Podcasts about Black Oak Arkansas

On this episode of Metal on Metal, we sat down with Brittany Fugate and Jeff Morgan of Rwake. In this interview, we discuss their latest record The Return of Magik. We also discuss Black Oak Arkansas, maintaining consistency, samples, and embracing change. The new music spotlight features "Hive Mind" by Lobotomite. This episode is brought to you by Pull the Plug Patches and Third Moon Brewery. Use code "metalonmetal" to get free beer shipping to most places in Ontario from Third Moon Brewery at thirdmoonbrewing.com. Links mentioned in this episode: *https://rwake.bandcamp.com/album/the-return-of-magik https://www.youtube.com/watch?v=z2_UhRDLZRI https://lobotomitemtl.bandcamp.com/album/new-transgressions-2

Memphis bassist Rocko Wallz stopped by the studio to talk about how he joined Memphis mainstays Fevertree, playing with Lance McDaniel and Black Oak Arkansas, and he also showed off some spicy new Fevertree merch! YouTube - https://bit.ly/3UgqsY2 Spotify - https://bit.ly/3EJOGBO YouTube - https://bit.ly/3UgqsY2   HOW TO SUPPORT THE PODCAST If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.

In this episode, Derrick and Jeff kick things off by recapping the recent Landslide show at Neil's and giving thanks to all the band sponsors, guests, and, of course, YOU, the audience! Stick around for another blooper reel before diving into part two of our interview with Greg Reding. Greg shares his journey through the music industry with Black Oak Arkansas, overcoming personal struggles, working at School of Rock and his current work with FreeWorld.   HOW TO SUPPORT THE PODCAST If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

In this episode, Derrick and Jeff share exciting details about The Rhythm Section's new collaboration with Radio Memphis. Plus, our feature interview with Greg Reding, guitarist for Landslide: A Memphis Tribute to Fleetwood Mac, dives into his 30+ years with The Memphis All-Stars, his journey in music, and playing with legends like Black Oak Arkansas, Albert King, and Chuck Berry.   SEND US YOUR QUESTIONS at TheRhythmSectionPod2022@gmail.com HOW TO DONATE TO THE PODCAST If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Join us for our NEW Sunday Replay Series! Each Sunday, we bring back your favorite interviews in the order in which they were originally published, allowing you to relive the best moments and stories from past episodes.   Memphis guitarist David Flexer of legendary rock bands Black Oak Arkansas and Thrust stops by the studio to talk with us about getting his start with music, how he joined all of the many bands he's been a part of, and of course–tour stories!   HOW TO SUPPORT THE PODCAST If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

This week InObscuria once again lets our hair down and fills it full of Aquanet! Oh yeah, we are diving hair-first into the world of obscure glam metal. Whether you call it: glam metal, hair metal, cock rock, hard rock… It's all good and is the soundtrack for every party! In this episode, we celebrate the Summer of Hair. An end-of-summer celebration with a summer love story inspired by the Sunset Strip circa 1989!What are we all about here at InObscuria? Every week your two hosts crawl down to the crypts to exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. If you dig it… go dig it up and buy it! Support these artists and keep your devil horns high in the air! Let's party like it's 1989!Songs this week include:Lord Tracy - “Out With The Boys” from Deaf Gods Of Babylon (1989)The Midnight Devils - “So Hard It Hurts” from So Hard It Hurts (2024)Outlaw Blood - “Tower Of Love” from Outlaw Blood (1991)Valentine - “Too Much Is Never Enough” from Valentine (1990)Child's Play - “Damned If I Do” from Rat Race (1990)Steelheart - “She's Gone” from Steelheart (1990)Marvelous 3 - “Psalm Of The Summer” from Psalm Of The Summer – single (2024)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/inobscuria/og-shopIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Remembering Bill Walton: Basketball Star and Grateful Dead SuperfanIn this episode of the Deadhead Cannabis Show, Larry Mishkin covers various topics, including a historic Grateful Dead show, personal concert experiences, and music news. Larry starts with a deep dive into the Grateful Dead's June 3, 1976, concert at the Paramount Theater in Portland, Oregon. This show marked the band's return after a year-long hiatus, featuring five new songs and a revived tune from a four-year break. He highlights the opening track, written by Jerry Garcia and Robert Hunter, which nostalgically reflects on the band's Festival Express tour, a legendary 1970 train journey across Canada with prominent rock bands.Larry then discusses the song "Lazy Lightning," introduced at the same 1976 concert. Written by Bobby and John Perry Barlow, it became a fan favorite for its melody and message of living in the moment, though it was retired from the Grateful Dead's repertoire by 1984. He transitions into music news by honoring Doug Ingle of Iron Butterfly, who recently passed away. Larry reminisces about the band's iconic 1968 track "In-A-Gadda-Da-Vida" and its influence on the late 60s music scene.The podcast also pays tribute to Bill Walton, the legendary basketball player and devoted Deadhead who passed away at 71. Larry shares stories of Walton's deep connection with the Grateful Dead, including his record of attending 869 concerts, significantly more than his total basketball games played. Larry recounts Walton's influence on fellow athletes and his unique presence at Dead shows.Finally, Larry describes his recent experience at a Dead & Company concert at the Sphere in Las Vegas. He marvels at the venue's immersive visual technology, which enhanced the concert experience, likening it to a planetarium. Despite the advanced visuals sometimes overshadowing the music, Larry enjoyed the performance and the unique atmosphere. He also mentions a mini-exhibition featuring Dave Lemieux's tape collection and the significance of tape trading in Grateful Dead fandom.In summary, this episode covers a blend of Grateful Dead history, personal concert experiences, tributes to influential music figures, and the latest in concert technology, providing a rich narrative for Deadheads and music enthusiasts alike.  Grateful DeadJune 3, 1976  (48 Years Ago)Paramount TheaterPortland, ORGrateful Dead Live at Paramount Theatre on 1976-06-03 : Free Borrow & Streaming : Internet Archive First show back after 1975 year offPrior show:  Sept. 28, 1975 – last of the four shows in 1975, this show is 9 months later.  Long wait for Deadheads. Dead did not disappoint with five new songs and a breakout after a 4 year hiatus.  INTRO:                                 Might As Well                                                Track #1                                                1:15 – 2:50 “Take that ride again”                 Might as Well” is a song written by Jerry Garcia with lyrics penned by Robert Hunter. Released on Garcia's 3d solo album, Reflections, in February, 1976.  It's one of the tracks from Garcia's solo career, showcasing his musical versatility and unique ability to transform personal experiences into joyful music.  The song takes a nostalgic look back at the Grateful Dead's time on the Festival Express Tour, a memorable rail trip that brought together prominent artists of the '60s for a raucous, whisky-fueled journey across America.                 Festival Express is the 1970 train tour of the same name across Canada taken by some of North America's most popular rock bands, including Grateful Dead, Janis Joplin, The Band, Buddy Guy, Flying Burrito Bros, Ian & Sylvia's Great Speckled Bird, Mountain and Delaney & Bonnie & Friends.  Later made into a movie             Festival Express was staged in three Canadian cities: Toronto, Winnipeg, and Calgary (Montreal and Vancouver were also originally scheduled but both dropped)  during the summer of 1970. Rather than flying into each city, the musicians traveled by chartered Canadian National Railwaystrain, in a total of 14 cars (two engines, one diner, five sleepers, two lounge cars, two flat cars, one baggage car, and one staff car).[5] The train journey between cities ultimately became a combination of non-stop jam sessions and partying fueled by alcohol. One highlight of the documentary is a drunken jam session featuring The Band's Rick Danko, the Grateful Dead's Jerry Garcia and Bob Weir, New Riders of the Purple Sage's John Dawson, as well as Janis Joplin.             Here, it is played as the show opener.  Ultimately, became more of a first set closer, a popular one along with Deal, another Garcia solo tune.                     Played 111 times                First:  June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOW  19 times that year              Last:  March 23, 1994 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USA – only time played that year, 6 times in ‘91                 SHOW No. 1:                    Lazy Lightning                                                Track #6                                                0:00 – 1:46 Written by Bobby and John Perry Barlow, paired with Supplication in concert and released with Supplication as the opening tracks on the album, Kingfish, released in March, 1976. Lazy Lightning is often interpreted as a metaphorical representation of the pursuit of a carefree and leisurely lifestyle amidst the chaos and hardships of reality. The lyrics depict a whimsical scenario where the protagonist encounters a bolt of lightning that transforms into a woman, symbolizing the allure and transitory nature of fleeting pleasures. The song encourages listeners to embrace the present moment and let go of the rigid expectations and responsibilities that burden their lives. It is a celebration of spontaneity, freedom, and the pursuit of personal bliss. Lazy Lightning became a fan favorite due to its infectious melody, poetic lyrics, and the sense of liberation it evoked. Grateful Dead fans often resonated with the song's message of embracing the present moment and shedding societal expectations. It became a rallying cry for those seeking to live life on their own terms, igniting a sense of camaraderie and freedom among concert-goers. Usually, a late first set number.  Unfortunately, dropped from the repertoire in 1984.  I got to hear it three or four times.  A fun number. Played:  also played 111 timesFirst:  June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOW!!Last:  October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA  MUSIC NEWS – Intro music:  In A Gadda Da Vida:  IRON BUTTERFLY - IN A GADDA DA VIDA - 1968 (ORIGINAL FULL VERSION) CD SOUND & 3D VIDEO (youtube.com)Start - :45 is a song recorded by Iron Butterfly, written by band member Doug Ingle and released on their 1968 album of the same name.At slightly over 17 minutes, it occupies the entire second side of the album. The lyrics, a love song from the biblical Adam to his mate Eve, are simple and are heard only at the beginning and the end. The middle of the song features a two-and-a-half-minute Ron Bushy drum solo.  Famously featured on a Simpson's episode when Bart switches the organist's regular music for this tune and hands out the words to the congregation who sing along.  The older organ player plays the entire organ solo (although they only feature a part of it) and then at the end promptly slumps over at the keyboard. Featured today as a tribute to Doug Ingle, songwriter, keyboard player and vocalist for the song, who passed away on May 24th at the age of 78.  He was the last surviving member of the original band lineup.Bill Walton passed away on last Monday, May 27th at the all too young age of 71.  Couldn't miss him at the shows, 7 foot redhead dancing away or else up on stage.Dead & Co. at the Sphere, saw the June 1st show.                SHOW No. 2:                    Supplication                                                Track #7                                                2:00 – 3:30 Written by Bobby and John Perry Barlow, paired with Lazy Lightning in concert and released with Lazy Lightning as the opening tracks on the album, Kingfish, released in March, 1976. The song delves into the universal theme of the human experience, specifically emphasizing the concept of surrender and humility. It explores the idea of surrendering oneself to a higher power, relinquishing control, and embracing the unknown. The lyrics touch upon the vulnerability and humility required to let go and trust in something beyond our comprehension. Supplication encourages listeners to reflect upon their own lives, urging them to question their beliefs, values, and the significance of surrendering to a greater force. Played:  111 times (a good number for the lottery, keeps coming up), always paired with Lazy LightningFirst:  June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOW!!Last:  October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA SHOW No. 3:                    Dancin In the Streets                                                Track #11                                                0:00 – 1:42 "Dancing in the Street" is a song written by Marvin Gaye, William Stevenson, and Ivy Jo Hunter. It first became popular in 1964 when recorded by Martha and the Vandellas whose version was released on July 31, 1964 and reached No. 2 on the Billboard Hot 100 chart for two weeks, behind "Do Wah Diddy Diddy" by Manfred Mann and it also peaked at No. 4 on the UK Singles Chart. It is one of Motown's signature songs and is the group's premier signature song.A 1966 cover by the Mamas & the Papas was a minor hit on the Hot 100 reaching No. 73. In 1982, the rock group Van Halen took their cover of "Dancing in the Street" to No. 38 on the Hot 100 chart and No. 15 in Canada on the RPM chart. A 1985 duet cover by David Bowie and Mick Jagger charted at No. 1 in the UK and reached No. 7 in the US. The song has been covered by many other artists, including The Kinks, Tages, Black Oak Arkansas, Grateful Dead, Little Richard, Myra and Karen Carpenter. I saw it as the first night show opener on June 14, 1985 at the Greek Theater as part of the band's 20 Anniversary celebration.  A really fun concert tune.  The 1970's versions always had strong Donna support backing up Bobby's lead vocals. This show was the first time the band had played the song since Dec. 31, 1971 (203 shows) Played: 131 timesFirst:  July 3, 1966 at Fillmore Auditorium, San Francisco, CA, USALast:  April 6, 1987 at Brendan Byrne Arena, East Rutherford, NJ, USA MJ NEWS Blake Schneider passed away May 27th at 69.  Legendary cultivator who created the best strain of marijuana I ever smoked.  We just called it Blake weed and put it up against any other strain, anywhere, any time.  Folks would say they had the best weed until I let them smoke some of the Blake weed.  They never failed to concede.  Eccentric, temperamental, hospitable, mentor and good friend.  And self titled “best joint roller in the worlds.”  Was one of my Bulls season ticket partners during the Jordan era.  Every home game began with a pregame at Blake's loop residences including great wines, gourmet appetizers and snacks, top shelf liquor (on the way out the door we always did our “Go Bulls” shots) and more marijuana than anyone should ever smoke.  With four of us in the room, he would have 3 joints circulating at all times.  With his ever present life partner, Jeanne, an evening at Blakes was as much fun as the actual game itself.  Ran into a problem with the Green County Sheriff, but gave them the finger when the feds took the case over and Blake only had to serve 11 months at a fed minimum risk prison instead of the 20 years that Green County said was a done deal given the number of plants he was growing at his farm house in Argyle, WI.  They were not happy campers when the feds moved in to take over the case due to the value of the property they could sieve and force Blake to buy back from them.  Blake was a true party legend and will be sorely missed by those of us that knew him, loved him and tolerated him. 2.        Marijuana Terpenes Are ‘As Effective As Morphine' For Pain Relief And Have Fewer Side Effects, New Study Finds 3.        CBD Is Effective In Treating Anxiety, Depression And Poor Sleep, Study Finds4.        Marijuana And Hemp Businesses At Odds Over Consumable Cannabinoid Ban In House Farm Bill  SHOW No. 4:                    Samson and Delilah                                                Track #12                                                0:00 – 1:45 "Samson and Delilah" is a traditional song based on the Biblical tale of Samson and his betrayal by Delilah. Its best known performer is perhaps the Grateful Dead, who first performed the song live in 1976, with Bobby singing lead vocals and in the ‘70's with Donna joining in. It was frequently played on Sundays due to the biblical reference. Released by the band in 1977 on their album Terrapin Station. Although Weir learned the song from Reverend Gary Davis, several earlier versions had been recorded under various titles, including "If I Had My Way I'd Tear the Building Down"/"Oh Lord If I Had My Way" by Blind Willie Johnson in 1927.[1] The song has since been performed by a wide variety of artists ranging from Dave van Ronk, Bob Dylan, Charlie Parr, The Staple Singers, Ike and Tina Turner, Clara Ward, Dorothy Love Coates & The Gospel Harmonettes, to Peter, Paul and Mary, The Washington Squares, The Blasters, Willie Watson, Elizabeth Cook, Robert Randolph and the Family Band, and Bruce Springsteen and the Seeger Sessions Band (in Verona, Italy 2006). Guest star Simon Oakland sings the song with the drovers around a campfire in the Rawhide episode "Incident of the Travellin' Man", aired in season six on October 17, 1963. A long time favorite tune with a distinctive drummers intro that tipped off the song and got the crowd fired up. Settled into a set opener, more frequently a second set opener and often played on Sundays due to its biblical reference with Bobby's “This being Sunday . .”  Played:  365 timesFirst:  June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOWLast:  July 9, 1995 at Soldier Field OUTRO:                               The Wheel                                                Track #22                                                2:48 – 4:30                 One of their most beloved songs, “The Wheel,” holds a special place in the hearts of fans worldwide. Written by Jerry Garcia, Robert Hunter, and Bill Kreutzmann, this folk-rock anthem has captivated listeners with its enigmatic lyrics and catchy melody. The song's meaning has been widely debated among enthusiasts, and its cryptic nature has allowed for multiple interpretations.            “The Wheel” reflects the transient nature of life, offering a philosophical perspective on the cycles we all experience. The lyrics suggest that life is like a wheel, constantly turning and repeating itself. The song evokes a sense of impermanence and reminds us of the cyclical patterns we encounter throughout our existence. This theme resonates strongly with the band's philosophy and their connection to the spiritual and psychedelic culture of the late 1960s and early 1970s.                “The Wheel” was released on the Grateful Dead's album “Garcia” in 1972.             “The Wheel” is characterized by its infectious melody and intricate guitar work. The song showcases the Grateful Dead's ability to seamlessly blend folk, rock, and improvisational elements into a cohesive piece of music.            Normally, a second set tune, into or out of drums/space although it moved around a bit in the second set.  Here it is the encore which is more of a rarity.            Played 259 times           First: June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOW            Last:  May 25, 1995 at Memorial Stadium, Seattle, WA                                         .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Midnight Madness Radio Episode 265 with the 50th anniversary of the California Jam 1 with Rare Earth, Earth, Wind & Fire, Eagles, Seals and Crofts, Black Oak Arkansas, Black Sabbath, Deep Purple, and Emerson, Lake & Palmer.

