by their collaboration with Run DMC the year prior, the band went on to incredible success with over 5 million sold in the US.  That success would only grow in the coming years with Pump and Get a Grip and Permanent Vacation was their big comeback record.  MTV blasted their videos night and day which would continue through the next several albums as well.  It's fun to look back on this one as it changed Aerosmith's trajectory and is the cornerstone of the greatest comeback in rock.Ugly American Werewolf in London WebsiteTwitterInstagramYouTubeLInkTreewww.pantheonpodcasts.com