Dnes otevřeme anketu, kterou před časem zveřejnil web Ultimate Classic Rock. Všech 25 ukázek nejvýše hodnocených alb dnes sice nestihneme, ale někdy v blízké budoucnosti to dáme. V tomto dílu Hurá na Jih se můžete těšit na 25. až 17. místo a kapely Gov´t Mule, Black Oak Arkansas či Gregga Allmana.

Rock 'N Roll Hall of Famer Ricky Byrd Live on Game Changers with Vicki Abelson Hanging out with Rock'N Roll Hall of Famer, Ricky Byrd, is like going home. Back to the days… when we were both in a daze. I was booking the Rock 'N Roll Café on Bleecker Street, Ricky was already a rockstar, center stage as lead guitarist with Joan Jett and the Blackhearts, playing those iconic riffs in the fab MTV Music Video Days... when there were ashtrays on restaurant tables, and MTV played music videos. Just found a great pic of Ricky and Elliot Easton sitting in on our tiny stage in '87ish. All those years ago, and yet how fun to have seen Elliot play live last week with The Immediate Family and Zoom tonight with Ricky. One big difference, both Ricky and I are sober. 36 years for him, and the last many, being of service and giving back with his time, and his music. His current passion, partnering with AllSober.com to aid those struggling with addiction to gain inspiration from their sober heroes. He treated us to his Ain't Gonna Live Like That No More to punctuate the point. Ricky received the Drug-Free Heroes Award, presented by the Foundation For a Drug-Free World, The Faces and Voices 2019 Voice of Recovery Award, and the 2019 Italian American of Distinction Award, presented by Governor Cuomo, for his work in recovery. This Rockboy walks his talk. Old friends, it was an easy breezy walk down memory lane, littered with one-liners, and rim shots. Ricky may be a rocker but he's a Borscht Belt comic at heart. Fabulous stories about touring with Graham Parker, Roger Daltry, and Ian Hunter, the thrill of playing THAT riff from All the Young Dudes, having Simon Kirke of Bad Company behind him hitting those beats, backing Brian Wilson, sitting next to MeatLoaf watching his hero Jeff Beck, both of them weeping. We talked quite a bit about Beck, and Townshend, Eddie Van Halen, John Mayer, Albert King, the old days of the Filmore East, The Academy of Music, the Humble Pie, J Geils Band, and Black Oak Arkansas show we both were at when we were babies. Speaking of the Babys, we talked John Waite, Ricky's old, my new friend, and his hysterical speech whilst being inducted into the Rock 'N Roll Hall of Fame with Joan Jett and The Blackhearts. Why she didn't much react behind him, and looking past the front row where Paul and Ringo, his raison d'etre for becoming a musician sat with Funk 49s, Joe Walsh. And then, sharing the stage with them - and his great interactions with both Paul and Ringo. Ricky's fan love for his heroes is so relatable and fun to witness. Ricky's Rhapsody in Blues - An Instrumental Tribute to Jeff Beck is spectacular as are his other WIcked Cool released singles, Louanne, Alien, and Glamdenic Blues, and they're available here: https://www.rickybyrd.com We got the story behind each and why he requests we download rather than stream. I did as soon as we got off the interweb. I adore my old friend. I so enjoyed every second and every word of this conversation. It was such a treat to spend time again in his great company. Ricky Byrd Live on Game Changers with Vicki Abelson Wednesday, February 21, 5 PM PT, 8 PM ET Streamed Live on my Facebook Replay here: https://bit.ly/3uwdsUQ

Programa 366 del 03 de enero, trasmitiendo en España en Sol y Rabia, Revi Radio, TNT Radio Rock, El Lokal del Rock y Asalto Mata Radio Rock, en Argentina en Lado Salvaje Radio y en Puerto Rico en Heavy Metal Mansion. Con bandas clásicas como Autopsy, Cirith Ungol, Black Oak Arkansas, Chicago, Dokken, y otras menos reconocidas pero igualmente interesantes como Eric Sardinas, Lucassen's Supersonis Revolution y Ozric Tentacles. De España tenemos a Electric Flames, Evanora y Effe. Canciones que escucharemos hoy. 1.Autopsy - Rabid Funeral, 2.Cirith Ungol - Velocity (S.E.P.), 3.Black Oak Arkansas - Space Lord, 4.Chicago - I'm a Man, 5.Electric Flames - Lucky Break, 6.Evanora - En el Tiempo, 7.Dokken - Saving Grace, 8.Dokken - Into the Fire, 9.Dokken - Unchain the Night, 10.Dokken - Lightning Strikes Again, 11.Dokken - Mr. Scary, 12.Dokken - Dream Warriors, 13.Effe - Sin Nada, 14.Effe - La copla del Rock and Roll, 15.Eric Sardinas - Laundromat , 16.Lucassen - Heard it on the X, 17.Ozric Tentacles - Deep Blue Shade

It was 1989 Anno Doimini and the merger of some of Black Oak Arkansas and Pantera was joining and perhaps ganing steam. Terry Glaze, the voice of Pantera on their first three independent albums meets with Chris Craig and Barney Wolfe, both formerly of Black Oak Arkansas, and they along with guitarist, Jimmy Rusidoff, they create a brand new hair metal band that's equal parts Rolling Stones, Exodus, Beastie Boys, and Poison. Is this a bridge too far with too many different things going on all at once? Join Nik and Duncan as they figure it out. https://www.facebook.com/dmapodcast/

It's the annual Halloween slash Pledge Drive show. Halloweenie sounding tracks from Black Oak Arkansas, James Blunt, Ruen Brothers, Dan Fogelberg and more.

Memphis bassist Rocko Wallz stopped by the studio to talk about how he joined Memphis mainstays Fevertree, playing with Lance McDaniel and Black Oak Arkansas, and he also showed off some spicy new Fevertree merch!   We also bring in Jill Byrum to talk about the anniversary of the great Randy Byrum's passing and recapping the Nita Makris tribute and Stage Stop Reunion show at Neil's Music Room. We feature all the bands, Hand Me Downs, Thrust, Play Rough, Every Mother's Nightmare, Roxy Blue, and Lord Tracy.  

Purists love to tell us that many songs with “blues” in their title — “Blues in the Night,” “Birth of the Blues,” “Lovesick Blues” — technically are not blues at all. (Shoot, even the great “St. Louis Blues,” while it certainly opens with a traditional 12-bar blues structure, wraps up with 16 bars in a habanera rhythm that its composer W.C. Handy called his “tango section.”)Of course, many of these cited songs aren't meant to be blues, but to be about having the blues, and 1950s classic rocker “Singing the Blues” certainly meets those specs.A perfect honky tonk tune of its time, “Singing the Blues” was written by 20-year-old Arkansas native Melvin Endsley in 1954. The following year, Endsley took his song to Nashville to pitch it backstage at the Grand Ole Opry. And it worked. In 1956, Marty Robbins recorded the song (which is credited, by the way, with putting Robbins on the musical map). It was pretty good for Endsley's career too. His writing talents were in high demand after Robbins's success. Over his 50-year career, Melvin wrote some 400 songs that were recorded by hundreds of artists.Living the BluesMelvin Endsley himself had more than a passing acquaintance with the blues. In 1937, when he was three years old, he contracted polio, requiring him to use a wheelchair for the rest of his life.Then, starting at the age of 11, he spent three years in the Crippled Children's Hospital in Memphis. However, the resourceful youngster parlayed that into a life-altering experience. While in the hospital, Melvin regularly listened to music on the radio, and he taught himself to play the guitar.After returning to Arkansas, the teenaged Endsley began performing on local radio shows. By the time he was 20, he had an original song — "It Happens Every Time" — that caught the attention of a couple of established artists, Don Gibson and Dorsey Burnette, who encouraged him to continue his songwriting. Within months, Melvin had created the song that would change his life. While “Singing the Blues” was first recorded by Marty Robbins, its best-known recording was released in October 1956 by Guy Mitchell, whose rendering of it spent 10 weeks at No. 1 on the U.S. Billboard chart from December 1956 to February 1957.Two other charting versions of the song — Robbins' original along with one by English singer Tommy Steel — also were released almost simultaneously with Mitchell's.Since then, “Singing the Blues” often has been revived. In the 1960s, for instance, Bill Haley & His Comets, Hank Snow and Dean Martin all made recordings of it. In the 1970s came versions by Black Oak Arkansas and by Marie Osmond. In the 1980s, it was Gene Summers and Randy Travis, while the ‘90s saw takes by The Kentucky Headhunters and by Paul McCartney.The English Football ConnectionWeirdly, the tune also has resonated with English football fans. It has been sung since the ‘60s by fans of various clubs, usually offering parodies of the opening lyrics. For example, Everton fans sing, "I've never felt more like singing the blues, when Everton win and Liverpool lose. Oh Ev-er-ton, you've got me singing the blues." Our Take on the TunePamela Bowen, who has been our band manager for more than 20 years, is a major influence on all things Flood, from the venues we visit to the tunes we play when we get there. So when Pamela recently suggested we augment the roots music portion of our repertoire with some more classic old-time rock, we started casting our thoughts back to the tunes that stirred our youth, like this from the Fifties.Our first public performance of the song was last week at Sal's Speakeasy, where, as we reported here earlier, it even made Pamela's video from the night. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

"Un paese ci vuole, non fosse che per il gusto di andarsene via" scriveva Cesare Pavese, e oggi vi portiamo a scoprire cosa vuol dire per i Black Oak Arkansas tornare alla propria terra, tra le colline verdi, dove l'acqua scorre libera. Un idillio bucolico che nasce nel centro degli Stati Uniti, nell'Arkansas che non a caso è conosciuto come "The Natural State". Ascolta la playlist dedicata alla puntata: ⁠- Back To The Land Playlist

Memphis guitarist David Flexer of legendary rock bands Black Oak Arkansas and Thrust stops by the studio to talk with us about getting his start with music, how he joined all of the many bands he's been a part of, and of course–tour stories!   David's personal Facebook: https://www.facebook.com/dflexer   You can watch our full episodes on YouTube and listen on Apple and Spotify. You can do this through our LinkTree - https://linktr.ee/therhythmsectionpod   ***SUPPORT*** through Patreon https://www.patreon.com/therhythmsectionpodcast If you want to support, you can throw a dollar in the tip bucket. Click the link below and sign up for our Tip Jar tier. It's $1/month. It's a tip for this content, just like tipping a cover band at your local pub. The support would be greatly appreciated. Thank you! The show is recorded at SRP Studios in great Hernando, MS., AND produced by Shelby Row Productions, a podcast production agency.    SRP develops professional podcasts, which include audio and video production, graphic design, copywriting, and social media management.    SRP provides a complete launch and development plan and will syndicate your podcast across all major platforms, such as Apple Podcasts and Spotify.    To learn more, schedule a free consultation today at shelbyrowproductions.com   Parental discretion for this podcast is advised.

the imminent passing of Jimmy Carter has naturally called to mind his beloved Allman Brothers and with that you are welcome to episode 143 of the Radio Hour That Feels Like Two Hour's first ever SOUTHERN ROCK SPECIAL.    Lynyrd Skynyrd!  The Outlaws!  .38 Special! Molly Hatchet!  The Charlie Daniels Band! Black Oak Arkansas!  AntiSeen! the Amazing Rhythm Aces! Raging Slab! The Marshall Tucker Band! Barefoot Jerry! Driving' & Cryin'! Blackberry Smoke! The Impotent Sea Snakes! Yes, that certainly is a lot of names. And with all due respect to President Carter, I won't be playing any of them (though AntiSeen might get a look in one of the weeks, who knows) but there is JD & The Straight Shot's version of “Whipping Post” at the very end of the program (the track is not listed due to rights clearance issues). That's the best I can do, sorry — I'll try to get my shit together for the next SOUTHERN ROCK SPECIAL

Marc Andersen of Letchen Grey discusses what prompted the band's reformation; the origin of the band's name (hint:a Jethro Tull song); life between the mid-80s and the present; stories of the Sunset Strips scene, including tidbits about bands and Gazzarri's; working with producer Alan Niven (Guns N' Roses, Great White) and the "Stravinski Brothers";  and the band's new singer, who happens to be related to Black Oak Arkansas band's Jim Dandy. At the end of the interview, you can hear Letchen Grey's single "Burn". Lots of fun for all 80s enthusiasts! [...]

Marc Andersen of Letchen Grey discusses what prompted the band's reformation; the origin of the band's name (hint:a Jethro Tull song); life between the mid-80s and the present; stories of the Sunset Strips scene, including tidbits about bands and Gazzarri's; working with producer Alan Niven (Guns N' Roses, Great White) and the "Stravinski Brothers";  and the band's new singer, who happens to be related to Black Oak Arkansas band's Jim Dandy. At the end of the interview, you can hear Letchen Grey's single "Burn". Lots of fun for all 80s enthusiasts! [...]

The Dream Regime is back after an unexpected 6 month hiatus with this last recording we did in June of 2022. This time around we tripped fantastic on the familiar topic of unrequited love, sharing stories of our own heart breaks and listening to some appropriate tunes from Tom. With Dead and Lovely, Black Wings, Black Rider and a surprise segment from the documentary on avante garde theater director, Robert Wilson. Feel the love, Folks!

This week we celebrate our 20th installment of an ongoing series called “Grave Mistakes: They Shoulda Been Huge!!!”. We bring you an in-depth exploration of an awesome boogie metal / southern rock n' punk band from the grimy & gritty NYC Lower East Side of the 1980s: RAGING SLAB! This band featured equal parts Skynyrd and Metallica complete with a kick-ass bottleneck slide lead guitar. Touring with a cross-section of bands like Chili Peppers, Ramones, Molly Hatchet, GnR, and Warrant while boasting a southern rock stomp pre-dating The Black Crowes; we think this band Shoulda Been Huge!!! This episode is rooted in our Should Have Been category. This is a band that we featured on the show earlier this year during our exploration of Genres From The Netherworld (Ep. 137). Robert enjoyed them so much, he asked that they be revisited at some point. Unfortunately, their amazing brand of boogie metal was never recognized to the degree that it deserved; partly due to a series of unfortunate incidences and pure bad luck. Songs this week include:Raging Slab – “Mr. Lucky” from Assmaster (1987)Raging Slab – “Get Off My Jollies” from True Death (1988)Raging Slab – “Bent For Silver” from Raging Slab (1989)Raging Slab – “Lord Have Mercy” from Dynamite Monster Boogie Concert (1993)Raging Slab - “C'mon N' On” from Sing Monkey Sing (1996)Raging Slab – “Sir Lord Ford…” from The Dealer (2001)Raging Slab – “Ruby” from (Pronounced Eat-Shit) (2002)Raging Slab – “Bury Me Deep” from (Pronounced Eat-Shit) (2002)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

If you missed yesterday's show, (11-17-22), Molly Hatchet's Bobby Ingram was our guest ahead of Saturday night's sure-to-be-amazing show at the St. Charles Family Arena with .38 Special and Black Oak Arkansas! Bobby talks about his career, his favorite/most memorable experiences with the band and where they're headed next!

Canciones de Dickey Betts, The Rockets, Black Oak Arkansas, Pat Travers, Lynyrd Skynyrd, Rod Stewart, Riccardo Cocciante y Supertramp....

Canciones de Dickey Betts, The Rockets, Black Oak Arkansas, Pat Travers, Lynyrd Skynyrd, Rod Stewart, Riccardo Cocciante y Supertramp....

Let's be honest, I am no expert in the Country Music genre. However, following this fascinating glimpse into the life and career of Ben Brookes Belcher, it's safe to say that that I now know a hell of a lot more than I did! Ben was raised in a gritty strip coal mine community in Cabin Creek, West Virginia, USA. He grew up listening to stalwart Bluegrass and Country legends like Flatt & Scruggs, Merle Haggard and Chet Atkins. We listen as he takes us on a musical voyage, from playing alongside his Father to touring with musical artists such as, Marshall Tucker, Molly Hatchet, Atlanta Rhythm Section, Black Oak Arkansas, Little Texas, Charlie Daniels, Kentucky Head-hunters, Billy Ray Cyrus, Neal McCoy, Pirates of the Mississippi, John Michael Montgomery, Blackhawk and Joe Diffie, to name but a few. Ben shares his observations on the current musical climate for his genre, some insightful anecdotes and a few heartfelt personal stories from his lifetime in the music industry. Along the way, we hear some of the tracks that perfectly illustrate the feelings, emotion and inspiration of this incredible journey, We hear about his experiences working on recordings with legendary Producer & Engineer Bill Halverson, and how he's now producing and recording in his own studio, under his own independent label, ‘Timberwolf Records & Production' in Atlanta, Georgia, USA. We learn about some exciting new work Ben has recorded recently, what he's listening to at the moment for inspiration and what we can expect from ‘The Shack' studio in the future. Find out about more exciting music podcasts here

Canciones de The Tymes, The Kinks, The Cure, The Rolling Stones, Bob Seger, Black Oak Arkansas, America, Deep Purple, James Taylor y Nazareth. ...

Canciones de The Tymes, The Kinks, The Cure, The Rolling Stones, Bob Seger, Black Oak Arkansas, America, Deep Purple, James Taylor y Nazareth. ...

Midwesterners who move to Los Angeles consider themselves geniuses because their friends back in Wisconsin are still freezing. ALSO: Alcohol makes you crazy - the band Black Oak Arkansas is proof. We need to start asking politicians what they did last night. PLUS: Mike Lindell's disgusting coffee, and song of the week "Hot and Nasty."Black Oak Arkansas - Hot and Nasty: https://www.youtube.com/watch?v=SBElipPiMuM

Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American musician, singer, composer, songwriter and bandleader. His work is characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation. On a number of occasions Zappa appeared in radio show slots, airing and generally discussing his favored music, or occasionally guesting on a 'club turntable', describing himself as a 'Fraudulent DJ'. In this episode, part one of a series of two, all the tracks in chronological order as selected by Zappa (with exception of most of his own tracks) for all his DJ appearances that have been documented, and that took place between 1968 and 1984. Lineup: Frank Zappa, The Mothers Of Invention, Ewan MacColl, The Hollywood Persuaders, Pierre Boulez, Hilary Summers, Ensemble Intercontemporain, The Dreamlovers, The Penguins, Charles Mingus, Frankie Lee Sims, Vernon Green & The Medallions, Richard Berry & The Dreamers, The Paragons, Big Moose, The Turbans, Johnny Guitar Watson, The Spaniels, J.B. Lenoir, Vernon Green, The Medallions, Bill Haley & His Comets, The Chips, The Velvets, Richard Berry & The Pharaohs, Johnny 'Guitar' Watson, The Feathers, Don & Dewey, The Jewels, The Cufflinks, Johnny Ace, Wilbur Whitfield & The Pleasers, Hank Ballard & The Midnighters, Jackie & The Starlites, The Cellos, The Rolling Crew, Screamin' Jay Hawkins, Paul Robeson, Huey 'Piano' Smith, Clarence 'Gatemouth' Brown, The Six Teens, The Laurie Sisters, Lloyd Terrell, Ruben And The Jets, The Hawks, The Olympics, Andre Williams, The Gaylarks, Little Sunny Day and the Clouds, The Clovers, The Harptones, Baby Ray And The Ferns, Muddy Waters, The Shaggs, Richard Berry, The Robins, Bob Landers, Willie Joe, Tony Allen, Peppermint Harris, The El Dorados, The 5 Campbells, Elmore James, The Moonlighters, Don Julian, The Larks, Lloyd Price, The Solitaires, Black Oak Arkansas, Edgard Varèse, Frederic Waldman, NY Wind Ensemble, Olivier Messiaen, BBC Symphony OrchestraAntal Dorati, Antal Doráti, BBC Symphony Orchestra, Anton Webern, Nürnberg Symphony Orchestra, Othmar Maga

Tommy Aldridge got his musical taste from his mother at a very young age. His mom was into all different artists including Dave Brubeck, Elvis Presley, & The Everly Brothers. He first came in contact with drums when he was six years old. His first real band was a trio that consisted of drums, guitar, & keyboard. Tommy has drummed for some of the biggest names in rock music, including Whitesnake, Gary Moore, Black Oak Arkansas, Pat Travers, & Ozzy Osbourne. He continues to tour with Whitesnake to this day. “We've managed to still be out here and still be viable to this day. I'm really thankful and blessed to still be a part of that.”

Season 2, Episode 2, AJ talks to Drummer Extraordinaire Bobby “T” Torello. From the great state of Connecticut comes this member of the Classic Drummer Hall of Fame, WFL III Ludwig drums spokesman and member of the New England Music Hall of Fame. His many years of touring includes sessions with Johnny Winter, Grace Slick, Black Oak Arkansas, Jay Willie Blues Band, The Namedroppers and even Michael Bolton. Bobby has been on the road since he was 16 years old and does not seem to be slowing down any time soon. Listen in as two friends talk of their 40 + year friendship.

Percussion Discussion - Episode 65 - Tommy Aldridge.Firmly back in the legends lounge once again as i am joined by legendary Hard Rock / Heavy Metal drummer - Tommy Aldridge.Join Tommy and myself as we chat about his incredible career spanning 5 decades of playing drums at the very highest level, playing for the likes of Gary Moore, Ozzy Osbourne, Black Oak Arkansas, Pat Travers, Ranndy Rhoads, Tony MacAlpine and of course Whitesnake/David Coverdale. We crammed so much into this hour, including - how he got interested in drums, early influences, Practicing drums with his bare hands in his shed!! we talk about about what Tommy got upto over the lockdown periods, Recording, Equipment, Soundchecking, The solo with Bare hands and so much more!This was a real pleasure - Tommy, Thank you so much for giving up your time so generously.Please share these interviews with your friends and leave a review if you can! thanks 

In this episode of LIGHT TALK, The Lumen Brothers  (and Sistah!) discuss everything from The Tony Awards to Black Oak Arkansas.    Join Steve, Zak, and Ellen as they pontificate about: Let's celebrate The Rolling Stones; Should you use a projector or LED wall; Creamy images; Equity Covid guidelines for theaters; Differences in creating video content for a projector or LED pixels; Pani vs. LED;  Episode 2 of "Bobby Danger, Lighting Guy"; The Tony Awards; New ways to define how to award designers; Working with only one spotlight operator; and How to pick a lighting console.   Nothing is Taboo, Nothing is Sacred, and Very Little Makes Sense.

All regions and places are unique in their own way, but the Ozarks have an enduring place in American culture. Studying the Ozarks offers the ability to explore American life through the lens of one of the last remaining cultural frontiers in American society. Perhaps because the Ozarks were relatively isolated from mainstream American society, or were at least relegated to the margins of it, their identity and culture are liminal and oftentimes counter to mainstream culture. Whatever the case, looking at the Ozarks offers insights into changing ideas about what it means to be an American and, more specifically, a special type of southerner. In Where Misfits Fit: Counterculture and Influence in the Ozarks (University Press of Mississippi, 2021), Dr. Thomas Michael Kersen explores the people who made a home in the Ozarks and the ways they contributed to American popular culture. Drawing on a wide variety of sources, Kersen argues the area attracts and even nurtures people and groups on the margins of the mainstream. These include UFO enthusiasts, cults, musical troupes, and back-to-the-land groups. Kersen examines how the Ozarks became a haven for creative, innovative, even nutty people to express themselves―a place where community could be reimagined in a variety of ways. It is in these communities that communitas, or a deep social connection, emerges. Each of the nine chapters focuses on a facet of the Ozarks, and Kersen often compares two or more cases to generate new insights and questions. Chapters examine real and imagined identity and highlight how the area has contributed to popular culture through analysis of the Eureka Springs energy vortex, fictional characters like Li'l Abner, cultic activity, environmentally minded communes, and the development of rockabilly music and near-communal rock bands such as Black Oak Arkansas. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Tug Cities: Community Media Representations of Place and Identity at a Tug of War Festival. This book is about the media representations of place and identity at an annual interstate tug of war festival where cities in two states across the Mississippi River from each other come together one week during the summer as rivals to duke it out on the rope. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

All regions and places are unique in their own way, but the Ozarks have an enduring place in American culture. Studying the Ozarks offers the ability to explore American life through the lens of one of the last remaining cultural frontiers in American society. Perhaps because the Ozarks were relatively isolated from mainstream American society, or were at least relegated to the margins of it, their identity and culture are liminal and oftentimes counter to mainstream culture. Whatever the case, looking at the Ozarks offers insights into changing ideas about what it means to be an American and, more specifically, a special type of southerner. In Where Misfits Fit: Counterculture and Influence in the Ozarks (University Press of Mississippi, 2021), Dr. Thomas Michael Kersen explores the people who made a home in the Ozarks and the ways they contributed to American popular culture. Drawing on a wide variety of sources, Kersen argues the area attracts and even nurtures people and groups on the margins of the mainstream. These include UFO enthusiasts, cults, musical troupes, and back-to-the-land groups. Kersen examines how the Ozarks became a haven for creative, innovative, even nutty people to express themselves―a place where community could be reimagined in a variety of ways. It is in these communities that communitas, or a deep social connection, emerges. Each of the nine chapters focuses on a facet of the Ozarks, and Kersen often compares two or more cases to generate new insights and questions. Chapters examine real and imagined identity and highlight how the area has contributed to popular culture through analysis of the Eureka Springs energy vortex, fictional characters like Li'l Abner, cultic activity, environmentally minded communes, and the development of rockabilly music and near-communal rock bands such as Black Oak Arkansas. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Tug Cities: Community Media Representations of Place and Identity at a Tug of War Festival. This book is about the media representations of place and identity at an annual interstate tug of war festival where cities in two states across the Mississippi River from each other come together one week during the summer as rivals to duke it out on the rope. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

All regions and places are unique in their own way, but the Ozarks have an enduring place in American culture. Studying the Ozarks offers the ability to explore American life through the lens of one of the last remaining cultural frontiers in American society. Perhaps because the Ozarks were relatively isolated from mainstream American society, or were at least relegated to the margins of it, their identity and culture are liminal and oftentimes counter to mainstream culture. Whatever the case, looking at the Ozarks offers insights into changing ideas about what it means to be an American and, more specifically, a special type of southerner. In Where Misfits Fit: Counterculture and Influence in the Ozarks (University Press of Mississippi, 2021), Dr. Thomas Michael Kersen explores the people who made a home in the Ozarks and the ways they contributed to American popular culture. Drawing on a wide variety of sources, Kersen argues the area attracts and even nurtures people and groups on the margins of the mainstream. These include UFO enthusiasts, cults, musical troupes, and back-to-the-land groups. Kersen examines how the Ozarks became a haven for creative, innovative, even nutty people to express themselves―a place where community could be reimagined in a variety of ways. It is in these communities that communitas, or a deep social connection, emerges. Each of the nine chapters focuses on a facet of the Ozarks, and Kersen often compares two or more cases to generate new insights and questions. Chapters examine real and imagined identity and highlight how the area has contributed to popular culture through analysis of the Eureka Springs energy vortex, fictional characters like Li'l Abner, cultic activity, environmentally minded communes, and the development of rockabilly music and near-communal rock bands such as Black Oak Arkansas. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Tug Cities: Community Media Representations of Place and Identity at a Tug of War Festival. This book is about the media representations of place and identity at an annual interstate tug of war festival where cities in two states across the Mississippi River from each other come together one week during the summer as rivals to duke it out on the rope. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

All regions and places are unique in their own way, but the Ozarks have an enduring place in American culture. Studying the Ozarks offers the ability to explore American life through the lens of one of the last remaining cultural frontiers in American society. Perhaps because the Ozarks were relatively isolated from mainstream American society, or were at least relegated to the margins of it, their identity and culture are liminal and oftentimes counter to mainstream culture. Whatever the case, looking at the Ozarks offers insights into changing ideas about what it means to be an American and, more specifically, a special type of southerner. In Where Misfits Fit: Counterculture and Influence in the Ozarks (University Press of Mississippi, 2021), Dr. Thomas Michael Kersen explores the people who made a home in the Ozarks and the ways they contributed to American popular culture. Drawing on a wide variety of sources, Kersen argues the area attracts and even nurtures people and groups on the margins of the mainstream. These include UFO enthusiasts, cults, musical troupes, and back-to-the-land groups. Kersen examines how the Ozarks became a haven for creative, innovative, even nutty people to express themselves―a place where community could be reimagined in a variety of ways. It is in these communities that communitas, or a deep social connection, emerges. Each of the nine chapters focuses on a facet of the Ozarks, and Kersen often compares two or more cases to generate new insights and questions. Chapters examine real and imagined identity and highlight how the area has contributed to popular culture through analysis of the Eureka Springs energy vortex, fictional characters like Li'l Abner, cultic activity, environmentally minded communes, and the development of rockabilly music and near-communal rock bands such as Black Oak Arkansas. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Tug Cities: Community Media Representations of Place and Identity at a Tug of War Festival. This book is about the media representations of place and identity at an annual interstate tug of war festival where cities in two states across the Mississippi River from each other come together one week during the summer as rivals to duke it out on the rope. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

All regions and places are unique in their own way, but the Ozarks have an enduring place in American culture. Studying the Ozarks offers the ability to explore American life through the lens of one of the last remaining cultural frontiers in American society. Perhaps because the Ozarks were relatively isolated from mainstream American society, or were at least relegated to the margins of it, their identity and culture are liminal and oftentimes counter to mainstream culture. Whatever the case, looking at the Ozarks offers insights into changing ideas about what it means to be an American and, more specifically, a special type of southerner. In Where Misfits Fit: Counterculture and Influence in the Ozarks (University Press of Mississippi, 2021), Dr. Thomas Michael Kersen explores the people who made a home in the Ozarks and the ways they contributed to American popular culture. Drawing on a wide variety of sources, Kersen argues the area attracts and even nurtures people and groups on the margins of the mainstream. These include UFO enthusiasts, cults, musical troupes, and back-to-the-land groups. Kersen examines how the Ozarks became a haven for creative, innovative, even nutty people to express themselves―a place where community could be reimagined in a variety of ways. It is in these communities that communitas, or a deep social connection, emerges. Each of the nine chapters focuses on a facet of the Ozarks, and Kersen often compares two or more cases to generate new insights and questions. Chapters examine real and imagined identity and highlight how the area has contributed to popular culture through analysis of the Eureka Springs energy vortex, fictional characters like Li'l Abner, cultic activity, environmentally minded communes, and the development of rockabilly music and near-communal rock bands such as Black Oak Arkansas. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Tug Cities: Community Media Representations of Place and Identity at a Tug of War Festival. This book is about the media representations of place and identity at an annual interstate tug of war festival where cities in two states across the Mississippi River from each other come together one week during the summer as rivals to duke it out on the rope. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Sleeping Dogzz is a classic rock staple band that has sonically entertained audiences for over 25 years.  They have opened for such notable bands as Black Oak Arkansas, Warrant, REO Speedwagon and Foghat.  This Saturday the play their final gig in Springfield, Illinois. In this episode Bill Szerletich (Vocals/Guitar) and Tom Summerlin (Drums), share the journey of the band, the family and community that have developed along the way, and their enduring love of the music. For more information about the Dogzz, please see:  https://www.facebook.com/search/top?q=sleeping%20dogzz Twitter:  https://twitter.com/The_Dogzz Email:  thenewdogzz@yahoo.com This podcast is available on your favorite podcast platform, or here:  https://endoftheroad.libsyn.com/episode-197-mini-sleeping-dogzz-the-end-of-the-roadthe-spirit-of-classic-rock Enjoy the journey....    

NOW AVAILABLE ON FOWL PLAYERS RADIO!!! www.fowlplayersradio.comWhen I was first introduced to Doug Macuch and was asking him if he was interested in being a guest on Fowl Players Radio- he told me he was afraid he wouldn't have much to say. One night, he and his wife Kris sat down to put together some thoughts of things they would like to talk about, and practically wrote a book! They both had such great stories to tell, from the bands they performed in prior to meeting each other, and the band "Diamond Alley" which they have been in together for quite a few years!The Macuches took a long walk down memory lane, telling me of the bands they had played in over the years with  and the acts they had opened for in various bands such as Fats Domino, Edgar Winter, Rick Derringer, Peter Frampton, Nazareth, John Hall of Orleans, Black Oak Arkansas, Zebra, Eddie Money, The 4 Tops, The Drifters, Nils Lofgren,  and jammed with Mick Fleetwood and Bette Midler's band. Kris was in the touring band for "Peaches and Herb" for a year.Also- great stories of misadventures! Doug's band "Ain't no good", Armand Zildjian falls asleep during an interview, and some "Rambo-Style" first aid to get through a gig!! Kris' keyboard gets destroyed by a member of Steppenwolf! Instead of trying to recap every story they told me- I'm just going to let you listen for yourself!http://diamondalley.com/Subscribe for free at www.fowlplayersradio.com or listen wherever you find podcasts online.No matter what platform you listen on, you can help us greatly by giving us a fair review and a 5 star rating!Also- be sure to visit our page on patreon.com- www.patreon.com/fowlplayersradio!Follow us on Facebook, Instagram, and Twitter!!The Fowl Players of Perryville are back and have many shows booked for the fall and winter of 2021-22! See our schedule on www.fowlplayersofperryville.com. For bookings, we can be reached by phone at 443-600-0446 or by email at fowlplayersperryville@yahoo.com.

Inner Journey welcomes Normal Bean and George Walker. Normal bean has shared the Stage with members of (Grateful Dead), Country joe & the Fish) Big brother holding, Quicksilver messenger, Jefferson starship, Three dog Night, CCR revisited Earth, Wind & Fire, Kid Rock, Collective soul, Head East, Black Oak Arkansas, Buddy Rich, Maynard Ferguson, and many others.George Walker's circle consisted of an extraordinary crew of cultural pioneers that included journalist Hunter S. Thompson, Hells Angel Terry the Tramp musician David Crosby, counter-culture hero Neal Cassady and novelist Ken Kesey.

It's not just a rumour. We really are talking about "La Grange" by ZZ Top this week. Stick around for the bonus segment to find out "What's Pokemoning on"! Covers by: Hank Williams Jr., Phish, CMH Steel, Black Oak Arkansas, Vinnie Moore, Power Music Workout Spotify playlist here

Taxes, man! Entrepreneurs have to deal with that stuff for sure. We're talking "Taxman" by The Beatles in the last episode of the first half of Entrepreneur Summer 2: Pro Sex Summer. We catch up with the Pokemon 25 music thing in our bonus segment, What's Pokemonning On, or whatever we called it. Covers by: Junior Parker, Black Oak Arkansas, Chilly, Ruder Than You, Saga, Besonegros, Tok Tok Tok, Randy Bachman Spotify playlist here

In questa nuova puntata Laura ci prepara ai classici festival estivi parlandoci dell'iconico California Jam del 1974, tenutosi nell'Ontario Motor Speedway e con band enormi come Deep Purple, Black Sabbath, Emerson Lake & Palmer, Eagles, Black Oak Arkansas, Earth Wind and Fire. Link per accedere a tutti i nostri contenuti: Ascolta la Playlist Guarda il concerto (YouTube) Sostienici su Patreon Seguici su Instagram Canale Telgram

Oggi è Gufo a portarci in viaggio nel tempo e nello spazio, tra le remote comunità rurali dell'Arkansas, USA. E' proprio in questo contesto, dove l'elettricità è arrivata solo negli anni '40 che nascono i Black Oak Arkansas, una Southern Rock Band in grado di sintetizzare alla perfezione il passaggio all'epoca moderna di quelle lande isolate. Clicca qui (da cellulare) per ascoltare la Playlist dedicata: ASCOLTA!

Brian tackles the tale of Iron Butterfly and their replacement bass player, Phillip Taylor Kramer - a rocker turned scientist who quit showing up. This episode is sponsored by Away Travel: PODGO.CO/AWAY SHOW NOTES: https://www.wikiwand.com/en/Philip_Taylor_Kramer The WaPo long read from 1995: https://www.washingtonpost.com/archive/lifestyle/1996/10/06/far-out/e7bfbaa7-8f9a-4cec-88dc-45d6d2d03f3d/ The Unsolved Mysteries episode - https://www.youtube.com/watch?v=7_amjG-naxU The 1999 story: https://www.latimes.com/archives/la-xpm-1999-may-31-me-42784-story.html https://ultimateclassicrock.com/iron-butterfly-philip-taylor-kramer-found-dead/

We start with our Fearless Beer Review. Then we get into some of the new vinyl we bought this week, and that leads to our Songs Of The Week from Black Oak Arkansas and Smashing Pumpkins. We finish up with some new music and other happenings in the music world. Don’t forget to rate, review and subscribe on iTunes. Leave a comment on Facebook, Instagram, Twitter or AsinineRadio.com. Email us at AsinineRadio@gmail.com. We’re even on Spotify! iTunes: www.itunes.apple.com/us/podcast/asi…130289553?mt=2 Spotify: open.spotify.com/show/60pYwZVJoOm2NvmmQHcks7 Twitter: www.twitter.com/AsinineRadio Instagram: www.Instagram.com/asinineradio/ Facebook: www.facebook.com/asinineradio/

Mitä yhteistä on tv-sarja Hill Street Bluesilla, Van Halenilla ja The Whon Pete Townshendilla? Ja mikä on Jimi Hendrixin yhteys Van Halenin ikoniseen logoon? Mikä on Jukka Salmen johtama Turn On? Tämä selviää kuuntelemalla! Sami Ruokankaan ja Pauli Kauppilan menossa mukana myös Eddie Van Halen, Gary Cherone, Michael Anthony, David Lee Roth, Sammy Hagar, Mike Post, Hills Street Blues, Law & Order, Law & Order Special Victims Unit, The Who, Pete Townshend, Jukka Salmi, Hannu Leidén, Maria Hänninen, Freud, Marx, Engels ja Jung, Dave Lindholm, Jimi Hendrix, Jim Dandy Mangrum ja Black Oak Arkansas. https://open.spotify.com/playlist/4m60J5Q9RtkDdghxEfDXwR?si=s6dl7kKjQiub_yoVZhtjBQ

Episode 72: Rick Ruhl - singer/songwriter from Every Mother's Nightmare. Rick has fronted EMN since 1987. The band had videos on MTV, tours with Cheap Trick and Van Halen, and even an appearance on the Joan Rivers Show. When the music scene changed Rick fell on hard times, but now he’s back with a new album- “Resurrect The Faithful.” The latest single “Breathe” currently has over 175,000 views on YouTube and both the new single and album are getting rave reviews. 00:00 - Intro01:07 - Welcome Rick & Musical Background 02:33 - Life in Nashville 04:05 - Shit On Shingles 04:48 - Every Mother's Nightmare in Memphis 05:48 - Clive Davis 07:49 - Self-Titled Debut Record & Music Videos 08:47 - Tora Tora & Other Memphis Bands 09:32 - Opening for Cheap Trick 10:36 - Opening for Dream Theater 11:31 - Van Halen & David Lee Roth 13:25 - Blackie Lawless of W.A.S.P. Gets Mad at Rick 15:07 - Appearing on the Joan Rivers Show 16:34 - Trouble At The Playboy Mansion 18:03 - Second Record "Wake Up Screaming" 20:15 - Touring Off The Second Record 21:15 - Motorcycle Racing 21:52 - Crystal Meth 24:01 - Doing Side Work to Pay the Bills 25:15 - Grind EP With Shinedown & Saliva Members 28:34 - Bill Chavis Pulling Rick Out of a Bad Spot 30:55 -" Resurrect The Faithful" New Album 34:55 - New Single "Breathe" 40:28 - Haven't Been Paid for Touring 42:15 - Country Record, "Truck Stop Love" 43:34 - Tour Dates Lined Up 44:09 - Wounded Warriors 47:44 - Wrap Up Every Mother's Nightmare IG:https://www.instagram.com/emnband/Wounded Warrior Project:https://www.woundedwarriorproject.orgChuck Shute Instagram:https://www.instagram.com/chuck_shute/Support the show (https://venmo.com/Chuck-Shute)

Today we take a trip down memory lane and listen to Ozzy Osbourne's "Speak of the Devil" which was released in November 1982. It fits into our world because this album features members of Black Sabbath, Quiet Riot, Night Ranger, and Black Oak Arkansas coming together to regroove a set of Black Sabbath classics. Listen in and you can find out if this is something you should remember or forget. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

My guest today is Dana Dowd whose father was the legendary Tom Dowd an American recording engineer and producer for Atlantic Records with a credit list of top artists in jazz, blues, doo wop, soul, and rock records spanning 5 decades of recording from the 50s-90s. Credited with innovating the multitrack recording method and linear console faders from their original round knobs Tom engineered through the various phases of recording technology starting with direct to disc all the way through analog tape 2 track, 4 track, eight-track, 16 24 and finally Pro Tools in the 90s. His first hit in the 50s was Eileen Barton's "If I Knew You Were Comin' I'd've Baked a Cake". And he went on to record popular artists such as Ray Charles, the Drifters, the Coasters, the Spinners, Ruth Brown and Bobby Darin.  He recorded iconic jazz records by John Coltrane, Ornette Coleman, Thelonious Monk, Charlie Parker, Charles Mingus, and Herbie Mann and continued through other genres of music recording Eric Clapton, Lynyrd Skynyrd, Black Oak Arkansas, Derek and the Dominos, Rod Stewart, Wishbone Ash, New Model Army, Cream, Lulu, Chicago, the Allman Brothers Band, Joe Bonamassa, Robin Gibbs, Meat Loaf, Cher, the Rascals, the Spinners, Willie Nelson, Diana Ross, the Four Seasons, Kenny Loggins, James Gang, Dusty Springfield, Eddie Harris, Booker T. & the M.G.'s, Otis Redding, Aretha Franklin, Joe Castro and Primal Scream. I met Tom’s daughter Dana Dowd more recently when she wrote a glowing testimonial as part of our movement to help save home studios in music city. Dana is an outspoken supporter of the music industry, and expert on her father and his work, and a successful business person and entrepreneur in her own industry of brand marketing. So It’s an honour to have Dana joining us on the podcast and today we are here to learn more about her dad Tom Dowd and what it was like to grow up around so much incredible music that influences us all.   Thanks to our sponsors! JZ Microphones: https://usashop.jzmic.com PreSonus Studio One: https://www.presonus.com Spectra1964: https://www.spectra1964.com OWC: Other World Computing: https://www.OWC.com iZotope: https://www.izotope.com API Audio: http://www.apiaudio.com Soundporter Mastering: https://www.soundporter.com RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/266

In this episode we are joined by Jeff Carlson of the Jeff Carlson Band. Jeff talks about the band’s cover of Foreigner’s Juke Box Hero, how Frank Hannon got involved, performing Tesla songs with Frank Hannon, working on the follow up to their EP, the band’s writing process, Robbie ---, working with RFL Records, a new song with Oz Fox on guitar, how REO Speedwagon and KISS made him want to be a musician, Black Oak Arkansas, love for Bon Jovi and Riche Sambora, seeing Skid Row before they got big, a shout out to an old venue in Tulsa, and a lot more! We kick the episode off with the new single from Mitch Perry Group, we talk AC/DC, and a look at the new Lynyrd Skynyrd film. Thanks for listening, and please share! #jeffcarlson #podcast #allkillernofiller This episode is brought to you by DEB Concerts. Follow DEB on Facebook and Twitter to get updates on upcoming shows at the IDL Ballroom from John Corabi, Rocket Science and more! This episode is also brought to you by Med Pharm. Follow their Facebook page and visit medpharmok.com to find out why they are “Cannabis With a Cause.” 30% of profits go towards building no-kill animal shelters in the area. They have a wide selection of products, and they have a doctor on site every Friday and Saturday. Mention Thunder Underground and receive 10% off on your first purchase! This episode is also brought to you by Sunset Tattoo Tulsa. Sunset Tattoo has over 25 years of experience, and is located at 3146 E. 15th St. in Tulsa, OK. They are state licensed and Mother approved! The tattoos are "Done Good and Proper" so be sure to like their facebook page for more details. This episode is also brought to you by Hella Hot Hot Sauce LLC. HHHS produces small batch artisanal hot sauces that are hand bottled by wife and husband ownership in the San Francisco bay area of California. Among many great sauce options, they offer artist collaborations, including previous podcast guests "Florida Frank's Florida Heat" - Frank Novinec of Hatebreed (Ep 260) and "Brain Jerk" - Digestor of Ghoul (Ep 205). Give them a visit today, give their page a 'like', and tell them we sent you! Check them out, and buy some hot sauce here: www.hellahothotsauce.com/ Become a Thunder Underground #patron on Patreon: www.patreon.com/thunderunderground Stream us anytime everywhere podcasts are heard.

David Hill - All Shook Up (1957) The original recording.  From Discogs.com: Birtha was one of the leading female rock bands performing during the early 1970s. The band consisted of four women: Shele Pinizzotto (guitar), Rosemary Butler (bass), Sherry Hagler (keyboards) and Liver Favela (drums). All four members of the group performed lead vocals and harmonies. Liver was the last member to join Birtha in 1968. The group immediately started playing the club circuit and toured from California to Alaska. From 1968 to 1971 Birtha worked to tighten and refine their rock sound and in 1971 they started writing their own material, most by themselves, occasionally in partnership with other parties, including Mark Wickman and Gabriel Mekler. Birtha signed a record contract with Dunhill Records in 1972 and recorded their first album "Birtha" with record producer Gabriel Mekler and engineers Dave Hassinger and Val Garay. After the release of their first album, Birtha began playing rock concerts and clubs throughout the U.S., Canada, and Europe. While taking breaks in their home town, Los Angeles, they would often play The Whiskey and The Troubadour and frequently played a club in Glendale, CA called The Sopwith Camel. In 1973 Birtha recorded their second album, "Can't Stop The Madness" with producer and engineer Christopher Huston. The band was on the road for more than 250 days a year and played with groups like, Fleetwood Mac, Alice Cooper, Poco, Black Oak Arkansas, Cheech and Chong, The Kinks, B.B. King, Three Dog Night, James Gang and many more. The band broke up in 1975 and all the members went their separate ways. Birtha - Dirty Work (1973)  Birtha - All This Love (1973) Birtha - Don't Let it Get You Down (1973) Birtha - Free Spirit (1972)  National Guard Session with Skitch Henderson, Bobby Gentry, and Glen Campbell. (1969) Radio Moscow Signals - Treachery of the violent kind. Chuck Barris Syndicate - Donnie (1968) Eddie Rambeau - Summertime Guy (1962) Freddy Cannon - At The Disco Down (1980) Strange, strange, strange.  Freddy Cannon - Hey Punk Rocker (1980) ? Peter Ivers - In Heaven (1977) From the movie Eraserhead. The Avant Garde - Naturally Stoned (1968) Luie Luie - Sweet and Tender Touchy (1974) Luie Luie - Tasty Touchy (1974) The Avant Garde - Honey and Gall (1968) The Avant Garde - Well Well Well (1968) The Avant Garde - Fly With Me (1968) The Deep - Crystal Nite (1966) From Wikipedia: Psychedelic Moods is the debut album by the American psychedelic rock band, The Deep, and was released on Cameo-Parkway Records in October 1966. The album was one of the first pieces to produce a consistent psychedelic theme throughout the whole LP. All of the material featured was originally composed by the band. Despite the conflicting dates, it is generally considered the first album to use the term "psychedelic" in its title. The Deep - Psychedelic Moon (1966) The Deep - Trip #76 (1966) The Executives - Moving In A Circle (1968) The Executives - Parenthesis (1969) Written by J. Webb.  The Executives - Sit Down I Think I Love You (1968) Les Humphries Singers - Cum On Feel The Noize/Breaking Me Up/Herbie Knows How (1974) The Executives - My Aim Is To Please You (1967) Billy Preston - My Sweet Lord (1970) Muzak of some kind John Simon - My Name Is Jack (1968) Written by John Simon after he was recommended to Peter Yarrow of Peter, Paul and Mary to help with the movie, “You Are What You Eat”, for which he did the soundtrack, writing and performing most of the tracks, including this song. The movie is unwatchable.  Sammy Davis Jr. - You Can Count On Me (Theme from Hawaii 5-O) (1976) The Sunrays - Bye, Baby, Bye (1966) 13th Floor Elevators - Zale's Jewelry Ad (1967?) Bobbi Blake - Too Many Babies (?) Song-poem Mrs. Marshall manages to make dinner for the family with the aid of the Robot. Ed Marvin reporting. Caloric a-la-carte Oven promo. 

It bothers me that for so long, George Klein has been seen as just Elvis' friend. George is an innovator and an ambassador to Memphis music. He has helped bring Memphis music to the world and the world of music to Memphis. George Klein is much more than a friend of Elvis Presley. He was one of the first DJ's in Memphis to play rock and roll on the radio, before Elvis. That was just the beginning of what George would do for Memphis, music wise. He became one of the most famous disc jockeys in Memphis history. He had the RKO "Boss" jock sound down when he was at WHBQ. You can't mention those call letters without thinking of George Klein or GK as Elvis called him. George met Elvis when they were in the eighth grade at Humes. He and Elvis had a lot more in common than their careers; they thought a lot alike. Like Elvis, GK doesn't have an unkind word to say about anyone. He is respectful, kind, and caring. In addition to his work at 56 WHBQ radio, George also had a TV show on WHBQ TV Channel 13 called Talent Party. Talent Party was always faithful to local talent. Every show featured at least one local act. That show broke a lot of Memphis talent, like a group called Knowbody Else. You may know them better as Black Oak Arkansas. He also helped launch Sandy Posey's career ("Born a Woman" and "Single Girl"). George broke some records on Talent Party that went on to be national hits. Songs by the artists that George believed in like "Keep on Dancing" by the Gentrys and Sam the Sham's "Wooly Bully," just to name a couple. Whenever a group wanted to be on the show, George didn't care what they had done. He cared about what they sounded like. No tape? No problem. George worked out a deal with Roland Janes at Sonic Recording Studios. For thirteen dollars, a group could go in and cut one to four songs to lip-synch on the show. GK watched to see what other music shows were doing at the time, and he noticed that many of them featured regulars. He decided to do the same. He picked two acts to feature every other week, Flash and the Casuals (later Flash and the Board of Directors), and Sherry Grooms were who he decided on. David "Flash" Fleischman (now co-owner of All Memphis Music, an internet station) told me, "I met GK four days after turning sixteen and getting my driver's license. I Drove to WHBQ because I wanted to meet this disc jockey. Not because I wanted to be in radio or was interested in radio, but because he booked bands and I was in a band. That was the start of what's been a 48-year friendship. I'm proud to call George Klein, my friend, and no matter what I do, I can never repay George for what's he's done for me. He's been there and advised me all these years, every step of the way. And one of the things that makes George so special is that he has helped so many over all these years. As the title of the Tina Turner song says, GK is "Simply the Best." GK not only discovered Memphis singing talent but other talent as well. During the annual Miss Teenage Memphis Pageant, the Talent Party fashion coordinator spotted a standout beauty. She brought the girl to George's attention, and they sent some pictures of her to a modeling agency in New York. The agency accepted her. She became the model of the year, and then Hollywood came calling on Cybill Shepherd. One of the groups that came to Memphis to be on Talent Party was an unknown band from California called the Soul Children (not to be confused with the Stax group that featured Jay Blackfoot). They didn't have a tape, so George sent them to Sonic Recording and Roland Janes to make their thirteen-dollar tape. They took that tape to Stax Records, and it got them a million-dollar contract. They changed their name to Con Funk Shun and went on to record 14 albums.

Enjoy an hour of blues and related music with Jethro Tull, David Bowie, Bob Seeger, Ted Nugent, Vince Benedelle with Diana Krall, Ike & Tina Turner, Black Oak Arkansas, Noah Guthrie, Ed Sheeran, Shemekia Copeland, Blind Lemon Jefferson, Carl Perkins, Baby Bonnie, and Jimmy Soul.

The Doobie Brothers were already a commercial success by the time their fourth studio album, What Were Once Vices Are Now Habits, was released in 1974.  This iteration of The Doobie Brothers features mainstream rock and roll with a folk harmony bent, and the vocals of singer-songwriters Tom Johnston and Patrick Simmons.  Tim Porter is on bass, and "Little" John Hartman and Michael Hossack round out the group in the unusual position of dual drummers.The group got the name The Doobie Brothers from Keith "Dyno" Rossen, who suggested it to Johnston, "because you're always smoking pot."  Everyone agreed that it was a stupid name and they only intended to use the name until they came up with something better.  They never did, and The Doobie Brothers have been with us for 5 decades.When they were first starting out, The Doobie Brothers attracted early attention from local chapters of the Hells Angels, and many of their gigs were at biker bars and venues frequented by motorcycle riders.The Doobie Brothers have been inducted into the Rock and Roll Hall of Fame in the class of 2020.  Another Park, Another SundayWith a mellow, beautiful melody and chord progression, this track tells the story of the loss of a girl.  This is a very relaxing song that takes us back to a laid back memory.  Tom Johnston takes lead vocal duties on this first single release from the album.  Eyes of SilverThis is the second single release from the album.  While it is well known today, it did not do as well as the modest success that "Another Park, Another Sunday" achieved as a single.  Even though the band originated in the San Francisco bay area, this song has more of a southern rock feel to us.  We also enjoyed the sound of The Memphis Horns on this one.NobodyOriginally recorded on their debut album, this song was adjusted and put on the album.  This was the third single, though it was about to be overshadowed by the next single coming.Black WaterPatrick Simmons takes vocal duties on this "swamp rock" hit, which would be the biggest one off the album.  Originally the B-side from "Another Park, Another Sunday," DJ's began to pick up on it, and it would become The Doobie Brothers' first million-selling song.  Check out that acapella section at the end.   ENTERTAINMENT TRACK:The theme from the motion picture “Blazing Saddles” Mel Brooks' comedy film could never be produced today!  Brian reminisces about taking a date to this movie.  Richard Pryor wrote parts of this film. STAFF PICKS:“Come and Get Your Love” by RedboneBruce's staff pick is the highest charting single from Redbone, a Native American rock group.  It would peak at number 5 on the Billboard hot 100.  Brothers Pat and Lolly Vegas, Tony Bellamy, and Butch Rillera make up the group, and Lolly plays the electric sitar.   It got a second life when it was on Star Lord's awesome mix tape from the movie “Guardians of the Galaxy.”“She's Gone” by Hall and OatesRob brings us some blue-eyed soul from Darryl Hall and John Oates.  Similar to the case with “Nobody,” this is the first release of of the song, which peaked at #60.  They would tweak the song and re-release the song in 1976, when it would go to #7 — the version you will recognize more easily.  Both Hall and Oates were going through breakups at the time that they wrote the song.  The video to this song is...well, definitely pre-MTV!“Burn” by Deep PurpleWayne's staff pick brings the tempo up with the title song off Deep Purple's eighth album.  The singer is David Coverdale, who co-wrote the song with Ritchie Blackmore.  The constant drumming and strong vocals make it a great driving song.  The lyrics tell the story of “a witch's last curse as she is burned at the stake.”“Jim Dandy to the Rescue” by Black Oak ArkansasBrian takes us down south, and back to a song originally written in 1956 by Lincoln Chase and recorded by Laverne Baker.  Ruby Starr and Jim "Dandy" Mangrum take turns on the vocal leads on this high energy boogie. COMEDY TRACK:"Energy Crisis '74" by Dickie GoodmanAnother montage comedy track from Dickie Goodman takes us out on this week's podcast.

Johnnie Bolin drummer with Black Oak Arkansas and Brother of Guitar Legend Tommy Bolin

The post Soundography #97:Black Oak Arkansas appeared first on Soundography | A Crash Course in Music, One Band at a Time!.

DC sits down for a chat with legendary Texas Bluesman Rocky Athas about his past and future. Rocky is best known for his work with Black Oak Arkansas, Glenn Hughes, Buddy Miles, SRVs Double Trouble and John Mayall. DC covers Metallica festival cancellation news and The Black Keys Summer Tour announcement during his Rock News segment. And some bad news to report..., NO "Tipsy Gypsy" tonight as Bre had to be away, on assignment of course, creating beautiful funeral wreaths for dead people in her mom's floral shop. We Will Survive!

DC sits down for a chat with legendary Texas Bluesman Rocky Athas about his past and future. Rocky is best known for his work with Black Oak Arkansas, Glenn Hughes, Buddy Miles, SRVs Double Trouble and John Mayall. DC covers Metallica festival cancellation news and The Black Keys Summer Tour announcement during his Rock News segment. And some bad news to report..., NO "Tipsy Gypsy" tonight as Bre had to be away, on assignment of course, creating beautiful funeral wreaths for dead people in her mom's floral shop. We Will Survive!

Born in Lexington, Kentucky and Raised in Smithfield North Carolina, Winfield Cheek has run the highs and lows of the Music Business.  A Professional Musician at age 10, Winfield started his musical journey as a Drummer!  Taking Piano lessons on the side and by High School he was playing Keyboards and Guitar in Bands.  A professional musician for over 40 years he has performed with Artists such as Black Oak Arkansas, Jim Ed Brown, Hellen Cornelius and Margo Smith. Of special note, he performed on the Grand ol Opry with Jim Ed Brown in the Mid 80's. He is currently touring with the Texas Swamp Pop Sensation known as Shinyribs, based in Austin, Texas where he is belovedly known as the Forrest Gump of Rock n Roll!

Our featured artists in the kitchen this week include The Dave Mell Blues Band, MO7S, Reverend Shawn Amos, Big Joe Turner, Joanne Shaw Taylor, Shemekia Copeland, Jimmy "Duck" Holmes, Jontavious Willis, Memphis Minnie, Led Zeppelin, Johnny Winter, Taj Mahal and Black Oak Arkansas.  

We're back this week to fill your ears with some classic goodness on this edition of the Radio Sucks Radio Show! This time we're keeping things old-school with killer tracks from the Golden Age of rock! In this music-filled edition, you'll get great tracks from Judas Priest, Alice Cooper, B.T.O, Grand Funk Railroad, Black Oak Arkansas, Heart, Scorpions, The James Gang and Queen! Sure, you hear songs by most of these bands to this day on the radio but it's the same handful of tracks every single time. This week we're spinning songs that deserve the attention of the masses. We hope you enjoy this Classic Rock Edition of the Radio Sucks Radio Show and SHARE with a friend! Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneI Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download

Kevin continues his countdown of this past decade & plays songs from his favorite albums. Moving from 2013 and forward. Enjoy!2013The Temperance Movement – The Temperance MovementSample Track: “Only Friend” 2014Rival Sons – Great Western ValkyrieSample Track: “Electric Man” 2015Nathaniel Rateliff & The Night Sweats – Nathaniel Rateliff & The Night SweatsSample Track: “S.O.B.”

Another great show more unique sound from Black Oak Arkansas. Led by the never imitated Jim Dandy. Get ready for More Raunch and Roll

No one could No one will ever match the Sound of Black Oak Arkansas. Get your Raunch and Roll right here

Holidays getting you stressed? Chill out with Nick & Bootsy in the basement for Show #438 featuring tunes by:Cashing in Karma (WA USA)GRIM (Alberta CANADA)Ruzz Guitar's Blues Revue (Bristol UK)The Carvels (NY NY)The Innocent Bystanders (San Diego CA)Tom Pinsent (Newfoundland CANADA)The Popravinas (Santa Monica CA) and NIck Thomas!Nick's picked out a couple of tunes by Black Oak Arkansas for Nick's Pick. You better listen if you want to hear Something Completely Different!The Basement Tapes with Nick & Bootsy comes to you live from Rolla, Missouri. We also post the recorded show online as a podcast.Nick & Bootsy play music from local, independent bands & musicians from across the world - after all, everybody is local to somewhere!Submit your music to Nick & Bootsy:https://www.dropbox.com/request/IFlG53KvEISf5Dml69rAWe don't own any copyrights to the music we play on The Basement Tapes with Nick & Bootsy other than our own original tunes. Those are owned by the artists. If you like what you hear, please buy it!

Audio del 25 de septiembre transmitiendo los miércoles de 11 a 13 en España en Sol y Rabia También atent@s al podcast en la web: http://www.madeinmetal.es/index.php/radio o iTunes: https://itunes.apple.com/es/podcast/made-in-metal/id1444591596?l Programa 159 donde escucharas música de los discos nuevos de Antti Martikainen, Danko Jones, Arwen, Avantasia, Stormlord, Prins Svart, Battle Beast y damos un toque clásico con Marilyn Manson, Led Zeppelin, Green Day y finalmente algo nuevo de Black Oak Arkansas. De España tendremos a Visitantes, Ingravito, Señora y Kartzarot, aunque quizas ellos prefieran que les digan vascos. Estas son las canciones que escucharas hoy: 1.Antti Martikainen - Hymn of the High Seas 2.Visitantes –No Hay Revolucion 3.Ingravito – Te Quieren de Rehen 4.Marilyn Manson - The Beautiful People 5.Green Day - Father of all Motherfuckers 6.Danko Jones –Fists Up High 7.Arwen –My Worst Self 8.Avantasia - The Raven Child 9.Black Oak Arkansas - Do Unto Others 10.Señora - Mentes Deformes 11.Stormlord –Leviathan 12.Prins Svart –Maskinen 13.Kartzarot - Ametsak Izoztu 14.Led Zeppelin - Whole Lotta Love 15.Battle Beast - My Last Dream Si estas interesado en escuchar / comprar alguno de estos discos puedes hacerlo a través de Amazon Music. Te dejamos los enlaces: 1. Antti Martikainen - Hymn Of The High Seas (2018) https://amzn.to/2UU2RN4 2. Visitantes – Animales Exóticos (2019) https://amzn.to/34N3Gfl 3. Ingravito – Sentirnos Vivos por Encima de Nuestras Posibilidades (2019) https://amzn.to/32DjuiL 4. Danko Jones – A Rock Supreme (2019) https://amzn.to/31l9tqa 5. Arwen – The Soul´s Sentence (2018) https://amzn.to/2UZhzCA 6. Avantasia - Moonglow (2019) https://amzn.to/32FlJSE 7. Black Oak Arkansas - Underdog Heroes (2019) https://amzn.to/2NdRbUy 8. Señora - Mentes Deformes (2018) https://amzn.to/31fDUhr 9. Stormlord – Far (2019) https://amzn.to/32Hkbro 10. Prins Svart – Inte här för att Stanna (2019) https://amzn.to/2Q860dr 11. Kartzarot - L (2019) https://amzn.to/32Hkhzg 12. Battle Beast - No More Hollywood Endings (2019) https://amzn.to/34K5Zzu

Pure Prairie League formed in 1970 and was among the leaders of the country rock movement.  They featured awesome lead vocalists including Craig Fuller and Vince Gill.  In their heyday, they scored five consecutive Top 40 LP's.  In June of 2018, multi-award winning program director Ray White caught up backstage with co-founder John David Call, Mike Reilly and the bands current members for an impromptu interview to talk about their latest album All In Good Time, the great vocalists they've had throughout their history and favorite album from their extensive catalog.  In our showcase segment, we feature Poco's Rusty Young and Black Oak Arkansas - who just released Underdog Heroes, their first studio album in nearly 30 years.  For more information about our show, visit us at Classic Artists Today. 

Black Oak Arkansas. Nezapomenutelné zběsilce, rockové ikony a odborníky na volný pád ze slávy do nejhlubších pekel připomene Petr Jirásek. A dojde i na jejich zbrusu novou desku. Ovšem ještě předtím uslyšíte Dališovu Drbárnu plnou nejčerstvějších southern rockových novinek z domácí i zahraniční scény.

This week's episode is the 3rd annual Mortville Rainforest Retreat, recorded deep in the Hoh Rainforest on Washington's Olympic Peninsula with Ter, Matt, and Frank. This week's topics include vape orgies, campground trolls, smoking crack, my siiiick tiny hatchet, Little Wild Blackberry Pie, children's hockey, and a whole bunch of other stuff. This week's breaks are "Our Fortress Is Burning I" by Agalloch and "Lord Have Mercy On My Soul" by Black Oak Arkansas. Subscribe to Mortville! 

Today on Let There Be Talk my guest is one of the greatest rock n roll drummers ever Mr Tommy Aldridge. Tommy sat down with me and we discussed his entire career in rock n roll including his days in Black Oak Arkansas, Pat Travers Band, Ozzy and Whitesnake. It was an honor to talk to this man. His stories are absolutely incredible. A true Legend and I can't thank him enough for doing the show. Don't forget to check out all the LET THERE BE TALK bonus episodes on Patreon. https://www.patreon.com/DeanDelray   

Rock & Roll Hall of Famer and multiple Grammy nominee Chris Hillman joins us to talk about his songwriting with The Byrds, The Flying Burrito Brothers, The Desert Rose Band, and much more. EPISODE DETAILS: PART ONE Scott and Paul talk about the Motley Crue movie and the pros and cons of musical biopics. PART TWO - 9:45 mark Scott and Paul head up to Ventura to meet Chris Hillman and find out how he got hired to play bass with The Byrds without ever having played bass before; the reason that Miles Davis and Bob Eubanks deserve a lot of credit for The Byrds’ success; how playing bass on sessions for South African jazz legend Hugh Masekela inspired Chris to write his first songs (which became country-rock classics for The Byrds); the band he and Roger McGuinn were mocking when they wrote “So You Want to be a Rock ‘n’ Roll Star;” what happened on a particularly memorable trip to Stonehenge with Mick Jagger and Keith Richards; the song he and Gram Parsons were inspired to write following Gram’s motorcycle accident; what he says really killed Gram; why Chris was so shocked by his major country music success with The Desert Rose Band; how spirituality has impacted his songwriting process; and the inside details of creating his most recent album with producer Tom Petty. ABOUT CHRIS HILLMAN: Rock & Roll Hall of Famer Chris Hillman first came to songwriting prominence as a founding member of The Byrds when he wrote or co-wrote several of the band’s classic songs, including “So You Want to be a Rock ’n’ Roll Star,” “Have You Seen Her Face,” “Time Between,” “Thoughts and Words,” “The Girl with No Name,” “Natural Harmony,” “Old John Robertson,” and others. Departing The Byrds following their landmark Sweetheart of the Rodeo album, Hillman teamed with Gram Parsons to launch the Flying Burrito Brothers. The pair penned a series of now-classic Americana standards for the band, including “Sin City,” “Wheels,” “Christine’s Tune,” “Juanita,” and “High Fashion Queen.”   Chris spent time in the group Manassas, where he co-wrote the charting single “It Doesn’t Matter” with Stephen Stills, before releasing a handful of solo albums and collaborative projects with several other musicians, including Richie Furay, J.D. Souther, Gene Clark, and Roger McGuinn. Hillman found his greatest commercial success with the Desert Rose Band, which he founded with Herb Pedersen and John Jorgenson. Chris penned a dozen of the group’s charting singles, including the Top 10 hits “Love Reunited,” “One Step Forward,” “Summer Wind,” Start All Over Again,” “Story of Love,” and “I Still Believe in You,” which reached #1 on the Billboard country chart. The group was named Band of the Year three years in a row by the Academy of Country Music and earned multiple CMA award nominations. Hillman is a country rock pioneer, a four-time Grammy nominee, and the recipient of the Americana Music Association’s Lifetime Achievement Award. His songs have been recorded by Emmylou Harris, Sheryl Crow, Ron Wood, Tom Petty, Patti Smith, Beck, The Hollies, Roxette, Crowded House, Uncle Tupleo, Dan Fogelberg, Dwight Yoakam, Marty Stuart, Steve Earle, Nazareth, Black Oak Arkansas, The Oak Ridge Boys, Alison Krauss, and others.

Je hoort vandaag muziek van The Star Sisters, Gerard Kenny, Bintangs, Toad The Wet Sprocket, Isaiah Templeton, Black Oak Arkansas en The Cult.

John’s first professional gig was with Black Oak Arkansas, he’s currently in Winger & Starship, and has also been a part of Giant and Jimi Jamison’s Survivor On the road full time at 19, John talks about growing up in a small town of 2800 people, perfectionism and letting go, balancing work and personal life, and figuring out where “taking care of your family” ends and not taking care of yourself begins, loads more: Subscribe https://www.everyonelovesguitar.com/subscribe/ Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ Twitter: https://twitter.com/ELovesGuitar

Rocky Athas is a Texas Blues legend who played w John Mayall’s Bluesbreakers for 8 years, has recorded w Buddy Miles, SRV's Double Trouble, Glenn Hughes (Deep Purple bass), Mick Taylor, Joe Walsh and others. He was also the lead guitar player for Black Oak Arkansas for 5 years, and has released 8 solo albums of his own. Great stories about Rocky growing up with Stevie Ray Vaughan (simply called Steve back then)... playing with John Mayall, Mick Taylor & Glenn Hughes… really nice story about how Rocky dealt with his mom’s passing… the one critical component every song must have... great lesson for anyone early in their music career… and some great advice Rocky received from Joe Walsh & Leslie West... Subscribe https://www.everyonelovesguitar.com/subscribe/ Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ Twitter: https://twitter.com/ELovesGuitar

Audio del 16 de mayo, transmitiendo los miércoles de 11 a 13 simultaneamente en www.reviradio.es. y http://www.solyrabia.com/ Todos los sabados a las 5 de la tarde en Radio Enciende tu Mente de México http://radioenciendetumente.com/programas.html También atent@s al podcast en http://www.ivoox.com/podcast-made-in-metal o la web: http://www.madeinmetal.es/index.php/radio Te invitamos a suscribirte Dispuesto a colaborar con emisoras de radio de habla hispana en todo el mundo. Gracias. Entrevistamos a Tomaccos quienes acaban de sacar su nuevo disco, Toledo, OH, el cual les traerá sorpresas y mostrará a un grupo de jóvenes que suenan como si tuvieran más de 100 años, lo que demuestra que esto de la reencarnación no es cuento. También escucharemos material nuevo de 4 Bajo Zero, Brown Beast y Blood Red Saint sin olvidar a clásicos como Black Oak Arkansas y Rainbow Estas son las canciones que escucharas en el programa de hoy 1. Brown Beast –El Eden 2. Brown Beast – Viktor 3. Trevor and the Wolves –Red Beer 4. Trevor and the Wolves – Roadside Motel 5. Black Oak Arkansas - Jim Dandy 6. Sadist - The Lonely Mountain 7. Tomaccos - Prohibition Swing 8. Entrevista a Tomaccos 9. Tomaccos – Old Sailor Song 10. Entrevista a Tomaccos 11. Tomaccos – Good Luck 12. Entrevista a Tomaccos 13. Tomaccos – A Smile for a Frown 14. Walk in Darkness - Rome 15. 4 Bajo Zero – Abominable 16. 4 Bajo Zero – Sicario 17. Arrayan Path - The Flower Born of Itself 18. Arrayan Path - Cremation Ground 19. Orphaned Land – Only the Dead Have Seen the End of War 20. Rainbow – I Surrender 21. Blood Red Saints –Turn on The Night Si estás interesado en comprar alguno de estos discos puedes hacerlo aquí. Es un sistema de afiliación por el cual tú pagas lo mismo y nosotros ganamos dinero para mantener la web y el programa. 1. Trevor and the Wolves – Road to Nowhere (2018) https://amzn.to/2KWg42u 2. Sadist - Hyaena (2015) https://amzn.to/2IAJwwz 3. Black Oak Arkansas – Hot and Nasty, Greatest Hits (1976) https://amzn.to/2KYA58D 4. Walk in Darkness - Welcome to the New World (2018) https://amzn.to/2rGr6AM 5. 4 Bajo Zero – Abominable (2018) https://amzn.to/2jVGG7z 6. Arrayan Path - Dawn Of Aquarius (2017) https://amzn.to/2jU7PaN 7. Orphaned Land – Unsung Prophets and Dead Messiahs (2018) https://amzn.to/2KZi5Lb 8. Blood Red Saints – Love Hate Conspiracies (2018) https://amzn.to/2L28Rhc 9. Rainbow – Down to Earth (1976) https://amzn.to/2IjJlCH

Dave has played with Black Oak Arkansas, David Lee Roth, Motley Crue, Ted Nugent, Richie Sambora, Cher and for the last 28 years, REO Speedwagon. He was kind enough to give us a big insiders look at what it’s like working with, along with some cool stories about Ted Nugent, Cher, and Richie Sambora. You’ll also learn that when it comes to Nugent and the Crue… they have their own way of doing things… Dave has his own Gibson Signature Custom guitar… a Signature Ovation guitar… and an absolutely MASSIVE guitar and amp collection of his own. He discusses his top 5 guitars as well as his top Desert Island Discs… the personal traits he’s worked hard at developing over the last few years… the person who’s had the biggest influence on his life, and… CATS! Great conversation with an extremely down to earth, highly successful professional guitarist... Subscribe https://www.EveryoneLovesGuitar.com Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ Twitter: https://twitter.com/ELovesGuitar

Black Oak Arkansas. Nezapomenutelné zběsilce, rockové ikony a odborníky na volný pád ze slávy do nejhlubších pekel připomene Petr Jirásek. Ještě předtím dojde na čerstvé novinky z americké i evropské jižanské rockové scény a na pozvánky na koncerty, které nás v nejbližší době čekají.

Pavel Hartl pro vás připravil malý přehled písniček, kterými se southern rockové kapely přihlásily ke křesťanské tradici Vánoc. Uslyšíte kromě očekávatelných Lynyrd Skynyrd, Charlieho Danielse nebo Black Oak Arkansas třeba i Elvise. Tak si to užijte a veselé vánoce 2017!

Mike Jacobs introduces us to five talented lesser known artists.

Převážnou část první hodiny březnového dílu pořadu Hurá na jih naplní Jirka Petrů svým výletem po jednotlivých státech jižanské Konfederace a z každého z nich vám představí jednu hudební skupinu. Kromě Marshall Tucker Bandu či Black Oak Arkansas uslyšíte i kapely méně známé. Říkají vám něco jména jako Hydra nebo Bloodrock? 

Photographer, filmmaker, and Alt-porn pioneer Chase Lisbon talks about the shadowy black figures that wake him at night, changing the landscape of the porn industry, Black Oak Arkansas, and killing chickens. The Mirror Cave is produced by Scott Harrison. Music by Acre. Theme by Tectonic Crystal. Acre's music is available at www.monorailtrespassing.com and on band camp. You can reach us at themirrorcave@gmail.com  

Mart draait het eerste uur nieuwe muziek. Tweede uur in het teken van vier mooie verzamelcd’s. Muziek van The Band Of Heathens, Cannonball Alderley, Chuck Prophet, Barbara Lewis, Steve Young en Black Oak Arkansas.

Mart draait het eerste uur nieuwe muziek. Tweede uur in het teken van vier mooie verzamelcd’s. Muziek van The Band Of Heathens, Cannonball Alderley, Chuck Prophet, Barbara Lewis, Steve Young en Black Oak Arkansas.

This week we bring you a mix of music curated by Keith Morris, who is best known as the lead vocalist of the bands OFF!, Circle Jerks, and Black Flag! Keith's Sad Punks mix includes songs by Paul and Linda McCartney, Procol Harum, Tucky Buzzard, Jo Jo Gunne, The Move, Freddie King, and Black Oak Arkansas. As an addendum, we also include songs by Black Flag and OFF!! Support each of these bands and pick up a copy of Keith's new book, My Damage: The Story of a Punk Rock Survivor. Click here to find us on Facebook, or here to find us on iTunes. As always, thank you to Rubee True Fegan for the artwork for this episode!

“In some ways, Steve Conte is the quintessential rock and roll musician. He lives in New York City , has played with everyone from the New York Dolls to the late Willy DeVille, released his own work, and is an unabashed admirer of rock and roll in all its many forms and genres. The latter fact is made completely obvious by the choice of material on his latest CD, International Cover Up. As a 13 year old live performer, Steve Conte looked to The Rolling Stones, The J. Geils Band, Black Oak Arkansas, The Beatles & Jimi Hendrix for both musical inspiration and how to give “good show”. Cut to 2016 – Conte releases his “COVERS” album featuring many of the songs he & his band have played on tour – and captures that LIVE spirit in the recordings! The album features songs written and/or recorded by Eddie Cochran, Willy/Mink DeVille, Tom Waits/Ramones, John Lennon, Rolling Stones, Fleetwood Mac and Jason And The Scorchers – all delivered in pure Conte-style. In addition to playing original songs from his studio albums on tour, Steve would always add a few well-chosen covers. Conte says: “This album contains some of my favorite songs to play live; road-tested in Europe with my band, The Crazy Truth International. I kept the album production sparse to showcase the band’s live energy. All songs were recorded live, in a few takes. Most guitar solos were played live.  ”INTERNATIONAL COVER-UP was largely recorded at Labtones Studio in Dordrecht, The Netherlands by Wilco Minderhoud & Jasper van Dorp. It features 6 studio recordings with Conte’s European version of The Crazy Truth – plus a pair of solo acoustic tracks recorded in New York City; one in his own Manhattan studio, The Joint NYC and the other recorded live on renowned record producer, Steve Lillywhite’s program for East Village Radio, The Lillywhite Sessions. 

Chris and Aaron are going back in time this week for the 1974 Year in Review Part 1; an hour-plus of pop culture, news stories, classic commercials, and loads of the music that made the first half of the year awesome. 1974 Year in Review Part 1 In this long form journey through the wayback machine, your host spin classic tracks from Foghat, Humble Pie, Sweet, Deep Purple, Ted Nugent, Lynyrd Skynyrd, Queen, Rush, Aerosmith, Budgie, Elf, The New York Dolls, UFO, Blue Oyster Cult, Status Quo, Budgie, Black Oak Arkansas, Uriah Heep, Johnny Winter, and some new band called KISS! All that and a ton more. Lots of nostalgia, great music, and even some platform heels! We hope you enjoy 1974 Year in Review Part 1 and SHARE with a friend!ufo Buy Music! Foghat Humble Pie Sweet Deep Purple Ted Nugent Lynyrd Skynyrd Queen Rush Aerosmith Budgie Elf New York Dolls UFO Blue Oyster Cult Status Quo Black Oak Arkansas Uriah Heep Johnny Winter KISS iTunes Review: My favorite podcast! by CrowRyche on Jul 26, 2016 RATING: ★★★★★ This is my go to podcast for all things rock! Aaron and Chris are AWESOME and the shows are very well done! Great new music, great classic music ... Great hosts! Do yourself a favor and subscribe now! Geeks of the Week: Mike Stewart, Shane Hebert, Derek Leyba, Shane Hebert, Joshua Toomey, Thomas Mucaji, Ian Wadley (Rock and Metal Combat Podcast), Matt Ashcraft, Kevin Williams, Paul Korn, Marc Alden Taylor, Joe Momma’s Wrestling Podcast, Aaron Baker, Joe Royland, Sit and Spin with Joe, Andrew Jacobs, Brent Walter, Rich Dillon, Dan Chaput, David Glynn, Trevor McDougall, Greg McGlone, Gino Ames, Adam Cox, Wayne Cross, Anthony Britt, MIkael Burell, Marty Lang, Brent Tibbetts, Jesus Chrysler, Stack Burger, Derik Novak, TJ Cullen, The TJE Podcast, Ernesto Aguilar, The Mooger Fooger Visit Our Sponsor! HK Collecitbles, Inc. (Specializing in hard to find music and movies as well as authenticated/graded entertainment and historical collectibles.) HK Collectibles , Inc. on Ebay Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Call us on the Hotline! (540) DBGeek - 1 or (540) 324-3351 Support Us! Shop through our Amazon link! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download

Dřevní doby amerického southern roku - první alba Charlie Danielse, Lynyrd Skynyrd, Black Oak Arkansas, Outlaws, Allman Brothers Band, ZZ Top, Blackfoot, Marshall Tucker Band a předtím ještě malá exkurze na Valašsko do roku 1998. Stetson a jeho album Boogie z pod Radhošťa.

Join us this week as we welcome Steve Hester and DeJaVooDoo to our show. Hailing from Little Rock, AR., they are a high energy Southern Rock/Blues Rock/Country Rock band doing originals and original style covers. The band has supported B.B. King, Eric Gales, Chris Duarte, Johnny Winter, Lynyrd Skynyrd, Smokin' Joe Kubek and B'Nois King, Valerie June, Tony Joe White, Black Oak Arkansas, Samantha Fish, Anthony Gomes and Devon Allman. They have performed at The Sundance Film Festival Eco Hide Away Lounge, Pre Emmy parties and House of Blues on Sunset Strip in L.A., Spa City Blues Festival Hot Springs AR 2014, Bikes Blues and Barbeque Festival Fayetteville AR 2014, Highland Jazz and Blues Festival Shreveport LA 2014. They are regulars on The VooDoo Stage at House of Blues in Dallas, and fast becoming regular Headliners at festivals all over the US! We will talk to Steve Hester and DeJaVooDoo about their upcoming schedule, get a behind the scenes look at their music, feature their latest songs, and ask them to share their message for the troops. Please be sure to visit Steve Hester and DeJaVooDoo at https://www.facebook.com/stevehestermusic101 and spread the word. Fans are welcome to call in and speak live with with Steve Hester and DeJaVooDoo during the show (718) 766-4193  If you would like to participate in the live chat during the show, you must sign up on the show site first and then log in during the show. More great music for a really great cause! And as always we will give shout outs to our deployed military listeners. This is sure to be a terrific show so be sure to join us, Sunday 8/16/2015 at 4 PM EDT! Our message to the troops....WE do what we do, because YOU do what you do.

The gang is back and may be a bit medicated. Sam snorts coke with Jim Dandy and Shawn Lane. Keith senda out music at work. Dane's World. Dane does The News. Call the comment line at (206) 309-7308. Thanks for listening.

From Oral Roberts to Black Oak Arkansas, strange things happen. Whoa! There goes Uncle Ernie runnin' 'round the church! Then, there's bread and wine. Oh, you'll just have to listen (no interpretation necessary).

You know him as the bass player from Krokus and Black Oak Arkansas. What you don't know is that he got his start in the biz on the Lynyrd Skynyrd sound crew. Andy Tanas has a simple conversation with us. Nothin' Fancy

You know him as the bass player from Krokus and Black Oak Arkansas. What you don't know is that he got his start in the biz on the Lynyrd Skynyrd sound crew. Andy Tanas has a simple conversation with us. Nothin' Fancy

First up on this episode of Garage/Soul '66 is a blast of heavy psych. The Sound Expidition hailed from Lincoln, NE and recorded (as far as we know) just this one track -- but it's a good one. "Ultimate Power" proved to be the ultimate track for the band.The Anglos take the Soul Spotlight with a sizzling lo-fi track, "Since You've Been Gone." Folks, there's more to 60's soul than Motown, as this 1967 track proves. Black Narcosis is another of our mystery bands - they came into the studio, they recorded, they disappeared without a trace. I have a deep suspicion that their track "Land of Stone" was recorded while the band was, well...The Tuesday Blues turn in a trippy, laid-back track from 1968. "Together We Stand" was recorded shortly before the lead guitarist joined Black Oak Arkansas (maybe he should have paid more attention to the lyrics).Remember, you don't need an iPod (or even an iPhone) to enjoy this podcast. Just click on the link below and start listening.Garage/Soul '66 Podcast #048 - Black Narcosis and the Tuesday BluesThe Radio StarThis program we play:The Sound Expidition  - Ultimate PowerAliens, Psychos, and Wild Things, Vol. ForeBlack Narcosis - Land of StoneAliens, Psychos, and Wild Things, Vol. ForeThe Anglos - Since You've Been GoneOl' Virginia Soul, Part 1 The Tuesday Blues - Together We StandLost Souls, Vol. 2 - Garage and Psychedelic Rock from Arkansas and Beyond

From Oral Roberts to Black Oak Arkansas, strange things happen. Whoa! There goes Uncle Ernie runnin' 'round the church! Then, there's bread and wine. Oh, you'll just have to listen (no interpretation necessary).